Inuit and First Nations Art | November 25 - 30, 2023 by waddingtons

Inuit & First Nations Art NOVEMBER 25 - 30, 2023

bid and view all lots online www.waddingtons.ca

inuit & first nations art inuitart@waddingtons.ca

auction starts Saturday, November 25 at 9 am ET

specialist Palmer Jarvis

auction ends Thursday, November 30 starts to close at 7 pm ET

senior specialist Duncan McLean

on preview Saturday, November 25 from 12 pm noon to 4 pm Sunday, November 26 from 12 pm noon to 4 pm

416-847-6191

416-847-6183

consignment coordinator Elizabeth Gagnon 416-847-6184

front inside cover Lot 130 Karoo Ashevak Drum Dance, circa 1974 opposite Lot 174 Luke Anguhadluq Untitled (Women and Fishermen) back inside cover Lot 146 David Ruben Piqtoukun The Birth of Knowledge, 1996

Monday, November 27 from 10 am to 7 pm Tuesday, November 28 from 10 am to 7 pm

back cover Lot 170 Reg Davidson Octopus Mask, 1981

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

front cover Lot 115 Joe Talirunili Joe's Escape, circa 1976

This auction is subject to Waddington’s Conditions of Sale.

Inuit & First Nations Art

Waddington’s is pleased to present our major Fall 2023 auction of exceptional works of Inuit and First Nations Art. This auction reflects the journey of passionate collectors and enthusiasts, many of whom built collections over decades, selecting artworks rich in aesthetic significance and meaning. This season we are proud to include two very special artworks from the Estate of Kenneth and Eunice Barron. The first is a uniquely detailed and extensively exhibited sculpture by Joe Talirunili (lot 115 in this auction) circa 1976, depicting the artist and his son’s narrow escape in an improvised boat following the disastrous sinking of their Peterhead boat in 1951. The second is an important sculpture, Drum Dance by Karoo Ashevak (lot 130), circa 1974, which has been held in the same collection since the Barrons’ acquisition of this key work at auction in 1975. We are also fortunate to present a selection of 15 rare and fresh to market trial proofs and original drawings by important Kinngait (Cape Dorset) artists from the collection of Terry Ryan, the former art adviser and general manager of the West Baffin Co-operative in Kinngait. This selection (lots 154-168) includes an original print block for James Houston’s iconic 1959 portrait of Niviaksiak (lot 154), and an exceptionally rare and lively print by Kiakshuk, Eskimos Rolling Oil Drums at Shiptime (lot 158), the third of three proofs of this special commission, and the second example known to be offered on the market. The artworks in this auction span historic and 20th century production from Inuit and Northwest Coast artists. Particular highlights include a 19th century moon mask by an unknown Nuxalk or Heiltsuk artist from the Pacific Northwest Coast (lot 173), a forceful early sculpture of a musk ox by Osuitok Ipeelee (lot 141) acquired directly from the artist by collector Red Pedersen circa 1967, a provocative 1996 mixed media composition, The Birth of Knowledge by David Ruben Piqtoukun (lot 146), and a early monumental composition, Many Faces by Lucy Tasseor Tutsweetok (lot 137). We hope that you will enjoy the exceptional offerings this season and find works that will enliven your collecting journey.

Lot 176 Kenojuak Ashevak Owl's Bouquet, 2007 (detail)

101 SIMEONIE OHAITUK ᓯᒥᐅᓂ ᐅᑲᐃᑐ (B. 1941), INUKJUAK (PORT HARRISON) HUNTER ATTACKING POLAR BEAR, 1973 stone, signed in syllabics 12.5 x 26 x 10 in — 31.8 x 66 x 25.4 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 21 Nov 2017, lot 54; Private Collection, London, ON $2,500—3,500

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102 ABRAHAM ETUNGAT ᐊᐃᐊᔭᑲ ᐃᑐᒐ RCA (1911-1999), KINNGAIT (CAPE DORSET) BIRD AND FISH ATOP BEAR, CIRCA 1978 stone, no visible signature; old collection labels affixed to underside reading: “R.S.M. 42. / 4/F / 60”; accompanied by collector’s inventory photograph with inscription verso 7.25 x 4 x 3.75 in — 18.4 x 10.2 x 9.5 cm PROVENANCE:

Private Collection, Connecticut, acquired directly from the artist, 1978 $1,000—1,500

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103 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007), IQALUIT (FROBISHER BAY) DANCING WALRUS stone, unsigned 7.5 x 7 x 3.5 in — 19.1 x 17.8 x 8.9 cm PROVENANCE:

Private Collection, Quebec $700—900

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104 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007), IQALUIT (FROBISHER BAY) STRIDING CARIBOU, 1978 stone, antler, signed in Roman and syllabics; dated 10.25 x 12.5 x 2.25 in — 26 x 31.8 x 5.7 cm PROVENANCE:

Private Collection, Quebec $4,000—6,000

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105 SHEOJUK ETIDLOOIE ᓯᐅᔪ ᐃᑎᐃᑎᓚᐃ (1929-1999), KINNGAIT (CAPE DORSET) WOMAN IN SHAWL, 1998 etching and aquatint, titled, dated and numbered 42/50; artist’s name in Roman and syllabics; framed sheet 26.5 x 23.5 in — 67.3 x 59.7 cm PROVENANCE:

Private Collection, Vermont $1,000—2,000

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106 SHEOJUK ETIDLOOIE ᓯᐅᔪ ᐃᑎᐃᑎᓚᐃ (1929-1999), KINNGAIT (CAPE DORSET) SUNLIT TENT, 1996 etching and aquatint, titled, dated and numbered 19/50; artist’s name in Roman and syllabics; unframed sheet 20 x 22 in — 50.8 x 55.9 cm PROVENANCE:

Private Collection, Vermont $1,000—1,500

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107 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ

(B. 1963), KINNGAIT (CAPE DORSET) SEASONAL MIGRATION, 2009 stonecut and stencil, titled, dated and numbered 18/50; artist’s name in Roman and syllabics; unframed sheet 30 x 24.5 in — 76.2 x 62.2 cm PROVENANCE:

Private Collection, Vermont $1,000—2,000

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108 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) THEO WADDINGTON COMMISSIONED PORTFOLIO, 1979 lithograph, 12 works; each titled, dated and numbered 33/50; artist’s name in Roman and syllabics each 22.25 x 31 in — 56.5 x 78.7 cm PROVENANCE:

Private Collection, Toronto, ON Portfolio includes: Bears and My Birds, My Birds Together, Nanulu Timialu (Bear and Birds), Opiilu Timialu (Owl and Birds), Owl Sentinel, Proud Young Owl, Ravens Guard the Sun Owl, Spirit Owl, Strong Young Wings, Summer Owl, Sun Owl and Foliage, and Tulugak (Raven). $8,000—12,000

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109 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) OWLS IN WHITEOUT, 2007/2008 coloured pencil and felt-tip drawing, titled; artist’s name in syllabics; inscribed in pencil verso: “CD151-288-abd-07/08-03-66.5 x 51 cm.”; unframed sheet 25 x 20 in — 63.5 x 50.8 cm PROVENANCE:

Private Collection, Vermont $3,000—4,000

VIEW LOT 18

110 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) OWLS IN MOONLIGHT, 2007 etching and aquatint, titled, dated and numbered 2/50; artist’s name in Roman and syllabics; unframed sheet 41.25 x 31.5 in — 104.8 x 80 cm PROVENANCE:

Private Collection, Vermont $2,000—3,000

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111 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) OWL AND YOUNG stone, unsigned 8 x 7 x 6.75 in — 20.3 x 17.8 x 17.1 cm PROVENANCE:

Private Collection, Seattle, WA $1,500—2,500

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112 JOHN PANGNARK ᔭᓐ ᐸᓇ (1920-1980), ARVIAT (ESKIMO POINT) FIGURE, CIRCA 1970S stone, unsigned; inscribed “20099-1”; old collector’s inventory sticker reads: “J. Pangnark / Eskimo Point” 7 x 5.5 x 2.5 in — 17.8 x 14 x 6.4 cm PROVENANCE:

Marion Scott Gallery, Vancouver, BC; Private Collection, Winnipeg, MB $1,500—2,500

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113 JOY KILUVIGYUAK HALLAUK ᑭᓗᒋᔪᐊ (1940-2000), ARVIAT (ESKIMO POINT) FACES, CIRCA 1997 stone, signed in syllabics 12.5 x 8 x 7.5 in — 31.8 x 20.3 x 19.1 cm PROVENANCE:

Marion Scott Gallery, Vancouver, BC; Private Collection, Winnipeg, MB $1,000—2,000

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114 JOHN TIKTAK ᔭᓐ ᑎᑕ RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) STANDING FIGURE, CIRCA 1967 stone, signed in syllabics; also inscribed: “5357” 9.75 x 3.75 x 2.5 in — 24.8 x 9.5 x 6.4 cm PROVENANCE:

Private Collection, Seattle, WA $3,000—4,000

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115 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) JOE’S ESCAPE, CIRCA 1976 stone, wood, hide, sinew, signed in Roman; artist’s two paper labels glued to bow of boat, both inscribed: “Joe ᑕᓕᕈᓂᓕ”; tape underside reads: “row boat / Joe Talirunili”; accompanied by: original invitation to Canadiana Galleries A Memorial Exhibition and Sale of Sculpture and Prints by Joe Talirunili; original invoice and reciept from Canadiana Galleries; original gallery tombstones; collector’s photograph of the work; a “Canada Eskimo Art” tag inscribed “Joe Talirunili / Povungituk / Row Boat / #1383” 8.5 x 9.5 x 3.25 in — 21.6 x 24.1 x 8.3 cm PROVENANCE:

Canadiana Galleries, Edmonton, AB, 1978; Estate of Kenneth and Eunice Barron, Edmonton, AB EXHIBITED:

Canadiana Galleries, A Memorial Exhibition and Sale of Sculpture and Prints by Joe Talirunili, Edmonton, AB, 1978; McMullen Gallery, University of Alberta Hospitals, Thirty Years of Inuit Art, Edmonton, AB, 1991; Edmonton Art Gallery, Inuit Art: A Moving Experience Travel and Transport in the Arctic, Edmonton, AB, 2005 $20,000—30,000

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116 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) FAMILY OF OWLS stone, signed in Roman 3 x 3.25 x 2.25 in — 7.6 x 8.3 x 5.7 cm PROVENANCE:

Private Collection, Hamilton, ON, ca. 1975; Waddington’s Auctioneers, Toronto, ON, 5 Nov 2007, lot 217; Private Collection, Hamilton, ON $4,000—6,000

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117 POSSIBLY: ISA AQIATTUSUK SMILER ᐊᐃᓴ ᐊᑭᐊᑐᓱ ᓯᒪᐃᓚ (1921-1986), INUKJUAK (PORT HARRISON) HOODED HEAD (MATCH SAFE), CIRCA 1954 stone, ivory, unsigned 2.5 x 3 x 2.5 in — 6.4 x 7.6 x 6.4 cm PROVENANCE:

Private Collection, Hamilton, ON $1,500—2,500

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118 NUVEEYA IPELLIE ᓄᕕᐊ ᐃᐱᓕ (1920-2010), IQALUIT (FROBISHER BAY) WILD-EYED BEAR stone, ivory, signed in Roman 6 x 4.5 x 4.5 in — 15.2 x 11.4 x 11.4 cm PROVENANCE:

Private Collection, Quebec $500—700

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119 DOUGLAS CRANMER (PAL’NAKWALA WAKAS/KESU’) (1927-2006), KWAKWAKA’WAKW WILD WOMAN OF THE WOODS (DZUNUKWA) MASK, CIRCA 1965 cedar, paint, unsigned 12 x 7.75 x 6.5 in — 30.5 x 19.7 x 16.5 cm PROVENANCE:

Private Collection, Toronto, ON $4,000—5,000

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Inuit Art

120 HENRY HUNT (K’ULUT’A) (1923-1985), KWAKWAKA’WAKW PUGWIS MASK, CIRCA 1960 red cedar, signed; old paper label affixed to the interior reads: “man from the sea” 10.25 x 9 x 7 in — 26 x 22.9 x 17.8 cm PROVENANCE:

John Spangler Collection; Seahawk Auctions, Burnaby, BC, 22 June 2014, lot 101; Private Collection, Ontario $2,000—4,000

VIEW LOT 30

121 NORMAN G. JACKSON (B. 1957), TLINGIT EAGLE CHIEF wood, paint, unsigned 16.75 x 9.5 x 4 in — 42.5 x 24.1 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the artist $1,000—2,000

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122 ROBERT CHARLES DAVIDSON (GUUD SAN GLANS) OC, OBC, RCA (B. 1946), HAIDA EAGLE’S CALL, 2013 epoxy powder-coated aluminum, stone base, dated and numbered 4/12; initialed 15 x 17 x 6 in — 38.1 x 43.2 x 15.2 cm PROVENANCE:

Private Collection, Ontario $5,000—7,000

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123 UNIDENTIFIED ARTIST, TLINGIT FIGURAL FEAST LADLE, CIRCA 1880 sheep horn, mountain goat horn, abalone, copper rivets 13 x 3.5 x 9.5 in — 33 x 8.9 x 24.1 cm PROVENANCE:

Private Collection, British Columbia $3,000—4,000

VIEW LOT 33

124 UNIDENTIFIED ARTIST NUU-CHAH-NULTH DIVING BIRD RATTLE, CIRCA 1880 wood, brass, pebbles, paint, a historic label affixed to the underside of the rattle reads: “H Stadthagen The Indian Trader 79 Johnson St. Victoria BC”; accompanied by steel display stand subject 3.75 x 5.5 x 9.5 in — 9.5 x 14 x 24.1 cm PROVENANCE:

Henry Stadthagen, Victoria, BC; Private Collection, Vancouver, BC; Private Collection, Toronto, ON $3,500—4,500

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125 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) STANDING FIGURE stone, signed in syllabics 13.75 x 6.75 x 3.5 in — 34.9 x 17.1 x 8.9 cm PROVENANCE:

Private Collection, Seattle, WA $4,000—6,000

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126 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) SEATED FIGURE stone, unsigned 9 x 9 x 3 in — 22.9 x 22.9 x 7.6 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000

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127 DONAT ANAWAK ᐊᓇᑯᐊ (1920-1990), KANGIQLINIQ (RANKIN INLET) POT WITH HUNTER AND ANIMALS, CIRCA 1966 glazed ceramic, unsigned 11.5 x 9.25 x 9.5 in — 29.2 x 23.5 x 24.1 cm PROVENANCE:

Private Collection, Toronto, ON $900—1,200

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128 DANIEL SIMAOTIK ᓴᐃᒪᐅᑎ (1907-1968), INUKJUAK (PORT HARRISON) HUNTERS WITH ANIMALS, CIRCA 1950 stone, ivory, wood, unsigned 7.25 x 7 x 4.25 in — 18.4 x 17.8 x 10.8 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—5,000

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129 KIAWAK (KIUGAK) ASHOONA ᑭᐊᒐ OC, RCA (1933-2014), KINNGAIT (CAPE DORSET) BEAR AND WALRUS, CIRCA 1963 stone, ivory, no visible signature; mounted to acrylic base excluding base 11.5 x 5.75 x 5.25 in — 29.2 x 14.6 x 13.3 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—5,000

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130 KAROO ASHEVAK ᑲᕈ ᐊᓴᕙ (1940-1974), TALOYOAK (SPENCE BAY) DRUM DANCE, CIRCA 1974 whalebone, antler, signed in syllabics; accompanied by: original invoice and receipt from Maynard’s Auctioneers; original gallery tombstones; a “Canada Eskimo Art” tag inscribed “Karoo Ashevak / Spence Bay / 225 / Spirit” 12 x 10 x 16 in — 30.5 x 25.4 x 40.6 cm PROVENANCE:

Maynard’s Auctioneers, Vancouver, BC, 31 July 1975, lot 529C; Estate of Kenneth and Eunice Barron, Edmonton, AB EXHIBITED:

McMullen Gallery, University of Alberta Hospitals, Thirty Years of Inuit Art, Edmonton, AB, 1991 $30,000—50,000

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131 NICK SIKKUARK ᓂᑲᓚ ᓯᑲᐊ (1943-2013), KUGAARUK (PELLY BAY) WHALE SHAMAN, 1998 antler, whalebone, signed in syllabics 5 x 7 x 1.5 in — 12.7 x 17.8 x 3.8 cm PROVENANCE:

Private Collection, Ontario $1,500—2,500

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132 UNIDENTIFIED ARTIST KINNGAIT (CAPE DORSET) RAVEN HEAD whalebone, unsigned 10 x 4.5 x 3.25 in — 25.4 x 11.4 x 8.3 cm PROVENANCE:

Private Collection, Hamilton, ON $2,000—3,000

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133 SHEOKJUK OQUTAQ ᓱᐅᔪ ᐅᑯᑕ (1920-1982), KINNGAIT (CAPE DORSET) HUNTER, CIRCA 1949 ivory, stone, pigment, unsigned 5 x 2 x 1.25 in — 12.7 x 5.1 x 3.2 cm PROVENANCE:

Private Collection, Hamilton, ON $2,500—3,500

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134 UNIDENTIFIED ARTIST KALAALLIT NUNAAT (GREENLAND) PAIR OF TUPILAQS ivory, unsigned largest 4.75 x 2 x 1.5 in — 12.1 x 5.1 x 3.8 cm PROVENANCE:

Private Collection, Quebec $500—700

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135 JOSEPHIE ACULIAK ᐊᑯᓕᐊ (1910-1968), INUKJUAK (PORT HARRISON) MOTHER AND CHILD WITH KAMIK, CIRCA 1960 stone, signed in syllabics; disc number inscribed 7.5 x 6 x 5 in — 19.1 x 15.2 x 12.7 cm PROVENANCE:

Private Collection, Toronto, ON RELATED WORKS:

Waddington’s Auctioneers, Toronto, ON, Inuit Art, 8-9 Nov 2004, lot 292 $1,500—2,500

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136 SARAH NASTAPOKA ᓯᐊᔭ ᓇᓴᑕᐳᑲ (B. 1925), INUKJUAK (PORT HARRISON) MOTHER WITH SWADDLED CHILD, CIRCA 1960 stone, signed in syllabics 9 x 7 x 5 in — 22.9 x 17.8 x 12.7 cm PROVENANCE:

Private Collection, United Kingdom $1,000—2,000

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137 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) MANY FACES stone, unsigned; accompanied by a “Canada Eskimo Art” tag reading: “37 / Lucy Tasseor / Eskimo Point / 2890 / Faces Composition / EP 3327” 16.5 x 15 x 12 in — 41.9 x 38.1 x 30.5 cm PROVENANCE:

Marion Scott Gallery, Vancouver, BC; Private Collection, Connecticut $9,000—12,000

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138 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) MOTHER WITH CHILDREN, CIRCA 1968 stone, indistinctly signed in syllabics 9 x 6.5 x 3.25 in — 22.9 x 16.5 x 8.3 cm PROVENANCE:

Marion Scott Gallery, Vancouver, BC; Private Collection, Winnipeg, MB $3,000—5,000

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139 UNIDENTIFIED ARTIST KANGIQSUJUAQ (WAKEHAM BAY) FAMILY PREPARING FOR THE HUNT, CIRCA 1965 stone, antler, sinew, unsigned 9 x 11 x 8.25 in — 22.9 x 27.9 x 21 cm PROVENANCE:

Private Collection, Ontario $4,000—6,000

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140 ISAPIC QANGUQ ᑲᒍ (B. 1918), MITTIMATALIK (POND INLET) HUNTER WITH KIVIAQ, CIRCA 1965 stone, signed in Roman 9 x 7.5 x 5.5 in — 22.9 x 19.1 x 14 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 12 Nov 1990, lot 535; Private Collection, Toronto, ON $3,000—5,000

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141 OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ RCA (1923-2005), KINNGAIT (CAPE DORSET) MUSK OX, CIRCA 1967 stone, antler, unsigned 10 x 14 x 4 in — 25.4 x 35.6 x 10.2 cm PROVENANCE:

Red Pedersen Collection, acquired directly from the artist; Waddington’s Auctioneers, Toronto, ON, 15 Dec 1981, lot 451P; Private Collection, Toronto, ON $10,000—15,000

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142 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1923-2007), IQALUIT (FROBISHER BAY) FORAGING POLAR BEAR, CIRCA 1965 stone, ivory, signed in Roman and syllabics; disc number inscribed 5.5 x 3.5 x 11 in — 14 x 8.9 x 27.9 cm PROVENANCE:

Fred Coman, Iqaluit, NU, ca. 1985; Private Collection, Ontario $4,000—5,000

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143 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007), IQALUIT (FROBISHER BAY) FOX, CIRCA 1980 stone, signed in Roman and syllabics 5 x 7.5 x 2.25 in — 12.7 x 19.1 x 5.7 cm PROVENANCE:

Private Collection, Quebec $2,000—3,000

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144 ABRAHAM ETUNGAT ᐊᐃᐊᔭᑲ ᐃᑐᒐ RCA (1911-1999), KINNGAIT (CAPE DORSET) BIRD OF SPRING stone, signed in syllabics 9.5 x 9 x 4 in — 24.1 x 22.9 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000

VIEW LOT

145 OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ RCA (1923-2005), KINNGAIT (CAPE DORSET) STRIDING CARIBOU stone, antler, signed in syllabics 13.25 x 14 x 2.75 in — 33.7 x 35.6 x 7 cm PROVENANCE:

Private Collection, Seattle, WA $8,000—12,000

VIEW LOT

146 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK THE BIRTH OF KNOWLEDGE, 1996 Apple IIc monitor, stone, antler, signed in Roman; dated 22 x 42 x 10 in — 55.9 x 106.7 x 25.4 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the artist $5,000—7,000

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147 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK WOMAN WITH OWL, 2011 stone, catlinite, signed in Roman; dated 19.25 x 17.25 x 4.5 in — 48.9 x 43.8 x 11.4 cm PROVENANCE:

Esther Atkin Ruben Collection, Toronto, ON; Private Collection, Toronto, ON $3,000—5,000

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148 KAUDJAK ALAKU ᐊᓚᑯ (B. 1935), SALLUIT (SUGLUK) WOMAN WITH BRAIDS, CIRCA 1955 stone, signed in syllabics; disc number inscribed 11.5 x 5 x 3.5 in — 29.2 x 12.7 x 8.9 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 11 Nov 1985, lot 1352; Private Collection, Toronto, ON $8,000—10,000

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149 MAGGIE ITTUVIK TAYARAK ᒪᑭ (1898-1961), KANGIQSUALUJJUAQ (GEORGE RIVER) MOTHER AND CHILD, CIRCA 1960 stone, signed in syllabics; disc number inscribed 8.5 x 4 x 4.5 in — 21.6 x 10.2 x 11.4 cm PROVENANCE:

Seymour Seligman Collection, 1994; Private Collection, Toronto, ON $4,000—6,000

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150 ISA AQIATTUSUK SMILER ᐊᐃᓴ ᐊᑭᐊᑐᓱ ᓯᒪᐃᓚ (1921-1986), INUKJUAK (PORT HARRISON) HUNTER WRESTLING BEAR, CIRCA 1960 stone, ivory, unsigned 5.5 x 9 x 4.5 in — 14 x 22.9 x 11.4 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—2,000

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151 DAVIDIALUK ALASUA AMITTU ᑎᕕᑎᐊᓗ (1910-1976), PUVIRNITUQ (POVUNGNITUK) SINKING KAYAK stone, unsigned; disc number inscribed 7.25 x 12.5 x 7.25 in — 18.4 x 31.8 x 18.4 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—4,000

VIEW LOT

152 HAROLD PFEIFFER SCC (1908-1997), CANADIAN PATRICK KOAGATARK, 1968 bronze, signed, titled and dated; subject’s name and disc number inscribed 13.5 x 14.5 x 10.5 in — 34.3 x 36.8 x 26.7 cm PROVENANCE:

Estate of Harold Pfeiffer, Ottawa, ON; Waddington’s Auctioneers, Toronto, ON, 16 Nov 1998, lot 304; Private Collection, Ontario $500—700

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153 JAMES ARCHIBALD HOUSTON OC, FRSA (1921-2005), CANADIAN UNTITLED (HUNTERS’ SUCCESS), CIRCA 1960 mixed media, signed in ink sight 7.5 x 7.5 in — 19.1 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000

VIEW LOT 66

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

154 JAMES ARCHIBALD HOUSTON OC, FRSA (1921-2005), CANADIAN NIVIAKSIAK (PRINT BLOCK), 1959 wood 12 x 8.5 in — 30.5 x 21.6 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $3,000—6,000

VIEW LOT 67

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

155 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (OWL PRINT BLOCK) linoleum, low-density fiberboard 5 x 7 in — 12.7 x 17.8 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT

156 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (FIGURE WITH BIRDS AT SUMMER CAMP) graphite drawing, inscribed “Keno” bottom right-hand corner; unframed sheet 16.75 x 21 in — 42.5 x 53.3 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

157 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (COMPOSITION OF FIGURES) graphite drawing, inscribed “Kenojuak” bottom left-hand corner; unframed sheet 18 x 24.25 in — 45.7 x 61.6 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT

158 KIAKSHUK ᑭᐊᓱ (1886-1966), KINNGAIT (CAPE DORSET) ESKIMOS ROLLING OIL DRUMS AT SHIPTIME, 1959 stonecut and stencil, titled, dated and numbered 3/3; artist’s name in Roman; unframed sheet 12.5 x 20 in — 31.8 x 50.8 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $5,000—10,000

VIEW LOT 71

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

159 NIVIAXIE ᓂᕕᐊᓯ (1909-1959) KINNGAIT (CAPE DORSET) SNOWHOUSE BUILDERS, CIRCA 1958 stonecut, unmarked proof; unframed sheet 12 x 12 in — 30.5 x 30.5 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $2,500—3,500

VIEW LOT

160 PARR ᐸ (1893-1969) KINNGAIT (CAPE DORSET) UNTITLED (HUNTERS AND ANIMALS) double-sided graphite drawing, no visible signature; unframed sheet 23.75 x 18 in — 60.3 x 45.7 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $3,000—5,000

VIEW LOT

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

161 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED (WALRUS HUNT) felt-tip drawing, signed in syllabics; unframed sheet 17.75 x 24 in — 45.1 x 61 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT

162 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED (HUNTERS) felt-tip drawing, signed in syllabics; unframed sheet 17.75 x 24 in — 45.1 x 61 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

163 KALINGO OR KUDLALAK OR IYOLA KINGWATSIAK ᑭᒍᐊᓯᐊ (1933-2000), KINNGAIT (CAPE DORSET) CANADA GOOSE, 1957 stonecut, trial proof, titled and numbered #3; also inscribed: “Baffin Island / Kulaulik”; unframed sheet 12 x 8 in — 30.5 x 20.3 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT 76

164 KALINGO OR KUDLALAK OR IYOLA KINGWATSIAK ᑭᒍᐊᓯᐊ (1933-2000), KINNGAIT (CAPE DORSET) CANADA GOOSE, 1957 stonecut, unmarked trial proof; unframed sheet 12 x 8 in — 30.5 x 20.3 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,000—2,000

VIEW LOT 77

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

165 AQJANGAJUK SHAA ᐊᔭᒐᔪ ᓴᐊ RCA (1937-2019), KINNGAIT (CAPE DORSET) WOUNDED CARIBOU, CIRCA 1960 stonecut, unmarked trial proof; unframed sheet 18 x 24 in — 45.7 x 61 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $3,500—5,500

VIEW LOT

166 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) CARIBOU CHASED BY WOLF, CIRCA 1960 sealskin stencil, unmarked proof; unframed sheet 19 x 26 in — 48.3 x 66 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $1,500—2,500

VIEW LOT

SELECTIONS FROM THE TERRY RYAN COLLECTION OF INUIT ART LOTS 154 - 168

167 POSSIBLY: OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ

RCA (1923-2005); INNUKJUAKJU PUDLAT ᐃᓄᔪᐊᕋᔪ ᐳᓚ (1913-1972), KINNGAIT (CAPE DORSET) UNTITLED (THREE CARIBOU), CIRCA 1959; AUTUMN MIGRATION, CIRCA 1959 stonecut, double-sided sheet with one unmarked trial proof, and one unmarked proof; unframed sheet 13 x 13.5 in — 33 x 34.3 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $2,000—3,000

VIEW LOT

168 KUDLALAK OR KELLYPALIK MANGITAK ᒪᒋᑕ (B. 1940), KINNGAIT (CAPE DORSET) GEESE RISING, 1957 stonecut, unmarked trial proof; unframed sheet 17.75 x 12 in — 45.1 x 30.5 cm PROVENANCE:

The Collection of Terry Ryan; Private Collection, Ontario $2,000—3,000

VIEW LOT

169 ATTRIBUTED TO RAY WILLIAMS (1933-1988), NUU-CHAH-NULTH MONUMENTAL MODEL TOTEM POLE wood, stain, unsigned subject 73 x 7.5 x 7.75 in — 185.4 x 19.1 x 19.7 cm PROVENANCE:

Private Collection, Illinois $4,000—6,000

VIEW LOT

170 REG DAVIDSON (B. 1954), HAIDA OCTOPUS MASK, 1981 wood, paint, opercula, signed; dated 11.5 x 7 x 5 in — 29.2 x 17.8 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $4,000—6,000

VIEW LOT

171 UNIDENTIFIED ARTIST HAIDA SHAMAN, CIRCA 1880 argillite, bone, unsigned; old label affixed to underside with erroneous inscription reading: “Maori Stone Image / New Zealand / Carved Green” 8 x 3 x 2.25 in — 20.3 x 7.6 x 5.7 cm PROVENANCE:

Private Collection, British Columbia $4,000—6,000

VIEW LOT

172 JOHN CROSS (NEESLANT) (1867-1939), HAIDA FIGURAL PLATTER, CIRCA 1900 argillite, unsigned subject 5 x 9.5 x .5 in — 12.7 x 24.1 x 1.3 cm PROVENANCE:

Private Collection, British Columbia $2,000—3,000

VIEW LOT

174 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) UNTITLED (WOMEN AND FISHERMEN) coloured pencil drawing, signed in syllabics; disc number inscribed; inscription verso reads: “250.00 / Anguhadluq / CO-OP / CAP 4-153 / F-23 / 203727-35”; unframed sheet 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Private Collection, Hamilton, ON $3,000—4,000

VIEW LOT

175 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) UNTITLED (THREE FISH) coloured pencil drawing, signed in syllabics; disc number inscribed; inscription verso reads: “Angosaglo / F-5 / 2-88 1970-3-10 / 13”; unframed sheet 20.75 x 29.75 in — 52.7 x 75.6 cm PROVENANCE:

Private Collection, Hamilton, ON $2,000—3,000

VIEW LOT 88

176 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) OWL’S BOUQUET, 2007 stonecut and stencil, titled, dated and numbered 20/50; artist’s name in Roman and syllabics; unframed sheet 24.25 x 30.25 in — 61.6 x 76.8 cm PROVENANCE:

Private Collection, Vermont $5,000—7,000

VIEW LOT

177 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (TWO RAVENS WITH FISH) coloured pencil and felt-tip drawing, signed in syllabics; unframed sheet 20 x 26 in — 50.8 x 66 cm PROVENANCE:

Private Collection, Vermont $2,500—3,500

VIEW LOT

178 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) BIRD ON THE EDGE OF FLIGHT stone, signed in syllabics 13 x 7 x 13 in — 33 x 17.8 x 33 cm PROVENANCE:

Private Collection, Connecticut $4,000—6,000

VIEW LOT

179 JUDAS ULLULAQ ᔪᑕ ᐅᓗᓚ (1937-1999), UQSUQTUUQ (GJOA HAVEN) FISHING WITH JIG whalebone, ivory, baleen, sinew, signed in syllabics 9.75 x 5.5 x 6.25 in — 24.8 x 14 x 15.9 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 12 Nov 1982, lot 91A; Private Collection, Toronto, ON $4,000—6,000

VIEW LOT

180 TOMMY ASHEVAK ᐊᓴᕙ (1931-1996), TALOYOAK (SPENCE BAY) SPIRIT HEAD ivory, whalebone, baleen, unsigned 7.75 x 9.25 x 7.5 in — 19.7 x 23.5 x 19.1 cm PROVENANCE:

Private Collection, Quebec $2,500—3,500

VIEW LOT

181 CHARLIE UGYUK ᓴᓕ ᐅᔭ (1931-1999), TALOYOAK (SPENCE BAY) GRANDMOTHER whalebone, signed in syllabics 8.25 x 13 x 5.5 in — 21 x 33 x 14 cm PROVENANCE:

Petteplace Gallery, Hamilton, ON, 1990; Private Collection, Hamilton, ON $3,000—5,000

VIEW LOT

182 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) SPIRIT FIGURE, 1997 musk ox horn, antler, signed in syllabics; dated 16 x 14 x 9 in — 40.6 x 35.6 x 22.9 cm PROVENANCE:

Private Collection, Ontario $2,000—3,000

VIEW LOT

183 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK COMPOSITION WITH SEDNA AND QULLIQ stone, unsigned 7.5 x 9.25 x 2.75 in — 19.1 x 23.5 x 7 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000

VIEW LOT

184 DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947-2006), IQALUIT (FROBISHER BAY) DRUM DANCER stone, antler, sinew, signed in Roman 17 x 12.5 x 7 in — 43.2 x 31.8 x 17.8 cm PROVENANCE:

Galerie d’art Esquimau / Eskimo Art Gallery, Montréal, QC, 1983; Private Collection, Wilton, CT $4,000—6,000

VIEW LOT 97

185 UNIDENTIFIED ARTIST KALAALLIT NUNAAT (GREENLAND) MASK wood, paint, bone 12 x 6.25 x 2.25 in — 30.5 x 15.9 x 5.7 cm PROVENANCE:

Private Collection, United Kingdom $1,500—2,000

VIEW LOT

186 WILLIAM NOAH ᓄᐊ (B. 1943), QAMANI’TUAQ (BAKER LAKE) THE VISION OF A MAN CUTTING SNOW BLOCKS, 1978 lithograph, titled, dated and numbered 29/70; artist’s name in Roman and syllabics; unframed sheet 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Private Collection, Toronto, ON $600—900

VIEW LOT

187 PITALOOSIE SAILA ᐱᑕᓗᓯ ᓴᐃᓚ RCA (1942-2021), KINNGAIT (CAPE DORSET) WOMAN AND SNOW BIRD II, 2005 etching and aquatint, titled, dated and numbered 48/50; artist’s name in Roman and syllabics; unframed sheet 31.5 x 23.75 in — 80 x 60.3 cm PROVENANCE:

Private Collection, Vermont $1,000—2,000

VIEW LOT

100

188 EGEVADLUQ (EEGYVUDLUK) RAGEE ᐃᔨᕙᓗ (1920-1983), KINNGAIT (CAPE DORSET) TOTEM, 1961 stonecut, titled, dated and numbered 9/50; artist’s name in Roman; unframed sheet 16.25 x 12 in — 41.3 x 30.5 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 19 June 1982, lot 170; Private Collection, Toronto, ON $2,500—3,500

VIEW LOT

101

189 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (OWL), 2005 serigraph on etched glass, dated and numbered 4/12; signed with artist’s chop and Sattler’s Stained Glass Studio stamp; oak frame and wiring frame dimensions 18.25 x 27.5 in — 46.4 x 69.9 cm PROVENANCE:

Private Collection, Vermont Collaboration between Kinngait Studios and Sattler’s Stained Glass Studio in Nova Scotia. $2,500—3,500

VIEW LOT 102

190 KIAWAK (KIUGAK) ASHOONA ᑭᐊᒐ OC, RCA (1933-2014), KINNGAIT (CAPE DORSET) SEA CREATURE, CIRCA 1962 stone, unsigned 5 x 11 x 3.25 in — 12.7 x 27.9 x 8.3 cm PROVENANCE:

Walker’s Auctioneers, Ottawa, ON, 18 Nov 2015, lot 41, attributed to Kiakshuk therein; Private Collection, Toronto, ON $4,000—6,000

VIEW LOT

103

191 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK SHAMAN CONJURING SPIRITS stone, unsigned 24 x 11.5 x 20 in — 61 x 29.2 x 50.8 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—4,000

VIEW LOT

104

192 DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947-2006), IQALUIT (FROBISHER BAY) BEAR TRANSFORMATION stone, unsigned 16.6 x 16.6 x 8.5 in — 42.2 x 42.2 x 21.6 cm PROVENANCE:

Private Collection, Ontario $3,000—5,000

VIEW LOT

105

193 AQJANGAJUK SHAA ᐊᔭᒐᔪ ᓴᐊ RCA (1937-2019), KINNGAIT (CAPE DORSET) POLAR BEAR, CIRCA 1975 stone, unsigned 16.5 x 14.5 x 11.5 in — 41.9 x 36.8 x 29.2 cm PROVENANCE:

Private Collection, London, ON $5,000—7,000

VIEW LOT

106

194 MARK TUNGILIK ᒪᑭ ᑕᒐᓕ (1913-1986), NAUJAAT (REPULSE BAY) MUSK OX stone, antler, signed in syllabics 6 x 8 x 4 in — 15.2 x 20.3 x 10.2 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 12 Nov 1990, lot 157; Private Collection, Toronto, ON $2,500—3,500

VIEW LOT

107

195 BARNABUS ARNASUNGAAQ ᐸᓇᐸᓯ ᐊᓇᓴᒐ (1924-2017), QAMANI’TUAQ (BAKER LAKE) STRIDING MUSK OX, CIRCA 1975 stone, signed in syllabics; inscribed: “001C92” 8.5 x 13 x 6.5 in — 21.6 x 33 x 16.5 cm PROVENANCE:

Seymour Seligman Collection, 1994; Private Collection, Toronto, ON $6,000—10,000

VIEW LOT

108

196 RUTH QAULLUARYUK ᑲᐅᓗᐊᔪ (B. 1932), QAMANI’TUAQ (BAKER LAKE) UNTITLED (ARCTIC FLORA) stroud, thread, embroidery floss, signed in syllabics verso: “Ruth Nuilaalik” 59.5 x 38.5 in — 151.1 x 97.8 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—5,000

VIEW LOT 109

197 ANNIE TAIPANAK ᑕᐃᐸᓇ (B. 1931), QAMANI’TUAQ (BAKER LAKE) UNTITLED (COMPOSITION) stroud, felt, thread, embroidery floss, unsigned 34.5 x 27.75 in — 87.6 x 70.5 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000

VIEW LOT

110

198 KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) SONG OF SPRING, 2006 lithograph, titled, dated and numbered 11/50; artist’s name in Roman and syllabics; diptych; unframed overall 33 x 46 in — 83.8 x 116.8 cm PROVENANCE:

Private Collection, Vermont $3,000—5,000

VIEW LOT

111

199 GERMAINE ARNAKTAUYOK ᔨᕐᒪᐃᓐ ᐊᕐᒃᑕᐅᔪᕐᒃ (B. 1946), IGLULIK (IGLOOLIK) ULLUIT, 2003 etching and aquatint, titled and numbered 10/100; artist’s name in Roman and syllabics; unframed sheet 15.75 x 28.25 in — 40 x 71.8 cm PROVENANCE:

Private Collection, Vermont $700—900

VIEW LOT

112

Index

A Aculiak, Josephie 135 Akesuk, Latcholassie 111 Akpaliapik, Manasie 182 Alaku, Kaudjak 148 Amittu, Davidialuk Alasua 151 Anawak, Donat 127 Anghik, Abraham Apakark 183, 191 Anguhadluq, Luke 174, 175 Arnaktauyok, Germaine 199 Arnasungaaq, Barnabus 195 Ashevak, Karoo 130 Ashevak, Kenojuak 108, 155, 156, 157, 176, 177, 178, 189, 198 Ashevak, Tommy 180 Ashoona, Kiawak 129, 190 Atchealak, Davie 184, 192 C Cranmer, Douglas 119 Cross, John 172 D Davidson, Reg 170 Davidson, Robert Charles 122 E Etidlooie, Sheojuk Etungat, Abraham Evaluardjuk, Henry

105, 106 102, 144 103, 104, 142, 143

H Hallauk, Joy Kiluvigyuak 113 Houston, James Archibald 153, 154 Hunt, Henry 120 I Ipeelee, Osuitok 141, 145 Ipeelee, Osuitok (Possibly) 167 Ipellie, Nuveeya 118

K Kavik, John 125, 126 Kiakshuk 158 Kingwatsiak, Kalingo (Kudlalak) 163, 164

M/N Mangitak, Kudlalak or Kellypalik 168 Nastapoka, Sarah 136 Niviaxie 159 Noah, William 186 O Ohaituk, Simeonie Oqutaq, Sheokjuk

101 133

P Pangnark, John 112 Parr 160, 161, 162 Pfeiffer, Harold 152 Piqtoukun, David Ruben 146, 147 Pudlat, Pudlo 166 Q/R Qanguq, Isapic 140 Qaulluaryuk, Ruth 196 Ragee, Egevadluq 188 S Saila, Pitaloosie 187 Shaa, Aqjangajuk 165, 193 Sikkuark, Nick 131 Simaotik, Daniel 128 Smiler, Isa Aqiattusuk 150 Smiler, Isa Aqiattusuk (Possibly) 117 T Taipanak, Annie 197 Talirunili, Joe 115, 116 Tayarak, Maggie Ittuvik 149 Teevee, Ningiukulu 107, 109, 110 Tiktak, John 114 Tungilik, Mark 194 Tutsweetok, Lucy Tasseor 137, 138 U Ugyuk, Charlie 181 Ullulaq, Judas 179 Unidentified 123, 124, 132, 134, 139, 171, 173, 185 W Williams, Ray (Attributed to)

169 113

Editions NOVEMBER 18 - 23, 2023

PABLO PICASSO (1881-1973), SPANISH JACQUELINE AU CHAPEAU NOIR, 1962-1963 linocut in colours on Arches wove paper, with full margins signed and numbered "4/50", sheet 29.5 x 24.5 in — 74.9 x 62.2 cm ESTIMATE: $120,000—150,000

International Art internationalart@waddingtons.ca View the online gallery at waddingtons.ca

Canadian Arts, Culture & History NOVEMBER 25 - 30, 2023

DAWES BLACK HORSE BREWERY PROMOTIONAL MODEL OF A PERCHERON DRAFT HORSE AND A DELIVERY CRATE, C.1930

Decorative Arts & Design sq@waddingtons.ca View the online gallery at waddingtons.ca

Historic First Nations Art from the Collection of Steven Blevins & Sonja Morawetz DECEMBER 2 - 7, 2023

UNIDENTIFIED ARTIST MI'KMAQ QUILLED LIDDED BOX, CA. 1840 porcupine quills, organic dyes, wood, birchbark, spruce root ESTIMATE: $4,000 - 5,000

Indigenous Art pj@waddingtons.ca View the online gallery at waddingtons.ca

Buying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale. CONDITION OF LOTS All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. BUYER’S PREMIUM Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 cad. Hammer prices in excess of $25,000 cad will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province. PAYMENT Payment for purchases must be by cash; INTERAC direct debit (cdn clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000). all transactions are conducted in canadian dollars (cad)

Selling at Waddington’s

SHIPPING The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca www.safershipping.ca REMOVAL OF PURCHASES Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients. CITES Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

INSURANCE A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts. AUCTION ADVICE For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto, Montreal and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale

1. Each lot is subject to a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD as part of the purchase price. Hammer prices in excess of $25,000 will be charged a buyer’s premium of 20%. 2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium. 3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 6. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash; interac direct debit (cdn client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000). 12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the r e-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.