Inuit Art | October 16 - 21, 2021

Inuit Art O CTO BE R !"#!— !%" &!% '%"

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SENIOR1SPECALIST Duncan Mclean adm@waddingtons.ca ,(--+,%--(+/

CONSIGNMENT1SPECIALIST Palmer Jarvis pj@waddingtons.ca ,(--+,%--()(

COVER Lot %& SAIMAIYU!AKESUK QAUMAJAQ'

INSIDE1COVER1

Lot () ISA!AQIATTUSUK!SMILER MOTHER'AND'CHILD

INSIDE1BACK1COVER Lot *+ KAKA!ASHOONA HOODED'WIFE'SMILING

BACK1COVER1 '

This catalogue and its contents © !"!#$ Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Lot (,, LUKE!ANGUHADLUQ OLD'MAN'WALKING

Photography & design by Waddington’s All rights reserved.

!

MARY!TUTSWEETOK!"B#$%&'()!

ESKIMO!POINT!/!ARVIAT BEADED!FIGURE

stone, beads; signed in syllabics 5.5 x 3 x 4 in — 14 x 7.6 x 10.2 cm "#$$%—%'$$

# LUCY!TASSEOR!TUTSWEETOK! "$%*+-'-$'()!ᓗᓯ!ᑕᓯᐅ!ᑎᓯᑕ)!

ESKIMO!POINT!/!ARVIAT FAMILY

stone; dated 1992 on a sticker on the base 5 x 3.5 x 3 in — 12.7 x 8.9 x 7.6 cm PROVENANCE(

Private Collection, Toronto, ON ")$$%—%*$$

) MARY!TUTSWEETOK!"B#$%&'()!

ESKIMO!POINT!/!ARVIAT FAMILY

stone 10.5 x 7.5 x 7 in — 26.7 x 19.1 x 17.8 cm ")$$%—%*$$

' ATTRIBUTED!TO!MARY!TUTSWEETOK! "B#$%&'()!ESKIMO!POINT!/!ARVIAT FAMILY

stone 13.5 x 12 x 8 in — 34.3 x 30.5 x 20.3 cm "'$$%—%+$$

* DAVID!IBLAUK!"B#$%**()!

ESKIMO!POINT!/!ARVIAT POLAR!BEAR!ATTACK

stone; signed in syllabics 7 x 9 x 5.5 in — 17.8 x 22.9 x 14 cm "'$$%—%+$$

+ LUCY!TASSEOR!TUTSWEETOK! "$%*+-'-$'()!ᓗᓯ!ᑕᓯᐅ!ᑎᓯᑕ)!

ESKIMO!POINT!/!ARVIAT FAMILY

stone; signed in syllabics, dated 1995 on the tag 5.5 x 5.25 x 4.5 in — 14 x 13.3 x 11.4 cm PROVENANCE(

Private Collection, Toronto, ON "'$$%—%+$$

, BART!HANNA!"B#$%+.()!

IGLULIK!/!IGLOOLIK NURSING!MOTHER

stone; signed in Roman 6 x 8 x 4 in — 15.2 x 20.3 x 10.2 cm "'$$%—%+$$

ANNIE!NIVIAXIE!"B#$%*-()!ᐊᓂ!ᓂᕕᐊᓯ)!

PORT!HARRISON!/!INUKJUAK FAMILY!SCENE

stone, caribou fur, on woven grass base 10 x 19 x 12 in — 25.4 x 48.3 x 30.5 cm "!*$%—%#*$

.

ABRAHAM!POV!"$%'&-$%%+()! ᐊᐃᐊᔭᑲ!ᑕᓕᕈᓂᓕ!ᐱᐅᕕ)!

PORT!HARRISON!/!INUKJUAK FLENSING!A!SEAL

stone; signed in syllabics 7.75 x 8.5 x 6.5 in — 19.7 x 21.6 x 16.5 cm "'$$%—%+$$

!$ LAZARUSIE!EPOO!"B#$%*'()!

PORT!HARRISON!/!INUKJUAK HUNTER!PULLING!!WALRUS

stone 7 x 13 x 12 in — 17.8 x 33 x 30.5 cm "'$$%—%+$$

!!

JOANASSIE!OOMAYOUALOOK!"B#$%*+()!

PORT!HARRISON!/!INUKJUAK WALRUS

stone; signed in syllabics, disc number inscribed 3 x 12 x 6 in — 7.6 x 30.5 x 15.2 cm "#$$%—%'$$

!# LAZARUSIE!EPOO!"B#$%*'()!

PORT!HARRISON!/!INUKJUAK CARVING!UP!A!WALRUS

stone; signed in syllabics, disc number inscribed 9.5 x 8 x 10 in — 24.1 x 20.3 x 25.4 cm "'$$%—%+$$

!)

UNIDENTIFIED!ARTIST)!

FROBISHER!BAY!/!IQALUIT HUNTER!PULLING!A!WALRUS

stone, hide; ca.1960 12 x 5 x 6 in — 30.5 x 12.7 x 15.2 cm "'$$%—%+$$

!'

UNIDENTIFIED!ARTIST DANCING!BEAR

stone 14 x 9 x 3.25 in — 35.6 x 22.9 x 8.3 cm PROVENANCE(

Private Collection, ON "**$%—%,*$

!* ARPIK!JOHNNY!TUNIQ!"$%*'-'--$()!

GEORGE!RIVER!/!KANGIQSUALUJJUAQ WOMAN!STRETCHING!A!SKIN

stone; signed in syllabics, disc number inscribed 14 x 10.25 x 5 in — 35.6 x 26 x 12.7 cm "'$$%—%+$$

!+ JOHNNY!PILURTUUT!"B#$%'.()!

GEORGE!RIVER!/!KANGIQSUALUJJUAQ TWO!MEN!WRESTLING

stone; signed in syllabics, disc number inscribed 8 x 10 x 7 in — 20.3 x 25.4 x 17.8 cm ")$$%—%*$$

!, JAMES!AKAVAK!"$%$$-$%./()!

LAKE!HARBOUR!/!KIMMIRUT FAMILY!GROUP

stone; signed in Roman, disc number inscribed 6.5 x 9.5 x 6 in — 16.5 x 24.1 x 15.2 cm PROVENANCE(

Private Collection, Burlington, ON "*$$%—%,$$

!NOAH!KOUGHAJUKE!"$.%%-$%&0()! ᑯᓯᐃᔨ)!LAKE!HARBOUR!/!KIMMIRUT BEAR!ATTACKING!SEAL

stone; ca.1970 15 x 14 x 9 in — 38.1 x 35.6 x 22.9 cm "*$$%—%.$$

!.

ISA!AQIATTUSUK!SMILER)!

PORT!HARRISON!/!INUKJUAK MOTHER!AND!CHILD

stone; signed in syllabics 12 x 7 x 4.5 in — 30.5 x 17.8 x 11.4 cm PROVENANCE(

Private Collection, ON "'/$$$%—%+/$$$

#$ MIKIGAK!KINGWATSIAK!"B#$%+*()!

CAPE!DORSET!/!KINNGAIT TRANSFORMATION

stone; ca.1975 7.25 x 10 x 2.5 in — 18.4 x 25.4 x 6.4 cm "#$$%—%'$$

#!

TOONOO!SHARKY!"B#$%&-()!

CAPE!DORSET!/!KINNGAIT QILALUNGA!AND!NATSIQ! "BELUGA!AND!SEAL#

stone; signed in syllabics 3.5 x 10.25 x 6 in — 8.9 x 26 x 15.2 cm ")$$%—%*$$

## QUVIANATULIAK!TAKPAUNGAI!"B#$%+'()!

CAPE!DORSET!/!KINNGAIT SEDNA

stone 18.5 x 13 x 4 in — 47 x 33 x 10.2 cm "!/*$$%—%#/$$$

#) UNIDENTIFIED!ARTIST)!

CAPE!DORSET!/!KINNGAIT DOG

stone; signed indistinctly in syllabics, c.1975 11 x 12 x 4.5 in — 27.9 x 30.5 x 11.4 cm "*$$%—%,$$

#' UNIDENTIFIED!ARTIST)!

CAPE!DORSET!/!KINNGAIT BASKING!SEAL

stone; dated 1986 4 x 7 x 2 in — 10.2 x 17.8 x 5.1 cm ")$$%—%*$$

#* PUDLALIK!SHAA!"B#$%0/()!

CAPE!DORSET!/!KINNGAIT BIRD!WLARUS!TRANSFORMATION

stone, antler; signed in syllabics 9.75 x 8 x 9.5 in — 24.8 x 20.3 x 24.1 cm "*$$%—%,$$

#+ QAVAROAK!TUNNILLIE!"$%'.-$%%*()! ᑲᕙᕋᒃ!ᑐᓂᓕ)!CAPE!DORSET!/!KINNGAIT DOG

stone; signed in syllabics, disc number inscribed 8 x 11.5 x 3.5 in — 20.3 x 29.2 x 8.9 cm ",$$%—%!/$$$

#, PAULOOSIE!TUNNILLIE!"B#$%&0() CAPE!DORSET!/!KINNGAIT SEDNA

stone; signed in syllabics 14.75 x 7.5 x 5.25 in — 37.5 x 19.1 x 13.3 cm "'$$%—%+$$

#KAKA!ASHOONA!"$%'.-$%%0()! ᑲᑲ!ᐊᓴᓇ)!CAPE!DORSET!/!KINNGAIT HOODED!WIFE!SMILING

stone; signed in syllabics 10.5 x 10.5 x 5 in — 26.7 x 26.7 x 12.7 cm PROVENANCE(

The Estate of Stanley B. Slocum "!/'$$%—%#/*$$

#.

LUKTA!QIATSUK!"$%'.-'--+()! ᓗᑕ!ᑭᐊᓱᑲ)!CAPE!DORSET!/!KINNGAIT DANCING!BEAR

stone; 1970 15 x 13.5 x 7 in — 38.1 x 34.3 x 17.8 cm PROVENANCE(

The Estate of Stanley B. Slocum "!/*$$%—%#/*$$

)$ KUMAKULUK!SAGGIAK!"B#$%++()!

CAPE!DORSET!/!KINNGAIT BIRD!MAN

stone 27 x 10.5 x 5 in — 68.6 x 26.7 x 12.7 cm "#/$$$%—%)/$$$

)!

QAVAROAK!TUNNILLIE!"$%'.-$%%*()! ᑲᕙᕋᒃ!ᑐᓂᓕ)!CAPE!DORSET!/!KINNGAIT SEATED!MAN!GRASPING!SEAL

stone; 1972 18 x 20 x 8 in — 45.7 x 50.8 x 20.3 cm PROVENANCE(

The Estate of Stanley B. Slocum "!/$$$%—%#/$$$

)# IYOLA!KINGWATSIAK!"$%**-'---()!

CAPE!DORSET!/!KINNGAIT BIRD

stone 7 x 6 x 3.5 in — 17.8 x 15.2 x 8.9 cm ")$$%—%*$$

)) ADAMIE!ALARIAQ)!

CAPE!DORSET!/!KINNGAIT MOTHER!AND!CHILD

stone; signed in syllabics, disc number inscribed 19 x 12 x 11 in — 48.3 x 30.5 x 27.9 cm "#/$$$%—%'/$$$

)' THOMASEE!ECHALOOK!"$%*/-'-$$()!

PORT!HARRISON!/!INUKJUAK A!MAN!USING!BIRD!FEATHERS! SINCE!HE!HAS!NO!CLOTHES

stencil; 1974, 21/21 21 x 29 in — 53.3 x 73.7 cm "!*$%—%#*$

)* LUCY!TASSEOR!TUTSWEETOK! "$%*+-'-$'()!ᓗᓯ!ᑕᓯᐅ!ᑎᓯᑕ)!

ESKIMO!POINT!/!ARVIAT SHAMAN!AND!SPIRITS

crayon and pastel; signed in syllabics 18 x 12 in — 45.7 x 30.5 cm ")$$%—%*$$

)+ THOMASEE!ECHALOOK!"$%*/-'-$$()!

PORT!HARRISON!/!INUKJUAK HUNTER!WITH!DOGS

stonecut; 1975, 32/40 20 x 21.5 in — 50.8 x 54.6 cm "!*$%—%#*$

), THOMASEE!ECHALOOK!"$%*/-'-$$()!

PORT!HARRISON!/!INUKJUAK HUNTING!CARIBOU!IN!WINTER

stonecut; 1975, 24/45 19.5 x 21.5 in — 49.5 x 54.6 cm "!*$%—%#$$

)LUCY!TASSEOR!TUTSWEETOK! "$%*+-'-$'()!ᓗᓯ!ᑕᓯᐅ!ᑎᓯᑕ)!

ESKIMO!POINT!/!ARVIAT UNTITLED

crayon and pastel; signed in syllabics 19.75 x 25.5 in — 50.2 x 64.8 cm "#$$%—%'$$

).

LUCY!TASSEOR!TUTSWEETOK! "$%*+-'-$'()!ᓗᓯ!ᑕᓯᐅ!ᑎᓯᑕ)!

ESKIMO!POINT!/!ARVIAT FAMILY

crayon and pastel drawing; signed in syllabics 18 x 12 in — 45.7 x 30.5 cm ")$$%—%*$$

'$ GERMAINE!ARNAKTAUYOK!"B#$%+0()!

IGLULIK!/!IGLOOLIK UNTITLED

black ink drawing; signed in Roman, dated ‘70 14.5 x 12 in — 36.8 x 30.5 cm "'$$%—%+$$

'!

RICHARD!HARRINGTON!"$%$$-'--/( COPPERMINE$!NWT$!%&'&

gelatin silver print; signed, titled and dated in pen and ink 18 x 14 in — 45.7 x 35.6 cm "!/$$$%—%!/*$$

'# RICHARD!HARRINGTON!"$%$$-'--/( PADLEI$!NWT$!%&'&

gelatin silver print; signed, titled and dated in pen and ink 13 x 18 in — 33 x 45.7 cm "!/$$$%—%!/*$$

') RICHARD!HARRINGTON!"$%$$-'--/( PADLEI$!NWT$!%&()

gelatin silver print; signed, titled and dated in pen and ink 13 x 18.5 in — 33 x 47 cm "!/$$$%—%!/*$$

'' RICHARD!HARRINGTON!"$%$$-'--/( PADLEI$!NWT$!%&()

Gelatin Silver print 7.5 x 9.5 in — 19.1 x 24.1 cm "-$$%—%!/#$$

'* RICHARD!HARRINGTON!"$%$$-'--/()!

UNKNOWN!SETTLEMENT)!NWT UNTITLED

gelatin silver print 15 x 19 in — 38.1 x 48.3 cm "!/$$$%—%!/*$$

'+ MARK!TUNGILIK!"$%$*-$%.0()! ᒪᑭ!ᑕᒐᓕ)!REPULSE!BAY!/!NAUJAAT LEGEND!OF!THE!MUSKOX!AND!WALRUS

stone, antler, bone 4 x 6.5 x 7 in — 10.2 x 16.5 x 17.8 cm PROVENANCE(

Becke! Gallery, Hamilton, ON, 1988 Private Collection, Toronto, ON LITERATURE(

Lorraine Brandson, Carved from the Land (Eskimo Museum, Churchill) 1994, pg. 178. "+$$%—%-$$

', MANASEE!MANIAPIK!"B#$%*%()!

PANNIRTUQ!/!PANGNIRTUNG WALRUS

stone, antler; signed in Roman 4.5 x 8 x 4 in — 11.4 x 20.3 x 10.2 cm "#$$%—%'$$

'ABRAHAM!APAKARK!ANGHIK!"B#$%/$()! ᐊᐃᐊᔭᑲ!ᐊᐸᑲ!ᐊᒋ)!PAULATUK EAGLE

stone 4 x 11 x 8.5 in — 10.2 x 27.9 x 21.6 cm "!/*$$%—%#/*$$

'.

DAVIDIALUK!ALASUA!AMITTU! "$%$--$%&0()!ᑎᕕᑎᐊᓗ)!

POVUNGNITUK!/!PUVIRNITUQ FISH!WEIR

stone; signed in syllabics 2.75 x 7.5 x 2 in — 7 x 19.1 x 5.1 cm "'$$%—%+$$

*$ DAVIDEE!A#)!

POVUNGNITUK!/!PUVIRNITUQ MAN!CATCHING!A!FOX

stone; signed in Roman 3 x 7 x 2 in — 7.6 x 17.8 x 5.1 cm "'$$%—%+$$

*!

MOSES!AUPALUKTUK!"$%'+-$%.*()!

POVUNGNITUK!/!PUVIRNITUQ MOTHER!AND!CHILD

stone, ivory; signed in Roman, disc number inscribed 9 x 8.25 x 12 in — 22.9 x 21 x 30.5 cm "!/$$$%—%#/$$$

*# UNIDENTIFIED!ARTIST SEATED!HUNTER

stone 4.75 x 7 x 3.5 in — 12.1 x 17.8 x 8.9 cm "!$$%—%#$$

*) PUDLO!PUDLAT!"$%$0-$%%'()! ᐳᓗ!ᐳᓚ)!CAPE!DORSET!/!KINNGAIT MUSKOX!AND!FRIENDS

lithograph; 1981, 25/50 22 x 30 in — 55.9 x 76.2 cm PROVENANCE(

Private Collection, Michigan, USA "#$$%—%'$$

*' PITALOOSIE!SAILA)!R#C#A#!"B#$%+'()!

CAPE!DORSET!/!KINNGAIT FLIGHT!OF!FANTASY

stonecut; 1988, 26/50 18 x 25 in — 45.7 x 63.5 cm "#$$%—%'$$

** LUKTA!QIATSUK!"$%'.-'--+()! ᓗᑕ!ᑭᐊᓱᑲ)!CAPE!DORSET!/!KINNGAIT BLUE!GOOSE

engraving; 1965, 18/50 11.75 x 9.75 in — 29.8 x 24.8 cm "#$$%—%'$$

*+ NINGEEUGA!OSHUITOQ!"$%$.-$%.-()!

CAPE!DORSET!/!KINNGAIT WOLF!SPIRITS

stonecut and stencil; 1977, 18/50 25 x 33.75 in — 63.5 x 85.7 cm ")$$%—%*$$

*, KIAWAK!ASHOONA!O#C#)!R#C#A#! "$%**-'-$+()!CAPE!DORSET!/!KINNGAIT SEDNA!AND!SEAL!SPIRIT

stone 15 x 17 x 5 in — 38.1 x 43.2 x 12.7 cm "!/*$$%—%#/*$$

*PUDLO!PUDLAT!"$%$0-$%%'()!ᐳᓗ!ᐳᓚ)!

CAPE!DORSET!/!KINNGAIT QULAGULI

stonecut and stencil; 1979, 46/50 24 x 33 in — 61 x 83.8 cm "'$$%—%+$$

*.

KAKULU!SAGIATUK!"$%+--'-'-()!

CAPE!DORSET!/!KINNGAIT THE!CLOTHING!I!MAKE

stonecut and stencil; 1981, 8/50 24.5 x 34 in — 62.2 x 86.4 cm "#$$%—%'$$

+$ PUDLO!PUDLAT!"$%$0-$%%'()! ᐳᓗ!ᐳᓚ)!CAPE!DORSET!/!KINNGAIT SPIRITS!OF!THE!SEA

stonecut; 1976, 15/50 24.75 x 34 in — 62.9 x 86.4 cm ")$$%—%*$$

+!

KINGMEATA!ETIDLOOIE!"$%$/-$%.%()!

CAPE!DORSET!/!KINNGAIT KYAGRO

stonecut; 1974, 35/50 25 x 34 in — 63.5 x 86.4 cm "#$$%—%'$$

+# KANANGINAK!POOTOOGOOK)!R#C#A#! "$%*/-'-$-()!ᑲᓇᒋᓇ!ᐳᑐᒍᑭ)!

CAPE!DORSET!/!KINNGAIT YOUNG!ARCTIC!OWL

stonecut; 1976, 31/100 34 x 24.5 in — 86.4 x 62.2 cm "!/$$$%—%!/*$$

+) KIAKSHUK!"$..0-$%00()!ᑭᐊᓱ)!

CAPE!DORSET!/!KINNGAIT UNTITLED

engraving; 1962, 3/50 9 x 11.75 in — 22.9 x 29.8 cm "#$$%—%'$$

+' KIAKSHUK!"$..0-$%00()!ᑭᐊᓱ)!

CAPE!DORSET!/!KINNGAIT UNTITLED

engraving; 1962, 27/50 9 x 12 in — 22.9 x 30.5 cm "#$$%—%'$$

+* KANANGINAK!POOTOOGOOK)!R#C#A#! "$%*/-'-$-()!ᑲᓇᒋᓇ!ᐳᑐᒍᑭ)!

CAPE!DORSET!/!KINNGAIT NASIQNIATUQ!"SEAL!HUNTING#

stonecut and stencil; 1978, 34/50 18 x 24 in — 45.7 x 61 cm "+$$%—%.$$

++ KENOJUAK!ASHEVAK!C#C#)!R#C#A#)!

CAPE!DORSET!/!KINNGAIT DAYS!ON!THE!COAST

lithograph; 1980, 40/52, vintage Waddington Gallery label on verso, framed and glazed 22.25 x 31 in — 56.5 x 78.7 cm PROVENANCE(

Waddington Gallery; Private Collection, ON "'$$%—%*$$

+, PUDLO!PUDLAT)!

CAPE!DORSET!/!KINNGAIT PUNGNIALUK

stonecut; 1978, 29/50, framed and glazed 24.5 x 33.5 in — 62.2 x 85.1 cm PROVENANCE(

Private Collection, ON "+$$%—%.$$

+PUDLO!PUDLAT!"$%$0-$%%'()! ᐳᓗ!ᐳᓚ)!CAPE!DORSET!/!KINNGAIT UMINGMUNGA

stonecut; 1978, 6/50 25 x 34 in — 63.5 x 86.4 cm ",$$%—%!/$$$

+.

PETER!RAGEE!"B#$%//()!

CAPE!DORSET!/!KINNGAIT UNTITLED

coloured pencil and ink drawing; signed and dated 1983 24 x 18 in — 61 x 45.7 cm "!*$%—%#$$

,$ KAKULU!SAGIATUK!"$%+--'-'-()!

CAPE!DORSET!/!KINNGAIT PROUD!MATCH

lithograph; 2006, 24/50 16.5 x 27.5 in — 41.9 x 69.9 cm "#$$%—%'$$

,!

KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT ETERNAL!SPIRIT

stonecut; 2009, 37/50 24 x 30 in — 61 x 76.2 cm "-$$%—%!/#$$

,# KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT DEEP!BLUE!SEA

lithograph; 2003, 45/50 30 x 44.5 in — 76.2 x 113 cm "!/$$$%—%!/*$$

,) KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT TALIILLAJUUQPAUJAALUK

lithograph; 2001, 44/50 24 x 24 in — 61 x 61 cm "!/$$$%—%!/*$$

,' ANNIE!POOTOOGOOK!"$%0%-'-$0()! ᐊᓇ!ᐳᑐᒍ)!CAPE!DORSET!/!KINNGAIT A!FRIEND!VISITS

lithograph; 2008, 41/50 15 x 22 in — 38.1 x 55.9 cm "+$$%—%.$$

,* SAIMAIYU!AKESUK!"B#$%.0()!

CAPE!DORSET!/!KINNGAIT QAUMAJAQ

stonecut and stencil; 2014, 21/50 37.5 x 24.5 in — 95.3 x 62.2 cm "'$$%—%+$$

,+ KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT WOMEN!FISHING

ink and coloured pencil drawing; signed in syllabics 20 x 26 in — 50.8 x 66 cm "!/*$$%—%#/*$$

,, KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT KNEELING!WOMAN

coloured pencil drawing; signed in syllabics 26 x 20 in — 66 x 50.8 cm "!/*$$%—%#/*$$

,KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT A!RAVEN’S!DREAM

lithograph and stencil; 1997, 36/50 23 x 28 in — 58.4 x 71.1 cm ",$$%—%!/$$$

,.

KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT BIRDS!OF!FANCY

stencil; 1964, 32/50 18.5 x 24 in — 47 x 61 cm "!/$$$%—%!/*$$

-$ PITSEOLAK!ASHOONA)!O#C#)!R#C#A#! "$%-+-$%.*()!CAPE!DORSET!/!KINNGAIT DUCKS!IN!A!POND

stonecut; 1968, 50/50 17 x 24.5 in — 43.2 x 62.2 cm "#$$%—%)$$

-!

PARR!"$.%*-$%0%()!ᐸ)!

CAPE!DORSET!/!KINNGAIT GEESE$!MAN!AND!ANIMALS

stencil; 1963, 20/50 24.5 x 33.5 in — 62.2 x 85.1 cm PROVENANCE(

Private Collection, London, UK "#/*$$%—%)/*$$

-# KEELEEMEEOOMEE!SAMUALIE! "$%$%-$%.*()!CAPE!DORSET!/!KINNGAIT SEAL!FEAST

stonecut; 1970, 4/50 24 x 17 in — 61 x 43.2 cm "#$$%—%'$$

-) LUCY!QINNUAYUAK!"$%$/-$%.'()! ᓗᓯ!ᑭᓐᐅᐊᔪᐊ)!CAPE!DORSET!/!KINNGAIT UMIAK!HUNTERS!CHASING!SEA!BIRDS

stonecut; 1976, 36/50 23 x 24 in — 58.4 x 61 cm "#*$%—%'$$

-' PITSEOLAK!ASHOONA)!O#C#)!R#C#A#! "$%-+-$%.*()!CAPE!DORSET!/!KINNGAIT WATCHING!THE!OWL!FISHING

stonecut and stencil; 1980, 14/50 20 x 25.5 in — 50.8 x 64.8 cm ")$$%—%*$$

-* PITALOOSIE!SAILA)!R#C#A#!"$%+'-()!

CAPE!DORSET!/!KINNGAIT CHILD!WITH!CARVINGS!"MY!DOLLS#

stonecut; 1967, 9/50 24.5 x 28 in — 62.2 x 71.1 cm "#$$%—%)$$

-+ SOROSILUTO!ASHOONA!"$%+$-()!

CAPE!DORSET!/!KINNGAIT WOMAN!JUGGLING

stonecut; 1965, 50/50, unframed 18 x 24 in — 45.7 x 61 cm PROVENANCE(

The Collection of Stanley Slocum "#$$%—%'$$

-, KENOJUAK!ASHEVAK)!C#C#)!R#C#A#! "$%'&-'-$*()!ᑭᓄᔭᐊ!ᐊᓯᕗ)!

CAPE!DORSET!/!KINNGAIT UNTITLED

pastel and coloured pencil drawing; signed in syllabics 19.5 x 25.5 in — 49.5 x 64.8 cm "!/*$$%—%#/*$$

-SOLOMON!KARPIK!"$%+&-D()!

PANNIRTUQ!/!PANGNIRTUNG TRYING!TO!FLY

stonecut; 1978, 32/50 17.75 x 19.25 in — 45.1 x 48.9 cm "!*$%—%#*$

-.

THOMASEE!ALIKATUKTUK!"B#$%/*()!

PANNIRTUQ!/!PANGNIRTUNG SPRINGTIME!BASKING!SEALS

stencil; 1978, 37/50 12.25 x 24.25 in — 31.1 x 61.6 cm "!*$%—%#*$

.$ MALAYA!AKULUKJUK!"$%$/-$%%/()!

PANNIRTUQ!/!PANGNIRTUNG SWIFT!BIRD

stencil; 1976, 37/50 13.75 x 20 in — 34.9 x 50.8 cm "!*$%—%#$$

.!

LIPA!PITSIULAK!"$%+*-'-$-()!

PANNIRTUQ!/!PANGNIRTUNG DRUM!DANCERS!DREAM

stonecut; 1976, 35/50 16 x 19 in — 40.6 x 48.3 cm "#$$%—%'$$

.# MALAYA!AKULUKJUK!"$%$/-$%%/()!

PANNIRTUQ!/!PANGNIRTUNG BIRDS!FROM!NETSILIK

stencil; 1976, 31/50 16.75 x 24.25 in — 42.5 x 61.6 cm "!*$%—%#$$

.)

GYTA!EESEEMAILEE!"B#$%//()!

PANNIRTUQ!/!PANGNIRTUNG TWO!WORKS

both coloured pencil drawings; both are signed and dated ‘84 each 21 x 15 in — 53.3 x 38.1 cm "#$$%—%)$$

.'

GYTA!EESEEMAILEE!"B#$%//()!

PANNIRTUQ!/!PANGNIRTUNG SEDNA

felt tip drawing; signed in syllabics 24 x 18 in — 61 x 45.7 cm "!*$%—%#$$

.* MAY!LONSDALE!"B#$%+&()!

PANGNIRTUNG!/!PANNIRTUQ HAULING!SEALS

ink and graphite drawing; signed and dated ‘83 19.5 x 25.5 in — 49.5 x 64.8 cm "!*$%—%#$$

.+ LEAH!QUMALUK!"$%*+-'-$-()!

POVUNGNITUK!/!PUVIRNITUQ A!STORY*!INUK!RUNNING!AWAY! FROM!THE!WOLVES

stonecut; 1975, 7/40 17.75 x 24 in — 45.1 x 61 cm "!*$%—%#*$

., SYOLLIE!AMITUK!"$%*0-$%.0()!

POVUNGNITUK!/!PUVIRNITUQ A!LOON!CHASING!A!FISH!UPSTREAM

stencil; 1984, 40/50 26 x 20 in — 66 x 50.8 cm "!*$%—%#*$

.JOE!TALIRUNILI!"$.%*-$%&0()! ᔪᐅ!ᑕᓚᕈᓂᓕ)!POVUNGNITUK!/!

PUVIRNITUQ TO!SHOW!THE!OLD!WAYS! OF!THE!PEOPLE!IN!THEIR!LAND

stonecut; 1976, 50/50 21 x 28 in — 53.3 x 71.1 cm "'$$%—%+$$

..

JUANISIALU!IRQUMIA!"$%$'-$%&&()!

POVUNGNITUK!/!PUVIRNITUQ AN!INUIT!FAMILY!FISHING!BY!KAYAK

stonecut; 1964, F/30 24 x 30 in — 61 x 76.2 cm "#$$%—%'$$

!$$ JUANISIALU!IRQUMIA!"$%$'-$%&&()!

POVUNGNITUK!/!PUVIRNITUQ A!WOMAN!WHO!LIVES!IN!AN!IGLOO! GOES!TO!GET!WATER

stonecut; 1975, 10/40 20 x 24.5 in — 50.8 x 62.2 cm "#$$%—%'$$

!$!

YVONNE!KANAYUQ!ARNAKYUINAK! "$%'--$%%.()!BAKER!LAKE!/!

QAMANI’TUAQ MOTHER!AND!CHILD

stone; signed in syllabics 7.5 x 3.5 x 5 in — 19.1 x 8.9 x 12.7 cm "*$$%—%,$$

!$# THOMAS!SIVURAQ!"B#$%+$()!ᑕᒪᓯ!ᓯᕗᒐ)!

BAKER!LAKE!/!QAMANI’TUAQ SHAMAN!WITH!WINGS

stone; signed in syllabics 6.25 x 3 x 3.6 in — 15.9 x 7.6 x 9.1 cm "'$$%—%+$$

!$) BASIL!APTANIK!"B#$%/'()! ᐸᓯ!ᑕᑕᓂ)!BAKER!LAKE!/!QAMANI’TUAQ HUNTER!WITH!HARPOON

stone; signed in syllabics 11 x 7 x 4.5 in — 27.9 x 17.8 x 11.4 cm ")$$%—%*$$

!$' THOMAS!SIVURAQ!"B#$%+$()! ᑕᒪᓯ!ᓯᕗᒐ)!BAKER!LAKE!/!QAMANI’TUAQ STANDING!MAN

stone; signed in syllabics 13.5 x 9 x 7 in — 34.3 x 22.9 x 17.8 cm PROVENANCE(

Private Collection, Burlington, ON "!/#$$%—%!/-$$

!$* BARNABUS!ARNASUNGAAQ! "$%'+-'-$&()!ᐸᓇᐸᓯ!ᐊᓇᓴᒐ)!

BAKER!LAKE!/!QAMANI’TUAQ RIDING!A!MUSK!OX

stone; signed in syllabics 7 x 9.75 x 3 in — 17.8 x 24.8 x 7.6 cm "#/$$$%—%'/$$$

!$+ TUNA!IQULIQ!"$%*/-'-$/()! ᑐᓇ!ᐃᑯᓕ)!BAKER!LAKE!/!QAMANI’TUAQ COMPOSITION

stone 15 x 13 x 4.5 in — 38.1 x 33 x 11.4 cm ")/$$$%—%*/$$$

!$, R#!BAER HUMPBACK!WHALE$!MOTHER!AND!CALF

whale bone, baleen, brass 19 x 15.5 x 19 in — 48.3 x 39.4 x 48.3 cm PROVENANCE(

Private Collection, ON "**$%—%,*$

!$MAUDIE!RACHEL!OKITTUQ)!

SPENCE!BAY!/!TALOYOAK MOSQUITO

whale bone, stone, antler; signed indistinctly in syllabics 6 x 9 x 6 in — 15.2 x 22.9 x 15.2 cm "+$$%—%.$$

!$.

BOBBY!ETUK)!

CORAL!HARBOUR!/!SALLIQ HUNTER!WITH!BOW!AND!ARROW

stone; signed in Roman, dated 2007 14.5 x 9 x 10 in — 36.8 x 22.9 x 25.4 cm "'$$%—%+$$

!!$ BILLY!RUBEN!"$%$%-'-$-()!PAULATUK TWO!CRANES

musk ox horn, antler; signed in Roman 8 x 10 x 4 in — 20.3 x 25.4 x 10.2 cm ")$$%—%*$$

!!!

PAULOOSIE!AKITIRQ!"B#$%*/()!

ARCTIC!BAY!/!IKPIARJUK MAN!FEEDING!DOG

whalebone; signed in syllabics, disc number inscribed 9 x 7 x 4.5 in — 22.9 x 17.8 x 11.4 cm ")$$%—%*$$

!!# UNIDENTIFIED!ARTIST)!GREENLAND TWO!TUPILAKS

ivory 3.75 x 1 x 1 in — 9.5 x 2.5 x 2.5 cm; 2 x 1 x 1 in — 5.1 x 2.5 x 2.5 cm "*$$%—%,$$

!!)

EMILY!PANGNERK!ILLUITOK! "$%+*-'-$'()!PELLY!BAY!/!ARVILIQJUAQ DRUMMER!AND!WOMAN

whale bone, antler, hair 7.5 x 10 x 3.5 in — 19.1 x 25.4 x 8.9 cm "#$$%—%'$$

!!'

UNIDENTIFIED!ARTIST)!

PORT!HARRISON!/!INUKJUAK COILED!LIDDED!BASKET!WITH! A!CARIBOU!HEAD!KNOP

grass, stone, antler; c.1960 9 x 7 x 7 in — 22.9 x 17.8 x 17.8 cm "#$$%—%'$$

!!* UNIDENTIFIED!ARTIST FISHERMAN

whalebone, stone, antler, string 10.5 x 6 x 3 in — 26.7 x 15.2 x 7.6 cm "*$$%—%,$$

!!+ UNIDENTIFIED!ARTIST HUNTING!NARWHAL

whalebone, antler 5.5 x 28.5 x 5 in — 14 x 72.4 x 12.7 cm PROVENANCE(

Private Collection, ON "!*$%—%#*$

!!, RUPEE!NATSIAPIK)!BROUGHTON! ISLAND!/!QIKIQTARJUAQ TRANSFORMING!ANGAKOQ!"SHAMAN#

stone 9 x 5.75 x 3 in — 22.9 x 14.6 x 7.6 cm PROVENANCE(

William Eccles Collection of Inuit Art, ON; Mazelow Gallery, Toronto, ON; Private Collection, ON Waddington’s, ON, 2014 Private Collection, ON EXHIBITED(

“The Spirit of the Land,” The Koffler Gallery, 1986 ")$$%—%*$$

!!UNIDENTIFIED!ARTIST HUNTER

stone 8.75 x 5.5 x 4 in — 22.2 x 14 x 10.2 cm ")$$%—%*$$

!!.

JOHNNY!ISSAJA!PAPIGATOK!"B#$%'*()!

SUGLUK!/!SALLUIT HUNTER!DRAGGING!POLAR!BEAR

stone; disc number inscribed 6.25 x 10 x 4 in — 15.9 x 25.4 x 10.2 cm ")$$%—%*$$

!#$ PADLI!UTTUUJAQ!ILISITUK)!

SUGLUK!/!SALLUIT WALRUS!HEAD

stone, ivory; signed in roman 18.5 x 12.5 x 7 in — 47 x 31.8 x 17.8 cm "+*$%—%-*$

!#!

LUKE!ANGUHADLUQ!"$.%/-$%.'()! ᓗᐅᒃ!ᐊᒐᓴᓗ)!BAKER!LAKE!/!

QAMANI’TUAQ QIVIUQ!CROSSING!THE!OCEAN

serigraph; 1975, 23.40 21.5 x 31 in — 54.6 x 78.7 cm "*$$%—%,$$

!## LUKE!ANGUHADLUQ!"$.%/-$%.'()! ᓗᐅᒃ!ᐊᒐᓴᓗ)!BAKER!LAKE!/!

QAMANI’TUAQ TRAVELLING!BY!FOOT

serigraph; 1976, 38/50 15 x 21 in — 38.1 x 53.3 cm "*$$%—%,$$

!#) JESSIE!OONARK)!O#C#)!R#C#A#! "$%-0-$%./()!ᔪᓯ!ᐃᓇ)!

BAKER!LAKE!/!QAMANI’TUAQ MAN!AND!HIS!CATCH

stonecut; 1974, 23/50 14 x 19 in — 35.6 x 48.3 cm "*$$%—%,$$

!#' SIMON!TOOKOOME!"$%*+-'-$-()!

BAKER!LAKE!/!QAMANI’TUAQ UMIKMAKSIUQTUQ!KAPUUNUD

stonecut and stencil; 1986, 24/40 24.75 x 29.5 in — 62.9 x 74.9 cm "#$$%—%'$$

!#* VICTORIA!MAMNGUQSUALUK! "$%*--'-$0()!BAKER!LAKE!/!

QAMANI’TUAQ CONFRONTATIONS

stonecut and stencil; 1986, 21/45 23.75 x 33.75 in — 60.3 x 85.7 cm ")$$%—%*$$

!#+ VICTORIA!MAMNGUQSUALUK! "$%*--'-$0()!BAKER!LAKE!/!

QAMANI’TUAQ UNDERWATER!CREATURES

stencil; 1988, 27/45 19.25 x 25 in — 48.9 x 63.5 cm "#$$%—%'$$

!#, WILLIAM!NOAH!"$%+*-'-'-()! ᕕᓕᐊᒪ!ᓄᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ CARIBOU!ON!THE!TUNDRA

stencil; a/p, 1985 25 x 37 in — 63.5 x 94 cm ")$$%—%*$$

!#SIMON!TOOKOOME!"$%*+-'-$-()!

BAKER!LAKE!/!QAMANI’TUAQ THE!LAND

stonecut and stencil; 1983, 1/11 24.5 x 37 in — 62.2 x 94 cm ")$$%—%*$$

!#.

JANET!KIGUSIUQ!"$%'0-'--/()! ᔭᓇ!ᑭᒍᓯᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ BEGINNING!THE!JOURNEY

linocut and stencil; 1979, a/p 25 x 37 in — 63.5 x 94 cm "#$$%—%'$$

!)$ PHILLIPA!IKSIRAQ!"B#$%++()!

BAKER!LAKE!/!QAMANI’TUAQ MIDSUMMER!PTARMIGAN

stonecut and stencil; 1990, a/p 12.75 x 19 in — 32.4 x 48.3 cm ")$$%—%*$$

!)!

JANET!KIGUSIUQ!"$%'0-'--/()! ᔭᓇ!ᑭᒍᓯᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ A!MAN!CARRIES!HIS!WIFE

linocut and stencil; 1980, a/p 18.5 x 25 in — 47 x 63.5 cm "#$$%—%'$$

!)# JANET!KIGUSIUQ!"$%'0-'--/()!ᔭᓇ! ᑭᒍᓯᐊ)!BAKER!LAKE!/!QAMANI’TUAQ SKINNING!CARIBOU!INSIDE!THE!IGLOO

steoncut and stencil; 1982, a/p 25 x 37 in — 63.5 x 94 cm "#$$%—%'$$

!))

JANET!KIGUSIUQ!"$%'0-'--/()! ᔭᓇ!ᑭᒍᓯᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ HUNTING!GEESE!ON!FOOT

stonecut and stencil; 1982, a/p 25 x 37 in — 63.5 x 94 cm "#$$%—%'$$

!)'

RUTH!ANNAQTUUSI!TULURIALIK! "B#$%*+()!ᕈᑐ!ᐊᓇᑐᓯ!ᑐᓗᐃᐊ)!

BAKER!LAKE!/!QAMANI’TUAQ SPRING!CAMP

stencil; 1985, a/p 18 x 22 in — 45.7 x 55.9 cm "!*$%—%#*$

!)* WILLIAM!NOAH!"$%+*-'-'-()! ᕕᓕᐊᒪ!ᓄᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ MUSK!OXEN!MIGRATING!SOUTH

stencil; 1990, a/p 17.75 x 23 in — 45.1 x 58.4 cm ")$$%—%*$$

!)+ JANET!KIGUSIUQ!"$%'0-'--/()! ᔭᓇ!ᑭᒍᓯᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ MERMAID!AND!OTHER!SEA!CREATURES

stencil; 1988, 27/30 25.25 x 38.5 in — 64.1 x 97.8 cm ")$$%—%*$$

!), SIMON!TOOKOOME!"$%*+-'-$-()!

BAKER!LAKE!/!QAMANI’TUAQ MY!DOG!PROTECTING!ME

woodcut; 1987, 2/30 21.75 x 27.75 in — 55.2 x 70.5 cm "!*$%—%#*$

!)WILLIAM!NOAH!"$%+*-'-'-()! ᕕᓕᐊᒪ!ᓄᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ MUSK!OX!UNDER!THE!SUN

linocut and stencil; 1979, 6/50 24.5 x 33.5 in — 62.2 x 85.1 cm ")$$%—%*$$

!).

LUKE!ANGUHADLUQ!"$.%/-$%.'()! ᓗᐅᒃ!ᐊᒐᓴᓗ)!BAKER!LAKE!/!

QAMANI’TUAQ ANGAQUK

serigraph; 1978, 27/60 22 x 30 in — 55.9 x 76.2 cm "*$$%—%,$$

!'$ WILLIAM!NOAH!"$%+*-'-'-()! ᕕᓕᐊᒪ!ᓄᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ SURVIVAL!OF!THE!FITTEST

stencil; 1977, 13/50 25 x 37 in — 63.5 x 94 cm "#$$%—%'$$

!'!

JANET!KIGUSIUQ!"$%'0-'--/()! ᔭᓇ!ᑭᒍᓯᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ UNTITLED

crayon and coloured pencil drawing; signed in syllabics 20.75 x 30 in — 52.7 x 76.2 cm ")$$%—%*$$

!'# IRENE!AVAALAAQIAQ!TIKTAALAAQ! "B#$%+$()!ᐃᕆᓐ!ᐊᕙᓚᑭᐊ)!

BAKER!LAKE!/!QAMANI’TUAQ THREE!HAPPY!MEN

linocut; 1989, 16/42 25 x 37 in — 63.5 x 94 cm "#$$%—%'$$

!')

LUKE!ANGUHADLUQ!"$.%/-$%.'()! ᓗᐅᒃ!ᐊᒐᓴᓗ)!BAKER!LAKE!/!

QAMANI’TUAQ NUKATUGA

stonecut; 1977, 34/50 10.5 x 17.25 in — 26.7 x 43.8 cm "'$$%—%+$$

!''

LUKE!ANGUHADLUQ!"$.%/-$%.'() !ᓗᐅᒃ!ᐊᒐᓴᓗ)!BAKER!LAKE!/!

QAMANI’TUAQ OLD!MAN!WALKING

stencil; 1980, 39/55 12.5 x 10 in — 31.8 x 25.4 cm ")$$%—%*$$

!'* IRENE!AVAALAAQIAQ!TIKTAALAAQ! "$%+$-()!ᐃᕆᓐ!ᐊᕙᓚᑭᐊ)!BAKER!LAKE!/!

QAMANI’TUAQ UNTITLED! "COMPOSITION!WITH!HANDS! AND!HEADS#

coloured pencil drawing 15 x 22.5 in — 38.1 x 57.2 cm PROVENANCE(

Private Collection, Michigan, USA "#$$%—%'$$

!'+ WILLIAM!AND!MARTHA!NOAH! "$%+*-'-'-()!ᕕᓕᐊᒪ!ᓄᐊ)!

BAKER!LAKE!/!QAMANI’TUAQ DAY!DREAM

linocut and stencil; 1980, a/p 18.5 x 15.5 in — 47 x 39.4 cm ")$$%—%*$$

!', UNIDENTIFIED)!

POSSIBLY1!BAKER!LAKE!/!

QAMANI’TUAQ HUNTER!ATTACKING!BEAST

crayon and coloured pencil drawing 21.5 x 29.5 in — 54.6 x 74.9 cm "'$$%—%*$$

!'HELEN!KALVAK)!C#M#)!R#C#A#! "$%-$-$%.+()!HOLMAN!/!ULUKHAKTOK WEASELS!AND!CRANES

stencil; 1977, 27/50 18 x 24 in — 45.7 x 61 cm "!*$%—%#*$

!'.

ABRAHAM!APAKARK!ANGHIK!"B#$%/$()!

SALT!SPRING!ISLAND EAGLE!SHAMAN

stone; signed in Roman, dated 1997 14 x 8 x 10 in — 35.6 x 20.3 x 25.4 cm "!/$$$%—%!/*$$

!*$ LUCASSIE!OQAITUQ!"B#$%'$()!

BELCHER!ISLANDS!/!SANIKILUAQ OWL

stone; signed in syllabics 9 x 5 x 5.5 in — 22.9 x 12.7 x 14 cm ")$$%—%*$$

!*!

BILLY!KITTOSUK)!

BELCHER!ISLANDS!/!SANIKILUAQ DOG

stone; signed in Roman 6 x 12 x 4 in — 15.2 x 30.5 x 10.2 cm "!*$%—%#$$

!*# UNIDENTIFIED!ARTIST)!ᔪᓇ BASKING!WALRUS

stone, ivory; signed in syllabics 10.5 x 24 x 8.5 in — 26.7 x 61 x 21.6 cm PROVENANCE(

Private Collection, ON "+*$%—%-*$

!*) SAMUEL!NAHAULAITUQ!"$%'*-$%%%()!

SPENCE!BAY!/!TALOYOAK MAN!WITH!WILD!GRIN

stone, antler; signed in syllabics 17 x 11 x 9 in — 43.2 x 27.9 x 22.9 cm PROVENANCE(

Private Collection, Toronto, ON "-$$%—%!/$$$

!*' SAMUEL!NAHAULAITUQ!"$%'*-$%%%()!

SPENCE!BAY!/!TALOYOAK STANDING!SHAMAN

stone, antler; signed in syllabics 11.5 x 6 x 6 in — 29.2 x 15.2 x 15.2 cm PROVENANCE(

Private Collection, Toronto, ON "+$$%—%-$$

!** BILL!NASOGALUAK!"B#$%/*()! ᐱᐃᓪ!ᓇᓱᒐᓗᐊᒃ)!TUKTOYAKTUK!/!

TUKTUYAAQTUUQ POLAR!BEAR

stone; signed in Roman, dated 2018 6.5 x 12 x 5 in — 16.5 x 30.5 x 12.7 cm ",$$%—%!/$$$

!*+ BILL!NASOGALUAK!"B#$%/*()! ᐱᐃᓪ!ᓇᓱᒐᓗᐊᒃ)!TUKTOYAKTUK!/!

TUKTUYAAQTUUQ POLAR!BEAR

stone; signed in Roman 8 x 17 x 6 in — 20.3 x 43.2 x 15.2 cm "!/$$$%—%!/*$$

!*, BILL!NASOGALUAK!"B#$%/*()! ᐱᐃᓪ!ᓇᓱᒐᓗᐊᒃ)!TUKTOYAKTUK!/!

TUKTUYAAQTUUQ TRANSFORMATION

stone; signed in Roman, dated 2010 4.5 x 9 x 3 in — 11.4 x 22.9 x 7.6 cm "+$$%—%.$$

!*LUKE!NULIAYOK!"B#$%*-()!

GJOA!HAVEN!/!UQSUQTUUQ SHAMAN!WITH!HELPING!SPIRITS

stone, bone, antler, sinew 12.5 x 10.25 x 11.5 in — 31.8 x 26 x 29.2 cm "#/*$$%—%'/$$$

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

CONDITION'OF'LOTS

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

BUYERS'PREMIUM

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

PAYMENT

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL'PRICES'IN'CANADIAN'FUNDS

Selling at Waddington’s BIDDING

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

SHIPPING

WADDINGTON’S'COMMISSION'RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

#$%-'($-)*('+/+#$%-'($-)*(%+/+',)--#.-*--% taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. ',)--##-..)( / ',)--##-#(%$ perry@safershipping.ca / www.safershipping.ca

REMOVAL'OF'PURCHASES

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

CITES

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item CANADIAN'ART'DEPARTMENT'COMMISSION''RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

INSURANCE

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

AUCTION'ADVICE

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (',)-%$'-#,$$).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se0ing forth terms and fees for our services.

Conditions of Sale !"#All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. %"# Each lot sold is subject to a 20% buyers premium as part of the purchase price. &"# Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

)" Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a*endance at the sale. +"# The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately a,er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, a,er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a,er which storage charges may be incurred.

'" The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

("# The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a wri*en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri*en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra,, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a*ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.