Fine Prints and Photography | October 28 - 31, 2019 by waddingtons

Fine Prints & Photography O CTO B E R 26â&#x20AC;&#x201D; 31, 2 01 9

Fine Prints & Photography O CTO BE R 26â&#x20AC;&#x201D; 3 1 , 2 01 9

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

on view Sunday, October 26 from 12 pm to 4 pm

consignment coordinator Kristin Vance kv@waddingtons.ca 416-847-6178

Lot 125 Joan Miró Défilé de Mannequins en Laponie (detail)

front inside

Lot 8 Herb Ritts Rachel with Shark, Hollywood, 1989

back inside

Monday, October 27 from 1 pm to 7 pm

Lot 92 Henri Cartier-Bresson & Wolf Koeing Photographs by Cartier-Bresson and Wolf Koenig and books by Cariter-Bresson

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 69

tel: 416-504-9100

Henry Moore Woman Holding Cat, 1949

toll free: 1-877-504-5700

front cover

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

ANDY WARHOL (1928–1987), AMERICAN

ANDY WARHOL (1928-1987), AMERICAN

AFTER ANDY WARHOL (1928-1987), AMERICAN

MARILYN MONROE (PINK), 1967

POSTER: PRINCESS DIANA, 1982

I LOVE YOUR KISS FOREVER FOREVER Colour silkscreen on Vellum paper; numbered 219/250 in pencil verso. Published by Sunday B. Morning together with a Certificate of Authenticity Sheet 16.25 x 22.5 in — 41.3 x 57.2 cm

See website for full catalogue details See website for full catalogue details

$200 — 300

See website for full catalogue details $800 — 1,200

AFTER ANDY WARHOL (1928-1987), AMERICAN

ANDY WARHOL (1928-1987), AMERICAN

BERT STERN (1929-2013), AMERICAN

BRILLO SOAP PADS MUSEUM OF CONTEMPORARY ART 4 JULY - 6 SEPT. 1970

MARILYN WITH DIAMONDS, 2012 (LATER IMPRESSION)

Colour silkscreen printed to the edges on wove paper; signed “Andy Warhol” in black felt pen bottom right edge. Sheet 30 x 26 in — 76.2 x 66 cm

Pigment print with mixed-media decorated personally by the artist; signed and titled “Marilyn” artist’s studio stamp verso, accompanying artist’s Certificate of Authenticity label. Sheet 13 x 19 in — 33 x 48.3 cm

DIAMOND DUST MARILYN Colour silkscreen on museum board numbered 302/2500 in pencil verso. Certificate of Authenticity dated 1st March 2012 with the official Sunday B. Morning embossed stamp. Sheet 36 x 36 in — 91.4 x 91.4 cm

See website for full catalogue details See website for full catalogue details $1,200 — 1,500

$2,000 — 3,000

See website for full catalogue details $1,500 — 2,500

MARGARET TAYLOR GOSS BURROUGHS (1917-2010), AMERICAN

HERB RITTS (1952-2002), AMERICAN

RUTH BERNHARD (1905–2006), GERMAN/AMERICAN

ABSTRACT COMPOSITION, CIRCA 1962

Gelatin silver print on Herb Ritts copyright blindstamped paper; signed, titled, dated numbered 18/25 Image/Sheet 18.5 x 12.25 in — 47 x 31.1 cm; 18.5 x 12.2 in — 47 x 31 cm

Lino-cut on paper; signed with initials “MB” and numbered ‘TP’ (Trial Proof) in pencil to margin. Unframed. Block/Sheet 6.9 x 6.1 in — 17.5 x 15.6 cm; 10.6 x 8.3 in — 27 x 21 cm $600 — 800

RACHEL WITH SHARK, HOLLYWOOD, 1989

NUDE ON A BALCONY, CIRCA 1953 Gelatin silver print; signed in pencil to the mount 5 x 9.5 in — 12.7 x 24.1 cm $2,000 — 3,000

See website for full catalogue details $4,000 — 6,000

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN

ROBERT MOTHERWELL (1915-1991), AMERICAN

JOSEF ALBERS (1888–1976), GERMAN/AMERICAN

I-S G, 1971 [DANILOWITZ, 207]

ORANGE AND PINK (FROM LONDON SERIES II), 1970-1971, [BELKNAP, 65]

FROM FORMULATION: ARTICULATION PORTFOLIO I, FOLDER II, 1972

Colour silkscreen on J.B. green mould-made double elephant paper with Motherwell’s blindstamp bottom right; signed and numbered 24/150 Sheet 28.25 x 41 in — 71.8 x 104.1 cm

Colour silkscreen with Albers’ blindstamp and monogram initial “A” titled, dated 1972 and numbered 183/1000 to gallery label verso Image/Sheet 10 x 12 in — 25.4 x 30.5 cm; 15 x 20 in — 38.1 x 50.8 cm

Colour silkscreen on German etching paper with the blindstamp of the publisher, signed with initials, titled, dated ‘71, numbered 43/125 Image/Sheet 13.7 x 13.7 in — 34.8 x 34.8 cm; 8.3 x 8.3 in — 21 x 21 cm See website for full catalogue details $3,000 — 5,000

See website for full catalogue details $1,200 — 1,800

See website for full catalogue details $600 — 800

ROBERT MOTHERWELL (1915–1991), AMERICAN

DONALD SULTAN (1951-), AMERICAN

PAT STEIR (1940-), AMERICAN

THREE CLUBS (FROM PLAYING CARDS SERIES), 1991

WATERFALL, 1988

AMERICA--LA FRANCE VARIATIONS III, 1984 [BELKNAP, 299; W.A.C., 330] Colour lithograph printed to the edges with collage on black Arches Cover; signed and numbered 50/70 in black pencil on the image lower right. Printed and published by Tyler Graphics, Ltd., Mount Kisco, New York with the blind stamp lower right. Sheet 48 x 30.75 in — 121.9 x 78.1 cm

Aquatint in black ink; signed with initials, titled, dated “Jan. 20 1991” and numbered 26/44 Plate/sheet. 11.5 x 7.75 in — 29.2 x 19.7 cm; 21 x 14.75 in — 53.3 x 37.5 cm

Colour etching, drypoint and aquatint on Somerset paper; signed, titled, dated and numbered 36/60 Plate/Sheet 44.6 x 35.75 in — 113.4 x 90.8 cm; 53.25 x 41.4 in — 135.3 x 105.1 cm PROVENANCE:

See website for full catalogue details

Private Collection, Alberta

$600 — 800

$4,000 — 6,000

ADOLPH GOTTLIEB (1903-1974), AMERICAN

FELIX GONZALEZ-TORRES (1957-1996), CUBAN/AMERICAN

RUDOLPH CARL GORMAN (1932–2005), AMERICAN

JETSAM, 1967 [A, 51]

FOUR “STACK PIECES” (TWO WITH LETTERS)

ERA (BLUE), 1979

Colour silkscreen on wove paper; signed, dated 1967 and numbered 7/75 Image/Sheet 23.5 x 17.5 in — 59.7 x 44.5 cm; 24 x 18 in — 61 x 45.7 cm See website for full catalogue details $1,200 — 1,800

1 OF 4

Four offset lithographs, unsigned and unnumbered. Circa 1989-1990. Each sheet 28.75 x 23 in — 73 x 58.4 cm; 25 x 16.75 in — 63.5 x 42.5 cm; 23 x 29 in — 58.4 x 73.7 cm; 28 x 22 in — 71.1 x 55.9 cm See website for full catalogue details $300 — 500

Colour lithograph printed to the edges; signed, dated 1979 and numbered 2/100 in white pencil along the bottom edge Sheet 29.75 x 22.25 in — 75.6 x 56.5 cm See website for full catalogue details $500 — 700

MAX WEBER (1881-1961), RUSSIAN/AMERICAN

ROBERT LINDEN (1940- ), AMERICAN

PHILIP PEARLSTEIN (1924-), AMERICAN

ROCK STAR WITH ROOSTER

NUDE ON MEXICAN BLANKET, 1972

SEATED FIGURE; WOMAN AT A TABLE (FROM PRIMITIVES: POEMS AND WOODCUTS), 1926 [RUBENSTEIN, 19, THE SECOND]

Colour lithograph and mixed-media collage on a silver textile ground; signed “R. Linden” and numbered EA 8/15 in pencil upper right Sheet sight 25 x 19.5 in — 63.5 x 49.5 cm

Etching and colour aquatint; signed, titled and numbered 33/73 in pencil to margin Plate/Sheet 18.25 x 23.7 in — 46.4 x 60.3 cm; 22 x 29.8 in — 55.9 x 75.6 cm

Two relief prints from copper plates taken from the original blocks on Japon paper; signed in pencil. Edition of 350. Each Image/Sheet 4.3 x 2 in — 10.9 x 5.1 cm

$200 — 300

PROVENANCE:

Donald Morris Gallery Inc., Detroit label verso $500 — 700

See website for full catalogue details $400 — 600

LOUISE NEVELSON (1899-1988), AMERICAN

ROMARE HOWARD BEARDEN (1911-1988), AFRICAN/AMERICAN

FOUR IN THE MORNING; NURSERY RHYME, TWO WORKS FROM THE “FACADE” PORTFOLIIO, 1966 (THE SECOND BEING 1/2 THE IMAGE CUT DOWN AT THE LEFT SIDE)

INTRODUCTION FOR A BLUES QUEEN (UPTOWN AT SAVOY) (FROM THE JAZZ SERIES), 1970 [GELBURD/ROSENBERG, GG#77]

Two offset lithographs, the first, signed, dated 1966 and numbered 27/125. The second, signed and dated 1966, numbered 27/125 Sheets, each 23 x 17.5 in — 58.4 x 44.5 cm PROVENANCE:

See website for full catalogue details $400 — 600

Colour lithograph printed to the edges on wove paper; signed and numbered 2/175 Sheet 24 x 33.5 in — 61 x 85.1 cm PROVENANCE:

See website for full catalogue details $1,200 — 1,800

24 SEAN SCULLY (1945-), IRISH/AMERICAN WALL OF LIGHT BLUE CORNER, 2010 Colour spitbite aquatint with sugar lift on Somerset paper; signed, titled, dated 2010 and numbered 7/50 in pencil to margin. Published by Burnet Editions, New York with their blindstamp lower right margin and with the Metropolitian Museum partial blindstamp lower left margin. Plate/Sheet 17.75 x 22 in — 45.1 x 55.9 cm; 28.75 x 31 in — 73 x 78.7 cm PROVENANCE:

Mira Godard Gallery, Toronto gallery label verso; Private Collection, Toronto $5,000 — 7,000

25 AGNES MARTIN (1912–2004), AMERICAN/ CANADIAN PORTFOLIO: “AGNES MARTIN: PAINTINGS AND DRAWINGS STEDELIJK MUSEUM, 1974-1990”, PUBLISHED IN 1991 The complete set of ten colour lithographs, on firm translucent vellum, after original works, with full margins, each plate, identified in the accompanying texts. Containing two catalogues: “Agnes Martin Paintings and Drawings 1974-1990” (I) and “Agnes Martin - Alexej von Jawlensky Award Winner 1990” (II). Catalog I: Edition 5000, numbered copy 744 to the colophon. Catalog II: Edition 2500, unnumbered on the colophon. Printed by Lecturis, Eindhoven. Published by Nemela & Lenzen GmbH, Monchengladbach, Germany and Stedelijk Museum, Amsterdam for Agnes Martin’s 1991 retrospective at the Stedelijk Museum. Contained in the original gray card portfolio with printed uppers, presented unbound in a folding cardboard cover as issued. Unframed. Each Image/Sheet/Overall 9 x 9 in — 22.9 x 22.9 cm; 11.75 x 11.75 in — 29.8 x 29.8 cm; 12.2 x 12.1 x 1.7 in — 31 x 30.8 x 1.9 cm PROVENANCE:

Private Collection, Vienna $4,000 — 6,000

NORMAN ROCKWELL (1894-1978), AMERICAN

MARK RYDEN (1963 - ), AMERICAN

ARMIN LANDECK (1905-1984), AMERICAN

GOLF; CHEERING; BASEBALL (FROM SCHOOL DAYS FOLIO), 1972

Iris inkjet print on archival cotton rag paper; signed and dated ‘97 in the plate upper right; signed, titled and numbered 42/50 in pencil to margin Image 27 x 40 in — 68.6 x 101.6 cm

Partial folio of three colour lithographs on handmade Velin d’Arches paper, Sheets/Overall 26 x 19 in — 66 x 48.3 cm; 26.75 x 20.5 in — 67.9 x 52.1 cm See website for full catalogue details $600 — 800

SNOW WHITE, 1997

PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

NARROW STREET, 1949 [KRAEFT, 102] Etching and drypoint; signed, titled and numbered “ed. 100” in pencil to margin. Matted and unframed. Plate /Sheet 15.9 x 9.8 in — 40.5 x 25 cm; 19.5 x 13.5 in — 49.5 x 34.3 cm PROVENANCE:

Private Collection, Toronto $500 — 700

JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN

MARY CASSATT (1844–1926), AMERICAN

JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN

THE BROAD BRIDGE, 1878 [WAY, 8; SPINK, STRATIS & TEDESCHI, 11]

MARGOT WEARING A BONNET (NO. 3, CIRCA 1902) [BREESKIN, 181]

BLACK LION WHARF (FROM THE THAMES SET), 1859 [KENNEDY, 42; GLASGOW, 54]

Lithograph (“Lithotint”) printed in brown/black ink on smooth paper, signed with butterfly monogram in the plate lower right; Image/Sheet 7.2 x 11 in — 18.4 x 28 cm; 9.8 x 15 in — 25 x 38.2 cm

Drypoint printed in black ink on antique cream laid Japon paper with Crowned coat-of-arms with a fleur-de-lys and half-eagle watermark. Plate/Sheet 9.1 x 6.2 in — 23 x 15.8 cm; 12.9 x 8.9 in — 32.7 x 22.7 cm

Etching on laid paper with a Lion Rampant on a shield with the initials M and C signed and dated 1859 Plate/Sheet 5.8 x 8.8 in — 14.8 x 22.3 cm; 8.1 x 10.6 in — 20.7 x 26.8 cm

See website for full catalogue details

$3,000 — 5,000

$500 — 700

$1,000 — 1,500

JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN

OTTO DANIEL GOETZE (1871 - ?), AMERICAN

SEYMOUR, 1859 [KENNEDY, 31; GLASGOW, 30]

THAMES POLICE (WAPPING WHARF) (FROM A SERIES OF SIXTEEN ETCHINGS OF SCENES ON THE THAMES AND OTHER SUBJECTS), 1859 [KENNEDY, 44; GLASGOW, 53]

“ESKIMO MAKING A CRIB BOARD. NOME ALASKA”, 1908

Etching and drypoint printed in black ink on thin, antique laid paper, signed in the plate and titled “Seymour” in the plate lower left. Unframed. Plate/Sheet 5.2 x 3.7 in — 13.1 x 9.5 cm; 6.2 x 4.7 in — 15.7 x 12 cm $600 — 900

Etching and drypoint in black ink, signed and dated 1859 in the plate lower right Plate/Sheet 5.9 x 8.9 in — 15 x 22.5 cm; 7.8 x 10.4 in — 19.7 x 26.5 cm

Silver gelatin print; titled in the negative along the bottom edge, signed “Copyrighted By O. D. Goetze” in the negative lower right. Matted and unframed. Sheet 7.7 x 9.6 in — 19.5 x 24.4 cm $80 — 120

$500 — 800

EDWARD SHERRIF CURTIS (1868–1952), AMERICAN

BILL RONALD REID (1920–1998), CANADIAN

DAVID LLOYD BLACKWOOD (1941 -), CANADIAN

LAUNCHING THE WHALEBOAT - CAPE PRINCE OF WALES (FROM THE NORTH AMERICAN INDIAN, VOLUME XX, THE LARGE PLATES, PL. 707), 1928

“UNFINISHED DRAWING OF CENTRAL FIGURE IN “SPIRIT OF HAIDA GWAI” (THE BLACK CANOE), PRINTED IN 1997

LOST PARTY AT SEA; THE SIGN, 1965

Photogravure; with Curtis’ credit, title, date, plate number, Plate/Sheet 13.5 x 16.6 in — 34.3 x 42.2 cm; 17.9 x 21.8 in — 45.5 x 55.3 cm

Intaglio photogravure in black ink on grey tinted ground of Bill Reid’s drawing on paper titled; dated 1997 and numbered 69/73 Plate/Sheet 29.5 x 22 in — 74.9 x 55.9 cm; 36.5 x 28 in — 92.7 x 71.1 cm

See website for full catalogue details

$500 — 700

$1,000 — 1,500

Colour etching and aquatint; signed, titled, dated 1965 and numbered Artist’s Proof in pencil to margin. Matted and unframed. Plate/Sheet 19.9 x 21.9 in — 50.5 x 55.6 cm; 23.5 x 28.7 in — 59.6 x 72.8 cm PROVENANCE:

Private Collection, Edmonton, AB $1,500 — 2,500

JEAN-PAUL LEMIEUX (1904–1990), CANADIAN

EIGHT LUMIERE PRESS LIMITED EDITION BOOKS ON PHOTOGRAPHY (DATING FROM 1986 - 1994), CANADIAN

YOUSUF KARSH (1908–2002), ARMENIAN/CANADIAN

ALBUM: “JEAN PAUL LEMIEUX TIME REMEMBERED”, 1980, THE LIMITED EDITION BOOK, WITH THE LITHOGRAPH: “LES JOUR A KENT HOUSE, 1905”

EIGHT FINE PRESS PHOTOGRAPHY BOOKS, ALL OUT OF PRINT Each 9 x 6 in — 22.9 x 15.2 cm

LIMITED EDITION BOOK: KARSH CANADIANS, 1978 First Edition, autographed book; signed by Yousuf Karsh in black pen and ink on the title page. Illustrated with 79 black and white photographs of famous Canadians. University of Toronto Press (Toronto), 1978. Overall 12.25 x 9.75 x 1 in — 31.1 x 24.8 x 2.5 cm

Framed/Book 9.75 x 14 in — 24.8 x 35.6 cm; 22.25 x 22 x 2 in — 56.5 x 55.9 x 5.1 cm

See website for full catalogue details

$1,000 — 1,500

$100 — 150

EIGHT LUMIERE PRESS LIMITED EDITION BOOKS ON PHOTOGRAPHY (DATING FROM 1986-1992), CANADIAN

MARION FLORENCE S. MACKAY NICOLL (1909-1985), CANADIAN

SOREL ETROG (1933-2014), CANADIAN

EIGHT FINE PRESS PHOTOGRAPHY BOOKS, ALL OUT OF PRINT, TITLES

Colour woodcut, signed with monogram initials and dated ‘68 in the block lower left; signed, titled, dated 1969 and numbered “woodcut 12/50” in pencil to margin Block 14 x 11.5 in — 35.6 x 29.2 cm Each 9 x 6 in — 22.9 x 15.2 cm

Colour lithograph with blind embossing; signed and numbered 15/40 inscribed “Fl. # 3617 NX” in pencil top left edge verso and inscribed “Sorel Etrog” in pencil bottom right edge verso. Image/Sheet 18.5 x 13.5 in — 47 x 34.3 cm; 26.5 x 19 in — 67.3 x 48.3 cm Each 9 x 6 in — 22.9 x 15.2 cm

See website for full catalogue details

$300 — 500

$200 — 300

$2,000 — 3,000

Each 9 x 6 in — 22.9 x 15.2 cm See website for full catalogue details

$1,000 — 1,500

“JANUARY ‘68”, 1969

MEDITATION II, 1965

SOREL ETROG (1933-2014), CANADIAN

GABOR SZILASI (1928 - ), CANADIAN

L’OISEAU QUI N’EXISTE PAS, 1966

MME. ALBERT GUAY, LOTBINIÈRE, (DE LA SÉRIE LE QUÉBEC RURAL (1970-1976)), 1976

ELAINE WAISGLASS (20TH/21ST CENTURY), CANADIAN

Twenty-four relief blind-stamped embossments on Arches paper (12 poems; 12 Etrog works), signed “Etrog” and by the poet, Claude Aveline, and numbered 24/60 Each plate/Overall 17 x 13 in — 43.2 x 33 cm; 17 x 13.25 x 1.5 in — 43.2 x 33.7 x 3.8 cm See website for full catalogue details $1,000 — 1,500

TULIPA, 2014

Gelatin silver print; titled and dated 1976 in pencil verso Sight 9.5 x 12 in — 24.1 x 30.5 cm

Archival pigment print mounted to Dibond; dated and numbered 3/12 to gallery label verso backing 42 x 42 in — 106.7 x 106.7 cm

PROVENANCE:

Private Collection, Toronto

Roberts Gallery, Toronto gallery label verso; Private Collection, Toronto

$600 — 800

$4,000 — 6,000

SAM TATA (1911–2005), INDIAN/CANADIAN

SCOTT CONARROE (1974-), CANADIAN

CHINA TOWN STATION, VANCOUVER, 2003

AUTUMN PARKING LOT, VANCOUVER, 2003

Chromogenic print mounted to an archival board; signed, titled, dated and numbered edition 1 of 10 Sheet/Mounted 18 x 20.75 in — 45.7 x 52.7 cm; 20 x 24 in — 50.8 x 61 cm

Chromogenic print mounted to an archival board; signed, titled, dated and numbered edition 1 of 10 Sheet/Mounted 17 x 20.75 in — 43.2 x 52.7 cm; 20 x 24 in — 50.8 x 61 cm

See website for full catalogue details

$300 — 500

ROBERT FRANK, (NOVEMBER 9, 1924SEPTEMBER 9, 2019), MONTREAL, 1977 Gelatin silver print; signed, titled and dated 1977 at Montreal to the mount Sight 6 x 9.25 in — 15.2 x 23.5 cm PROVENANCE:

Private Collection, Toronto $800 — 1,000

SCOTT CONARROE (1974-), CANADIAN

VOLKER SEDING (1943-2007), GERMAN/CANADIAN

PETER MACCALLUM (1947-), CANADIAN

PORTRAIT OF A YOUNG WOMAN, 1977

FOUR TORONTO VIEWS (FROM YONGE STREETSCAPES SERIES, 2006-2010)

NEAR BRIGHTON PARK, 2003 Chromogenic print mounted to an archival board; signed, titled, dated and numbered edition 1 of 10 Sheet/Mounted 17.25 x 21 in — 43.8 x 53.3 cm; 20 x 24 in — 50.8 x 61 cm

Toned gelatin silver print; signed, dated 77 and numbered 2/25 in pencil to margin Image 7.2 x 5.5 in — 18.2 x 14 cm $200 — 300

See website for full catalogue details $300 — 500

Four archival silver prints, together with the hardcover book featuring this series with illustrations: “Peter MacCallum Documentary Projects 2005-2015”, Goose Lane Editions, Fredericton, New Brunswick, 2016 Image/Framed size 12 x 18 in — 30.5 x 45.7 cm; 21.25 x 26.75 in — 54 x 67.9 cm See website for full catalogue details $1,500 — 2,000

LUDMILA JIRINCOVA (1912-1994), CZECHOSLOVAKIAN

FRANTISEK KUPKA (1871-1957), CZECHOSLOVAKIAN

FRANS MASEREEL (1889-1972), BELGIAN

GIRL HOLDING A FAN, A HARLEQUINN BEHIND HER

WOMAN IN FRONT OF A PICTURE, CIRCA 1905

FLEURS, 1951

Sepia etching and aquatint on heavy paper; faintly signed in the plate lower right. Trial Proof before the completion of the bottom part of the etching but with the upper part finished as it appears in the final published state. Plate/Sheet 17.9 x 10.8 in — 45.5 x 27.4 cm; 22.2 x 13.4 in — 56.3 x 34 cm

Woodcut; signed, titled, dated 1951 and numbered 197/200 in pencil to margin Image 10.5 x 16.5 in — 26.7 x 41.9 cm

Lithograph; signed in pencil to margin Image/Sheet 8.3 x 6.1 in — 21 x 15.5 cm; 14 x 10.5 in — 35.5 x 26.7 cm $300 — 400

See website for full catalogue details $400 — 600

PROVENANCE:

The Estate of Joseph Koenig, Toronto $200 — 300

HENRI FANTIN-LATOUR (1836-1904), FRENCH

REMBRANDT VAN RIJN (1606–1669), DUTCH

ALBRECHT DÜRER (1471–1528), GERMAN

VERITE (THE FRONTISPIECE: WITH TRUTH INSCRIBING LETTERS OF THE COMPOSERS IN A TABLET: BERLIOZ; WAGNER; BRAHMS; SCHUMANN, 1885 [HÉDIARD, 56 II]

STUDIES OF THE HEAD OF SASKIA AND OTHERS, 1636 [BARTSCH, 365; HOLL., 365; H. 145; NEW HOLSTEIN, 157]

JOACHIM AND ANNA AT THE GOLDEN GATE (FROM THE LIFE OF THE VIRGIN), 1504 [BARTSCH, 79; MEDER, 246]

Lithograph in black ink on grey paper; signed and dedicated Image/Sheet 18 x 12.5 in — 45.8 x 31.8 cm

Etching on laid paper with a partial Foolscap signed and dated “f.1636” in the plate lower left, inscribed number “365” Plate/Sheet 5.8 x 5 in — 14.8 x 12.7 cm; 6.1 x 5 in — 15.4 x 12.8 cm

Woodcut on thin laid paper, signed with initial monogram and dated 1509 in the plate. Image/Sheet 11.6 x 8.2 in — 29.5 x 20.8 cm; 11.9 x 8.7 in — 30.2 x 22.1 cm

See website for full catalogue details

$400 — 600

$3,000 — 5,000

$1,000 — 1,500

ALBRECHT DÜRER (1471–1528), DUTCH

ALBRECHT DÜRER (1471-1528), GERMAN

JAMES GILLRAY (1757-1815), BRITISH

THE MARTYRDOM OF ST. CATHERINE OF ALEXANDRIA, CIRCA 1497/98 [BARTSCH, 120; MEDER 236]; Woodcut on light brown laid paper of German origin with indistinct watermark. Reportedly a Gothic Pea with Flower watermark type Nr. 9185 (Briquet), the paper dated, circa 1461-1490 Image/Sheet 15.25 x 11 in — 38.7 x 27.9 cm; 15.9 x 11.6 in — 40.4 x 29.5 cm

THE GLORIFICATION OF THE VIRGIN (FROM THE LIFE OF THE VIRGIN) [HOLL, 207] Woodcut on thin laid paper with no watermark; signed with monogram initials in the plate bottom centre, the margins cut close to the border. Matted and unframed. Block/Sheet 11.75 x 8.3 in — 29.8 x 21.1 cm

See website for full catalogue details

THE BRIDAL NIGHT (THE MARRIAGE OF CHARLOTTE AUGUSTA, THE PRINCESS ROYAL, AND THE HEREDITARY PRINCE OF WURTEMBERG), MAY 18, 1797 Hand-coloured engraving with letters, further annotated in pen and ink in an unknown hand, with an extended title: ‘of the Prince Royal England’ and a key identifying the figures Plate 11.7 x 17.5 in — 29.7 x 44.4 cm

See website for full catalogue details See website for full catalogue details $1,500 — 2,500

$700 — 900

See website for full catalogue details $1,000 — 1,500

1 OF 14

ALBRECHT DÜRER (1471-1528), GERMAN

THOMAS ROWLANDSON (1756–1827) AND AUGUSTUS PUGIN (1812-1852), BRITISH

PENTECOST (FROM THE LITTLE PASSION) [HOLLSTEIN VOL. VII, 160C]

14 CARICATURES FROM “MICROCOSM OF LONDON”, 1808-1810

Woodcut on laid paper trimmed at or inside the plate mark, signed with monogram initials in the block lower center, later impression without text verso. Matted and unframed. Sheet 4.9 x 3.7 in — 12.5 x 9.5 cm

Fourteen hand-coloured etchings and aquatints on wove paper Images/Sheets approximately 9 x 11 in — 22.9 x 27.9 cm; 10.2 x 12.6 in — 26 x 32 cm

See website for full catalogue details

64 GERALD LESLIE BROCKHURST (1890-1978), BRITISH YOUNG WOMANHOOD (THE ARTIST’S WIFE), 1931 [FLETCHER, 70] Etching and drypoint, signed and dated 1931 Plate/Sheet 9.1 x 6.8 in — 23.1 x 17.3 cm; 15.6 x 10.4 in — 39.7 x 26.3 cm See website for full catalogue details $600 — 800

See website for full catalogue details $1,500 — 2,500

$600 — 800

SEYMOUR HADEN (1818-1910), BRITISH

AGNES MILLER PARK (1895-1980), BRITISH

YACHT TAVERN, ERITH (ERITH FROM THE BALCONY OF THE YACHT TAVERN, AUG. 1865)

BOYS SKATING, 1937

Zinc etching, signed in the plate on the rail, titled and dated Aug. 1865 in the plate lower left; signed and inscribed “Trial a” in pencil to margin Plate/Sheet 9.3 x 14.8 in — 23.7 x 37.5 cm; 10.1 x 15.1 in — 25.6 x 38.3 cm

Woodcut printed in black ink; signed, titled “Boys Skating”, dated 37 and numbered 11/35 in pencil to margin 6 x 6 in — 15.2 x 15.2 cm

See website for full catalogue details

PROVENANCE:

$300 — 500

Private Collection, British Columbia $300 — 500

67 LAURENCE STEPHEN LOWRY (1887–1976), BRITISH DEAL, 1912 Offset colour lithograph printed to the edges on wove paper with the blindstamp of the Fine Art Trade Guild lower left, titled in the plate lower left, plate signed with initials “LSL” and dated “24/9/12” in the plate lower right; signed in blue pen and ink lower left. Published by Venture Prints Ltd., 1973, stamp numbered 106 verso. Sheet 7 x 10 in — 17.8 x 25.4 cm PROVENANCE:

Private Collection, Ontario $800 — 1,200

68 LAURENCE STEPHEN LOWRY (1887–1976), BRITISH GROUP OF CHILDREN, 1966 Colour offset lithograph on wove paper; signed in pencil to margin. From the edition of 850, with the Fine Art Trade Guild blindstamp. 7.1 x 7.6 in — 18 x 19.3 cm PROVENANCE:

Renoir Galleries Ltd., Harrogate, England label verso; Private Collection, Ontario $1,000 — 1,500

69 HENRY MOORE (1898-1986), BRITISH WOMAN HOLDING CAT, 1949 [CRAMER, 10] Colour collotype on wove paper, signed and titled in the plate; signed, dated 49 and numbered 43/75 in pencil to margin. Printed by Ganymed Press Ltd. Published by Ganymed Original Editions, Ltd., London. Image/Sheet 11.75 x 19.25 in — 29.8 x 48.9 cm; 14 x 20.8 in — 35.6 x 52.8 cm PROVENANCE:

Private Collection, Markham, ON $5,000 — 7,000

DAVID HOCKNEY (1937-), BRITISH

TERRY WILLSON (1948- ), BRITISH

DAVID HOCKNEY (1937-), BRITISH

1ST BRITISH INTERNATIONAL PRINT BIENNALE, BRADFORD CITY ART GALLERY, 1968 [BAGGOTT, 20]

TORSO + PROGRESSIVE STATES, 1980

DAVID HOCKNEY, ARTCURIAL, PARIS 1979, CENTRE D’ART PLASTIQUE CONTEMPORAIN [BAGGOTT, 57]

Colour offset lithographic poster on wove paper Bradford, 23 November 1968 – 19 January 1969; signed “David Hockney Sheet 30 x 20 in — 76.2 x 50.8 cm See website for full catalogue details $800 — 1,000

Colour etching and aquatint; signed, titled, dated 80 and numbered 15/20 in pencil to margin Sheet 30 x 22.5 in — 76.2 x 57.2 cm PROVENANCE:

In a John Jones Frames Ltd., London, UK frame label verso; Private Collection, Toronto $200 — 300

Colour offset lithographic poster on wove paper; signed “David Hockney” in pencil. Unnumbered from the edition of unknown size. Sheet 29.6 x 20.9 in — 75.2 x 53.2 cm See website for full catalogue details $800 — 1,000

73 HENRY MOORE (1898-1986), BRITISH IDEAS FOR METAL SCULPTURE IV, 1981 [CRAMER, 614] Colour lithograph on T H Saunders paper; signed and numbered VIII/XV in pencil to margin. Aside from the edition of 50. Printed by Curwen Studio, London. Published by Raymond Spencer Ltd. for the Henry Moore Foundation, Much Hadham in 1984. Image/Sheet 8.7 x 9.4 in — 22 x 24 cm; 17.2 x 17.5 in — 43.6 x 44.5 cm PROVENANCE:

Private Collection, Toronto $700 — 900

HENRY MOORE (1898-1986), BRITISH

JOHN PIPER (1903-1992), BRITISH

JEAN LURÇAT (1892–1966), FRENCH

SIX RECLINING FIGURES, 1974 [CRAMER, 353]

EASTNOR CASTLE, HEREFORD, 1983 [LEVINSON, 353]

UNTITLED (MALE NUDE AMONG PLANTS)

Color lithograph on T H Saunders paper; signed and numbered 89/99 in pencil to margin. Printed by Curwen Prints, London. Published by Nathan Silberberg, New York. Image 15 x 19.75 in — 38.1 x 50.2 cm

Colour silkscreen on wove paper; signed and numbered 59/70 in pencil to margin. Printed by Kelpra Studio, London. Published by Marlborough Fine Art, London. Image 21.5 x 29.5 in — 54.6 x 75 cm

PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

See website for full catalogue details $1,000 — 1,500

Colour lithograph on BFK Rives watermarked paper with GG blindstamp of the publisher lower left; signed “Lurcat” and numbered 122/140 in pencil. Unframed. Sheet 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Estate of Josef Koenig, Toronto $300 — 500

77 KAREL APPEL (1921–2006), DUTCH UNTITLED (VISAGE), 1969 Colour lithograph; signed, dated 69 and numbered 26/85 in pencil to margin 25.1 x 19.5 in — 63.8 x 49.5 cm PROVENANCE:

Private Collection, Toronto $500 — 700

78 KAREL APPEL (1921–2006), DUTCH DEUX PERSONAGES, 1966 (COVER DESIGN FOR “ARIEL 4, AVRIL 1966” EXHIBITION CATALOGUE) Colour lithograph on BFK Rives watermarked paper; signed and numbered E.A. (e.a.) in pencil to margin, titled “Deux Personnages” to gallery label accompanying the lot. Matted and unframed. Image/Sheet 12.5 x 19.8 in — 31.8 x 50.2 cm; 14.6 x 20.7 in — 37 x 52.5 cm PROVENANCE:

Gallery Moos Ltd., Toronto label accompanying the lot, inscribed “Moos” in pencil verso; Private Collection, Toronto $800 — 1,200

BERNARD BUFFET (1928-1999), FRENCH

AUGUSTE HERBIN (1882-1960), FRENCH

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH

LES DEUX SOEUR (FROM MON CIRQUE), 1968 [SORLIER, 151]

Colour silkscreen; signed (faded ink), titled “midi”, dated 1959 (faded) and numbered 33/150 in pen and ink to margin. Published by Denise Rene, Paris. Image 19 x 13.5 in — 48.3 x 34.3 cm

Colour lithograph, signed in the plate bottom left; signed and numbered 120/120 Image/Sheet 27 x 18.6 in — 68.5 x 47.3 cm; 28.3 x 20 in — 71.8 x 50.8 cm See website for full catalogue details $500 — 700

MIDI, 1959

PROVENANCE:

Prominent Collection, Montreal $1,000 — 1,500

AUTOPORTRAIT AU COUPLE, PARIS, NOVEMBER, 1964 [MOURLOT, 422] Lithograph printed in black ink on Arches watermarked paper; signed and numbered 14/30 in pencil to margin Image/Sheet 25.6 x 19.3 in — 65 x 49 cm; 29.8 x 22.2 in — 75.7 x 56.5 cm See website for full catalogue details $5,000 — 7,000

JEAN (HANS) ARP (1886–1966), GERMAN/FRENCH

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH

FROM LE SOLEIL RECERCLÉ. POÈMES, 1966 [ARNTZ, 264]

L’HOMME ET SON IMAGE (A MAN AND HIS REFLECTION) (FROM FABLES DE LA FONTAINE), 1927 [VOLLARD, 99]

DÉCOUVERTE DE DAPHNIS PAR LAMON (LAMON DISCOVERS DAPHNIS), PL. 2 (FROM DAPHNIS ET CHLOE), 1961 [MOURLOT, 309; CRAMER BOOKS, 46]

Colour woodcut on mould made paper; signed and numbered 46/150 in pencil to margin. Image/Sheet 13.6 x 13 in — 34.5 x 33 cm; 18.5 x 14.4 in — 47 x 36.5 cm See website for full catalogue details $800 — 1,200

Etching on Japon paper; signed in the plate bottom centre. Plate/Sheet 11.6 x 9.6 in — 29.4 x 24.3 cm; 15 x 11.1 in — 38.2 x 28.2 cm See website for full catalogue details $300 — 500

Colour lithograph printed to the edges and without margins, signed in the plate, unsigned and unnumbered in pencil or pen. Sheet 16.5 x 12.5 in — 41.8 x 31.8 cm See website for full catalogue details $500 — 700

85 MARC CHAGALL (1998-1985, RUSSIAN/FRENCH L’ENFANT ET LE MAITRE D’ECOLE (THE CHILD AND THE SCHOOLMASTER) (FROM FABLES DE LA FONTAINE), PL. 10, 1952 [VOLLARD, 104; CRAMER BOOKS, 22] Etching on wove paper; signed in pencil to margin. Printed by Maurice Potin. Published by Teriade. Plate 11.75 x 9.5 in — 29.8 x 24.1 cm PROVENANCE:

Private Collection, Toronto LITERATURE:

Charles Sorlier, Marc Chagall et Ambroise Vollard, Editions Galerie Matignon, Paris 1981, p.80, No. 104 (repr.) $800 — 1,000

ERTÉ (1892–1990), FRENCH

ATHENA, 1986 [LEE, 96]

THE ANGEL, 1983

Colour silkscreen with metallic embossing on wove paper; signed and numbered AP 17/50 in pencil to margin. Printed and published by Chalk & Vermilion/Chromacomp, Inc., New York. Image 24.5 x 17.25 in — 62.2 x 43.8 cm

Colour silkscreen on black paperboard; signed in gold ink and numbered 24/300 in gold ink Image 28.75 x 40 in — 73 x 101.6 cm; 30 x 40 in — 76.2 x 101.6 cm

PROVENANCE:

Graphiks, Miami, Florida gallery label verso; Private Collection, Ontario

PROVENANCE:

Private Collection, Ontario $700 — 900

ERTÉ (1892–1990), FRENCH

ERTÉ (1892-1990), FRENCH

AUTUMN SONG, 1982

BEAUTY AND THE BEAST (FROM “LEGERETE” SERIES, THE TWENTIES REMEMBERED), 1977

Colour silkscreen; signed and numbered 265/300 in pencil to margin Image 16.5 x 13.4 in — 41.8 x 34 cm PROVENANCE:

Private Collection, Toronto $300 — 500

Colour silkscreen; signed and numbered 288/300 in pencil to margin 24.6 x 21.5 in — 62.5 x 54.5 cm PROVENANCE:

Private Collection, Toronto $300 — 500

90 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH SARA ET ABIMELECH (FROM DESSINS POUR LA BIBLE), 1960 [MOURLOT, 239] Colour lithograph on Arches watermarked paper; signed and numbered 13/50 in pencil to margin (there were also 10 hors commerce impressions). Printed by Mourlot, Paris. Published by Verve, Paris. Image/Sheet 14.2 x 10.4 in — 36 x 26.5 cm; 20.5 x 14.8 in — 52 x 37.5 cm PROVENANCE:

Gallery Moos Ltd., Toronto gallery label verso; Private Collection, Montreal $4,000 — 5,000

MARC CHAGALL (1887–1985), RUSSIAN/FRENCH

HENRI CARTIER-BRESSON (1908-2004) & WOLF KOENIG (1927-2014), FRENCH/CANADIAN

RAHAB ET LES ESPIONS DE JERICHO (FROM DESSINS POUR LA BIBLE), 1960 [MOURLOT, 244] Colour lithograph on Arches watermarked paper; signed and numbered 10/50 in pencil to margin. Printed by Mourlot, Paris. Published by Verve, Paris. Image/Sheet 14 x 10.5 in — 35.5 x 26.7 cm; 20.5 x 14.8 in — 52 x 37.5 cm PROVENANCE:

Associated American Artists, New York, gallery label verso backing being their Certificate of Authenticity, Registered No. 13233; Private Collection, Montreal $4,000 — 5,000

1 OF 3

PHOTOGRAPHS BY CARTIER-BRESSON (1908-2004) AND WOLF KOENIG (1927-2014) FROM THE PRODUCTION OF THE FILM “LE QUÉBEC VU PAR CARTIER-BRESSON” 1969, AND THREE BOOKS BY CARTIER-BRESSON Three Photographs: Black and white silver print mounted to a support; Two photographs by Wolf Koenig: Two silver prints Accompanied by three books by CartierBresson The lot also includes a hand-written letter from Cartier-Bresson to Wolf Koenig Various sizes 8 x 12 in — 20.3 x 30.5 cm; 9.4 x 14 in — 24 x 35.5 cm; 14.5 x 10.75 in — 36.8 x 27.3 cm See website for full catalogue details $5,000 — 7,000

LEONARD TSUGUHARA FOUJITA (1886-1968), JAPANESE/FRENCH

PIERRE-AUGUSTE RENOIR (1841–1919), FRENCH

JEUNE FILLE AVEC UNE ROSE, 1925 [BUISSON, 118]

CHAPEAU EPINGLE (LA FILLE DE BERTHE MORISOT ET SA COUSINE), CIRCA 1894 [DELTEIL, 8]

Drypoint on wove paper; an unsigned artist’s proof aside from the edition of 29. Matted and unframed. Plate/Sheet 9.3 x 7 in — 23.7 x 17.6 cm; 14.9 x 10.8 in — 37.8 x 27.5 cm

Drypoint etching on laid paper; signed in the plate lower left. An impression of the second (final) state. Late posthumous edition. Plate/Sheet 4.8 x 3.2 in — 12.2 x 8.2 cm; 9.6 x 8.4 in — 24.5 x 21.3 cm

See website for full catalogue details

$1,500 — 2,500

$500 — 800

HENRI FANTIN-LATOUR (1836-1904), FRENCH

EDGAR DEGAS (1834-1917), FRENCH

PIERRE-AUGUSTE RENOIR (1841–1919), FRENCH

DANSES, 1898 [HEDIARD, 140] Lithograph in black ink, signed in the plate lower right, stamped signature “Fantin” and dated “Dbre 1898” Image/Sheet 17 x 12.6 in — 43.2 x 32 cm; 19.3 x 14.1 in — 49 x 35.8 cm See website for full catalogue details $500 — 700

LOGES D’ACTRICES (ACTRESSES IN THEIR DRESSING ROOMS), CIRCA 1879-1880 [DELTEIL, 28.V; ADHEMAR, 31] Etching and aquatint on thin laid paper with indistinct watermark; Inscribed “C.1879-80 5th. Final state” to gallery label verso (the 5th print of only eight impressions Degas made before cancelling the plate) Plate/Sheet 6.2 x 8.25 in — 15.8 x 21 cm; 8.8 x 13.5 in — 22.4 x 34.3 cm

AMBROISE VOLLARD (FROM DOUZE LITHOGRAPHIES ORIGINALES), 1904 [DELTEIL, 37; STELLA, 37] Lithograph on wove paper; signed in the stone lower right margin. From the total edition of 1000. Published by Ambroise Vollard. Printed by Auguste Clot, Paris, 1919. Image/Sheet 9.4 x 6.7 in — 23.8 x 17 cm; 13 x 9.8 in — 33 x 25 cm

See website for full catalogue details

$800 — 1,200

$700 — 900

100

HERVÉ TÉLÉMAQUE (1937- ), HAITIAN

LAJOS KASSÁK (1887-1967), HUNGARIAN

VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH

BILDARCHITEKTUR

TRIDUM - GORDES, 1968-70

Colour lithograph, signed and inscribed “Bildarchitektur” in the plate lower left; signed and numbered 39/200 in pencil to margin Image 19.2 x 13.7 in — 48.7 x 34.7 cm

Gouache stencil on gilt paper mounted on cardboard; signed and numbered 28/75 in pencil 14.75 x 9.5 in — 37.5 x 24.1 cm

LES PLAISIRS DE LA RESSEMBLANCE, 1972 Colour silkscreen on Arches, France watermarked paper; signed and numbered 119/250 in pencil to margin. Unframed. Image/Sheet 25.6 x 20 in — 65 x 50.7 cm; 29.8 x 22 in — 75.8 x 56 cm PROVENANCE:

$600 — 800

PROVENANCE:

The Estate of Sonja Bata, Toronto

Private Collection, Toronto

$300 — 400

$300 — 500

101

102

103

LAJOS KASSÁK (1887-1967), HUNGARIAN

FRIEDENSREICH HUNDERTWASSER (1928–2000), AUSTRIAN

VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH

MA, 1923

TWO CLOUDS RAINING SEVEN COLOURS (FROM MIDORI NO NAMIDA, 1972), 1976 [KOSCHATZKY, FÜRST HWG 60]

UNTITLED FOR L’ART LIVANT (COVER ILLUSTRATION FOR THE EXHIBITION CATALOGUE “L’ART VIVANT 1965-1968”, FONDATION MAEGHT, SAINT-PAUL [MARITIME ALPS], APRIL 13 TO JUNE 30, 1968), CIRCA 1968

Colour silkscreen; signed and numbered 39/200 in pencil to margin. Published by Kivitelre Engebelyezve. Image 19.75 x 14.4 in — 50.2 x 36.6 cm $600 — 800

Colour woodcut with metallic imprints; signed, dated “9 January 1976” at Vienna, numbered “473A” in a circle and numbered 136/200 in black ink with red chop mark to margin. Published by Gruener Janura AG, Glarus, Switzerland. Block 11.3 x 20 in — 28.8 x 50.8 cm See website for full catalogue details $2,000 — 3,000

Colour silkscreen; signed and numbered 130/200, titled “Affice” (Sic, Affiche?) and inscribed G#120 to gallery label verso. Published by Maeght. Sheet 26 x 17.75 in — 66 x 45.1 cm See website for full catalogue details $300 — 400

104 OSKAR KOKOSCHKA (1886-1980), AUSTRIAN DELPHINIUM, 1974 [WINGLER/WELZ, 513] Colour lithograph on BFK Rives watermarked paper; signed and numbered 137/150 in pencil. Printed by J. E. Wolfensberger, Zurich. Published by Marlborough Graphics, London, 1974. Sheet 29.75 x 22 in — 75.6 x 55.9 cm PROVENANCE:

Mira Godard Gallery, Toronto gallery label verso; Private Collection, Toronto $1,000 — 1,500

105 HANS ERNI (1909-2015), SWISS THE FOUR SEASONS: FIRE; WATER; EARTH; AIR - DIE VIER ELEMENTE: “WASSER”, “FEUER”, “ERDE” UND “LUFT”, 1969 [ERNI, 460-463] Four colour lithographs on BFK Rives watermarked paper; each signed and numbered 44/150 in pencil to margins Each image/sheet 20.5 x 17.1 in — 52.1 x 43.2 cm; 25.6 x 19.6 in — 65 x 49.8 cm PROVENANCE:

The Estate of Sonja Bata, Toronto $1,000 — 1,500

106

1 OF 4

SALVADOR DALÍ (1904-1989), SPANISH VISIONS SURREALISTE (THE COMPLETE FOLIO OF FOUR), 1976 [FIELD, 76- 4: A, B, C, D]: Titles including: A. Coronation of Gala (The Empress); B. Obsession of the Heart (The World); C. Mystery of Sleep (The Hermit); D. Enigma of the Rose (Death) signed and numbered 29/100 in white crayon. Sheets each 29.75 x 21.4 in — 75.6 x 54.4 cm See website for full catalogue details $3,000 — 5,000

107 PAUL WUNDERLICH (1927–2010), GERMAN FEMALE SPHINX WITH HEADDRESS IN A SURREALIST LANDSCAPE Colour lithograph; signed and numbered 83/100 in pencil to margin Image/Sheet 9.6 x 6.5 in — 24.5 x 16.5 cm; 16.5 x 11.8 in — 41.8 x 30 cm PROVENANCE:

Robert Deveau Galleries, Toronto $100 — 150

108

109

SALVADOR DALÍ (1904-1989), SPANISH

SALVADOR DALÍ (1904–1989), SPANISH

DALÍ: PERSISTANCE DE LA MÉMOIRE (FROM CHANGES IN GREAT MASTERPIECES), 1974 [FIELD, 74-2 A [H]]

ARISE, BARAK AND LEAD…(FROM ALIJAH), 1968 [FIELD, 68-1H]

Colour lithograph of a reproduction of a painting Dali changed with tempera and with a small facsimile of the original painting in an indented rectangle and with an original lithographic; signed and numbered 132/350 in Image/Sheet 18 x 24.5 in — 45.7 x 62.2 cm; 29.75 x 31 in — 75.6 x 78.7 cm $3,000 — 4,000

Colour lithograph from a mixed-media painting on Arches paper, signed in the plate mid-right; signed and numbered 92/250 in pencil to margin. Published by Shorewood Press, New York. Image/Sheet 19.9 x 15.6 in — 50.5 x 39.5 cm; 25.5 x 19.7 in — 64.7 x 50 cm See website for full catalogue details $700 — 1,000

110

1 OF 5

111

SALVADOR DALÍ (1904–1989), SPANISH

PABLO PICASSO (1881-1973), SPANISH

FIVE PLATES (FROM ALICE IN WONDERLAND), 1969 [FIELD 69-5]: DOWN THE RABBIT HOLE; ADVICE FROM A CATERPILLAR; WHO STOLE THE TARTS?; THE RABBIT SENDS IN A LITTLE BILL; THE MOCK TURTLES STORY

L’AGE DE SOLEIL (POUR ROBY), 1950 [BLOCH, 680; BAER, 690; CRAMER BOOKS, 57]

Five colour heliogravures of original gouaches. Each Image/overall folded sheet 15.5 x 10.5 in — 43.2 x 29.2 cm; 22.8 x 16.9 in — 58 x 42.8 cm

See website for full catalogue details

Etching on wove paper; signed and titled in the plate. Plate/Sheet 9.25 x 7 in — 23.5 x 17.8 cm; 13.9 x 11 in — 35.2 x 28 cm

$400 — 600

112 AFTER PABLO PICASSO (1881–1973), SPANISH DOVE OF PEACE, 1961 Colour lithograph, signed and dated “Picasso / 28.12.61.” in the plate lower right; signed and numbered 157/200 in pencil Sheet 19.25 x 25.4 in — 48.9 x 64.5 cm PROVENANCE:

Intercontinental Fine Art Ltd., gallery stamp to verso backing $1,500 — 2,500

See website for full catalogue details $2,000 — 3,000

113

114

115

PABLO PICASSO (1881–1973), SPANISH

HEINRICH KUEHN (KUHN) (1866-1944), AUSTRIAN

PABLO PICASSO (1881-1973), SPANISH

LANDSCAPE (FROM CAMERA WORK 33), 1911

Etching; signed and dated “Cannes le 22.12.56” in reverse in the plate lower right Plate/Sheet 14.6 x 10.9 in — 37 x 27.7 cm; 22.2 x 17.4 in — 56.4 x 44.2 cm

PICASSO: LE GOUT DU BONHEUR (A SUITE OF HAPPY, PLAYFUL AND EROTIC DRAWINGS), 1970 [BLOCH, 2013] Combined limited edition of 1998 albums divided into three separate editions, one each for the three publishers; numbered 1 to 666, this being Abrams, No. 486 of 666 from the total edition of 1998. Case 14 x 11 x 2.5 in — 35.6 x 27.9 x 6.4 cm See website for full catalogue details $2,000 — 3,000

Photogravure; signed lower right, tipped to a sheet of Japon laid paper, tipped onto a laid paper support with “Enfield & Co., 1887” watermark, inscribed “Landscape” in pencil to the top right edge of the support, titled and dated c. 1910 to gallery label verso backing Sheet 4.8 x 6.1 in — 12.1 x 15.5 cm See website for full catalogue details $700 — 900

FEMME NUE DE DOS, 1956 [BLOCH, 822]

$400 — 600

116

117

118

JOAN MIRO (1893-1983), SPANISH

JOAN MIRÓ (1893-1983), SPANISH

AGORA I, 1971 [MOURLOT, 704]

TRAGEDY (FROM LES RÉVOLUTIONS SCÉNIQUES DU XXE SIÈCLE- II), 1975 [CRAMER 207, MOURLOT, 1078]

FROM LES RÉVOLUTIONS SCÉNIQUES DU XXE SIÈCLE, 1975 [CRAMER, 207; MOURLOT, 1078]

Colour lithograph; signed and numbered 68/80 Sheet 19.8 x 14.1 in — 50.3 x 35.8 cm

Colour lithograph on Arches; signed and numbered 96/125, titled “Affiche Agora” to gallery label verso. Sheet 34.75 x 30.5 in — 88.3 x 77.5 cm See website for full catalogue details $5,000 — 7,000

PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

119

120

121

ANTONI CLAVÉ (1913-2005), SPANISH

ANTONI TÀPIES (1923–2012), SPANISH

JOAN MIRÓ (1893-1983), SPANISH

POINT VERT, 1972 [PASSERON, 279]

BLACK ON WHITE, NO. 2 (ONE OF THE “BLACK LITHOGRAPHS” EXECUTED IN 1959)

L’ESQUIMAU FÉBRILE, 1969 [MOURLOT, 637]

Colour etching, aquatint with carborundum and embossing; signed and numbered 60/75 in pencil to margin. Published by Vision Nouvelles, Paris. Sheet 30 x 22.25 in — 76.2 x 56.5 cm

Lithograph; signed and numbered 11/50 in pencil to margin, titled and dated to gallery label verso Image/Sheet sight 24.3 x 35.4 in — 61.8 x 90 cm; 26.4 x 37.6 in — 67 x 95.4 cm

Colour lithograph on fabric mounted on chiffon de Mandeure (as issued); signed and numbered 28/75 in pencil along the bottom edge. Printed and published by Maeght Editeur, Paris. Sheet 34.75 x 23.25 in — 88.3 x 59.1 cm

Private Collection, Toronto

See website for full catalogue details

PROVENANCE:

$500 — 700

$2,000 — 3,000

Private Collection, Ontario

PROVENANCE:

$5,000 — 7,000

122

123

124

JOAN MIRÓ (1893-1983), SPANISH

L’ESCALADE, 1969 [DUPIN, 494]

SUMO, 1968 [DUPIN, 459]

TRACE SUR LA PAROI V, 1967 [DUPIN, 444]

Colour etching and aquatint with carborundum on Arches paper; signed and numbered 73/75 in pencil to margin. Printed by Arte Adrien Maeght, Paris. Published by Maeght Editeur, Paris. Sheet 26 x 19.75 in — 66 x 50.2 cm

Etching with aquatint and carborundum on Mandeure paper; signed and numbered 43/75 titled and inscribed “Sumo / 3/30/78” in ink to small label verso backing. Plate 18.75 x 14.6 in — 47.6 x 37 cm See website for full catalogue details

Colour etching and aquatint with carborundum on chiffon de Mandeure wove paper; signed and numbered H.C. in pencil to margin. A Hors Concours proof aside from the edition of 75. The edition includes 20 HC and 15 EA signed and numbered etchings. Plate 23 x 36.25 in — 58.4 x 92.1 cm

$3,000 — 5,000

See website for full catalogue details

PROVENANCE:

Private Collection, Ontario

$8,000 — 10,000

$3,000 — 5,000

125

126

127

JOAN MIRÓ (1893–1983), SPANISH

ANDERS ZORN (1860–1920), SWEDISH

RUSSIAN (20TH CENTURY)

DÉFILÉ DE MANNEQUINS EN LAPONIE (MODELS PARADE IN LAPLAND), 1969 [MOURLOT, 633]

FRIGHTENED, 1912; THE LETTER, 1913 [ASPLUND, 248, 254 RESPECTIVELY]

TWO VINTAGE ADVERTISING POSTERS FOR THE SOVIET STATE AIRLINE, AEROFLOT: VISIT THE USSR IN WINTER; SOVIET AIRLINES FLY BY COMFORTABLE TU-134 AIRLINERS. ARTISTS UNKNOWN.

Colour lithograph on Arches wove paper; signed and numbered 5/75 Published by Maeght, Paris. Image/Sheet 47.1 x 31.7 in — 119.6 x 80.5 cm; 49.4 x 33.9 in — 125.4 x 86 cm

Two drypoint etchings; each dated 1912 and 1913 respectively in the plate lower left, each signed in pencil to margins Plates respectively 7.8 x 5.8 in — 19.7 x 14.8 cm; 6.2 x 4.3 in — 15.7 x 10.8 cm PROVENANCE:

See website for full catalogue details $8,000 — 10,000

Arthur H. Harlow & Co., Rare Etchings and Engravings, New York labels verso to both $1,500 — 2,000

Two colour posters; each unsigned. Each linen backed. Each unframed. Each Sheet 39 x 27.25 in — 99.1 x 69.2 cm; 40.5 x 28.75 in — 102.9 x 73 cm $600 — 800

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale. CONDITION OF LOTS All of the items are to be considered, unless otherwise noted in the description and condition reports, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition. BUYERS PREMIUM A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province. PAYMENT Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS REMOVAL OF PURCHASES Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Selling at Waddington’s BIDDING To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold. SHIPPING The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. (formerly Envoy) 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca CITES Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species).This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained

WADDINGTON’S COMMISSION RATES Items selling for $7,501 or more - 10% Items selling for $2,501 to $7,500 - 15% Items selling for $251 to $2,500 - 20% Items selling for $250 or less - 25% *There is a minimum handling charge of $20 per item CANADIAN ART DEPARTMENT COMMISSION RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item INSURANCE A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts. AUCTION ADVICE For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www. waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Index A Albers, Josef (10, 12) Appel, Karel (77, 78) Arp, Jean (Hans) (82) B Bearden, Romare Howard (23) Bernhard, Ruth (9) Blackwood, David Lloyd (37) Brockhurst, Gerald Leslie (64) Buﬀet, Bernard (79) Burroughs, Margaret Taylor Goss (7) C Cartier-Bresson, Henri (92) Cassatt, Mary (30) Chagall, Marc (81, 83, 84, 90, 91, 85) Clavé, Antoni (119) Conarroe, Scott (48, 50, 49) Curtis, Edward Sherrif (35) D Dalí, Salvador (106, 108, 109, 110) Degas, Edgar (96) Dürer, Albrecht (60, 62, 58, 59) E Erni, Hans (105) Erté, (89, 86, 87, 88) Etrog, Sorel (43, 44) F Fantin-Latour, Henri (56, 95) Foujita, Leonard Tsuguhara (93) G Gillray, James (61) Goetze, Otto Daniel (34) Gonzalez-Torres, Felix (17) Gorman, Rudolph Carl (18) Gottlieb, Adolph (16) H Haden, Seymour (65) Herbin, Auguste (80) Hockney, David (70, 72) Hundertwasser, Friedensreich (102)

J Jirincova, Ludmila (53) K Karsh, Yousuf (40) Kassák, Lajos (99, 101) Koenig, Wolf (92) Kokoschka, Oskar (104) Kuehn, Heinrich (114) Kupka, Frantisek (54) L Landeck, Armin (28) Lemieux, Jean-Paul (1904-1990) (38) Linden, Robert (20) Lowry, Laurence Stephen (67, 68) Lumiere Press (39, 41) Lurçat, Jean (76) M MacCallum, Peter (52) Martin, Agnes (25) Masereel, Frans (55) Miro, Joan (116, 117, 118, 121, 122, 123, 124, 125) Moore, Henry (69, 73, 74) Motherwell, Robert (11, 13) N Nevelson, Louise (22) Nicoll, Marion Florence S. MacKay (42) P Park, Agnes Miller (66) Pearlstein, Philip (21) Picasso, Atter Pablo (112) Picasso, Pablo (111, 115, 113) Piper, John (75) R Reid, Bill Ronald (36) Renoir, Pierre-Auguste (94, 97) Rijn, Rembrandt van (57) Ritts, Herb (8) Rockwell, Norman (26) Rowlandson, Thomas (63) Russian, 20th Century (127) Ryden, Mark (27)

S Sultan, Donald (14) Szilasi, Gabor (45) Scully, Sean (24) Seding, Volker (51) Steir, Pat (15) Stern, Bert (6) T Tàpies, Antoni (120) Tata, Sam (47) Télémaque, Hervé (98) V Vasarely, Victor (100, 103) W Waisglass, Elaine (46) Warhol, Atter Andy (3, 4) Warhol, Andy (2, 5, 1) Weber, Max (19) Whistler, James Abbott McNeill (29, 31, 32, 33) Willson, Terry (71) Wunderlich, Paul (107) Z Zorn, Anders (126)

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca