Modern, Post-War and Contemporary Art | October 14 - 19, 2023

Modern, Post-War and Contemporary Art OCTO B ER 14 — 19, 2 023

Modern, Post-War and Contemporary Art OCTO BE R 14 — 19, 2 023

bid and view all lots online at www.waddingtons.ca on view Sunday, October 15 from 12 pm to 4 pm Monday, October 16 from 10 am to 5 pm Tuesday, October 17 from 10 am to 5 pm preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700

director, canadian fine art Liz Edwards le@waddingtons.ca

front cover

director, international art Goulven Le Morvan glm@waddingtons.ca

front inside cover

416-847-6193

438-528-8489

Lot 64 MIYUKI TANOBE LA FÊTE DE LA JOIE, À OUTREMONT, QUÉBEC, 1986 Lot 67 DANIEL O’NEILL FUNFAIR

specialist, canadian art Gregory Humeniuk gh@waddingtons.ca

back inside cover

consignment specialist, canadian art Kendra Popelas kp@waddingtons.ca

back cover

416-847-6190

Lot 84 DORIS JEAN MCCARTHY DESERT ABOVE SCOTTSDALE, 2001 Lot 94 IVAN KENNETH EYRE BIRD MAN, 2010

416-967-6027

consignment specialist, international art Alicia Bojkov amb@waddingtons.ca 416-847-6176

This catalogue and its contents © 2023 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights Reserved.

1 ATTRIBUTED TO SIMEON SOLOMON (1840-1905), BRITISH FEMALE FIGURE WITH LAUREL WREATH AND HARP

gouache on paper laid down on card 10.6 ins x 8.4 ins; 27 cms x 21.3 cms PROVENANCE:

The Morris Gallery, Toronto, ON; Private Collection, Ontario $2,500 — 3,000

2 JOHN WILLIAM BEATTY, OSA, RCA (1869-1941) FARMHOUSE, 1906

oil on canvas signed and dated “06” 9.75 x 13 in — 24.8 x 33 cm PROVENANCE:

Private Collection, Ontario $4,000 — 6,000

3 LAURA ADELINE MUNTZ LYALL, OSA, RCA (1860-1930) UNTITLED (WOMAN AND GIRL), 1885

watercolour and charcoal on paper signed and dated “85” 27.5 x 19.5 in — 69.9 x 49.5 cm PROVENANCE:

Private Collection, Ontario $2,500 — 3,500

4 ALOIS ARNEGGER (1879-1963), GERMAN RAX AREA, AUSTRIA

oil on canvas; signed lower left; titled to stretcher verso 24.2 x 35.8 in — 61.4 x 90.9 cm PROVENANCE:

Private Collection, Toronto, ON $1,500 — 2,500

5 REGINA SEIDEN (1897-1991) WOMAN AND CHILD, 1916

watercolour on paper signed and dated 16 x 13 in — 40.6 x 33 cm PROVENANCE:

Private Collection, Montreal, QC; Private Collection, Toronto, ON $3,000 — 4,000

6 KEES VAN DONGEN (1877-1968), DUTCH/FRENCH LA FEMME A LA FOURRURE, 1925

watercolour on paper; signed “Van Dongen” lower left sheet 10.4 ins x 7.3 ins; 26.5 cms x 18.7 cms PROVENANCE:

Trosby Auction Galleries, Inc., Palm Beach, Florida; Private Collection, Montreal, QC, purchased from the above in 1967; By descent to the present Private Collection, Montreal, QC LITERATURE:

A copy of a letter notarized by the state of Florida and signed by Milton E. Freshman, President of Trosby Auction Galleries, Palm Beach, Florida dated 16 Feb. 1967, confirming the authenticity of the artwork will be delivered to the buyer. $10,000 — 15,000

7 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH SHORE SCENE

oil on canvas; signed lower right 47.4 ins x 59.3 ins; 120.5 cms x 150.5 cms PROVENANCE:

Collection of Magdelein G. Monast, La Folie Des Arts, Montreal, QC; Private Collection, Toronto, ON $3,000 — 5,000

8 MONTAGUE DAWSON (1895-1973), BRITISH RACING ON THE SOLENT, CIRCA 1925

watercolour on paper; signed lower right, titled and dated on plaque; titled to gallery label verso 16.9 x 26.1 in — 42.9 x 66.3 cm PROVENANCE:

Frost & Reed, London, UK; Private Collection, Toronto, ON $7,000 — 9,000

9 ANNA SOFIA PALM DE ROSA (1859-1924), SWEDISH STOCKHOLM, RIDDARHOLMEN CHURCH

watercolour on paper; signed lower left 8.5 ins x 10.8 ins; 21.6 cms x 27.4 cms PROVENANCE:

Private Collection, Edmonton, AB $1,500 — 2,500

10 GEORGE VICAT COLE (1833-1893), BRITISH ON THE RIVER ARUN, 1880

oil on canvas; signed with a monogram and dated lower right; titled to nameplate 10.2 ins x 18.2 ins; 26 cms x 46.3 cms PROVENANCE:

Private Collection, Montreal, QC $800 — 1,000

11 WŁADYSŁAW CHMIELIŃSKI (1911-1979), POLISH WINTER IN WARSAW

oil on canvas; signed lower right 20 ins x 28 ins; 50.7 cms x 71 cms PROVENANCE:

Universal Art Studio, Montreal, QC; Private Collection, Toronto, ON $800 — 1,200

12 PAUL VANIER BEAULIEU, RCA (1910-1996) UNTITLED (WINTER LANDSCAPE)

oil on canvas signed 21 x 25.5 in — 53.3 x 64.8 cm PROVENANCE:

Antoine’s Art Gallery, Montreal, QC; Private Collection, Montreal, QC; By descent to Private Collection, Creemore, ON $1,500 — 2,000

13 BERTHE DES CLAYES (1877-1968) THE RIVER ROAD, MELBOURNE

oil on canvas signed and titled nameplate; titled to stretcher verso 22.25 x 26.25 in — 56.5 x 66.7 cm PROVENANCE:

Private Collection, Toronto, ON $2,500 — 3,000

14 DIRK MEESTERS (1899-1950), DUTCH TOP OF THE HILL

oil on canvas; signed lower right 20.1 ins x 28.3 ins; 51 cms x 72 cms PROVENANCE:

Watson Art Galleries, Montreal, QC; Private Collection, Montreal, QC $800 — 1,200

15 ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH HIGHLAND LANDSCAPE

oil on hardboard; signed lower left 23.9 ins x 36 ins; 60.8 cms x 91.5 cms PROVENANCE:

Private Collection, Toronto, ON $2,500 — 3,500

16 ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH THE BANKS OF LOCH ETIVE, W. HIGHLANDS

oil on canvas; signed lower right; signed and titled verso 28.1 x 42 in — 71.3 x 106.7 cm PROVENANCE:

Private Collection, Toronto, ON $3,000 — 5,000

17 FRANÇOIS GALL (1912-1987), FRENCH/HUNGARIAN PLACE DU TERTRE, PARIS

oil on canvas; signed lower right; titled to gallery label verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:

Dominion Gallery, Montreal, QC; Private Collection, Montreal, QC $1,200 — 1,800

18 MANLY EDWARD MACDONALD, OSA, RCA (1889-1971) UNTITLED (FISHING ON THE MARINA)

oil on canvas signed 24 x 32 in — 61 x 81.3 cm PROVENANCE:

Private Collection, Collingwood, ON $3,000 — 5,000

19 THOMAS EDWIN MOSTYN (1864-1930), BRITISH ENGLISH COUNTRY GARDEN

oil on canvas; signed lower right 22.4 ins x 27.2 ins; 56.8 cms x 69.2 cms PROVENANCE:

Private Collection, Toronto, ON $2,000 — 3,000

20 RICHARD JACK, RA, RCA (1866-1952) PORT CANNES SUR MER ON FRENCH RIVIERA, 1929

oil on canvas signed and dated 24.25 x 30 in — 61.6 x 76.2 cm PROVENANCE:

Royal Gallery, Montreal, QC; Private Collection, Toronto, ON $2,500 — 3,500

21 JAMES MONTGOMERY FLAGG (1877-1960), AMERICAN UNTITLED (ILLUSTRATION FOR THE COSMOPOLITAN MAGAZINE)

ink and pencil on board; signed 17 x 15 in — 43.2 x 38.1 cm PROVENANCE:

Private Collection, Toronto, ON $600 — 800

22 CANADIAN (20TH CENTURY) GROUP OF THREE SCREENPRINTS

screenprints in colours on wove paper, mounted on card from Coutts Painters of Canada Series; published by William E. Coutts, Toronto and printed by Sampson-Matthews, Toronto 1. Joseph Ernest Sampson, OSA, ARCA (1887-1946); Winter Joys, 1931; signed in matrix 2. Herbert Sidney Palmer, OSA, RCA (1881-1970); The Winter Fold, 1931 3. James Edward Hervey (J.E.H.) MacDonald, OSA, RCA (1873-1932); The Red Canoe, 1931 sheet 6.6.25 x 4.625 in — 16.8 x 11.7 cm; 3.625 x 4.625 in — 9.2 x 11.7 cm; 4.625 x 5.625 in — 11.7 x 14.3 cm PROVENANCE:

Private Collection, Toronto, ON $500 — 700

23 JACK HAMILTON BUSH, OSA, ARCA (1909-1977) THREE NUDE STUDIES, 1940

graphite on wove paper signed and dated “Nov. 1940” sight 19.625 x 14.5 in — 49.8 x 36.8 cm; PROVENANCE:

Estate of the artist; Private Collection, Ontario $2,500 — 3,500

24 JACK HAMILTON BUSH, OSA, ARCA (1909-1977) SUDBURY, 1 JUNE 1946

watercolour and graphite on wove paper signed, titled and dated 7.5 x 9.6.25 in — 19.1 x 24.4 cm PROVENANCE:

Estate of the artist; Private Collection, Ontario $4,000 — 5,000

25 EDWARD SEAGO (1910-1974), BRITISH THE WATERLILY AT PINE MILL

watercolour on paper; signed bottom left; titled in pencil verso 10.25 x 14.5 in — 26 x 36.8 cm PROVENANCE:

Private Collection, Toronto, ON $2,500 — 3,500

26 FREDERICK NICHOLAS LOVEROFF, OSA, ARCA (1894-1960) UNTITLED (CABIN AND TREE)

oil on paperboard signed verso 10 x 12 in — 25.4 x 30.5 cm PROVENANCE:

Private Collection, Toronto, ON $1,200 — 1,700

27 LASZLO NEOGRADY (1896-1962), HUNGARIAN THE BEAUTY OF WINTER

oil on canvas; signed lower right; titled on frame and label on stretcher 24.2 ins x 30.1 ins; 61.5 cms x 76.5 cms PROVENANCE:

Antoine’s Art Gallery, Montreal, QC; Private Collection, Quebec $600 — 800

28 LIONEL LEMOINE FITZGERALD (1890-1956) UNTITLED (BRITISH COLUMBIA LANDSCAPE), 1948

ink on wove paper dated “28 January 1948” 16.1 x 10.9 in — 40.8 x 27.8 cm PROVENANCE:

Private Collection, Toronto, ON EXHIBITED:

L. L. FitzGerald: 1890-1956, Fleet Gallery, Winnipeg, MB, November 1970. $1,000 — 1,500

29 ALAN CASWELL COLLIER, OSA, RCA (1911-1990) RAPIDS AT THE CROSSING, MONTREAL RIVER, 1947

oil on board signed; titled and dated verso; also titled and dated to gallery label verso 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Private Collection, Ontario $3,000 — 4,000

30 ALEXANDER YOUNG (A.Y.) JACKSON, OSA, RCA (1882-1974) HUNTER BAY, 1951

graphite on paper signed, titled and dated “Aug 22/59”; titled and dated to gallery label verso sight 8.5 x 11 in — 21.6 x 27.9 cm PROVENANCE:

Galerie Dresdnere, Toronto, ON; Private Collection, Ontario $2,500 — 3,500

31 WILLIAM GOODRIDGE ROBERTS, RCA (1904-1974) PAYSAGE D’ÉTÉ

oil on hardboard signed; titled to gallery label verso 11.875 x 16 in — 30.2 x 40.6 cm PROVENANCE:

Gérard Gorce, Montreal, QC; Private Collection, Montreal, QC; By descent to the present Private Collection, Montreal, QC $3,000 — 4,000

32 JOHN GOODWIN LYMAN (1886-1967) FORT DUVERNETTE, ST. VINCENT

oil on artist board signed; titled to gallery label verso 5.375 x 7 in — 13.7 x 17.8 cm PROVENANCE:

Dominion Gallery, Montreal, QC; Private Collection, Toronto, ON $1,500 — 2,500

33 JOHN GOODWIN LYMAN (1886-1967) RAGGED POINT LIGHTHOUSE, BARBADOS

oil on canvas laid down on pulpboard signed; titled and titled to gallery labels verso 8 x 12 in — 20.3 x 30.5 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Kastel Gallery, Montreal, QC; Galerie Bernard Desroches, Montreal, QC; Galerie Walter Klinkhoff, Montreal, QC; Private Collection, Toronto, ON $2,000 — 3,000

34 WILLIAM GOODRIDGE ROBERTS, RCA (1904-1974) UNTITLED (STILL LIFE), CIRCA 1955

oil on hardboard signed; titled and dated to gallery label verso 20 x 16 in — 50.8 x 40.6 cm PROVENANCE:

Mayberry Fine Art, Winnipeg, MB / Toronto, ON, as Red Table Still Life; Private Collection, Toronto, ON $4,000 — 6,000

35 LUDWIG BEMELMENS (1898-1962), AUSTRIAN/AMERICAN ANTIBES, 1960

ink and gouache on Arches paper, watermark; signed, titled and dated “60” lower left sheet 22 x 30 in — 56 x 76.3 cm PROVENANCE:

Private Collection, Toronto, ON $2,500 — 3,500

36 JOHN (JACK) RICHARD CHAMBERS, RCA (1931-1978) STUDY OF A YOUNG BOY IN SWEATER, 1958

graphite on paper signed and dated “58” 19 x 11.375 in — 48.3 x 28.9 cm PROVENANCE:

The Isaacs Gallery, Toronto, ON; Private Collection, London, ON; By descent to the present Private Collection, Toronto, ON EXHIBITED:

Art Gallery of Ontario, Vancouver Art Gallery, 1970, as Boy. $600 — 800

37 JOHN IVOR SMITH (1927-2004) CHIMERIC FIGURE, 1966

epoxy titled and dated to gallery label on base 40 x 5 x 8.5 in — 101.6 x 12.7 x 21.6 cm PROVENANCE:

The Isaacs Gallery, Toronto, ON; Private Collection, Gananoque, ON EXHIBITED:

John Ivor Smith: New Sculpture, The Isaacs Gallery, Toronto, ON 24 Apr-6 May 1968.

LITERATURE:

Kay Kritzwiser, “At the Galleries: Occupational pressures are turned into creation,” The Globe and Mail, 27 Apr 1968, 27, as Winged Figure.

Gail Dexter Lord, “More from the Coast” Toronto Daily Star, 4 May 1966, 4 repro. b/w. $1,500 — 2,500

38 JACK BEDER (1910-1987) POINTED FORM (SCULPTURE #41), 1965

marble signed, titled, dated and numbered on base sculpture 5.5 x 12.2 x 7.1 in — 14 x 31 x 18 cm; with base 10.6 x 12.2 x 7.1 in — 27 x 31 x 18 cm PROVENANCE:

Private Collection, Ontario $1,000 — 1,200

39 STANLEY MOREL COSGROVE, RCA (1911-2002) HUDSON, 1979

oil on canvasboard signed; signed, titled, dated and inscribed verso 11.9 x 9.9 in — 30.2 x 25.1 cm PROVENANCE:

Private Collection, Ridgeway, ON $1,500 — 2,500

40 JUAN O’GORMAN (1905-1982), MEXICAN ESTUDIO PARA EL MURAL DEL B.I.S.A, 1964

graphite on paper with inscribed line; signed, dated and dedicated “To Buddy” sheet 9.6 ins x 22.4 ins; 24.3 cms x 57 cms PROVENANCE:

Private Collection, Toronto, ON $400 — 600

41 PHILIP HENRY HOWARD SURREY, RCA (1910-1990) STREET SCENE

oil on panel signed; titled to gallery label verso 6 x 8 in — 15.2 x 20.3 cm PROVENANCE:

Galerie d’Art Vincent, Ottawa, ON; Private Collection, Toronto, ON $2,000 — 3,000

42 PHILIP HENRY HOWARD SURREY, RCA (1910-1990) ICEBERGS AND MOON, 1958

oil on hardboard signed; titled and dated to label verso 5.875 x 7.875 in — 14.9 x 20 cm PROVENANCE:

Estate of the artist; Joyner Waddington’s, Toronto, ON, 4 Dec 2002, lot 430 $1,500 — 2,000

43 CHARLES PACHTER (B. 1942) UNTITLED (SHAW STREET), CIRCA. 1970

mixed media on paper signed 26.5 x 40 in — 67.3 x 101.6 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Toronto, ON $1,000 — 2,000

44 HENRI LEOPOLD MASSON, RCA (1907-1996) STREET IN OTTAWA

oil on hardboard signed; titled to gallery label verso 6 x 8 in — 15.2 x 20.3 cm PROVENANCE:

Kinsman Robinson Galleries, Toronto, ON; Private Collection, Toronto, ON $500 — 700

45 MICHAEL FORSTER (1907-2002) PLAYA ARDIENTE, 1966

oil on canvas signed, titled and dated to stretcher verso 34 x 26.25 in — 86.4 x 66.7 cm PROVENANCE:

Private Collection, Guelph, ON $3,000 — 5,000

46 KOSSO ELOUL (1920-1995) UNTITLED (VERTICAL NOTCH, WHITE MARBLE)

marble 10.6 x 10.2 x 3.3 in — 27 x 26 x 8.3 cm PROVENANCE:

Private Collection, Schomberg, ON $2,000 — 3,000

47 RITA LETENDRE, RCA (1928-2021) UNTITLED

mixed media on paper 4.8 x 4.4 in — 12.3 x 11.3 cm PROVENANCE:

Private Collection, Schomberg, ON $1,500 — 2,500

48 RITA LETENDRE, RCA (1928-2021) CHRISTMAS CARD, 1971

acrylic on paper signed, dated “71” and inscribed 6.375 x 9.5 in — 16.2 x 23.8 cm PROVENANCE:

Gift of the artist; Private Collection, Schomberg, ON $400 — 600

49 MARY PRATT, RCA (1935-2018) CHICKEN PARTS, 1971

graphite on paper signed and dated 12 x 17.625 in — 30.5 x 44.8 cm PROVENANCE:

Aggregation Gallery Ltd., Toronto, ON; Private Collection, London, ON; By descent to the present Private Collection, Toronto, ON $2,500 — 4,500

50 RONALD (RON) ALBERT MARTIN (B. 1943) INTRINSIC CONNECTION, 1969

watercolour, gouache and graphite on paper signed, titled and dated; framer’s label verso 22.125 x 30 in — 56.2 x 76.2 cm PROVENANCE:

Estate of Marlyn Rennie, Toronto, ON $1,500 — 2,500

51 JOHN RICHARD FOX (1927-2008) STILL LIFE WITH GLOVES AND COFFEE POT

oil on canvas signed; titled verso 19.75 x 23.75 in — 50.2 x 60.3 cm PROVENANCE:

Big Brothers Big Sisters of Cornwall and District, Ontario; Private Collection, Ontario $1,200 — 1,500

52 ROWLAND HILL (1915-1979), IRISH STUDIES OF WHITE PARK BAY, CO. ANTRIM, IRELAND (PAIR)

oils on canvas; signed lower right each 20 ins x 28 ins; 50.8 cms x 71.1 cms PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

53 CAMILLE HILAIRE (1916-2004), FRENCH FRENCH CANCAN

oil on canvas; signed lower right 21.3 x 25.6 in — 54 x 65 cm PROVENANCE:

Private Collection, Toronto, ON $3,000 — 5,000

54 ROBERT GENN (1936-2014) SNOWBOUND IN THE GULF, 1976

oil on panel signed; signed, titled and dated verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:

Private Collection, Toronto, ON $700 — 1,000

55 PHILIP HENRY HOWARD SURREY, RCA (1910-1990) EVENING AT L’ANSE MITAN, MARTINIQUE, 1964

oil on hardboard signed; titled to label verso 5.75 x 7.875 in — 14.6 x 20 cm PROVENANCE:

Estate of the artist; Joyner Waddington’s, Toronto, ON, 4 Dec 2002, lot 430 $1,500 — 2,000

56 CHRISTIANE PFLUG (1936-1972) FROM CAROL’S WINDOW, 1962

graphite on laid paper initialed and dated “62” sight 9.5 x 12.5 in — 24.1 x 31.8 cm; sheet 10 x 12.75 in — 25.4 x 32.4 cm PROVENANCE:

The Isaacs Gallery, Toronto, ON; Private Collection, London, ON; By descent to the present Private Collection, Toronto, ON $4,000 — 6,000

57 NYOMAN MEJA (B. 1950), INDONESIAN TAMAN UBUD, BALI

acrylic on canvas; signed and titled lower right 17.9 x 15.1 in — 45.5 x 38.3 cm PROVENANCE:

Private Collection, Quebec, QC $500 — 700

58 JEREMY SMITH (B. 1946) SPRING (TRIPTYCH), 1973

ink on wove paper each sheet 38 x 25 in — 97.8 x 190.5 cm; overall 38 x 76 in — 96.5 x 193 cm; framed 43 x 80.25 in — 109.2 x 203.8 cm PROVENANCE:

Marlborough Godard Gallery, Toronto, ON; Private Collection, London, ON; By descent to the present Private Collection, Toronto, ON $400 — 600

59 JOE ROSENTHAL (1921-2018) UNTITLED (RECLINING NUDE)

bronze signed, numbered 2/8 with foundry mark sculpture 15 x 30.5 x 11.25 in — 38.1 x 77.5 x 28.6 cm; with base 17 x 32 x 12.76 in — 43.2 x 81.3 x 32.4 cm PROVENANCE:

Private Collection, Oakville, ON $1,200 — 1,700

60 DARRYL LEO HUGHTO (B. 1943), AMERICAN FROG PRINCE, 1980

acrylic on canvas; signed; titled and dated verso 53 x 90.5 in — 134.6 x 229.9 cm PROVENANCE:

Private Collection, Toronto, ON $2,000 — 3,000

61 STEFAN AMPENBERGER (1908-1983), SOUTH AFRICAN BARE TREE IN LANDSCAPE

oil on canvas; signed lower right 29.7 ins x 32.4 ins; 75.4 cms x 82.2 cms PROVENANCE:

Private Collection, Toronto, ON $500 — 700

62 ARTHUR SHILLING (1941-1986) MOTHER AND CHILDREN

oil on canvas signed; titled to gallery label verso 9 x 12 in — 22.9 x 30.5 cm PROVENANCE:

Kinsman Robinson Galleries, Toronto, ON; Private Collection, Toronto, ON EXHIBITED:

Arthur Shilling Various Private Collections, Kinsman Robinson Galleries, Toronto, ON, June 10-30 2000. $1,000 — 1,500

63 JEAN LEFÉBURE (1930-2013) SANS TITRE, 1981

oil on canvas signed and dated “81” 21.5 x 30.25 in — 54.6 x 76.8 cm PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

64 MIYUKI TANOBE (B. 1937) LA FÊTE DE LA JOIE, À OUTREMONT, QUÉBEC, 1986

nihonga on hardboard signed, titled and dated verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Private Collection, Montreal, QC $10,000 — 15,000

65 MOLLY LAMB BOBAK, RCA (1920-2014) THE RUN

watercolour on paper signed; titled to gallery label verso sight 6 x 9 in — 15.2 x 22.9 cm PROVENANCE:

Galerie Walter Klinkhoff, Montreal, QC; Private Collection, Toronto, ON $2,000 — 3,000

66 RONALD LANGLEY BLOORE (1925-2009) UNTITLED

oil on hardboard 5 x 7 in — 12.7 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON $1,000 — 2,000

67 DANIEL O’NEILL (1920-1974), IRISH FUNFAIR

oil on hardboard; signed lower left; titled on frame 16.3 ins x 24.3 ins; 41.5 cms x 61.7 cms PROVENANCE:

Private Collection, Toronto, ON $10,000 — 15,000

68 DANIEL O’NEILL (1920-1974), IRISH PORTRAIT OF A GIRL

oil on hardboard; signed lower right 21.9 ins x 18.3 ins; 55.6 cms x 46.5 cms PROVENANCE:

Private Collection, Toronto, ON $10,000 — 15,000

69 ALLEN FREDRICK SAPP, RCA (1929-2015) THE TRAIN’S COMING FROM CANSO, 1988

acrylic on canvas signed; titled and dated to label verso 11.875 x 16 in — 30.2 x 40.6 cm PROVENANCE:

Private Collection, Toronto, ON $1,200 — 1,700

70 ARTO YUZBASIYAN (B. 1948) UNTITLED (FAMILY BARN)

oil on canvas signed 31 x 44 in — 78.7 x 111.8 cm PROVENANCE:

Commissioned by Dr. Ian Wilfred French, Orangeville, ON; By descent to the present Private Collection, USA $2,500 — 3,500

71 NANCY WHORF (1930-2009), AMERICAN CURL UP WITH A GOOD BOOK, 1990

oil on hardboard; signed lower right 12.1 ins x 15.9 ins; 30.8 cms x 40.5 cms PROVENANCE:

Berta Walker Gallery, Provincetown, MA; Private Collection, Toronto, ON, acquired from the above in 1990 EXHIBITED:

Nancy Whorf, Recent Paintings, August 17-29, 1990, Berta Walker Gallery. $2,000 — 3,000

72 NANCY WHORF (1930-2009), AMERICAN WALKING TO ADAMS DRUG STORE, 1990

oil on board; signed lower right 35.8 ins x 47.2 ins; 91 cms x 120 cms PROVENANCE:

Berta Walker Gallery, Provincetown, MA; Private Collection, Toronto, ON, acquired from the above in 1990 EXHIBITED:

Nancy Whorf, Recent Paintings, Berta Walker Gallery, August 17-29, 1990. $5,000 — 7,000

73 VAL BERTOIA (B. 1949), AMERICAN B-2735, SOUNDING SCULPTURE, 2023

beryllium-copper rods silvered to brass base; incised title “B-2735” on base 10 ins x 12 ins x 4 ins; 25.4 cms x 30.5 cms x 10.2 cms PROVENANCE:

Private Collection, Toronto, ON, acquired from the artist LITERATURE:

A certificate of authenticity signed by the artist will be delivered to the buyer. $1,800 — 2,200

74 VAL BERTOIA (B. 1949), AMERICAN B-2769, SOUND TO SHARE FROM OPEN SQUARE, 2023

brass tops silvered to beryllium-copper rods in a square silvered to brass base; incised title “B-2769” on base 23.5 x 8.25 x 8.25 in — 59.7 x 21 x 21 cm; PROVENANCE:

Private Collection, Toronto, ON, acquired from the artist LITERATURE:

A certificate of authenticity signed by the artist will be delivered to the buyer. $1,800 — 2,200

75 DANIEL PRICE (D.P.) ERICHSEN BROWN (B. 1939) NAKED CHILD

graphite on paper signed 28.75 x 19 in — 73 x 48.3 cm PROVENANCE:

Private Collection, London, ON; By descent to the present Private Collection, Toronto, ON $750 — 1,000

76 BRIAN JONES (1950-2008) LOOKING THROUGH (DRAFT FOR ORIGINAL)

graphite on paper signed 11.375 x 8.75 in — 28.9 x 22.2 cm PROVENANCE:

Private Collection, London, ON; By descent to the present Private Collection, Toronto, ON $500 — 600

77 RONALD WILLIAM BOLT, PRCA (B. 1938) THE HIBB’S COVE LIGHT (NEWFOUNDLAND GOTHIC SERIES), 1973-1974

oil on canvas signed and dated “74”; signed, titled and dated “73-4” verso 32 x 40 in — 81.3 x 101.6 cm PROVENANCE:

Private Collection, Ontario $3,500 — 4,500

78 DOROTHY KNOWLES, RCA (1927-2023) SISTINE SKY, 1980

watercolour on paper signed and dated “80”; titled and dated to gallery label verso 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Waddington Galleries, Toronto, ON; Private Collection, Toronto, ON $1,000 — 2,000

79 GREGORY I. MCHURON (1945-2021), AMERICAN FOOTHILLS, 1991

oil on hardboard; signed lower right; signed, titled and dated verso 11.8 ins x 15.7 ins; 30 cms x 40 cms PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

80 ROBERT MCLELLAN BATEMAN, RCA (B. 1930) HEAD OF A BALD EAGLE

watercolour and gouache on vellum signed 8 x 8.125 in — 20.3 x 20.6 cm PROVENANCE:

Private Collection, Toronto, ON; Sotheby’s, Toronto, ON, 21 Nov 2005, lot 141; Private Collection, Barrie, ON $3,000 — 5,000

81 PHILIP SYBAL (B. 1949) THE MORNING IN FRONTENAC COUNTY, 1994

oil on canvas signed; signed, titled and dated to the overflap 36 x 48 in — 91.4 x 121.9 cm PROVENANCE:

Joyner Waddington’s, Toronto, ON, 21 Nov 2007, lot 335; Private Collection, Barrie, ON $1,500 — 2,500

82 DORIS JEAN MCCARTHY, OSA, RCA (1910-2010) UNTITLED (LANDSCAPE)

watercolour on paper signed sight 13.75 x 20.75 in — 34.9 x 52.7 cm PROVENANCE:

Art Emporium, Scarborough, ON $3,000 — 5,000

83 DORIS JEAN MCCARTHY, OSA, RCA (1910-2010) THE ISLANDS OFF RALPH’S TICKLE, 1999

oil on panel signed; titled and dated verso, also titled and dated to gallery label verso 11.875 x 16 in — 30.2 x 40.6 cm PROVENANCE:

Wynick/Tuck Gallery, Toronto, ON; Private Collection, Toronto, ON $3,500 — 4,500

84 DORIS JEAN MCCARTHY, OSA, RCA (1910-2010) DESERT ABOVE SCOTTSDALE, 2001

oil on canvas signed; titled and dated verso, also titled and dated to gallery label verso 23.75 x 29.75 in — 60.3 x 75.6 cm PROVENANCE:

Wynick/Tuck Gallery, Toronto, ON; Private Collection, Toronto, ON $5,000 — 7,000

85 MICHAEL ADAMSON (B. 1971) GOLDEN BLACK, 2004

oil on canvas signed, titled and dated verso 63 x 60 in — 160 x 152.4 cm PROVENANCE:

Private Collection, Wales $3,000 — 3,500

86 GATHIE FALK (B. 1928) ORANGES ON OUR KITCHEN CHAIR, 2006

acrylic on canvas signed and dated “06”; titled to gallery label verso 24 x 18 in — 61 x 45.7 cm PROVENANCE:

Michael Gibson Gallery, London, ON; Private Collection, Toronto, ON $5,000 — 7,000

87 MARY PAVEY, OSA, RCA (B. 1938) BLUE CABINET, 1994

oil on canvas signed; signed, titled, dated and inscribed “#127” to the overflap 60.25 x 46 in — 153 x 116.8 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Toronto, ON $2,000 — 3,000

88 WILLIAM HODD MCELCHERAN, RCA (1927-1999) KARATE MAN (NEKO ASHI DACHI), 1989

bronze initialed, dated “89” and numbered AP 3/3 14.5 x 10.5 x 7.5 in — 36.8 x 26.7 x 19.1 cm PROVENANCE:

Gift of the artist, circa 1990 $5,000 — 7,000

89 OH SE-YEO! (B. 1945), KOREAN BLOWING BUBBLEGUM, 1999

mixed media on panel; signed and dated “99” lower right; signed, titled and dated to label verso image 10.8 ins x 9.3 ins; 27.5 cms x 23.7 cms PROVENANCE:

Private Collection, Ontario $2,500 — 3,500

90 CONSTANTIN PILIUTA (1929-2003), ROMANIAN DRINKING WHILE LISTENING TO A VIOLIN, 1991

ink on paper; signed and dated upper left sheet 14 x 18.1 in — 35.6 x 46 cm PROVENANCE:

Private Collection, Toronto, ON; Acquired directly from the artist in Romania, 1991 $500 — 700

91 TOM HOPKINS (1944-2011) MYTHOLOGICAL SERIES #1, 1998

oil on canvas signed; signed, titled and dated; also titled and dated to gallery label verso 19.75 x 19 in — 50.4 x 48 cm PROVENANCE:

Galerie de Bellefeuille, Montreal, QC; Private Collection, Toronto, ON $1,200 — 1,700

92 WILF PERREAULT (B. 1947) EVENING BLANKET, 2004

acrylic on canvas signed, titled and dated to the overflap 23.75 x 15 in — 60.3 x 38.1 cm PROVENANCE:

Mayberry Fine Art, Winnipeg, MB; Private Collection, Toronto, ON $2,000 — 3,000

93 JACQUES PAYETTE (B. 1951) OU LE VENT S’APPORTE, 2005

encaustic on linen signed and dated; signed, titled and dated verso 50 x 40 in — 127 x 101.6 cm PROVENANCE:

Galerie de Bellefeuille, Montreal, QC; Private Collection, Toronto, ON $3,500 — 4,500

94 IVAN KENNETH EYRE, RCA (1935-2022) BIRD MAN, 2010

bronze signed, dated “10” and numbered 6/10 on back of sculpture 17 x 11.5 x 10.75 in — 43.2 x 29.2 x 27.3 cm PROVENANCE:

Private Collection, Gananoque, ON $7,000 — 9,000

95 JIM RITCHIE (1929-2017) SCULPTURE, CIRCA 1990

bronze signed and numbered 2/8 24 x 9 x 4 in — 61 x 22.9 x 10.2 cm PROVENANCE:

Private Collection, Montreal, QC $3,000 — 5,000

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

buyer’s premium

Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash; interac direct debit (CDN clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

all transactions are conducted in canadian dollars (cad)

Selling at Waddington’s shipping

The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 416-293-8225 / 905-470-6875 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species).

This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca).

For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

With specialists located at our head office in Toronto as well as in Vancouver and Montreal, we are pleased to meet with prospective consignors across the country. For more information on consigning to our auctions, please contact us at consignments@waddingtons.ca.

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.

3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca