International Art Online Auction | Dec. 2 - 7, 2017

International Art Online Auction DECEMBER 2 - 7, 2017

International Arts Online Auction DECEMBER 2 - 7, 2017

SPECIALIST Susan Robertson 416.847.6179 sr@waddingtons.ca ON VIEW Friday, December 1, 2017 12:00 pm to 5:00 pm Saturday, December 2, 2017 11:00 am to 5:00 pm Sunday, December 3, 2017 11:00 am to 5:00 pm Monday, December 4, 2017 10:00 am to 12:00 pm PREVIEW HELD AT Waddington’s 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 Telephone: 416 504-9100 Fax: 416 504-0033 Toll Free: 1-877-504-5700

This auction is subject to the Conditions of Sale as listed on www.waddingtons.ca/Terms-of-Sale This catalogue and its contents © 2017 Waddington McLean & Company Ltd. All rights reserved.

Photography by Waddington’s

FRONT COVER Lot 38 Edward Seago (1910-1974) The Round Pond, Tuileries Gardens INSIDE FRONT COVER Lot 8 Attributed to Jan Cornelisz Vermeyen (Born Circa 1500-1559) Portrait of a Distinguished Man INSIDE BACK COVER Lot 36 Stanhope Alexander Forbes (1857-1947) The Young Friends, 1917 BACK COVER Lot 44 Ivon Hitchens (1893-1979) A House Under Hills, 1963

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BENJAMIN CHAMPNEY (1817-1907), AMERICAN

AARON DRAPER SHATTUCK (1832-1928), AMERICAN

ABRAHAM MANIEVICH (1883-1942), UKRAINIAN/AMERICAN

A REMINISCENCE OF THE ANDROSCOGGIN, 1859

STILL LIFE OF FLOWERS, 1930

LANDSCAPE (NEW HAMPSHIRE) Oil on board; signed with initials “B.C.” and dated indistinctly in red paint lower le!, titled “Landscape” to the exhibition label verso 8.25 x 6.5 in — 21 x 16.5 cm Provenance: “Deposited by J.T. & F.C. Macauley,” inscribed to exhibition label verso; Private Collection, Staten Island, New York; By descent to their granddaughter, Toronto Exhibited: Pennsylvania Academy of the Fine Arts, 1890 exhibition label (with the “60th Annual...” crossed out in blue crayon to the label) inscribed in blue crayon to the exhibition label verso $1,500—2,500

Oil on canvas; signed “A.D. Sha"uck” and dated 1859 lower right, titled in pen and ink to an old label of provenance dated June 15, 1888 to the stretcher 30 x 49 in — 76.2 x 124.5 cm Provenance: Ex. Coll. Sir David Macpherson, KCMG in his collection unframed, on June 15th 1888 inscribed by him and titled on the handwri"en pen and ink label to the stretcher; With Mackenzie & Co., Toronto with them in June 1908 their label verso; The Estate of Lee W. Larkin, Toronto

Oil on canvas; signed lower right, signed and dated 1930 verso 29.25 x 27.25 in — 74.3 x 69.2 cm Provenance: Private Collection of Mr. Oscar Faerman, Montreal acquired directly from the artist, a friend of the family; With Morency Freres Limitee, Montreal; By descent to the present Private Collection, Montreal, QC $15,000—20,000

$15,000—20,000

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ROBERT MOORE (1945- ), BRITISH

JASON SELEY (1919-1983), AMERICAN

JASON SELEY (1919-1983), AMERICAN

QUEENS CUP, NEW YORK [MAGIC AMERICA'S CUP 1870] MAGIC AMERICA. DAUNTLESS, 1989 Oil on canvas; signed lower le!, signed with initials “RM” and dated ‘89 to the stretcher, titled in pencil to the top stretcher 24 x 36 in — 61 x 91.4 cm Provenance: This is one of two American Cup paintings commissioned by the present Private Collection, Toronto directly from Robert Moore in 1989 $4,000—6,000

INESCAPABLE # II, 1966

FLIGHT FORMS, 1962

Chromium-plated steel; signed with initials “J.S.” to the underside. Raised on a black painted base.

Chromium-plated steel; signed “SELEY” to the underside, a small white label inscribed “J. Seley” with the title and indistinct inventory number “...S123” in blue pen and ink to the label to the underside

16 x 19.5 x 20 in — 40.6 x 49.5 x 50.8 cm Provenance: Gi! of Jessie and Percy Waxer, Willowdale, Ontario by 1974; Donated by the Ontario Heritage Foundation, 1988; Deaccessioned to benefit art purchases at the AGO, Inventory No. L74.11 Exhibited: See website for additional info. $2,000—3,000

25 x 50 x 15.5 in — 63.5 x 127 x 39.4 cm Provenance: With Dunkleman Gallery, Toronto, by November 21, 1967; Purchased from Dunkleman Gallery by the Art Gallery of Ontario, Toronto on November 21, 1967; Deaccessioned to benefit art purchases at the AGO, Inventory No. 67/16 in red paint to the underside Exhibited: See website for additional info. $2,000—3,000

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JULIO LE PARC (1928), ARGENTINIAN

ATTRIBUTED TO JAN CORNELISZ VERMEYEN (BORN CIRCA 1500-1559), DUTCH

ATTRIBUTED TO CHRISTOPH AMBERGER (BORN CIRCA 1490 - DIED CIRCA 1562), GERMAN

PORTRAIT OF A DISTINGUISHED MAN: POSSIBLY A COLLECTOR OR A GOLDSMITH, THREE-QUARTER LENGTH, 1534

PORTRAIT OF A TOWNSMAN, HEAD-ANDSHOULDERS (TO THE LEFT) WEARING A BLACK CLOTH CAP, BLACK CLOAK AND RUFFLED COLLAR, BEFORE A GREEN BACKGROUND

RELIEF NO. 25, 1970 Plexiglass and steel with black and white silkscreen multiple; signed “Le Parc” in black marker to the Editions Denise Rene publisher’s label verso, titled and numbered 14/200 to the same label, dated 1970 to the Pollock Gallery label verso 15.7 x 15.7 x 2 in — 40 x 40 x 5 cm Provenance: Editions Denise Rene, Saint Germain, Paris; The Pollock Gallery Limited, Toronto; Private Collection, Woodstock, Ontario $5,000—7,000

Oil on cradled oak panel; dated “Anno 1534” upper right. Accompanied by four le!ers of opinion (“Gutachten”) appraising the work wri!en in German 37.5 x 29.5 in — 95.3 x 74.9 cm Provenance: The House of Hohenzollern Collection, Germany, likely a commissioned work by the Kaiser Monarchy; Ex. Collection, Wilhelm Pfeiffer, Germany & Canada, acquired in the early 1960s; By descent to the present Private Collection, Heidelberg, Ontario

Oil on cradled oak panel. Accompanied by four le!ers of opinion (“Gutachten”) appraising the work wri!en in German including documents by: Dr. Ernst Wengenmayr Kunsthistoriker, dated at Munchen, October 7, 1961; Professor Emerich Schaffran, dated at Vienna, June, 16, 1961; Adolf Bangel, dated at Frankfurt Am Main, October 23, 1961; and Dr. Heinrich Zimmermann, dated at Tutzing, 12.11.61 a!ributing this work to Christoph Amberger (with artist’s dates, 1500-1561) 15.25 x 12 in — 39 x 30.5 cm

$30,000—50,000

Provenance: The House of Hohenzollern Collection, Germany; Ex. Collection, Wilhelm Pfeiffer, Germany and Canada, probably acquired in the early 1960s; By descent to the present Private Collection, Heidelberg, Ontario $15,000—25,000

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ATTRIBUTED TO FRANCOIS CLOUET (BORN BEFORE 1522-1572), FRENCH

CIRCLE OF FRANS FRANCKEN THE YOUNGER (1581-1642), FLEMISH

CIRCLE OF JACOPO TINTORETTO (1519-1594), ITALIAN

PORTRAIT OF A MIDDLE-AGED NOBLEMAN, HEAD-AND-SHOULDERS (TO THE RIGHT) WITH BLONDE HAIR, SHORT CUT WHISKERS, WEARING A BLACK BERET CAP WITH WHITE FEATHER AGAINST A DARK BROWN BACKGROUND, THE SITTER’S EYES LOOKING OUT TOWARDS THE VIEWER Oil on panel. Accompanied by four le!ers of opinion (“Gutachten”) appraising the work wri!en in German including documents by:

THE STORY OF VENUS (ADONIS LEAD BY CUPIDS TO THE SLEEPING VENUS)

MOSES AND THE BRAZEN SERPENT

Dr. Ernst Wengenmayr Kunsthistoriker, dated at Munchen, November 30, 1961; Professor Emerich Schaffran, dated at Vienna, June 7, 1961; Adolf Bangel, dated at Frankfurt Am Main, September 25, 1961; and Dr. Heinrich Zimmermann, dated at Tutzing, August 16, 1961 a!ributing this work to Francois Clouet, Court painter of King Franz I, circa 1540 11.75 x 9.25 in — 29.8 x 23.5 cm Provenance: The House of Hohenzollern Collection, Germany; Ex. Collection, Wilhelm Pfeiffer, Germany and Canada, probably acquired in the early 1960s; By descent to his son, Germany and Canada; By descent to his daughter, Private Collection, Heidelberg, Ontario $10,000—15,000

Oil on canvas; previously given to the 16th Century Italian school of Giorgione to the nameplate 36 x 43.5 in — 91.4 x 110.5 cm Provenance: Estate Collection, Udo Smidt, Toronto, acquired in 1990; Private Collection, Toronto $7,000—10,000

Oil on canvas; an old label to the frame verso inscribed indistinctly in pen and ink headed: “... caginol.../ “P. (or IP) Nico 1543”, and below this the label further inscribed indistinctly “1577 / ...”

44.5 x 62.25 in — 113 x 158.1 cm Provenance: Estate Collection, Montreal $15,000—20,000

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18TH CENTURY ITALIAN

SCHOOL OF FRANCESCO GUARDI (1712-1793), ITALIAN

JOHANN CHRISTIAN BRAND (1722-1795), AUSTRIAN

THE DOGANA AND SANTA MARIA DELLA SALUTE, THE REDENTORE BEYOND, GRAND CANAL, VENICE

ITALIANATE LANDSCAPE WITH RUIN, AND A GATHERING OF HERDSMEN WITH THEIR CATTLE, SHEEP, DOGS AND A WASHERWOMAN AT RIGHT

COMMEMORATIVE PORTRAIT OF THE CLERIC, ANTONIUS OF COMMENDUNO, (DIED 1796) Oil on canvas; titled in the Latin inscription along the bo!om edge: “ANTONIVS. DE. COMMENDVNO. C.R.S. SACRIS. STVDIIS. APPRIME. EXCVLTVS. ET. TOTVS. IN ANIMARVM. SALVTE. CVRANDA. DECESSIT. BERNVM. A.MDCCLXXXXVI”

Oil on canvas 25.25 x 36.25 in — 64.1 x 92.1 cm

Oil on canvas laid down on masonite; signed “Brand Professor” to the rock lower le"

29 x 23 in — 73.7 x 58.4 cm

Provenance: Estate Collection, Montreal.

41 x 33.5 in — 104.1 x 85.1 cm

Provenance: Estate Collection, Montreal

$5,000—7,000

$3,000—4,000

Provenance: Ex. Collection The Chesapeake and Ohio Railway, this lot hung in their Presidential suite in the Terminal Tower, Cleveland, Ohio; Gi"ed to Harold W. Brewer, the purchasing agent for The Chesapeake and Ohio Railway, Cleveland, Ohio; By descent to his daughter, New Hamburg, Ontario in 1969; With Dominion Gallery, Montreal and entered in the gallery inventory on October 8, 1969, Inventory No. C4208, as “Unknown 18th Century Dutch Italianising Painter” with title “Pastoral Scene”; Returned to the Private Collection in 1969 $6,000—8,000

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AFTER JEAN-MARC NATTIER (1685-1766), FRENCH

EDMOND THOMAS PARRIS (1793-1873), BRITISH

ATTRIBUTED TO GEORGE ROMNEY (1734-1802), BRITISH

MADAME VICTOIRE DE FRANCE, 1748 Colour pastel on paper mounted on canvas 30.25 x 21.75 in — 76.8 x 55.2 cm Provenance: Britnell Art Galleries, Richmond Hill & Toronto, Ontario; The Estate of Doreen Britnell, Richmond Hill, Ontario $3,000—5,000

QUEEN BERTHA (OF KENT) WIFE OF ETHELBERT EDUCATING HER CHILDREN (EADBALD AND ETHELBURGA), 1857 Oil on panel; signed and dated 1857 to the post lower right, titled “Queen Bertha wife of Ethelbert Educating Her Children” and numbered “No. 2” to an old handwri!en pen and ink card further inscribed with a passage from Rapins History of England: “To Bertha undeviating faith in Christ and her education in Christianity. Eadbald and her daughter Ethelburga, are mainly to be a!ributed the rapid and effectual conversion of the Idolatrous Saxons to the sacred truths of Christianity” mounted to the verso 18 x 13.75 in — 45.7 x 34.9 cm Provenance: Family of the artist; Mrs. Mason (nee Amy Claudet), the artist’s niece; Presented this work to as inscribed: “Mary Sco! in memory of her Aunt, Miss Mary Ann Parris, daughter of the artist” to an old handwri!en pen and ink label, indistinctly dated 1904 verso; Britnell Art Galleries, Richmond Hill & Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $3,000—5,000

REPORTED TO BE LADY WEBSTER DAUGHTER OF DR. RICHARD NAIRN, DEAN OF BATTLE “IN BLACK DRESS WITH WHITE CAP” (DIED DECEMBER 25TH, 1810 AT THE AGE OF 82) Oil on canvas; titled and inscribed to the accompanying handwri!en le!er from Britnell Art Galleries, Richmond Hill, Ontario le!erhead, undated, that reads: "Lady Webster by George Romney / Lady Webster daughter of Dr. Nairn Dean of Ba!le, married Sir Whistler Webster, 2 Bart. who died S.P. in 1779/ (died) Dec 25th, 1810 “In black dress with white cap” (taken from Humphry and Roberts) 30 x 25.5 in — 76.2 x 64.8 cm Provenance: Said to be: Collection of the si!er, Lady Webster at Ba!le of Abbey; Her Estate; By decent to Sir Godfrey Webster, great-nephew of Sir Whistler Webster a$er December 25th, 1810; Sold Christies, July 1897, Lot 54 (to “Hasties” according to the Britnell document); Britnell Art Galleries, Richmond Hill, Ontario document; Robert C. Britnell, 8 Craigleith Crescent, Richmond Hill, On., label to the frame verso; With Christie's, October 24, 1990, temporary receipt; The Estate of Doreen Britnell, Richmond Hill, Ontario Literature: “The Gentleman’s Magazine” 1810, Volume LXXX, Part 2, ‘Obituary: with Anecdotes of Remarkable Persons’, p. 666: for December 25; Humphry Ward and W. Roberts, “Romney: A Biographical and Critical Essay with a Catalogue Raisonne of his Works,” 1904, Vol. II, p. 168, mentioned “Lady Webster” briefly with reference to the Christie’s sale of 1897; Alex Kidson, “George Romney A Complete Catalogue of His Paintings”, in three volumes, Yale University Press, 2015 $5,000—7,000

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MANNER OF SIR THOMAS LAWRENCE (1769 -1830), BRITISH OR NORTH AMERICAN

DANIEL MACLISE (1806-1870), IRISH

ATTRIBUTED TO FRANCIS SARTORIUS THE YOUNGER (1782- CIRCA 1808), BRITISH

PORTRAIT OF TWO FRIENDS IN REGENCY DRESS Oil on canvas 36.25 x 30.25 in — 92.1 x 76.8 cm Provenance: Black stencil inventory number “409 JD” to the stretcher; Britnell Art Galleries, Richmond Hill and Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $3,000—5,000

COUPLE RELATING A STORY TO SOLDIERS WITH BIBLICAL RELICS BEFORE THEM IN A LANDSCAPE WITH ROMAN RUINS, CIRCA 1840 Oil on canvas; inscribed “D. Maclise #26” in pen and ink to an old label to the stretcher, exhibited as “Young Lovers Held Captive (unknown historical scene)” 30 x 36 in — 76.2 x 91.4 cm Provenance: Ex. Collection of Philip Shackleton’s sister, in the Shackleton family for over 60 years, Kingston, Ontario; Sold at Tim Po!er Auctions, December 4, 2004; From whom purchased by the present Private Collection, Kingston, Ontario Exhibited: “Revelations - European Old Masters in Kingston Collections” exhibition Bader Gallery, Agnes Etherington Art Centre, Kingston, Ontario 11 February - 19 August 2007 as “Young Lovers Held Captive (unknown historical scene) around 1840.” $15,000—25,000

LIFE OF A RACE HORSE: (SET OF FOUR): MARE AND FOUL; GROOMING THE HORSE FOR A RACE; HUNTSMAN WITH HOUNDS IN FULL CRY; RETURN TO THE STABLE Four oils on canvas, sculpted ovals, given to “F. Sartorius” and titled to gallery labels to each verso.

Each contained in frames labelled “Hall, Carver & Gilder/ Castle Street, Exeter” to the verso.

Each 14 x 17.5 in — 35.6 x 44.5 cm Provenance: Arthur Ackermann & Son, Inc., of London and Chicago, 10 East Forty-Sixth Street, New York; Estate Collection, Hamilton, Ontario $10,000—15,000

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WILLIAM SHAYER THE ELDER (1787-1879), BRITISH

ATTRIBUTED TO GEORGE MOUNSEY ATKINSON (CIRCA 1830-1980), IRISH

HENRY JOHN BODDINGTON (1811-1865), BRITISH

THE FISH SELLER, ISLE OF WIGHT

THE EUGENIE FRAN WISBY - KAPT. J.E. SYBERG - QUEENSTOWN, 1887

Oil on canvas; signed lower le!, titled to an old typed label a"ached to the verso 28 x 36 in — 71.1 x 91.4 cm

Oil on canvas; titled and dated 1887 at “Queenstown” along the bo"om le! edge. Contained in a burled walnut frame.

$5,000—7,000

24 x 35 in — 61 x 88.9 cm Provenance: David Cross Gallery, Bristol, UK; From whom purchased by the Private Collection, Toronto in 1985 $7,000—9,000

25 HENRY JOHN BODDINGTON (1811-1865), BRITISH EARLY MORNING ON THE THAMES, 1856 Oil on canvas; vestiges of signature lower le!?, titled and dated 1856 to the nameplate 30 x 48 in — 76.2 x 121.9 cm Provenance: The Estate of Mary G.N. White; By descent to her daughter, Camliachie, Ontario $4,000—6,000

THE FORD, 1846 Oil on canvas; signed and dated 1846 lower right, titled to gallery label verso 30 x 50 in — 76.2 x 127 cm Provenance: P & D Colnaghi & Co., Ltd., London; Ex. Collection Rose Ann Gapfer (the last name indistinct) inscribed in pen and ink to a small label to the frame verso; Private Collection, Waterloo, Ontario $5,000—7,000

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ALEXANDER JOHNSTON (1815-1891), SCOTTISH

ROBERT THEGERSTROM (1857-1919), BRITISH/SWEDISH

WILLIAM HEMSLEY (1819-1893), BRITISH

PEGGY AND JENNIE, GENTLE SHEPHERD Oil on canvas; signed “Alex Johnston” near the bo!om at mid-centre, signed from the artist’s address at 4 Southhampton St., Fitzroy Sq., London (which was then an artist’s colony), titled, numbered “No. 2” and further inscribed “RA 1840” in sepia ink to the exhibition label to the stretcher 28.5 x 23.25 in — 72.4 x 59.1 cm Provenance: Private Collection, London, UK; From whom purchased by Cooling Galleries, Bond Street; Sent directly by them to the Toronto branch of Cooling Galleries (Ontario) Limited, Toronto; From whom purchased by Mrs. W.A. Hardy, Flint, Michigan on February 7th, 1946 accompanied by the receipt and copies of the Cooling Galleries Limited, Toronto le!ers to Mrs. Hardy noting the provenance and exhibition history of this work; By descent; The Robert’s Estate, United States $4,000—6,000

DAMPORTRATT, PARIS, 1880-1885 Colour pastel on August Bergin & Co., Stockholm “Lilla Wa!ugatan No. 26” prepared board; given to the artist and titled to the exhibition label verso 36 x 24 in — 91.4 x 61 cm Provenance: Ex. Collection of the present owner’s grandfather, Dr. Axel Gauffin, Stockholm; Hung in the summer residence of Axel Gauffin and his wife, Bri!a at Stora Lundby, outside Stockholm from circa 1909, then later at the city home at Alstens Gard, Stockholm; By descent to Margit (Gauffin) and Gosta Korean, Djursholm; By descent to the present Private Collection, London, Ontario Exhibited: Parisutstallningen, 1929 while with Axel Gauffin (G. Korean’s name in pencil to the label), Cat. No. 8 Literature: See “Bonniers Veckotidning” magazine “Hos Axel Och Britta Gauffin Pa Stora Lundby” n.d, pgs. 24-26 for illustrations and the story of “Stora Lundby” $20,000—30,000

THE SHAM Oil on canvas; signed lower le#, signed and titled verso 19.25 x 16 in — 48.9 x 40.6 cm Provenance: The Cooling Galleries Ltd., London & Toronto; From whom purchased by Mr. W.A. Hardy, Flint, Michigan on November 5th, 1946 accompanied by the receipt and copies of the Cooling Galleries Limited, Toronto le!ers of biography to Mr. Hardy; By descent; The Robert’s Estate, United States $4,000—6,000

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WILLIAM BROMLEY (1835-1888), BRITISH

JOHN HENRY YEEND-KING (1855-1924), BRITISH

ERNEST WALBOURN (1872-1927), BRITISH

LEISURE HOURS

A SUMMER IDYLL

Oil on canvas; signed “W. Bromley” lower le!, signed and titled in pen and ink to the old artist’s label to the stretcher

Oil on canvas; signed lower le!

THE CHURCH POST-BETWS-Y-COED, NORTH WALES

14 x 18 in — 35.6 x 45.7 cm

32 x 50 in — 81.3 x 127 cm $5,000—7,000

$2,500—3,500

Oil on canvas; signed lower right, titled to the nameplate 40 x 50.5 in — 101.6 x 128.3 cm $3,000—4,000

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SIDNEY RICHARD PERCY (1821-1886), BRITISH

ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH

ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH

IN THE HIGHLANDS Oil on canvas; signed bo"om centre, titled to the gallery receipt accompanying the lot 9 x 14 in — 22.9 x 35.6 cm Provenance: The Cooling Galleries Ltd., London & Toronto label detached accompanying the lot; From whom purchased by Mr. W.A. Hardy, Flint, Michigan on October 16, 1950 accompanied by the receipt and biographical sheet; By descent; The Robert’s Estate, United States $2,500—3,500

THE MCGILLICUDDY REEKS, KILLARNEY

EVENING, CRUMMOCK WATER

Oil on canvas; signed lower right, signed and titled verso

Oil on canvas; signed lower le!, signed and titled verso

24 x 36 in — 61 x 91.4 cm

24 x 36 in — 61 x 91.4 cm

Provenance: Robert’s Gallery, Toronto from whom purchased by the grandfather of the consignor in the 1960s; By descent

Provenance: The frame inscribed “Eaton, Toronto”; Odon Wagner Gallery, Toronto, Inventory No. 9777 label verso; Private Collection, Toronto

$3,000—5,000

$3,000—5,000

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DAVID FORRESTER WILSON (1873-1950), SCOTTISH

STANHOPE ALEXANDER FORBES (1857-1947), BRITISH

ELIZABETH ADELA STANHOPE FORBES (1859 -1912), CANADIAN/BRITISH

A REST FROM HER LABOURS, 1931

THE YOUNG FRIENDS, 1917

Oil on panel; signed and dated 1931 lower right

Oil on canvas signed “Stanhope A. Forbes” and dated 1917 lower right, title inscribed “The Young Friends” to gallery label verso

LADY IN A BLACK HAT WEARING A JAPANESE KIMONO Oil on canvas; signed with initial compounded monogram EAF lower right

24 x 20 in — 61 x 50.8 cm

24 x 20 in — 61 x 50.8 cm

Provenance: Garfield Galleries, Toronto; Private Collection, Toronto

Provenance: With Robert Oliver Fine Paintings Prints and Handmade Frames, Montreal, Quebec; This painting was purchased with a grouping of other items in West Vancouver

40.25 x 36 in — 102.2 x 91.4 cm Provenance: McClure & Son, Glasgow; Waddington’s, Toronto, June 12, 2000, Lot 195; Private Collection, Victoria, B.C. Exhibited: Glasgow Art Gallery, “Exhibition of A Century of Art in Glasgow” while with McClure, n.d. $5,000—7,000

$20,000—30,000

Literature: Judith Cook and Melissa Hardie, “Singing from the Walls, The Life and Art of Elizabeth Forbes,” Bristol, 2000. $6,000—9,000

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EDWARD SEAGO (1910-1974), BRITISH

EDWARD SEAGO (1910-1974), BRITISH

EDWARD SEAGO (1910-1974), BRITISH

THE ROUND POND, TUILERIES GARDENS

THE LOCK AT LIEDSCHENDAM - HOLLAND

LATE SUMMER, NORFOLK

Oil on canvas; signed lower le!, titled “The Round Pond, Tuilleries Gardens” (with the 2nd “l” crossed out in pencil to the stretcher)

Oil on masonite board; signed lower le!, titled in pencil verso

Oil on masonite board; signed lower le!, titled verso

26 x 36 in — 66 x 91.4 cm Provenance: Private Collection, Brighton, Ontario; By descent Literature: "Edward Seago Painter in the English Tradition", Introductory text by Horace Shipp, Collins, 1952, p. 41; Laing Galleries, “Edward Seago”, exhibition catalogue, April 1970, Cat. No. 4, illustrated $60,000—90,000

26 x 36 in — 66 x 91.4 cm Provenance: Laing Galleries, Toronto, “Edward Seago” exhibition, April, 1970; Estate of Mr. B.M. Osler; By descent to his daughter, Tim Wills, Toronto; By descent to her husband; The Estate of her husband, Mr. Duane K. Wills, Toronto Exhibited: Laing Galleries, Toronto, “Edward Seago”, April 1970, Cat. No. 4, illustrated in colour

12.25 x 16 in — 31.1 x 40.6 cm Provenance: Laing Galleries, Toronto; Estate of Mr. B.M. Osler; By descent to his daughter, Tim Wills, Toronto; By descent to her husband; The Estate of her husband, Mr. Duane K. Wills, Toronto $10,000—15,000

$20,000—30,000

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EDWARD SEAGO (1910-1974), BRITISH

PATRICK HERON (1920-1999), BRITISH

PATRICK HERON (1920-1999), BRITISH

THE SEINE AT AMFREVILLE

INDIGO, ULTRAMARINE, ORANGE AND EMERALD, JULY, 1970

ULTRAMARINE, SIENNA, ORANGE AND EMERALD IN CADMIUM, JULY, 1970

Gouache on paper; signed, titled and dated “July 26th 1970” verso backing

Gouache on paper; signed, titled and dated “July 26th 1970” verso backing

Sheet 7 x 9.5 in — 17.8 x 24.1 cm

Sheet 7 x 9.5 in — 17.8 x 24.1 cm

Provenance: With The Abbey Framers, New Street, Penzance; Sears, The Vincent Price Gallery, Inventory No. WGCON 31 to gallery label verso; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

Provenance: With The Abbey Framers, New Street, Penzance; Sears, The Vincent Price Gallery, Inventory No. WGCON 29 to gallery label verso; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

Literature: See website for additional info.

$10,000—15,000

Oil on masonite board; signed lower le!, titled verso 12.5 x 16.25 in — 31.8 x 41.3 cm Provenance: Estate of Mr. B.M. Osler; By descent to his daughter, Tim Wills, Toronto; By descent to her husband; The Estate of her husband, Mr. Duane K. Wills, Toronto $10,000—15,000

$10,000—15,000

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IVON HITCHENS (1893-1979), IRISH

JOHN HOYLAND (1934-2011), BRITISH

JOHN HOYLAND (1934-2011), BRITISH

A HOUSE UNDER HILLS, 1963

NEW YORK III, 1970

FRINGE, 10.8.77

Oil on canvas; signed lower right, signed, titled, dated 1963 and annotated: “by Ivon Hitchens. Presented by M.C. Hitchens to Victor Waddington Esq. Xmas 1963” in black ink to the label to the stretcher

Acrylic on canvas; titled and dated 1970 to gallery label verso backboard

Acrylic on co!on duck canvas; signed, titled and dated “10.8.77” (1977) in pencil verso. Unframed.

26 x 41 in — 66 x 104.1 cm

36 x 24 in — 91.4 x 61 cm

16 x 36 in — 40.6 x 91.4 cm

Provenance: Andre Emmerich Gallery Inc., New York gallery label and two gallery stamps to the backing board verso; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

Provenance: Waddington Galleries, Montreal label to the top stretcher; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

$12,000—18,000

$15,000—20,000

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JOHN HOYLAND (1934-2011), BRITISH

JOHN HOYLAND (1934-2011), BRITISH

JOHN HOYLAND (1934-2011), BRITISH

Provenance: M.C. Hitchens, the stretcher with black crayon initials “M.C.” under the presentation label; Presented by M.C. Hitchens to Victor Waddington Esq., Christmas, 1963; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

$30,000—50,000

NEW YORK V, 1970

UNTITLED, CIRCA 1968

UNTITLED, 1971

Acrylic on canvas; titled and dated 1970 to gallery label verso backboard

Acrylic on paper; titled to gallery labels verso

Acrylic on paper; signed below the image in pencil lower right, dated “71” below the image in pencil lower le"

26 x 41 in — 66 x 104.1 cm Provenance: Andre Emmerich Gallery Inc., New York gallery label and two gallery stamps to the backing board verso; Waddington, Montreal label verso; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

$12,000—18,000

19.5 x 28.25 in — 49.5 x 71.8 cm Provenance: Harcus-Krakow Gallery, Boston, Massachuse!s; Waddington, Montreal; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

Sheet sight 22 x 32 in — 55.9 x 81.3 cm

$8,000—12,000

$4,000—6,000

Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

50

51

52

VOJIN BAKIC (1915-1992), CROATIAN

VOJIN BAKIC (1915-1992), CROATIAN

FRANTISEK KUPKA (1871-1957), CZECH

HEAD, MODELLED 1953/4

TORSO, CIRCA 1960

Bronze with black patination; signed “Bakic” to the bo!om edge. Raised on a painted black base.

Polished bronze; signed “Bak” at the bo!om edge

TREES IN A LANDSCAPE; A FIELD WITH SUMMER COLOURS; ABSTRACT LANDSCAPE, CIRCA 1920

Bronze/Mounted height 12.4 in — 31.5 cm; 17.25 in — 43.8 cm

height 42 in — 106.7 cm

Provenance: Purchased at the Venice Biennale by Mrs. O.D. Vaughan, Toronto, Ontario, in 1956; Donated to the Art Gallery of Ontario, Toronto, by Mrs. O.D. Vaughan on December 20, 1985; Deaccessioned to benefit art purchases at the AGO, Inventory No. 85/421 Exhibited: XXVIII Biennale di Venezia, Yugoslavian Pavilion, Venice, Italy, 1956, No. 268

Provenance: Purchased in London, UK by Mrs. O.D. Vaughan, Toronto in 1960; Donated to the Art Gallery of Ontario, Toronto by Mrs. O.D. Vaughan on December 20, 1985; Deaccessioned to benefit art purchases at the AGO, Inventory No. 85/422 $1,200—1,800

Three oils on board with French “Le Basculo” advertising on the verso; the first title: signed “Kupka” lower right, each signed with initials in blue crayon verso. Each unframed.

Each 9 x 5.9 in — 22.9 x 15 cm Provenance: Vaclav Horejs, Montreal (1898-1990), member of the Czechoslovak Society of Arts and Sciences in Washington; His Estate sale, December 2016, Westmount, PQ; Private Collection, Montreal $4,000—6,000

$1,500—2,500

53

54

55

VACLAV BROZIK (1851-1901), CZECH

BERNARD POTHAST (1882-1966), DUTCH

JOZEF ISRAELS (1824-1911), DUTCH

YOUNG HERDER WITH SHEEP, 1877

HAPPY DAYS

PLAYING WITH A TOY BOAT

Oil on canvas; signed with adjoined initials and dated 1877 lower right

Oil on canvas; signed lower right, titled to gallery label verso

Watercolour and chalk on wove paper; signed twice lower right

31 x 39 in — 78.7 x 99.1 cm

14.5 x 11 in — 36.8 x 27.9 cm

Sheet 15.25 x 10.75 in — 38.7 x 27.3 cm

Provenance: Private Collection, Czech Republic; By descent to the present Private Collection, Canada from her father-in-law in the mid 1990s

Provenance: Watson Art Galleries, Montreal, Record No. 14507 label to the stretcher

Provenance: Dr. James W. Ross, Toronto; By descent to the present Private Collection, Mississauga, Ontario

$6,000—8,000

$2,000—3,000

$4,000—6,000

56

57

58

LOUIS SMETS (1852-1868), DUTCH

NARCISSE VIRGILE DIAZ DE LA PENA (1807 -1876), FRENCH

LOUIS SIMON CABAILLOT LASSALLE (1810 -1870), FRENCH

SIX ENFANTS ORIENTAUX EN FORET, 1844

CHILDREN’S MORNING MEAL WITH THEIR CAT AND DOG, 1866

SKATERS ON A FROZEN POND, 1867 Oil on canvas; signed and dated 1867 lower right 12.25 x 17.25 in — 31.1 x 43.8 cm Provenance: Private Collection, Toronto $5,000—7,000

Oil on canvas; signed “N. Diaz” lower le!

13.2 x 9.8 in — 33.5 x 25 cm Provenance: Ex. Coll. Mrs. Adele Bloom, Westmount, QC; By descent to the present Private Collection, Westmount, QC Literature: Pierre Miquel and Rolande Miquel, “Narcisse Diaz de la Peña (1807-1876): Catalogue raisonné de l’œuvre peint”, Paris, 2006, Vol. II, p. 296 (illustrated)

Oil on panel; signed “Louis Lassalle” and dated 66 lower right 17.5 x 14.25 in — 44.5 x 36.2 cm Provenance: Private Collection, Toronto $7,000—9,000

$5,000—7,000

59

60

61

LOUIS SIMON CABAILLOT LASSALLE (1810 -1870), FRENCH

LOUIS SIMON CABAILLOT LASSALLE (1810 -1870), FRENCH

CHARLES BERTRAND D’ENTRAYGUES (1851 -1929), FRENCH

MISHAP IN THE SNOW

BACK FROM SCHOOL

THE CHOIR BOYS

Oil on panel; signed “Louis Lassalle” lower right

Oil on Goupil & Compie, Paris pastel and drawing board; signed “Louis Lassalle” in red paint lower right

Oil on canvas; signed lower le!

8.5 x 11 in — 21.6 x 27.9 cm Provenance: The Cooling Galleries Ltd., London and Toronto; Private Collection, Toronto $2,000—3,000

Image/board 9.75 x 8 in — 24.8 x 20.3 cm; 19.75 x 16.5 in — 50.2 x 41.9 cm

18.25 x 24 in — 46.4 x 61 cm

Provenance: Private Collection, Toronto

Provenance: Gi!ed to the present consignor’s mother; By descent to the present Private Collection, Oakville, Ontario

$2,000—3,000

$8,000—12,000

62

63

64

EDOUARD LEON CORTES (1882-1969), FRENCH

JAMES WEBB (1825-1895), BRITISH

CARL HAAG (1820-1915), GERMAN/BRITISH

UNE ALLEE DU MARCHE AUX FLEURS DE LA MADELEINE, CIRCA 1934

ALGIERS

A BEDOUIN OF THE HAWAROH TRIBE, 1862

Oil on canvas; signed lower le!, titled to the nameplate

Watercolour on paper laid down to thick paperboard; signed and dated 1862 in red paint lower right, titled to the Peabody Studio Certificate of Authenticity label to the wood backboard verso, with the remains of two unidentified red wax seals to the wood backing

Oil on canvas; signed lower le!, the stretcher with black gallery stamp: “Tableaux Modernes Leon Gerard Expert 18 Rue Drouot 18, Paris” and inventory number “4754” in blue pencil to the stretcher 15 x 21.5 in — 38.1 x 54.6 cm Provenance: Galerie Leon Gerard, Paris, France with black stamp: “Tableaux Modernes Leon Gerard Expert, Paris”, to the stretcher in 1934; Inventory number 4754 inscribed in blue pencil to the stretcher; Private Collection of Alfred & Mathilde Paradis, Montreal purchased by them more than 60 years ago; By descent to their daughter, Louise Paradis, Montreal her name inscribed to a label to the frame; By descent to the present Private Collection, Montreal $20,000—30,000

24 x 40.25 in — 61 x 102.2 cm $8,000—12,000

20.5 x 16.25 in — 52.1 x 41.3 cm Provenance: Thos. Agnew & Sons, London & Manchester/ Liverpool Exchange Art Gallery label to the wood backboard; With the Peabody Studio, Certificate of Authenticity, signed by R. Clements to the wood backboard; With two partial unidentified red wax collector seal’s to the wood backboard; Ex. Collection Jack Adler, the proprietor of an antique shop in London, England until 1928; Acquired by Benjamin Bennet-Alder, the brother of Jack Adler; The painting traveled to Canada when the family emigrated to Canada in 1928; By descent to his son, Noel Bennet-Alder. Toronto; By descent to his wife, Toronto $4,000—6,000

65

66

67

DUDLEY HARDY (1866-1922), BRITISH

PHILIPPE PAVY (1860- ), FRENCH

THE SNAKE CHARMER Watercolour and gouache on watercolour board; signed lower right, title inscribed verso

COUNTRYMEN WITH THEIR WARES OUTSIDE A MOSQUE, 1887

BERTRAM WALTER DUMBLETON (1896-1966), SOUTH AFRICAN

21 x 14.25 in — 53.3 x 36.2 cm Provenance: J. Wilson & Co., Fine Arts, O!awa

Oil on panel; signed and dated 1887 lower le".

Unframed.

12 x 8.7 in — 30.5 x 22 cm $2,000—3,000

$1,500—2,500

“ADAM” (A MARKET BOY FROM CAPE TOWN) Oil on canvas on wood panel; titled “Adam”, inscribed “Bertram W. Dumbleton” and annotated in pen and ink to an old paper label affixed to the frame verso 18.5 x 15.25 in — 47 x 38.7 cm $3,000—4,000

68

69

70

BOUVARD (19TH /20TH CENTURY), FRENCH

ISMAEL ADOLPHE CLAVEL (19TH/20TH CENTURY), FRENCH

HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH

VENETIAN BACKWATER Oil on canvas; signed “BouvarD” lower le" 21 x 26 in — 53.3 x 66 cm Provenance: Campbell McConnell, Toronto; By descent to the present Private Collection, Mississauga, Ontario $4,000—6,000

NATURE MORT AVEC CHAT

ETUDE DE PAYSAGE, 1894 [DORTU, 3566]

Oil on canvas; signed lower right, titled to gallery label verso

Pencil drawing heightened with red crayon on wove paper; stamped with the artist’s monogram “HTL” (L. 1338) in red ink lower le", titled and dated 1894 to the accompanying gallery appraisal dated 12/26/2014 and with the signed and dated Certificate of Authenticity from Park West Gallery. A unique work.

31.5 x 25 in — 80 x 63.5 cm Provenance: Galerie Bernard Desroches, Montreal; Britnell’s Art Galleries Ltd., Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $2,000—3,000

3.75 x 6.1 in — 9.5 x 15.5 cm Provenance: Private Collection, Germany; Sold Sotheby’s, London, February 6, 2007, Lot 230; With Park West Gallery Appraisal dated 12/26/2014, Registration No. 199040.0000 and the Certificate of Authenticity, Southfield, Michigan Literature: Maurice Joyant, “Henri de Toulouse Lautrec 1864 -1901 Dessins, Estampes, Affiches”, Paris, 1927, p. 205; M.G. Dortu, “Toulouse-Lautrec et Son Oeuvre”, New York, Vol. V, D. 3566, illustrated p. 595 $4,000—5,000

71

72

73

MARIE LAURENCIN (1885-1956), FRENCH

ACHILLE-EMILE OTHON FRIESZ (1879-1949), HUNGARIAN/FRENCH

JEAN DUFY (1888-1964), FRENCH

DEUX JEUNES AMIES Watercolour with pencil sketching lines on textured paper; signed upper right, titled to gallery label verso Sheet 11.75 x 10 in — 29.8 x 25.4 cm Provenance: Bazinet-Bureau family, Montreal; Galerie Walter Klinkhoff Inc., Montreal; Peter Ohler Fine Arts Ltd., Vancouver, B.C.

FLOWER STILL LIFE (LILLIES) Watercolour and gouache with pencil on paper; signed lower right Sheet 15.25 x 11.5 in — 38.7 x 29.2 cm

STILL LIFE OF TULIPS Gouache and watercolour on paper mounted on canvas; signed lower le" Sheet 18.5 x 23.5 in — 47 x 59.7 cm

Provenance: Kaspar Gallery, Toronto; Private Collection, Toronto

Provenance: Wally Findlay Galleries, New York, their label and Inventory No. “7033 N.Y.” in black marker to the verso backing; Estate Collection, Toronto

$8,000—12,000

$2,000—3,000

$5,000—7,000

74

75

76

LÉONARD TSUGUHARU FOUJITA (1886-1968), JAPANESE/FRENCH

FRANCOIS GALL (1912-1987), FRENCH

FRANCOIS GALL (1912-1987), FRENCH

LA BELLE SAISON (EUGENIE ALLONGEE (EN BLEU, CHAPEAU DE PAILLE) DANS UNE PRAIRIE A LA BELLE SAISON)

Oil on canvas; signed lower le"

JEUNE FEMME ET SON CHAT, 1950 Ink and watercolour wash en grisaille on paper; signed “Foujita” and dated 1950 at Paris bo#om centre. Accompanied by a Certificate of Authenticity from Sylvie Buisson, Paris, dated October 25, 2017, Cat. No. D50.298.D Sheet 9 x 6.25 in — 22.9 x 15.9 cm Provenance: Trosby Galleries, Inc., Palm Beach, Florida; From whom purchased by Mr. Oscar Faerman, Montreal, as “Jeune Fille Avec Chat” on April 6, 1967 together with receipt; By descent to the present Private Collection, Montreal, QC $10,000—15,000

Oil on canvas; signed lower right, signed and titled “La Belle Saison” verso. Accompanied by a photocertificate of authenticity from the daughter of the artist, Marie-Lize Gall (the daughter of Eugenie), dated at Paris “le 9 Novembre, 2015”, No. 642 23.6 x 28.7 in — 60 x 73 cm Provenance: Sotheby’s, New York, October, 1990, Lot 329; From whom purchased by a Private Collection, New York; From whom purchased by the present collection, Toronto $6,000—8,000

DAY AT THE BEACH

10.75 x 18 in — 27.3 x 45.7 cm $4,000—6,000

77

78

79

THÉO TOBIASSE (1927-2012), FRENCH

THÉO TOBIASSE (1927-2012), FRENCH

DES POMMES SUR LE CANAL GRANDE, 1970

TAUREAU A L’OMBRE D’UN TAUREAU, 1969

LEONARD TSUGUHARU FOUJITA (1886-1968), JAPANESE/FRENCH

Oil on canvas; signed upper le!, titled lower right, dated “70” upper le!

Mixed-media on paper; signed mid-right, titled upper le! and dated “69” lower le!

23.5 x 28.5 in — 59.7 x 72.4 cm

Sheet sight 10.25 x 13.5 in — 26 x 34.3 cm

Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

$7,000—10,000

$2,500—3,500

BABY ACROBAT; BABY WALKING Two red and black ink drawings on paper; each signed and signed in Japanese in pen and ink lower right Each sheet 20 x 14.5 in — 50.8 x 36.8 cm Provenance: Acquired by Tatsuo Kameda, Toronto in Paris, circa late 1970s; With Rolland Picture Framing, Montreal labels verso; The Estate of Tatsuo Kameda, Toronto $3,000—5,000

80

81

82

YEFIM LADYZHENSKY (LADIZHINSKY) (1911 -1982), UKRAINIAN

YEFIM LADYZHENSKY (LADIZHINSKY) (1911 -1982), UKRAINIAN

YEFIM LADYZHENSKY (LADIZHINSKY) (1911 -1982), UKRAINIAN

THE CHILDREN ON THE WAY TO STOLARSKY SCHOOL THAT TAUGHT OISTRAKHS (FROM THE SERIES “ODESSA IN MY CHILDHOOD”),1974

REPAIRING THE USPENSKAYA CHURCH, ODESSA, 1974

WE SHALL NEVER FORGET (IN FAVOR OF WAR VETERANS), 1974

Tempera on canvas, signed in cyrillics lower le!; signed, titled, dated 1974 and inscribed in cyrillics in pencil to the stretcher: Подпись карандашом на русском языке с обратной стороны верхней части рамы “Ремонт Успенской церкви” Дарю дорогой Викочке Ладыжинской (sic)

Tempera on canvas, signed in cyrillics lower le!; titled in cyrillics in pencil to the stretcher: Подпись карандашом на русском языке c обратной стороны верхней левой части рамы “В пользу инвалидов войны”

35.5 x 39 in — 90.2 x 99.1 cm

Provenance: Gina, Gallery of International Naive Art, Tel Aviv; Collection of Joey and Toby Tanenbaum, Toronto

Tempera on canvas, signed in cyrillics lower right; signed and titled in cyrillics in pencil verso: Подпись карандашом на русском языке на обратной стороне холста в верхем левом углу: Дарю дорогой Викочке Ладыженской ‘Одеса (sic) моих юных лет’ Ладыженский Е. Б. ”Столярский делает Ойстрахов” 35 x 39 in — 88.9 x 99.1 cm Provenance: Presented to a young man “Ivan” in cyrillics verso; Gina, Gallery of International Naive Art, Tel Aviv; Collection of Joey and Toby Tanenbaum, Toronto $8,000—12,000

Provenance: Gina, Gallery of International Naive Art, Tel Aviv; Collection of Joey and Toby Tanenbaum, Toronto $8,000—12,000

35.5 x 39.3 in — 90.2 x 99.8 cm

$8,000—12,000

83

84

85

TITO CONTI (1842-1924), ITALIAN

EGISTO FERRONI (1835-1912), ITALIAN

GIUSSEPE MAGNI (1869-1956), ITALIAN

PIERRETTE

THE COURTSHIP

Oil on canvas; signed upper right, titled to the nameplate

Oil on canvas; signed lower right, titled to old label verso

MOTHER FEEDING BABY IN A SUNLIT KITCHEN WITH THE CATS Oil on canvas; signed lower right

24.25 x 20 in — 61.6 x 50.8 cm

39 x 29.25 in — 99.1 x 74.3 cm

31.75 x 23.5 in — 80.6 x 59.7 cm

Provenance: Private Collection, London, UK; From whom purchased by the Cooling Galleries Limited, London, UK; Sent directly by them to the Toronto branch of Cooling Galleries (Ontario) Limited, Toronto; From whom purchased by Mr. Walter A. Hardy, Flint, Michigan, on October 24th, 1949 accompanied by copies of the Cooling Galleries Limited, Toronto receipt and le!er noting the biography and provenance of this work; By descent; The Estate of Robert’s, United States

Provenance: John Britnell At Galleries Limited, 876 Yonge Street, Toronto; Britnell Art Galleries Ltd., Toronto, Diamond Jubilee label to the frame verso; By descent

Provenance: Private Collection, Victoria, B.C.

$5,000—7,000

$4,000—6,000

$6,000—8,000

86

87

88

PINO CONTE (1915-1997), ITALIAN

AMEDEO CLEMENTE MODIGLIANI (1884-1920), ITALIAN

MARIO NEGRI (1916-1987), ITALIAN

GIOVANETTA PUGLIESE, 1954 Bronze with brown patina; signed at the back. Raised on a piece of weathered wood Bronze/Mounted height 22 in — 55.9 cm; 25.5 in — 64.8 cm Provenance: With World House Galleries, New York by March 4, 1958; Purchased from World House Galleries by the Art Gallery of Ontario, Toronto, on March 4, 1958, on behalf of The Women's Commi!ee in memory of Lady Kemp, its first president; Deaccessioned to benefit art purchases at the AGO, with red Inventory No. 58/12 Exhibited: “VII Quadriennale,” Nazionale D’Arte di Roma, Rome, Italy, November 1, 1955 - April 30, 1966 $2,000—3,000

LUNIA CZEHOWSKA (CZECHOWSKA), CIRCA 1916- 1920 Pencil drawing heightened with blue crayon on smooth paper on cardboard glued to the board at the edges; signed “Modigliani” in pencil lower le", titled and inscribed by Leopold Zborowski: “Lunia Czehowska - un / bon dessin de Modigliani (the second word ”dessin” crossed out) / L. Zborowski/ Paris le 31/ II. 1922” in black ink lower right, inscribed “Leopold ZBorowsky No. 9” (in a circle) in pencil to the cardboard mount verso Sheet 9.6 x 6.7 in — 24.4 x 16.9 cm Provenance: Collection of Leopold Zborowski (1889-1932), Paris; Ex. Collection Mr. Herman Eiser, Montreal until circa 2000/2001, willed to his son; By descent to the present Private Collection, Toronto Literature: “The Unknown Modigliani Drawings from the Collection of Paul Alexandre”, Royal Academy of Arts, London 14 January - 4 April 1994, pgs. 21, 82, 89 $10,000—15,000

TUTTA UNA VITA INSIEME (THROUGH ALL OF LIFE TOGETHER), 1976 Bronze; stamped with the artist’s monogram and numbered 3/3 in the cast, titled and numbered 3/3 to the accompanying copy of the original gallery receipt dated July 28th, 1980 44.5 x 27.6 x 23.6 in — 113 x 70 x 60 cm Provenance: Galerie Dominion Gallery, Montreal, Inventory No. H6376 acquired directly from the artist, (with the recorded date of 1975-1976 in Max Stern’s Dominion Gallery Inventory book); From whom purchased by a prominent Private Collection, Calgary & Toronto, on July 28th, 1980 together with a copy of the original receipt, invoice No. 13554 and with a copy of Max Stern’s Certificate (the owner and director of the Dominion Gallery), dated September 27th, 1980 accompanied by a colour photographic copy of the bronze shown in a garden se!ing; Private Collection, Toronto Exhibited: Tu!a Una Vita Insieme was one of a group of 25 large bronzes Negri personally selected for the exhibition “Mario Negri, Opere 1946-1987” held at the Palazzo Te, Mantua from June 7th to July 19th, 1987 and at the Palazzo Salis, Tirano from July 26th to August 30th, 1987. The catalogue of the exhibition held in the National Gallery of Canada, Dominion Gallery Archives has a copy with a manuscript flyleaf inserted into the front of the catalogue wri!en by Max Stern that includes the title of this work: Tu!a Una Vita Insieme, the page number (page 48) and the date: 1976 inscribed by Max Stern.

Literature: “Mario Negri. Catalog of Sculptures” by Anna Finocchi; introduction by Marco Rosci, editions Bolis, Bergamo 1995, illustrated No. 288; Exhibition catalogue: “Mario Negri Opere 1946-1987”, with Max Stern’s manuscript flyleaf, Cat. No. N0 N388 A4 1987 $30,000—50,000

89

90

91

MEMO VAGAGGINI (1892-1955), ITALIAN

ALBERT HUIE (1920-2010), JAMAICAN

QUERCIANELLA (LIVORNO, TUSCANY)

VILLAGE MEN CUTTING COCONUTS

MUHAMMED ABDUR RAHMAN CHUGHTAI (1897 -1975), PAKISTANI

Oil on canvas; signed lower le!, stamped with artist’s studio stamp at “Via Senese- Villa Romana- Firenze” to the stretcher, titled “Quercianella” in pencil to the stretcher

Oil on board; signed lower le!

23.1 x 29.5 in — 58.7 x 74.9 cm Provenance: Galerie Gemst Inc., Montreal; Private Collection, Laval, Quebec $3,000—5,000

THE FALCONER (A PENCIL SKETCH OF TWO LADIES FOR OMAR KHAYYAM VERSO)

Provenance: Private Collection, Toronto, purchased directly from the artist’s studio in Kingston, Jamaica in the early 1960s; By descent

Watercolour on wove paper; signed in red ink lower right, titled, annotated in pen and ink and certified by the artist’s son, Arif Rahman Chughtai at Lahore in 2017. Stamped by the Chughtai Museum Trust, Lahore, Pakistan three times verso and away from the pencil drawing of two ladies on the verso.

Unframed.

$3,000—4,000

Sheet/Verso 18.75 x 21.1 in — 47.6 x 53.7 cm; 21.1 x 18.75 in — 53.6 x 47.6 cm

19 x 24 in — 48.3 x 61 cm

$10,000—15,000

92

93

94

JAN LEBENSTEIN (1930-1999), POLISH

GERARD SEKOTO (1913-1993), SOUTH AFRICAN

BORIS IZRAILOVICH ANISFELD (1879-1973), RUSSIAN

FIGURE NO. 24, 1960

LE PONT ST. MICHEL, 1959

Gouache on paper; signed “Lebenstein” dated 60 and numbered “(No. 24)” in black ink mid right, titled further to inscribed label a"ached to the verso

Oil on canvas; signed and dated 59 lower right, titled to the Certificate of Authenticity accompanying the lot

Sight 22.75 x 17 in — 57.8 x 43.2 cm

13 x 16 in — 33 x 40.6 cm

Provenance: Mr. & Mrs. Edgar Nassauer, New York; By descent to the present Private Collection, Toronto

Provenance: Galerie Claude Levin Tableaux de Maitres, Paris; From whom purchased by Mr. Peter S. Fielding, Birmingham and St. Catharines, Ontario together with a Certificate of Authenticity from Galerie Claude Levin, signed by Georges Detais, at Paris and dated December 1st, 1960; The Estate of Peter S. Fielding, St. Birmingham and St. Catharines, Ontario

$3,000—4,000

$5,000—7,000

JEWISH FUNERAL Oil on canvas; incised signature in Latin lower right 21 x 31.25 in — 53.3 x 79.4 cm Provenance: Collection of Joey and Toby Tanenbaum, Toronto Exhibited: Possibly exhibited New York, The Brooklyn Museum, The Boris Anisfeld Exhibition (touring), 1918-1920, Cat. No. 52 $10,000—15,000

95

96

97

BENGT LINDSTROM (1925-2008), SWEDISH

ANTOINE PONCET (1928- ), SWISS

ANTOINE PONCET (1928- ), SWISS

UNTITLED

TIRELYTE

UNTITLED (UNIQUE)

Acrylic on board

White marble. Raised on a black marble base, titled to gallery label a!ached to the marble base.

Green fluorite; raised on a black marble base; signed to the black marble base

Marble/with Base 21.5 x 23 x 4 in — 54.6 x 58.4 x 10.2 cm; 30.5 x 30 x 10 in — 77.5 x 76.2 x 25.4 cm

Unmounted/Mounted 14 x 15.75 in — 35.6 x 40 cm; 16 in — 40.6 cm

42 x 30 in — 106.7 x 76.2 cm Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut $3,000—4,000

Provenance: Waddington Galleries, Montreal, Stock No. S5634N label to the marble base; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut $10,000—15,000

98

99

RICHARD MACDONALD (1946- ), AMERICAN

RICHARD MACDONALD (1946- ), AMERICAN

BUTTERFLY, HALF LIFE

SHOWTIME, HALF LIFE

Bronze with patination; signed “R. MacDonald” with copyright and numbered 79/90 in the cast to the base of the tree, titled to the Richard MacDonald Certificate of Authenticity accompanying the lot.

Bronze with patination; signed “R. MacDonald” and numbered 61/90 in the cast to the foot, titled to the Richard MacDonald Certificate of Authenticity accompanying the lot. Raised on a circular black marble base.

Bronze height 33.5 in — 85.1 cm Provenance: Collection Privee, Miami, Florida, from whom purchased by the present Private Collection, Toronto in 2000 $2,000—3,000

Bronze height 34 in — 86.4 cm Provenance: Collection Privee, Miami, Florida, from whom purchased by the present Private Collection, Toronto in 2000 $2,000—3,000

$3,000—4,000

conditions of sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition.

It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The

auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale.

Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

buying at waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

Invaluable Live! clients will be charged a buyer’s premium of 25% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

bidding

To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder.

You will be responsible for all lots purchased on your bidding number. Banking information may be requested

by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale.

While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids.

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping.

The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

selling at waddington’s

waddington’s commission rates

insurance

Items selling for $2,501 to $7,500 15%

cites

Items selling for $7,501 or more 10%

Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.

Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

Artist Index A

Amberger, Christoph (Attributed to)…9 Anisfeld, Boris Izrailovich…94 Atkinson, George Mounsey (Attributed to)…23

B

Bakic, Vojin…50, 51 Boddington, Henry John…24, 25 Bouvard (19th/20th Century)…68 Brand, Johann Christian…15 de Breanski, Alfred Fontville…33, 34 Bromley, William…29 Brozik, Vaclav…53

C

Champney, Benjamin…1 Chughtai, Muhammed Abdur Rahman…91 Clavel, Ismael Adolphe…69 Clouet, Francois (Attributed to)…10 Conte, Pino…86 Conti, Tito…83 Cortes, Edouard Leon…62

D Dufy, Jean…73 Dumbleton, Bertram Walter…67

E d’Entraygues, Charles Bertrand…61

F Ferroni, Egisto…84 Forbes, Elizabeth Adela Stanhope…37 Forbes, Stanhope Alexander…36 Foujita, Léonard Tsuguharu…74, 79 Francken the Younger, Frans (circle of)…11 Friesz, Achille-Emile Othon…72

G Gall, Francois…75, 76 Guardi, Francesco (School of)…14

H

P

Haag, Carl…64 Hardy, Dudley…65 Hemsley, William…28 Heron, Patrick…42, 43 Hitchens, Ivon…44 Hoyland, John…45-49 Huie, Albert…90

le Parc, Julio…7 Parris, Edmond Thomas…17 Pavy, Philippe…66 de la Pena, Narcisse Virgile Diaz…57 Percy, Sidney Richard…32 Poncet, Antoine…96, 97

I Israels, Jozef…55 Italian, 18th Century…13

Pothast, Bernard…54

R Romney, George (Attributed to)…18

J

S

Johnston, Alexander…26

Sartorius the Younger, Francis (Attributed to)…21 Seago, Edward…38-41 Sekoto, Gerard…93 Seley, Jason…5, 6 Shattuck, Aaron Draper…2 Shayer the Elder, William…22 Smets, Louis…56

K Kupka, Frantisek…52

L Ladyzhensky (Ladizhinsky), Yefim…80-82 Lassalle, Louis Simon Cabaillot…58-60 Laurencin, Marie…71 Lawrence, Sir Thomas (Manner of)…19 Lebenstein, Jan…92 Lindstrom, Bengt…95

T Thegerstrom, Robert…27 Tintoretto, Jacopo (Attributed to)…12 Tobiasse, Théo…77, 78 de Toulouse-Lautrec, Henri…70

M

V

MacDonald, Richard…98, 99 Maclise, Daniel…20 Magni, Giussepe…85 Manievich, Abraham…3 Modigliani, Amedeo Clemente…87 Moore, Robert…4

Vagaggini, Memo…89 Vermeyen, Jan Cornelisz (Attributed to)…8

N Nattier, Jean-Marc (After)…16 Negri, Mario…88

W Walbourn, Ernest…31 Webb, James…63 Wilson, David Forrester…35

Y Yeend-King, John Henry…30

275 King Street East, 2nd Floor Telephone: 416.504.9100 Toronto, Ontario Canada Fax: 416.504.0033 M5A 1K2 Toll Free: 1.877.504.5700