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1 GEORGE ARMFIELD (BORN CIRCA 1808-1893), BRITISH FOX AND DOGS
2 ALFRED RICHARDSON BARBER (1841-1925), BRITISH A FRUGAL MEAL, 1883
Oil on canvas; remains of signature lower right, faintly signed and titled “Fox + Dogs” verso
Oil on canvas; signed and dated 1883 bottom center and lower left, signed and titled to the stretcher
20.0 ins x 24.0 ins; 50.8 cms x 61.0 cms
14.0 ins x 18.0 ins; 35.6 cms x 45.7 cms
$800 — 1,200
$2,000 — 3,000
3 GEORGE TURNER (1843-1910), BRITISH HIGHLAND CATTLE CROSSING THE FORD, 1882
4 THOMAS SIDNEY COOPER (1803-1902), BRITISH SHEEP AND COWS RESTING IN A MEADOW
Oil on canvas; signed and dated /82 lower right, signed, titled and dated 1882 at “Barrow on Trent Near Derby” verso
Oil on canvas; signed and dated indistinctly 1865? bottom centre
24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms
17.8 ins x 23.7 ins; 45.1 cms x 60.3 cms $1,500 — 2,000
Provenance By descent to the present Private Collection from her father’s mother who brought the painting with them from Scotland to Canada $800 — 1,200
5 THOMAS FRANCIS WAINEWRIGHT (1794-1883), BRITISH SUPINE COWS IN A FIELD
6 CHARLES LESLIE (BORN CIRCA 1835-1890), BRITISH WANDERING COWS
Watercolour; signed lower left
Oil on canvas laid down to board; signed lower left
14.0 ins x 24.0 ins; 35.6 cms x 61.0 cms
12.0 ins x 24.0 ins; 30.5 cms x 61.0 cms
$600 — 800
$300 — 500
7 ERNEST WALBOURN (18271927), BRITISH SUNLIT FARMYARD WITH FIGURES AND POULTRY OUTSIDE A COTTAGE WITH STREAM Oil on board; signed lower left, inscribed “Bidston, Cheshire” in pencil verso 11.0 ins x 19.0 ins; 27.9 cms x 48.3 cms
8 HENRY H. PARKER (1858-1930), BRITISH THE UPPER THAMES (CATTLE CROSSING RIVER) Oil on canvas; signed lower right, titled “The Upper Thames” to the typed label at the top of the frame verso 12.0 ins x 18.0 ins; 30.5 cms x 45.7 cms $1,500 — 2,500
$800 — 1,000
9 THOMAS JOHN SCOTT (19TH CENTURY), BRITISH CHESTNUT HUNTER IN A LANDSCAPE
10 19TH CENTURY BRITISH CATTLE WATERING IN THE SHADE WHILE THE FARMER RESTS
12 JAMES WEBB (1825-1853), BRITISH SHIP IN DISTRESS BY A LANDMARK ISLE AT LEFT
Oil on canvas
11 WILLIAM EDWARD WEBB (1862-1903), BRITISH BUSTLING HARBOUR SCENE WITH FISHER FOLK AWAITING THE ARRIVAL OF THE DAY’S CATCH, 1883
Oil on canvas; signed lower right 19.5 ins x 25.7 ins; 49.5 cms x 65.4 cms
20.0 ins x 29.8 ins; 50.8 cms x 75.6 cms
Oil on canvas; signed and dated 83 lower right
10.0 ins x 16.0 ins; 25.4 cms x 40.6 cms
$1,000 — 1,500
Provenance Cooling Galleries, Toronto; Private Collection, Toronto
20.0 ins x 30.5 ins; 50.8 cms x 77.5 cms
$1,200 — 1,800
Oil on canvas; signed lower left
$1,500 — 2,500 $300 — 500
13 JAMES HARRIS OF SWANSEA (1810-1887), BRITISH SHIPPING AT WORM’S HEAD, 1871 Oil on canvas; signed “Harris” and dated “1871” lower right
14 WILLIAM (ANSLOW) THORNLEY (1857-1898), BRITISH FISHING SCHOONER IN CHOPPY WATERS NEARING PORT Oil on canvas; signed lower left
14.3 ins x 22.2 ins; 36.2 cms x 56.5 cms Provenance See website for additional info. Note: See website for additional info. $4,000 — 5,000
8.0 ins x 16.0 ins; 20.3 cms x 40.6 cms $800 — 1,200
15 ATTRIBUTED TO WILLIAM (ANSLOW) THORNLEY (18571898), BRITISH LOW TIDE, CROMER (IN MOONLIGHT)
16 THOMAS BUSH HARDY (18421897), BRITISH SHIPS AT REST
Oil on canvas laid down on masonite; signed with conjoined first initial and last name: “Thornley” with a long uppercase “L” ? proceeding, titled to the nameplate to the frame recto
18.5 ins x 33.0 ins; 47.0 cms x 83.8 cms
18.3 ins x 26.3 ins; 46.4 cms x 66.7 cms
Oil on canvas; signed lower left
Provenance With Haynes Art Gallery, Toronto on 16-4-43 inscribed to gallery label verso $2,000 — 4,000
$1,200 — 1,800
17 WILLIAM GARTHWAITE (18211899), BRITISH DUTCH AND BRITISH SHIPS IN STORMY WATERS, 1850 Oil on canvas; strengthened signature and date 1850 lower left 19.0 ins x 23.0 ins; 48.3 cms x 58.4 cms
18 DONALD BRETT (20TH CENTURY), BRITISH SHIP IN DEEP WATER
19 WILFRED KNOX (1884-1966), BRITISH SQUALLY WEATHER
Oil on canvas; signed lower left
Oil on canvas; signed lower left
20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms
24.5 ins x 36.0 ins; 62.2 cms x 91.4 cms
$500 — 700
Provenance The Fine Art Galleries, The T. Eaton Co., Ltd., accompanied by the original receipt dated September 22, 1962; Acquired from the above by the present Private Collection, Toronto
$500 — 700
20 CHARLES WILLIAM WYLLIE (1853/59-1923), BRITISH A LOADED STRAW BARGE WITH BOYS TENDING ROW BOATS, A CITY IN THE DISTANCE, 1882 Oil on canvas; signed and dated 82 lower left, signed at Matilda Hill and inscribed No. 3 verso 10.0 ins x 18.0 ins; 25.4 cms x 45.7 cms $700 — 900
$700 — 900
21 EMILY BEATRICE BLAND (1864-1951), BRITISH FISHING BOAT BEACHED; BEACHED FISHING BOAT WITH STEAMER IN DISTANCE Pair of oils, the first on canvas, the latter on grey board; each signed “E. Bland” with overlapping E/B and dated 1900 lower right
22 WALTER STUART LLOYD (1875-1929), BRITISH CONWAY CASTLE Watercolour; signed lower right and titled to the nameplate 11.3 ins x 35.0 ins; 28.6 cms x 88.9 cms $700 — 900
6.0 ins x 8.0 ins; 15.2 cms x 20.3 cms
23 WILLIAM (ANSLOW) THORNLEY (1857-1898), BRITISH SHIPPING OFF ST. MICHAEL’S MOUNT, CORNWALL Oil on canvas laid down to masonite; signed lower left 17.5 ins x 13.0 ins; 44.5 cms x 33.0 cms $800 — 1,200
24 MALCOLM CROUSE (19TH/20TH CENTURY), BRITISH BEN-MY-CHREE (AN IRON PADDLE STEAMER, THAT SERVED THE ISLE OF MAN STEAM PACKET COMPANY); PRINCE OF WALES/ 1657 TONS/ 6500 H.P. Pair of oils on panel; the first signed lower right, titled bottom centre; the latter, signed lower left, titled and inscribed lower right
$300 — 500 5.0 ins x 8.5 ins; 12.7 cms x 21.6 cms $1,000 — 1,500
25 HAROLD GOLDTHWAITE (1869-1932), BRITISH THE RIVER NR LEWES (SUSSEX) Oil on panel; signed lower right, titled “River in Arun” to the nameplate, titled “The River Nr. Lewes” in pencil verso 9.8 ins x 14.8 ins; 24.8 cms x 37.5 cms Provenance Waddington’s, December 2, 1999, lot 125 sold as “The River Arun”; From whom purchased by the present Private Collection, Toronto
26 MANNER OF GEORGE CHAMBERS (1803-1840), BRITISH SHIPPING SCENE WITH GALLEONS AND SAILING VESSELS ON THE HORIZON WITH DUTCH VESSELS IN ROILING WATERS
27 JAMES SALT (1850-1903), BRITISH THE GRAND CANAL, VENICE
Oil on canvas
Provenance Estate Collection, Toronto
26.3 ins x 32.5 ins; 66.7 cms x 82.6 cms
Oil on canvas; signed lower right 18.0 ins x 32.8 ins; 45.7 cms x 83.2 cms
$1,000 — 1,500
Provenance The Estate of Mary Eileen Baldwin, Toronto, married to Robert Baldwin, a descendent of Sir Robert Baldwin (1804-1858)
28 JAMES CAMPBELL NOBLE (1846-1913), SCOTTISH FISHERMAN TENDING HIS BOAT BY A BRIDGE WITH WINDMILL Oil on canvas; signed lower left 20.0 ins x 24.5 ins; 50.8 cms x 62.2 cms Provenance Estate of Elis MacGillivray; Purchased by the present Private Collection, Toronto in the 1940’s $600 — 800
$500 — 700 $300 — 500
29 WILLIAM PITT (ACT. 18531890), BRITISH ON THE AVON - DEVON, 1873
30 HENRY WILLIAM PHELAN GIBB (1870-1948), BRITISH PONT NEUF, 1907
Oil on canvas; signed with initial monogram overlapping and dated “18 WP 73” lower right, signed, titled and dated 1873 at “Gothic Cottage, St. Pauls Road, Camden Town, London” verso
Oil on canvas; signed and dated 1907 lower left, signed, titled and dated 1907 at 15 Rue Boissonade, Paris verso
14.0 ins x 26.0 ins; 35.6 cms x 66.0 cms $800 — 1,200
18.3 ins x 21.3 ins; 46.4 cms x 54.0 cms Provenance Britnell’s Art Gallery, Toronto label to the frame; Petley Jones Gallery, Vancouver Note: See website for additional info. $800 — 1,200
31 HENRY MOORE (1831-1895), BRITISH SEASCAPE WITH SHIPPING VESSELS Oil on canvas; signed “H. Moore” and dated 1874 lower right 16.5 ins x 26.0 ins; 41.9 cms x 66.0 cms Provenance Private Collection, Ontario acquired circa December 1966 $2,500 — 3,500
32 ROSS REVERDY OSGOODE (1867-1946), BRITISH THREE LANDSCAPES WITH ARCHITECTURAL VIEWS: MOUNTED SOLDIERS AT AN ARCH; TWO VIEWS OF RUINS Three oils on canvasboards; each signed 9.0 ins x 12.0 ins; 22.9 cms x 30.5 cms $300 — 500
33 ROSS REVERDY OSGOODE (1867-1946), BRITISH FOUR LANDSCAPE VIEWS: TWO SCENES ON A CANAL; HORSE AND RIDER MEETING ON TRAIL; WAYSIDE MONUMENT
34 WILLIAM HENRY MANDER (1850-1922), BRITISH FALLS IN THE VALE OF MEATH
Four oils on canvasboard; each signed; one dated Aug 8 / 1818 lower left, another dated 1818 lower left
24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms
Oil on canvas; signed lower left, titled to the nameplate
$1,500 — 2,500
8.0 ins x 12.0 ins; 20.3 cms x 30.5 cms
35 HENRY H. PARKER (1858-1930), BRITISH GORING ON THAMES Oil on canvas; signed lower right, signed and titled verso 12.0 ins x 24.0 ins; 30.5 cms x 61.0 cms Provenance The Cooling Galleries, London, UK
37 JOHN HENRY BOEL (FL. 18901910), BRITISH LANDSCAPE WITH HAY BARGE, 1905 Oil on canvas; signed and dated 1905 lower left 16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms $300 — 500
$700 — 1,000
$400 — 600
38 DAVID JAMES (1853-1904), BRITISH NEAR EXMOUTH, DEVON, 1885 Oil on canvas; signed and dated 85 lower right, signed, dated 85 and titled verso 25.0 ins x 50.0 ins; 63.5 cms x 127.0 cms Provenance Britnell’s Art Gallery Ltd.,Toronto, Diamond Jubilee; The Estate of a Private Collection, Toronto; By Descent Note: See website for additional info. $2,000 — 3,000
39 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH SHEEPFOLD IN WINTER
40 JOHN JAMES OFFORD (EXHIBITED 1886), BRITISH CARTER’S IN WINTER LANDSCAPE
41 JOHN FREDERICK HERRING THE ELDER (1795-1865), BRITISH HORSE DRAWN CARRIAGE RIDE
Oil on canvas; given to George Morland and titled to an old typed label verso
Oil on canvas; signed lower right, titled to an old typeset catalogue label verso
20.0 ins x 25.5 ins; 50.8 cms x 64.8 cms
24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms
17.8 ins x 23.7 ins; 45.1 cms x 60.3 cms
Provenance Private Collection, Toronto, in the family for over 50 years
Provenance With Leeds City Art Gallery & Temple Newsham House label verso
$1,000 — 1,500
$2,000 — 3,000
$1,000 — 1,500
Oil on canvas; signed and dated 1833 lower right
42 CHARLES WALLER SHAYER (1826-1914), BRITISH HARVESTING
43 ATTRIBUTED TO HENRY WOODS (1846-1921), BRITISH HOMEWARDS, 1889
Oil on panel; signed lower left
Oil on canvas; bears signature of Henry Woods and date 1894 lower left, given to Henry woods and titled to the nameplate
11.5 ins x 15.7 ins; 29.2 cms x 40.0 cms Provenance With John H. Paris, the Fine Art Repository, Liverpool, label verso $500 — 700
18.0 ins x 22.0 ins; 45.7 cms x 55.9 cms
44 GEORGE TURNER (1843-1910), BRITISH STEPPING STONES, NORTH WALES
45 ALFRED AUGUSTUS GLENDENING SR. (1840-1910), BRITISH ON THE WYE, 1868
Oil on canvas; signed on the rock lower left
Oil on canvas; signed with initials A.A.G. and dated ‘68 lower right, titled to the stretcher
18.0 ins x 30.0 ins; 45.7 cms x 76.2 cms
20.0 ins x 32.0 ins; 50.8 cms x 81.3 cms
$1,500 — 2,500 Provenance By descent through the family
$2,000 — 3,000
$400 — 600
46 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH LEAVING THE INN Oil on canvas
47 ALLAN J. HOOK (1853- ), BRITISH WHITE STALLION GRAZING BY A COUNTRY LANE WITH COUNTRY FOLK Oil on canvas; signed lower right
19.5 ins x 25.5 ins; 49.5 cms x 64.8 cms Provenance With Mackenzie & Co., Art Gallery, Toronto in circa the 1930’s; Private Collection, Toronto
20.0 ins x 24.3 ins; 50.8 cms x 61.6 cms $500 — 700
48 J. MYLES (19TH CENTURY), BRITISH RUSTIC SCENE WITH LOGGERS IN A FOREST CLEARING AND FIGURES RESTING OUTSIDE TOWN Oil on canvas; signed and dated 1878 lower left 19.8 ins x 27.0 ins; 50.2 cms x 68.6 cms
49 EDWARD WILKINS WAITE (1854-1924), BRITISH THE TIME OF BLOSSOM, FITTLEWORTH Oil on canvas; signed lower right, title inscribed to the nameplate to the frame recto 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms $3,000 — 4,000
Provenance Estate Collection, Ontario
$1,000 — 1,500 $300 — 500
50 JOHN BRANDON SMITH (18481884), BRITISH A QUIET SPOT ON THE DEE, N. WALES Oil on canvas; signed and dated 1882 lower right, titled to the stretcher 20.0 ins x 15.0 ins; 50.8 cms x 38.1 cms $600 — 800
51 PHILIP HUTCHINS ROGERS (1794-1853), BRITISH LANDSCAPE (WITH SHEPHERD GUARDING THE FLOCK OF SHEEP, GOATS AND CATTLE)
52 THOMAS WILLIAM ALLEN (1855- ?), BRITISH TWO VIEWS AT BIRKENSHAW (WEST YORKSHIRE): AUTUMN; EARLY SEPTEMBER
Oil on canvas; given to the artist on the gallery labels and the old inscribed pen and ink label verso
Two oils on board; the first, signed lower left, the latter unsigned, the first, also signed verso, each titled at Birkenshaw in pencil verso
26.0 ins x 38.0 ins; 66.0 cms x 96.5 cms
9.5 ins x 12.0 ins; 24.1 cms x 30.5 cms
Provenance Adan A. Lysaght, n.p., purchased between 1812-1820 as given on an old pen and ink label to the frame verso; The Fine Art Galleries, The T. Eaton Co., Limited, Canada labels verso from several years
$400 — 600
53 ATTRIBUTED TO EDWARD WILKINS WAITE (1854-1924), BRITISH CHILDREN FISHING IN A STREAM BY BIRCH TREES IN SUMMER Oil on canvas. 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms Provenance L’Art Francais, Montreal $1,000 — 2,000
$1,500 — 2,500
54 ALFRED STONE (1840- ), BRITISH AT NEWBURY, BERKSHIRE
55 ROBERT HUDSON JNR. (1852– 1884), BRITISH ENDCLIFFE WOOD
Oil on canvas; signed lower left, titled to the stretcher. Circa 1865.
Oil on canvas; signed “R. Hudson Jun” lower left, titled to the nameplate
24.5 ins x 36.0 ins; 62.2 cms x 91.4 cms
56 HAROLD GOLDTHWAITE (1869-1932), BRITISH LYMINGTON (FIGURE ON A FOOT BRIDGE) Oil on panel; signed lower right, titled in pencil verso
14.0 ins x 10.0 ins; 35.6 cms x 25.4 cms
10.0 ins x 15.0 ins; 25.4 cms x 38.1 cms
$700 — 1,000
Provenance J.A. Cooling & Sons, London; Private Collection by descent from the consignor’s husband
$500 — 700
$400 — 600
56A J. GALLOWAY (FL. 1865), BRITISH SCHOOL EXTENSIVE MOUNTAINOUS LOCH AT SUNSET WITH STAGS Oil on canvas; signed and dated 1865 lower left 24.0 ins x 45.5 ins; 61.0 cms x 115.6 cms $600 — 900
57 WILLIAM SHAYER SNR. (17871879), BRITISH IN DEVONSHIRE Oil on board; signed lower left, titled to the nameplate to the frame 10.0 ins x 12.0 ins; 25.4 cms x 30.5 cms
58 WILLIAM FREDERICK WITHERINGTON (1785-1865), BRITISH FAMILY PASTIMES IN A HILLSIDE WOOD Oil on canvas; signed and dated indistinctly 1839? at the bottom to the right of centre
Provenance Thomas McLean Printseller and Publisher, Dealer in Works of Art, London; Estate Collection, London, Ontario
14.0 ins x 22.0 ins; 35.6 cms x 55.9 cms
$1,000 — 1,500
$600 — 800
61 LEOPOLD RIVERS (1852-1905), BRITISH MOTHER AND CHILDREN ON A COUNTRY ROAD HOME FROM MARKET
62 HENRY MARTIN (1835-1908), BRITISH YOUNG SHEPHERD GIRL LOST IN THOUGHT
59 WILLIAM SHAYER SNR. (17871879), BRITISH RUSTIC FAMILY AND BABY’S FIRST RIDE Oil on board; signed lower left
60 MANNER OF DAVID COX SNR. (1783-1859), BRITISH HERDING SHEEP ALONG A PATHWAY WITH A WOMAN CROSSING A FOOTBRIDGE Oil on canvas
18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms
15.0 ins x 21.0 ins; 38.1 cms x 53.3 cms
$1,500 — 2,000 $700 — 900
Provenance Estate Collection, London, Ontario
Oil on canvas; signed lower left
Oil on canvas; signed “H. Martin” lower left
50.5 ins x 30.0 ins; 128.3 cms x 76.2 cms
24.0 ins x 15.5 ins; 61.0 cms x 39.4 cms
Provenance Waddington’s Auctioneers & Appraisers, Toronto, June 12, 2012, Lot 84; Private Collection, Ontario
$400 — 600
63 CARL BRENNIR (1850-1920), BRITISH SUNLIGHT OF MID-DAY, EARLSWOOD COMMON, SURREY (PAINTED OUTSIDE), 1903 Oil on canvas; signed and dated 1903 lower left, signed, titled and dated 1903 and inscribed by the artist “Painted Outside” in pencil to the stretcher 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms
64 ATTRIBUTED TO JOHN LINNELL SNR. (1792-1882), BRITISH “THE WOLD OF KENT” Oil on canvas; given to John Linnell and titled to the frame liner 30.0 ins x 45.5 ins; 76.2 cms x 115.6 cms Provenance Estate Collection, London, Ontario Note: See website for additional info.
$1,200 — 1,800 $1,200 — 1,800
$2,000 — 3,000
65 ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH COWS AND DOG WITH HERDER ON A COTTAGE PATH, 1897 Oil on Windsor & Newton canvasboard; signed with initials “A.A.G.” and dated 97 lower right 8.0 ins x 11.7 ins; 20.3 cms x 29.8 cms Provenance J.A. Cooling & Sons, London; Private Collection by descent from her husband
66 ABRAHAM HULK JUNIOR (1851-1922), BRITISH NEAR PADDINGTON FARM, SURREY
67 HENRY H. PARKER (1858-1930), BRITISH HERDING COWS HOMEWARD AT SUNSET
Oil on canvas; signed lower left, titled verso
Oil on canvas; signed lower right; signed verso, inscribed “No. 2” to the stretcher
16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms Provenance Frost & Reed Gallery, UK, registered No. 36163; Cooling Galleries, Toronto; Private Collection, Canada; By descent
16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms Provenance Private Collection by descent from her husband
68 ATTRIBUTED TO GEORGINA LARA (FL. 1840-1880), BRITISH THE SUSSEX FARM Oil on canvas, possibly signed lower left, given to George Lara and titled to the nameplate 6.5 ins x 9.3 ins; 16.5 cms x 23.5 cms Provenance See website for additional info. $400 — 600
$3,000 — 4,000
$500 — 700 $800 — 1,200
69 ATTRIBUTED TO ROBERT LADBROOKE (BORN CIRCA 1770-1842), BRITISH SHEPHERD MEETING BY A CRAGGY ROCK WITH DISTANT LANDSCAPE
70 BRITISH SCHOOL (LATE 18TH/19TH CENTURY) HORSEMEN STOPPING ON THEIR TRAVELS
Oil on panel; given to the artist on the gallery label “C.G.” and numbered “No. 113017” in pen and ink to label verso
5.5 ins x 8.0 ins; 14.0 cms x 20.3 cms
9.3 ins x 12.8 ins; 23.5 cms x 32.4 cms
Pair of oils on panels
Provenance With B.C. Fairfield & Son, St. Catharines, ON
71 FREDERICK HENRY HENSHALL (1807-1891), BRITISH WATERING HORSES AT A MILL POND Oil on canvas; signed and dated 1845 lower right 20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms
72 DAVID BATES (1840-1921), BRITISH WOMAN WITH DOG IN A MEADOW BY A RIVER Oil on panel; signed and dated 1894 lower left 11.5 ins x 15.5 ins; 29.2 cms x 39.4 cms
Provenance With Haynes Art Gallery, Toronto
Provenance The Cooling Galleries Ltd., London & Toronto
$1,200 — 1,800
$500 — 700
$1,000 — 1,500 Provenance C.G. (gallery), n.p. label verso $500 — 600
73 ALFRED WILSON COX (C. 18201888), BRITISH SHIPLEY GLEN (EXTENSIVE LANDSCAPE WITH FIELD WORKERS RESTING AND GLEANERS IN THE DISTANCE)
74 JOSEPH HORLOR (1809-1887), BRITISH ON THE ROAD TO THE SEA, WALES, 1859
Oil on canvas; signed and dated 1883 lower left, titled to the stretcher in pencil
18.0 ins x 26.0 ins; 45.7 cms x 66.0 cms
20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms
Oil on canvas; signed and dated 59 lower left
Provenance Dominion Gallery, Montreal, Inventory number G978; Estate Collection, Toronto
75 JOHN LINNELL SNR. (17921882), BRITISH ROBBED FIGURES IN ADORATION UNDER A SLIVER OF A MOON, MOUNTAINOUS LANDSCAPE
76 JOHN HAMILTON GLASS (1820-1885), BRITISH BEECH ROAD NEAR WINTON
Oil on board; signed “J. Linnell” lower right
24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms
6.5 ins x 9.0 ins; 16.5 cms x 22.9 cms
Provenance Aitken Dott’Son, Edingburgh, Scotland label verso
Oil on canvas; signed lower right, signed and titled verso
$600 — 900 $700 — 900
$500 — 700 $500 — 700
77 THOMAS KERR FAIRLESS (1825-1853), BRITISH A FAVOURITE HAUNT Oil on prepared mill-board; signed and dated 1853 lower left, signed and titled at Hexham, Northumberland verso 11.0 ins x 15.0 ins; 27.9 cms x 38.1 cms Note: The artist was born in Hexham, Northumberland. From 1848 to 1851, he exhibited landscapes at the R.A., at the B.I. and the S.S. $300 — 500
78 ATTRIBUTED TO JOHN SELL COTMAN (1782-1842), BRITISH COUNTRY COUPLE ON A VILLAGE LANE TENDING FARM ANIMALS
80 ARTHUR JOHN STRUTT (18191888), BRITISH PEASANTS HAULING HAY ACROSS AN EXTENSIVE ITALIAN LANDSCAPE WITH RUINS
81 JOSEPH THORS (1835-1920) , BRITISH COUNTRY COTTAGE WITH FARM MAID AND DUCKS
Oil on canvas; signed and dated 1863 at “Roma” lower right
12.0 ins x 20.0 ins; 30.5 cms x 50.8 cms
6.0 ins x 5.0 ins; 15.2 cms x 12.7 cms
30.5 ins x 44.5 ins; 77.5 cms x 113.0 cms
Provenance With Mackenzie & Co., Toronto in the early 20th Century
$300 — 500
$3,000 — 4,000
Oil on board; inscribed “J.S. Cotman” in pencil verso, given to the artist to the nameplate
Oil on canvas; signed lower right
$400 — 600
82 HENRY COOPER (ACTIVE CIRCA 1910-1925), BRITISH RODDEN; OKA (PAIR OF COUNTRY LANDSCAPES) Pair of oils on canvas; each signed lower left and lower right respectively, each dated indistinctly 1939, each signed and titled to the stretchers 16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms
83 WILLIAM GREAVES (18521938), BRITISH WOODED LANDSCAPE WITH DUCKS FEEDING BY A RIVER, 1890 Oil on canvas laid down to masonite board; signed and dated 1890 lower left 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms
84 FOLLOWER OF JOHN CONSTABLE (1776-1837), BRITISH LANDSCAPE WITH A LOW HORIZON AND WINDMILL IN THE DISTANCE Oil on panel; inscribed in black ink in an unknown hand “John Constable 1807. No. 10” verso 6.7 ins x 10.2 ins; 17.1 cms x 26.0 cms
85 J.D. MORRIS (19TH CENTURY), BRITISH RESTING HUNTER WITH HIS DOGS, 1893 Oil on canvas; signed and dated 93 lower left 36.0 ins x 28.3 ins; 91.4 cms x 71.8 cms $500 — 700
$600 — 800 $600 — 800
Provenance Purchased by the Grandfather of the present Private Collection, Toronto $400 — 600
86 WILLIAM SHAYER SNR. (17871879), BRITISH GYPSY ENCAMPMENT
87 WILLIAM HENRY MANDER (1850-1922), BRITISH ON THE WYE, 1889
88 CHARLES EDWARD JOHNSON (1832-1913), BRITISH A NOVEMBER TWILIGHT, 1887
Oil on canvas; signed lower left, titled to the nameplate
Oil on canvas; signed and dated /89 lower right, signed and titled verso
20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms
24.0 ins x 38.0 ins; 61.0 cms x 96.5 cms
Oil on canvas; signed and dated /87 lower right, signed at Morven House / Steeles Rd / Haverstock Hill / London and titled verso
$3,000 — 4,000
Provenance Frederick Thom Gallery, Toronto; Private Collection, Ontario $1,000 — 1,500
24.0 ins x 37.0 ins; 61.0 cms x 94.0 cms
89 ADA STONE (ACTIVE 18791916), BRITISH WOODED LANDSCAPES: LANE WITH RED FLOWERS; RIVER EDGE WITH RED FLOWERS Pair of oils on canvas; the first, signed lower left, the later signed lower right 16.0 ins x 12.0 ins; 40.6 cms x 30.5 cms
$1,500 — 2,500 Provenance Estate Collection, Toronto $300 — 400
90 HENRY JOHN KINNARD (ACTIVE 1880-1920), BRITISH COUNTRY COUPLE RESTING ON A LOG IN AN EXTENSIVE LANDSCAPE WITH SHEEP GRAZING
91 ROBERT ROBIN FENSON (FL. 1889-1914), BRITISH FARMER LEADING SHEEP WITH GEESE FEEDING IN A FARMYARD
92 ANTHONY VANDYKE COPLEY FIELDING (1787-1855), BRITISH HERDING SHEEP ON A HILLSIDE OVERLOOKING TOWN
Oil on canvas
Oil on canvas; signed and dated 1904 lower right
Oil on canvas; signed “Copley Fielding” lower right
24.5 ins x 40.5 ins; 62.2 cms x 102.9 cms
17.0 ins x 24.0 ins; 43.2 cms x 61.0 cms
13.2 ins x 17.2 ins; 33.6 cms x 43.8 cms
$700 — 900
$300 — 500
Provenance Ritchie’s, Toronto, lot 4032, Sale 66; From whom purchased by the present Private Collection, Toronto
93 ALFRED FONTVILLE DE BREANSKI JNR. (1877-1955), BRITISH AN OLD HAMPSHIRE MILL Oil on canvas; signed lower left, signed and titled verso, inscribed “Copyright reserved” and initialed by the artist verso 20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms $3,000 — 5,000
$1,000 — 1,500
94 SIDNEY EASTLAKE (19TH CENTURY), BRITISH COASTAL LANDSCAPE AT SUNSET WITH GULLS Oil on canvas; signed lower left 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms Provenance The Cooling Galleries, London; Estate Collection, Canada
95 WILLIAM LEE-HANKEY (18691952), BRITISH MORLAIX, BRITTANY, 1936
96 WILLIAM LEE-HANKEY (18691952), BRITISH LE PRINTEMPS, PARIS
Oil on canvas; signed lower left, signed, titled, dated 1936 and further inscribed “this picture must not be varnished” in pencil to the top selvage verso
Oil on canvas; signed lower right, titled to the nameplate to the frame recto
24.0 ins x 20.0 ins; 61.0 cms x 50.8 cms
20.2 ins x 24.0 ins; 51.4 cms x 61.0 cms Provenance Frederick W. Thom Limited, Toronto
$2,000 — 4,000 $700 — 900
$3,000 — 5,000
97 ATTRIBUTED TO PATRICK LAMBERT LARKING (19071981), BRITISH BUSY ONE WAY STREET SCENE Oil on British “Daler Board” canvasboard; inscribed “Larking” in pencil verso 20.0 ins x 16.0 ins; 50.8 cms x 40.6 cms Provenance Gifted to the present Private Collection from his wife’s sister, circa 1986 who reportedly purchased the work at Christie's, London Note: See website for additional info. $300 — 500
98 ARTHUR TREVOR HADDON (1864-1941), BRITISH MARKET VENDORS SELLING VEGETABLES
99 EDWARD PRITCHETT (18081894), BRITISH VENETIAN CITY MARKET
Oil on canvas; signed lower right
Oil on canvas; signed lower right. Unframed.
20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms
23.0 ins x 17.8 ins; 58.4 cms x 45.1 cms
Provenance Estate Collection, Toronto
Provenance J.A. Cooling & Sons, London; Private Collection, Toronto
$1,000 — 1,500 $1,200 — 1,800
100 PAUL FALCONER POOLE (1807–1879), BRITISH “THE EMIGRANT’S DEPARTURE/ WHAT SORROWS GLOOMED THAT PARTING DAY, THAT CALLED THEM FROM THEIR NATIVE LAND”
101 CHARLES LANDSEER (17991879), BRITISH THE LOVE LETTER
Oil on panel; signed and indistinctly dated /35 or /38 lower right; titled to labels verso
30.5 ins x 25.2 ins; 77.5 cms x 64.1 cms
Oil on canvas; signed with overlapped monogram initials “CL” on the stool lower left, signed with ink stamp “C. Landseer, R.A.” to the canvas verso
$3,000 — 4,000 10.0 ins x 12.0 ins; 25.4 cms x 30.5 cms Provenance See website for additional info. $500 — 700
102 JOHN SANDERSON WELLS (1872-1955), BRITISH THE HANDSOME MESSENGER Oil on panel; signed lower right 14.0 ins x 10.0 ins; 35.6 cms x 25.4 cms Provenance Galerias Madero, S.A., Mexico; By descent through the family, Saskatoon
103 CH. O. MARSHAL (19TH/20TH CENTURY), BRITISH SERENADING WATER NYMPHS Oil on braced panel; bears signature: “Ch. O. Marshal” lower right
104 BRITISH VICTORIAN ANNE BOLEN SAYS A FINAL GOODBYE TO HER DAUGHTER, PRINCESS ELIZABETH
105 EVA HOLLYER (1889-1902), BRITISH THE QUEEN’S PORTRAIT; SIR FRANCIS DRAKE (”ELIZABETH AND DRAKE”)
Oil on canvas laid down on masonite.
Pair of oils on canvas, each signed lower left and lower right respectively, each titled in pen and ink to gallery labels verso
10.0 ins x 15.0 ins; 25.4 cms x 38.1 cms
22.5 ins x 28.0 ins; 57.2 cms x 71.1 cms
Provenance The Estate of Shirley Rosenfeld, Toronto
$300 — 500
$700 — 900 $200 — 400
20.0 ins x 27.0 ins; 50.8 cms x 68.6 cms Provenance The Cooling Galleries, London & Toronto; Private Collection, Canada $1,000 — 1,500
106 W*** WHITE (19TH/20TH CENTURY), BRITISH TWO MEN SEATED AT A TABLE
107 WILLIAM A. BREAKSPEARE (1855-1914), BRITISH LOUIS XVI GENTLEMAN PEELING LEMONS
Oil on canvas; signed “W. White” lower right
Oil on canvas; signed lower right
25.0 ins x 30.2 ins; 63.5 cms x 76.8 cms
18.5 ins x 13.3 ins; 47.0 cms x 33.7 cms
108 HENRY THOMAS SCHAFER (1815-1915), BRITISH THE MANDOLIN
109 GEORGE ADOLPHUS STOREY (1834-1919), BRITISH THE SEAMSTRESS, 1858
Oil on canvas; signed “H. Thomas Schafer” and dated 1877 upper left, title inscribed to verso
Oil on canvas, sculpted tondo, signed with a conjoined initial monogram and dated 1858 lower right
36.0 ins x 28.5 ins; 91.4 cms x 72.4 cms
$3,000 — 4,000
$300 — 500 $500 — 700
110 HENRY SMITH (19TH CENTURY), BRITISH ITALIAN BOYS (AT ROME), 1858 Oil on canvas; painted with a feigned arched top; inscribed indistinctly “Domenica 19 dopo? Firenze”? upper right by the artist, inscribed “painted by Henry Smith”, titled “Italian Boys” and dated “1858 at Rome” in an unknown hand in pen and ink to an old label verso 48.0 ins x 36.0 ins; 121.9 cms x 91.4 cms $500 — 700
$2,000 — 3,000
111 HENRY JOHN KINNARD (ACTIVE 1880-1920), BRITISH FATHER AND SON RETURNING FROM A DAY’S FISHING
112 ALEX DE ANDREIS (18801929), BRITISH/BELGIAN A GALLANT CAVALIER
113 ALEX DE ANDREIS (1880-1929), BRITISH/BELGIAN CAVALIER IN RED
Oil on canvas; signed lower right
Oil on canvas; signed lower right
Oil on canvas; signed lower left
32.0 ins x 25.0 ins; 81.3 cms x 63.5 cms
14.0 ins x 10.7 ins; 35.6 cms x 27.3 cms
$800 — 1,200
Provenance Remains of gallery label verso probably The Fine Art Galleries, The T. Eaton Co. Ltd., Canada
36.0 ins x 28.0 ins; 91.4 cms x 71.1 cms $700 — 900
$500 — 700
114 CIRCLE OF JOHN WOOD (18011870), BRITISH MEDIEVAL CRUSADER WITH WOUNDED SOLDIER AT NIGHT, CASTLE IN THE DISTANCE
115 MANNER OF JOHN HOPPNER (1758-1810), BRITISH PORTRAIT OF A NOBLEMAN, SAID TO BE AUGUSTUS BERKELEY, 5TH EARL OF BERKELEY (1745-1810)
Oil on panel
Oil on canvas
36.0 ins x 27.5 ins; 91.4 cms x 69.9 cms
30.0 ins x 25.0 ins; 76.2 cms x 63.5 cms
Note: On wood panel stamped “Brown Holborn”
Provenance Estate Collection, Kingston, Ontario from whom purchased by John Kehn, Brockville; From whom purchased by the present collection, Ontario
$1,500 — 2,000
Note: See website for additional info.
116 ATTRIBUTED TO SIR WILLIAM BEECHEY (17531839), BRITISH PORTRAIT OF A GENTLEMAN, SAID TO BE DR. LONG Oil on canvas; given to the artist and the sitter identified as “Dr. Long” to the nameplate, and to the Bourlet label inscribed in pen and ink “Wm Beechy RA”, Ref. No. 9815 22.0 ins x 18.0 ins; 55.9 cms x 45.7 cms Provenance James Bourlet & Sons Ltd, London, UK, Inventory No. 9815; Frederick W. Thom Ltd., Toronto; Private Collection, Toronto
117 CIRCLE OF JOHN HAYTER (1800-1891), BRITISH PORTRAIT OF WILLIAM ALEXANDER MACKINNON SEATED THREE-QUARTER LENGTH (BRITISH POLITICIAN, BORN 1789-DIED 1878) Oil on canvas; titled to the nameplate 55.0 ins x 43.0 ins; 139.7 cms x 109.2 cms Provenance See website for additional info. Note: See website for additional info. $1,000 — 2,000
$700 — 900 $2,000 — 2,500
118 AFTER SIR JOSHUA REYNOLDS (1723-1792), BRITISH PORTRAIT OF THE HON. CHARLES JAMES FOX (17491806), MEMBER OF PARLIAMENT, BUST LENGTH Oil on canvas; inscribed ‘The Hon. CJ Fox/by/ Sr Joshua Reynolds” to an old paper label affixed to the top of the frame verso 27.0 ins x 20.5 ins; 68.6 cms x 52.1 cms Provenance See website for additional info. Note: See website for additional info. $1,000 — 1,500
119 KENNETH WYNN (1922- ), BRITISH DEVON & SOMERSET (SIC) STAGHOUNDS, MEET AT HAWKCOMBE HEAD, PORLOCK, SEPTEMBER, 1982 Oil on masonite; signed lower right, signed, titled and dated “September 1982” verso. Bird’s-eye maple frame. 14.0 ins x 24.8 ins; 35.6 cms x 62.9 cms $600 — 900
120 E. MILDE (19TH CENTURY), BRITISH STEEPLECHASE Oil on panel; signed “E. MIlde” lower left, titled to the typed label affixed to frame verso 6.3 ins x 10.2 ins; 15.9 cms x 26.0 cms $100 — 150
121 19TH CENTURY BRITISH SETTING OUT ON THE HUNT Oil on canvas 27.2 ins x 42.0 ins; 69.2 cms x 106.7 cms Provenance John Britnell Art Galleries Limited, Toronto, Centennial Jubilee 18731973 red label; Estate Collection, Toronto $700 — 900
122 JOHN ARTHUR LOMAX (18571923), BRITISH THE SPORTSMAN Oil on panel; signed lower right, signed and titled to label verso 12.2 ins x 10.2 ins; 31.1 cms x 26.0 cms Provenance Frost & Reed, London, Reg. Stock. No. 2934
123 FRANK WRIGHT BOURDILLON (1851-1924), BRITISH TRUE STEEL (PERIOD INTERIOR WITH A CAVALIER EXAMINING A SWORD) Oil on panel; signed and dated 1888 lower left 10.7 ins x 8.5 ins; 27.3 cms x 21.6 cms Provenance The Cooling Galleries Ltd., London
$500 — 700 $300 — 500
124 ERNEST CROFTS (1847-1911), BRITISH THE OUTPOST, 1871 Oil on panel; signed and dated 71 lower right, titled to label verso
125 19TH CENTURY BRITISH A MAN OF LOUIS XVI COURT POISED WITH A WALKING STICK Oil on board
8.3 ins x 6.5 ins; 21.0 cms x 16.5 cms
17.0 ins x 11.0 ins; 43.2 cms x 27.9 cms
Provenance The Cooling Galleries, London; Ex. Coll. Dr. Jos. C. Eager (died 1948), Hamilton, ON; By descent to E. Helen Eager (died 1989), Waterdown, ON; By descent to Jas. S. Tassie, Ottawa, ON; Acquired from the above and by descent to the present private Collection, Ontario
$300 — 400
$400 — 600
126 INDISTINCT- R. WILLINGHAM? (EARLY 19TH CENTURY, ACTIVE 1818), BRITISH PORTRAIT OF A YOUNG BRITISH ARMY OFFICER, 1818 Oil on board; inscribed indistinctly in script: “Painted by R Willington” ? and dated “Nov 18th 1818” in pencil verso 12.0 ins x 10.0 ins; 30.5 cms x 25.4 cms $400 — 600
127 BRITISH (ACTIVE 1840 ) “OFFICER OF THE ROYAL BRIGADIERS”, AT THREE QUARTER LENGTH, CIRCA 1840 Watercolour on paperboard; titled and dated 1840 to a handwritten label verso 9.0 ins x 7.0 ins; 22.9 cms x 17.8 cms
128 BRITISH (19TH CENTURY) PAIR OF FLORAL STILL LIFES: MIXED SUMMER FLOWERS WITH TULIPS IN COMPLIMENTARY VASES ON STONE LEDGES Pair of oils on canvas, each laid down to masonite, the backs wrapped with canvas. Matching frames. 35.5 ins x 28.0 ins; 90.2 cms x 71.1 cms
$100 — 150 Provenance See website for additional info.
129 JEAN YOUNG (1914-2009), BRITISH TWO WOMEN WITH ORANGE CAT Oil on canvas; signed upper left, with black ink stamp dated “Jan 1982” to canvas lower left verso and to the left vertical stretcher, inscribed in white chalk, “Art Moves of Chelsea” / For Ash Barn Petersfield” verso 20.0 ins x 23.7 ins; 50.8 cms x 60.3 cms Provenance Ash Barn Gallery, Petersfield
$1,200 — 1,800 $400 — 600
130 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH VENICE. GRAND CANAL CHURCH OF THE SALUTE
131 FREDERICK JAMES ALDRIDGE (1850-1933), BRITISH FISHING BOATS ROUNDING A PORT WITH LIGHTHOUSE
133 GREGORY ROBINSON (18761967), BRITISH "CAPTURE OF THE FEDERAL SQUADRON OF NEW CANADA..."
Watercolour on wove paper; signed with initials “HBB” in pencil lower right, titled along the bottom edge in watercolour. Unframed.
Watercolour; signed lower right
Watercolour on paper; signed lower right, titled to gallery label and to a printed label verso
10.5 ins x 12.8 ins; 26.7 cms x 32.4 cms
$200 — 300
10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms
10.0 ins x 14.8 ins; 25.4 cms x 37.5 cms Provenance Zwicker’s Gallery, Halifax, Nova Scotia
Provenance W.E. & J.J. Mark Fine Art Dealers, London; Private Collection, London, Ontario
134 JOHN VARLEY (1778-1842), BRITISH THE SLUICE GATE Watercolour on Whatman Turkey Mill watermarked paper; signed “J. Varley” lower right 9.5 ins x 14.5 ins; 24.1 cms x 36.8 cms Provenance Waddington's, December 2, 1999, Lot 84; From whom purchased by the present Private Collection, Toronto
Note: See website for additional info.
$800 — 1,200
$600 — 800 $500 — 700
135 MAX LUDBY (1858-1943), BRITISH ENGLISH LANDSCAPE Watercolour; signed lower left 19.5 ins x 28.3 ins; 49.5 cms x 71.8 cms
136 SAMUEL WILLIAM OSCROFT (1834-1924), BRITISH VENETIAN CANAL WITH TOWNSPEOPLE SHOPPING AND RESTING, 1903 Watercolour; signed lower left, signed and dated 1903 to remains of inscribed label verso backing
Provenance A. Robertson Fine Art Dealer, Toronto
14.5 ins x 10.0 ins; 36.8 cms x 25.4 cms
$300 — 500
$150 — 250
137 CHARLES JOHN DE LACY (1856-1929), BRITISH ROBIN HOOD’S BAY, YORKSHIRE Watercolour; signed lower left, titled in pencil to the frame verso 19.5 ins x 12.0 ins; 49.5 cms x 30.5 cms
138 CLAUDE HAYES (1852-1922), IRISH/ENGLISH THE LOCK Watercolour; signed lower right 10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms Provenance See website for additional info.
$150 — 250 $500 — 700
139 NOEL HARRY LEAVER (18891951), BRITISH MARKET STALLS NEAR THE MOSQUE
140 NOEL HARRY LEAVER (18891951), BRITISH NORTH AFRICAN STREET SCENE
141 GEORGE CHARLES HAITE (1855-1924), BRITISH A STALL ON THE ZATTERE, VENICE
Watercolour; signed lower left
Watercolour; signed lower left
7.2 ins x 10.2 ins; 18.4 cms x 26.0 cms
14.0 ins x 20.0 ins; 35.6 cms x 50.8 cms
Watercolour; signed lower right, titled to an old unidentified label dated 1922 at “Bedford” verso
$1,000 — 1,500
Provenance With Roberts Gallery Limited, Toronto; Estate Collection, London, Ontario $3,000 — 4,000
13.7 ins x 23.0 ins; 34.9 cms x 58.4 cms Provenance Estate Collection; By descent to a Private Collection, Toronto; Private Collection, Canada
142 THOMAS EDWARD FRANCIS (1873-1961), BRITISH MARKET PLACE, HONFLEUR, NORMANDY, FRANCE; IN A COTTAGE GARDEN Two watercolours; each signed lower right, the first titled to label verso Together with: GEORGE F. NICHOLLS (1885-1937), BRITISH ON OXFORDSHIRE LANE Watercolour; signed lower right, titled to label verso 14.5 ins x 21.0 ins; 36.8 cms x 53.3 cms
$2,000 — 3,000 Provenance See website for additional info. $600 — 800
143 AUGUSTUS OSBORNE LAMPLOUGH (1877-1930) , BRITISH ARAB VILLAGE NR LUXOR Watercolour; signed lower left, titled lower right 9.8 ins x 13.7 ins; 24.8 cms x 34.9 cms $400 — 600
144 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH YOUNG GIRL AND CAT FEEDING FROM A SAUCER IN FRONT OF A COTTAGE Watercolour on paper, laid down to a support; signed lower left 10.5 ins x 14.5 ins; 26.7 cms x 36.8 cms
145 ELSIE MARCH (1883-1974), BRITISH BRIDGE AND CASTLE Watercolour and gouache on paper; signed and dated 1933 lower right, signed again lower left 12.8 ins x 17.5 ins; 32.4 cms x 44.5 cms Provenance See website for additional info.
$600 — 900
146 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH VILLAGE LANE ON THE COAST Watercolour and pencil on paper; signed with script initials HBB lower left 9.0 ins x 7.0 ins; 22.9 cms x 17.8 cms $600 — 900
Note: The artist also made a bronze of the present owner’s mother while she visited Orillia in 1933 $300 — 400
147 ROBERT LESLIE HOWEY (1900-1981), BRITISH COASTAL SCENE WITH CRASHING SURF AND FLOCK OF GULLS
148 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH BROCKLEY COTTAGE Watercolour; signed lower left
Watercolour; signed lower right 19.5 ins x 25.0 ins; 49.5 cms x 63.5 cms $400 — 600
14.0 ins x 20.0 ins; 35.6 cms x 50.8 cms Note: The Brockley Cottages stood just south of Ladywell Road, between the future Chudleigh Road and Malyons Road. They were demolished circa 1900.
149 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH FLOWER GARDEN THROUGH AN ARCH
150 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH ARCH RUINS
Watercolour; signed lower left
Watercolour and ink; signed with initials “HBB” lower right
20.0 ins x 15.5 ins; 50.8 cms x 39.4 cms
6.3 ins x 4.3 ins; 15.9 cms x 11.0 cms
$700 — 900
Provenance W.E. & J.J. Mark Fine Art Dealers, London; Private Collection, London, Ontario $500 — 700
$700 — 900
151 SAMUEL PROUT (1783-1852), BRITISH TEMPLE OF PALLAS AT ROME Watercolour and ink on paper; signed lower left, titled in graphite to the hand ruled mat 21.5 ins x 16.5 ins; 54.6 cms x 41.9 cms $400 — 600
152 WILLIAM FREEMAN (18531943), BRITISH CROWDS OF BATHERS GATHERED AT A MISTY WOODLAND POOL Watercolour; ascribed to William Freeman/1853-1943 to the handruled mat 15.0 ins x 22.0 ins; 38.1 cms x 55.9 cms
153 HAROLD LAWES (1865-1940), BRITISH IN FRONT OF A THATCHED COTTAGE AND GARDEN Watercolour; signed lower left 10.0 ins x 14.5 ins; 25.4 cms x 36.8 cms Provenance With The Roberts Gallery, Toronto in the early 20th Century
$100 — 150
154 FOLLOWER OF MYLES BIRKETT FOSTER (1825-1899), BRITISH THE FARMER AND CHILDREN IN A COTTAGE FARMYARD Watercolour and bodycolour on paper; bears monogram initials lower left 10.2 ins x 9.0 ins; 26.0 cms x 22.9 cms $300 — 400
$300 — 400
155 ATTRIBUTED TO JAMES STARK (1794-1859), BRITISH ENGLISH COUNTRYSIDE WITH A RED STONE BRIDGE AND CREEK
156 FREDERICK JAMES KNOWLES (1874-1931), BRITISH A COUNTRY LANE WITH HORSEMAN AND MAID WITH GEESE IN THE FORE
157 FREDERICK JAMES ALDRIDGE (1850-1933), BRITISH FISHING TRAWLERS OFF DOVER CLIFFS
Oil on panel; inscribed “Stark” in pencil verso, given to James Stark to the inscription to the frame liner recto
Watercolour; signed lower left
Watercolor; signed lower right, titled to the handwritten label affixed to the backing paper verso
14.5 ins x 10.7 ins; 36.8 cms x 27.3 cms
8.7 ins x 6.7 ins; 22.2 cms x 17.1 cms $250 — 300
10.0 ins x 14.5 ins; 25.4 cms x 36.8 cms
$250 — 350 $400 — 600
158 ARTHUR W. PERRY (19TH/20TH CENTURY), BRITISH FARMER WAITING AT THE GATE WITH POULTRY OUTSIDE A STONE COTTAGE Watercolour; signed lower left 7.0 ins x 17.0 ins; 17.8 cms x 43.2 cms Provenance With Roberts Art Gallery, Toronto; Private Collection, Toronto $300 — 500
159 FREDERICK JAMES KNOWLES (1874-1931), BRITISH SHEPHERD WITH HIS DOG MINDING THE FLOCK Watercolour; signed lower right 13.5 ins x 18.0 ins; 34.3 cms x 45.7 cms Provenance With Gavin Henderson Galleries, a subsidiary of Roberts Art Gallery, Toronto; Private Collection, Toronto $300 — 400
160 FREDERICK JAMES KNOWLES (1874-1931), BRITISH GATHERING CHESTNUTS, WELSH FARMSTEAD, DERBYSHIRE Watercolour; signed lower right, titled to the typed label mounted to the backing paper verso 13.5 ins x 20.0 ins; 34.3 cms x 50.8 cms
161 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH PIGS IN A STY
162 WILLIAM HENRY WHEELWRIGHT (1857-1897), BRITISH LOADING THE COACH, 1870
Watercolour en grisaille heightened with white and pen and ink on laid paper, laid down to a support, the backing paper with an affixed watercolour and ink banner vignette with the artist’s name: “G. Morland” taken from the original backing
Watercolour heightened with white on paper; signed and dated 1870 lower right 8.7 ins x 12.5 ins; 22.2 cms x 31.8 cms $400 — 600
Provenance With Gavin Henderson Galleries, a subsidiary of Roberts Art Gallery, Toronto; Private Collection, Toronto $300 — 400
7.8 ins x 10.6 ins; 19.7 cms x 27.0 cms $200 — 400
163 VICTORIAN (CIRCA 1890’S), BRITISH OR AMERICAN? THE SCULPTOR OFFERING STATUES TO TWO NEOCLASSICALLY DRAPED BEAUTIES Oil sketch on canvas. 23.5 ins x 13.5 ins; 59.7 cms x 34.3 cms
164 ** ROBERTS (19TH CENTURY), BRITISH CAVALIERS IN INTERIOR
165 GEORGE SHERIDAN KNOWLES (1863-1931), BRITISH YOUNG SCHOOL GIRL
Watercolour sketch on paper; signed “ Roberts” and inscribed indistinctly in parts in his hand in pencil verso relating to an upcoming exhibition in “Liverpool” as follows: “.... have with me for our London Exhibition and if you wish to see it in time sent to the Arts Club ... Liverpool ....”
Watercolour on paper; signed lower right
10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms
$500 — 700
12.0 ins x 9.0 ins; 30.5 cms x 22.9 cms Provenance Private Collection, Montreal
$300 — 500
166 HENRY EDWARD SPERNON TOZER (1864-C.1938), BRITISH PEASANT WOMAN FETCHING WATER; PEASANT WOMAN BY THE HEARTH WITH CATS FEEDING Two watercolours; the first signed and dated 1926 to the horizontal cross beam upper left; the second, signed and dated 1929 lower right 9.8 ins x 13.0 ins; 24.8 cms x 33.0 cms Provenance With John R. Thompson, Hamilton, ON
Note: **Roberts signed the inscription verso from his address: “Hale ... near Liverpool” and dated “Nov. 20/79” verso
$800 — 1,000
$100 — 150
167 MRS. ANNE E. HART (EXHIBITED 1883-1894), BRITISH ORIENTALIST GIRL WITH WHITE VEIL Watercolour on paper; signed and dated 1883? lower right 10.0 ins x 7.5 ins; 25.4 cms x 19.1 cms Note: A watercolour figure painter active in London with exhibition listings recorded at the R.A., R.I., and S.W.A. during 1883 to 1894 $100 — 150
168 JOHN HENRY HENSHALL (1856-1928), BRITISH FIORONDINA, 1891 Watercolour on paper, sculpted oval; signed and dated 1891 along the right edge, titled and inscribed “Painted by J. Henry Henshall”/ ‘Redholme’ in pen and ink to an old label verso Provenance A & F Ponzini & Co., H.C.; Nash Galleries Fine Arts & Antiques, London, ON stamp to verso backing $800 — 1,000
169 SIR FRANK BRANGWYN (18671956), BRITISH INTERIOR OF THE CLOTH HALL, YPRES Watercolour and ink on board; signed with initials and titled “Yepres”, (sic, “Ypres”) in pen and ink to the margin, titled “inside Cloth Hall“ in pencil to the lower left margin. Unframed. Together with the limited edition hardcover book: “BELGIUM BY FRANK BRANGWYN A.R.A.”. See website for additional info. 22.0 ins x 16.7 ins; 55.9 cms x 42.5 cms
170 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH TWO MARINE VIEWS: SMALL BOAT AMIDST A OVERCAST SKY; SHIP ON HORIZON WITH RIPPLING WAVES Two watercolours; each signed lower left 18.0 ins x 23.0 ins; 45.7 cms x 58.4 cms Provenance Lauri Stewart - Fine Art/ The Church Lane Gallery, London gallery label to the second title $800 — 1,200
$1,200 — 1,800
171 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH ISLAND HOUSES IN A MARSHLAND UNDER AN OVERCAST SKY
172 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH HAZY MORNING
173 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH SHIPPING ON THE HORIZON
174 GEOFFREY W. BIRKS (19291993), BRITISH STREET SCENE WITH LOCALS CARRYING SHOPPING BAGS
Watercolour; titled to the hand-ruled mat recto
Watercolour heightened with white chalk; signed in pencil lower right
Watercolour; signed and dated 1982 lower right
17.5 ins x 22.5 ins; 44.5 cms x 57.2 cms
17.2 ins x 23.0 ins; 43.8 cms x 58.4 cms
11.0 ins x 9.0 ins; 27.9 cms x 22.9 cms
$400 — 600
$400 — 600
Provenance Acquired directly from the artist, friends of the artist residing in Canada
Watercolour; signed lower left 18.5 ins x 24.3 ins; 47.0 cms x 61.6 cms $400 — 600
$700 — 900
175 GEOFFREY W. BIRKS (19291993), BRITISH STREET SCENE WITH ARTIST, CAT AND HULA HOOP PLAY Watercolour; signed lower right 7.8 ins x 5.5 ins; 19.7 cms x 14.0 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada
176 JOHN CHARLES MAGGS (18191895), BRITISH PAIR OF LONDON-SALISBURY COACHING SCENES AT BATH, 1896 Pair of oils on canvas; the first, signed and dated 1896 at “Bath” lower left, the second, signed and dated 1896 at “Bath” lower right 12.2 ins x 26.0 ins; 31.1 cms x 66.0 cms $1,500 — 2,500
$600 — 900
177 GEOFFREY W. BIRKS (19291993), BRITISH MILL TRIP TO BLACKPOOL, #41 Watercolour; signed lower right, titled and numbered #41 in pen and ink to the backing sheet 12.0 ins x 17.8 ins; 30.5 cms x 45.1 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada
178 GEOFFREY W. BIRKS (19291993), BRITISH THE TRAM Watercolour; signed and dated 1983 lower right, titled and numbered No. 9 verso 10.0 ins x 18.0 ins; 25.4 cms x 45.7 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada $1,500 — 2,000
$2,000 — 3,000
179 GEOFFREY W. BIRKS (19291993), BRITISH SPEN VALLEY TOWN, NO. 133 Watercolour heightened with white; signed and dated 1980 lower right, titled and numbered in pen and ink to label verso 11.3 ins x 9.3 ins; 28.6 cms x 23.5 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada $700 — 900
180 FOLLOWER OF THOMAS ROWLANDSON (1756-1827), BRITISH THE WELL DIGGER
181 UNIDENTIFIED (19TH CENTURY), BRITISH (OR FRENCH?) VIEW OF FLORENCE, 1805
182 CHARLES SIDNEY CHESTON (1882-1960), BRITISH DURHAM CATHEDRAL AND CASTLE, 1932
Watercolour and sepia ink on paper; bears signature “T. Rowlandson” in sepia ink lower right, titled in sepia ink lower left, with the black ink stamp of H.S. Reitlinger (Lugt 2274a) verso. Matted and unframed.
Watercolour and graphite on laid paper, laid down to stiff paper support; titled “Florence” and dated 1805 in graphite upper left, dated Sept. 1805 at “Padoua” lower right, inscribed in French in graphite lower right, with the black ink stamp of Alessandro Castagnari (Lugt 86a) to support verso. Matted and unframed.
Watercolour on wove paper; signed and dated 32 lower right, titled to the AGO label affixed to the mat lower right. Matted and unframed.
6.7 ins x 4.5 ins; 17.1 cms x 11.4 cms Provenance Ex. Coll. Henry Scipio Reitlinger; Gifted by the Estate of Mr. John T. Johnson to The Art Gallery of Ontario, Toronto, Accession No. 85/451, in 1985; Deaccessioned to benefit art purchases at the AGO
10.0 ins x 13.9 ins; 25.4 cms x 35.3 cms
Provenance See website for additional info.
Provenance Gifted by W.B. Dalton, Stamford, CT, USA & The UK, to The Art Gallery of Ontario, Toronto, Accession No. 64/54 in 1964/5; Deaccessioned to benefit art purchases at the AGO
$400 — 600
$800 — 1,200
185 ALFRED WILLIAM RICH (18561921), BRITISH LANDSCAPE (WITH A LOW HORIZON, MOUNTAINS IN THE DISTANCE)
186 BRITISH (19TH CENTURY) WELSH FARMYARD
4.3 ins x 7.0 ins; 10.8 cms x 17.8 cms
$500 — 700
183 ATTRIBUTED TO THOMAS GIRTIN (1775-1802), BRITISH LANDSCAPE STUDY
184 BRITISH (19TH CENTURY) LAST OF BATTLE ABBEY SUSSEX
Watercolour on laid paper, laid down to a later wove paper support; given to the artist and titled to the AGO label affixed to the mount lower right. Inscribed “Gainsborough”? in pencil verso. Matted and unframed.
Watercolour and graphite on cartridge paper; bears signature “David Cox” lower left, inscribed “Carisbrook Castle” in pencil in an unknown hand verso. Matted and unframed.
4.5 ins x 6.5 ins; 11.4 cms x 16.5 cms Provenance See website for additional info.
10.0 ins x 14.5 ins; 25.4 cms x 36.8 cms Provenance See website for additional info. $800 — 1,200
$700 — 900
Watercolour on fibrous paper; signed lower left. Matted and unframed. 9.0 ins x 11.5 ins; 22.9 cms x 29.2 cms
Watercolour on rough paper, laid down to a support; bears signature “David Cox,” and date 1847 in ink lower left, titled to the AGO label, affixed to the mat lower left. Matted and unframed. 9.5 ins x 11.7 ins; 24.1 cms x 29.8 cms
Provenance Gifted by W.B. Dalton, Stamford, CT, USA & The UK, to The Art Gallery of Ontario, Toronto, Accession No. 60/37 in 1960/1; Deaccessioned to benefit art purchases at the AGO
Provenance Purchased by The Art Gallery of Ontario, Toronto, Accession No. 1354-c in 1929; Deaccessioned to benefit art purchases at the AGO
$800 — 1,200
$500 — 700
187 BRITISH SCHOOL (19TH CENTURY) TOWNSCAPE WITH ACTIVITIES ON A RIVER Watercolour over graphite on wove paper. Matted and unframed. 7.5 ins x 9.8 ins; 19.1 cms x 24.8 cms
188 INITIALS A.G. (19TH CENTURY), BRITISH BODY GUARD, 1801 Watercolour with graphite on wove paper; signed with monogram “AG” (overlapping), and dated 1801 midlower right, titled lower centre. Matted and unframed. Sheet: 16.5" x 10.3" — 42 x 26.1 cm.
Provenance Ex. Coll. Dr. & Mrs. Gilbert Bagnani; Gifted by the above to The Art Gallery of Ontario, Toronto, Accession No. 22194; Sold to benefit art purchases at the AGO
Together with: LOT OF SEVEN MILITARY PORTRAITS BY VARIOUS FRENCH, ITALIAN AND BRITISH ARTISTS (See website for additional info.) Provenance See website for additional info.
$200 — 400
189 GEORGE BAXTER (1804-1867), BRITISH THE LOVER’S LETTER BOX, 1856; GEMS OF THE EXHIBITION, 1854; GEMS OF THE EXHIBITION, 1854 Three oil prints on stiff boards. Two unframed, arched tops. 14.6 ins x 10.5 ins; 37.0 cms x 26.6 cms Provenance Ex. Coll. Spencer Clark; The Art Gallery of Ontario, Toronto, Accession Nos. .22237, .22240 & .22241; Deaccessioned to benefit art purchases at the AGO
190 GEORGE BAXTER (1804-1867), BRITISH DAY BEFORE MARRIAGE, 1854; THE LOVER’S LETTER BOX, 1856 Two colour prints heightened with oil, the first laid down to a board support, the second, laid down to mat support, with a partial blind embossed stamp lower centre; titled in pencil to mat. The second, unframed. 20.2 ins x 16.0 ins; 51.2 cms x 40.7 cms Provenance See website for additional info. $500 — 800
$300 — 500 $200 — 400
191 AFTER GEORGE CHARLES MORLAND (1763-1804), BRITISH COTTAGERS IN WINTER
192 HARRY MORLEY (1881-1943), BRITISH ADAM AND EVE EXPELLED FROM THE GARDEN
Colour stipple engraving on paper laid down to a board support; signed and titled with letters to margin. Engraved by Thomas Williams (fl. 1860). Unframed.
Pen and ink with watercolour wash en grisaille on laid paper; signed with initials lower right
19.4 ins x 24.2 ins; 49.3 cms x 61.5 cms Provenance See website for additional info.
9.0 ins x 7.0 ins; 22.9 cms x 17.8 cms Provenance With Hari Gurung Picture Framing, Tunbridge Wells, UK $100 — 200
193 THOMAS ROWLANDSON (17561827), BRITISH PIPING SWAINS, 1809 Sepia ink heightened with watercolour wash en grisaille on wove paper, laid down at the edges of the sheet to a later laid paper support; signed and dated 1809 lower right in pen and ink, titled in pen and ink lower left 5.7 ins x 8.7 ins; 14.6 cms x 22.2 cms Provenance From the Estate of Mr. Vincent Tovell, Canada
$200 — 300 $800 — 1,200
194 HAROLD GILMAN (1876-1919), BRITISH HALIFAX HARBOUR SCENE (SKETCH FOR A MAJOR PAINTING), CIRCA 1918 Pen and black ink on paper; signed lower right 11.7 ins x 17.0 ins; 29.8 cms x 43.2 cms Provenance Ex. Coll. of Dr. Herman H. Levy, 1979; Private Collection, Hamilton, ON Note: See website for additional info. $800 — 1,200
195 JOHN STURGESS (ACTIVE CIRCA 1869-1903), BRITISH THE RACE Pen and ink drawing on paper; signed lower left 11.0 ins x 17.2 ins; 27.9 cms x 43.8 cms $300 — 500
197 FOLLOWER OF THOMAS LAWRENCE (1769-1830) PORTRAIT OF MISS HARRIET MARIA DAY (DIED 1843) (AFTERWARDS MRS. ICHABOD WRIGHT) WEARING A RUFFLED COLLAR TIED WITH A CORAL BOW
198 GEORGE HARLOW WHITE (1817-1888), BRITISH “SCRAPS”: A SKETCHBOOK CONTAINING 24 PENCIL DRAWINGS AND ONE WATERCOLOUR BY GEORGE HARLOW WHITE (WITH WORKS BY JOHN LINNELL)
Graphite heightened with coral coloured pencil and white on heavy wove paper; given to the artist on the hand-ruled matboard, titled “Miss Day (Norwich)” in pencil in an unknown hand verso
5.0 ins x 19.0 ins; 12.7 cms x 48.3 cms
13.0 ins x 10.2 ins; 33.0 cms x 26.0 cms Note: See website for additional info.
Provenance Ex-libris George Henry Harlow, his bookplate, uncle of the artist G.H. White; J.W. Wallace, n.p., The Estate of a Private Collection, Guelph, ON $700 — 900
199 JOHN BELL-SMITH (1810-1883), BRITISH/CANADIAN “SCRAPS”: LEAVES FROM MY SKETCHBOOK” (ALBUM OF 66 SHEETS OF PENCIL DRAWINGS AND 19 SHEETS OF WATERCOLOURS) (DATED FROM APRIL 1865 ENDING IN OCTOBER, 1865) INCLUDING THE WATERCOLOUR “THE HUMBER BAY FROM THE TOLL GATE DAVENPORT ROAD TORONTO” 11.5 ins x 9.0 ins; 29.2 cms x 22.9 cms Provenance Private Collection, Ontario Note: See website for additional info.
$1,000 — 1,500 $2,000 — 3,000
200 SAMUEL WILLIAM FORES (1761 – 1838) PUBLISHER, BRITISH REUBEN MARTIN BORN AT BRISTOL, 1801, PUBL. MAY 20, 1827; EDWARD STOCKMAN BORN IN LONDON 1804, PUBL. MARCH 1827; EDW. TURNER, A WELCHMAN (SIC) ABOUT 27 YEARS OF AGE Three engravings handcoloured with watercolour on wove papers with letters; each titled, two dated and further inscribed with letters to margins. Published by S.W. Fores, 41 London, between 1801 - 1827.
201 JAMES GILLRAY (1757-1815), BRITISH LIEUT. GOVERR. GALL-STONE, INSPIRED BY ALECTO; _ OR _ THE BIRTH OF MINERVA, 1790 [BM SATIRES, 7721] Handcoloured etching, engraving and aquatint on wove paper with letters. Published by Hanna Humphrey, London on Febr. 15th. 1790. 20.5 ins x 16.0 ins; 52.1 cms x 40.6 cms
15.4 ins x 11.0 ins; 39.0 cms x 28.0 cms
Note: The scene depicts the devil playing viol da gamba and a vignette showing Thicknesse admiring his wife, Ann Ford (1737-1824)
$300 — 500
$800 — 1,200
202 AFTER THOMAS WHITCOMBE (1763-1824), BRITISH THE NAVAL ACHIEVEMENTS OF GREAT BRITAIN FROM THE YEAR 1793 TO 1817 (8 PLATES): 7 ENGRAVED BY THOMAS SUTHERLAND AND ONE ENGRAVED BY J. JEAKES: Set of eight handcoloured aquatints with letters. See website for additional info. 6.8 ins x 10.2 ins; 17.3 cms x 25.9 cms Provenance With Gemst Limited, Montreal $2,000 — 2,500
203 ANTHONY KLITZ (1917-2000), IRISH THE STREETS OF LONDON (TWO MISTY VIEWS) Two oils on canvas; each signed lower right 24.0 ins x 20.0 ins; 61.0 cms x 50.8 cms Provenance With Ernest Wheatley Picture Framer, London, UK; Private Collection, Canada; By descent $1,000 — 1,500
204 MAURICE CANNING WILKS (1911-1984), IRISH NEAR TYRELLA, CO. DOWN Watercolour and pencil; signed lower right, titled to the matboard lower left 9.5 ins x 14.5 ins; 24.1 cms x 36.8 cms
205 MAURICE CANNING WILKS (1911-1984), IRISH QUIET DAY BUNBEG, CO. DONEGAL Watercolour and pencil; signed lower right, titled to the matboard lower left 9.4 ins x 14.5 ins; 23.9 cms x 36.8 cms
$500 — 700 $500 — 700
206 BRITISH VICTORIAN (19TH CENTURY), POSSIBLY IRISH FAMILY BY THE HEARTH Oil on canvas. Contained in an antique bird’s eye maple frame. 12.2 ins x 16.0 ins; 31.1 cms x 40.6 cms Provenance Private Collection, by descent probably from the consignor’s great, great uncle who lived in a castle in Ireland
207 ROWLAND HILL (1915-1979), IRISH ASHFORD ON THE WYE, DERBYSHIRE Oil on canvas; signed lower left, titled to label on the top stretcher 24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms Provenance The Cooling Galleries Ltd., London & Toronto $1,000 — 1,500
$500 — 700
208 ROWLAND HILL (1915-1979), IRISH COTTAGES PEAL BUNBEG, COUNTY DONEGAL
209 CLAUDE HAYES (1852-1922), IRISH/ENGLISH COUNTRY FOLK TRAVERSING A SMALL BRIDGE
Oil on canvasboard; signed lower left, titled to gallery label verso
Watercolour on paper laid down to board; signed lower left
11.7 ins x 17.0 ins; 29.8 cms x 43.2 cms
6.5 ins x 9.8 ins; 16.4 cms x 24.8 cms
Provenance With F.G. Davis & Sons Ltd., Belfast; Zwicker’s Gallery, Halifax, N.S.
$400 — 600
210 18TH/19TH CENTURY, IRISH/ENGLISH PORTRAIT OF JANET CATHERINE GROGAN (BORN 1766), WIFE OF SIR JONAH BARRINGTON, MARRIED IN DUBLIN, 1789 Oil on canvas; inscribed in ink to the canvas and the strecther verso: “Katherine (sic) Grogan/ wife of/ Sir Jonah Barrington” 16.0 ins x 12.2 ins; 40.6 cms x 31.1 cms
$600 — 800 Provenance Barrington Collection, Ireland/France; Private Collection, Canada
211 PATRICK NASMYTH (17871831), SCOTTISH THE ANGLER’S CORNER (...LANDSCAPE) Oil on panel; given to the artist, titled and inscribed with the provenance in black ink to an old handwritten label verso 9.8 ins x 13.3 ins; 24.8 cms x 33.7 cms Provenance Ex. Coll. the Right Honourable Lord Parmoor inscribed in pen and ink to an old paper label verso, reputedly presented from the artist, his friend, to an old printed catalogue label headwed “Patrick Nasmyth”
$400 — 600 $1,000 — 1,500
212 CHARLES EWART (EXHIBITED 1913), SCOTTISH WHARF SCENE, 1910 Oil on panel; signed and dated ‘10 lower right 10.0 ins x 14.8 ins; 25.4 cms x 37.5 cms $150 — 250
213 EDWARD HARGITT (18351895), SCOTTISH IRISH PEASANTS GOING TO MARKET Oil on panel; signed lower left, signed, titled and inscribed “No. 11.” in ink to artist’s label verso 10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms
214 JOHN BLAIR (1850-1934), SCOTTISH TILLING THE FIELD, 1878 Oil on canvas; signed and dated 1878 lower left 6.7 ins x 12.0 ins; 17.1 cms x 30.5 cms
Provenance With Roland Picture Frame, Montreal
Provenance With Joseph Lewis, Edinburgh label verso; Estate Collection, Toronto
$500 — 700
$500 — 700
215 JOHN BURR (1831-1893), SCOTTISH BLIND MAN’S BUFF (BLUFF), 1866 Oil on board; with a graphite sketch of another scene verso, signed and dated 1866 to the sketch verso, titled to nameplate 6.0 ins x 8.0 ins; 15.2 cms x 20.3 cms Provenance Estate Collection, Toronto $700 — 900
216 CHARLES P**** (19TH CENTURY), BRITISH/SCOTTISH FIGURES LOUNGING IN A CLASSICAL LANDSCAPE WITH RUINS AND AQUADUCT Oil on canvas; inscribed indistinctly in pen and ink “Painted by Charles P....?” to the stretcher 18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms Provenance Robert Macindoe, Glasgow
217 JOHN RUSSELL (19TH CENTURY), BRITISH/SCOTTISH SHEEP AND HORSE IN BARN ON A WINTER’S DAY
218 HUGH COLLINS (EXHIBITED 1880-1892), SCOTTISH ELDER PLAYING THE BAGPIPES ( PIPE MAJOR WILLIAM ROSS?)
Oil on canvas laid down on masonite; inscribed “John Russell” verso
Oil on canvas; signed and dated 1866 lower right
20.5 ins x 29.5 ins; 52.1 cms x 74.9 cms
36.0 ins x 28.0 ins; 91.4 cms x 71.1 cms
Provenance James McClure & Son, Glasgow label to the frame
Note: Lyon & Turnbull auctioneers sold a canvas depicting a similar looking elder gentleman playing the bagpipes (depicted with his son) on April 15, 2009, lot 148. The elder was identified as “Pipe Major William Ross”
Oil on canvas on board; signed lower left 14.5 ins x 17.2 ins; 36.8 cms x 43.8 cms $800 — 1,200
$150 — 250 $300 — 500
219 ALEXANDER ROCHE (18611921), SCOTTISH GARDENER IN A SHADY ARBOUR
$2,000 — 3,000
220 WILLIAM PAGE ATKINSON WELLS (1872-1923), SCOTTISH MAID FETCHING WATER, 1906
221 HUGH COLLINS (EXHIBITED 1880-1892), SCOTTISH THE BASHFUL LOVERS, AFTER 1884
Oil on canvas; strengthened signature lower right and dated faintly “06” lower right, signed at “Sunderland Point, Lancaster” to the frame verso
Oil on canvas; signed and dated 1884 lower right, signed at “28 Forth Street, Edinburgh” and titled in pen and ink to old artist’s label verso
20.0 ins x 20.0 ins; 50.8 cms x 50.8 cms Provenance From Robert Macindo, Glasgow; James McClure & Son, Glasgow
20.5 ins x 24.0 ins; 52.1 cms x 61.0 cms Provenance Estate Collection, Ontario
222 J.A. HENDERSON TARBET (BORN CIRCA 1865-1938), SCOTTISH SHEPHERD LEADING FLOCK IN THE SCOTTISH HIGHLANDS
223 GRAHAM WILLIAMS (1940-), SCOTTISH THIRLEMERE, LAKE DISTRICT Oil on canvas; signed lower right, titled to a red ink stamped label affixed to the stretcher
Oil on canvas; signed lower left 22.0 ins x 32.0 ins; 55.9 cms x 81.3 cms Provenance Antoine’s Art Gallery, Montreal $700 — 900
18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms Provenance Ex. Collection S.T. MacKenzie; The Cooling Galleries Ltd., London & Toronto; Estate Collection, Canada
$600 — 800 Note: See website for additional info.
$300 — 400
$3,000 — 5,000
224 G. MCDONALD (19TH CENTURY), SCOTTISH PROVENANCE HIGHLAND CATTLE IN THE MIST
225 ANDREW BLAIR (1817-1892), SCOTTISH IN THE WOOD, 1883
Oil on canvas; signed “G. McDonald” lower right
Oil on canvas; signed and dated 1883 lower right, signed with remains of title and numbered in pen and ink to exhibition label verso
24.0 ins x 42.0 ins; 61.0 cms x 106.7 cms
25.0 ins x 36.5 ins; 63.5 cms x 92.7 cms
Provenance James McLure & Son, Glasgow label to the frame
$500 — 700
226 ATTRIBUTED TO ALEXANDER LEGGATT (CIRCA 1828-1884), SCOTTISH GRANDMOTHER FEEDING BABY IN A COTTAGE INTERIOR, 1874
227 HENRY WRIGHT KERR (18571936), SCOTTISH MRS. STUART GRAY OF KINFAUNS NOW THE COUNTESS OF MORAY, 1894
Oil on canvas laid down on masonite; strengthened signature and date “74” lower right
Watercolour, matted in a feigned oval; signed and dated 94 lower right, titled and dated 1894 to labels to the support verso
20.0 ins x 24.0 ins; 50.8 cms x 61.0 cms
18.5 ins x 15.0 ins; 47.0 cms x 38.1 cms
Provenance Estate Collection, Ontario
$500 — 700
$600 — 800 $400 — 600
228 HELEN MARGARET MACKENZIE (MRS HELEN MARGARET BUDD) (18851966), SCOTTISH YOUNG WOMAN IN FANCY DRESS SEATED WITH HER CAT Oil on canvas; signed “Helen Mackenzie” lower right, inscribed to the stretcher 28.7 ins x 23.5 ins; 73.0 cms x 59.7 cms
229 FOLLOWER OF ALLAN RAMSAY (1713-1784), SCOTTISH REPUTED TO BE A PORTRAIT OF PRINCE CHARLES EDWARD STUART (1720-1788), KNOWN AS BONNIE PRINCE CHARLIE OR THE YOUNG PRETENDER (OF SCOTLAND), THREE-QUARTER-LENGTH, IN A RED TUNIC WITH CAPE
230 NORMAN MACBETH (18211888), SCOTTISH PORTRAIT OF A GENTLEMAN, SEATED AT A DESK, HOLDING A DOCUMENT Oil on canvas; signed “Norman Macbeth ARSA” and dated 1879 bottom right of centre
Oil on panel, feigned oval
50.2 ins x 40.2 ins; 127.6 cms x 102.2 cms
8.0 ins x 6.5 ins; 20.3 cms x 16.5 cms
Note: See website for additional info.
$500 — 700
$1,000 — 1,500
233 FOLLOWER OF DAVID ROBERTS (1796 - 1864), SCOTTISH SCHAFHAUSEN ("STADT SCHAFFHAUSEN"), SWITZERLAND, 1834
234 JOHN BLAIR (1850-1934), SCOTTISH FISHEROW
Watercolour and gouache over pencil on thick handmade paper with fibres; bears signature and date 1834 lower left, inscribed: “Schafhausen/ J. Hardy” faintly in pencil verso
22.0 ins x 29.5 ins; 55.9 cms x 74.9 cms
231 HENRY JOHN DOBSON (18581928), SCOTTISH SUCH A WEE DROP O PORRIDGE Oil on canvas; signed lower left, titled to the stretcher 7.2 ins x 8.3 ins; 18.4 cms x 21.0 cms $400 — 600
$1,500 — 2,500
232 ARCHIBALD THORNBURN (1860-1935), SCOTTISH STUDY OF A COMMON KINGFISHER Watercolour and bodycolour on heavy wove paper; signed and dated 1915 in watercolour lower right. Unframed. 7.0 ins x 7.5 ins; 17.8 cms x 19.1 cms $1,000 — 1,500
Watercolour on watercolour board; signed at “Fisherow” lower right
$500 — 700
235 JOHN WHITE (1851-1933) , SCOTTISH EVE (WOMAN BRANDISHING AN APPLE) Watercolour on paper; signed lower right, titled at “Chideock/Dorset” in pencil verso 14.3 ins x 10.2 ins; 36.2 cms x 26.0 cms $600 — 900
22.5 ins x 31.3 ins; 57.2 cms x 79.4 cms Provenance Private Estate Collection, Montreal $500 — 700
236 MANNER OF JOHN “SPANISH” PHILLIPS (1817-1867), SCOTTISH PEASANT FAMILY AND THE NEWBORN OUTSIDE ROME Watercolour laid down to a ruled matboard; remains of indistinct signature lower right 16.7 ins x 29.5 ins; 42.5 cms x 74.9 cms
237 MCNEIL MCLEAY (DIED 1848), SCOTTISH HEAD OF LOCH FEOCHAN (ARGYLLSHIRE) Watercolour mounted on canvas; signed “M. McLeay” bottom edge left, titled to the stretcher 14.0 ins x 20.0 ins; 35.6 cms x 50.8 cms $800 — 1,200
238 INITIALS T.S.C. (19TH/20TH CENTURY), BRITISH/AMERICAN? BATTLE SCENE WITH MOUNTED TROOPS ON THE PLAINS AND WOUNDED RED COATS IN FOREGROUND Oil on British panel; with burned initials “T.S.C”. verso 9.0 ins x 12.0 ins; 22.9 cms x 30.5 cms
$600 — 900 Provenance See website for additional info.
239 GEORGE HANMER (HAMMER) CROUGHTON (1843-1920), BRITISH/AMERICAN EMBANKMENT WITH CHURCH SPIRE IN THE DISTANCE Watercolour on paperboard; signed lower right 8.0 ins x 20.0 ins; 20.3 cms x 50.8 cms Note: See website for additional info. $200 — 400
Note: Possibly by American artist Thomas Shields Clarke (1860-1920) $400 — 600