Asian Art O CTO BE R 24 — 2 9, 2 02 0
Asian Art OCTOBER 24—29, 2020
bid online at onlineauctions.waddingtons.ca
specialist Austin Yuen ay@waddingtons.ca
all lots can be viewed online at www.waddingtons.ca
416-847-6195
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front cover Lot 169 Zhang Shuqi Bird and Wisteria (detail)
front inside
Lot 85 A Set of Twenty-Four ‘Batavian Bamboo and Peony’ Pattern Teabowls and Saucers from the Nanking Cargo, Qianlong Period, Circa 1750
opposite Lot 168 Zhang Shuqi Bird, Butterfly, and Peony (detail)
back inside
Please contact asianart@waddingtons.ca to arrange a preview by appointment.
Lot 199 A Set of Three Chinese Export Wallpaper Panels, Early 20th Century
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back cover
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A Selection of Netsuke from a private collection
This catalogue and its contents © 2020 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All rights reserved.
LOTS 1-18 The collection of netsuke offered in this auction was amassed by a local Toronto family, the majority of which were acquired in the late 1970s to 1980s. Many were purchased in Toronto from various fine art galleries such as Robert Deveau Galleries and Jonny’s Antiques, and auction houses such as Sotheby’s Toronto and Waddington’s. A number of pieces were also acquired in the United States from annual netsuke collector and enthusiast conventions taking place in Hawaii. The family also acquired pieces from various dealers in the Northeast and the West Coast. The collection holds a wonderful range of pieces from the Edo Period all the way to early and mid-20th century works.
1 AN IVORY NETSUKE OF THE TWELVE ZODIAC ANIMALS, SIGNED MEIGYOKUSAI Carved with ten animals of the zodiac encircling the horse to the centre, the rat perched atop the horse’s back, signed oval cartouche on the underside of the dragon’s belly, in fine condition; 品相完整 length 1.6 in — 4.1 cm PROVENANCE:
Purchased in 1979 from Ashkenazie & Co. Jade & Oriental Art, San Francisco From an Important Toronto Netsuke Collection LITERATURE:
Illustrated in “Contemporary Netsuke”, Miriam Kinsey, 1977, p. 44 NOTE:
Contains material which may be subject to import/export regulation $600 — 800
2 A BOXWOOD NETSUKE OF TENGU NO TAMAGO, 18TH CENTURY OR LATER The tengu hatchling forcing himself out of the shell, his arm stretched backwards to get his right wing free, in fine condition; 品相完整 1.3 x 1.4 in — 3.2 x 3.5 cm PROVENANCE:
Purchased in 1980 from Betty Killam Oriental Arts, Connecticut From an Important Toronto Netsuke Collection $600 — 800
3 A WOOD NETSUKE OF A PAIR OF CATS DRESSED IN KIMONO standing cat with minute chip to its right ear; overall in fine condition; 猫耳部有小缺，整体 品相完好 height 2.4 in — 6.2 cm PROVENANCE:
Purchased in 1981 from Okamé Japanese Folk Arts and Antiques, Toronto From an Important Toronto Netsuke Collection $600 — 800
4 A WOOD NETSUKE OF A DOG, SIGNED SHINZAN in fine condition; 品相完整 length 1.7 in — 4.3 cm PROVENANCE:
Purchased in 1980 from Betty Killam Oriental Arts, Connecticut From an Important Toronto Netsuke Collection $600 — 800
5 A BOXWOOD NETSUKE OF TURTLES, SIGNED BAZAN, 19TH CENTURY Carved with two smaller turtles clambering over the shell of a larger turtle, whose neck is retracted above a partially chewed leaf, signed rectangular cartouche to the underside, in fine condition; 品相完整 1.4 x 2 in — 3.6 x 5 cm PROVENANCE:
Purchased in 1980 from Weisbrod & Dy Ltd., Toronto From an Important Toronto Netsuke Collection $1,000 — 1,500
6 A BOXWOOD NETSUKE OF A PROFESSIONAL SNEEZER, SIGNED GYOKKEI, MID-19TH CENTURY Seated cross-legged and mid-sneeze, tickling stick held in his right hand, in fine condition; 品相完整 1.5 x 1.5 in — 3.8 x 3.7 cm PROVENANCE:
From an Important Toronto Netsuke Collection LITERATURE:
Illustrated in “The Netsuke Handbook of Ueda Reikichi”, Raymond Bushell, 1961 $1,000 — 2,000
7 A FINE WOOD NETSUKE OF A BOY, SIGNED GYOKUSO, EARLY 20TH CENTURY The small boy seated at his desk writing calligraphy, right hand grasping the brush while his left hand free to initiate an akanbe facial gesture, tied to his back a coral ribbon and an amber pouch, incised signature on rectangular reserve to the underside, in fine condition; 品 相完整 1.3 x 1.3 x 1.1 in — 3.2 x 3.2 x 2.9 cm PROVENANCE:
Sotheby’s Toronto, March 29th, 30th and 31st, 1982, lot 286 From an Important Toronto Netsuke Collection $2,000 — 3,000
8 A FINE WOOD NETSUKE OF FUKUROKUJU AND CRANE, SIGNED TOKOKU, LATE 19TH CENTURY Stroking his beard with the right hand and holding a scroll in the left, the bald-headed deity seated in finely rendered robes with a resting crane at his side; incised signature and seal to the underside, minute loss to the tip of the crane’s beak; overall in fine condition; 仙鹤 上喙部小缺，整体品相完好 width 1.6 in — 4 cm PROVENANCE:
Sotheby’s Toronto, March 29th, 30th and 31st, 1982, lot 285 From an Important Toronto Netsuke Collection $1,500 — 2,000
9 TWO IVORY FIGURAL NETSUKE, EDO PERIOD, 18TH/EARLY 19TH CENTURY Consisting of a seal-form netsuke with two seated figures on top; and a seated man dressed in Chinese garb holding a fan, overall in fine condition; 品相完好 tallest height 1.8 in — 4.5 cm PROVENANCE:
Seal netsuke purchased in 1981 from Waddington’s, Toronto Figure purchased in 1978 from Robert Deveau Galleries, Toronto From an Important Toronto Netsuke Collection NOTE:
Contains material which may be subject to import/export regulation $400 — 600
10 AFTER SHUZAN, A PAINTED WOOD NETSUKE OF A DRAGON, TOGETHER WITH A DRUNK DANCING OKAME, 18TH CENTURY OR LATER The fan-dancing Okame holding an oversized sake cup above her head, carved signature on the cup, overall in fine condition; 品相完好 largest length 4.7 in — 12 cm PROVENANCE:
From an Important Toronto Netsuke Collection $400 — 600
11 A LARGE STAGHORN NETSUKE OF A WASP IN A GOURD, 19TH CENTURY in fine condition; 品相完好 length 5.6 in — 14.3 cm PROVENANCE:
Purchased in 1982 from Waddington’s, Toronto From an Important Toronto Netsuke Collection $600 — 800
12 A BOXWOOD AND IVORY CARVED NETSUKE OF A WASP IN A FRUIT minor superficial loss to underside; minor natural fissure to underside due to age; overall in good condition; 底部有小缺与自然原因造 成的小裂，整体品相完好 height 1.6 in — 4 cm PROVENANCE:
Purchased in 1980 from Betty Killam Oriental Arts, Connecticut From an Important Toronto Netsuke Collection NOTE:
Contains material which may be subject to import/export regulation $600 — 800
13 MICHAEL BIRCH (1926-2008), A BOXWOOD NETSUKE OF A LEAPING CARP Signed on inlaid gold cartouche ‘MHB’, in fine condition; 品相完好 length 2.1 in — 5.3 cm PROVENANCE:
From an Important Toronto Netsuke Collection $500 — 700
14 TWO ANTLER AND IVORY CARVED NETSUKE OF A CRAB AND FROGS, MEIJI PERIOD frogs with two small natural splits due to age along the lotus stems; overall in fine condition; 青蛙有两处小自然开裂，整体品相完好 longest length 2 in — 5.1 cm PROVENANCE:
From an Important Toronto Netsuke Collection NOTE:
Contains material which may be subject to import/export regulation $600 — 800
15 A BOXWOOD AND IVORY CARVED NETSUKE OF A PEARL DIVER, LATE 19TH CENTURY The female diver crawling over the top of a large clam shell revealing a hidden palace within, in fine condition; 品相完好 1.3 x 2.1 in — 3.3 x 5.4 cm PROVENANCE:
Purchased from Betty Killam Oriental Arts, Connecticut From an Important Toronto Netsuke Collection NOTE:
Contains material which may be subject to import/export regulation $600 — 800
16 A GROUP OF FOUR IVORY, AMBER, AND LACQUER CARVED MANJU NETSUKE, THREE SIGNED Consisting of a rounded red lacquer square, signed; an amber pumpkin with mice, signed; an ivory cover and box painted with maple leaves; and a carved lacquer box and cover, signed, wear along the lip of the carved lacquer box; small fissure on the ivory box; overall in good condition; 红漆根付边缘有小 缺损，牙雕根付有小缺，整体品相较好 largest diameter 1.8 in — 4.6 cm PROVENANCE:
Carved lacquer box purchased in 1982 from Waddington’s, Toronto From an Important Toronto Netsuke Collection NOTE:
Contains material which may be subject to import/export regulation $400 — 600
17 A GROUP OF FOUR BOXWOOD AND EBONY NETSUKE OF VEGETABLES, CHERRY BLOSSOMS, AND A LEAF, THREE SIGNED, 19TH/20TH CENTURY in fine condition; 品相完好 longest length 2.6 in — 6.5 cm PROVENANCE:
Leaf and mushrooms purchased in 1980 and 1984 from Betty Killam Oriental Arts, Connecticut. Eggplants purchased in 1980 from September Morn Antique Oriental Art, Massachusetts Cherry blossoms purchased in 1979 directly from the artist From an Important Toronto Netsuke Collection $600 — 800
18 A SHAKUDO METAL NETSUKE OF A BARREL WITH SILVER FITTING AND INTERIOR COMPASS, MEIJI PERIOD in good condition with expected oxidation; 略微氧化，品相较好 height 1.9 in — 4.9 cm PROVENANCE:
Purchased in 1984 from Betty Killam Oriental Arts, Connecticut From an Important Toronto Netsuke Collection $300 — 400
19 A GROUP OF EIGHT IVORY NETSUKE AND MISCELLANEOUS CARVINGS, 18TH/19TH CENTURY Including a netsuke of Fukurokuju, a seated figure of a noh mask carver, and an okimono figure possibly depicting Tobosaku Sennin, overall in good condition; 品相完好 largest height 3.7 in — 9.5 cm NOTE:
Contains material which may be subject to import/export regulation $400 — 600
20 A GROUP OF SIXTEEN JAPANESE IVORY AND BONE NETSUKE AND OKIMONO, 19TH/EARLY 20TH CENTURY Including chess players, a laughing Buddha and a boy, and the Takarabune ship carrying the Seven Gods of Fortune, few with minor breaks and adhesive residue; overall in good condition; 周身小缺，粘连物痕迹，其余品 相完好 largest 3.1 x 3.9 x 1.9 in — 7.9 x 9.9 x 4.7 cm PROVENANCE:
Estate of Richard LaPrairie, Toronto Proceeds will be generously donated by the Estate to Camp Ooch & Camp Trillium to benefit children living with cancer. NOTE:
Contains material which may be subject to import/export regulation $800 — 1,000
21 A GROUP OF THREE IVORY OKIMONO OF FISHERMEN AND A MERCHANT, MEIJI PERIOD all three with repairs and losses; 均有缺损与修补 tallest height 5 in — 12.6 cm NOTE:
Contains material which may be subject to import/export regulation $200 — 400
22 A IVORY OKIMONO OF AN OLD MAN WITH CHILD The man carrying large daikon radishes, red incised seal mark to base, adhesive residue between the feet and ivory base; overall in good condition; 足部与象牙底部连接处有粘 连遗留物，其余品相完好 height 9.2 in — 23.4 cm NOTE:
Contains material which may be subject to import/export regulation $400 — 600
23 A GURI LACQUER FOUR-CASE INRO WITH MATCHING OJIME AND NETSUKE, TOGETHER WITH A BLACK LACQUER FOUR-CASE INRO, 18TH/19TH CENTURY Carved throughout with Totetsu (Chinese taotie) on multiple layers of red and black lacquer, with globular ojime and manju netsuke box and cover; together with a black lacquer four-case inro carved with scholars in shallow relief, guri lacquer with 7mm surface loss along the edge; both with mild wear and minor losses; overall in good condition; 剔犀印笼表 面边缘处有7毫米小缺，整体有多处小磨 损，其余品相完好 longest length 3.3 in — 8.3 cm PROVENANCE:
Guri lacquer inro purchased in 1977 from Robert Deveau Galleries, Toronto Black lacquer inro purchased in 1981 from Waddington’s, Toronto From an Important Toronto Netsuke Collection $1,000 — 1,500
24 A GROUP OF THREE WOOD CARVED ONE-CASE INRO, ONE SIGNED, MEIJI PERIOD OR LATER The first inro of flattened pouch shape with bumpy texture, monkey-carrying figural ojime and kagamibuta netsuke of corozo nut bowl and mixed-metal roundel; the second inro a cylindrical container with wood manju netsuke; the third carved throughout with turtles, signature on inro and netsuke, in fine condition; 品相完整 largest height 4.1 in — 10.5 cm PROVENANCE:
Flattened pouch purchased in 1976 from The Little Museum, Toronto Cylinder purchased in 1978 from Jonny’s Antiques Ltd., Shakespeare, Ontario Turtles purchased in 1977 from Robert Deveau Galleries, Toronto From an Important Toronto Netsuke Collection $600 — 800
25 A GROUP OF THREE JAPANESE IVORY ‘MONKEY’ AND LACQUER WHIST COUNTERS, MEIJI PERIOD Consisting of two ivory counters carved with monkeys, one with a red seal incised on the underside; and one lacquered wood counter with flowers, one ivory counter with 2cm divet loss on the lower border next to a flap; lacquer counter missing all inlays except one; 牙雕计 数器有小缺，漆器镶嵌物缺失 length 3.7 in — 9.3 cm PROVENANCE:
From an Important Toronto Netsuke Collection NOTE:
Contains material which may be subject to import/export regulation $600 — 800
26 A FINELY CARVED JAPANESE ‘CATS AND MICE’ CARD CASE, TOGETHER WITH A CHINESE EXPORT CARVED DANCE CARD, 19TH CENTURY The front carved with domesticated cats examining a container of spilled food within a household setting, the reverse revealing two mice, card case with 8.5cm surface hairline along the edge of container, three hairlines through and through on the lid; dance card with one card hinge broken and missing one knob; 卡片盒边缘有8.5厘米冲线，盖部有3 条冲线；舞蹈卡片盒其中一个卡铰链折断且 缺少一个旋钮 largest 4.8 x 2.9 x 0.4 in — 12.1 x 7.4 x 1.1 cm PROVENANCE:
Charmian Johnson Estate, British Columbia NOTE:
Contains material which may be subject to import/export regulation $400 — 600
27 A PAIR OF JAPANESE MEIJI-STYLE BRONZE CRANES Both incised ‘Kamthorn 35/50’ to the underside, mild areas of oxidation; overall in good condition; 些许氧化，整体品相完好 tallest height 55.4 in — 140.7 cm PROVENANCE:
Estate of Richard LaPrairie, Toronto Proceeds will be generously donated by the Estate to Camp Ooch & Camp Trillium to benefit children living with cancer. $600 — 800
28 A GROUP OF FIVE JAPANESE NOH MASKS minor wear; overall in good condition; 细微磨 损，整体品相完好 tallest height 9.8 in — 25 cm PROVENANCE:
Estate of Richard LaPrairie, Toronto Proceeds will be generously donated by the Estate to Camp Ooch & Camp Trillium to benefit children living with cancer. $400 — 600
29 A GROUP OF FIVE JAPANESE MASKS some chips and cracks; overall in good condition; 开裂与小缺，整体品相完好 tallest height 13.4 in — 34 cm PROVENANCE:
Estate of Richard LaPrairie, Toronto Proceeds will be generously donated by the Estate to Camp Ooch & Camp Trillium to benefit children living with cancer. $400 — 600
30 A LARGE POLYCHROME WOOD SCULPTURE OF A SHOGUN chips and cracks expected with age; 自然开裂 与小缺，整体品相完好 overall 23.8 x 23.9 x 15.9 in — 60.5 x 60.8 x 40.3 cm PROVENANCE:
Estate of Richard LaPrairie, Toronto Proceeds will be generously donated by the Estate to Camp Ooch & Camp Trillium to benefit children living with cancer. $300 — 500
31 A MOTTLED GREY JADE CARVING OF TWO DUCKS, MING DYNASTY OR LATER 明或更晚 灰玉雕双鸭 With wood stand, old 5mm loss along the edge of a leaf in front of duck; overall in good condition; 枝叶处有5毫米旧缺，整体品相 完好 length 2.2 in — 5.5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
32 A MOTTLED CELADON AND RUSSET STONE ‘BOY AND DEER’ GROUP, QING DYNASTY 清 石雕抚鹿童子 With wood stand, in good condition; 品相完好 height 3 in — 7.5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $400 — 600
33 A PALE CELADON CARVING OF A MYTHICAL BEAST WITH LINGZHI, QING DYNASTY 清 青白玉雕螭龙衔灵芝摆件 With wood stand, in fine condition; losses to the wood stand; 品相完好，木座有缺损 length 2.8 in — 7 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
34 A PALE CELADON-WHITE JADE CARVING OF A BOY WITH LINGZHI AND DOUBLE GOURD, QING DYNASTY 清 青白玉雕如意童子 With wood stand, two 5mm and 3mm losses to a stem along the left posterior edge of the boy; 童子背部分别有两处5毫米，3毫米的小缺 height 2 in — 5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 1,500
35 A WHITE JADE CARVING OF DOUBLE GOURDS, QING DYNASTY 清 白玉雕葫芦把件 some chips and losses along the edges, particularly on the leaf positioned on the bottom section of the largest gourd; 叶片边缘 处有缺损，整体品相完好 height 2 in — 5.2 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 1,500
36 A WHITE JADE PLAQUE OF TWO FISH, QING DYNASTY 清 白玉「鱼水何耶」佩 in fine condition; 品相完整 2.3 x 1.8 x 0.4 in — 5.8 x 4.6 x 0.9 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 1,500
37 A WHITE JADE ‘MELON AND BUTTERFLY’ CARVING, QING DYNASTY 清 白玉雕’瓜瓞绵绵’佩 minor chips along the leaves; overall in good condition; 叶子边缘有小缺，整体品相完好 length 2.4 in — 6.2 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 2,000
38 A MOTTLED WHITE JADE ‘RUYI AND PERSIMMON’ CARVING, QING DYNASTY 清 白玉雕’万事如意’把件 minor chips; overall in good condition; 小缺， 整体品相完好 length 2.4 in — 6.1 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 2,000
39 AN AGATE CARVING OF A PEACH, TOGETHER WITH JADEITE ‘MYTHICAL BEAST’ SEAL, QING DYNASTY 清 琥珀雕寿桃 翡翠瑞兽钮章一组两件 Peach with wood stand, minor chips; overall in good condition; 小缺，整体品相完好 tallest height 2.8 in — 7.1 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $500 — 800
40 A JADEITE RUYI HEAD LOCK-FORM PLAQUE WITH STAND, QING DYNASTY 清 翡翠如意头锁形插屏 in fine condition; 品相完整 3.2 x 4.9 x 0.1 in — 8.2 x 12.4 x 0.3 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
41 A GROUP OF THREE PALE CELADON JADE CARVINGS, QING DYNASTY 清 青白玉雕一组三件 Consisting of a ‘fu’ character; a ‘double-coin’ plaque with wood stand; and a flower-shaped plaque with ruyi heads 包含玉雕’福’佩；玉雕双钱插屏；玉雕花片, minor chips to edges; overall in good condition; 边缘处有小缺，整体品相完好 largest length 3.3 in — 8.3 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 2,000
42 A SPINACH JADE ‘DRAGON’ BELT HOOK, QING DYNASTY 清 翠玉雕’苍龙教子’带钩 in fine condition; 品相完整 length 4.3 in — 11 cm PROVENANCE:
From an Important Toronto Collection $1,000 — 1,500
43 A PALE CELADON JADE BELT HOOK, QING DYNASTY 清 青白玉雕’苍龙教子’带钩 in fine condition; 品相完整 length 3.5 in — 9 cm PROVENANCE:
From an Important Toronto Collection $1,500 — 2,000
44 A WHITE JADE BELT HOOK, QING DYNASTY 清 白玉雕’苍龙教子’带钩 in fine condition; 品相完整 length 4 in — 10.2 cm PROVENANCE:
From an Important Toronto Collection $1,500 — 2,000
45 A WHITE JADE BELT HOOK WITH RUSSET SKIN, QING DYNASTY 清 白玉雕’苍龙教子’带钩 minor wear; overall in fine condition; 轻微磨 损，整体品相完好 length 3.5 in — 9 cm PROVENANCE:
From an Important Toronto Collection $1,600 — 2,000
46 A RETICULATED JADEITE PLAQUE OF A DRAGON AND QILIN, QING DYNASTY 清 翡翠雕麒麟苍龙佩 in fine condition; 品相完整 1.7 x 1.5 x 0.4 in — 4.2 x 3.8 x 0.9 cm PROVENANCE:
From an Important Toronto Collection $500 — 1,000
47 A WHITE JADE ‘CHILONG’ BELT HOOK, QING DYNASTY 清 白玉雕’苍龙教子’带钩 Affixed to wood stand 嵌于木座, unexamined off of wood stand; in fine condition; 未从木座上取下检查， 品相 完好 length 3.8 in — 9.7 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $500 — 800
48 A WHITE JADE ‘SCHOLAR AND PINE’ VASE AND COVER, QING DYNASTY 清 白玉雕’松下高士’紋瓶 The vase is of rectangular section and carved in low relief on both sides with a scholar under pine tree motif. A pair of handles carved as stylised crawling chi-dragons flank the shoulders; with wood stand, in fine condition; 品相完好 height 9.6 in — 24.3 cm $2,000 — 3,000
49 A GROUP OF THREE PALE CELADON JADE ARCHER RINGS, TOGETHER WITH TWO PALE CELADON JADE BANGLES 青白玉扳指玉镯一组五件 包含: 青白玉扳指三只 玉镯两只, in fine condition; 品相完好 largest diameter 3.1 in — 7.9 cm $600 — 800
50 A CELADON JADE LINGZHI-FORM BRUSH WASHER 青玉雕’福至心灵’洗 The lingzhi heads growing from a single gnarled branch with a bat carved on the interior of one, in fine condition; 品相完好 length 4.8 in — 12.3 cm $300 — 500
51 A WHITE AND RUSSET JADE ‘MANDARIN DUCKS’ GROUP 白玉雕鸳鸯摆件 in fine condition; 品相完好 length 4.6 in — 11.6 cm $300 — 500
52 A PALE CELADON AND RUSSET JADE ‘SCHOLAR AND BOY’ BOULDER 青白玉雕’高仕童子’山子 With carved wood stand 带座, in fine condition; 品相完好 height 4.7 in — 12 cm $400 — 600
53 A CELADON AND RUSSET JADE ‘SANDUO’ CARVING 青玉雕’三多’摆件 All ‘three abundances’ present with finger citron, pomegranate, and peach, in fine condition; 品相完好 length 2.7 in — 6.8 cm $200 — 400
54 A GREY AND RUSSET JADE ‘RAM’ GROUP 青玉雕羊衔灵芝摆件 Carved as a recumbent ram and its young holding a lingzhi branch between them, two 4mm chips to a leaf and stem; 枝叶部分有4毫 米小缺 length 2.7 in — 6.8 cm $300 — 500
55 A WHITE JADE ‘BOY AND DEER’ GROUP 白玉雕’童子戏鹿’摆件 few small chips to the underside; overall in fine condition; 底部有些许小缺损，整体品相完好 length 3.4 in — 8.7 cm $300 — 500
56 A CELADON JADE ‘ELEPHANT AND BOY’ CARVING 青玉雕’童子戏象’摆件 With stand 带座, in fine condition; 品相完整 length 3.4 in — 8.6 cm $400 — 600
57 A CELADON AND RUSSET STONE ‘DOUBLE-GOURD’ WASHER 青石雕葫芦形洗 in fine condition; 品相完整 length 3.8 in — 9.6 cm $300 — 500
58 A CELADON AND RUSSET JADE ‘MANDARIN DUCKS’ GROUP 青白玉雕鸳鸯把件 in fine condition; 品相完整 length 2.6 in — 6.5 cm $300 — 500
59 A CELADON JADE ‘DOUBLE-GOURD AND BOY’ WASHER 青玉雕童子葫芦形洗 in fine condition; 品相完整 length 3.5 in — 8.9 cm $300 — 600
60 A FINELY CARVED WHITE JADE CHILONG BELT HOOK 白玉雕’苍龙教子’带钩 in fine condition; 品相完整 length 4.7 in — 11.9 cm $1,000 — 1,500
61 A CELADON JADE ‘MYTHICAL BEAST’ SEAL 青玉雕瑞兽方印 in fine condition; 品相完整 1.1 x 1.2 x 1.6 in — 2.7 x 3.1 x 4.1 cm $300 — 500
62 A PALE CELADON AND RUSSET JADE DOUBLE SEAL 青白玉双联印 in fine condition; 品相完整 1.5 x 1.7 x 0.7 in — 3.7 x 4.2 x 1.9 cm $400 — 600
63 A WHITE JADE FIGURAL PLAQUE 白玉人物纹佩 some minor potential areas of impact along the edges; overall in fine condition; 边缘有些许磨 损痕迹，整体品相完好 length 2.5 in — 6.4 cm $400 — 600
64 A JADEITE ‘BUDDHIST EMBLEMS’ PLAQUE 翡翠雕双鱼纹佩 minor wear along the edges; overall in fine condition; 边缘些许磨损，整体品相完好 length 2.4 in — 6 cm $400 — 600
65 A WHITE JADE ‘LADY AND POEM’ PLAQUE 白玉仕女诗文佩 in fine condition; 品相完整 length 2.3 in — 5.9 cm $400 — 600
66 A WHITE JADE FLORAL PLAQUE 白玉雕花卉纹佩 in fine condition; 品相完整 length 2 in — 5.2 cm $400 — 600
67 A GROUP OF SIX JADEITE CARVINGS 翡翠坠子钮章一组六件 Consisting of three seals (frog, swan, and mythical beast) and three pendants (cat, double badger, and two boys) 包含翡翠钮章三只 翡翠雕坠子三件, in fine condition; 品相完整 tallest height 1.6 in — 4 cm $600 — 800
68 A GROUP OF NINE CELADON AND WHITE JADE CARVINGS, TOGETHER WITH A PALE CELADON JADE BELT HOOK 青白玉雕玉带钩一组十件 in fine condition; 品相完整 largest length 2.6 in — 6.7 cm $800 — 1,000
69 A WHITE JADE CARVING OF TWO RATS, QING DYNASTY 清 白玉老鼠把件 in fine condition; 品相完整 length 1.7 in — 4.4 cm $400 — 600
70 A SET OF SIX ‘BATAVIAN’ FLORAL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷青花酱釉’ 巴达维亚’花卉纹碗一组六件 four with minor restored chips and hairlines diameter 6.5 in — 16.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2560 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品2560号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
71 A SET OF SIX ‘BATAVIAN’ LANDSCAPE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷青花酱釉’ 巴达维亚’通景纹碗一组六件 in fine condition diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2617 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品2617号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
72 A SET OF TWELVE ‘FLYING GEESE’ PATTERN BOWLS AND SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘飞雁风景’ 纹碗及盏托一套十二件 four bowls with minor restorations and hairlines saucer diameter 6.9 in — 17.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2682 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品2682号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
73 A SET OF FIVE ‘SCHOLAR ON BRIDGE’ PATTERN LARGE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷’高仕山水’ 纹碗一套五件 four with minor chip and glaze restorations diameter 7.5 in — 19 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2754 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品2754号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
74 A SET OF FIVE ‘SCHOLAR ON BRIDGE’ PATTERN LARGE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞’高仕山水’大 碗一组五件 four with minor chips, restorations and hairlines diameter 7.5 in — 19 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2754 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品2754号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
75 A SET OF SIX ‘SCHOLAR ON BRIDGE’ PATTERN SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞高仕图瓷碗 一组六件 five with minor restorations and hairlines diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3100 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品3100号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
76 A SET OF SIX ‘SCHOLAR ON BRIDGE’ PATTERN SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞高仕图瓷碗 一组六件 five with restorations and hairlines diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3100 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品3100号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
77 A PAIR OF ‘THREE PAVILLIONS’ PATTERN LOBED DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 通景纹瓷盘一组 三件 one with hairline diameter 11.4 in — 29 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3757F Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品3757F号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
78 A LARGE BOWL-SHAPED JUG FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式曲柄 带流杯 two with hairlines width 8.3 in — 21 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4039 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4039号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $100 — 200
79 A LARGE BOWL-SHAPED JUG FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式曲柄 带流杯 one with hairline width 8.3 in — 21 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4060 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4060号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $100 — 200
80 A SMALL BOWL-SHAPED JUG FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式曲柄 带流杯 in fine condition width 6.9 in — 17.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4115 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4115号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $100 — 200
81 A SMALL BOWL-SHAPED JUG FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式曲柄 带流杯 in fine condition width 6.9 in — 17.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4122 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4122号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $100 — 200
82 A SET OF SIX ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花庭院童 子纹盘一组六件 two with minor restored chips; five with minor rim frits diameter 11.2 in — 28.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4616A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4616A号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
83 A SET OF SIX ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花庭院童 子纹盘一组六件 one with minor restoration; one with minor chip; all with minor rim frits diameter 11.2 in — 28.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4616A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4616A号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
84 A SET OF SIX ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花庭院童 子纹盘一组六件 five with rim frits; one with chip on footrim; one with hairline diameter 11.2 in — 28.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4616A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品4616A号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
85 A SET OF TWENTY-FOUR ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花石竹纹茶杯盏托一组二 十四件 two saucers with hairlines; one saucer with tiny chip; one cup with chip saucer diameter 4.5 in — 11.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5237 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品5237号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
86 A SET OF TWENTY-FOUR ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花石竹纹茶杯盏托一组二 十四件 two saucers with hairline-like glaze cracks saucer diameter 4.5 in — 11.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5237 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品5237号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
87 A SET OF TWENTY-FOUR ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花石竹纹茶杯盏托一组二 十四件 one saucer with a chip saucer diameter 4.5 in — 11.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5237 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品5237号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
88 A SET OF TWENTY-FOUR ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花庭院山水茶杯盏托一组 二十四件 one saucer with minor rim restoration; one saucer with minor chips; one cup with minor chip; four cups with hairline-like glaze defects saucer diameter 5.3 in — 13.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5627 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品5627号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
89 A SET OF TWENTY-FOUR ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花庭院山水茶杯盏托一组 二十四件 one saucer and three cups with hairline-like glaze defects; one cup with hairline saucer diameter 5.3 in — 13.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5627 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品5627号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
90 A SET OF TWENTY-FOUR ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花庭院山水茶杯盏托一组 二十四件 one cup with chip and associated hairline; one cup with hairline-like glaze defect; one saucer with glaze crackling saucer diameter 5.3 in — 13.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5627 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品5627号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
91 A SET OF SIX ‘THREE PAVILIONS’ PATTERN LOBED SOUP PLATES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷碗式青花 酱釉‘巴达维亚’青花庭院山水纹花口盘一组 二十四件 in fine condition diameter 8.9 in — 22.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3757A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月 28日-5月2日，拍品3757号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦 比亚省，维多利亚市 $200 — 400
92 A WELL-PAINTED FAMILLE ROSE PLATE WITH PEONIES, QIANLONG PERIOD, 18TH CENTURY 清 乾隆 十八世纪 粉彩花卉纹盘 diameter 8.9 in — 22.6 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
93 A WELL-PAINTED FAMILLE ROSE PLATE WITH FLOWERS, YONGZHENG PERIOD, 18TH CENTURY 清 雍正 十八世纪 粉彩花卉纹盘 chips diameter 9.1 in — 23 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
94 A RARE OCTAGONAL BLUE AND WHITE PINK-ENAMELED ‘FLOWER GARDEN’ PLATE, YONGZHENG/QIANLONG PERIOD, 18TH CENTURY 清 雍正/乾隆 十八世纪 青花加彩庭院花卉 纹八棱盘 With overglaze iron-red and pink enamels, chips diameter 9.1 in — 23.2 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 400
95 AN EXTREMELY RARE PAIR OF OCTAGONAL BLUE AND WHITE PINKENAMELED AND GILT ‘LANDSCAPE’ PLATES, YONGZHENG/QIANLONG PERIOD, 18TH CENTURY 清 雍正/乾隆 十八世纪 青花加彩描金庭院 花卉纹八棱盘一对 With gilt and overglaze iron-red and pink enamels, chips diameter 9.3 in — 23.7 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 400
96 TWO RARE CHINESE EXPORT GILT IMARI LIDDED TEAPOTS, YONGZHENG PERIOD 清 雍正 中国外销伊万里庭院山水纹茶壶两 只 largest height 4.6 in — 11.6 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
97 TWO RARE CHINESE EXPORT LIDDED TEAPOTS, QIANLONG PERIOD 清 乾隆 青花加彩花卉纹茶壶两只 chips on spout largest height 5.1 in — 13 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
98 A FINE PAIR OF CHINESE IMARI PLATES, KANGXI PERIOD 清 康熙 中国伊万里花卉纹盘两只 diameter 10 in — 25.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
99 A FINE PAIR OF CHINESE IMARI PLATES, KANGXI PERIOD 清 康熙 伊万里花卉纹盘一对 diameter 10 in — 25.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
100 A RARE PAIR OF CHINESE IMARI ‘LIU HAI AND TOAD’ PLATES, 18TH CENTURY 清 十八世纪 中国外销伊万里’刘海戏金蟾’纹 盘一对 diameter 8.7 in — 22 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $300 — 500
101 A PAIR OF CHINESE IMARI ‘BAMBOO AND FLOWERS’ PLATES, KANGXI PERIOD 清 康熙 中国伊万里庭院花竹图盘一对 diameter 9 in — 22.8 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
102 A PAIR OF CHINESE IMARI ‘BAMBOO AND FLOWERS’ PLATES, KANGXI PERIOD 清 康熙 中国伊万里庭院花竹图盘一对 chips diameter 9 in — 22.8 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
103 A PAIR OF BLUE AND WHITE SLEEVE VASES, LATE QING DYNASTY 清晚期 十九世纪 中国青花高士童子筒瓶一 对瓶一对 height 9.8 in — 25 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
104 A BLUE AND WHITE ‘HUNDRED ANTIQUES’ PLATE, 18TH CENTURY 清 十八世纪 青花博古图纹盘 chips diameter 10.8 in — 27.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
105 A SET OF FOUR BLUE AND WHITE DISHES WITH FLORAL PANELS, 18TH CENTURY 清 康熙早期 青花花卉纹盘一组四只 rim frits diameter 8.8 in — 22.3 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $300 — 500
106 A PAIR OF WELL-PAINTED BLUE AND WHITE ‘LANDSCAPE’ PLATES, 18TH CENTURY 清 十八世纪 青花山水纹盘一对 diameter 11.2 in — 28.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
107 A SET OF THREE BLUE AND WHITE ‘FLORAL’ DISHES, 18TH CENTURY 清 雍正 青花花卉纹盘三只 diameter 9 in — 22.8 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
108 A SET OF SIX BLUE AND WHITE ‘BAMBOO AND FLOWERS’ PLATES 清 康熙/雍正 青花石竹花卉纹盘一组六件 chips diameter 9 in — 22.9 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 400
109 A SET OF FOUR WELL-DECORATED BLUE AND WHITE LOBED PLATES WITH FLYING GEESE FOR THE EUROPEAN MARKET, 18TH CENTURY 清 十八世纪 欧洲出口青博古图花口盘一组 四只 diameter 9.5 in — 24.1 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 400
110 A LARGE BLUE AND WHITE ‘PINE TREE’ BARBED-RIM PLATE, 18TH CENTURY 清 雍正 十八世纪 青花松石庭院纹花口盘 diameter 12.6 in — 32 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
111 A PAIR OF BLUE AND WHITE RECTANGULAR PLATTERS, 18TH CENTURY 清 十八世纪 青花花卉纹方底盘一对 length 12.5 in — 31.8 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $300 — 500
112 A LARGE BLUE AND WHITE LOBED CHARGER, EARLY KANGXI PERIOD 清 康熙早期 青花花鸟纹大盘 rim frits diameter 14.8 in — 37.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $600 — 800
113 A MASSIVE BLUE AND WHITE ‘QILIN’ CHARGER, XUANDE MARK, 19TH/20TH CENTURY 十九/二十世纪 青花麒麟纹大盘 宣德款 diameter 23.9 in — 60.6 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
114 A MASSIVE BLUE AND WHITE ‘FISH’ CHARGER, XUANDE MARK, 19TH/20TH CENTURY 十九/二十世纪 青花鱼藻纹大盘 宣德款 diameter 16.7 in — 42.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列 颠哥伦比亚省，维多利亚市 $200 — 300
115 A LARGE EXPORT BLUE AND WHITE LOBED CHARGER, KANGXI PERIOD, QING DYNASTY 清 康熙早期 青花花卉纹花口大盘 diameter 15.2 in — 38.5 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 600
116 A LARGE BLUE AND WHITE LOBED PLATE, KANGXI MARK AND PERIOD, QING DYNASTY 清 康熙 「康熙年制」四字款 青花花卉纹 花口大盘 diameter 12 in — 30.5 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
117 A GROUP OF SIX EXPORT BLUE AND WHITE WARES, KANGXI PERIOD, QING DYNASTY 清 康熙 外销青花瓷器一组六件 Consisting of four dishes and a cup and saucer largest diameter 9.8 in — 24.8 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $500 — 700
118 A PAIR OF BLUE AND WHITE DISHES, KANGXI PERIOD 清 康熙 青花盘一对 diameter 5.8 in — 14.8 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 600
119 A GROUP OF FIVE ‘NANKING CARGO’ WARES, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花瓷器一 组五件 largest diameter 9.3 in — 23.6 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $200 — 400
120 A GROUP OF FOUR CHINESE EXPORT BLUE AND WHITE WARES, QIANLONG PERIOD, 18TH CENTURY 清 乾隆 中国外销青花瓷器一组四件 Consisting of three dishes and one twohandled lidded jar largest length 11.1 in — 28.1 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $800 — 1,500
121 A GROUP OF FOUR CHINESE EXPORT BLUE AND WHITE PLATES, QIANLONG PERIOD, 18TH CENTURY 清 乾隆 中国外销青花盘一组四件 Consisting of one reticulated plate, one octagonal dish, and two rectangular platters largest length 14.1 in — 35.9 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $600 — 1,200
122 A CHINESE EXPORT ‘EUROPEAN SUBJECT’ CUP AND SAUCER, QIANLONG PERIOD, 18TH CENTURY 清 乾隆 中国外销西洋人物纹茶杯盏托一组 两件 saucer diameter 4.8 in — 12.3 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 600
123 A BRONZE-MOUNTED CHINESE EXPORT FAMILLE ROSE TEAPOT, QIANLONG PERIOD, 18TH CENTURY 清 乾隆 中国外销镶铜口粉彩茶壶 height 6.5 in — 16.4 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 600
124 A CHINESE EXPORT OCTAGONAL BLUE AND WHITE OVERGLAZE-RED ‘ROSE’ PLATE, QIANLONG PERIOD, 18TH CENTURY 清 乾隆 外销青花加彩’博古图’八棱盘 diameter 9.2 in — 23.3 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $200 — 400
125 A RARE CANTON ENAMELED ‘NUNQUAM NON PARATUS’ ARMORIAL DISH WITH ‘WU SHUANG PU’ FIGURES, 18TH CENTURY 清 十八世纪 广彩’无双谱’纹章盘 diameter 9.8 in — 25 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 600
126 A FAMILLE ROSE ‘WU SHUANG PU’ TEAPOT, LATE QING DYNASTY 清晚期 粉彩’无双谱’茶壶 height 3.9 in — 9.8 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $500 — 800
127 A GROUP OF SEVEN CHINESE EXPORT CERAMIC WARES, LATE MING/EARLY QING DYNASTY 明末清初 外销瓷器一组七件 Consisting of a brown-glazed Martaban stoneware jar, three green-glazed globular jars, and three white-glazed jars 包含褐釉堆塑龙纹四系罐一只；白釉器三 件，绿釉小罐三只 largest height 9.4 in — 24 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $400 — 600
128 A GROUP OF FOUR BLUE AND WHITE PORCELAIN WARES, MING DYNASTY 明 青花瓷器一组四件 Consisting of a jarlet, a lidded jarlet with stand, a circular covered box, and a dish marked ‘Fugui Changchun’ 包含青花小罐一只，青花小盖罐一只，青花 圆盖盒一只；青花小碟一只 底款: 富贵长春 largest diameter 4.8 in — 12.1 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $600 — 800
129 A GROUP OF SEVEN BLUE AND WHITE PORCELAIN WARES, LATE QING DYNASTY 清晚期 青花瓷器一组七件 Consisting of four bowls, two dishes, and one lidded bowl 包含碗四只，盘两只，盖碗一只 largest diameter 7 in — 17.9 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $500 — 800
130 A GROUP OF THREE CHINESE PORCELAIN WARES, QING DYNASTY 清 瓷器一组三件 Consisting of a blue-ground white slip decorated rectangular box and cover, with wood stand; a pale celadon glazed jarlet with incised decoration; and a small and fine whiteglazed cup 包含: 蓝地白釉花卉纹长方盖盒带座，青釉 划花小罐，白釉小杯, box with kintsugi repair visible to the interior box 2.6 x 7.7 x 4 in — 6.6 x 19.5 x 10.2 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $500 — 600
131 A CHINESE EXPORT IMARI ‘MAGU XIAN SHOU’ DISH, KANGXI PERIOD (1662-1722) 清 康熙 中国伊万里’麻姑献寿‘纹盘 minor rim chips, including a 7mm chip; 3cm hairline from rim 2.1 x 9.7 in — 5.3 x 24.7 cm NOTE:
An identical pair of dishes sold at Christie’s New York, Benjamin F. Edwards III Collection of Chinese Export, January 20, 2004, Lot 12 $500 — 700
132 A FAMILLE VERTE PITCHER AND BASIN, 19TH CENTURY 清中晚期 五彩花浇折沿盆两件 basin with 5mm chip to rim, worn enamel to the interior 盆有5毫米口沿磕碰 内壁脱彩 largest diameter 16.2 in — 41.2 cm $2,000 — 3,000
133 A PAIR OF FAMILLE ROSE WALL VASES, 19TH CENTURY 清 十九世纪 粉彩堆塑童子壁瓶一对 One boy restored with carved, painted wood legs, another boy with plaster restorations for his head and vase height 10 in — 25.3 cm $400 — 600
134 A CANTON ENAMEL EXPORT ‘MA GU XIAN SHOU’ BOX AND COVER, 19TH CENTURY, QIANLONG MARK 清 十九世纪 广彩外销’麻姑献寿’彩瓷盖盒 「乾隆年制」底款 Of rectangular form, the exterior painted with florals and a cartouche of the well-known Chinese depiction of ‘ma gu xian shou’ or “wishes of longevity from Magu’ length 6.3 in — 16 cm $400 — 600
135 A FAMILLE VERTE LOBED-FORM ‘BIRDS AND FLOWERS’ DISH, KANGXI PERIOD, 17TH CENTURY 清 康熙 五彩花鸟纹花口小碟 diameter 4.6 in — 11.7 cm $300 — 400
136 A PAIR OF LARGE CANTON FAMILLE ROSE PUNCH BOWLS, 19TH CENTURY 清 十九世纪 广彩‘潘趣’大碗一对 diameter 15.4 in — 39 cm $1,000 — 2,000
137 A GROUP OF FOUR CHINESE EXPORT PORCELAIN WARES, QING DYNASTY 清 外销瓷器一组四件 Consisting of a blue and white shallow bowl, a blue and white lobed dish, an Imari-style bowl, and a dish painted with figures 包含青花花卉纹浅碗 清康熙 青花花口小盘 清康熙 含人物纹盘一只 花卉博古纹碗一只 largest diameter 9.8 in — 24.9 cm $600 — 800
138 A CELADON MOULDED DISH, LATE QING DYNASTY 清晚期 冬青釉印花大盘 diameter 11.4 in — 29 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $300 — 500
139 A LONGQUAN BARBED-RIM DISH, 15TH CENTURY 明 十五世纪 龙泉花口盘 heavily restored with overspray throughout diameter 12.8 in — 32.5 cm $200 — 400
140 A CLAIR-DE-LUNE GLAZED POMEGRANATE-FORM VASE, QING DYNASTY 清 天蓝釉留白花卉石榴尊 Finely potted with a globular body rising to a waisted neck and flared mouth, the exterior decorated in white slip with floral sprays height 3 in — 7.6 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $1,000 — 2,000
141 TWO BLANC DE CHINE FIGURES, 18TH CENTURY AND LATER 清 十八世纪或更晚 德化白瓷人物两件 tallest height 10.5 in — 26.6 cm $400 — 600
142 A PAIR OF FAHUA GLAZED GUARDIAN LIONS, LATE QING DYNASTY 清晚期 法华福狮一对 height 15 in — 38.1 cm $800 — 1,200
143 A CHINESE WUCAI ‘BIRDS AND FLOWERS’ VASE, 19TH/20TH CENTURY 十九/二十世纪 中国五彩花鸟纹瓶 height 11.4 in — 29 cm $600 — 900
144 A LARGE FAMILLE ROSE ‘NINE PEACHES’ JAR AND COVER, DAOGUANG MARK AND POSSIBLY OF THE PERIOD, 19TH CENTURY 清 十九世纪 道光底款 五彩花鸟纹瓶 small loss to footrim; three chips to the cover; dark coating to the interior of the mouth; repainted enamel to the leaves on the mouth height 16.9 in — 43 cm $600 — 900
145 A PAIR OF PINK GROUND HU-FORM VASES, QIANLONG MARK, 19TH CENTURY OR LATER 十九世纪或更晚 粉地花鸟纹贯耳瓶一对 乾 隆款 Roundels on both sides painted with a pair of birds and a mountain landscape, turquoise ground interior and base 12 x 7.4 x 4.7 in — 30.4 x 18.8 x 12 cm $800 — 1,200
146 A GROUP OF FOUR FAMILLE ROSE PORCELAIN DISHES, LATE QING DYNASTY 清晚期 粉彩瓷盘一组四件 Consisting of an iron-red enamel painted dish with gourds and double-happiness characters, Chenghua mark to base; a metal-mounted dish with blue and white lotus with overglaze enamel decoration, six-character mark to base; a ‘sanduo’ dish painted with overglaze enamels, iron-red seal mark to base; and a Canton famille rose dish largest diameter 7.3 in — 18.5 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
147 TWO UNDERGLAZE PORCELAIN SNUFF BOTTLES, 19TH CENTURY 清晚期 十九世纪 青花釉里红鼻烟壶两只 Consisting of one underglaze copper red blue and white bottle; together with one underglaze blue and white bottle, 1cm hairline to mouth of blue and white bottle 青花鼻烟壶口沿处有1 厘米冲线 tallest height 3.5 in — 9 cm $300 — 500
148 A PAIR OF BLUE AND WHITE ‘PHOENIX’ CHARGERS, QIANLONG MARK, 19TH CENTURY 清晚期 青花凤纹盘一对 乾隆款 13.5 x 1.6 in — 34.2 x 4.1 cm $1,000 — 1,500
149 TWO BLUE AND WHITE ‘DOUBLE HAPPINESS’ VASES, LATE QING DYNASTY 清晚期 青花双喜纹瓶一对 height 16.9 in — 43 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $500 — 800
150 A GROUP OF THREE BLUE AND WHITE ‘DOUBLE HAPPINESS’ AND ‘LOTUS PATTERN’ WARES, LATE QING DYNASTY 清晚期 青花瓷器一组三件 largest height 8.3 in — 21 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 800
151 A BLUE AND WHITE ‘DRAGON’ JAR AND COVER, LATE QING DYNASTY 清晚期 青花’二龙戏珠’盖罐 star crack to underside height 14.6 in — 37 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $500 — 800
152 A GROUP OF SEVEN BLUE AND WHITE PORCELAIN WARES, 17TH/18TH CENTURY 清 十七/十八世纪 青花瓷器一组七件 Consisting of a blue-glazed stem cup, a cup and saucer, a miniature lidded box, two cups, and one dish largest diameter 6.2 in — 15.7 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $400 — 600
153 A GROUP OF FOUR TURQUOISE GLAZED CHINESE EXPORT DUCKS, LATE QING DYNASTY 清 十九世纪或更晚 孔雀蓝釉瓷塑鸭四件 largest height 8.7 in — 22 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $200 — 400
154 A PAIR OF TURQUOISE GLAZED PORCELAIN ROOSTERS, 19TH CENTURY OR LATER 十九世纪或更晚 孔雀蓝釉瓷塑公鸡一对 height 10 in — 25.5 cm $200 — 400
155 A TURQUOISE GLAZED PORCELAIN PARROT, QING DYNASTY 清 孔雀蓝釉瓷塑鹦鹉 height 9.1 in — 23 cm $200 — 400
156 A PAIR OF JAPANESE ‘FLORAL’ BOWLS, 18TH CENTURY BOTH WITH CHIPS TO ENAMEL; DEEP 9CM HAIRLINE THROUGH AND THROUGH 3.9 X 7.9 IN — 10 X 20 CM $400 — 600
157 A LARGE WELL-PAINTED IMARI-STYLE FAMILLE ROSE FISH BOWL, XIANFENG MARK, LATE QING DYNASTY 清晚期 伊万里风格粉彩大缸 咸丰款 14 x 15.7 in — 35.5 x 40 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
158 A GROUP OF FOUR IMARI WARES, 19TH CENTURY 十九世纪 伊万里风格瓷器一组四件 Consisting of a large lidded jar, a vase mounted as a lamp, and two plates largest height 24.2 in — 61.5 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $300 — 600
159 A BLUE AND WHITE GU VASE 青花缠枝莲纹觚式瓶 height 17.5 in — 44.5 cm $2,000 — 3,000
160 A FAMILLE VERTE ‘LADY AND CHILD’ ROULEAU VASE, KANGXI MARK 五彩’仕女童子’棒槌瓶 康熙款 height 17 in — 43.2 cm $2,000 — 3,000
161 A LARGE DAOIST IMMORTALS ‘BIRTHDAY’ TEXTILE PAINTING 清 祝寿图 刺绣设色绢本 立轴 Ink and colour on textile; hanging scroll mounted, image overall in good condition; some wear and tear to the scroll mounting image 65.6 x 35.1 in — 166.5 x 89.2 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
162 A SET OF ‘FOUR SEASONS’ FLOWER PAINTINGS, SIGNED SONG XIAOHEN 「春夏秋冬」四条屏 设色纸本 立轴 Ink and colour on paper; hanging scroll mounted 宋晓痕款, one with water damage each image 26.6 x 11.8 in — 67.6 x 30 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $200 — 400
163 A GROUP OF THREE ‘BIRDS AND FLOWERS’ PAINTINGS, SIGNED ZHANG YIYI 花鸟图三张 设色纸本 立轴 Ink and colour on paper; hanging scroll mounted 张一逸款, wear and tear to the scroll mounting; heavy foxing to the bottom of one image each image 32.9 x 13.6 in — 83.6 x 34.5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $100 — 200
164 AFTER TANG YIFEN (1778-1853), LANDSCAPE 汤贻汾 (1778—1853)款 山水 设色纸本 立轴 Ink and colour on paper; hanging scroll mounted 款：时壬辰五月二日法苦瓜僧笔 汤贻汾 印：汤贻汾印, in good condition image 43.5 x 13.1 in — 110.5 x 33.3 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
165 AFTER YAO HUA (1876-1930), LANDSCAPE, TOGETHER WITH A PAINTING OF DANDELIONS, LATE QING DYNASTY, DATED 1878 姚华 (1876-1930)款 「秋林红树图」 晚清 「秋菊图」设色纸本 立轴 一组两张 Ink and colour on paper; hanging scroll mounted, dandelions with water damage and torn from the stave largest image 42.7 x 13.5 in — 108.5 x 34.3 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $300 — 500
166 A GROUP OF THREE LANDSCAPE PAINTINGS 山水图一组三张 设色纸本 立轴 Ink and colour on paper; hanging scroll mounted, mild foxing; two missing scroll heads; overall in good condition largest image 49 x 15.4 in — 124.5 x 39.2 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $300 — 500
167 AFTER LANG SHINING (GIUSEPPE CASTIGLIONE, 1688-1768), PORTRAIT OF A BOY 郎世宁 (1688 - 1768)款 童子 设色纸本 立轴 Ink and colour on paper; hanging scroll mounted, minor wear; overall in good condition 37.6 x 21.2 in — 95.5 x 53.8 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $200 — 300
LOTS 168 AND 169
Zhang Shuqi was born in 1900 in
to breathe new life into traditional
ZHANG SHUQI (1901-1957)
Zhejiang, China. He is considered
forms using his knowledge of
one of the earliest Chinese
Western art. Because of Zhang’s
artists to have direct impact on
synthesis of these two styles,
mainstream American audiences
he considered himself both an
and their understanding of
international and Chinese artist.
Chinese brush painting. Studying under one of the most famous Chinese painters, Liu Haisu (1896-1994), Zhang received training in Western painting techniques, which would form the foundation of his own work. Liu styled himself as the Chinese Vincent Van Gogh, founding the Shanghai Art Academy to teach Western art techniques exclusively. Zhang was one of the Academy’s earliest students, and after graduation, became a practicing artist and instructor of brush painting at various schools in China. Influenced by his friend and associate at the time, Zhang Daqian (1899-1983), Zhang also trained himself in the mastery of traditional Chinese brush painting techniques. He developed his own interpretation of the wellestablished Chinese painting genre of birds and flowers, seeking
Zhang’s career progressed quickly in the 1930s. His work was exhibited in Paris, Berlin and Moscow while also coming to the attention of Chinese political elites. In 1940, the Ministry of Education requested that Zhang create a large painting to commemorate President Roosevelt’s election to a third presidential term. The result was his monumental Messengers of Peace, also known as A Hundred Doves, which received extensive media coverage. Under the auspices of the Chinese government, Zhang travelled to the United States in the autumn of 1941, as China’s “ambassador of art and goodwill,”th the mission to promote Sino-American understanding and friendship through an introduction to Chinese culture. Zhang travelled extensively across the country in
the name of cultural diplomacy,
The physicality of the artist’s
Gallery of Canmore in Alberta as
exhibiting his works at galleries
painting techniques also
a gift to Mr. Xinghe.
while giving talks at clubs, civic
impressed Western audiences,
organizations, universities,
with the artist and writer John
museums, and to private
Garth noting “the way in which
collectors.
Professor Chang moves his brush
Throughout the early 1940s, Zhang exhibited his paintings and performed demonstrations of his technique at museums across North America. At his shows, the public demonstrations of his painting attracted large audiences who witnessed Chinese brush painting for the first time.
through its series of graceful curves, swirls and touches as the painting steadily evolves beneath his handsome hand reminds the watcher, oddly enough, of the apparent free but exactly controlled execution of a difficult dance routine by some master or mistress of the classic ballet.”
Widely advertised, these events
Zhang was known in China for his
attracted great crowds who were
style of “whiteism” — the liberal
amazed by the “temporality” of
use of white pigment – which
his process, as he was capable of
was very unconventional in
producing intricate compositions
traditional painting. This unusual
within a matter of minutes. Zhang’s
style is perfectly captured in both
unusual handling of his materials,
paintings offered by Waddington’s,
in particular the brushworkand
as it can be seen in the depiction
the application of watercolours,
of the flowers.
captivated his viewers. His ability to render simple scenes of natural beauty were enthralling: his birds and flowers created an alternate, idealistic reality, which was in contrast to the stresses of war and of daily life.
Another of Zhang’s signature techniques was his usage of Hanji. Hanji is a traditional handmade paper from Korea. Hanji is made from the inner bark of Broussonetia papyrifera, known colloquially as paper mulberry, a tree native to Korea that grows well on its rocky mountainsides, known in Korean as dak. Bird, Butterfly, and Peony, (lot 168) painted on Hanji and pasted on board, was also dedicated to Mr. Xinghe. Zhang returned to China at the end of World War II, though returned to the United States in 1949. He set up a studio in the hills of Oakland, California where he lived until his death in 1957. His paintings have been exhibited at major museums, including the
Cyclically dated to the 33rd
Metropolitan Museum of Art, the
year of the Republic (1944), Bird
Chicago Art Institute, and the
and Wisteria (lot 169), offered
Royal Ontario Museum in Toronto.
in our upcoming auction, is the result of one of Zhang’s painting demonstrations. Its inscription indicates that it was painted at the
168 ZHANG SHUQI (1901-1957), BIRD, BUTTERFLY, AND PEONY 张书旂 (1900-1957) 杞菊延年 设色纸本 镜 框 Inscribed and signed, with one seal of the artist, dated 33rd year (of the Republic, 1944); ink and color on paperboard, framed 款: 民国三三年张书旂 星河先生正之 钤印: 书旂, in good condition out of frame 10.5 x 13 in — 26.7 x 33 cm $4,000 — 6,000
169 ZHANG SHUQI (1901-1957), BIRD AND WISTERIA 张书旂 (1900-1957) 紫藤灵栖图 设色纸板 镜框 Inscribed and signed, with one seal of the artist, dated 33rd year (of the Republic, 1944); painted in the Gallery of Canmore, Alberta; ink and color on paper, framed 款: 三十三年张书旂 作于康美尔美术馆 星河 先生正之 钤印: 书旂, in good condition out of frame 11 x 14 in — 27.9 x 35.6 cm $4,000 — 6,000
170 WANG QINGFANG (1900-1956), SPRING VIEW 王青芳 (1900-1956) 古城春景图 设色纸本 镜框 Ink and colour on paper, framed 款：古城春暖鸭净波 芒砀山人王青芳写意 印：王青芳, in good condition image 26.5 x 13.4 in — 67.2 x 34 cm $600 — 800
171 A SET OF THREE CHINESE EMBROIDERED ‘HUNDRED ANTIQUES’ RED SILK PANELS, LATE QING DYNASTY 清晚期 ‘博古图’刺绣 one with minor lifting to thread; overall in good condition 55 x 26 in — 139.7 x 66 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
172 A SET OF FOUR CHINESE EMBROIDERED ‘HUNDRED ANTIQUES’ RED SILK PANELS, LATE QING DYNASTY 清晚期 红地’博古图’刺绣一组四件 in good condition 63 x 27 in — 160 x 68.6 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
173
174
A LARGE CHINESE EMBROIDERED ‘SHOULAO’ RED SILK PANEL, LATE QING DYNASTY
A LARGE CHINESE EMBROIDERED ‘MAGU AND DEER’ RED SILK PANEL, LATE QING DYNASTY
清晚期 红地’寿老图’刺绣
清晚期 红地’麻姑献寿’刺绣
in good condition 128 x 57.5 in — 325.1 x 146.1 cm
minor spots of discolouration; overall in good condition 97.5 x 36.2 in — 247.7 x 91.9 cm
PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
175
176
A LARGE CHINESE EMBROIDERED ‘LADY AND PHOENIX’ RED SILK PANEL, LATE QING DYNASTY
A CHINESE EMBROIDERED ‘FU LU SHOU’ RED SILK PANEL, LATE QING DYNASTY
清晚期 红地’孔雀仕女’图刺绣
Hanging scroll mounted, overall in good condition panel 69.8 x 28.6 in — 177.2 x 72.6 cm
in good condition 132 x 63.7 in — 335.3 x 161.8 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
清晚期 红地’福禄寿’刺绣
PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $400 — 800
177 A CHINESE EMBROIDERED ‘FU LU SHOU’ RED SILK PANEL, LATE QING DYNASTY 清晚期 红地’福禄寿’刺绣 立轴 Hanging scroll mounted, in good condition panel 78.3 x 35.5 in — 199 x 90.2 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $400 — 800
178 A GROUP OF THREE EMBROIDERED RED SILK PANELS, LATE QING DYNASTY 清晚期 绣片一组三件 Consisting of a pair of ‘eight immortals’ couplets; and a line of auspicious calligraphy; hanging scroll mounted, one immortals panel with water damage throughout; damage to mounting largest panel 80.3 x 17.8 in — 204 x 45.3 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $300 — 500
179 A CHINESE PINK GROUND SILK EMBROIDERED SKIRT, LATE QING DYNASTY 清晚期 粉地刺绣马裙 With alternating pleats of dragons and phoenixes, embroidered on a bright pink ground with blue borders, some fraying to the interior bottom edge; overall in good condition 36 x 45 in — 91.4 x 114.3 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $600 — 800
180 A LARGE FRAMED CHINESE SILK EMBROIDERED SKIRT, LATE QING DYNASTY 清晚期 中国刺绣马裙 Embroidered with dragons and phoenixes above multi-coloured waves against a pale ochre ground, in good condition frame 48.7 x 81.4 in — 123.7 x 206.7 cm $600 — 1,200
181 A FRAMED CHINESE SILK EMBROIDERED RANK BADGE, 19TH CENTURY OR LATER 十九或二十世纪 中国刺绣方补 带框 in good condition silk panel 12.6 x 13.8 in — 32 x 35 cm $300 — 500
182 TWO FRAMED GOLD THREAD SILK EMBROIDERED PANELS, 19TH/20TH CENTURY 十九或二十世纪 刺绣文官二品锦鸡方补 One of a civil rank badge; the other a leaping fish above rolling waves, in good condition largest panel 10.1 x 11.4 in — 25.6 x 29 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $300 — 500
183 A BRONZE FIGURE OF A BODHISATTVA, POSSIBLY MING DYNASTY 或明代 铜菩萨坐像 Seated in dhyanasana with the left hand in vitarka mudra and the right in avakasha mudra, the torso embellished with jewellery strands and flowing sashes, traces of gilt and red paint throughout, losses to the sashes flanking the sides; overall in fine condition height 10.6 in — 27 cm $2,000 — 3,000
184 A SINO-TIBETAN GILT BRONZE FIGURE OF SHAKYAMUNI, 16TH CENTURY 汉藏 十六世纪 铜鎏金释迦牟尼坐像 Seated in dhyanasana on a double-lotus base with the right hand in bhumisparsa mudra and the left in dhyana mudra, the Buddha is dressed in robes and his hair arranged in tight curls, his face demonstrating a serene meditative expression, typical gilt wear throughout; small loss to left middle finger; overall in fine condition 6 x 3.8 x 2.7 in — 15.2 x 9.7 x 6.9 cm, 33.5 oz. — 1041 grams $4,000 — 6,000
185 A GILT BRONZE FIGURE OF VAIROCANA, QING DYNASTY 清 铜鎏金大日如来坐像 Seated in dhyanasana on a double-lotus base with hands in uttarabodhi mudra, the face with downcast eyes and a serene expression, in fine condition height 5.1 in — 13 cm PROVENANCE:
Dr. Lewis Calvin Walmsley (1897-1998) 来源: NOTE:
For a similar example, please see Christie’s New York, March 21, 2012, lot 807 类似佛像可参看纽约佳士得，2012年3月21 日拍卖，拍品编号807 $3,000 — 5,000
186 A GILT BRONZE ‘MYTHICAL BEAST’ PAPER WEIGHT, 19TH CENTURY 清晚期 铜鎏金瑞兽镇纸 Cast in the form of a recumbent mythical beast, gilt traces to the body, mane and tail naturalistically rendered in detail, in fine condition length 2.8 in — 7.2 cm $1,500 — 2,000
187 A LARGE YELLOW GROUND CLOISONNÉ ‘NINE PEACHES’ VASE, 20TH CENTURY 清晚期 黄地掐丝珐琅九桃纹天球瓶 元善堂 底款 Of globular tianqiuping form, the nine peaches cast in high relief against a bright yellow ground with interlocking wire-inlaid fret pattern; three-character Yuan Shan Tang mark to base, in good condition height 24.9 in — 63.2 cm $1,000 — 2,000
188 A GROUP OF THREE CHINESE EXPORT ITEMS, 19TH CENTURY 清 十九世纪 中国外销器具一组三件 Consisting of a mirror, a vase, and a candle 包含镜子，瓶，烛台共三件, some loss to wood frame; candle with loss to enamel largest 7 x 7.1 in — 17.8 x 18 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 $300 — 500
189 A CHINESE EXPORT SILVER ‘DRAGON’ FOOTED BOWL, CIRCA 1926 晚清/民国 约1926年 中国外销银龙碗 Stamped MH, 90, and 和合, in good condition 5.9 x 10.7 in — 15 x 27.3 cm, 31.7 oz. — 985 grams $800 — 1,200
190 TWO CHINESE EXPORT SILVERED VASES, LATE 19TH/EARLY 20TH CENTURY 晚清/民国 中国外销银瓶两只 minor dents and scratches; overall in good condition tallest height 15.4 in — 39 cm $100 — 200
191 TWO CHINESE MOTHER-OF-PEARL SHELLS, QING DYNASTY 清 螺钿雕龙纹摆件一组两件 One carved with a dragon and phoenix against a reticulated ground of flowers and scrolling vines; the other painted with a dragon chasing a flaming pearl; both with wood stands, minor paint loss; overall in fine condition largest 7.9 x 8.5 in — 20 x 21.6 cm $800 — 1,200
192 A FINELY CARVED IVORY CHINESE EXPORT FAN PAINTED WITH A PALACE SCENE, 19TH CENTURY 十九世纪 中国外销象牙透雕彩绘庭院人物 纹折扇 The fan painted with multiple figures in a palace setting, each figure with a painted ivory face and silk robes, in a carved wood frame 人物头部均为彩绘象牙板 服饰为丝织品 带木框, loss to top half of terminal stick and associated paper; break to another stick; loss to one face frame 19.8 x 25.4 in — 50.4 x 64.6 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 NOTE:
Contains material which may be subject to import/export regulation $600 — 800
193 A FINELY CARVED HANGING IVORY PUZZLE BALL, QING DYNASTY 清 挂式牙雕鬼工球 in fine condition overall height 18.1 in — 46 cm PROVENANCE:
Acquired by descent through a Toronto family 来源: 多伦多家族遗产 NOTE:
Contains material which may be subject to import/export regulation $500 — 800
194 A CHINESE IVORY FIGURE OF A LADY, REPUBLICAN PERIOD 民国时期 中国牙雕仕女像 With stand, 连座, fine cracks due to age; overall in fine condition height 13 in — 33 cm NOTE:
Contains material which may be subject to import/export regulation $800 — 1,200
195 A CHINESE IVORY CARVED RECLINING LADY, ‘DOCTOR’S DOLL’, 19TH CENTURY 十九世纪 牙雕裸女摆件 With wood stand, in fine condition length 8.7 in — 22 cm PROVENANCE:
Estate of Richard LaPrairie, Toronto Proceeds will be generously donated by the Estate to Camp Ooch & Camp Trillium to benefit children living with cancer. NOTE:
Contains material which may be subject to import/export regulation $500 — 800
196 AN IVORY FIGURE OF A LADY HOLDING A PEONY FLOWER, REPUBLICAN PERIOD 清末/民国 牙雕牡丹仕女像 With wood stand, losses to the phoenix headdress and peony stems; 凤冠与牡丹藤有 小缺损 height 14 in — 35.6 cm NOTE:
Contains material which may be subject to import/export regulation $500 — 800
197 A CHINESE IVORY FIGURE OF IRON-CRUTCH LI, LI TIEGUAI, QING DYNASTY 清 牙雕铁拐李立像 On a wood stand, small loss to the hair; overall in good condition; 发尾有小磕碰 height 5.2 in — 13.2 cm NOTE:
Contains material which may be subject to import/export regulation $400 — 600
198 A CHINESE SHAGREEN SWORD, QING DYNASTY 清 中国鲨革刀一把 some areas of wear and patination consistent with age; overall in good condition length 42.1 in — 107 cm $200 — 300
199 A SET OF THREE CHINESE EXPORT WALLPAPER PANELS, EARLY 20TH CENTURY 十九世纪晚期/二十世纪早期 中国外销花鸟 壁纸画一组三张 one with two large tears at the bottom, largest tear 29cm; another with two smaller tears at the bottom and one on the side, largest tear 3cm; mild foxing to the back; overall in good condition each 122.8 x 40.4 in — 312 x 102.5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $400 — 600
200 TWO ANCESTOR PORTRAITS OF MATRIARCHS, QING DYNASTY 清晚期 祖先像 设色纸本 立轴 Ink and colour on paper; hanging scroll mounted, larger scroll with some patches of foxing to the left-hand side of the image; smaller scroll with water damage at the top near the stave largest image 43.2 x 25.6 in — 109.7 x 65 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $300 — 500
201 A GILT AND POLYCHROME WOOD CARVED CHINESE CANOPY BED ROOF PANEL, 19TH/EARLY 20TH CENTURY 清 19/20世纪 潮州金漆木瑞兽博古镂雕床板 The central panel gilt painted and carved with an intricate scene of furniture, flower arrangements, and animals, bordered by cracked-ice lattice pattern painted in green and red, minor cracks and wear; overall in fine condition 35.4 x 50 in — 89.8 x 127 cm $500 — 700
202 A PAIR OF FRAMED GILT WOOD TEMPLE CARVINGS, 19TH CENTURY 清 十九世纪 潮州金漆木雕人物故事挂件一 对 in fine condition 14.7 x 23.2 in — 37.4 x 58.9 cm $200 — 300
203 A FRAMED WOOD TEMPLE CARVING, 19TH CENTURY 清 十九世纪 金漆木雕加彩挂屏 some small cracks and wear, particularly on the right-hand side; overall in good condition 29.5 x 21.5 in — 75 x 54.5 cm $200 — 300
204 A LARGE GOLD-PAINTED BLACK LACQUER ‘DRAGON’ CHEST, 19TH CENTURY 十九世纪 黑漆描金双龙戏珠纹箱 surface wear consistent with age; overall in good condition height 19.5 in — 49.5 cm $600 — 800
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
Selling at Waddington’s bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
insurance
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca