The Canada Auction | November 26 - December 2, 2022

The Canada Auction Series NOVEMBER 26 - DECEMBER 2, 2022

bid and view all lots online www.waddingtons.ca

canadian fine art canadianart@waddingtons.ca

auctions start Saturday, November 26 at 9 am

senior specialist Gregory Humeniuk

consignment specialist Kendra Popelas

front inside cover Lot 225 Roy Thomas Following Success

decorative arts, culture & history decorativearts@waddingtons.ca

opposite Lot 217 Alex Janvier Men’s Traditional

416-847-6190

auctions end Friday, December 2 canadian arts, culture & history session starts to close at 2 pm first nations session starts to close at 4 pm inuit art session starts to close at 6 pm

416-967-6027

senior specialist Sean Quinn 416-847-6191

canadian fine art session starts to close at 8 pm

inuit & first nations art inuitart@waddingtons.ca

on preview Saturday, November 26 from 11 am to 4 pm

specialist Palmer Jarvis

Sunday, November 27 from 11 am to 4 pm

senior specialist Duncan McLean

Monday, November 28 from 10 am to 7 pm Tuesday, November 29 from 10 am to 5 pm

front cover Lot 550 Lawren S. Harris Athabasca River, Jasper, 1924

416-847-6191

back inside cover Lot 561 Marc-Aurèle de Foy Suzor-Coté Untitled (Common Goldeneye), 1897 back cover Lot 337 Luke Anguhadluq Drum Dance, ca. 1970

416-847-6183

consignment coordinator Elizabeth Gagnon 416-847-6184

And by appointment. preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to Waddington’s Conditions of Sale.

Photography & design by Waddington’s All rights reserved.

KAROO ASHEVAK ᑲᕈ ᐊᓴᕙ (1940-1974) SPIRIT, CA. 1974

The Fall 2022 Canada Auction series again brings together the best of Canadian, First Nations and Inuit art, alongside objects from Canadian culture and history.

You’ll notice that we continue to step back from producing and distributing large-scale printed catalogues. This reinforces a decision made years ago to embrace the power and ubiquity of digital platforms. It is our belief that there are less costly—to the planet—ways to share information and a love of collecting.

We are delighted to provide a variety of ways to access the auction galleries, tailored to you.

In addition to this digital catalogue, all lots are also viewable in high resolution on our website, complimented by multiple photographs, 360 degree views, detailed provenance and condition information, thoughtful essays and best of all, easy access to specialists able to act as your personal advisors.

The Canadian Fine Art session in the Canada Auction series encompasses the range and wealth of Canadian art history, from Cornelius Krieghoff to Steve Driscoll. Highlights include choice works by canonical figures such as A.J. Casson, Lawren S. Harris, A.Y. Jackson, Peter Clapham Sheppard, beloved artists such as Barker Fairley, Dorothy Knowles, Maud Lewis and Walter J. Phillips, and key post-war artists such as David Bolduc, Lynne Cohen, Harold Klunder, and Jock Macdonald.

The First Nations Art session offers important artworks including a historic Chilkat weaving, a contemporary glass spindle whorl by Susan Point, and a selection of artworks by the Professional Native Indian Artists Inc. (PNIAI), accompanied by works by First Nations artists who have continued to expand their respective genres. Notable names include Norval Morrisseau, Daphne Odjig, Alex Janvier, Jackson Beardy, Carl Ray, Joseph Sanchez, Eddy Cobiness, Roy Thomas, Arthur Shilling, Allen Sapp, Roy Henry, Cecil Youngfox, Russell Noganosh and others.

The Arts, Culture and History session focuses a variety of material relating to the nation of Canada. From prime ministers and politics to outsider art and hockey greats, this auction features items which are integral to our past.

Highlights include a cased Canadian Indian Peace Treaty No. 3 silver medal, 1873; a French and Indian (Seven Years) War powder horn, mid 18th century; a large English ‘Death of General Wolfe’ transfer printed jug, c.1780; a Japanese POW gift presented to Canadian Warrant Officer Albert W. Bilodeau by Japanese Medical Officer Kin-Ichi Kondo; a Maurice ‘The Rocket’ and Henri ‘Pocket Rocket’ Richard signed photograph, c.1955 and other items.

We know you will enjoy the Canada Auction. We look forward to connecting with you virtually or in person.

The Inuit Art session spotlights exceptional sculpture, graphics and works on cloth by artists including Karoo Ashevak, Osuitok Ipeelee, John Tiktak, Akeeaktashuk, Jessie Oonark, Pauta Saila, Kenojuak Ashevak, Luke Anguhadluq, Ruth Qaulluaryuk, Niviaxie, David Ruben Piqtoukun, Davidialuk Alasua Amittu, Joe Talirunili, Duncan McLean John Kavik, Lukta Qiatsuk, Ennutsiak, Tudlik, Bill Nasogaluak, Judas Ullulaq, Manasie Akpaliapik, President Ruth Qaulluaryuk and others.

tCanadian Arts, Culture & History LOTS 1 - 131

A SELECTION OF LOTS

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1 FLORENCE WYLE, O.S.A., R.C.A. (1881-1968) OWL polychromed cast iron, height 4.75 in — 12.1 cm $400—600 VIEW LOT

10 The Canada Auction Series

2 CASED CANADIAN INDIAN PEACE TREATY NO. 3 SILVER MEDAL, 1873 obverse: Victoria, bust left, with legend: ‘Victoria Regina’, signed below truncated shoulder ‘J.S. & A.B. Wyon’, reverse: full-length portrait Albert Edward, H.R.H. Prince of Wales (Edward VII) shaking hands with a native Chief against tipi village with rising sun with legend “Indian Treaty No. 3” and 1873 in exergue medal diameter 3 in — 7.6 cm; case 5.5 x 5 in — 14 x 12.7 cm $10,000—15,000 VIEW LOT Canadian Arts, Culture & History Session

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3 CANADIAN INDIAN PEACE TREATY SILVER MEDAL, UNISSUED, AFTER 1870 obverse: Victoria, bust left, with legend: ‘Victoria Regina’, signed below truncated shoulder ‘J.S. & A.B. Wyon’, reverse: full length portrait Albert Edward, H.R.H. Prince of Wales (Edward VII) shaking hands with a native Chief against tipi village with rising sun with legend “Indian Treaty No.” and 187 in exergue diameter 3 in — 7.6 cm $5,000—7,000 VIEW LOT

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4 FRENCH AND INDIAN (SEVEN YEARS) WAR POWDER HORN, MID 18TH CENTURY engraved with two barques, a smaller boat, two hearts, a tree, an animal, an infantryman shooting game, and MGN / Francis Map (?) / 2lL3SL length 12 in — 30.5 cm $1,000—1,500 VIEW LOT

Canadian Arts, Culture & History Session

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5 LARGE ENGLISH CREAMWARE ‘DEATH OF GENERAL WOLFE’ TRANSFER PRINTED JUG, C.1780 recto after the work by Benjamin West, verso with a naval battle scene height 9.1 in — 23 cm $500—700 VIEW LOT

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6 NED HANLAN PRESSED GLASS MUG AND CARTE DE VISITE, C.1882 moulded with a portrait and inscribed ‘EDWARD HANLAN CHAMPION OF THE WORLD / APRIL 3RD 1882 / BEAT BOYD OF MIDDLES.B’ mug height 4.3 in — 11 cm; card 4.1 x 2.5 in — 10.5 x 6.4 cm $100—150 VIEW LOT

Canadian Arts, Culture & History Session

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7 VICTORIAN ‘BUFFALO HORN RELIC’ INKWELL, WINNIPEG, 19TH CENTURY the velvet covered base with paper label: Buffalo Horn Relics and Indian Curiosities and Relics from the Wild West, a Present from Your Friends in the East, W.F. White, 605 Main St., Winnipeg, Man., 9.25 x 9.5 in — 23.5 x 24.1 cm $200—300 VIEW LOT

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8 TWO LARGE DOCUMENT SEALS, LOWER CANADA, EARLY 19TH CENTURY each paper-covered wax with ribbon appendage, and bearing the Canadian coat of arms recto, with the provincial seal, verso, each diameter 4.4 in — 11.3 cm $200—300 VIEW LOT

Canadian Arts, Culture & History Session

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9 t HARBOUR COMMISSIONERS OF QUEBEC CHAIR, C.1858 the oak ‘captain’s’ style chair bearing the Commission’s fouled anchor crest relief carved on the back splat, rotating on an ornate black lacquered cast iron base with grotesque mask feet, now mounted on a sheet iron foot 31.75 x 22 in — 80.6 x 55.9 cm $500—700 VIEW LOT

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10 VICTORIAN LETTERS PATENT APPOINTING JOSEPH COUCHON THE FIRST SPEAKER OF THE CANADIAN SENATE, JUNE 5, 1872 quill on parchment, affixed with the Great Seal of Canada endorsed

by John Young (Lord Lisgar, Governor General of Canada), Hewitt Bernard (Deputy Minister of Justice and brother of Agnes Macdonald) and James Cox Aitkins (Secretary of State) sheet 27 x 21 in — 68.6 x 53.3 cm; framed 35.25 x 27.5 in — 89.5 x 69.9 cm $600—800 VIEW LOT

Canadian Arts, Culture & History Session

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11 SIR JOHN A. AND SUSAN AGNES MACDONALD SIGNED DEED, JUNE 9TH, 1871 for a ‘parcel or tract of land...in the village of Ashburnham in the said County of Peterborough being composed of Block D and Lots Numbers Sixteen [through] Twenty-Eight’, purchased from Thomas Macculloch Fairbairn for $3,500 sheet 14.75 x 19 in — 37.5 x 48.3 cm $800—1,200 VIEW LOT

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12 PRESENTATION TROWEL TO GENERAL GEORGES VANIER, FIRST CANADIAN AMBASSADOR TO FRANCE, 1947 of steel construction, bearing the crest of St. Malo, France, and presented on the occasion of ‘laying the first stone’ at the beginning of the town’s post-war reconstruction in 1947 length 6.75 in — 17.1 cm $500—700 VIEW LOT

Canadian Arts, Culture & History Session

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13 DELFT POTTERY TILE COMMEMORATING THE BIRTH OF PRINCESS MARGRIET OF THE NETHERLANDS IN OTTAWA, CANADA, 1943 bearing the Princess’ arms, motto and birthdate 7.9 x 5.7 in — 20 x 14.5 cm $100—150 VIEW LOT

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14 COPPER ‘THE WARD MARATHON RACE’ MEDALLION, TORONTO, C.1906 in original presentation box diameter 1.4 in — 3.5 cm $100—150 VIEW LOT

Canadian Arts, Culture & History Session

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15 ROYAL CANADIAN ARMOURED CORPS, ONTARIO REGIMENT (BLACK CATS), PARADE BUGLE, EARLY 20TH CENTURY of copper and brass construction with applied regimental badge length 11.6 in — 29.5 cm $100—150 VIEW LOT

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16 PRIME MINISTER SIR ROBERT BORDEN’S GEORGE V GOVERNMENT DISPATCH BOX, JOHN PECK & SON, LONDON, C.1915 the lid with the royal cypher and embossed ‘The Right Honourable Sir Robert Borden, GCMG, MP' 6 x 18 x 12 in — 15.2 x 45.7 x 30.5 cm $400—600 VIEW LOT

Canadian Arts, Culture & History Session

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17 JAPANESE P.O.W. GIFT PRESENTED TO CANADIAN WARRANT OFFICER ALBERT W. BILODEAU BY JAPANESE MEDICAL OFFCER KIN-ICHI KONDO, JULY 12, 1943 being a copy of ‘Their Japan’ by Frederic de Garis, a common tourist guide, with inner cover inscribed ‘To Bilodeau from Kin-Ichi-Kondo, Tokio Prisoners of War Camp #5, July 12, 1943 at Yokohama, Japan’ with pen and ink illustrations inside front and back covers and pencil notations throughout height 96.5 in — 245.1 cm $200—300 VIEW LOT

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18 JAPANESE PRESENTATION PHOTOGRAPHY ALBUM ‘IN MEMORY OF THE STATE VISIT OF HIS EXCELLENCY THE PRIME MINISTER OF CANADA AND MRS. JOHN DIEFENBAKER’, OCTOBER 26TH-31ST, 1961 presented by the Government of Japan, tipped in 24 silver gelatin prints, each with rice paper guard bearing printed description, all in a silk and gilt thread brocade covered album, in original box 10.75 x 15 in — 27.3 x 38.1 cm $300—500 VIEW LOT

Canadian Arts, Culture & History Session

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19 MANITOBA ‘ORDER OF THE BUFFALO HUNT’ AWARD PRESENTED TO DONALD FLEMING, MAY 17, 1960 bronzed metal figure on Portoro marble base with presentation plaque inscribed ‘In Appreciation’ from The Winnipeg Chamber of Commerce 6 x 11 x 6 in — 15.2 x 27.9 x 15.2 cm $300—400 VIEW LOT

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20 NARWHAL TUSK CANE, EARLY-MID 20TH CENTURY with water buffalo horn crook grip and dyed baleen disc inlay height 38 in — 96.5 cm $600—800 VIEW LOT

Canadian Arts, Culture & History Session

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21 THREE QUEBEC FLAT PLANE CARVED CHARACTER FIGURES, MID 20TH CENTURY including an old couple by John William Purvis, and an old man in a cap monogrammed E.G. tallest height 7.25 in — 18.4 cm $100—150 VIEW LOT

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22 CANADIAN SILVER SACRED HEART RELIQUARY, ROBERT HENDERY, MONTREAL, QUE., AND A CRUCIFIX, LATE 19TH CENTURY height 2.6 in — 6.6 cm; height 2.8 in — 7.2 cm, 1.3 oz. — 40 grams $150—250 VIEW LOT

Canadian Arts, Culture & History Session

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23 MONTREAL STAR: QUEEN VICTORIA MEMORIAL NUMBER, 1901 in original, unopened sleeve length 12 in — 30.5 cm $80—120 VIEW LOT

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24 QUEEN VICTORIA DIAMOND JUBILEE PARADE HALBERD HEAD, ROBERT MOLE & SONS, BIRMINGHAM, 1897 the blade bearing crest with Welsh motto ‘Heb dduw heb ddim, a duw a digon’, the pike base oval dated 1897, impressed maker’s mark to neck length 21 in — 53.3 cm $200—300 VIEW LOT

Canadian Arts, Culture & History Session

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25 OLD SHEFFIELD PLATE WARMING DISH OF CANADIAN HISTORICAL INTEREST, C.1820 Engraved with the crest of Archibald Acheson, 2nd Earl of Gosford (1776-1849) diameter 7.4 in — 18.7 cm $200—300 VIEW LOT

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26 CITY OF TORONTO SILVER PRESENTATION WAITER TO CAPT. JOHN SLATTER, DIRECTOR OF MUSIC, 48TH HIGHLANDERS, MAY 30, 1932 bearing impressed marks for Charles S. Green & Co., Birmingham, 1928 diameter 12 in — 30.5 cm, 21.6 oz. — 672 grams $350—500 VIEW LOT

Canadian Arts, Culture & History Session

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27 LARGE CAST IRON ‘THE TRADERS BANK OF CANADA, COLBORNE ST.’ BUILDING FORM STILL BANK, 1891 the top inscribed ‘Property of The Traders Bank of Canada, Registered by Æ Jarvis, 1891, The Traders Bank of Canada, Sole Licensee’ 8.5 x 10 x 5 in — 21.6 x 25.4 x 12.7 cm $600—800 VIEW LOT

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28 ALBUMIN PUBLICITY PHOTOGRAPH OF HARRY GILMORE (OF TORONTO) LIGHT-WEIGHT CHAMPION OF THE WORLD, C.1881 signed ‘Dixon Photo, Toronto’ 13 x 9.25 in — 33 x 23.5 cm $100—150 VIEW LOT

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29 POLYCHROMED WOODEN MODEL OF A ST. LAWRENCE RIVER SKIFF, QUEBEC, EARLY/MID 20TH CENTURY of plank construction with an articulated rudder, wrought iron anchor, and two fishing frames height 16.25 in — 41.3 cm, length 22 in — 55.9 cm $200—300 VIEW LOT

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30 ARCHIVE OF PHOTOGRAPHS OF EASTERN CANADA BY ELMAR O. SCHNIEWIND (AMERICAN, 1913-1965) FOR RAPHO-GUILLUMETTE PICTURES, NEW YORK, NY, C.1943 approximately 98 gelatin silver prints depicting rural life and industry in Cape Breton, Nova Scotia, the Gaspé Peninsula, Quebec, and New Brunswick, most titled verso and with photographer’s stamp and Rapho-Guillumette Pictures label each approx. 8.25 x 9.5 in — 21 x 24.1 cm $200—300 VIEW LOT

Canadian Arts, Culture & History Session

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31 PAIR OF JOHN MARSHALL & CO. IRONSTONE ‘CANADIAN SPORTS’ IRONSTONE PLATES, C.1880 each with maker’s impressed and transfer marks diameter 7.5 in — 19.1 cm $100—150 VIEW LOT

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32 COWHIDE CUTTER BLANKET, 19TH/EARLY 20TH CENTURY with green windowpane check wool lining 67 x 57 in — 170.2 x 144.8 cm $100—150 VIEW LOT

Canadian Arts, Culture & History Session

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33 ONTARIO ROUGH HEWN ELM SLOP BOWL, 19TH CENTURY oblong, flanked by integral handles 10 x 19.3 x 10 in — 25.4 x 49 x 25.4 cm $200—300 VIEW LOT

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34 ACADEMY OF CANADIAN CINEMA AND TELEVISION ‘GENIE’ AWARD, 1980 presented in the ceremony’s inaugural year to Donald Brittain for the National Film Board’s ‘Paperland’, the gilt metal figure after the model by Sorel Etrog height 14.2 in — 36 cm $300—500 VIEW LOT

Canadian Arts, Culture & History Session

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35 JOSEPH BERNARD (CANADIAN, FL. EARLY-MID 20TH CENTURY) IN HOT PURSUIT oil on panel, signed lower left, titled verso artist’s board 12 x 16 in — 30.5 x 40.6 cm; framed 6.5 x 8.1 in — 16.5 x 20.5 cm $300—400 VIEW LOT

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36 ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A. LYSANDER CRACK-UP oil on board board 17 x 22 in — 43.2 x 55.9 cm; frame 21.25 x 26 in — 54 x 66 cm $2,000–3,000 VIEW LOT

Canadian Arts, Culture & History Session

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37 TAKAO TANABE (B.1926) TEN LAPEL BUTTONS, 1970 each a brightly coloured abstract design, signed ‘T’, mounted on a card signed, numbered 67/99, and dated each button diameter 2 in — 5.1 cm; card 7 x 11 in — 17.8 x 27.9 cm $200—300 VIEW LOT

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38 ONTARIO COUNTY ATLAS MAP OF TORONTO, 1878 coloured lithograph with advertising for P. Jamieson Clothier, Toronto 27.5 x 42 in — 69.9 x 106.7 cm $100—150 VIEW LOT

Canadian Arts, Culture & History Session

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39 LT.-COL. JOSEPH BOUCHETTE (1774-1841) PLAN OF YORK HARBOUR, 1815 hand-coloured engraved map of Toronto Islands and harbour sight 5.9 x 9.5 in — 15 x 24.1 cm; framed 12.5 x 15.5 in — 31.8 x 39.4 cm $400—600 VIEW LOT

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40 FRENCH SCHOOL A MAP OF THE ISLAND OF ST. JOHN hand-coloured engraved map of Prince Edward Island, the north coast of Nova Scotia and its gulf, ‘taken from the French’ dated 1758 sight 4.75 x 8 in — 12.1 x 20.3 cm; framed 11 x 13.7 in — 27.9 x 34.8 cm $100—150 VIEW LOT

Canadian Arts, Culture & History Session

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41 MOTOR BOAT MAP OF MUSKOKA LAKES, 1948 blueprint on drafting linen, by Gerald R. Leeder 23.5 x 47.5 in — 59.7 x 120.7 cm $500—700 VIEW LOT

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42 SIR WILFRED THOMASON GRENFELL A LABRADOR DOCTOR 8vo., green cloth boards with gilt title, end paper signed, with pen and ink sketch titled ‘The Labrador Doctor in a hurry’, Houghton Mifflin, Boston and New York, 1930 8.9 x 6.5 in — 22.5 x 16.5 cm $200—300 VIEW LOT

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43 SIR WILFRED THOMASON GRENFELL A LABRADOR DOCTOR 8vo., green cloth boards with gilt title, endpaper signed, with pen and ink sketch titled ‘’A prospective X-Mas dinner in Labrador”, Houghton Mifflin, Boston and New York, 1923 22.5 x 6.5 in — 57.2 x 16.5 cm $200—300 VIEW LOT

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44 SIR WILFRED THOMASON GRENFELL FORTY YEARS FOR LABRADOR 4to., blue boards, flyleaf signed, with pen and ink sketch titled ‘’S.S. Strathcona, Labrador”, Boston and New York, Houghton Mifflin Company, 1932 9.6 x 6.5 in — 24.5 x 16.5 cm $200—300 VIEW LOT

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45 TWO SMALL GRENFELL LABRADOR INDUSTRIES HOOKED MATS, 1ST HALF, 20TH CENTURY including a Canada Goose Over a Marsh roundel and a smaller lighthouse rectangle goose diameter 10 in — 25.5 cm; lighthouse 6 x 4.5 in — 15.2 x 11.4 cm $100—150 VIEW LOT

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46 TWO GRENFELL LABRADOR INDUSTRIES PENCIL CASES, EARLY-MID 20TH CENTURY the first depicting a hunter with his dog, the second, a dog sled, each with fabric label to the interior larger 6.5 x 9.75 in — 16.5 x 24.8 cm $150—250 VIEW LOT

Canadian Arts, Culture & History Session

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47 GEORGES ÉDOUARD TREMBLAY (CANADIAN, 1902-1987) HOOKED RUG WALL HANGING, POINTE-AU-PIC, QC, C.1950 depicting a cabin in a winter landscape, signed GET in the weave, lower right 26 x 33 in — 66 x 83.8 cm $200—300 VIEW LOT

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48 EDMOND CHATIGNY (CANADIAN, 1895-1985) FANTASTIC GIRAFFE carved and painted wood height 22 in — 55.9 cm, length 25 in — 63.5 cm $300—400 VIEW LOT

Canadian Arts, Culture & History Session

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49 EIGHT WORKS BY DOUGLAS BOYD, RICHMOND HILL, 1936 AND LATER including 7 pewter pieces: a centrepiece bowl, a creamer and sugar, two cuff bracelets, two buckle and button suites and a silver and malachite pendant, most signed and dated bowl height 3.25 in — 8.3 cm, diameter 8.1 in — 20.5 cm $200—300 VIEW LOT

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50 MARY PURVES SCOTT’S ARCHIVE OF PHOTOGRAPHS OF BARBARA ANN SCOTT (1928-2012) with various photographs dating from the figure skater’s childhood, through her career in the mid 1950s, together with a clippings scrap book 14 x 11.2 in — 35.6 x 28.4 cm $200—300 VIEW LOT

Canadian Arts, Culture & History Session

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51 MAURICE ‘THE ROCKET’ RICHARD AND HENRI ‘POCKET ROCKET’ RICHARD SIGNED PHOTOGRAPH, C.1955 gelatin silver print, signed in marker, taken in the locker room at the Montreal Forum, museum mounted, framed 10 x 8 in — 25.4 x 20.3 cm PROVENANCE:

Geoff and Russ Courtnall’s Sports Grill, Vancouver, BC, 2002 $300—400 VIEW LOT

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52 MAPLE LEAF GARDENS RED SEAT NO. 8, 1931 of upholstered and painted wood and cast iron construction 34.5 x 24 x 24 in — 87.6 x 61 x 61 cm PROVENANCE:

Estate of Robert Allen Laidlaw, Toronto $600—800 VIEW LOT

Canadian Arts, Culture & History Session

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53 2002 WINTER OLYMPICS WOMEN’S TEAM CANADA SIGNED HOCKEY JERSEY framed, signed by all 20 players on the team’s roster: Dana Antal, Kelly Bechard, Jennifer Botterill, Thérèse Brisson, Cassie Campbell, Isabelle Chartrand, Lori Dupuis, Danielle Goyette, Geraldine Heaney, Jayna Hefford, Becky Kellar, Caroline Ouellette, Cherie Piper, Cheryl Pounder, Tammy Lee Shewchuk, Sami Jo Small, Colleen Sostorics, Kim St-Pierre, Vicky Sunohara, Hayley Wickenheiser 49 x 40 in — 124.5 x 101.6 cm $300—400 VIEW LOT

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54 PATRICK AMIOT NEW YORK RANGERS JERSEY #11, 1995 signed and dated ‘95 sight 28 ins x 22 ins; 71.1 cms x 55.9 cms PROVENANCE:

John Ramsay Gallery, Vancouver, BC; Private Collection, Ontario $600—800 VIEW LOT

Canadian Arts, Culture & History Session

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55 PATRICK AMIOT BOSTON BRUINS JERSEY #4 signed sight 28 ins x 22 ins; 71.1 cms x 55.9 cms PROVENANCE:

John Ramsay Gallery, Vancouver, BC; Private Collection, Ontario $600—800 VIEW LOT

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56 PATRICK AMIOT DETROIT RED WINGS JERSEY #9, 1995 signed and dated ‘95 sight 28 ins x 22 ins; 71.1 cms x 55.9 cms PROVENANCE:

John Ramsay Gallery, Vancouver, BC; Private Collection, Ontario $600—800 VIEW LOT

Canadian Arts, Culture & History Session

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57 COLLECTION OF SIGNATURES OF TWELVE GOVERNORS GENERAL OF CANADA, 19TH AND EARLY 20TH CENTURIES mostly clipped from letters and envelopes, including; Lord Stanley; Prince Arthur, Duke of Connaught; Lord Durham; Lord Dufferin; Albert Henry Geroge Grey, 4th Early Grey; Sir Thomas John Cochrane; Marquess of Lorne; John Campbell Hamilton-Gordon, 1st Marquess of Aberdeen and Temair; John Buchan, 1st Baron Tweedsmuir; Sir James Kempt; Sir Charles Bagot and Sir John Harvey various sizes, largest 8 x 5 in — 20.3 x 12.7 cm $200—300 VIEW LOT

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58 SIR JOHN A. MACDONALD TO GEORGE HERMAN RYLAND, ARCHIVE OF EIGHT AUTOGRAPH LETTERS, SIGNED, 1847-1865 regarding various subjects, four with envelopes largest sheet 8 x 10 in — 20.3 x 25.4 cm $800—1,200 VIEW LOT

Canadian Arts, Culture & History Session

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59 SIR WILFRID LAURIER, TWO SIGNED LETTERS, A CABINET CARD AND AN AUTOGRAPH, 1890-1916 each letter typed and signed, the first dated 1897 on Privy Council letterhead, the second dated 1916 on Prime Minister’s Office letterhead, the inscribed and signed cabinet card circa 1890, with a signed salutation trimmed from a letter 10 x 8 in — 25.4 x 20.3 cm $300—500 VIEW LOT

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60 12 PIECES OF EPHEMERA RELATING TO VINCENT MASSEY, 1930S-1960S including convocation addresses, articles, two bookplates and the funeral leaflet for Alice Massey 80 x 120 in — 203.2 x 304.8 cm $80—120 VIEW LOT

Canadian Arts, Culture & History Session

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61 VINCENT MASSEY, SEVEN SIGNED LETTERS, 1946-1965 various recipients and subjects, each typed on Government House or Batterwood House letterhead, together with an autographed card various sizes, largest 10 x 8 in — 25.4 x 20.3 cm $200—300 VIEW LOT

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62 WILLIAM LYON MACKENZIE ‘THE WEEKLY MESSAGE’ SUBSCRIPTION RECEIPT, SIGNED AND DATED SEPT. 28, 1858 quill with print on paper 2.4 x 7.9 in — 6 x 20 cm $100—150 VIEW LOT

Canadian Arts, Culture & History Session

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63 PRIME MINISTERS OF CANADA: ARCHIVE OF LETTERS AND PHOTOGRAPHS, SIGNED, 1924-1971 including 1) a letter on Glensmere letterhead dated 3rd November, 1924 from Robert Borden to the Nova Scotia Historical Society referencing the 1747 French attack on the English at Grand Pré, Nova Scotia, 2) Richard Bedford Bennet (1939), 3) Louis St. Laurent, 4) Lester B. (Mike) Pearson (1965 & 1968), 5) Pierre Elliot Trudeau (1968), 6) John Diefenbaker (1971), 7) Jean Chrétien (1978) together with signed photographs of Louis St. Laurent (undated), Lester Pearson (1958) and Pierre Trudeau (1971) various sizes, largest 10.75 x 8.25 in — 27.3 x 21 cm $700—900 VIEW LOT 72 The Canada Auction Series

64 MACKENZIE KING, FOUR LETTERS, 1933-1943 three signed, one with autographed card, two on Laurier House letterhead, two on Office of the Prime Minister letterhead largest sheet 10 x 8 in — 25.4 x 20.3 cm $300—400 VIEW LOT

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65 EARLY PREMIERS OF ONTARIO, FOUR SIGNED LETTERS, 1892-1902 including 1) Oliver Mowat (1892) 2) Edward Blake (1895) 3) Arthur Sturgis Hardy (1896) George William Ross (1905) referencing his unveiling of the Queen’s Park Monument to Oliver Mowat largest sheet 10.5 x 8.25 in — 26.7 x 21 cm $200—300 VIEW LOT

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66 ARCHIVE OF MATERIAL RELATING TO EDWARD ELIJAH HORTON (1807-1908) including a scrapbook of letters, from various politicians and dignitaries, certificates, newspaper clippings and photographs together with a further quantity of loosely inserted items album 12 x 10 in — 30.5 x 25.4 cm $100—150 VIEW LOT

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67 12 MISCELLANEOUS DOCUMENTS SIGNED

BY VARIOUS CANADIAN HISTORICAL FIGURES, 18TH, 19TH AND EARLY 20TH CENTURIES 1) Frédéric-Auguste Quesnet, receipt dated 27 Aug., 1826, 2) Pierre-Louis Panet, receipt dated 2 May 1787, 3) Joseph Laurin, addressed envelope with free frank dated Quebec, L.C., 10 May 1848, 4) Jean-Baptiste Fréchette (Père), receipt dated 26 July 1844, 5) General Sir William Fenwich Williams, 1st Baronet of Kars, salutation and signature dated 1858, 6) Sir Anthony Musgrave, undated signature, 7) Sir Edmund Walker Head, third person letter, unsigned dated May 23, 1862, 8) John George Edward Henry Douglas Sutherland Campbell (Marquess of Lorne, ALS 76 The Canada Auction Series

on Citadel Quebec mourning letterhead, dated March 4, 1885, 9) Frederick Temple Hamilton-Temple-Blackwood, 1st Marquess of Dufferin and Ava, ALS, dated Clandeboye, Ireland, April 28, 1898, 10) Field Marshall Harold Alexander, 1st Earl Alexander, Christmas card, 1964, 11) John Campbell Hamilton-Gordon, 1st Marquess of Aberdeen and Temair, three documents, 1885, 12) Jocelyn Hanry Clive ‘Harry’ Graham, typed letter signed and dated Government House, Ottawa, 1st March 1901 $200—300 VIEW LOT

68 ARCHIVE OF 31 LETTERS TO ROBERT CASSELS 19TH CENTURY including two from John Leys, Ontario lawyer and Toronto MP, two from John Orr, tavern and land owner, Sunnydale, Simcoe, James Frederick Dennistoun, Lindsay lawyer and Cassels’ partner, 4 from Colonel James Shanly founder of the University of Western Ontario, six from John Smart, Port Hope businessman, builder and banker, three from Paterson and Beaty, William Lount, Simcoe North MP, H.C. Barwick, banker, Daniel Brooke, Brantford entrepreneur, and Hugh MacMahon, lawyer for the defense in the Donnelly murder trial $200—300 VIEW LOT Canadian Arts, Culture & History Session

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69 EDUCATIONAL ARCHIVE OF MATERIAL RELATING TO JOHN HOWARD HUNTER (1839-1910) including letters and manuscript pages and various pieces of printed ephemera from the University of Toronto, 1879-1882, rules and regulations for Convocation (1880); printed flyers seeking support for appointments to the University Senate; a solicitation for support for a portrait of McCaul; guidelines for election to the Senate; Hunter’s solicitation for support for an appointment to the Senate. Thirty letters and twenty printed sheets from the University of Toronto 1879/1880. $200—300 VIEW LOT 78 The Canada Auction Series

70 LT. GOVERNOR JOSEPH FREDERICK WALLET DES BARRES, PRINCE EDWARD ISLAND GOVERNMENT HOUSE DOCUMENT, 28TH JULY, 1812 in quill on watermarked laid paper, apparently a reprimand by Lt. Governor Des Barres to the ‘Grand Jury’ for overstepping the bounds of their authority, and referring to the ‘good intentions of an infant colony’ sheet 14.5 x 9 in — 36.8 x 22.9 cm; framed 21.75 x 16 in — 55.2 x 40.6 cm $200—300 VIEW LOT

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71 LIEUT. COL. THOMAS DESBRISAY ST. JOHN ISLAND (PRINCE EDWARD ISLAND) COURT DOCUMENT, NOV. 12, 1786 quill on laid paper, relating to an unpaid debt owed to Dan Grandin, a court lawyer who acted on his behalf in cases against two tenants sheet 12.5 x 8 in — 31.8 x 20.3 cm; framed 20 x 14.5 in — 50.8 x 36.8 cm $200—300 VIEW LOT

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72 PAPERS RELATIVE TO THE ANNEXATION OF THE ISLAND OF CAPE BRETON TO THE GOVERNMENT OF NOVA SCOTIA, 3 JUNE, 1823 13.5 x 8.5 in — 34.3 x 21.6 cm $100—150 VIEW LOT

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73 CANADIAN SOUVENIR DECK OF ‘OCEAN TO OCEAN’ PLAYING CARDS, CHAS. GOODALL & SON, LTD., LONDON, C.1910 gilt edged, each face with a photographic view, complete with list of views and each with portrait of George V verso boxed 3.75 x 2.75 in — 9.5 x 7 cm $80—120 VIEW LOT

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74 MEDAL COMMEMORATING THE 125TH ANNIVERSARY OF CANADIAN CONFEDERATION, 1992 cased, with accompanying papers case 4.3 x 2 in — 11 x 5 cm $80—120 VIEW LOT

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PORTRAIT OF SGT. WILLIAM CAMERON FRASER, 1ST DIV. TRAIN, A.S.C. AND HIS DISTINGUISHED SERVICES IN THE FIELD CERTIFCATE, WAR OFFICE, WHITEHALL S.W., 1ST JULY, 1919 the certificate signed by Winston Churchill, Secretary of State for War albumin print 14.5 x 8 in — 36.8 x 20.3 cm; certificate, framed 8 x 10 in — 20.3 x 25.4 cm $200—300

VIEW LOT

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76 ARCHIVE OF CORRESPONDENCE AND PHOTOGRAPHS RELAING TO MAJOR GEOFFREY H. EASTWOOD, COMPTROLLER OF THE HOUSEHOLD FOR GOVERNMENT HOUSE (RIDEAU HALL), 1941-1950 including a letter from William Lyon Mackenzie King and notes and letters from Alexander Cambridge, 1st Earl of Athlone, Governor General of Canada, 1940-1946, photographs of Athlone and staff, and an automobile penant pennant 6.5 x 13 in — 16.5 x 33 cm $200—300 VIEW LOT

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77 THREE WWII PRIME MINISTER’S OFFICE IDENTIFICATION CARDS TO DEANE H. RUSSELL, PRINCIPLE SECRETARY TO MACKENZIE KING, 1940/41 framed with ‘Prime Ministers Office No.3’ door sign and photograph 12.6 x 14.6 in — 32 x 37.1 cm $100—150 VIEW LOT

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78 HONOURABLE PRIME MINISTER ALEXANDER MACKENZIE CARTE DE VISITE, C.1880 photographed by Daniel C. Ferguson, Toronto, the sitter’s name misspelled as ‘McKenzie’ 4.25 x 2.5 in — 10.8 x 6.4 cm. $200—300 VIEW LOT

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79 PRIME MINISTER SIR ROBERT BORDEN CABINET CARD, ELLIOTT & FRY, LONDON, C.1911 albumin print on studio card 5.8 x 4.25 in — 14.8 x 10.8 cm $100—150 VIEW LOT

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80 ROBERT BEDFORD BENNETT SIGNED PHOTOGRAPH, C.1930 sight 11 x 8.75 in — 27.9 x 22.2 cm; framed 17.25 x 14.25 in — 43.8 x 36.2 cm $200—300 VIEW LOT

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81 JOHN BUCHAN, 1ST BARON TWEEDSMUIR SIGNED LETTER AND TWO PHOTOGRAPHS, 1931 framed together 19 x 21 in — 48.3 x 53.3 cm $100—150 VIEW LOT

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82 MACKENZIE KING SIGNED PHOTOGRAPHIC PORTRAIT, 1939 albumin print on studio card, signed and dated at Laurier House in the margin, card 11.5 x 9 in — 29.2 x 22.9 cm $100—150 VIEW LOT

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83 WILLIAM LYON MACKENZIE KING SIGNED PORTRAIT PHOTOGRAPH, C.1942 inscribed to King’s speechwriter, Edward Killoran Brown: To Professor E.K. Brown, with warm appreciation of his helpful cooperation at a time of war, and with highest personal regards, and all good wishes from W.L.M. King 10 x 8 in — 25.4 x 20.3 cm $200—300 VIEW LOT

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84 YOUSUF KARSH (ARMENIAN/CANADIAN, 1908-2002) VINCENT MASSEY gelatin silver print on studio card, stamped verso, signed by the photographer lower left, and the sitter, lower right 10 x 8 in — 25.4 x 20.3 cm $200—300 VIEW LOT

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85 THREE SIGNED PHOTOGRAPHS OF CANADIAN PRIME MINISTERS, MID 20TH CENTURY including John Diefenbaker, Lester B. Pearson and Pierre Elliott Trudeau largest 8 x 10 in — 20.3 x 25.4 cm $100—150 VIEW LOT

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86 JEAN CHRETIEN SIGNED PHOTOGRAPH, 1994 inscribed to Jim Coutts in the lower margin, label verso; Jean Carle, Office of the Prime Minister sight 9.75 x 7.75 in — 24.8 x 19.7 cm; framed 14.5 x 12.5 in — 36.8 x 31.8 cm $200—300 VIEW LOT

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87 TWO PHOTOGRAPHS OF THE RIGHT HONOURABLE PAULINE MCGIBBON the first, a 1976 colour print by Onnig Cavoukian, signed ‘Cavouk, Toronto’ on studio card (stamped verso) inscribed by the sitter to musician John Cozens, in red leather strut frame with gilt Ontario provincial coat of arms, the second a gelatin silver print

by Peter Rowe of Ms. McGibbon in Queen’s Park with the Queen Mother, 1979 frame 14.5 x 11.75 in — 36.8 x 29.8 cm $100—150 VIEW LOT

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88 SIGNED PHOTOGRAPH PORTRAIT OF GOVERNOR GENERAL JEANNE SAUVÉ BY YOUSUF KARSH, OTTAWA, C.1983 signed by the photographer, lower left margin, and with the sitter’s signed presentation inscription to Robert Gordon Rogers, Lieutenant Governor of British Columbia, and his wife Jane board 10 x 8 in — 25.4 x 20.3 cm $100—150 VIEW LOT

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89 DOMINION OF CANADA $20 LAND SCRIP, ISSUED JUNE 13, 1876 numbered 4311, part of claim no. 558 issued to Thomas Harrison, cousin to Louis Riel 5.75 x 9 in — 14.6 x 22.9 cm $300—400 VIEW LOT

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90 CEINTURE FLECHÉE: EASTERN WOODLANDS ARROW OR ASSOMPTION SASH, 19TH CENTURY finger-woven wool, each end terminating with a long fringe width 8.25 in — 21 cm, length 120 in — 304.8 cm $400—600 VIEW LOT

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91 CEINTURE FLECHÉE: EASTERN WOODLANDS FINGER ARROW OR ASSOMPTION SASH, 19TH CENTURY finger-woven wool, each end terminating with a long fringe width 7.5 in — 19.1 cm, length 120 in — 304.8 cm $500—700 VIEW LOT

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92 PAIR OF TLINGIT VAMP MOCCASINS, C.1890 deer hide, melton wool and cotton with beaded foliate and eagle decoration 3 x 9 x 3 in — 7.6 x 22.9 x 7.6 cm PROVENANCE:

Private collection, Nova Scotia $300—500 VIEW LOT

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93 CEREMONIAL CLUB, LIKELY NUU-CHAH-NULTH (NOOTKA) 13.5 x 3.5 x 2 in — 34.3 x 8.9 x 5.1 cm $700—900 VIEW LOT

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94 ANISHINAABE (OJIBWE) TUNIC, C.1900 beaded moose hide and velvet c.1900, 32 x 26 in — 81.3 x 66 cm $400—600 VIEW LOT

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95 ALGONQUIAN BIRCH BARK CANOE, AVON BAY, LAKE JOSEPH IN THE MUSKOKAS, ONTARIO, C.1900 $500—700 VIEW LOT

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96 WILLIAM WOODLOCK (CANADIAN, 1803-1866) PAIR OF PORTRAIT MINIATURES OF A COUPLE each a gouache on card, the gentleman signed and dated 1854 10 x 8 in — 25.4 x 20.3 cm $300—400 VIEW LOT

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97 FREDERIC WAISTELL JOPLING (1860-1945) TWO WORKS: CHAMPLAIN PLANNING THE FIRST LAYOUT FOR THE INHABITANTS OF CANADA, 1603-8 & LA SALLE’S FIRST SIGHT OF NIAGARA, 1698 both signed and titled, the first numbered 25/70 and dated 1932, each framed 11.25 x 12 in — 28.6 x 30.5 cm; sight 1 5 x 7.25 in — 12.7 x 18.4 cm; sight 2 6.25 x 6.75 in — 15.9 x 17.1 cm $200—300 VIEW LOT

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98 FRANZ XAVIER HABERMANN (GERMAN, 1721-1796) TWO WORKS: VUE DE LA HAUTE VILLE À QUEBECK & VUE DE LA PLACE CAPITAL À QUEBECK each a hand-coloured engraved idealized view of Quebec City on wove paper, with text in German and French, framed each sight 12.25 x 16.5 in — 31.1 x 41.9 cm; each sight 19.75 x 24 in — 50.2 x 61 cm $300—400 VIEW LOT

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99 AFTER ROBERT AUCHMUTY SPROULE (CANADIAN, 1799-1845) SAINT JAMES’S STREET, MONTREAL hand-coloured copperplate engraving, engraved by W.L. Leney, published by A. Bourne, Montreal, 1830 sight 11 x 15 in — 27.9 x 38.1 cm; frame 21.5 x 25.5 in — 54.6 x 64.8 cm $150—250 VIEW LOT

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100 SOUVENIR NUMBER OF THE ILLUSTRATED WAR NEWS, BEING A HISTORY OF RIEL’S SECOND REBELLION, PARTS I AND II, 1885 each tabloid featuring ‘bombastically nationalistic’ coverage of Louis Riel’s North West Rebellion, profusely illustrated by William Daniel Blatchly (1838-1903) and others, published by The Grip Printing and Publishing Company, Toronto 15.25 x 11.25 in — 38.7 x 28.6 cm $200—300 VIEW LOT

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101 PANORAMIC PHOTOGRAPH OF SGT. MAJOR H. FARLEY AND MILITARY POLICE, NIAGARA CAMP, NIAGARA-ON-THE-LAKE, 1915 albumin print signed Blakemoore Studio, 71 King St. West, Toronto, and numbered 434 10 x 37 in — 25.4 x 94 cm $100—150 VIEW LOT

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102 TRANS CONTINENTAL POP FESTIVAL (FESTIVAL EXPRESS) POSTER, 1970 design by Ken Walker, art by John Hayward Lown 22.2 x 17.2 in — 56.4 x 43.7 cm $200—300 VIEW LOT

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103 EXPO ‘67 POSTER, 1967 SHOW OF THE CENTURY / LE SPECTACLE DU SIÈCLE design ©1963 by Marsil, Caron, Barkes & Associates Ltd., Montreal 29.5 x 20 in — 74.9 x 50.8 cm $100—150 VIEW LOT

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104 CENTENNIAL AND ‘76 OLYMPICS FLAGS, 1967 AND 1976 each of nylon construction, centennial 33 x 51 in — 83.8 x 129.5 cm; Olympic 36 x 72 in — 91.4 x 182.9 cm $80—120 VIEW LOT

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105 LARGE CANADIAN RED ENSIGN, 19TH CENTURY of pieced linen construction, bearing the Royal Union emblem (Union Jack) with the shield of Canada with beaver, crown and oak leaf garland in the field 50 x 106 in — 127 x 269.2 cm $200—300 VIEW LOT

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106 LARGE CANADIAN RED ENSIGN, MID 20TH CENTURY of pieced linen construction, bearing the Royal Union emblem (Union Jack) with the shield of Canada in the field 50 x 108 in — 127 x 274.3 cm $200—300 VIEW LOT

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107 LINEN ROYAL STANDARD FOR THE ROYAL TOUR OF CANADA, 1939 36 x 70 in — 91.4 x 177.8 cm $100—150 VIEW LOT

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108 ONTARIO ORNITHOLOGICAL DIARY, RICHARD BRET, C.1889 recording sightings of bird species, noting gender, brief descriptions, measurements and location (Bass Lake, Hastings Co., Prince Edward Co., Northumberland Co., Bay of Quinte, Trenton, Toronto, etc.) with Latin names annotated in the margin 6.5 x 4.25 in — 16.5 x 10.8 cm $200—300 VIEW LOT

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109 CATHARINE PARR TRAILL AND AGNES FITZGIBBON CANADIAN WILD FLOWERS folio, hand-coloured lithographed title page and ten plates, in gilt green cloth boards, John Lovell, St. Nicholas Street, Montreal, 1869 14.5 x 11 in — 36.8 x 27.9 cm $1,000—1,500 VIEW LOT

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110 MARY AGNES FITZGIBBON (1851-1915) A VETERAN OF 1812: THE LIFE OF JAMES FITZGIBBON first edition, 12mo., 347pp., portrait frontispiece with letter facsimile, full title and dedication page, in red linen boards with gilt title and decoration 6 x 4 in — 15.2 x 10.2 cm PROVENANCE:

Ex libris: M. A. Secord, Langford, Ont., (inscribed) $100—150 VIEW LOT

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111 SIR JOHN LESLIE (1766-1832), ROBERT JAMESON (1774-1854), HUGH MURAY (1779-1846) NARRATIVE OF DISCOVERY AND ADVENTURE IN THE POLAR SEAS AND REGIONS: WITH ILLUSTRATIONS OF THEIR CLIMATE, GEOLOGY, AND NATURAL HISTORY: AND AN ACCOUNT OF THE WHALE FISHERY 18mo., illustrated half title, full title, dedication page, fold-out chart, illustrated, in 3/4 calf marbled boards with ribbed and titled spine, Edinburgh, Oliver & Boyd, 1835, 6.75 x 4.25 in — 17.1 x 10.8 cm $100—150 VIEW LOT Canadian Arts, Culture & History Session

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112 NIAGARA TOWNSHIP MUNICIPAL LEDGER, 1850-1886 with line items including ‘Crows’, ‘Foxes’, ‘Township Officers’, ‘Roads and Bridges’, ‘Indigent and Infirm Persons’, ‘Lunatic Asylum’, ‘Queenston & Grimsby Road Comany’, etc., in 3/4 calf marbleized boards 13.30 x 8.5 in — 33.8 x 21.6 cm $150—250 VIEW LOT

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113 EARLY CANADIAN LAW BOOK, 1809 ORDERS AND RULES OF PRACTICE IN THE COURT OF THE KING’S BENCH, FOR THE DISTRICT OF QUEBEC IN LOWER CANADA 18mo., 397pp., in full calf boards, spine with gilt ribs and applied red calf title 6.1 x 4 in — 15.5 x 10.2 cm $150—250 VIEW LOT

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114 REV. JAMES BENTLEY GORDON (1750-1819) AN HISTORICAL AND GEOGRAPHICAL MEMOIR OF THE NORTH AMERICAN CONTINENT; ITS NATIONS AND TRIBES 4to., first edition, portrait frontispiece, with tissue guard, full title with publisher’s inset errata, pages with wide margins and deckled edges, in later cloth boards, Dublin, John Jones, 1820 $200—300 VIEW LOT

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115 JOHN JEREMIAH BIGSBY (1792-1881) THE SHOE AND CANOE 2 vols., 8vo., 1st edition, illustrated, each volume in blue cloth boards with embossed gilt title and illustration. London, Chapman and Hall, 1850 8.1 x 5.3 in — 20.5 x 13.5 cm $100—150 VIEW LOT

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116 WILLIAM CANNIFF (1830-1910) THE SETTLEMENT OF UPPER CANADA; HISTORY OF THE PROVINCE OF ONTARIO 8vo., 670 pp., in brown cloth boards with gilt titled spine, Toronto, A.H. Hovey, 1872 9.5 x 6.25 in — 24.1 x 15.9 cm $100—150 VIEW LOT

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117 DAVID T. HANBURY (1864-1910) SPORT AND TRAVEL IN THE NORTHLAND OF CANADA 4vo., 318pp., illustrated frontispiece, and profusely illustrated throughout including 5 colour plates and two pull-out maps, in red cloth boards, New York: The MacMillan Company, London: Edward Arnold, 1904 9 x 6 in — 22.9 x 15.2 cm $80—120 VIEW LOT

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118 COL. GEORGE GALLIE NASMITH (1877-1965) CANADA’S SONS AND GREAT BRITAIN IN THE WORLD WAR, 1919 8vo., 607pp., illustrated, in gilt red cloth with Royal Union flag (Union Jack) Toronto, The John C. Winston Co., Limited, 1919 9.5 x 6.5 in — 24.1 x 16.5 cm $80—120 VIEW LOT

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119 FRANK YEIGH (1837-1935) THROUGH THE HEART OF CANADA 8vo., half title, illustrated frontispiece with tissue guard, full title, 311pp with illustrations, in gilt embossed blue cloth boards, Toronto, Henry Frowde, 1911, 9 x 6 in — 22.9 x 15.2 cm $100—150 VIEW LOT

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120 W. STEWARD WALLACE (EDITOR) THE ENCYCLOPEDIA OF CANADA 6 vols., 4to., each frontispiece with chromolithograph provincial crests, in gilt tooled red leather boards, Toronto, University Associates of Canada Limited, 1937 9.6 x 7 in — 24.5 x 17.8 cm $100—150 VIEW LOT

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121 WILLIAM OSLER, M.D., F.R.S. MICHAEL SERVETUS 8vo., pamphlet, signed presentation inscription on the cover to Lucy Minot 8.75 x 6 in — 22.2 x 15.2 cm $80—120 VIEW LOT

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122 TWO VOLUMES: CANADA CONFERENCE OF DOMINION AND PROVINCIAL GOVERNMENTS, OTTAWA, NOVEMBER, 1918 each cord-bound album with gilt titled soft red leather boards, one inscribed ‘Chester Martin’ PROVENANCE:

Chester Bailey Martin, FRSC (1882-1958) Canadian historian $300—400 VIEW LOT

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123 GEOFFREY M. LE HAIN (EDITOR) HISTORIC MONTREAL, PAST AND PRESENT 4to., being ‘a portfolio of pictures of Montreal and surroundings comprising reproductions of paintings by Canadian artists’, published in Montreal by Henry Morgan & Co., 1920 12 x 9.7 in — 30.5 x 24.6 cm $100—150 VIEW LOT

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124 COMPLETE SET OF TORONTO O’KEEFE CENTRE PROGRAMMES, 1960-1975 bound in 15 volumes 9 x 6 in — 22.9 x 15.2 cm $200—300 VIEW LOT

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125 ALAN BRUCE BRADSHAW SEA OF JEWELS 4to., first edition, signed and dated, woodcut title and 10 full-page lithographs and printed rectos, with text enface, printed in spreads with each even spread blank, deckled fore edge, in gilt cloth boards, Toronto, Coach House Press, 1971 9.25 x 11.15 in — 23.5 x 28.3 cm $150—250 VIEW LOT

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126 IRVING LAYTON (1912-2006) THE LOVE POEMS OF IRVING LAYTON 4to., first edition, numbered 122/200 lithographs by Graham Coughtree, signed by the author and the artist, in half suede brown cloth boards with gilt title and inset lithograph, Canadian Fine Editions, 1978 12.3 x 9.3 in — 31.2 x 23.6 cm $100—150 VIEW LOT

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127 THREE VOLUMES FROM THE LIBRARY OF CHESTER D. MASSEY MASSEY’S MAGAZINE (JULY THROUGH DECEMBER, 1896) WITH BOOKPLATE Massey’s Magazine (January through June, 1897) with bookplate Massey’s Illustrated (March 1882-December 1884) initialed and signed throughout largest 18 x 11.5 in — 45.7 x 29.2 cm $100—150 VIEW LOT

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128 12 VOLUMES FROM THE LIBRARY OF VINCENT MASSEY AND ALICE PARKIN MASSEY, 19TH/EARLY 20TH CENTURIES each with bookplate and the owner’s signature $300—400 VIEW LOT

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129 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) BAYARD GALLERY EXHIBIT POSTER, 1980 poster, reproduction of SHAMAN WITH SPIRIT HELPERS from exhibit “Morrisseau” Bayard Gallery, September 20-October 26, 1980 sight 37 x 24 in — 94 x 61 cm PROVENANCE:

Private Collection, Ontario $300–400 VIEW LOT

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130 SAUL WILLIAMS (B. 1954), ANISHINAABE (OJIBWE) ART GALLERY OF ONTARIO EXHIBIT POSTER, 1984 poster from the “Norval Morrisseau and the Emergence of the Image Makers,” The Art Gallery of Ontario, Toronto, ON, February 18-April 15, 1984, sheet 34 x 25 in — 86.4 x 63.5 cm PROVENANCE:

Private Collection, Ontario $1,200—1,500 VIEW LOT

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131 JACKSON BEARDY (1944-1984), ANISHINAABE (OJIBWE) PORTRAIT OF THE ARTIST screenprint inscribed to “Bruce, Linda and David, with my warmest wishes, Jackson Beardy, July 12, 1979” sheet 44.5 x 17 in — 113 x 43.2 cm PROVENANCE:

Private Collection, Ontario $1,200–1,500 VIEW LOT

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tFirst Nations Art LOTS 201-250

In the Great Lakes iconography foundational to Norval Morrisseau’s art, quivering, wiry lines of connection sometimes called “power lines” link animals and people, indicating the flow of spiritual energy and emphasizing the relationality between every living thing. It is a perfect metaphor for this auction and the artworks selected to be shown within it.

Artists like Morrisseau, Daphne Odjig, Alex Janvier and other members of the Professional Native Indian Artists Inc. (PNIAI) were instrumental in bringing First Nations art to new and non- Indigenous audiences. They transcended cultural barriers in a calculated attempt to escape the categorization of their art as “ethnographic,” and in turn, usher their work into the mainstream art market.

Perhaps most importantly, their efforts opened the door for future generations of First Nations artists.

Precious little scholarship has been done to explore this inter-generational passing of the artistic torch, however, it is clear that the visual language established by Morrisseau – known as the Woodland School of Art – has evolved into a vocabulary as recognizable and visually distinctive as any. His work has been studied by important artists including Odjig, Jackson Beardy, Blake Debassige, Carl Ray, Roy Thomas and Richard Bedwash, who all learned – directly or indirectly – from Morrisseau before developing their own significant approaches to making art. What makes the exploration of visual art so enjoyable is the myriad ways in which one touchpoint or subject can be interpreted and rearranged, creating formulations and styles which begin to morph, and ultimately, become something unique unto themselves.

It is with this intent that we assembled this auction, to again widen the scope of this great artistic tradition for mainstream audiences. Precious few of the artists included here are household names: to further the important work of Morrisseau and the PNIAI, we must continue expanding the canon to encompass these second and third generation artists, who deserve not only a better look, but a place in your collection.

NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) INDIAN DREAM

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201 UNIDENTIFIED ARTIST, TLINGIT NAAXEIN (CHILKAT BLANKET), CA. 1880 yellow cedar bark, mountain goat wool, dyes 70 x 50 in — 177.8 x 127 cm PROVENANCE:

Private Collection, Ontario $15,000–20,000 VIEW LOT

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202 SUSAN A. POINT (B. 1952), MUSQUEAM (COAST SALISH) RAVEN AND MOON SPINDLE WHORL glass, copper, adzed cedar, dye signed and numbered 11/15; suspended on a wall-mounted backing board diameter 25 x 25 in — 63.5 x 63.5 cm PROVENANCE

Coastal Peoples Fine Art Gallery, Vancouver, BC; Private Collection, Illinois $3,000–5,000 VIEW LOT First Nations Art

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203 GEOFF GREENE (B. 1959), HAIDA TOTEM POLE glass, steel signed and numbered 22/45 36 x 12 x .25 in — 91.4 x 30.5 x 0.6 cm PROVENANCE:

Coastal Peoples Fine Art Gallery, Vancouver, BC; Private Collection, Illinois $2,000–4,000 VIEW LOT

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204 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) INDIAN DREAM acrylic on watercolour paper signed in syllabics; gallery label verso with artwork details; photo of inscription on canvas verso: sheet 29.5 x 23 in — 74.9 x 58.4 cm PROVENANCE:

Collection of Stan Lozenski, acquired directly from the Artist, Kenora, ON; By descent to the Lozenski family, Kenora, ON; Private Collection, Waterloo, ON; Private Collection, Ontario $7,000–8,500 VIEW LOT First Nations Art

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205 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) MOTHER BIRD, CHICK AND FISH acrylic on paper signed in syllabics sight 18 x 23 in — 45.7 x 58.4 cm PROVENANCE:

Collection of Stan Lozenski, acquired directly from the Artist, Kenora, ON; By descent to the Lozenski family, Kenora, ON; Private Collection, Waterloo, ON; Private Collection, Ontario $4,000–5,000 VIEW LOT 148 The Canada Auction Series

206 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) WENDIGO graphite drawing unsigned sight 19 x 14.5 in — 48.3 x 36.8 cm PROVENANCE:

Collection of Stan Lozenski, acquired directly from the Artist, Kenora, ON; By descent to the Lozenski family, Kenora, ON; Private Collection, Waterloo, ON; Private Collection, Ontario $4,000–5,000 VIEW LOT

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207 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) SACRED MEDICINE BEAR OF THE MIDA-WIIN SOCIETY, 1995 acrylic on canvas signed in syllabics and initialed; titled verso 36 x 60 in — 91.4 x 152.4 cm PROVENANCE:

Kinsman Robinson Galleries, Toronto, ON; Private Collection, Toronto, ON, acquired in 1999 $10,000–15,000 VIEW LOT

150 The Canada Auction Series

First Nations Art

151

208 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) VISION OF FISH THROUGH PORTAL, CA. 1990 acrylic on masonite signed in syllabics; titled on gallery label sight 24 x 24 in — 61 x 61 cm

PROVENANCE:

Aquired directly from the Artist by Kinsman Robinson Galleries, Toronto, ON; Private Collection, Ontario EXHIBITED:

Morrisseau’s Morrisseaus: The Artists Collection, Kinsman Robinson Galleries, Toronto, ON, 2006 $8,000–10,000 VIEW LOT

152 The Canada Auction Series

209 NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE) FAMILY screenprint signed, titled and numbered 179/193 sight 28.5 x 20.5 in — 72.4 x 52.1 cm PROVENANCE:

Private Collection, Ontario $700–900 VIEW LOT First Nations Art

153

210 DAPHNE ODJIG, RCA (1919-2016), NISHNAABE-NESHNABE (ODAWA-POTAWATOMI) HAPPY MEMORIES, 1980 acrylic on canvas signed and dated canvas 20 x 18 in — 50.8 x 45.7 cm PROVENANCE:

Private Collection, Ontario $10,000–13,000 VIEW LOT 154 The Canada Auction Series

211 DAPHNE ODJIG, RCA (1919-2016), NISHNAABE-NESHNABE (ODAWA-POTAWATOMI) DANCE OF AUTUMN LEAVES, 1972 pastel and acrylic on paper signed and dated; titled to gallery label sight 17 x 21 in — 43.2 x 53.3 cm PROVENANCE:

Gallery Gevik, Toronto, ON; Private Collection, Ontario $12,000–13,000 VIEW LOT First Nations Art

155

213 DAPHNE ODJIG, RCA (1919-2016), NISHNAABE-NESHNABE (ODAWA-POTAWATOMI) PARTNERS IN DANCE, 2005 coloured pencil on paper signed lower right; titled to gallery label and in pencil verso sight 6.8 x 5 in — 17.3 x 12.7 cm PROVENANCE:

Estate of Winnie Christian; Gallery Gevik, Toronto, ON; Private Collection, Ontario $1,800–2,400 VIEW LOT

156 The Canada Auction Series

214 JOSEPH SÁNCHEZ (B. 1948), AMERICAN GRANDMOTHERS AND ANGELS, 2011 ink and watercolour on paper signed and dated sheet 10 x 9 in — 25.4 x 22.9 cm PROVENANCE:

Private Collection, Ontario $1,000–1,500 VIEW LOT First Nations Art

157

215 JOSEPH SÁNCHEZ (B. 1948), AMERICAN WHISPERS OF ANGELS, 1977 watercolour and ink on paper; signed and dated sight 28.5 x 22.5 in — 72.4 x 57.2 cm PROVENANCE:

Private Collection, Ontario $4,000–5,000 VIEW LOT 158 The Canada Auction Series

216 JOSEPH SÁNCHEZ (B. 1948), AMERICAN WITH ONE EYE SHE WATCHED, 1976 conté on paper signed and dated sight 24.5 x 18.5 in — 62.2 x 47 cm PROVENANCE:

Private Collection, Ontario $1,000–1,500 VIEW LOT

First Nations Art

159

217 ALEX JANVIER (B. 1935), ANIHSINAPE (SAULTEAUX, DENE SULINE) MEN’S TRADITIONAL watercolour on paper signed sheet 30 x 23 in — 76.2 x 58.4 cm PROVENANCE:

Private Collection, Ontario $4,500–5,500 VIEW LOT 160 The Canada Auction Series

218 ALEX JANVIER (B. 1935), ANIHSINAPE (SAULTEAUX, DENE SULINE) HOUN’KEH SPRING (A SUDDEN PLATEAU) acrylic on canvas signed canvas 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Private Collection, Ontario $5,000–6,000 VIEW LOT

First Nations Art

161

219 EDDY COBINESS (1933-1996), ANISHINAABE (OJIBWE) DOWN BY THE BAY, 1975 acrylic on canvas board signed and dated; titled verso sight 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Private Collection, Ontario $3,000–4,000 VIEW LOT

162 The Canada Auction Series

220 EDDY COBINESS (1933-1996), ANISHINAABE (OJIBWE) CARIBOU, 1976 acrylic on canvas signed and dated canvas 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Private Collection, Ontario $2,000–3,000 VIEW LOT

First Nations Art

163

221 EDDY COBINESS (1933-1996), ANISHINAABE (OJIBWE) CHICKENS IN FARMYARD, 1973 oil on canvas board signed and dated board 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, Ontario $1,500–2,000 VIEW LOT

164 The Canada Auction Series

222 JACKSON BEARDY (1944-1984), ANISHINAABE (OJIBWE) THREE BIRDS, 1981 acrylic on paper signed and dated sight 14 x 21 in — 35.6 x 53.3 cm PROVENANCE:

R. Steiman, Ningik Arts, Winnipeg, MB; The Wah-sa Gallery, Winnipeg, MB; Private Collection, Ontario $4,000–5,000 VIEW LOT First Nations Art

165

223 CARL RAY (1943-1978), CREE SNOW GOOSE, 1973 ink on paper signed and dated sight 16.8 x 21.5 in — 42.7 x 54.6 cm PROVENANCE:

Private Collection, Ontario $2,500–3,500 VIEW LOT

166 The Canada Auction Series

224 CARL RAY (1943-1978), CREE THUNDERBIRD, 1972 acrylic on paper signed and dated; titled to gallery label sight 19.5 x 14 in — 49.5 x 35.6 cm PROVENANCE:

Aggregation Gallery, Toronto, ON; Private Collection, Ontario; Gallery Gevik, Toronto, ON: Private Collection, Ontario EXHIBITED:

“Carl Ray Drawings: Sacred Legends of the Sandy Lake Cree,” Aggregation Gallery, Toronto, ON, November 14 December 2, 1972 NOTE:

Accompanied by a letter of provenance from Gallery Gevik (client name and address redacted) $2,200–2,700 VIEW LOT

First Nations Art

167

225 ROY THOMAS (1929-2004), ANISHINAABE (OJIBWE) FOLLOWING SUCCESS acrylic on canvas signed canvas 48 x 94 in — 127 x 246.4 cm PROVENANCE:

Acquired directly from the artist by Gallery Gevik, Toronto, ON; Private Collection, Ontario EXHIBITED:

Thunder Bay Art Gallery, “Vision Circle: The Art of Roy Thomas, a Retrospective Exhibition,” curated by Dr. Elizabeth McLuhan NOTE:

Accompanied by a letter of provenance from Gallery Gevik (client name and address redacted) $20,000–25,000 VIEW LOT

168 The Canada Auction Series

226 ROY THOMAS (1929-2004), ANISHINAABE (OJIBWE) WATER ELDER, 2000 acrylic on canvas signed; signed, titled and dated in pencil verso canvas 24 x 36 in — 61 x 96.5 cm PROVENANCE:

Aquired directly from the Artist by Phillip Gevik, Gallery Phillip, East Don Mills, ON; Private Collection, Ontario NOTE:

Accompanied by a letter of provenance from Gallery Gevik (client name and address redacted) $6,500–7,500 VIEW LOT

First Nations Art

169

227 RICHARD BEDWASH (1937-2007), ANISHINAABE (OJIBWE) BIRD AND FISH, 1984 oval acrylic on canvas signed in syllabics and dated; unframed canvas 9 x 12 in — 22.9 x 30.5 cm PROVENANCE:

Private Collection, Ontario $750–1,500 VIEW LOT

170 The Canada Auction Series

228 RICHARD BEDWASH (1937-2007), ANISHINAABE (OJIBWE) THE ARTIST’S DREAM, 1982 acrylic on canvas signed and dated; titled verso; inscription on canvas verso: sight 20 x 16 in — 50.8 x 40.6 cm PROVENANCE:

Private Collection, Ontario $1,000–2,000 VIEW LOT

First Nations Art

171

229 BRIAN MARION (1960-2011), ANISHINAABE (OJIBWE) UNTITLED acrylic on paper signed lower right; “160” inscribed in pencil, sticker label “026608” verso; unframed sheet 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Private Collection, Ontario $400–500 VIEW LOT 172 The Canada Auction Series

230 BRIAN MARION (1960-2011), ANISHINAABE (OJIBWE) UNTITLED acrylic on paper signed lower right; “240” inscribed in pencil, sticker label “026678” verso; unframed sheet 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Private Collection, Ontario $400–500 VIEW LOT First Nations Art

173

231 CECIL YOUNGFOX (1942-1987), ANISHINAABE (OJIBWE) AFTERNOON PLAYTIME, 1981 acrylic on paper signed and dated in felt-tip verso; titled on gallery label verso; “Nishnawbe #5 24.5 x 30 #11 Frosted Silver / Sundays all of us my grandmother too would go out into the bush or over to the point to enjoy. Nice time it was [sic]” sight 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Studio Colleen Inc., Ottawa, ON; Private Collection, Ontario $2,200–3,200 VIEW LOT 174 The Canada Auction Series

232 SAUL WILLIAMS (B. 1954), ANISHINAABE (OJIBWE) TEACHERS AND PUPILS, 1983 acrylic on paper signed in syllabics and dated; inscribed “203 / 83” sight 17.5 x 11.5 in — 44.5 x 29.2 cm PROVENANCE:

Private Collection, Ontario $3,000–5,000 VIEW LOT

First Nations Art

175

233 ARTHUR SHILLING (1941-1986), ANISHINAABE (OJIBWE) THREE GIRLS DREAMING, 1981 oil on hardboard signed and dated; titled to gallery label verso 24 x 48 in — 61 x 121.9 cm PROVENANCE:

Beckett Gallery Limited, Hamilton, ON; Private Collection, Ontario $6,000–8,000 VIEW LOT

176 The Canada Auction Series

234 ARTHUR SHILLING (1941-1986), ANISHINAABE (OJIBWE) SELF PORTRAIT, 1976 oil on canvas board signed and dated sight 24 x 20 in — 61 x 50.8 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Private Collection, Ontario $3,500–4,000 VIEW LOT First Nations Art

177

235 ALLEN SAPP (1929-2015), CREE UNTITLED (GOING SLEDDING) acrylic on canvas signed 11 x 14 in — 27.9 x 35.6 cm PROVENANCE:

Private Collection, Toronto, ON $1,500–2,000 VIEW LOT

178 The Canada Auction Series

236 CARL BEAM, RCA (1943-2005), ANISHINAABE (OJIBWE) CENTRAL AMERICA NEBULA mixed media on paper signed; embossed stamp “Carl Beam Original Work;” “1384” inscribed in pencil, sticker label “038341” verso; unframed sheet 15 x 12 in — 38.1 x 30.5 cm PROVENANCE:

Private Collection, Ontario $200–300 VIEW LOT First Nations Art

179

237 ANN BEAM (B. 1944), AMERICAN ANGEL AND EARTH mixed media on paper signed; embossed stamp “Ann Beam Original Work;” “34” inscribed in pencil, sticker label “074353” verso; unframed sheet 15 x 12 in — 38.1 x 30.5 cm PROVENANCE:

Private Collection, Ontario $200–300 VIEW LOT

180 The Canada Auction Series

238 BLAKE DEBASSIGE (1956-2022), ANISHINAABE (OJIBWE) I MARRIED A CREE PRINCESS- SEEING I 2 I, 2007 acrylic on canvas signed and dated; signed and titled verso; unframed canvas 10 x 8 in — 25.4 x 20.3 cm PROVENANCE:

Kasheese Studios Art Gallery, M’Chigeeng First Nation, ON; Private Collection, Ontario NOTE:

This work is accompanied by the Kasheese Studios receipt. $500–700 VIEW LOT First Nations Art

181

239 ROY HENRY, HAUDENOSAUNEE (ONONDAGA) CORN SISTER, 2001 stone signed and dated 17 x 8 x 8 in — 43.2 x 20.3 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $1,000–2,000 VIEW LOT

182 The Canada Auction Series

240 ROY HENRY, HAUDENOSAUNEE (ONONDAGA) SQUASH SISTER, 1999 stone signed and dated 24 x 12 x 10 in — 61 x 30.5 x 25.4 cm PROVENANCE:

Private Collection, Toronto, ON $1,000–2,000 VIEW LOT

First Nations Art

183

241 ROY HENRY, HAUDENOSAUNEE (ONONDAGA) BICENTENNIAL (SQUASH, EAGLE, FACE), 2000 stone signed and dated 10 x 29.5 x 14 in — 25.4 x 74.9 x 35.6 cm PROVENANCE:

Private Collection, Toronto, ON $1,500–2,500 VIEW LOT

184 The Canada Auction Series

242 JAMES SIMON MISHIBINIJAMA (B. 1954), ANISHINAABE (OJIBWE) HUMMINGBIRD, 1989 acrylic on canvas signed and dated sight 24 x 20 in — 61 x 50.8 cm PROVENANCE:

Private Collection, Ontario $3,000–3,500 VIEW LOT

First Nations Art

185

243 FRANCIS KAGIGE (1929-2014), ANISHINAABE (OJIBWE) PICTOGRAPHS acrylic on canvas signed sight 12.5 x 15 in — 31.8 x 38.1 cm PROVENANCE:

Private Collection, Ontario $600–700 VIEW LOT

186 The Canada Auction Series

244 LELAND BELL (BEBAMINOJMAT) (B. 1953), ANISHINAABE (OJIBWE) FIRE AND MOON, 1986 acrylic on canvas signed and dated; titled to label verso canvas 20 x 16 in — 50.8 x 40.6 cm PROVENANCE:

Dr. Bernard Cenator, Toronto, ON; Private Collection, Toronto, ON; Gallery Gevik, Toronto, ON; Private Collection, Ontario $2,000–2,500 VIEW LOT

First Nations Art

187

245 ISAAC BIGNALL (1958-1996), CREE UNTITLED (BUFFALO), 1984 acrylic on paper signed and dated sight 16.5 x 11.5 in — 41.9 x 29.2 cm PROVENANCE:

Private Collection, Ontario $500–700 VIEW LOT

188 The Canada Auction Series

246 MARTIN PANAMICK (1956-1977), ANISHINAABE (OJIBWE) FISHERMAN FISHING screenprint signed, titled and numbered 31/100 sight 23 x 18.8 in — 58.4 x 47.8 cm PROVENANCE:

Private Collection, Ontario $400–500 VIEW LOT

First Nations Art

189

247 RANDY HENRY, HAUDENOSAUNEE (ONONDAGA) FIGURE WITH EAGLE AND RATTLE, 2002 antler, whalebone, catlinite, stone signed, dated 25 x 23 x 7 in — 63.5 x 58.4 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON $1,000–2,000 VIEW LOT

190 The Canada Auction Series

248 ROY HENRY, HAUDENOSAUNEE (ONONDAGA) FIGURE WITH WOLF AND PIPE whalebone, catlinite, stone unsigned 19 x 24 x 7.5 in — 48.3 x 61 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON $1,000–2,000 VIEW LOT

First Nations Art

191

249 RUSSELL NOGANOSH (B. 1956), ANISHINAABE (OJIBWE) BEAR acrylic on paper signed in syllabics; unframed sight 29 x 21 in — 73.7 x 53.3 cm; sight PROVENANCE:

Private Collection, Ontario $800–1,200 VIEW LOT

192 The Canada Auction Series

250 RUSSELL NOGANOSH (B. 1956), ANISHINAABE (OJIBWE) EAGLE AND MAN acrylic on paper signed in syllabics sight 21 x 29 in — 53.3 x 73.7 cm PROVENANCE:

Private Collection, Ontario $800–1,200 VIEW LOT

First Nations Art

193

tInuit Art LOTS 301-455

KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL’S BOUQUET, 2007

194 The Canada Auction Series

First Nations Art

195

301 OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005), KINNGAIT (CAPE DORSET) TRANSFORMING SPIRITS, CA. 1979 stone, signed in syllabics; pinned to circular acrylic base accompanied by an invoice from M.F. Feheley, Toronto, ON, 1986 15.5 x 6.5 x 3 in — 39.4 x 16.5 x 7.6 cm PROVENANCE:

M.F. Feheley Gallery, Toronto, ON; Collection of Betty Ballantine, New York, NY; Private Collection, New York $5,000—7,000 VIEW LOT

196 The Canada Auction Series

302 PAUTA SAILA ᐸᐊ ᓯᓪ, RCA (1916-2009), KINNGAIT (CAPE DORSET) DANCING BEAR, CA. 1986 stone, signed in syllabics, affixed with adhesive to acrylic base 12.75 x 7.5 x 5.25 in — 34.3 x 19.1 x 13.3 cm PROVENANCE:

Acquired directly from the Artist by Claude Baud, Douai, France; Private Collection, France EXHIBITED:

Musée d’Arras, 1987; Musée du Ranquet, Clermont-Ferrand, 1998; Musée de l’Ardenne, 1999; Musée de Sarlat, 2002; Nice-Acropolis, 2005-2006; Musée Océanographique, Monaco, 2006 $25,000—30,000 VIEW LOT

Inuit Art

197

303 AQJANGAJUK SHAA ᐊᔭᒐᔪ ᓴᐊ, RCA (1937-2019), KINNGAIT (CAPE DORSET) DANCING WALRUS, CA. 1985 stone, ivory, unsigned 14 x 9 x 7.5 in — 35.6 x 22.9 x 19.1 cm PROVENANCE:

Private Collection, Ontario $2,000—3,000 VIEW LOT

198 The Canada Auction Series

304 LUKTA QIATSUK ᓗᑕ ᑭᐊᓱᑲ (1928-2004), KINNGAIT (CAPE DORSET) RUNNING BIRD, CA. 1980 stone, signed in syllabics 2.25 x 16.5 x 6.5 in — 5.7 x 41.9 x 16.5 cm PROVENANCE:

M.F. Feheley Gallery, Toronto, ON; Collection of Betty Ballantine, New York, NY; Private Collection, New York $1,000—1,500 VIEW LOT

Inuit Art

199

305 RUTH QAULLUARYUK ᑲᐅᓗᐊᔪ (B. 1932), QAMANI’TUAQ (BAKER LAKE) HUNDREDS AND HUNDREDS, HERDS OF CARIBOU, 1975 stonecut, signed, titled, dated and numbered 22/30 framed sight 23.75 x 31.5 in — 60.3 x 80 cm PROVENANCE:

Private Collection, Calgary, AB $4,000—5,000 VIEW LOT

200 The Canada Auction Series

306 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL’S BOUQUET, 2007 stonecut and stencil, signed, titled, dated, numbered 14/50 unframed sheet 24.5 x 30 in — 62.2 x 76.2 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—5,000 VIEW LOT

Inuit Art

201

307 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) ENCHANTMENT, 2011 sugar-lift etching, aquatint, hand-painted in collaboration with Harold Klunder and Beatriz Sobrado Sáman, signed in syllabics; signed, titled, dated and numbered 1/50 sight 33.5 x 26 in — 85.1 x 66 cm PROVENANCE:

Private Collection, Calgary, AB $2,000—3,000 VIEW LOT 202 The Canada Auction Series

308 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL’S TREASURE, 2002 lithograph, signed in syllabics; signed, titled, dated and numbered 20/50 framed sheet 26 x 20 in — 66 x 50.8 cm PROVENANCE:

Private Collection, Alberta $1,000—1,500 VIEW LOT

Inuit Art

203

309 JOHN TIKTAK ᔭᓐ ᑎᑕ, RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) SEATED FIGURE, CA. 1964 stone, signed in syllabics 11 x 8 x 3.25 in — 27.9 x 20.3 x 8.3 cm PROVENANCE:

Acquired directly from the artist, ca. 1964; By decent to the present Private Collection, Florida $15,000—25,000 VIEW LOT

204 The Canada Auction Series

310 AKEEAKTASHUK ᐊᑭᐊᑐᓱ (1898-1954), INUKJUAK (PORT HARRISON) HUNTER, CA. 1950 stone, antler, soap, unsigned 9.75 x 5 x 4.5 in — 24.8 x 12.7 x 11.4 cm PROVENANCE:

Private Collection, New York $3,000—5,000 VIEW LOT

Inuit Art

205

311 KAROO ASHEVAK ᑲᕈ ᐊᓴᕙ (1940-1974), TALOYOAK (SPENCE BAY) SPIRIT, CA. 1974 stone, signed in syllabics; accompanied by “Canadian Eskimo Art” tag inscribed “Ashevak / Spence Bay /Spirit” 7.75 x 7 x 3.75 in — 20.3 x 17.8 x 9.5 cm PROVENANCE:

Private Collection, Edmonton, AB Related Works: The Winnipeg Art Gallery, Karoo Ashevak, (Winnipeg: The Winnipeg Art gallery, 1977), pl. 42. $10,000—15,000 VIEW LOT

206 The Canada Auction Series

Inuit Art

207

313 MANNIK ᒪᓂ, QAMANI’TUAQ (BAKER LAKE) COMPOSITION OF MEN WITH BEARS, CA. 1970 stone, signed in Roman 10.75 x 11 x 6.75 in — 27.3 x 27.9 x 17.1 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

208 The Canada Auction Series

314 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) FAMILY, CA. 1975 stone, signed in syllabics 12 x 9 x 8 in — 30.5 x 22.9 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $1,500—2,500 VIEW LOT

Inuit Art

209

315 MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940-2010), QAMANI’TUAQ (BAKER LAKE) MUSK OX WITH SHAMAN, CA.1975 stone, signed in syllabics; accompanied by “Canadian Eskimo Art” tag inscribed “Mathew Aquita / Baker Lake / 1975 / Head with Muskox” 7.75 x 12.5 x 4.5 in — 19.7 x 31.8 x 11.4 cm PROVENANCE:

Private Collection, Hamilton, ON $2,500—3,500 VIEW LOT

210 The Canada Auction Series

316 GEORGE ARLUK ᐊᓗ (B. 1949), ARVIAT (ESKIMO POINT) MUSK OX SHAMAN, 1981 stone, signed in syllabics and dated 7 x 14.25 x 4 in — 17.8 x 36.2 x 10.2 cm PROVENANCE:

Private Collection, Calgary, AB $400—600 VIEW LOT

Inuit Art

211

317 JOHN TIKTAK ᔭᓐ ᑎᑕ, RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) HEAD, CA. 1965 stone, signed in syllabics 6.25 x 4.5 x 3 in — 15.9 x 11.4 x 7.6 cm PROVENANCE:

Private Collection, Hamilton, ON $15,000—20,000

VIEW LOT

212 The Canada Auction Series

318 JOHN TIKTAK ᔭᓐ ᑎᑕ, RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) FIGURE WITH CAP, CA. 1965 stone, signed indistinctly in syllabics 9 x 3.5 x 4.5 in — 22.9 x 8.9 x 11.4 cm PROVENANCE:

Private Collection, Hamilton, ON $15,000—20,000 VIEW LOT

Inuit Art

213

319 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) WOMAN TENDING QULLIQ, CA. 1960 stone, ivory, unsigned 12.5 x 6 x 5.5 in — 32.4 x 15.2 x 14 cm PROVENANCE:

Private Collection, Hamilton, ON RELATED WORKS:

Waddington’s Auctioneers, Inuit Art, 9 November, 2009, 56, lot 138.

Waddington’s Auctioneers, Inuit Art, 5 November, 2007, 93, lot 335. $3,500—5,500 VIEW LOT

214 The Canada Auction Series

320 DAVIDIALUK ALASUA AMITTU ᑎᕕᑎᐊᓗ (1910-1976), PUVIRNITUQ (POVUNGNITUK) STRIDING MOTHER AND CHILD, CA. 1972 stone, signed in Roman; inscribed “1-17701;” old collectors label inscribed “Davidialuk Pov. 1972” 7.25 x 8.5 x 5.5 in — 18.4 x 21.6 x 14 cm PROVENANCE:

Private Collection, Hamilton, ON $4,000—5,000 VIEW LOT

Inuit Art

215

321 JUDAS ULLULAQ ᔪᑕ ᐅᓗᓚ (1937-1999), UQSUQTUUQ (GJOA HAVEN) SPIRITS, CA. 1990 whalebone, ivory, baleen, unsigned 20.25 x 13 x 7.5 in — 51.4 x 33 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON $7,000—10,000 VIEW LOT

216 The Canada Auction Series

322 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) WOMAN WITH BROKEN ARM, 2001 whalebone, baleen, hide, catlinite, signed in syllabics and dated 14 x 33 x 7.5 in — 35.6 x 83.8 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the Artist $2,500—3,500 VIEW LOT

Inuit Art

217

323 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) WALRUS BASKING, 2001 whalebone, ivory, baleen, catlinite, signed in syllabics and dated 11.5 x 31.5 x 15 in — 29.2 x 80 x 38.1 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the Artist $2,500—3,500 VIEW LOT

218 The Canada Auction Series

324 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) GREENLAND WOMEN AND SPIRITS, CA. 2001 stone, baleen, unsigned 19.5 x 16 x 11.5 in — 49.5 x 40.6 x 29.2 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the Artist $4,000—6,000 VIEW LOT

Inuit Art

219

325 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) OWL, CA. 1990 stone, signed indistinctly in syllabics 16 x 11 x 6.5 in — 40.6 x 27.9 x 16.5 cm PROVENANCE:

Private Collection, Toronto, ON $1,500—2,500 VIEW LOT

220 The Canada Auction Series

326 OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005), KINNGAIT (CAPE DORSET) STRIDING CARIBOU, CA. 2000 stone, antler, signed in syllabics 11.75 x 12.5 x 3 in — 29.8 x 31.8 x 7.6 cm PROVENANCE:

Private Collection, Ontario $2,000—3,000 VIEW LOT

Inuit Art

221

327 BARNABUS ARNASUNGAAQ ᐸᓇᐸᓯ ᐊᓇᓴᒐ (1924-2017), QAMANI’TUAQ (BAKER LAKE) MUSK OX, CA. 1980 stone, unsigned 6 x 8.25 x 4 in — 15.2 x 21 x 10.2 cm PROVENANCE:

Private Collection, Hamilton, ON $2,000—3,000 VIEW LOT

222 The Canada Auction Series

328 WALTER ETUKTU ᐃᑐᑐ (B. 1919), KUGLUKTUK (COPPERMINE) MUSK OX, CA. 1970 whalebone, horn, unsigned; accompanied by an “Eskimo” tag stamped “Coppermine Eskimo Co-operative Limited, Coppermine;” inscribed “Musk-ox / W. Etokto / 70/3337 / Whale bone” 10 x 23 x 7 in — 279.4 x 58.4 x 17.8 cm PROVENANCE:

Private Collection, Ottawa, ON $5,000—7,000 VIEW LOT

Inuit Art

223

329 NIVIAXIE ᓂᕕᐊᓯ (1909-1959), KINNGAIT (CAPE DORSET) CHAR FISHERMEN, 1959 sealskin stencil, signed, titled, dated and numbered 31/50; unframed 11 x 19 in — 27.9 x 48.3 cm PROVENANCE:

Private Collection, Washington $5,000—7,000 VIEW LOT

224 The Canada Auction Series

330 NIVIAXIE ᓂᕕᐊᓯ (1909-1959), KINNGAIT (CAPE DORSET) MAN HUNTING AT SEAL HOLE IN THE ICE, 1959 sealskin stencil, signed, titled, dated and numbered 19/30; unframed 19 x 12 in — 48.3 x 30.5 cm PROVENANCE:

Private Collection, Washington $30,000—40,000 VIEW LOT

Inuit Art

225

331 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) BIRDS OVER THE SUN, 1960 sealskin stencil, signed, titled, dated and numbered 1/50, sight 14 x 21.5 in — 35.6 x 54.6 cm PROVENANCE:

Private Collection, Calgary, AB $4,000—6,000 VIEW LOT

226 The Canada Auction Series

332 TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015), QAMANI’TUAQ (BAKER LAKE) FAMILY stone, possibly signed in syllabics 10 x 14.5 x 4.5 in — 25.4 x 36.8 x 11.4 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $700—1,000 VIEW LOT

Inuit Art

227

333 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) HUNTER, CA. 1965 stone, wood, string, signed in Roman 6.5 x 3 x 1.5 in — 16.5 x 7.6 x 3.8 cm PROVENANCE:

Private Collection, Wyoming $2,000—3,000 VIEW LOT

228 The Canada Auction Series

334 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) WOMAN WITH BRAIDED HAIR AND CHAR, CA. 1965 stone, string, signed in Roman 7.5 x 5 x 3.5 in — 19.1 x 12.7 x 8.9 cm PROVENANCE:

Private Collection, Wyoming $2,000—4,000 VIEW LOT

Inuit Art

229

335 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) FAMILY, CA. 1975 stone, unsigned; label affixed to underside inscribed “carving number 9216-689” 7.5 x 6 x 3.5 in — 19.1 x 15.2 x 8.9 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—2,000 VIEW LOT

230 The Canada Auction Series

336 MIRIAM MAREALIK QIYUK ᒪᕆᐊᒪ ᑭᔪ (B. 1933), QAMANI’TUAQ (BAKER LAKE) UMIAQ MIGRATION, CA. 1990 stone, signed in Roman 9 x 17 x 3.75 in — 22.9 x 43.2 x 9.5 cm PROVENANCE:

Private Collection, Toronto, ON $10,000—15,000 VIEW LOT

Inuit Art

231

337 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) DRUM DANCE, CA. 1970 coloured pencil drawing, signed in syllabics; inscribed in pencil verso “203748 / F-23 / Anguhadluq CO-OP CAP 4 - 151;” unframed sheet 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Private Collection, Hamilton, ON $4,000—6,000 VIEW LOT 232 The Canada Auction Series

338 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) MANY FACES, 1972 coloured pencil drawing, signed in syllabics; inscribed in pencil verso “1972 / $250.00 / 2-99 K6635 - 1 - 15;” unframed sheet 26 x 20 in — 66 x 50.8 cm PROVENANCE:

Private Collection, Hamilton, ON $4,000—6,000 VIEW LOT Inuit Art

233

339 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) WOLF EATING FISH, CA. 1970 coloured pencil drawing, signed in syllabics and disc number inscribed; inscribed in pencil verso “2069. 75 / 5 - 197 - 8;” unframed sheet 20 x 26 in — 50.8 x 66 cm PROVENANCE:

Private Collection, Hamilton, ON $3,000—4,000 VIEW LOT 234 The Canada Auction Series

340 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) MUSK OX, CA. 1970 coloured pencil drawing, signed in syllabics; inscribed in pencil verso “SCAP - 06 - 116 - OMTK $250;” unframed sheet 22.25 x 30.25 in — 56.5 x 76.8 cm PROVENANCE:

Private Collection, Hamilton, ON $3,000—4,000 VIEW LOT Inuit Art

235

341 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) CARIBOU, CA. 1970 coloured pencil drawing, signed in syllabics; inscribed in pencil verso “1-108 400 Angosaglo;” unframed sheet 8.25 x 9 in — 21 x 22.9 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT 236 The Canada Auction Series

342 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) AIRPLANE AND KAYAK, CA. 1980 coloured pencil drawing, unsigned; inscribed in pencil verso “CD. 024-3317 bd-82/83;” unframed sheet 13 x 20 in — 33 x 50.8 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT

Inuit Art

237

343 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) HELICOPTER AIRLIFT, CA. 1980 coloured pencil drawing, signed in syllabics; inscribed in pencil verso “CD-024-4707-bd-88/89-03/17/103/02-50.7 x 65.7 cm;” unframed sheet 20 x 26 in — 50.8 x 66 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT

238 The Canada Auction Series

344 KELLYPALIK MANGITAK ᒪᒋᑕ (B. 1940), KINNGAIT (CAPE DORSET) ARCTIC GULL (SABINE’S GULL), 1962 sealskin stencil, artist’s impression; signed, titled and dated; unframed sheet 18 x 12 in — 45.7 x 30.5 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000 VIEW LOT Inuit Art

239

345 PAULASSIE POOTOOGOOK ᐸᓗᓯ ᐳᑐᒍ, RCA (1927-2006), KINNGAIT (CAPE DORSET) PREENING BIRD, CA. 1986 stone, signed in syllabics; accompanied by a “Canadian Eskimo Art” tag inscribed “Paulassie Pootoogook / Cape Dorset / 1986 / Goose / 0376F” 10 x 6 x 2 in — 25.4 x 15.2 x 5.1 cm PROVENANCE:

The Guild Shop, Toronto, ON; Private Collection, Toronto, ON $2,000—3,000 VIEW LOT

240 The Canada Auction Series

346 ABRAHAM ETUNGAT ᐊᐃᐊᔭᑲ ᐃᑐᒐ, RCA (1911-1999), KINNGAIT (CAPE DORSET) BIRD WITH WINDSWEPT WINGS, 1980 stone, signed in syllabics 12 x 9 x 2.25 in — 30.5 x 22.9 x 5.7 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—5,000 VIEW LOT

Inuit Art

241

347 ABRAHAM ETUNGAT ᐊᐃᐊᔭᑲ ᐃᑐᒐ, RCA (1911-1999), KINNGAIT (CAPE DORSET) MOTHER AND CHILDREN, CA. 1980 stone, signed in syllabics 10 x 3.5 x 3 in — 25.4 x 8.9 x 7.6 cm PROVENANCE:

Private Collection, Toronto, ON $1,200—1,500 VIEW LOT

242 The Canada Auction Series

348 QAUNAQ MIKKIGAK ᑲᓂ ᒥᑭᒐ (B. 1932), KINNGAIT (CAPE DORSET) MOTHER AND CHILD, CA. 1995 stone, unsigned 18.5 x 6.5 x 6.5 in — 47 x 16.5 x 16.5 cm PROVENANCE:

Private Collection, USA $900—1,200 VIEW LOT

Inuit Art

243

349 ADJIA ARNAVIGAQ NAULITUK ᓇᐅᓕᑐ (B. 1906), SALLUIT (SUGLUK) MOTHER WITH CHILDREN, CA.1969 stone, signed; disc number inscribed; accompanied by 2012 Walker’s Auctions tag 4.5 x 5.25 x 3.75 in — 11.4 x 13.3 x 9.5 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 19 April, 2010, Lot 144; Private Collection, Toronto, ON; Walker’s Auctioneers, Ottawa, ON, 3 May, 2012, Lot 199; Private Collection, Toronto, ON $400—600 VIEW LOT

244 The Canada Auction Series

350 LUCY TIKIQ TUNGUAK ᓗᓯ ᑎᑭ (B. 1939), QAMANI’TUAQ (BAKER LAKE) SEATED FIGURES WITH HEAD, CA. 1975 stone, unsigned 2.75 x 9.5 x 2.75 in — 7 x 24.1 x 7 cm PROVENANCE:

Private Collection, USA $600—900 VIEW LOT

Inuit Art

245

351 ELIZABETH ANGRNAQQUAQ ᐃᓕᓴᐱ (1916-2003), QAMANI’TUAQ (BAKER LAKE) COMPOSITION WITH CARIBOU, CA. 1985 stroud, felt, thread, embroidery floss unsigned 51 x 51 in — 129.5 x 129.5 cm PROVENANCE:

Private Collection, Massachusetts $900—1,200 VIEW LOT 246 The Canada Auction Series

352 ELIZABETH ANGRNAQQUAQ ᐃᓕᓴᐱ (1916-2003), QAMANI’TUAQ (BAKER LAKE) COMPOSITION WITH FIGURES, FISH, AND FOWL, CA. 1985 stroud, felt, thread, embroidery floss signed in syllabics 55 x 37 in — 139.7 x 94 cm PROVENANCE:

Private Collection, Massachusetts $900—1,200 VIEW LOT Inuit Art

247

353 DAVIDEE ITULU ᐃᑐᓗ (1929-2006), KIMMIRUT (LAKE HARBOUR) INCISED TUSK ON BASE, CA. 1965 ivory, stone, graphite or soot unsigned 11 x 4.25 x 2.25 in — 27.9 x 10.8 x 5.7 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—2,000 VIEW LOT

248 The Canada Auction Series

354 CHARLIE KLENGENBERG AVAKANA ᐊᕙᑲᓇ (1935-1986), KUGLUKTUK (COPPERMINE) CARIBOU HUNT, 1963 antler, unsigned 5.5 x 24 x 1.25 in — 14 x 61 x 3.2 cm PROVENANCE:

Asger Rye Pedersen Collection, Nunavut; Waddington’s Auctioneers, Toronto, ON, 1983, Lot 177P; Private Collection, Toronto, ON; Waddington’s Auctioneers, Toronto, ON, Lot 262, 6 April, 2009; Private Collection, Toronto, ON $500—700 VIEW LOT

Inuit Art

249

355 LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) ANTLER MEN, CA. 1985 antler, unsigned; accompanied by “Canadian Eskimo Art” tag inscribed “Luke Anowtalik / Arviat / Antler Men / 99160347” 12.5 x 10 x 1 in — 31.8 x 25.4 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

250 The Canada Auction Series

356 LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) TRANSFORMING FIGURES, CA. 1985 antler, unsigned 14.5 x 16 x 1 in — 36.8 x 40.6 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

Inuit Art

251

357 LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) MAN AND DOG, CA. 1985 antler, sinew, unsigned, accompanied by “Canadian Eskimo Art” tag inscribed “Luke Anowtalik / Arviat / Man and Dog / 00160081” largest 7.5 x 11.5 x 1 in — 19.1 x 29.2 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

252 The Canada Auction Series

358 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTUYAAQTUUQ (TUKTOYAKTUK) POLAR BEARS ON VANISHING ICE CAPS, CA. 2013 ivory, stone, unsigned largest 8.75 x 6 x 5.5 in — 22.2 x 15.2 x 14 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT

Inuit Art

253

359 JOSIAH NUILAALIK ᓄᓚᓕ (1928-2005), QAMANI’TUAQ (BAKER LAKE) TRANSFORMING SHAMAN, CA. 2003 stone, antler, signed in syllabics 7.5 x 10.5 x 7 in — 19.1 x 26.7 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—5,000 VIEW LOT

254 The Canada Auction Series

360 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTUYAAQTUUQ (TUKTOYAKTUK) FLYING SHAMAN, CA. 2013 stone, antler, steel, unsigned 9 x 19 x 14 in — 22.9 x 48.3 x 35.6 cm PROVENANCE:

Private Collection, Toronto, ON $4,000—6,000

VIEW LOT

Inuit Art

255

361 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTUYAAQTUUQ (TUKTOYAKTUK) HUNTER ON CROSS, 2010 stone, antler, signed and dated largest 8.5 x 5.25 x 1 in — 21.6 x 13.3 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT

256 The Canada Auction Series

362 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTUYAAQTUUQ (TUKTOYAKTUK) SEDNA ON A CRUCIFIX, 2015 stone, ivory, steel, signed in Roman and dated 10 x 7.25 x 4 in — 25.4 x 18.4 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT

Inuit Art

257

363 AUDLALUK KUPIRKRUALUK ᐊᐅᓚᓕ (B. 1926), SALLUIT (SUGLUK) FIGURE MENDING KAMIK, CA. 1960 stone, ivory, unsigned; disc number inscribed 7.25 x 8 x 4.5 in — 18.4 x 20.3 x 11.4 cm PROVENANCE:

Private Collection, Ontario $700—900 VIEW LOT

258 The Canada Auction Series

364 MARY KIINALIK KUMAK ᑯᒪ (B. 1923), SALLUIT (SUGLUK) WOMAN MENDING, CA. 1955 stone, ivory, thread, unsigned 5.25 x 5.5 x 3.25 in — 13.3 x 14 x 8.3 cm PROVENANCE:

Private Collection, Hamilton, ON $500—700 VIEW LOT

Inuit Art

259

365 UNIDENTIFIED ARTIST, SALLUIT (SUGLUK) MOTHER AND CHILD, CA. 1955 stone, unsigned 8 x 4.5 x 2.5 in — 20.3 x 11.4 x 6.4 cm PROVENANCE:

Private Collection, Detroit, MI $1,000—2,000 VIEW LOT

260 The Canada Auction Series

366 MARY MITIARJUK MANGIOK ᒥᑎᐊᔪ (B. 1932), IVUJIVIK STANDING WOMAN WITH ULU, CA. 1955 stone, signed in Roman; inscribed “2808” 11.25 x 3.75 x 3 in — 28.6 x 9.5 x 7.6 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

Inuit Art

261

367 JESSIE OONARK ᔪᓯ ᐃᓇ, OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) BIG WOMAN, 1974 stonecut, signed, titled, dated and numbered 38/50; unframed sheet 25 x 37 in — 63.5 x 94 cm PROVENANCE:

Private Collection, Oshawa, ON $4,000—6,000 VIEW LOT

262 The Canada Auction Series

368 JESSIE OONARK ᔪᓯ ᐃᓇ, OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) DIFFERENT IN THOUGHT, 1976 stonecut and stencil, signed, titled, dated and numbered 27/34; unframed sheet 18.5 x 25 in — 47 x 63.5 cm PROVENANCE:

Private Collection, Toronto, ON $600—900 VIEW LOT

Inuit Art

263

369 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL SPIRIT, 1969 stonecut, signed, titled, dated and numbered 28/50 framed sight 22.5 x 28.5 in — 57.2 x 72.4 cm PROVENANCE:

Private Collection, Vermont $2,500—3,500 VIEW LOT 264 The Canada Auction Series

370 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL SURROUNDED, 1985 stonecut and stencil, signed, titled, dated and numbered 42/50; unframed sheet 25 x 33.5 in — 63.5 x 85.1 cm PROVENANCE:

Private Collection, Hamilton, ON $700—900 VIEW LOT Inuit Art

265

371 POSSIBLY PAULASSIE POOTOOGOOK ᐸᓗᓯ ᐳᑐᒍ, RCA (1927-2006), KINNGAIT (CAPE DORSET) OWL FAMILY, CA. 1965 stone, unsigned 13.5 x 14.5 x 4.5 in — 34.3 x 36.8 x 11.4 cm PROVENANCE:

Private Collection, Toronto, ON $1,500—2,500 VIEW LOT

266 The Canada Auction Series

372 TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015), QAMANI’TUAQ (BAKER LAKE) FAMILY, CA. 1970 stone, unsigned 9 x 10 x 7 in — 22.9 x 25.4 x 17.8 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 16 November 2015, Lot 199; Private Collection, Toronto, ON $700—1,000 VIEW LOT Inuit Art

267

373 ENNUTSIAK ᐃᓄᓯᐊ (1896-1967), IQALUIT (FROBISHER BAY) HUNTERS WITH RIFLES, CA. 1960 stone, ivory, signed in syllabics; disc number inscribed 6.25 x 5 x 2.25 in — 15.9 x 12.7 x 5.7 cm PROVENANCE:

Private Collection, Nova Scotia $2,000—3,000 VIEW LOT

268 The Canada Auction Series

374 ENNUTSIAK ᐃᓄᓯᐊ (1896-1967), IQALUIT (FROBISHER BAY) CAMP SCENE, CA. 1965 stone, glass, ivory, unsigned 5.25 x 11 x 7.5 in — 13.3 x 27.9 x 19.1 cm PROVENANCE:

Private Collection, USA $3,000—5,000 VIEW LOT

Inuit Art

269

375 UNIDENTIFIED ARTIST, SANIKILUAQ (BELCHER ISLANDS) MOTHER AND CHILD WITH ULU, CA. 1958 stone, ivory, sinew, unsigned; old “Canadian Eskimo Art” label affixed verso 5.75 x 3 x 2 in — 14.6 x 7.6 x 5.1 cm PROVENANCE:

Private Collection, Hamilton, ON $2,500—3,500 VIEW LOT

270 The Canada Auction Series

376 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) IGLOO WITH FACES, CA. 1955 ivory, stone, unsigned 2.75 x 3.5 x 1.25 in — 7 x 8.9 x 3.2 cm PROVENANCE:

Private Collection, Hamilton, ON Related Works: Waddington’s Auctioneers, Inuit Art, 3-4 November, 2003, lot 186. $1,500—2,500 VIEW LOT

Inuit Art

271

377 UNIDENTIFIED ARTIST, PUVIRNITUQ (POVUNGNITUK) TWO BEAR HEADS, CA. 1955 stone, ivory, unsigned 1.75 x 4.25 x 3.75 in — 4.4 x 10.8 x 9.5 cm PROVENANCE:

Private Collection, Hamilton, ON $900—1,200 VIEW LOT

272 The Canada Auction Series

378 PAULOOSIE UINGUN ᐸᐊᓗᓯ (B. 1900), IQALUIT (FROBISHER BAY) SLENDER FIGURE, CA. 1955 stone, unsigned; disc number inscribed 6 x 1.5 x 3.75 in — 15.2 x 3.8 x 9.5 cm PROVENANCE:

Private Collection, Hamilton, ON $200—300 VIEW LOT

Inuit Art

273

379 UNIDENTIFIED ARTIST, QAMANI’TUAQ (BAKER LAKE) TRANSFORMING BEAR, CA. 1975 stone, unsigned 8 x 2.5 x 2 in — 20.3 x 6.4 x 5.1 cm PROVENANCE:

Private Collection, Toronto, ON $700—900 VIEW LOT

274 The Canada Auction Series

380 TUDLIK ᑐᓕ (1890-1966), KINNGAIT (CAPE DORSET) OWL, CA. 1957 stone, unsigned 6.5 x 3.5 x 1.25 in — 16.5 x 8.9 x 3.2 cm PROVENANCE:

Waddington’s Auctioneers, 20 November 2018, lot 200; Private Collection, Surrey, BC $3,000—4,000 VIEW LOT

Inuit Art

275

381 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) DANCING SEAL, CA. 1970 stone, unsigned 4.5 x 4 x 3.75 in — 11.4 x 10.2 x 9.5 cm PROVENANCE:

Private Collection, USA $500—700 VIEW LOT

276 The Canada Auction Series

382 LUKTA QIATSUK ᓗᑕ ᑭᐊᓱᑲ (1928-2004), KINNGAIT (CAPE DORSET) SWIMMING GOOSE, CA. 1955 stone, signed in syllabics 3 x 6.75 x 1.5 in — 7.6 x 17.1 x 3.8 cm PROVENANCE:

Private Collection, Massachusetts $500—700 VIEW LOT

Inuit Art

277

383 JOSIE ONGANAQ ᐅᓇᒐᓇ (B. 1911), SANIKILUAQ (BELCHER ISLANDS) BEAR, CA. 1955 stone, unsigned 2.5 x 6.25 x 1.25 in — 6.4 x 15.9 x 3.2 cm PROVENANCE:

Private Collection, USA $200—400 VIEW LOT

278 The Canada Auction Series

384 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) WALRUS, CA. 1955 stone, ivory, unsigned 4.5 x 3 x 2.5 in — 11.4 x 7.6 x 6.4 cm PROVENANCE:

Private Collection, Ottawa, ON $150—250 VIEW LOT

Inuit Art

279

385 HELEN KALVAK ᑲᕙ, CM, RCA (1901-1984), ULUKHAKTOK (HOLMAM) HUNTERS STALKING SEAL, CA. 1958 stone, ivory, hide, signed “Hanak;” 2.25 x 8 x 4 in — 5.7 x 20.3 x 10.2 cm PROVENANCE:

Private Collection, Hamilton, ON $400—600 VIEW LOT

280 The Canada Auction Series

386 JEETALOO AKULUKJUK ᐊᑯᓗᔪ (B. 1939), PANNIRTUQ (PANGNIRTUNG) FIGURE WITH BUNDLE, CA. 1963 stone, unsigned 6.25 x 2.5 x 2.5 in — 15.9 x 6.4 x 6.4 cm PROVENANCE:

Private Collection, Toronto, ON RELATED WORKS:

George Swinton, Sculpture of the Eskimo, (Toronto: McClelland and Stewart Ltd., 1972), 199, pl. 541. $600—900 VIEW LOT

Inuit Art

281

387 MARKOSEE JOAN PITSIULAK ᐱᓯᐅᓚ (1985-1980), PANNIRTUQ (PANGNIRTUNG) HUNTER AND TRANSFORMING SPIRIT, CA. 1970 whalebone, no visible signature; early label affixed to underside reads “Pangnirtung / #1032 / 21.00 / Markusie Pitseolak” 3.25 x 1.25 x 12.25 in — 8.3 x 3.2 x 31.1 cm PROVENANCE:

Private Collection of Edward Charles and Judy Steeves, Ontario; Thence by descent to the consignor $400—600 VIEW LOT

282 The Canada Auction Series

388 PHILUARDJUK KEELAWAJUK ᑭᓚᕋᔪ (1901-1988), NAUJAAT (REPULSE BAY) WHALING BOAT, CA. 1960 ivory, whalebone, string, unsigned; accompanied by “Canadian Eskimo Art” tag inscribed “Churchill / Keelawajuk” 7.5 x 9 x 2.5 in — 19.1 x 22.9 x 6.4 cm PROVENANCE:

Private Collection, Edmonton, AB $1,000—2,000 VIEW LOT

Inuit Art

283

389 PHILIP PITSEOLAK ᐱᓯᐃᓚ (B. 1938), MITTIMATALIK (POND INLET) KOMATIK AND DOGS, CA. 1983 ivory, sinew, hide, signed in syllabics; accompanied by “Canadian Eskimo Art” tag inscribed “Philip Pitseolak / Pond Inlet / 30/5/83 / Dog Team” 2.75 x 33 x 1.5 in — 7 x 83.8 x 3.8 cm PROVENANCE:

Private Collection, Edmonton, AB $300—500 VIEW LOT

284 The Canada Auction Series

390 UNIDENTIFIED ARTIST, PANNIRTUQ (PANGNIRTUNG) POLAR BEAR, CA. 1970 ivory, baleen, unsigned 2 x 5.75 x 1 in — 5.1 x 14.6 x 2.5 cm PROVENANCE:

Private Collection of Edward Charles and Judy Steeves, Ontario; Thence by descent to the consignor $200—300 VIEW LOT

Inuit Art

285

391 MALITUT LYTA ᓕᑕ (B. 1952), KIMMIRUT (LAKE HARBOUR) BELUGA WHALE, CA. 1970 ivory, baleen, stone, signed in Roman 1.25 x 4 x 2 in — 3.2 x 10.2 x 5.1 cm PROVENANCE:

Private Collection, Hamilton, ON $200—300 VIEW LOT

286 The Canada Auction Series

392 OOLAMIE ᐅᓚᒥ (B. 1934), IQALUIT (FROBISHER BAY) FISH, 1970 ivory, baleen, stone, signed in syllabics 2.25 x 6.5 x 1.5 in — 5.7 x 16.5 x 3.8 cm PROVENANCE:

Private Collection, Hamilton, ON $200—300 VIEW LOT

Inuit Art

287

393 UNIDENTIFIED ARTIST, KALAALLIT NUNAAT (GREENLAND) PAIR OF TUPILAQS, CA. 1980 ivory, baleen, unsigned largest 5.25 x 2 x 1.5 in — 13.3 x 5.1 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

288 The Canada Auction Series

394 JOHN PANGNARK ᔭᓐ ᐸᓇ (1920-1980), ARVIAT (ESKIMO POINT) FIGURE, CA. 1975 stone, signed in syllabics 2.75 x 2.25 x 1 in — 7 x 5.7 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—1,500 VIEW LOT

Inuit Art

289

395 ANDY MIKI ᒥᑭ (1918-1983), ARVIAT (ESKIMO POINT) FIGURE, CA. 1970 stone, signed in syllabics 3 x 2.5 x 1 in — 7.6 x 6.4 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $700—900 VIEW LOT

290 The Canada Auction Series

396 ANDY MIKI ᒥᑭ (1918-1983), ARVIAT (ESKIMO POINT) FIGURE WITH TAIL, CA. 1970 stone, unsigned 2 x 1 x .75 in — 5.1 x 2.5 x 1.9 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

Inuit Art

291

397 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) STANDING WOMAN, CA. 1975 stone, unsigned 5 x 3 x 1.25 in — 12.7 x 7.6 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON $600—800 VIEW LOT

292 The Canada Auction Series

398 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) STANDING FIGURE, CA. 1975 stone, unsigned; inscribed “4094” 3.75 x 1.75 x .75 in — 9.5 x 4.4 x 1.9 cm PROVENANCE:

Private Collection, Toronto, ON $600—800 VIEW LOT

Inuit Art

293

399 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) SMALL FIGURE, CA. 1970 stone, unsigned; inscribed on underside “me136” 2.25 x 1 x .75 in — 5.7 x 2.5 x 1.9 cm PROVENANCE:

Private Collection, Toronto, ON $600—800 VIEW LOT

294 The Canada Auction Series

400 UNIDENTIFIED ARTIST, KANGIQLINIQ (RANKIN INLET) BIRD, CA. 1970 ceramic, unsigned 4.5 x 4.25 x 2.25 in — 11.4 x 10.8 x 5.7 cm PROVENANCE:

Private Collection, Toronto, ON $300—400 VIEW LOT

Inuit Art

295

401 IOLA ABRAHAM IKKIDLUAK ᐃᑭᓗᐊ (1936-2003), KIMMIRUT (LAKE HARBOUR) STANDING BEAR stone, unsigned 11 x 10 x 7 in — 27.9 x 25.4 x 17.8 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $700—900 VIEW LOT

296 The Canada Auction Series

402 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007), IQALUIT (FROBISHER BAY) STRIDING BEAR stone, signed in Roman and syllabics 5 x 12.5 x 3 in — 12.7 x 31.8 x 7.6 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $3,000—4,000 VIEW LOT

Inuit Art

297

403 POSSIBLY PEGGY EKAGINA ᐃᑲᒋᓇ (1919-1993), KUGLUKTUK (COPPERMINE) MOTHER AND CHILD, CA. 1970 stone, unsigned; sculpture is pinned to mahogany base 8.75 x 3.5 x 2.75 in — 22.2 x 8.9 x 7 cm PROVENANCE:

Private Collection, Hamilton, ON $400—600 VIEW LOT

298 The Canada Auction Series

404 GEORGE TATANIQ ᑕᑕᓂ (1910-1991), QAMANI’TUAQ (BAKER LAKE) MAN WITH SNOW KNIFE, CA. 1975 stone, antler, signed in syllabics, inscribed “S3202A” 7.75 x 4.25 x 2.25 in — 19.7 x 10.8 x 5.7 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—2,000 VIEW LOT

Inuit Art

299

405 UNIDENTIFIED ARTIST, PUVIRNITUQ (POVUNGNITUK) HUNTER, CA. 1955 stone, sinew, antler or bone, unsigned; inscribed “228 811 873” 11.5 x 5.5 x 5.5 in — 29.2 x 14 x 14 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT

300 The Canada Auction Series

406 MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940-2010), QAMANI’TUAQ (BAKER LAKE) DRUM DANCER, CA. 1986 stone, antler, unsigned; old collector’s label affixed to underside reads “Mathew Aqigaaq / Baker Lake / 1986” 11.5 x 7 x 4 in — 29.2 x 17.8 x 10.2 cm PROVENANCE:

Private Collection, Hamilton, ON $2,000—3,000 VIEW LOT

Inuit Art

301

407 JESSIE OONARK ᔪᓯ ᐃᓇ, OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) THE SHAMAN PROVING POWERS, 1983 stencil, signed, titled, dated and numbered 17/47; unframed sheet 13 x 16.5 in — 33 x 41.9 cm PROVENANCE:

Private Collection, Toronto, ON $800—1,200 VIEW LOT

302 The Canada Auction Series

408 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) A WOMAN CLEANING FISH, 1980 stencil, signed, titled, dated and numbered 10/50; unframed sheet 17.5 x 18 in — 44.5 x 45.7 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

Inuit Art

303

409 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) MERMAID, 1983 stonecut and stencil, signed, titled, dated and numbered 6/35; unframed sheet 22 x 28.75 in — 55.9 x 73 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT 304 The Canada Auction Series

410 JESSIE OONARK ᔪᓯ ᐃᓇ, OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) PURSUIT WITH SPEARS AND KAYAKS, 1971 stonecut, signed, titled, dated and numbered 6/34; unframed sheet 23.75 x 34 in — 60.3 x 86.4 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000 VIEW LOT

Inuit Art

305

411 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) OLD TOOLS USED TO SURVIVE A LONG TIME AGO, 1975 stonecut, signed, titled, dated and numbered 23/50; unframed sheet 25 x 34 in — 63.5 x 86.4 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—2,000 VIEW LOT

306 The Canada Auction Series

412 NAPATCHIE POOTOOGOOK ᓇᐸᓯ ᐳᑐᒍ (1938-2002), KINNGAIT (CAPE DORSET) MAN WITH BEASTS, 1963 stencil, signed, titled and numbered 27/50; unframed sheet 24 x 26.25 in — 61 x 66.7 cm; sheet PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000 VIEW LOT

Inuit Art

307

413 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) SPIRIT WITH SYMBOLS, 1961 stonecut, signed, titled, dated and numbered 5/50; inscribed “952” on both the print and the mounting board in the top right corner unframed sheet 21 x 17 in — 53.3 x 43.2 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT 308 The Canada Auction Series

414 KIAKSHUK ᑭᐊᓱ (1886-1966), KINNGAIT (CAPE DORSET) STRANGE SCENE, 1964 stonecut, signed, titled, dated and numbered 20/50; unframed sheet 24.5 x 33.75 in — 62.2 x 85.7 cm PROVENANCE:

Private Collection, Hamilton, ON $1,500—2,000 VIEW LOT

Inuit Art

309

415 LUCASSIE IKKIDLUAK ᓗᑲᓯ ᐃᑭᓗᐊ (B. 1949), KIMMIRUT (LAKE HARBOUR) MUSK OX, 2000 stone, antler, signed in syllabics and dated 8.25 x 11.25 x 4.5 in — 21 x 28.6 x 11.4 cm PROVENANCE:

Private Collection, Calgary, AB $5,000—6,000 VIEW LOT

310 The Canada Auction Series

416 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK POLAR BEAR, 2006 stone, signed in Roman and dated 5.25 x 12 x 2.75 in — 13.3 x 30.5 x 7 cm PROVENANCE:

Private Collection, Calgary, AB $1,000—1,500 VIEW LOT

Inuit Art

311

417 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK SPIRIT BEAR, 2006 stone, whalebone, signed in Roman and dated 6.25 x 12 x 4.5 in — 15.9 x 30.5 x 11.4 cm PROVENANCE:

Private Collection, Calgary, AB $1,500—2,500 VIEW LOT

312 The Canada Auction Series

418 GEORGE ARLUK ᐊᓗ (B. 1949), ARVIAT (ESKIMO POINT) TRANSFORMATION, 1992 stone, antler, signed in Roman and syllabics; dated 19.75 x 10 x 4 in — 50.2 x 25.4 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—1,500 VIEW LOT

Inuit Art

313

419 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK RAVEN, 2022 stone, catlinite, signed in Roman and dated 18 x 11.75 x 8 in — 45.7 x 29.8 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT

314 The Canada Auction Series

420 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK HEAD, 1995 stone, signed in Roman and dated 14 x 12 x 5 in — 35.6 x 30.5 x 12.7 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000 VIEW LOT

Inuit Art

315

421 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK SHELTERING FROM BEARS, CA. 2000 stone, unsigned 18.5 x 10.5 x 7.5 in — 47 x 26.7 x 19.1 cm PROVENANCE:

Private Collection, Illinois $3,000—5,000 VIEW LOT

316 The Canada Auction Series

422 JOE KILOONIK ᑭᓗᓂ (1938-2011), TALOYOAK (SPENCE BAY) SHAMAN, CA. 1995 stone, antler, unsigned; accompanied by “Canadian Eskimo Art” tag inscribed “Joe Kiloonik / Taloyoak / Shaman / 71-191507” 10.25 x 19 x 8 in — 26 x 48.3 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $2,500—3,500 VIEW LOT

Inuit Art

317

423 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) MAN AMONG WALRUS, 1961 stonecut, signed, titled, dated and numbered 45/50; unframed sheet 10 x 24 in — 25.4 x 61 cm PROVENANCE:

Private Collection, Hamilton, ON $3,000—5,000 VIEW LOT

318 The Canada Auction Series

424 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) HUNTERS, 1969 stonecut, signed, titled, dated and numbered 29/50; unframed sheet 24 x 36 in — 61 x 91.4 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—4,000 VIEW LOT

Inuit Art

319

425 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) SEAL HUNTER, 1968 stonecut, signed, titled, dated and numbered 32/50 framed sight 23.25 x 16.25 in — 59.1 x 41.3 cm PROVENANCE:

Private Collection, Toronto, ON $1,500—2,500 VIEW LOT 320 The Canada Auction Series

426 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) TULUKARA, 1977 stonecut and stencil, signed, titled, dated and numbered 45/50; unframed sheet 23.5 x 24.75 in — 59.7 x 62.9 cm PROVENANCE:

Private Collection, Hamilton, ON $600—900 VIEW LOT Inuit Art

321

427 PITALOOSIE SAILA ᐱᑕᓗᓯ ᓴᐃᓚ, RCA (1942-2021), KINNGAIT (CAPE DORSET) BIRD OF SARGO, 1972 stonecut, signed, titled, dated and numbered 37/50; unframed sheet 21.75 x 24.25 in — 55.2 x 61.6 cm PROVENANCE:

Private Collection, Ontario $1,000—2,000 VIEW LOT

322 The Canada Auction Series

428 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) BIRD EATING BERRIES, 1968 stonecut, signed, titled, dated and numbered 45/50; unframed sheet 17 x 24.5 in — 43.2 x 62.2 cm PROVENANCE:

Private Collection, Toronto, ON $800—1,200 VIEW LOT Inuit Art

323

429 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) BIRD IN A SUMMER SKY, 1978 stonecut and stencil, signed, titled, dated and numbered 16/50; unframed sheet 24 x 29.75 in — 61 x 75.6 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT 324 The Canada Auction Series

430 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL SPIRIT, 1968 stonecut, signed, titled, dated and numbered 19/50; titled and dated to gallery label verso; framed sight 21.75 x 30.5 in — 55.2 x 77.5 cm PROVENANCE:

Jerrold Morris Gallery, Toronto, ON; Private Collection, Toronto, ON $2,000—4,000 VIEW LOT

Inuit Art

325

432 JOANASSIE IGIU ᔪᐊᓇᓯ ᐃᒋᐅ (1923-1981), KINNGAIT (CAPE DORSET) STANDING BIRD, CA. 1970 stone, no visible signature 17 x 12. x 5.25 in — 43.2 x 30.5 x 13.3 cm PROVENANCE:

Private Collection, Toronto, ON $900—1,200 VIEW LOT

326 The Canada Auction Series

433 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) RAVEN AND OTTER, CA. 1955 stone, unsigned 3.5 x 11 x 7.5 in — 8.9 x 27.9 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

Inuit Art

327

434 JOE JAW ᔭᐊ (1930-1987), KINNGAIT (CAPE DORSET) SPIRIT FIGURES, CA 1960 stone, unsigned 8.4 x 10 x 3 in — 21.3 x 25.4 x 7.6 cm PROVENANCE:

Private Collection, USA RELATED WORKS:

Waddington’s Auctioneers, Inuit Art, 3-4 November, 2003, lot 632. $700—900 VIEW LOT

328 The Canada Auction Series

435 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) PERCHED OWL, CA. 1970 stone, unsigned 8.5 x 7 x 5.5 in — 21.6 x 17.8 x 14 cm PROVENANCE:

Reportedly from M.F. Feheley Gallery, Toronto, ON, ca. 1980s; Collection of Betty Ballantine, New York, NY; Private Collection, New York $1,500—2,500 VIEW LOT Inuit Art

329 329

436 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) RABBIT EATING SEAWEED II, CA. 1999 etching and aquatint, signed in syllabics sight 16 x 23 in — 40.6 x 58.4 cm PROVENANCE:

Private Collection, Calgary, AB $3,500—4,500 VIEW LOT

330 The Canada Auction Series

437 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) TALELAYU OPIITLU, 1979 stonecut and stencil, signed, titled, dated and numbered 46/50; unframed sheet 23.25 x 27 in — 59.1 x 68.6 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT Inuit Art

331

438 SHEOJUK ETIDLOOIE ᓯᐅᔪ ᐃᑎᐃᑎᓚᐃ (1929-1999), KINNGAIT (CAPE DORSET) SHAMAN’S TRANCE, 1998 etching and aquatint, signed in syllabics; signed, titled, dated and numbered 49/50; unframed sheet 32 x 36 in — 81.3 x 91.4 cm PROVENANCE:

Private Collection, Winnipeg, MB $800—1,200 VIEW LOT 332 The Canada Auction Series

439 KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010), KINNGAIT (CAPE DORSET) HAWK IN WINTER DARKNESS, 1988 lithograph, signed, titled, dated and numbered 32/70 framed sight 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Private Collection, Toronto, ON $1,200—1,500 VIEW LOT Inuit Art

333

440 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) WINTER OWLS, 1975 stonecut, signed, titled, dated and numbered 24/50; unframed sheet 24.75 x 33.75 in — 62.9 x 85.7 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—2,000 VIEW LOT 334 The Canada Auction Series

441 KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010), KINNGAIT (CAPE DORSET) YOUNG ARCTIC OWL, 1976 stonecut, signed, titled, dated and numbered 53/100; unframed sheet 33.75 x 24.75 in — 85.7 x 62.9 cm PROVENANCE:

Private Collection, Hamilton, ON $900—1,200 VIEW LOT Inuit Art

335

442 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) SPIRIT OF THE RAVEN, 1979 stonecut and stencil, signed, titled, dated and numbered 25/50 framed sheet 22 x 27 in — 55.9 x 68.6 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000 VIEW LOT 336 The Canada Auction Series

443 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) BIRDS FEEDING AMONG SPRING FLOWERS, 1983 stonecut and stencil, signed, titled, dated and numbered 46/50; unframed sheet 25 x 34 in — 63.5 x 86.4 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT Inuit Art

337

444 UNIDENTIFIED ARTIST ᒋᒐ BEAR ENSNARED IN TRAP, CA. 1990 stone, ivory, pigment, signed in syllabics; inscribed “ᒋᒐ / 348” 12.5 x 4.25 x 4 in — 31.8 x 10.8 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

338 The Canada Auction Series

445 THOMAS SIVURAQ ᑕᒪᓯ ᓯᕗᒐ (B. 9141), QAMANI’TUAQ (BAKER LAKE) TRANSFORMING BEAR SHAMAN, CA. 1985 stone, signed in syllabics 6.25 x 4.5 x 3.25 in — 15.9 x 11.4 x 8.3 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 22 November, 2016, Lot 19; Private Collection, Hamilton, ON $700—1,000 VIEW LOT

Inuit Art

339

446 POSSIBLY SAGGIAK ᓴᒋᐊ (1897-1980), KINNGAIT (CAPE DORSET) JOYFUL FIGURE, CA. 1965 stone, unsigned 15 x 8.5 x 6 in — 38.1 x 21.6 x 15.2 cm PROVENANCE:

Private Collection, Toronto, ON $700—900 VIEW LOT

340 The Canada Auction Series

447 LUCY TIKIQ TUNGUAK ᓗᓯ ᑎᑭ (B. 1939), QAMANI’TUAQ (BAKER LAKE) FIGURE, CA. 1995 stone, signed in syllabics 4 x 3.75 x 3.5 in — 10.2 x 9.5 x 8.9 cm PROVENANCE:

Private Collection, Toronto, ON $300—500 VIEW LOT

Inuit Art

341

448 THOMAS SIVURAQ ᑕᒪᓯ ᓯᕗᒐ (B. 9141), QAMANI’TUAQ (BAKER LAKE) MOTHER AND CHILD, CA 1975 stone, signed in syllabics 10.25 x 6.25 x 4.5 in — 26 x 15.9 x 11.4 cm PROVENANCE:

Private Collection, Toronto, ON $700—900 VIEW LOT

342 The Canada Auction Series

449 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) FAMILY, CA. 1980 stone, unsigned 5 x 5.5 x 2.5 in — 12.7 x 14 x 6.4 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

Inuit Art

343

450 BARNABUS ARNASUNGAAQ ᐸᓇᐸᓯ ᐊᓇᓴᒐ (1924-2017), QAMANI’TUAQ (BAKER LAKE) MOTHER AND CHILD, CA. 1990 stone, unsigned 6.25 x 5 x 5 in — 15.9 x 12.7 x 12.7 cm PROVENANCE:

Private Collection, Toronto, ON $700—900 VIEW LOT

344 The Canada Auction Series

451 MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940-2010), QAMANI’TUAQ (BAKER LAKE) MOTHER AND CHILD, 1978 stone, signed in syllabics and dated 8 x 6.25 x 5.5 in — 20.3 x 15.9 x 14 cm PROVENANCE:

Private Collection, USA $1,500—2,000 VIEW LOT

Inuit Art

345

452 MARJORIE AGULUVAK ᐊᓗᕙ (1941-2010), QAMANI’TUAQ (BAKER LAKE) FIGURES WITH BIRDS AND HEADS stroud, felt, thread, embroidery floss 38.5 x 27.25 in — 97.8 x 69.2 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $500—700 VIEW LOT

346 The Canada Auction Series

453 RUTH QAULLUARYUK ᑲᐅᓗᐊᔪ (B. 1932), QAMANI’TUAQ (BAKER LAKE) ARCTIC FLORA stroud, felt, thread, embroidery floss, signed in syllabics, “Ruth Nuilaalik” 41.75 x 28 in — 106 x 71.1 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $2,000—3,000 VIEW LOT

Inuit Art

347

454 IRENE AVAALAAQIAQ TIKTAALAAQ ᐃᕆᓐ ᐊᕙᓚᑭᐊ (B. 1941), QAMANI’TUAQ (BAKER LAKE) LIVELY SCENE stroud, felt, thread, embroidery floss, signed in syllabics 57 x 36.5 in — 144.8 x 92.7 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $1,000—2,000 VIEW LOT

348 The Canada Auction Series

455 MIRIAM MAREALIK QIYUK ᒪᕆᐊᒪ ᑭᔪ (B. 1933), QAMANI’TUAQ (BAKER LAKE) FAMILY stone, signed in Roman 8 x 18.5 x 3.5 in — 20.3 x 47 x 8.9 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $10,000—15,000 VIEW LOT

Inuit Art

349

tCanadian Fine Art LOTS 501-579

ALEXANDER YOUNG (A.Y.) JACKSON, OSA, RCA (1882-1974), CANADIAN SUNSHINE AND FOG, ELDORADO MINES, GREAT BEAR LAKE, CA. 1940

350 The Canada Auction Series

First Nations Art

351

501 WALTER JOSEPH (W.J.) PHILLIPS, RCA (1884-1963), CANADIAN WILD JUNIPER, 1955 watercolour on paper, laid onto card signed and dated; titled to gallery label verso 18 x 23 in — 45.7 x 58.4 cm PROVENANCE:

Mayberry Fine Art, Winnipeg, MB; Private Collection, Winnipeg, MB $15,000–20,000 VIEW LOT

352 The Canada Auction Series

502 WALTER JOSEPH (W.J.) PHILLIPS, RCA (1884-1963), CANADIAN WATER AND HILLS, 1933 watercolour on paper signed and dated ‘33 sight 13 x 18.5 in — 33 x 47 cm PROVENANCE:

Acquired directly from the artist; Sotheby Parke Bernet, Toronto, ON, 8 November 1983, lot 125, as, Water and Hills; Private Collection, London, ON $8,000–12,000 VIEW LOT Canadian Fine Art

353

354 The Canada Auction Series

Canadian Fine Art

355

503 WALTER JOSEPH (W.J.) PHILLIPS, RCA (1884-1963), CANADIAN JACK PINE, 1940 colour woodcut on paper signed; signed lower right margin; titled and numbered 91/100 lower left margin 8.75 x 10 in — 22.4 x 24.9 cm PROVENANCE:

Acquired directly from the artist; By descent Private Collection, Toronto, ON LITERATURE:

Roger Boulet, The Tranquility and the Turbulence, 1981, reproduced p. 150. $4,000–6,000

356 The Canada Auction Series

VIEW LOT Canadian Fine Art

357

504 MAUD LEWIS (1903-1970), CANADIAN UNTITLED (WINTER SCENE) oil on particleboard signed 12 x 14 in — 30.5 x 35.6 cm PROVENANCE:

Private Collection, British Columbia $25,000–35,000

358 The Canada Auction Series

VIEW LOT Canadian Fine Art

359

505 RAFAL MALCZEWSKI (1892-1965), POLISH / CANADIAN SKIER (WINTER SCENE) watercolour on paper signed 13.4 x 20.5 in — 37.4 x 53.7 cm PROVENANCE:

Private Collection, Toronto, ON $2,500–3,500

360 The Canada Auction Series

VIEW LOT Canadian Fine Art

361

506 GRAHAM NOBLE NORWELL, OSA (1901-1967), CANADIAN WINTER SUNRISE oil on canvas board signed 9 x 12 in — 22.9 x 30.5 cm PROVENANCE:

Private Collection, Carleton Place, ON $500–700

362 The Canada Auction Series

VIEW LOT Canadian Fine Art

363

507 GRAHAM NOBLE NORWELL, OSA (1901-1967), CANADIAN NORTHERN LIGHTS, 1962 oil on canvas board signed; signed, titled, and dated verso 15.875 x 19.875 in — 40.3 x 50.5 cm PROVENANCE:

Private Collection, Carleton Place, ON $800–1,000

364 The Canada Auction Series

VIEW LOT Canadian Fine Art

365

508 GRAHAM NOBLE NORWELL, OSA (1901-1967), CANADIAN BIRCHES IN WINTER watercolour, ink and charcoal on artist’s board signed 19.5 x 23.5 in — 49.5 x 59.7 cm PROVENANCE:

Private Collection, Carleton Place, ON $1,000–1,200

366 The Canada Auction Series

VIEW LOT Canadian Fine Art

367

509 JOHN GEOFFREY CARUTHERS LITTLE, RCA (B. 1928), CANADIAN SHERBROOKE ST. FROM GUY, MONTREAL, 1964 oil on canvas board signed; titled and dated verso; titled to gallery label verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Private Collection, Toronto, ON $7,000–10,000

368 The Canada Auction Series

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369

510 NICHOLAS DE GRANDMAISON, RCA (1892-1978), CANADIAN UNTITLED pastel on paper signed sight 16 x 12.25 in — 38.1 x 30.5 cm PROVENANCE:

Private Collection, Vancouver, BC $15,000–20,000

370 The Canada Auction Series

VIEW LOT Canadian Fine Art

371

511 PAUL PEEL, RCA, OSA (1860-1892), CANADIAN PORTRAIT OF A WOMAN, 1885 oil on canvas signed and dated 10 x 8 in — 25.4 x 20.3 cm PROVENANCE:

Waddington’s Auctioneeers, Toronto, ON, 23 November 2015, lot 57, as, Portrait of a Woman; Private Collection, London, ON $15,000–20,000

372 The Canada Auction Series

VIEW LOT Canadian Fine Art

373

512 FLORENCE CARLYLE, RCA, OSA (1864-1923), CANADIAN ROSES AND COPPER oil on canvas signed 19 x 25 in — 48.3 x 63.5 cm PROVENANCE:

Gift of the artist; By descent Private Collection, Ontario; Sotheby’s, Toronto, ON, 3 December 2009, lot 32, as, Still Life with Roses; Private Collection, Toronto, ON EXHIBITED:

Royal Canadian Academy of Arts Thirty-eighth Annual Exhibition, Art Association Galleries, Montreal, QC, 16 Nov. - 16 Dec. 1916, no. 29, as, Roses and Copper.

374 The Canada Auction Series

LITERATURE:

Catalogue of the Thirty-eight [sic] Annual Exhibition of the Royal Canadian Academy of Arts, (exh. cat.)

(Montreal: Royal Canadian Academy of Arts, 1916), p. 8, no. 29, as, Roses and Copper.

Anon., “Art Works on View Set High Standard,” The Gazette (Montreal, QC) (17 November 1916): 7, as, Roses and Copper.

Anon., “Over Three Hundred Pictures Displayed At The Art Gallery,” The Herald (Montreal, QC) (17 November 1916): 8.

Anon., “London, Ont., Artist Wins Scholarship,” The Globe (Toronto, ON) (21 November 1916): 5, as, Roses and Copper. $10,000–12,000

VIEW LOT Canadian Canadian Fine Fine Art Art

375 375

513 WILLIAM GOODRIDGE ROBERTS, RCA, OSA (1904-1974), CANADIAN STILL LIFE oil on canvas signed; titled to gallery label verso 24 x 18 in — 61 x 45.7 cm PROVENANCE:

Dominion Gallery, Montreal, QC; Private Collection, Ontario; By descent Private Collection, USA; Waddington’s Auctioneers, Toronto, ON, 30 May 2016, lot 155, as Still Life; Private Collection, Toronto, ON $6,000–8,000 376 The Canada Auction Series

VIEW LOT Canadian Fine Art

377

514 WILLIAM GOODRIDGE ROBERTS, RCA, OSA (1904-1974), CANADIAN LAURENTIAN LANDSCAPE oil on canvas signed; titled to label verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Sotheby’s, Toronto, ON, 8 Nov 1988, lot 202, as Laurentian Landscape; Private Collection, London, ON $3,000–5,000

378 The Canada Auction Series

VIEW LOT Canadian Fine Art

379

515 FRITZ BRANDTNER (1896-1969), CANADIAN UNTITLED enamel on pressed board signed; fragment of gallery label verso 22.75 x 10.5 in — 57.8 x 26.7 cm PROVENANCE:

Private Collection, Quebec $10,000–15,000

380 The Canada Auction Series

VIEW LOT Canadian Fine Art

381

516 GEORGE EDMUND ALLEYN (1931-2004), CANADIAN UNTITLED, 1957 oil on canvas signed and dated ‘57 18 x 13 in — 45.7 x 33 cm PROVENANCE:

Private Collection, Quebec $3,000–4,000

382 The Canada Auction Series

VIEW LOT Canadian Fine Art

383

517 JEAN PAUL RIOPELLE, RCA (1923-2002), CANADIAN UNTITLED acrylic on paper signed sheet 26 x 20.25 in — 66 x 51.4 cm; sight 25.5 x 19.5 in — 64.8 x 49.5 cm PROVENANCE:

Private Collection, Montreal, QC $8,000–12,000

384 The Canada Auction Series

VIEW LOT Canadian Fine Art

385

518 LÉON BELLEFLEUR, RCA (1910-2007), CANADIAN CONSTELLATIONS, 1963 gouache on paper signed, titled and dated ‘63; titled and dated to gallery labels verso 25.75 x 19.5 in — 65.4 x 49.5 cm PROVENANCE:

Dorothy Cameron Gallery, Toronto, ON; Private Collection, Ontario; Mira Godard Gallery, Toronto, ON; Private Collection, Toronto, ON $4,000–6,000

386 The Canada Auction Series

VIEW LOT Canadian Fine Art

387

519 SOREL ETROG, RCA (1933-2014), CANADIAN LA MAR STUDY, 1964 bronze signed and numbered 9/10 excl. base 8 x 5 in — 20.3 x 12.7 cm; incl. base 9 x 5 in — 22.9 x 12.7 cm PROVENANCE:

Private Collection, Florida, U.S.A. $8,000–10,000 VIEW LOT

388 The Canada Auction Series

520 GERALD GLADSTONE, RCA (1929-2005), CANADIAN UNTITLED steel and Lucite sculpture with original lightbox signed inside plexiglass cube Lucite lantern 10 x 10 x 10 in — 25.4 x 25.4 x 25.4 cm; overall 45 x 10 x 10 in — 114.3 x 25.4 x 25.4 cm PROVENANCE:

Private Collection, Calgary, AB; Levis Auctions, Calgary, AB, 3 Nov. 2019, lot 429, as, Untitled - Abstract Spinning Wheel; Private Collection, Calgary, AB $2,000–3,000 VIEW LOT

Canadian Fine Art

389

521 TOM HOPKINS (1944-2011), CANADIAN WATER CYCLE (BEFORE THE JOURNEY), 2005 acrylic with oil glaze on canvas signed; signed, titled and dated verso 48 x 52 in — 121.9 x 132.1 cm PROVENANCE:

Galerie de Bellefeuille, Montreal, QC; Private Collection, Toronto, ON $4,500–6,500

390 The Canada Auction Series

VIEW LOT Canadian Fine Art

391

522 DAVID BOLDUC (1945-2010), CANADIAN MADISON BLUES, 1986 acrylic on canvas (6 panels) Overall 106 x 300 in — 243.8 x 762 cm From viewer’s left to right: Panel one: 79 x 49 in — 200.7 x 124.5 cm; Panel two: 93 x 49 in — 236.2 x 124.5 cm; Panel three: 106 x 44 in — 269.2 x 111.8 cm; Panel four: 106 x 44 in — 269.2 x 111.8 cm; Panel five: 93 x 49 in — 236.2 x 124.5 cm; Panel six: 79 x 49 in — 200.7 x 124.5 cm;

PROVENANCE:

Cineplex Odeon Collection, Toronto, ON; Private Collection, Calgary, AB (acquired in 2009) EXHIBITED:

Cineplex Odeon Collection, Toronto, ON; Mount Royal University Art Collection, Calgary, AB, 2014-2021 LITERATURE:

Burnett, David, Cineplex Odeon, the First Ten Years: A Celebration of Contemporary Canadian Art. Cineplex Odeon Corporation, 1989, reproduced p. 16. $10,000—15,000

392 The Canada Auction Series

Canadian Fine Art

393

394 The Canada Auction Series

VIEW LOT Canadian Fine Art

395

523 KEVIN SONMOR (B. 1959), CANADIAN LITTLE HIGH GROUND, 2006 oil on linen signed in stencil to the proper right edge; titled and dated to the overflap; titled and dated to gallery label verso 73.5 x 61.5 in — 186.7 x 156.2 cm PROVENANCE:

Galerie de Bellefeuille, Montreal, QC; Private Collection, Toronto, ON $3,000–5,000

396 The Canada Auction Series

VIEW LOT Canadian Fine Art

397

524 BETTY ROODISH GOODWIN (1923-2008), CANADIAN LA MÉMOIRE DU CORPS XVI, 1991 pastel and graphite on translucent Mylar film (Geofilm) signed and dated ‘91 17.75 x 11.875 in — 45.1 x 30.2 cm PROVENANCE:

Ron Kaplansky, Toronto, ON; Private Collection, Toronto, ON

398 The Canada Auction Series

EXHIBITED:

Betty Goodwin: Signs of Life - Signes de vie, Art Gallery of Windsor, Windsor, ON, 28 October 1995-7 January 1996; National Gallery of Canada, Ottawa, ON, 23 February-12 May 1996, no. 3, as La Mémoire du corps XVI. LITERATURE:

Betty Goodwin: Signs of Life - Signes de vie. Exh. cat.

Catalogue by Jessica Bradley. Windsor, ON: Art Gallery of Windsor, 1995: no. 3, p. 60. $8,000–10,000

VIEW LOT Canadian Fine Art

399

525 SOREL ETROG, RCA (1933-2014), CANADIAN MOTHER AND CHILD STUDY, 1975 bronze signed and numbered 6/10 12 x 3.25 x 2.75 in — 30.5 x 8.3 x 7 cm PROVENANCE:

Private Collection, Victoria, BC $10,000–15,000 VIEW LOT

400 The Canada Auction Series

526 SOREL ETROG, RCA (1933-2014), CANADIAN RUSHMAN III STUDY, CIRCA 1976 bronze signed and numbered 6/7 13 x 6 x 3.5 in — 33 x 15.2 x 8.9 cm PROVENANCE:

Private Collection, Florida, U.S.A. $8,000–10,000 VIEW LOT

Canadian Fine Art

401

402 The Canada Auction Series

527 STEVE DRISCOLL (B. 1980), CANADIAN NO ONE CAN HEAR ME, 2015 urethane on panel signed, titled and dated verso 78 x 96 in — 198.1 x 243.8 cm PROVENANCE:

Private Collection, Dallas, TX, U.S.A. $10,000–15,000

Canadian Fine Art

403

404 The Canada Auction Series

VIEW LOT Canadian Fine Art

405

528 CORNELIUS KRIEGHOFF (1815-1872), CANADIAN MOONLIGHT ON THE RAPIDS oil on canvas signed; titled to label verso; authenticated by Walter Klinkhoff, Montreal, QC verso 14 x 21 in — 34.3 x 52.1 cm PROVENANCE:

Sir Henry M. Pellatt, Toronto, ON (the owner of Casa Loma); By descent to his granddaughter, Mrs. Hyslop; Sotheby’s, Toronto, ON, 31 May 1988, lot 113, as, Moonlight on the Rapids; Private Collection, Ontario $80,000–120,000

406 The Canada Auction Series

VIEW LOT Canadian Fine Art

407

529 FREDERICK ARTHUR VERNER, OSA, ARCA (1836-1928), CANADIAN UNTITLED (BISON AT WATER’S EDGE), 1884 watercolour on paper, signed and dated 11.875 x 25.125 in — 30.2 x 63.8 cm PROVENANCE:

Private Collection, Toronto, ON $6,000—8,000

408 The Canada Auction Series

VIEW LOT Canadian Fine Art

409

530 PERCY FRANKLIN WOODCOCK, RCA (1855-1936), CANADIAN PASTORALE LANDSCAPE oil on canvas signed 20 x 25.5 in — 50.8 x 64.8 cm PROVENANCE:

Joyner Fine Art, Toronto, ON, 4 Dec 2001, lot 72, as Pastorale Landscape; Private Collection, Toronto, ON $9,000–11,000

410 The Canada Auction Series

VIEW LOT Canadian Fine Art

411

531 PAUL VANIER BEAULIEU, RCA (1910-1996), CANADIAN BARQUES, 1958 oil on canvas signed and dated ‘58; titled and dated to gallery label verso 29 x 45.5 in — 73.7 x 115.6 cm PROVENANCE:

Galerie Dominion, Montreal, QC; Private Collection, U.S.A. $15,000–20,000

412 The Canada Auction Series

VIEW LOT Canadian Fine Art

413

532 MARC-AURÈLE FORTIN, RCA (1888-1970), CANADIAN VUE DE L’ÎLE STE-HÉLÈNE, CIRCA 1918-1919 oil on linen, laid down on hardboard signed; statement of authenticity signed by Jean-Pierre Valentin, Montreal, QC verso 10 x 13.5 in — 25.4 x 34.3 cm PROVENANCE:

Joyner Waddington’s Canadian Fine Art, Toronto, ON, 3 Jun 2003, lot 160, as, Vue de l’Île Ste-Hélène; Private Collection, London, ON $8,000–12,000

414 The Canada Auction Series

VIEW LOT Canadian Fine Art

415

533 CLARENCE ALPHONSE GAGNON, RCA (1881-1942), CANADIAN IN THE ALPS, CIRCA 1928 oil on panel certified by Lucile Rodier Gagnon, no. 563 verso 4.75 x 7 in — 12.1 x 17.8 cm PROVENANCE:

Joyner Fine Art, Toronto, ON, 21 May 1987 lot 221, as, In the Alps; Private Collection, Ontario $7,000–9,000

416 The Canada Auction Series

VIEW LOT Canadian Canadian Fine Fine Art Art

417 417

534 FREDERICK GRANT BANTING (1891-1941), CANADIAN GRANADA, SPAIN, 1933 oil on panel signed; signed, titled, dated “Nov 10 1933” and inscribed “To Sadie, a souvenir of my trip” verso 8.75 x 10.5 in — 22.2 x 26.7 cm PROVENANCE:

Gift of the artist to Sadie Gairns, Toronto, ON; Waddington’s Auctioneers, Toronto, ON, 28 May 1987, lot 833; Private Collection, London, ON

418 The Canada Auction Series

EXHIBITED:

Exhibition of Paintings by the Late Sir Frederick Banting, Hart House, University of Toronto, Toronto, ON, 13 February-1 March 1943.

LITERATURE:

A.Y. Jackson and Fredrick W.W. Hipwell, Banting as an Artist (Toronto: The Ryerson Press, 1943), p. 29 reproduced b/w, p. 34. $15,000–20,000

VIEW LOT Canadian Fine Art

419

535 FREDERICK SIMPSON COBURN, RCA (1871-1960), CANADIAN TURNING THE SOIL oil on canvas signed 14.5 x 23.5 in — 36.8 x 59.7 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 22 June 1982, lot 94, as, Turning the Soil; Private Collection, Ontario $4,500–6,500

420 The Canada Auction Series

VIEW LOT Canadian Fine Art

421

536 FREDERICK GRANT BANTING (1891-1941), CANADIAN SAINT JEAN PORT JOLI, QUEBEC, 1927 oil on board signed; signed, titled and dated “March 1927” verso; titled to exhibition label verso 8.75 x 10.5 in — 22.2 x 26.7 cm PROVENANCE:

James Montrose Duncan Olmsted, Toronto, ON, then Berkeley, CA, U.S.A.; By descent to his wife Evangeline Harris Olmsted, Berkeley, CA, U.S.A.; Sotheby’s, Toronto, ON, 12 May 1987, lot 185; Private Collection, London, ON EXHIBITED:

Canadian Paintings, San Francisco Museum of Art, 2-14 Jul 1942, no. 8 $25,000–35,000 422 The Canada Auction Series

VIEW LOT Canadian Fine Art

423

537 LAURA ADELINE MUNTZ LYALL, OSA (1860-1930), CANADIAN GIRL IN A GARDEN oil on canvas signed; titled to gallery label verso 23.5 x 17.5 in — 59.7 x 44.5 cm PROVENANCE:

Peter Ohler Fine Arts Ltd., Vancouver, BC, as Girl in a Garden; Private Collection, British Columbia $8,000–10,000

424 The Canada Auction Series

VIEW LOT Canadian Fine Art

425

538 JAMES WILSON MORRICE, RCA (1865-1924), CANADIAN UNTITLED (RIVER LANDSCAPE) watercolour on paper signed sight 7.25 x 11.25 in — 18.4 x 28.6 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 17 April 1980, as, End of Day, Ships on a River; Waddington’s Auctioneers, Toronto, ON, 28 November 1985, lot 956, as End of Day, Ships on a River Private Collection, London, ON $3,500–5,500

426 The Canada Auction Series

VIEW LOT Canadian Fine Art

427

539 FREDERICK SIMPSON COBURN, RCA (1871-1960), CANADIAN UNTITLED (WASHER WOMAN) oil on panel signed; signed verso 13.5 x 9.5 in — 34.3 x 24.1 cm PROVENANCE:

Joyner Waddington’s Canadian Fine Art, Toronto, ON, 4 Jun 2003, lot 349, as Washer Woman in a Cottage Interior; Private Collection, London, ON $5,000–7,000 428 The Canada Auction Series

VIEW LOT Canadian Fine Art

429

540 ROBERT WAKEHAM PILOT, PRCA (1898-1967), CANADIAN UNTITLED (PEGGY’S COVE, NOVA SCOTIA), 1926 oil on panel signed, dated ‘26 and indistinctly inscribed “To My Friend Reg Trenholme, R.P.” 12.5 x 17 in — 31.8 x 43.2 cm PROVENANCE:

Gift of the artist to Charles Reginald Trenholme, Montreal, QC; Private Collection, Montreal, QC; Sotheby’s, Toronto, ON, 17 May 1989, lot 165, as, Peggy’s Cove, Nova Scotia; Private Collection, London, ON $8,000–12,000

430 The Canada Auction Series

VIEW LOT Canadian Fine Art

431

541 ALEXANDER YOUNG (A.Y.) JACKSON, OSA, RCA (1882-1974), CANADIAN GEORGIAN BAY SKETCH graphite on paper, double-sided signed; signed verso sight 8.5 x 11.5 in — 21.6 x 29.2 cm PROVENANCE:

Gift of the Volunteer Committee of the Art Gallery of Toronto, ON; Nancy Dillow (née Robertson), Toronto, ON; The Estate of Nancy Dillow, Toronto, ON $6,000–8,000 432 The Canada Auction Series

VIEW LOT Canadian Fine Art

433

542 JAMES EDWARD HERVEY (J.E.H.) MACDONALD, OSA, RCA (1873-1932), CANADIAN EVENING BY THE RIVER (MAGNETAWAN RIVER BELOW BIRKS FALLS), 1910 oil on board initialed, titled and dated verso 6 x 8 in — 15.2 x 20.3 cm PROVENANCE:

Gift of Thoreau MacDonald, Toronto, ON; Nancy Dillow (née Robertson), Toronto, ON; The Estate of Nancy Dillow, Toronto, ON $15,000–25,000

434 The Canada Auction Series

VIEW LOT Canadian Fine Art

435

543 JAMES WILLIAMSON GALLOWAY (JOCK) MACDONALD, OSA, RCA (1897-1960), CANADIAN ANCIENT PLANS PREVAIL, 1955 watercolour on paper signed and dated ‘55 sight 12.4 x 16.1 in — 31.5 x 41 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Nancy Dillow (née Robertson), Toronto, ON; The Estate of Nancy Dillow, Toronto, ON

EXHIBITED:

Jock MacDonald: The Inner Landscape, A Retrospective Exhibition, Art Gallery of Ontario, Art Gallery of Windsor, The Edmonton Art Gallery, The Winnipeg Art Gallery, Vancouver Art Gallery, 198182. cat. no. 92.

LITERATURE:

Zemans, Joyce. Jock Macdonald: The Inner Landscape: A Retrospective = Jock Macdonald: Le Paysage intérieur: Rétrospective. Toronto: Art Gallery of Ontario, 1981, illustrated p. 176. $7,000–9,000

436 The Canada Auction Series

VIEW LOT Canadian Fine Art

437

544 WILLIAM GOODRIDGE ROBERTS, R CA, OSA (1904-1974), CANADIAN LAKE MASSAWIPPI, 1962 oil on hardboard signed; titled to label verso 35 x 48 in — 81.3 x 121.9 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Sam Borenstein, Montreal, QC; Kastel Gallery, Westmount, QC; Private Collection, Toronto, ON

EXHIBITED:

A Retrospective Exhibition: Goodridge Roberts, Montreal Museum of Fine Arts, Montreal, QC; Confederation Art Gallery and Museum, Charlottetown, PEI; Art Gallery of Hamilton, Hamilton, ON; Musée du Quebec, Quebec City, QC; London Public Library and Art Museum, London, ON; National Gallery of Canada, Ottawa, ON, Aug 1969-Apr 1970, no. 137 LITERATURE:

A Retrospective Exhibition Goodridge Roberts une exposition rétrospective (exh. cat.) (Ottawa, ON: National Gallery of Canada, 1969), p. 150, no. 137, RI 1048 $8,000–10,000

438 The Canada Auction Series

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439

545 LYNNE COHEN, RCA (1944-2014), CANADIAN CLASSROOM IN A DOG GROOMING SCHOOL, MINNEAPOLIS silver print on paper signed and titled in pencil verso image 14 x 17.5 in — 40.6 x 50.8 cm; sheet 16 x 19.88 in — 40.6 x 50.5 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Massachusetts $1,500–2,500

440 The Canada Auction Series

VIEW LOT Canadian Fine Art

441

546 LYNNE COHEN, RCA (1944-2014), CANADIAN SWIMMING POOL, MOUNT AIRY LODGE, IN THE POCONOS, PENNSYLVANIA, 1975 silver print on paper signed and numbered 5/50 in pencil verso image 14.875 x 19 in — 37.8 x 48.3 cm; sheet 15.88 x 20 in — 40.3 x 50.8 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Massachusetts $1,500–2,500

442 The Canada Auction Series

VIEW LOT Canadian Fine Art

443

547 JOHN GEOFFREY CARUTHERS LITTLE, RCA (B. 1928), CANADIAN RUE MARIE-ANNE AT DROLET oil on canvas board signed; titled to gallery label verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Private Collection, Toronto, ON $7,000–10,000

444 The Canada Auction Series

VIEW LOT Canadian Fine Art

445

548 MAURICE GALBRAITH CULLEN, RCA (1866-1934), CANADIAN RIVER IN THE WOODS, WINTER oil on panel signed 10.25 x 13.5 in — 26 x 34.3 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Sotheby Parke Bernet, Toronto, ON, 8 November 1983, lot 78, as River in the Woods, Winter; Private Collection, London, ON $15,000–20,000

446 The Canada Auction Series

VIEW LOT Canadian Fine Art

447

549 ALEXANDER YOUNG (A.Y.) JACKSON, OSA, RCA (1882-1974), CANADIAN SUNSHINE AND FOG, ELDORADO MINES, GREAT BEAR LAKE, CA. 1940 oil on canvas signed; titled on the stretcher 21 x 26 in — 53.3 x 66 cm

EXHIBITED:

A.Y. Jackson: Paintings 1902-1953, Art Gallery of Toronto, Toronto, ON; National Gallery of Canada, Ottawa, ON; Montreal Museum of Fine Arts, Montreal, QC; Winnipeg Art Gallery, Winnipeg, MB, 1953-54, no. 66, as, Sunshine and Fog, Eldorado Mines, Great Bear Lake, dated c. 1940.

LITERATURE:

A.Y. Jackson: Paintings 1902-1953 (exh. cat.) (Toronto, ON: Art Gallery of Toronto, 1953): p. 28, no. 66, as, Sunshine and Fog, Acquired directly from the artist; Eldorado Mines, Great Bear Lake.

Lever Bros., Toronto, ON; Anon., “Paintings by Jackson Cover 1902-53 Period,” The George Murray Bertram, Toronto, ON; Gazette (Montreal, QC) (30 January 1954), as, Sunshine and By descent Private Collection, Idaho, U.S.A.; Waddington’s Auctioneers, Toronto, ON, 27 May Fog, Eldorado Mines, Great Bear Lake.

2019, lot 62, as, Sun and Fog, Great Bear Lake $125,000–175,000 PROVENANCE:

448 The Canada Auction Series

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449

550 LAWREN STEWART HARRIS, OSA (1885-1970), CANADIAN ATHABASCA RIVER, JASPER, 1924 oil on panel signed; signed and titled in the artist’s hand verso; gallery stamp verso 10.5 x 13.875 in — 27.9 x 35.6 cm PROVENANCE:

Dominion Gallery, Montreal, QC; Dr. Kathleen Swallow, Red Deer, AB; Chapman Galleries, Red Deer, AB; Private Collection, Alberta LITERATURE:

Doris Mills, L.S. Harris Inventory, 1936, Group 7, Rocky Mountain Sketches, one of nos. 103-118. $200,000–300,000

450 The Canada Auction Series

VIEW LOT Canadian Fine Art

451

551 LAWREN STEWART HARRIS, OSA (1885-1970), CANADIAN FARMSTEAD BY A HILL, SKETCH VII, 1913 oil on paperboard signed; signed verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:

By descent to the artist’s son, Howard K. Harris, Vancouver, BC; Sotheby’s, Toronto, ON, 30 October 1985, lot 462, as, Farmstead by a Hill, Sketch No. VII; Private Collection, London, ON LITERATURE:

Doris Mills, L.S. Harris Inventory, 1936, Group 5, Miscellaneous Sketches, no. 7. $40,000–60,000 452 The Canada Auction Series

VIEW LOT Canadian Fine Art

453

552 ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN KINTAIL, 1968 oil on board signed; signed, titled and dated verso 9 x 11 in — 22.9 x 27.9 cm PROVENANCE:

Private Collection, Toronto, ON $25,000–35,000

454 The Canada Auction Series

VIEW LOT Canadian Fine Art

455

553 PETER CLAPHAM (P.C.) SHEPPARD, OSA, ARCA (1879-1965), CANADIAN HORTICULTURAL BUILDING, CANADIAN NATIONAL EXHIBITION oil on board signed; estate stamp with inv no. LG132 verso; titled to label verso 8.75 x 10.75 in — 22.2 x 27.3 cm PROVENANCE:

Private Collection, Ontario

456 The Canada Auction Series

EXHIBITED:

Ontario Society of Artists Forty-Seventh Annual Exhibition, Art Museum of Toronto, Toronto, ON, 8 Mar-5 Apr 1919, no. 168, as, Sketch, Horticultural Bldg, C.N.E.; Canadian National Exhibition, Toronto, ON, 23 Aug-6 Sept 1919, no.

152, as, Sketch, Horticultural Building, C.N.E.; Le Petit Salon: Canadian Artists and Impressionism, Helson Gallery, Halton Hills, 27 Apr-23 Jul 2022 LITERATURE:

Ontario Society of Artists: Forty-Seventh Annual Exhibition (exh. cat.) (Toronto: Ontario Society of Artists, 1919): p. 12, no. 168, as, Sketch, Horticultural Bldg., C.N.E. Catalogue of Paintings by Canadian Artists (exh. cat.) (Toronto, ON: Canadian National Exhibition, 1919): p. 29, no. 152, as, Sketch, Horticultural Building, C.N.E. Tom Smart, Peter Clapham Sheppard: His Life and Work (Richmond Hill, ON: Firefly Books, 2018): pp. 116-117, reproduced, p. 232, as, Horticultural Building, Canadian National Exhibition. $8,000–10,000

VIEW LOT Canadian Fine Art

457

554 ALEXANDER YOUNG (A.Y.) JACKSON, OSA, RCA (1882-1974), CANADIAN ST. TITE DES CAPS oil on board signed, titled and inscribed “AY Jackson Studio Bldg Severn St. Toronto”; titled to gallery labels verso 8.5 x 10.5 in — 21.6 x 26.7 cm PROVENANCE:

Loch Mayberry Fine Art, Winnipeg, MB; Peter Ohler Fine Arts, Vancouver, BC; Private Collection, British Columbia. $20,000–30,000

458 The Canada Auction Series

VIEW LOT Canadian Fine Art

459

555 JAMES EDWARD HERVEY (J.E.H.) MACDONALD, OSA, RCA (1873-1932), CANADIAN HUMBER RIVER, 1908 oil on canvas signed and dated ‘08 10 x 8 in — 25.4 x 20.3 cm PROVENANCE:

Dr. John Palmer, Toronto, ON; Joyner Fine Art, Toronto, ON, 27 May 1986, lot 24, as Humber River; Private Collection, London, ON $25,000–35,000

460 The Canada Auction Series

VIEW LOT Canadian Fine Art

461

556 WALTER JOSEPH (W.J.) PHILLIPS, RCA (1884-1963), CANADIAN UNTITLED (LANDSCAPE) watercolour on paper signed sight 5.75 x 9.125 in — 14.6 x 23.2 cm PROVENANCE:

Private Collection, London, ON $5,000–7,000

462 The Canada Auction Series

VIEW LOT Canadian Fine Art

463

557 ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN BRIGHT DAY, 1970 oil on board signed; signed, titled and dated to labels verso 12 x 15 in — 30.5 x 38.1 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Waddington’s Auctioneers, Toronto, ON, 28 November 1985, lot 962; Private Collection, London, ON $35,000–45,000

464 The Canada Auction Series

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465

558 FREDERICK HORSMAN VARLEY, ARCA (1881-1969), CANADIAN LE RACONTEUR, CIRCA 1940 charcoal and gouache on paper signed; titled to gallery labels verso 20 x 16 in — 50.8 x 40.6 cm PROVENANCE:

Dominion Gallery, Montreal, QC; Walter Klinkoff Gallery, Montreal, QC; Roberts Gallery, Toronto, ON; Peter Ohler Fine Arts, Vancouver, BC; Private Collection, British Columbia $10,000–15,000 466 The Canada Auction Series

VIEW LOT Canadian Fine Art

467

468 The Canada Auction Series

559 WILLIAM KURELEK, RCA (1927-1977), CANADIAN STUDY FOR ZAPOROZHIAN COSSACKS graphite on paper sight 39.25 x 58.5 in — 99.7 x 148.6 cm PROVENANCE:

Isaacs Gallery, Toronto, ON; The Robert McLaughlin Gallery, Oshawa, ON; Private Collection, Toronto, ON; Private Collection, Ontario $20,000–30,000

VIEW LOT Canadian Fine Art

469

560 FRANK HANS (FRANZ) JOHNSTON, OSA, ARCA (1888-1949), CANADIAN SUMMER LANDSCAPE oil on panel signed; inscribed “This is an authentic work by Frank H. Johnston.

Signed Frances-Anne Johnston (daughter)” verso 13.25 x 9.25 in — 33.7 x 23.5 cm PROVENANCE:

D & J Ritchie Fine Art Auctioneers, Toronto, ON, 22 November 1983; lot 246, as, Summer Landscape; Private Collection, London, ON $8,000–12,000 470 The Canada Auction Series

VIEW LOT Canadian Fine Art

471

561 MARC-AURÈLE DE FOY SUZOR-COTÉ, RCA (1869-1937), CANADIAN UNTITLED (COMMON GOLDENEYE), 1897 oil on canvas signed and dated ‘97 24 x 20 in — 61 x 50.8 cm PROVENANCE:

Private Collection, Montreal, QC; Private Collection, Montreal, QC, acquired ca. 1910; By descent Private Collection, Saint John, NB, acquired ca. 1965; By descent Private Collection, Fredericton, NB $12,500–17,500

472 The Canada Auction Series

VIEW LOT Canadian Fine Art

473

562 WILLIAM BRYMNER, OSA, PRCA (1855-1925), CANADIAN ÎLE D’ORLÉANS oil on canvas signed; titled to gallery label verso 12.5 x 18 in — 31.8 x 45.7 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Private Collection, London, ON $5,000–7,000

474 The Canada Auction Series

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475

476 The Canada Auction Series

563 DOROTHY KNOWLES, RCA (B. 1927), CANADIAN BITS OF SNOW, 1985 acrylic on canvas signed, titled, dated and inscribed “AC-11-85” verso 60 x 70 in — 152.4 x 177.8 cm PROVENANCE:

Private Collection, Toronto, ON; Sotheby’s, Toronto, ON, 3 December 2009, lot 84; Private Collection, Calgary, AB $15,000–25,000

VIEW LOT Canadian Fine Art

477

564 WILLIAM GOODRIDGE ROBERTS, RCA, OSA (1904-1974), CANADIAN LAURENTIAN LANDSCAPE, 1939 oil on canvas signed 20.25 x 24 in — 51.4 x 61 cm PROVENANCE:

Private Collection, Sutton, QC $3,000–4,000

478 The Canada Auction Series

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479

565 ALBERT JACQUES FRANCK, RCA, OSA (1899-1973), CANADIAN OLD LILAC, 1959 oil on hardboard signed and dated ‘59; titled to artist label verso 27.5 x 32 in — 66 x 77.5 cm PROVENANCE:

Private Collection, Whitby, ON $10,000–15,000

480 The Canada Auction Series

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481

566 BARKER FAIRLEY, RCA (1887-1986), CANADIAN YELLOW TREE, 1965 oil on hardboard signed; titled and dated verso 20 x 23.5 in — 50.8 x 59.7 cm PROVENANCE:

Private Collection, Toronto, ON $7,000–9,000

482 The Canada Auction Series

VIEW LOT Canadian Fine Art

483

567 RENÉ MARCIL (1917-1993), CANADIAN ABSTRACT 23, 1957 oil on canvas signed and dated ‘57; signed and dated ‘57 verso 40 x 50.25 in — 101.6 x 101.6 cm PROVENANCE:

Patrimoine Marcil, Geneva, Switzerland $20,000–25,000

484 The Canada Auction Series

VIEW LOT Canadian Fine Art

485

568 JEAN-PAUL JÉRÔME, RCA (1928-2004), CANADIAN L’AURORE RENAIT, 1974 oil on canvas signed and dated ‘74; signed, titled and dated to stretcher; titled to gallery label on the reverse 13.5 x 13.5 in — 34.3 x 34.3 cm PROVENANCE:

Galerie Bernard Desroches, Montreal, QC; Private Collection, Quebec EXHIBITED:

Oeuvres récentes de Jean-Paul Jérôme, La Galerie Bernard Desroches, Montreal, QC, 3-22 October 1974 $3,000–4,000 486 The Canada Auction Series

VIEW LOT Canadian Fine Art

487

569 DAVID BOLDUC (1945-2010), CANADIAN KOHL, 1991/1999 acrylic on canvas signed, titled and dated ‘91/99 to overflap 69.25 x 67 in — 175.3 x 170.2 cm PROVENANCE:

Private Collection, Toronto, ON $5,000–7,000

488 The Canada Auction Series

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489

490 The Canada Auction Series

570 JOAN WILLSHER-MARTEL (1925-2017), CANADIAN TREES I, 1972 oil on canvas initialed and dated ‘72; titled and dated on the reverse 60.25 x 80 in — 153 x 203.2 cm PROVENANCE:

Private Collection, Toronto, ON $6,000–8,000

VIEW LOT Canadian Fine Art

491

571 RITA LETENDRE, RCA (1928-2021), CANADIAN HORIZON MAGIQUE, 1992 oil on canvas signed and dated ‘92; signed, titled and dated verso 36 x 42 in — 92.1 x 107 cm PROVENANCE:

IEGOR Auctions, Montreal, QC, 28 Mar 2017, lot 47; Private Collection, Toronto, ON $5,000–7,000

492 The Canada Auction Series

VIEW LOT Canadian Fine Art

493

572 LÉON BELLEFLEUR, RCA (1910-2007), CANADIAN VILLE INCENDIÉE, 1972 oil on canvas signed and dated ‘72; signed, titled and dated verso 35 x 46 in — 88.9 x 116.8 cm PROVENANCE:

Private Collection, Alberta $12,000–18,000

494 The Canada Auction Series

VIEW LOT Canadian Fine Art

495

573 WILLIAM KURELEK, RCA (1927-1977), CANADIAN BUZZARDS OVER MEXICAN RIVER, CIRCA 1976 mixed media on hardboard signed with initials; titled and inscribed “bought from Kurelek 1976” verso 5.25 x 11.5 in — 13.3 x 29.2 cm PROVENANCE:

Joyner Fine Art, Toronto, ON, 29 May 2001, lot 160; Private Collection, London, ON $10,000–15,000

496 The Canada Auction Series

VIEW LOT Canadian Fine Art

497

498 The Canada Auction Series

574 LOUIS DE NIVERVILLE, RCA (1933-2019), CANADIAN LE ROI S’AMUSE, 1980 acrylic and oil on canvas (diptych) signed and dated “Jul 80” verso overall 96 x 132 in — 243.8 x 335.3 cm; each panel 96 x 66 in — 243.8 x 167.6 cm PROVENANCE:

Commissioned by Toller Cranston, Toronto, ON; Private Collection, Ontario LITERATURE:

Mérike Weiler, “Grand Illusions,” City & Country Home, Dec. 1986, illustrated p. 87-89 $5,000–7,000

Canadian Fine Art

499

500 The Canada Auction Series

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501

575 HAROLD KLUNDER, RCA (B. 1943), CANADIAN BELL KRATER, 1976-1979 acrylic, acrylic gel, and metallic powders on canvas signed, titled, and dated verso; titled and dated to gallery label verso 84.5 x 72 in — 214.6 x 182.9 cm PROVENANCE:

Sable-Castelli Gallery, Toronto, ON; Private Collection, Toronto, ON; Private Collection, Toronto, ON $12,000–15,000 502 The Canada Auction Series

VIEW LOT Canadian Fine Art

503

576 WALTER HAWLEY YARWOOD, RCA (1917-1996), CANADIAN UPTOWN, 1958 oil on canvas signed and dated ‘58; titled to label verso 28 x 36 in — 71.1 x 91.4 cm PROVENANCE:

Private Collection, Toronto, ON $12,000–17,000

504 The Canada Auction Series

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505

577 LÉON BELLEFLEUR, RCA (1910-2007), CANADIAN ECHO DE JOIE, 1995 oil on canvas signed and dated ‘95 20 x 24 in — 50.8 x 61 cm PROVENANCE:

Walker’s Auctions, Ottawa, ON, 5 Dec 2007, lot 204; Private Collection, Toronto, ON $6,000–8,000

506 The Canada Auction Series

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507

578 HENRIETTA MABEL MAY, ARCA (1877-1971), CANADIAN MORNING SNOW, 1965 oil on textured paper board signed; signed, titled and dated “Jan 22 1965” verso 10.375 x 13.5 in — 26.4 x 34.3 cm PROVENANCE:

Estate Collection, Florida, U.S.A.; Private Collection, Virginia, U.S.A. $5,000–7,000

508 The Canada Auction Series

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509

579 MAUD LEWIS (1903-1970), CANADIAN HORSE AND BUGGY ON SNOWY ROAD, CIRCA 1966 oil on particleboard signed; titled and dated to exhibition label verso 9 x 12.1 in — 22.8 x 30.7 cm PROVENANCE:

Acquired directly from the artist; Collection of Eve Wickwire, Nova Scotia EXHIBITED:

The Illuminated Life of Maud Lewis, Art Gallery of Nova Scotia, Jan-Apr 1997 LITERATURE:

Lance Woolaver, The Illuminated Life of Maud Lewis, Art Gallery of Nova Scotia, 1996, illustrated p.75 $12,000–15,000 510 The Canada Auction Series

VIEW LOT Canadian Fine Art

511

Buying at Waddington’s

Selling at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

SHIPPING The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

CONDITION OF LOTS All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

BUYERS PREMIUM A premium of 20% of the successful bid price of each lot.

CITES Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

PAYMENT Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS BIDDING The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

512 The Canada Auction Series

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

REMOVAL OF PURCHASES Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

WADDINGTON’S COMMISSION RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item CANADIAN ART DEPARTMENT COMMISSION RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item INSURANCE A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

AUCTION ADVICE For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@ waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Canadian Fine Art

513