Property from the Collection of Jacques & Gabrielle Israelievitch | November 2 - 7, 2019

Property from the Collection of Jacques & Gabrielle Israelievitch NOV EM B E R 2— 7, 2 01 9

Property from the Collection of Jacques & Gabrielle Israelievitch NOV EM BE R 2— 7, 2 01 9

Passionate collectors and supporters of Canadian art and decorative arts, Jacques and Gabrielle’s collection journey was interlaced by their rich life experiences, notably their friendships with artists and musicians. Their collection features contemporary ceramics from Canadian and American artists, as well as works from Toronto’s Cold City Gallery and Garnet Press Gallery.

Other highlights include works by Gordon Rayner, Reinhard Reitzenstein, Michael Adamson, Casey McGlynn and Denyse Thomasos. This is a great opportunity to acquire works from an important collection that was built with love.

bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca on view Sunday, November 3 from 12 pm to 4 pm Monday, Novemebr 4 from 1 pm to 7 pm preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700

specialists ceramics, glass and silver Bill Kime bk@waddingtons.ca 416-847-6189

international art Susan Robertson sr@waddingtons.ca

front cover Lot 24 Denyse Thomasos Untitled, 2012 (detail)

front inside

Lot 18 Walter Dexter Raku Vase, 1993

back inside

416-847-6179

Lot 2 Will Petersen Lonely Traveler (detail)

consignment coordinator Alec Kerr ak@waddingtons.ca

back cover Lot 5

416-847-6186

Bruce Cochrane Reticulated Stoneware Covered Jar, c.2010

appraisals and consignments Ellie Muir em@waddingtons.ca 416-847-6196

This catalogue and its contents © 2019 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All rights reserved.

1

2

3

RON MEYERS (AMERICAN, B.1934), GLAZED EARTHENWARE DISH WITH VIOLINIST, C.2010

WILL PETERSEN (AMERICAN, 1928-1994)

WILL PETERSEN (AMERICAN, 1928-1994)

LONELY TRAVELER

NORDIC FABLE

11.8 x 12.2 in — 30 x 31 cm

colour lithograph; signed and numbered 5/45 in pencil to lower margin 26 x 36 in — 66 x 91.4 cm

colour lithograph; signed, titled, and numbered 5/50 in pencil to lower margin 27 x 32 in — 68.6 x 81.3 cm

PROVENANCE:

PROVENANCE:

Acquired from the artist

Acquired from the artist

$200 — 300

$200 — 300

4

5

6

ROBERT ARCHAMBEAU (CANADIAN, B.1933), RIBBED STONEWARE VASE, C.2000

BRUCE COCHRANE (CANADIAN, B.1953), RETICULATED STONEWARE COVERED JAR, C.2010

DENYSE THOMASOS (CANADIAN, 19642012)

height 5.2 in — 13.2 cm

height 14.5 in — 37 cm, incised signature Cochrane

acrylic on canvas; dated to gallery label vesrso 12 x 16 in — 30.5 x 40.6 cm

PROVENANCE:

Purchased directly from the artist $150 — 250

PROVENANCE:

Prime Gallery, Toronto $200 — 300

$150 — 250

UNTITLED, C.2011/2012

PROVENANCE:

Olga Korper Gallery, Toronto $1,200 — 1,800

7

8

9

GORDON RAYNOR (CANADIAN, 1935-2010)

ROBERT MIDDAUGH (B.1935)

MICHAEL ADAMSON (CANADIAN, B.1971)

THICKET, 1999

acrylic on board; signed lower right 10 x 8 in — 25.4 x 20.3 cm

oil on canvas board signed; signed, titled, and dated on the reverse 6 x 8 in — 15.2 x 20.3 cm

YELLOW JACKET

$400 — 600

ARRIVE AT THEATRE, 2008 acrylic on canvas signed, titled, and dated on the reverse 10 x 9 in — 25.4 x 22.9 cm

PROVENANCE:

PROVENANCE:

Ron Moore Gallery, Toronto

Ron Moore Gallery, Toronto

$1,200 — 1,500

$800 — 1,000

10

11

12

JACK SHADBOLT (CANADIAN, 1909-1998)

JOHN ABRAMS (B.1959)

ACT OF ART: THE IMAGE MAKING PROCESS, 1981

oil on metal rip saw with wooden handle 29 x 7.5 in — 73.7 x 19.1 cm

BRUCE COCHRANE (CANADIAN, B.1953), MOTTLED BROWN GLAZED STONEWARE COVERED JAR, C.2010

cloth-bound hardcover book; signed and numbered 75 of an edition of 80 to the title page book 17 x 13 x 2 in — 43.2 x 33 x 5.1 cm $200 — 300

SAW (RECORDER & VASE)

$400 — 600

height 13.5 in — 34.3 cm $100 — 200

13

14

15

SHARON SWITZER (CANADIAN)

GRACIELA RODO BOULANGER (B.1935)

LOIS SCHKLAR (B.1945 )

SCAPULAR

LE VIOLIN

VESSEL (TEAPOT)

mixed media with ribbon 24 x 2.5 in — 61 x 6.4 cm

colour lithograph; signed and numbered “E.A. 1/20” in pencil to lower margin plate 7.75 x 5.75 in — 19.7 x 14.6 cm

acrylic on laminated burlap; signed in ink on the bottom 10.75 x 10 x 4 in — 27.3 x 25.4 x 10.2 cm

PROVENANCE:

Garnet Press, Toronto $400 — 600

PROVENANCE:

$150 — 250

John M. Chious Fine Arts, Chicago $100 — 150

16

17

18

STONEWARE TEAPOT

ELMER TAYLOR (AMERICAN, B.1947), STONEWARE COVERED JAR

WALTER DEXTER, R.C.A. (CANADIAN, 1931-2015), RAKU VASE, 1993

height 5.9 in — 15 cm, impressed ET and T seal marks

height 15.1 in — 38.3 cm, painted DEXTER and dated 93/2/3

height 8.3 in — 21 cm, incised signature $75 — 150

$100 — 200

PROVENANCE:

Jonathon Bancroft-Snell Gallery, London, Ontario $150 — 250

19

20

21

RON MEYERS (AMERICAN, B.1934), STONEWARE TEAPOT WITH WOMAN AND CAT, C.2010

HOMOGENIUS COLLECTIVE

MARK MARSTERS (CANADIAN, 1962-2002)

height 8.3 in — 21 cm PROVENANCE:

Purchased directly from the artist

HOMOGENIUS THREE, 1993 24 photographs in magazine format; edition of 1000 12.8 x 9.8 in — 32.5 x 25 cm $80 — 100

COUNTRY CORN PULL acrylic and mixed media on leather; signed lower left 26.25 x 17.5 in — 66.7 x 44.5 cm PROVENANCE:

$150 — 250

Acquired from the artist. $100 — 200

22

23

24

COLLECTION OF CATALOGUES AND MONOGRAPHS, INCLUDING MICHAEL SNOW

TONY URQUART (CANADIAN, 1934- )

DENYSE THOMASOS (CANADIAN, 1964-2012)

19 monographs and exhibition catalogues, See website for full catalogue details

OUR HOUSE II drypoint etching on paper; signed, titled, and inscribed “T.P.” in pencil to lower margin plate 7 x 6.5 in — 17.8 x 16.5 cm PROVENANCE:

$200 — 300

Acqurired from the artist $200 — 300

UNTITLED, 2012 acrylic on canvas; dated to gallery label verso 8 x 6 in — 20.3 x 15.2 cm $1,000 — 1,500

25

26

27

CAROL MARINO (CANADIAN, B.1943)

ROBERT FLACK (1957-1993)

VIOLETA DIZON (CANADIAN/FILIPINO)

PITCHER PLANTS #3, 1986

chromogenic print sight 13.5 x 10.5 in — 34.3 x 26.7 cm

POMPEII

gelatin toned silver print; signed and numbered 1/10 lower right 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Jane Corkin Gallery, Toronto

PROVENANCE:

Garnet Press, Toronto $600 — 800

mixed media; signed and dated ‘91 lower right, titled and dated to artist’s label verso 13.4 x 16.9 in — 34 x 43 cm $100 — 200

$300 — 400

28

29

30

PHIL BERGERSON (CANADIAN, B.1947)

MICHAEL ADAMSON (CANADIAN, B.1971)

RON MEYERS (AMERICAN, B.1934), EARTHENWARE VASE WITH TWO NUDE VIOLINISTS, C.2010

UNTITLED, 1985 chromogenic print; signed and dated ‘85 to the mat 16 x 21.25 in — 40.6 x 54 cm $400 — 600

OPENING AN OYSTER, 2005 oil on canvas; signed twice, titled, and dated verso 31 x 36 in — 78.7 x 91.4 cm $3,000 — 4,000

height 16.5 in — 42 cm PROVENANCE:

Purchased directly from the artist $250 — 350

31

32

33

STONEWARE VASE

BRUCE COCHRANE (CANADIAN, B.1953), GREEN GLAZED STONEWARE COVERED JAR, C.2008

CASEY MCGLYNN (B.1970)

height 13.5 in — 34.3 cm, incised signature Cochrane

mixed media on plywood panel; signed and titled verso, dated 1999 to gallery label 48 x 22 in — 121.9 x 55.9 cm

height 12.6 in — 32 cm $75 — 150

PROVENANCE:

FACES OF PEOPLE WHO WALKED BY MY WINDOW IN NOVEMBER, 1999

Prime Gallery, Toronto, 2008

PROVENANCE:

$100 — 200

Bau-Xi Gallery, Toronto $800 — 1,200

34

35

36

REINHARD REITZENSTEIN GERMAN/ CANADIAN, (B.1949)

JOHN GARRETT (AMERICAN, B.1950)

BEATRIX? C* M*

BASKET

DRAWING

UNTITLED (TWIG SCULPTURE)

graphite on paper; signed BCM lower right

bronze with base 8 x 31 x 7 in — 20.3 x 78.7 x 17.8 cm

mixed media (barbed wire, painted plastic soldiers, bone) approx. 14 x 14 in — 35.6 x 35.6 cm

$1,000 — 1,500

$300 — 500

$150 — 250

37

38

39

SUSAN RANKIN (CANADIAN, B.1959), COLOURED GLASS TWO-HANDLED VASE, 1997

BRAD COPPING (CANADIAN, B.1961), CARVED SPIRAL GLASS VASE, 1999

ROBERT OUELLETTE (CANADIAN)

minor chips, height 16.8 in — 42.7 cm, engraved signature B. Copping and dated ‘99

mixed media; titled and dated to gallery label verso, with artists stamp to the backing 5 x 7 in — 12.7 x 17.8 cm

height 11 in — 28 cm, engraved signature Susan Rankin and dated ‘97 PROVENANCE:

Prime Gallery, Toronto

PROVENANCE:

Prime Gallery, Toronto

SPEAKERS CORNER, 1994

$200 — 300

$75 — 150

$100 — 200

40

41

42

SHERRY PRIBIK (CANADIAN)

PAULIS CHANG

JESSE THOMAS (AMERICAN)

CABINET

RENOVATION CLOCK

OF LAKE

wood and metal wire 60 x 14 x 15 in — 152.4 x 35.6 x 38.1 cm

mixed media 87.5 x 19.5 x 10.75 in — 222.3 x 49.5 x 27.3 cm

oil on panel; 10 x 13 in — 25.4 x 33 cm

$500 — 700

$500 — 700

$300 — 500

43

44

45

KIM ADAMS (CANADIAN, B.1951)

BRIAN SCOTT (CANADIAN, B.1955)

UNTITLED

HOUSE BOAT, 1994

WILLIAM LARRYMORE SMEDLEY (AMERICAN, 1871-1958)

mixed media approx. 17.5 x 16.5 x 14 in — 44.5 x 41.9 x 35.6 cm

mixed media assembly; signed and dated 1994 in pen on the bottom 12 x 12 x 6 in — 30.5 x 30.5 x 15.2 cm

LAKESHORE WITH BOATS

PROVENANCE:

PROVENANCE:

Power Plant, Toronto

VACI, Chautauqua, NY

$300 — 500

$500 — 700

46

47

48

GORDON RAYNER (CANADIAN, 1935-2010)

OREST TATARYN (CANADIAN, B.1952)

ANDY FABO (CANADIAN, B.1953)

SIX NEON SQUIGGLES

THIS ONE

ARTAUD’S SHELF, 1985

six single-electrode neon glass tubes on a metal support

collage on cardboard contained in resealable plastic bag; titled in ink on the reverse 10.5 x 10.5 in — 26.7 x 26.7 cm

$400 — 600

mixed media; signed, titled, and dated 1984/85 on the back.

12.75 x 10 x 4 in — 32.4 x 25.4 x 10.2 cm

$3,000 — 5,000

oil on wooden cigar box 5.25 x 8 in — 13.3 x 20.3 cm

PROVENANCE:

PROVENANCE:

Garnet Press, Toronto

The Isaacs Gallery, Toronto Ron Moore Gallery, Toronto

$300 — 500

$1,200 — 1,500

49

50

51

ANDY FABO (CANADIAN, B.1953)

JOACHIM PROBST (AMERICAN, 1913-1980)

JOSEPH DRAPELL (CANADIAN/CZECH, B.1940)

COLLECTION OF WORKS, 1950-1977

DIGITAL PORTFOLIO, 2005

38 unframed ink and gouache drawings, including five on card and 33 on paper, dated variously 1950-1977, including works for the series “Dear Alice”, “Mohawk”, “Symphony”, and “Jack o’ Nites”; together with six unframed photographs by Morton D. May (1914-1983)

four digital prints signed with stamped signature and with snail blindstamp, titled #1001, #1002, #1006, and #1007 each sheet 8.5 x 11 in — 21.6 x 27.9 cm

C1794, 1992 collage on paper contained in resealable plastic bag; signed and dated ‘92 on the reverse 10.5 x 10.5 in — 26.7 x 26.7 cm $300 — 500

$100 — 200

$700 — 1,000

52

53

54

RUDY POZZATTI (AMERICAN, B.1925)

COLD CITY ARTISTS (CANADIAN)

JAN WILSON

SERPENT (FROM “DARWIN’S BESTIARY”, 1985-1986) AND PHYSIOLOGUS THEOBALDI EPISCOPI DE NATURIS DUODECIM ANIMALIUM, 1964

PORTFOLIO, 1989

UNTITLED, 1977

collection of 14 prints

textile on rod; signed and dated to stitched label

Serpent, from “Darwin’s Bestiary”, 1985-86. lithograph; signed, titled, and dated 1964

Cold City Gallery, Toronto

See website for full catalogue details 19.5 x 27 in — 49.5 x 68.6 cm; 21.75 x 15.25 in — 55.2 x 38.7 cm $900 — 1,200

PROVENANCE:

$1,500 — 2,000

$200 — 400

55

56

57

PASSLE HELMINSKI (AMERICAN, C.1955)

WARREN QUIGLEY (CANADIAN)

GLAZED STONEWARE ‘SILO’ VASE

PAY FOR VIEW, 1993

height 14.2 in — 36 cm, incised signature

UNTITLED

ceramic on board; signed, titled, and dated ‘93 verso 11 x 14 in — 27.9 x 35.6 cm

$75 — 150

acrylic and knit fibre approx. 28 x 18 in — 61 x 61 cm $1,500 — 2,500

PROVENANCE:

Cold City Gallery, Toronto $300 — 500

58

59

60

GLAZED EARTHENWARE VASE FORM, 2005

KAYO O’YOUNG (CANADIAN, B.1950), WHITE GLAZED PORCELAIN TEAPOT, 2013

STONEWARE OBLONG PLATTER

on an ebonised wood base, overall 26.8 x 26.8 x 10.6 in — 68 x 68 x 27 cm, signed (?) and dated ‘05 in white slip $100 — 200

minor chip, height 7.9 in — 20 cm, painted signature K O’YOUNG and dated 2013 PROVENANCE:

Purchased directly from the artist $100 — 200

15 x 18 in — 38 x 46 cm, impressed seal mark $75 — 150

61

62

63

ANN STUBBS, GLAZED EARTHENWARE OVAL DISH, C.2000

MICHELLE MENDLOWITZ (CANADIAN, B.1981), RECTANGULAR FORM, C.2012

MARCEL BEAUCAGE (CANADIAN, B.1946), SIX PLATES, 2013

length 17.5 in — 44.5 cm

7.1 x 5.3 x 1.6 in — 18 x 13.5 x 4 cm, signed with initials MFM in black

9.1 x 9.1 in — 23 x 23 cm, impressed marks, incised signatures and dated 13

PROVENANCE:

PROVENANCE:

Prime Gallery, Toronto

Purchased directly from the artist

$75 — 150

$100 — 200

64

65

66

RON MEYERS (AMERICAN, B.1934), EARTHENWARE VASE WITH THREE NUDE FIGURES, C.2005

DANA HOLST (CANADIAN, B.1972)

ROBERT MIDDAUGH (AMERICAN, B.1935)

$100 — 200

height 16.5 in — 42 cm PROVENANCE:

Purchased directly from the artist $250 — 350

SUITE ECSTASY 3 lithograph; signed, titled, dated ‘98 and numbered 2/5 in pencil to lower margin sheet 17.5 x 11.25 in — 44.5 x 28.6 cm $200 — 300

HONOUR GUARD acrylic on board; signed lower right, titled to the backing 8.5 x 11.5 in — 21.6 x 29.2 cm $400 — 600

67

68

69

CYNTHIA ARCHER (AMERICAN, B.1953)

ROBERT JOHN HOLLAND (AMERICAN, B.1945)

CHARLES PACHTER (CANADIAN, B.1942) WITH ALDEN NOWLAN (1933-1983)

THE HIDDEN SIGNATURE

A BLACK PLASTIC BUTTON AND A YELLOW YO-YO, 1968

HORSE HORUS I, 1982 lithograph; signed, titled, dated ‘82 and numbered 8/34 in pencil to lower margin image 7.25 x 5.25 in — 18.4 x 13.3 cm PROVENANCE:

mixed media sight 12 x 12 in — 30.5 x 30.5 cm $200 — 300

Acquired from the artist

See website for full catalogue details sheets/box 13.5 x 11.25 in — 34.3 x 28.6 cm; 15.5 x 12.5 x 1.5 in — 39.4 x 31.8 x 3.8 cm PROVENANCE:

$100 — 200

Acquired from the artist $700 — 900

70

71

72

HENRI GUIBAL (FRENCH, B.1947)

JANE WILSON (CANADIAN, B.1951), SGRAFFITO RECTANGULAR TRAY, C.2003

KAYO O’YOUNG (CANADIAN, B.1950), MOTTLED GLAZED PORCELAIN LIDDED JAR, 2004

MADONNA, 1971 acrylic and gouache on paper bag; signed and dated “28.11.71” upper right sight 18 x 12.5 in — 45.7 x 31.8 cm $300 — 500

13.8 x 5.8 in — 35 x 14.7 cm, incised J Wilson PROVENANCE:

Prime Gallery, Toronto $75 — 150

height 9.3 in — 23.5 cm, painted signature K O’YOUNG and dated 04 PROVENANCE:

Purchased directly from the artist $100 — 200

73

74

75

ROBERT ARCHAMBEAU (CANADIAN, B.1933), STONEWARE VASE, C.2000

CLARE SCOTT-TAGGART (CANADIAN, 20TH C)

EARTHENWARE CHAIR VASE

height 9.3 in — 23.5 cm

UNTITLED

PROVENANCE:

cast iron and wove paper approx. 21.75 x 9 in — 55.2 x 22.9 cm

Prime Gallery, Toronto $200 — 300

height 15.4 in — 39 cm, incised signature and B $75 — 150

$200 — 400

76

77

78

MERVI HAAPAKOSKI (FINNISH/ CANADIAN, B.1960), COLOURED GLASS EWER, 1998

TONY CLENNELL, R.C.A. (CANADIAN, B.1951), STONEWARE BOWL, C.2000

ZIMRA BEINER (CANADIAN, B.1985), GLAZED STONEWARE BOWL, 2009

height 3.7 in — 9.5 cm, diameter 15.7 in — 40 cm, moulded TC seal mark

height 3.3 in — 8.5 cm, diameter 14.4 in — 36.5 cm, inscribed NOVA SCOTIA AUGUST 2009, painted signature BEINER in red

height 9.4 in — 24 cm, engraved signature Mervi and dated ‘98 $100 — 200

$100 — 200

$100 — 200

79

80

81

MEIRA MATHISON (CANADIAN, B.1951), TEAPOT, C.2010

BETSY STEWART (AMERICAN)

DOROTHY CALDWELL (AMERICAN/ CANADIAN, B.1948)

height 9.3 in — 23.5 cm, incised signature Meira

acrylic and sumi ink on wood; signed on the bottom right corner and signed, titled, and dated verso 5 x 5 x 5 in — 12.7 x 12.7 x 12.7 cm

PROVENANCE:

Jonathon Bancroft Snell Gallery, London, Ontario $75 — 150

FONTIS #80, 2006

$500 — 700

UNTITLED (GROUND COVER) mixed media textile 12.5 x 15.5 in — 31.8 x 39.4 cm PROVENANCE:

Prime Gallery, Toronto $400 — 600

82

83

84

DOROTHY CALDWELL (AMERICAN/ CANADIAN, B.1948)

RAJASTHAN SCHOOL, CHHINNAMASTA, 19TH/EARLY 20TH CENTURY

A GROUP OF THREE JAPANESE HAORI KIMONO

UNTITLED (GROUND COVER) mixed media textile 16 x 10.5 in — 40.6 x 27.9 cm PROVENANCE:

Prime Gallery, Toronto $400 — 600

TEMPERA ON PAPER; FRAMED IMAGE 9 X 6 IN — 22.9 X 15.2 CM $200 — 300

TOGETHER WITH AN OBI SASH LARGEST 54 X 47 IN — 137.2 X 119.4 CM $150 — 300

85

86

87

TWO JAPANESE HAORI KIMONO

COLLECTION CATALOGUES FROM THE OSAKA CASTLE MUSEUM, 1991, AND FUKUYAMA MUSEUM OF ART, 2002

ONE VOLUME OF BUDDHIST FIGURES AND THEIR ATTRIBUTES, AND VOLUMES THREE AND FIVE OF YOSHIMURA SHUZAN’S WAKAN MEIHITSU GAHO, 18TH CENTURY OR LATER

62 X 51 IN — 157.5 X 129.5 CM $80 — 150

CONSISTING OF ‘HANA’ - THE OSAKA CASTLE MUSEUM COLLECTION: A TREASURE HOUSE OF HISTORY AND DRAMA, PUBLISHED IN 1991; AND THE 100TH ANNIVERSARY EXHIBITION OF WORKS BY SASAFUNE KAWADA, PUBLISHED IN 2000 BY THE FUKUYAMA MUSEUM OF ART LARGEST 13.4 X 10.2 IN — 34 X 26 CM

WOODBLOCK PRINTED BOOKS LARGEST 10.2 X 7.2 IN — 25.8 X 18.2 CM $200 — 300

$50 — 80

88

89

90

DAVID B. MILNE JR. AND DAVID P. SILCOX

COLLECTION OF CHARLES PACHTER PUBLICATIONS

COLLECTION OF TOM DEAN MONOGRAPHS

DAVID B. MILNE: CATALOGUE RAISONNÉ OF THE PAINTINGS, UNIVERSITY OF TORONTO PRESS, TORONTO/BUFFALO/ LONDON, 1998

comprising six books and one VHS tape,

comprising four books

See website for full catalogue details

$100 — 200

two hardback volumes in a matching cloth slipcase $300 — 500

$150 — 250

91

92

93

COLLECTION OF ANDY FABO PUBLICATIONS

MARTYL SCHWEIG LANGSDORF (AMERICAN, 1917-2013)

ALADÁR ALMÁSY (HUNGARIAN, B.1946)

comprising two books

mixed media on paper; signed lower right and inscribed with monogram in acrylic to the backing 25 x 21.5 in — 63.5 x 54.6 cm

oil on wood panel; signed and indistinctly dated lower right, titled to artist’s label verso 13.8 x 16.7 in — 35 x 42.5 cm

$100 — 200

FERENC ENERVÁLT ON THE HILLSIDE

PROVENANCE: PROVENANCE:

Acquired from the artist $300 — 500

Acquired from the artist $400 — 600

94

95

96

HOWARD ROSS (CANADIAN)

CHERYL RUDDOCK (CANADIAN/AMERICAN)

FLEMMING JORGENSEN (CANADIAN, 1934-2009)

pair of acrylics on board in diptych frame; signed, titled, and dated ‘96 verso framed 12.75 x 20 in — 32.4 x 50.8 cm

FLOWER, 1998

TWO STILL LIVES WITH PLANTS, 1999

acrylic on paper; signed and dated 1998 lower left sheet approx. 10 x 10 in — 25.4 x 25.4 cm

PROVENANCE:

PROVENANCE:

pair of watercolours; each signed and dated ‘99 lower right each sheet 12.75 x 9.75 in — 33 x 24.8 cm

Garnet Press Gallery, Toronto

Prime Gallery, Toronto

$600 — 800

$300 — 500

THE DELIGHTS OF DISORDER, 1996

PROVENANCE:

Acquired from the artist $200 — 300

97

98

99

DEBBIE O’ROURKE (CANADIAN)

FRANCIS MUSCAT (CANADIAN, B.1955), GLASS AND METAL WIRE FIGURE, C.1995

BETTY JANE MORI (AMERICAN, B.1946)

20.5 x 16.5 in — 52 x 42 cm

mixed media sheet 9 x 14 in — 22.9 x 35.6 cm

LIFE CYCLE: ELEGY mixed media (acrylic? on silk, cotton stuffing, wood); together with photographs, article, and letter from the artist 27 x 26 in — 68.6 x 66 cm

$100 — 200

DAPHNAE III

PROVENANCE:

Chautauqua, NY

PROVENANCE:

$100 — 200

Direct from the artist $200 — 400

100

101

102

MARTYL SCHWEIG LANGSDORF (AMERICAN, 1917-2013)

RUTH DUCKWORTH (BRITISH, 1919-2009)

MARK MARSTERS (CANADIAN, 1962-2002)

PHILLIPI

UNTITLED

UNTITLED, 1990

ink on paper; titled and dated lower left 19.5 x 26.5 in — 49.5 x 67.3 cm

lithograph; signed and numbered 8/30 28.5 x 22 in — 72.4 x 55.9 cm

graphite on paper; signed and dated lower left sight 22.5 x 28.5 in — 57.2 x 72.4 cm

PROVENANCE:

$300 — 500

PROVENANCE:

Acquired from the artist

Acquired from the artist

$300 — 500

$50 — 80

103

104

105

MARVIN BJURLIN (AMERICAN, B.1944), SEVEN STONEWARE FISH HEADS, C.2010

CLAUDE-PHILIPPE BENOIT (CANADIAN, B.1953)

CHRISTOPHER SCHNEBERGER (AMERICAN, B.1970)

FLASH!, 1997

largest height 9.4 in — 24 cm, impressed trefoil marks

15 colour photographs and plastic single-use camera; together in box numbered 6/300 photographs 4 x 6 in — 10.2 x 15.2 cm

A CASE OF LEVITATION: THE STORY OF FRANCES NAYLOR

PROVENANCE:

Purchased directly from the artist

$300 — 500

$100 — 200

mixed media (two reels of stereoscopic photos and plastic View-Master); signed and numbered 206/300 on each reel box 4 x 6.5 x 4 in — 10.2 x 16.5 x 10.2 cm $20 — 40

106

107

108

CANADIAN STONEWARE TREE WITH BIRDS AND BUTTERFLIES, C.2005

ASHEVAK TUNNILLIE (1956-2018), CAPE DORSET / KINNGAIT

minor loss, height 20.5 in — 52 cm

MUSK OX MATING

RON MEYERS (AMERICAN, B.1934), STONEWARE TWO-HANDLED VASE WITH BEAR, C.2005

$100 — 200

stone; signed in syllabics 10.5 x 11 x 5.5 in — 26.7 x 27.9 x 14 cm

height 9.1 in — 23 cm

$200 — 400

Purchased directly from the artist

PROVENANCE:

$150 — 250

109

110

111

ROMANOV(?), SQUARE TRAY AND RECTANGULAR DISH

ANTIQUE SHEET MUSIC

LALIQUE MOULDED AND PARTLY FROSTED GLASS VASE, POST-1945

13 x 13 in — 33 x 33 cm; 11 x 7.3 in — 28 x 18.5 cm, signed Romanov / Ottawa in blue script $100 — 200

GEORGIAN CHANTS: VICTIMAE PASCHALI LAUDES ink on parchment, double sided sight 17.5 x 12 in — 44.5 x 30.5 cm

scale, height 11.2 in — 28.5 cm, engraved Lalique / France $100 — 200

$80 — 100

112

113

114

MARTYL SCHWEIG LANGSDORF (AMERICAN, 1917-2013)

TUVIA BEERI (CZECH-ISRAELI, B.1929)

FLEMMING JORGENSEN (CANADIAN, 1934-2009)

FALSE DOORS, 1987

coloured etching; signed and numbered 42/125 in pencil to the margin plate 4.7 x 4.7 in — 12 x 12 cm

lithograph enhanced with coloured pencil; signed and numbered 30/40 to upper margin sheet 22.5 x 22 in — 57.2 x 55.9 cm $100 — 200

ABSTRACT

$100 — 200

PARK ENTRANCE, 1997 watercolour; signed and dated ‘97 lower left sheet 14.5 x 11 in — 36.8 x 27.9 cm PROVENANCE:

Acquired from the artist $100 — 200

115

116

117

SARAH NIND (CANADIAN, B.1957)

ANDY FABO (CANADIAN, B.1953)

NATURE MORTE - BLUE MOON, 1993

UNTITLED (FIGURE STUDIES), 1993

mixed media on board; signed, titled, and dated in pencil verso 15.5 x 20 in — 39.4 x 50.8 cm

mixed media collage on engraved slate; signed and dated ‘93 verso 7.5 x 9.5 in — 19.1 x 24.1 cm

CLAIRE MAUNSELL (CANADIAN, B.1956), TRIPOD COLOURED GLASS BOWL, 1990

PROVENANCE:

$300 — 500

Wynick/Tuck Gallery, Toronto

height 5.7 in — 14.5 cm, diameter 15.4 in — 39 cm, engraved signature H. Claire Maunsell and dated 1990 $100 — 200

$800 — 1,000

118

119

120

JOHN GIROUARD (AMERICAN)

ANDY FABO (CANADIAN, B.1953 )

MAX GATTA (CANADIAN)

EXIT STRATEGY, 2005

COLLAGE

PAINTING ABOUT INFIDELITY, 2000

hot glue and crayon on canvas; signed, dated, titled, and inscribed “Patented 6,840,403” verso and on the stretcher 10 x 8 in — 25.4 x 20.3 cm

mixed media; 9 x 6 in — 22.9 x 15.2 cm

oil on canvas; signed and dated to flap, titled to label on stretcher verso 11.25 x 12 in — 28.6 x 30.5 cm

PROVENANCE:

Chautauqua Center for the Visual Arts, Chautauqua, NY $100 — 200

PROVENANCE:

Garnet Press Gallery, Toronto $300 — 500

PROVENANCE:

Bau-Xi Gallery, Toronto $500 — 700

121

122

123

SCOTT GRIFFIN (CANADIAN, B.1970)

JACK LEONARD SHADBOLT (CANADIAN, 1909-1998)

TONY URQUHART (CANADIAN, B.1934)

BACKSTAGE, 2005 encaustic on wood; signed, titled, and dated on the reverse 15.75 x 23.75 in — 40 x 60.3 cm $400 — 600

DESERT MENACE (2), 1979 mixed media on paper; signed and dated ‘79 upper right 9.5 x 13 in — 24.1 x 33 cm PROVENANCE:

Bau-Xi Gallery, Vancouver

MCGILLIAIDYS REEKS WITH SCREENS, 2003 pen, brown ink, and coloured wash on paper; signed to the lower left, dated MMIII to the lower right, titled and dated to the reverse sheet 3.3 x 12.8 in — 8.5 x 32.5 cm $200 — 300

$1,000 — 1,500

124

125

126

AIDEN URQUHART (CANADIAN, B.1968)

RANDY JOHNSTON (AMERICAN, B.1950), STONEWARE OBLONG PLATTER, C.1985

MATTHIAS OSTERMANN (CANADIAN, 1951-2009), VASE WITH NUDE FIGURES, C.2000

21.1 x 12.8 in — 53.5 x 32.5 cm, impressed RJ and another seal mark

height 7.2 in — 18.2 cm, incised signature M. Ostermann

$150 — 250

$100 — 200

FOUR FLORAL TRIBUTES, VERSION III, 1985 mixed media on paper; signed, titled, dated, and incscribed “T.P. Marsh & Tony MMIV” in pencil to lower margin. sheet 6.1 x 6.9 in — 15.5 x 17.5 cm $100 — 150

127

128

129

KATHI THOMPSON (CANADIAN), GREEN GLAZED STONEWARE LOBSTER CLAW TEAPOT, 1991

DEBORAH FLECK STABLEY (AMERICAN), TERRA COTTA PLAQUE, 2004

JIM CONNELL (AMERICAN, B.1951), RED AND BLACK STONEWARE TEAPOT, 2008

minor chip, height 11.3 in — 28.8 cm, incised script marks Thompson / Mahone Bay / N.S. and dated ‘91

7.5 x 7.5 in — 19 x 19 cm, signed in black Deb Fleck-Stabley and dated 2004

height 13.8 in — 35 cm, incised signature and dated 2008

$75 — 150

$100 — 200

130

131

132

BRUCE COCHRANE (CANADIAN, B.1953), STONEWARE BOX, C.2010

NATALIA LALUQUE (UKRAINIAN/ CANADIAN, B.1968)

ROBERT SKELLY (AMERICAN)

length 8.7 in — 22 cm, incised signature Cochrane

ST. CLAIR IN SEPTEMBER, 2007

$75 — 150

acrylic and collage on canvas; signed and dated ‘07 lower left, signed, titled, and dated verso 14 x 18 in — 35.6 x 45.7 cm

woodcut; signed, titled, dated and numbered “ED. 10.” in pencil to lower margin 4.9 x 3 in — 12.5 x 7.6 cm

$100 — 200

$500 — 700

FIGURE STUDY, 1964

$50 — 75

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration.

The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium.

For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists frequently travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping.

The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 905-470-6875 / 416-293-8225

taurus@pakship.ca www.pakship.ca Safer Shipping Inc. (formely Envoy) 416-299-3367 / 416-299-9750 perry@safershipping.ca www.safershipping.com

Frames on artwork are not included as part of purchase or condition.

Fero Transport 514-453-1462 / 514-543-7585 www.ferotransport.ca

buyers premium

removal of purchases

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Canadian Fine Art NOVEMBER 18 AT 7:00 PM

KENT MONKMAN Study for the Academy, 2008 Estimate: $40,000 — 50,000

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca