Waddington’s West: Canadian Art OCTO B E R 14 — 19, 2 023
Waddington’s West: Canadian Art OCTO BE R 14 — 19, 2 023
bid and view all lots online at www.waddingtons.ca preview held at All items on view by appointment at Suite 101, 343 Railway Street, Vancouver, V6A 1A4.
director, waddington’s vancouver Jacqui Dixon jd@waddingtons.ca 778-837-4588
Lot 10 TED HARRISON RAVENS & RABBITS, 1984
front inside cover
Lot 35 DAVID LLOYD BLACKWOOD CAPTAIN ALB AND AUNT NANCE, 1982
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back inside cover
Lot 9 WILLIAM PEREHUDOFF ACP-02-015
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back cover
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This catalogue and its contents © 2023 Waddington McLean & Company Ltd.
front cover
Lot 38 CLAUDE A. SIMARD DANS L’INTIMITE DU JARDIN AUX GERANIUMS, 1990
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights Reserved.
1 ROBERT GENN (1936-2014) SPINNEY
oil on board signed lower right; signed and titled verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:
Private Collection, Alberta $1,000 — 1,500
2 ROBERT GENN (1936-2014) DARK VILLAGE, 1977
oil on board signed lower right; signed, titled and dated verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
3 MILDRED VALLEY THORNTON (1890-1967) TOTEM AND VILLAGE, COASTAL BC, CIRCA 1955
oil on canvas board 24 x 30 in — 61 x 76.2 cm PROVENANCE:
Private Collection, British Columbia $3,000 — 4,000
4 ALLEN SAPP (1929-2015) THE MEN GATHERED BEHIND THE HOUSE
acrylic on canvas signed lower right 24 x 30 in — 61 x 76.2 cm PROVENANCE:
Private Collection, Alberta $4,000 — 6,000
5 FATHER HENRY METZGER (1877-1949) CHIEF KAMANEETA WAPATA
oil on canvas signed; accompanied by a hand-written letter dated October 21, 1929 24 x 19 in — 61 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $2,500 — 3,500
6 MONICA TAP (B. 1962) MARION NICOLL CIRCA 1920
oil on panel; titled to label verso 10.5 x 8.5 in — 26.7 x 21.6 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $300 — 500
7 MARION FLORENCE S. MACKAY NICOLL (1909-1985) UNTITLED, 1964
colour pastel on paper signed and dated lower left 13 x 15.75 in — 33 x 40 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $1,500 — 2,500
8 MARION FLORENCE S. MACKAY NICOLL (1909-1985) TRIPTYCH, 1958
watercolour and graphite on paper signed and dated lower right on each sheet sight 10.2 x 7.5 in — 26 x 19 cm; sight 10.2 x 6.7 in — 26 x 17 cm; sight 10.2 x 7.5 in — 26 x 19 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $3,000 — 5,000
9 WILLIAM PEREHUDOFF, RCA (1919-2013) ACP-02-015
acrylic on paper signed sight 12 x 10.5 in — 30.5 x 26.7 cm PROVENANCE:
Douglas Udell Gallery, Edmonton, AB Estate of Kenneth and Eunice Barron, Edmonton, AB $2,000 — 3,000
10 TED HARRISON, RCA (1926-2015) RAVENS & RABBITS, 1984
acrylic on canvas; signed lower right; also signed, titled, and dated verso, sight 48 x 35.5 in — 121.9 x 90.2 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $25,000 — 30,000
11 DIANA DEAN, RCA (B. 1942) EMERGING WOOD STUMP, 2018
oil on canvas signed, titled and dated verso 36 x 24 in — 91.4 x 61 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,000
12 GORDON APPELBE SMITH, RCA (1919-2020) UNTITLED
oil on board signed lower right 19 x 22 in — 48.3 x 55.9 cm PROVENANCE:
Private Collection, British Columbia $4,000 — 5,000
13 TED HARRISON, RCA (1926-2015) BALL GAME, 1991
screenprint on paper signed, titled, dated and numbered 13/200; unframed sheet 22.5 x 29 in — 57.2 x 73.7 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
14 WILLIAM KURELEK, RCA (1927-1977) POTATO PLANTERS ADMIRING BABY KILDEERS, 1977
photo lithograph signed and numbered 7/300 sight 13 x 10 in — 33 x 25.4 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
15 WALTER JOSEPH PHILLIPS, RCA (1884-1963) ALERT BAY
colour woodcut on paper signed and titled sight 6.25 x 3.5 in — 15.9 x 8.9 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700
16 WALTER JOSEPH PHILLIPS, RCA (1882-1963) RUSHING RIVER, LAKE OF THE WOODS, 1920
colour woodcut on paper signed, titled and numbered 15/50 sight 7 x 7.5 in — 17.8 x 19.1 cm PROVENANCE:
Private Collection, British Columbia $3,500 — 5,000
17 FREDERICK STANLEY HAINES, OSA, PRCA (1879-1960) COTTONWOOD
aquatint on paper signed lower right sight 8.5 x 10 in — 21.6 x 25.4 cm PROVENANCE:
Private Collection, Alberta $500 — 700
18 JACK LEONARD SHADBOLT, RCA (1909-1998) UNTITLED (FISHING VILLAGE, ENGLAND), 1945
watercolour on paper signed and dated lower right sheet 17 x 14 in — 43.2 x 35.6 cm PROVENANCE:
Private Collection, British Columbia $4,000 — 6,000
19 JACK LEONARD SHADBOLT, RCA (1909-1998) ITALIAN SKYLINE, 1962
mixed media on paper signed and dated lower left; titled verso sight 29.5 x 21.75 in — 74.9 x 55.2 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $3,000 — 5,000
20 JACK LEONARD SHADBOLT, RCA (1909-1998) CALLIGRAPHY WITH OWL, 1962
watercolour and ink on card signed and dated sight 14.5 x 18.5 in — 36.8 x 47 cm PROVENANCE:
Private Collection, British Columbia $2,500 — 3,000
21 GORDON APPELBE SMITH, RCA (1919-2020) TOFINO BEACH #2
screenprint on paper signed and numbered 7/70 18.5 x 23.2 in — 47 x 59 cm PROVENANCE:
Corporate Collection, British Columbia $400 — 600
22 TAKAO TANABE, RCA (B. 1926) SKINCUTTLE BAY, 1986
lithograph on paper printer’s proof numbered 1/1 sight 18.5 x 34.6 in — 47 x 88 cm PROVENANCE:
Corporate Collection, British Columbia $1,000 — 1,500
23 TAKAO TANABE, RCA (B. 1926) THE LAND INTERIORS, 1973
lithograph on paper signed, titled and numbered 23/75 sight 20.1 x 21.3 in — 51 x 54 cm PROVENANCE:
Corporate Collection, British Columbia $800 — 1,200
24 TAKAO TANABE, RCA (B. 1926) THE LAND INTERIORS, 1973
lithograph on paper signed, dated and numbered 68/75 sight 17.25 x 22 in — 43.8 x 55.9 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $800 — 1,200
25 NORMAN ANTHONY (TONI) ONLEY (1928-2004) UNTITLED
mixed media on paper signed lower left sight 15 x 19 in — 38.1 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
26 HILARY PRINCE (B. 1945) DARK CLOUDS OVER THE FARM, 2001
oil on paper signed and dated lower right sight 19.7 x 28 in — 50 x 71 cm PROVENANCE:
Corporate Collection, British Columbia $500 — 700
27 HILARY PRINCE (B. 1945) FALL FIELD, ALBERTA, 1999
oil on paper signed and dated bottom right 20.5 x 27.6 in — 52 x 70 cm PROVENANCE:
Corporate Collection, British Columbia $500 — 700
28 HILARY PRINCE (B. 1945) CLOUDS OUT TO THE SEA, 1999
oil on paper signed and dated lower right 20.5 x 30.3 in — 52 x 77 cm PROVENANCE:
Corporate Collection, British Columbia $500 — 700
29 HILARY PRINCE (B. 1945) MEDICINE LAKE II, 2002
oil on paper signed and dated lower right 20.9 x 29.5 in — 53 x 75 cm PROVENANCE:
Corporate Collection, British Columbia $500 — 700
30 DOROTHY KNOWLES, RCA (1927-2023) SKY OVER MOUNTAIN AND WATER, 1980
watercolour on paper signed and dated bottom right 37 x 30 in — 94 x 76.2 cm PROVENANCE:
Corporate Collection, Vancouver, BC $1,000 — 2,000
31 DOROTHY KNOWLES, RCA (1927-2023) SOLITUDE - FAIRHOLM RANGE WITH VERMILLION LAKE IN FOREGROUND, 1982
acrylic on canvas signed, titled and inscribed AC-5-82 verso 8.5 x 14.25 in — 21.6 x 36.2 cm PROVENANCE:
Private Collection, Alberta $1,500 — 2,000
32 JOSEPH FRANCIS PLASKETT, RCA (1918-2014) EMMA LAKE #7, 1957
pastel on paper titled and dated to label verso sight 18.1 x 24 in — 46 x 61 cm PROVENANCE:
Corporate Collection, British Columbia $300 — 400
33 CHRISTOPHER PRATT, RCA (1935-2022) FOX MARSH SIDING, 1991
colour silkscreen print on paper signed, titled, dated and numbered 56/60 sight 17 x 36.75 in — 43.2 x 93.3 cm PROVENANCE:
Private Collection, Alberta $4,000 — 6,000
34 DAVID LLOYD BLACKWOOD, RCA (1941-2022) JANUARY VISIT HOME, 1975
etching and aquatint on paper signed, dated, titled and inscribed “artist proof” sight 21 x 32.5 in — 53.3 x 82.6 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $3,000 — 5,000
35 DAVID LLOYD BLACKWOOD, RCA (1941-2022) CAPTAIN ALB AND AUNT NANCE, 1982
colour etching and aquatint on paper signed, titled, dated and numbered 27/50 sight 33 x 21 in — 83.8 x 53.3 cm PROVENANCE:
Private Collection, Alberta $3,000 — 4,000
36 DAVID LLOYD BLACKWOOD, RCA (1941-2022) LONE MUMMER WITH CAT, 1987
colour etching and aquatint on paper signed, titled, dated and numbered 29/50 sight 29 x 22.75 in — 73.7 x 57.8 cm PROVENANCE:
Private Collection, Alberta $3,000 — 4,000
37 DAVID LLOYD BLACKWOOD, RCA (1941-2022) WHITE AZALEA, 1988
monotype on paper signed and dated upper left; titled to gallery label verso sight 11 x 14 in — 35.6 x 27.9 cm PROVENANCE:
West End Gallery, Edmonton, AB Private Collection, Alberta $2,000 — 3,000
38 CLAUDE A. SIMARD, RCA (1943-2014) DANS L’INTIMITE DU JARDIN AUX GERANIUMS, 1990
acrylic on canvas signed lower left; signed, titled and dated verso 36 x 30 in — 91.4 x 76.2 cm PROVENANCE:
Private Collection, Alberta $4,000 — 6,000
39 VIVIAN THIERFELDER (B. 1949) FRONT AND CENTRE, 1991
watercolour signed and dated lower right 22 x 15 in — 55.9 x 38.1 cm PROVENANCE:
Woltjen/Udell Gallery, Edmonton AB Private Collection, Alberta $2,000 — 2,500
40 JOSEPH FRANCIS PLASKETT, RCA (1918-2014) SUNFLOWERS, 2009
pastel on paper signed and dated sight 25.25 x 19 in — 64.1 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
41 BERNICE FENWICK MARTIN (1902-1999) STILL LIFE
oil on canvas board signed lower left 15 x 19 in — 38.1 x 48.3 cm PROVENANCE:
Private Collection, Alberta $1,500 — 2,000
42 DORIS JEAN MCCARTHY, OSA, RCA (1910-2010) STILL LIFE, 1935
watercolour on paper signed and dated sight 27 x 19 in — 68.6 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 1,500
43 BERNICE FENWICK MARTIN (1902-1999) VIEW FROM ARTIST’S WINDOW
oil on canvas board signed lower right; titled verso 10.5 x 13.75 in — 26.7 x 34.9 cm PROVENANCE:
Pegasus Gallery, British Columbia Private Collection, British Columbia $500 — 700
44 KATHLEEN MARGARET HOWITT GRAHAM, RCA (1918-2008) RED SLASH, 1981
watercolour on paper signed and dated lower right; signed, titled and dated verso 12 x 18 in — 30.5 x 45.7 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600
45 HELEN PARSONS SHEPHERD (1923-2008) PINK PAPER, 1979
screenprint on paper signed, titled, dated and numbered 9/29 sight 15.5 x 27.5 in — 39.4 x 69.9 cm PROVENANCE:
Private Collection, Alberta $500 — 700
46 FAHRI ALDIN (B. 1950) UNTITLED
oil on canvas signed lower right 19.5 x 15.5 in — 49.5 x 39.4 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
47 MILLER GORE BRITTAIN (1912-1968) FIGURE IN A PINK FIELD, 1965
pastel on paper signed and dated lower right; titled and gallery label on reverse sight 14.6 x 10.2 in — 37 x 26 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
48 DOUGLAS HECTOR HAYNES, RCA (1936-2016) MAJACAR 105, 1999
mixed media on paper signed, titled and dated 12 x 10.5 in — 30.5 x 26.7 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $1,000 — 2,000
49 ROY KIYOOKA, RCA (1926-1994) COURT # 3, 1971
screenprint on paper signed, titled, dated and numbered 7/50 sight 29.25 x 24.5 in — 74.3 x 62.2 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $800 — 1,200
50 DOUGLAS HECTOR HAYNES, RCA (1936-2016) NORTHERN SERIES 29, 1994
monoprint on paper signed, titled and dated sheet 29.5 x 22 in — 74.9 x 55.9 cm PROVENANCE:
Estate of Tom and Judy Peacocke, Edmonton, AB $800 — 1,200
51 REGINALD (REG) HOLMES (1934-2004) THE LIE IS THE REALITY, 1969
oil on canvas signed, titled and dated verso 20 x 20 in — 50.8 x 50.8 cm PROVENANCE:
Private Collection, British Columbia $700 — 900
52 WILLIAM RONALD, RCA (1926-1998) BRIDGE, 1997
acrylic on canvas signed 9 x 12 in — 22.9 x 30.5 cm PROVENANCE:
Private Collection, British Columbia $700 — 900
53 STEVEN NEDERVEEN (B. 1971) BIG SKY REFLECTED
mixed media and resin on panel signed 30 x 30 in — 76.2 x 76.2 cm PROVENANCE:
Private Collection, Brititsh Columbia $1,500 — 2,500
54 STEPHEN WADDELL (B. 1968) WOMAN ADJUSTING SHOE, 2004
archival pigment print signed, dated and numbered 2/5 verso 57 x 38 in — 144.8 x 96.5 cm PROVENANCE:
Monte Clark Gallery, Vancouver, BC Private Collection, Vancouver, BC $2,500 — 4,500
55 STEPHEN WADDELL (B. 1968) THE COLLECTOR AND THE SHOWROOM, 2016
archival pigment print from an edition of 50 each, sight 10.75 x 7.75 in — 27.3 x 19.7 cm PROVENANCE:
Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $600 — 900
56 ROY ARDEN (B. 1957) HASTINGS STREET SIDEWALK, 1995
archival pigment print signed, titled, and numbered A/P 2 sheet 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
57 HERBERT JOHANNES JOSEPH SIEBNER, RCA (1925-2003) LOVE PLAY, 1971
acrylic on board signed 23.5 x 16 in — 59.7 x 40.6 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
58 FAHRI ALDIN (B. 1950) THE SOUND OF MUSIC
acrylic on canvas signed 36 x 48 in — 91.4 x 121.9 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 2,000
59 JANET MITCHELL, RCA (1912-1998) FRIDAY NIGHT, 1982
watercolour on paper signed, titled and dated sight 22 x 30.5 in — 56 x 77.5 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $1,500 — 2,000
60 JANET MITCHELL, RCA (1912-1988) UNTITLED (FALL TREES), 1971
mixed media on paper signed and dated lower right sight 9.25 x 11 in — 23.5 x 27.9 cm PROVENANCE:
Private Collection, Alberta $500 — 700
61 HENRY GEORGE GLYDE (1906-1998) UNTITLED (ROCKS)
oil on panel 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:
Private Collection, British Columbia $1,200 — 1,700
62 GEORGE A. THOMSON, OSA (1868-1965) A STORMY STREAM, BELFOUNTAIN
oil on panel signed lower left; signed and titled verso 10 x 12 in — 25.4 x 30.5 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
63 FREDERICK STANLEY HAINES, OSA, PRCA (1879-1960) TURN IN THE ROAD
oil on board signed lower right; titled verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 1,200
64 GEORGE A. THOMSON, OSA (1868-1965) EDGEWOOD PARK NEW HAVEN, CONNETICUT IN SPRING TIME (SIC)
oil on board titled verso 10 x 14 in — 25.4 x 35.6 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
65 JACQUES POIRIER (B. 1942) L’UEUR LOINTAINE
oil on canvas signed lower left; signed and titled verso 24 x 30 in — 61 x 76.2 cm PROVENANCE:
Private Collection, British Columbia $700 — 900
66 PAULINE THIBOUDEAU PAQUIN (B. 1952) ON A TOUT CE QU’IL FAIT POUR LE PIQUE-NIQUE, 1999
oil on canvas signed lower right; signed, titled and dated verso 30 x 40 in — 76.2 x 101.6 cm PROVENANCE:
Private Collection, British Columbia $2,000 — 3,000
67 JIM VEST (B. 1939) MUSHERS
oil on canvas signed lower right; titled verso 24 x 36 in — 61 x 91.4 cm PROVENANCE:
Private Collection, Alberta $1,000 — 1,500
68 ANNA GERTRUDE LAWSON (NAN) CHENEY (1897-1985) BOAT BUILDING YARD, HALIFAX NOVA SCOTIA
oil on board signed and titled verso 11 x 14 in — 27.9 x 35.6 cm PROVENANCE:
Private Collection, Alberta $1,500 — 2,500
69 GEORGE A. THOMSON, OSA (1868-1965) SUMMER AT LEITH, 1939
oil on panel signed lower right; signed, titled and dated verso 10 x 12 in — 25.4 x 30.5 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
70 CONRAD FUREY (1954-2008) COD JIGGERS, 1988
oil on canvas signed lower left; signed and dated verso PROVENANCE:
Private Collection, Alberta $1,200 — 1,500
71 EARL BAILLY (1903-1977) SAILBOATS, NOVA SCOTIA
oil on artist board signed lower right 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:
Private Collection, Alberta $700 — 900
72 WILLIAM HUGHES TAYLOR (1891-1960) HARBOUR, LIFTING FOG, PEGGY’S COVE N.S, 1929
oil on board signed and dated lower left; titled verso 9.5 ins x 13.25 ins; 24.1 cms x 33.7 cms PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
73 HENRI LEOPOLD MASSON, RCA (1907-1996) PORT DE GRAVE, NEWFOUNDLAND, 1968
oil on board signed lower left; titled and dated verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:
Private Collection, Alberta $1,500 — 2,000
74 WILLIAM HUGHES TAYLOR (1891-1960) MONTREAL HARBOUR
oil on panel signed lower left; signed and titled verso 9.1 x 12.75 in — 23.1 x 32.4 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
75 GEORGE A. THOMSON, OSA (1868-1965) CONNECTICUT IN THE SPRINGTIME
oil on board signed lower left 10 x 12 in — 25.4 x 30.5 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
76 FLORENCE HELENA MCGILLIVRAY, OSA, ARCA (1864-1938) COASTAL INLET
oil on board signed lower right 19 x 23 in — 48.3 x 58.4 cm PROVENANCE:
Private Collection, Alberta $800 — 1,000
77 FRANCESCO IACARTO (1908-2001) UNTITLED, 1940
oil on panel signed and dated lower left 16.5 ins x 13 ins; 41.9 cms x 33 cms PROVENANCE:
Private Collection, Alberta $800 — 1,200
78 BRUCE MITCHELL (1912-1995) SPRINGTIME CREEK
oil on canvas signed lower right 16.75 x 20 in — 42.5 x 50.8 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
79 JOSEPH ARCHIBALD BROWNE, RCA (1864-1949) CANADIAN WINTER
oil on canvas signed lower right 18.5 x 23.5 in — 47 x 59.7 cm PROVENANCE:
Private Collection, Alberta $500 — 700
80 IRENE E. MCCAUGHERTY (1914-1996) HOWARD LESLIE’S OUTDOOR DANCE WRITING ON STONE, 1986
mixed media on paper signed, titled and dated lower left sight 5.5 x 10.4 in — 14 x 26.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
81 IRENE E. MCCAUGHERTY (1914-1996) THE GALT HOME 1900, 1994
mixed media on paper signed, titled and dated lower left 11 x 22 in — 27.9 x 55.9 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
82 JOE FERENC ACS (B. 1936) RAINY DAY OLD STRATHCONA
oil on board signed bottom right; signed and titled verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:
Private Collection, Alberta $400 — 600
83 HENRI LEOPOLD MASSON, RCA (1907-1996) BUCKINGHAM, 1976
watercolour on paper signed, titled and dated 8.1 x 13.4 in — 20.5 x 34 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
84 FRANK LEONARD BROOKS, RCA (1911-2011) UNTITLED
watercolour on paper signed lower right 21.5 x 28.5 in — 54.6 x 72.4 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 2,000
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condition of lots
All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
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auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. With specialists located at our head office in Toronto as well as in Vancouver and Montreal, we are pleased to meet with prospective consignors across the country. For more information on consigning to our auctions, please contact us at consignments@waddingtons.ca. Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price. 2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium. 3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly. 11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).
12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca