Fine Prints & Photography Online Auction | Sept. 8 - 21, 2017

Fine Prints & Photography Online Auction september 8 - 21, 2017

1

2

3

ANDY WARHOL (1928 - 1987), AMERICAN WAYNE GRETZKY #99, 1984 [FELDMAN & SCHELLMANN, II. 306]

ROBERT INDIANA (1928-), AMERICAN MECCA II; MECCA III (TWO FROM MECCA), 1977 [SHEEHAN, 94 & 95]

MAX BILL (1908-1994), SWISS POSTER: OLYMPISCHE SPIELE MUNCHEN 1970

Colour silkscreen on Lenox Museum Board; signed by Andy Warhol and Wayne Gretzky, and numbered 156/300 in pencil. There were also 50 artist’s proofs.

Printed by Rupert Jasen Smith, New York. Published

by Frans Wynans, Vancouver. Accompanied by a Certificate of Authenticity from the Andy Warhol Studio, New York.

Two colour silkscreens on Arches 88 / France watermarked paper; each signed, titled, dated ‘77 and numbered 27/50 in pencil to margin (there were also 6 artist’s proofs). Published by Posner Gallery, Milwaukee. Printed by Simca Print Artists, Inc., New York.

Sheet 40" x 32" — 101.6 x 81.3 cm.

Each Image/Sheet 23.4" x 12.2" — 59.5 x 30.9 cm.; 36" x 25" — 91.4 x 63.5 cm.

Provenance: Private Collection, Vancouver $10,000—15,000

4 HERBERT BAYER (1900 - 1985), AUSTRIAN/AMERICAN UNTITLED, 1975 Colour silkscreen on paper; signed and numbered 4/50 in pencil to margin 32" x 32" — 81.3 x 81.3 cm.

Provenance: Beaux Arts Internationale, Willowdale, Ontario stamps verso backing; Private Collection, Toronto $500—700

Colour silkscreen with le!ers; signed, dated 1970 and numbered 138/200 in pencil. Edition Olympia 1972, GmbH, 1970 published by Kroll-Siedruck.

Sheet 43.5" x 27.5" — 110.5 x 69.9 cm.

Provenance: Private Collection, Montreal $500—700

$2,000—3,000

5

6

JAMES ROSENQUIST (1933-), AMERICAN HORSE BLINDERS (NORTH) (FROM HORSE BLINDERS: NORTH, SOUTH, EAST, WEST), 1972 [GLENN, 60]

BARRY LE VA (1941 - ) ET AL, AMERICAN FOUR X FOUR X FOUR (COMPLETE PORTFOLIO OF FOUR WORKS BY VARIOUS ARTISTS), 1990 [SANDBACK, 31]

Colour lithograph and silkscreen with silver foil collage on Arches paper; signed, titled, dated 1972 and numbered 16/19 A.P. in pencil to margin (aside from the edition of 85). Co-published by Multiples Inc., New York and Castelli Graphics, New York.

Printed by Styria Studio, New York with their blindstamp to margin.

Four colour silkscreens by 4 artists including:

36.5" x 64" — 92.7 x 162.6 cm.

Literature: Constance Glenn, Time Dust, James Rosenquist: Complete Graphics, 1962-1992, Walker Art Center, California State University, Long Beach. University Art Museum, Random House Inc., 1993, p. 66, fig. 30; Mark Francis and Hal Foster, Pop, 2010, p.159 $2,400—3,400

1. Barry Le Va (1941- ), UNTITLED; 2. Sol Le Wi! (1928-2007), COLORS WITH LINES IN FOUR DIRECTIONS WITHIN A BLACK BORDER (BLUE); 3. Robert Mangold (1937-), UNTITLED [Sandback, 31]; and 4. Mel Bochner (1940- ), UNTITLED, dated 1968/1990 in pencil.

Each signed, dated and numbered 59/100 in pencil to margins. Each published by Parasol Press, New York.

Sheet 48" x 48 " — 116.1 x 102.9 cm.

$3,200—4,800

7

8

9

JOSEF ALBERS (1888 - 1976), GERMAN/AMERICAN I-S’K (FROM HOMAGE TO THE SQUARE), 1973 [DANILOWITZ, 221]

ELLSWORTH KELLY (1923 - 2015), AMERICAN BLUE/GREEN (EK70-336), 1970 [AXSOM, 65]

YVES GAUCHER (1934 - 2000), CANADIAN PAUSES, 1993

Colour lithograph on Arjomari paper with Gemini., G. E.L. blindstamp; signed and numbered 64/75 in pencil to margin. There were also 9 artist’s proofs. Printed

by Dan Freeman. Published by Gemini, G.E.L., Los Angeles.

Colour silkscreen; signed, titled, dated 93 and numbered “Sp. III/III” and inscribed with artist’s presentation: “ for Claire” in pencil to margin. A special edition.

Colour silkscreen on heavy etching paper; blind stamp lower right hand corner; signed, titled, dated ‘73 and numbered 62/100 in pencil to margin.

Published by Ives-Sillman Inc., New Haven. Printed by Sirocco Screenprints, New Haven.

Image 25" x 25" — 63.5 x 63.5 cm.; 30" x 40" — 76.2 x 101.6 cm.

Provenance: Prominent Private Collection

Image/Sheet 25.8" x 24.6" — 65.5 x 62.5 cm.; 39" x 37" — 99.1 x 94 cm.

Provenance: Private Collection, Vancouver

Sheet 25" x 35" — 63.5 x 88.9 cm.

Provenance: Private Collection, Toronto $800—1,000

$3,000—5,000

$3,000—5,000

10

11

12

ED RUSCHA (1937 - ), AMERICAN HOME WITH COMPLETE ELECTRONIC SECURITY SYSTEM, 1982 [WALKER ART CENTER, 117; ENGBERG, 117]

FRANK STELLA (1936 - ), AMERICAN YORK FACTORY II, 1974 [AXSOM, 94; GEMINI, 567]

SONIA DELAUNAY (1885-1979), UKRAINIAN/FRENCH SPOUTNIK, 1976

Colour silkscreen on Arches Cover black paper; signed dated ‘74 and numbered 34/100 in white pencil to margin. Published by Gemini G.E.L., Los Angeles with their blindstamp lower right corner.

Colour lithograph; signed and numbered VII/L in pencil

Image/Sheet 13.5" x 41" — 34.3 x 104.1 cm.; 18.5" x 44.4" — 47 x 112.8 cm.

Provenance: Galerie Langloys, Paris; Private Collection, Toronto

Colour screenprint on Stonehenge paper with the blind stamp of the printer, “Wasserman Silkscreen Co., Santa Monica”; signed, titled, dated ‘82 and numbered 77/100 in pencil to margin. The edition includes 22 artist’s proofs. Published by the artist, Venice, California.

Image/Sheet 12.6" x 42.4" — 32 x 107.6 cm.; 19" x 48" — 48.3 x 121.9 cm.

Provenance: Prominent Private Collection $10,000—15,000

Provenance: With The Uptown Gallery, New York label verso; Prominent Private Collection $8,000—12,000

Image/Sheet 20.5" x 19.5" — 52.1 x 49.5 cm.; 25.6" x 19.7" — 65 x 50 cm.

$800—1,000

13

14

15

AFTER ANDY WARHOL (1928 - 1987), AMERICAN I LOVE YOUR KISS FOREVER FOREVER

GORDON APPELBE SMITH (1919 - ), CANADIAN BROWN TWIST, 1971

AFTER ANDY WARHOL (1928-1987), AMERICAN DIAMOND DUST MARILYN

Colour silkscreen; signed, titled and numbered 25/50 in pencil to margin

Colour silkscreen on museum board; stamped “published by Sunday B. Morning” and “fill in your own signature” in blue ink and numbered 302/2500 in pencil verso. Published by Sunday B. Morning together with a Certificate of Authenticity dated 1st March 2012 with the official Sunday B. Morning embossed stamp.

Colour silkscreen on Vellum paper; stamped “published by Sunday B. Morning” and “fill in your own signature” in blue ink and numbered 219/250 in pencil verso. Published by Sunday B. Morning together with a Certificate of Authenticity dated 1st May 2013 with the official Sunday B. Morning embossed stamp.

Sheet 16" x 22.5" — 40.6 x 57.2 cm.

Image/Sheet 15.5" x 25" — 39.4 x 63.5 cm.; 22" x 29.5" — 55.9 x 74.9 cm.

Provenance: Private Collection, Toronto $700—1,000

Provenance: Sunday B. Morning

Sheet 36" x 36" — 91.4 x 91.4 cm.

Provenance: Sunday B. Morning $1,500—2,000

$1,000—1,500

16

17

18

BERT STERN (1929 - 2013), AMERICAN MARILYN WITH PINK SCARF (LATER IMPRESSION, 2012)

ANDRÉ KERTÉSZ (1894 - 1985), HUNGARIAN/AMERICAN SATIRIC DANCER, 1926

Pigment print; signed, titled “Marilyn” and numbered 14/25 in black crayon recto; signed and dated 2012 with copyright symbol in black crayon to the artist’s stamp verso. Signed in black crayon, titled “MM Pink Scarf” dated “2012” and numbered 14/25 in black ink to the accompanying artist’s Certificate of Authenticity label.

Gelatin silver print; signed and dated 1929 in pencil verso

PHILIPPE HALSMAN (1906 - 1979), LATVIAN/AMERICAN DUKE WATCHING THE DUTCHESS OF WINDSOR JUMPING, (FROM JUMP SERIES), 1956

Sheet 19" x 13" — 48.3 x 33 cm.

Provenance: Prominent Gallery, Europe $2,500—3,500

Sheet 10" x 8" — 25.4 x 20.3 cm.

Provenance: Acquired directly from the artist by the present Private Collection, Toronto in September, 1978 Literature: Borhan, “André Kertész: His Life and Work” p. 145 $3,000—5,000

Gelatin silver print; signed, titled and dated 1956 in pencil verso (with a number “8” in a circle in pencil verso, stamped “Copyright Philippe Halsman” and stamped with his studio stamp, New York verso Sheet 9.5" x 7.5" — 24.1 x 19.1 cm.

Provenance: Private Collection, Toronto $2,000—4,000

19

20

21

SYBIL ANDREWS (1898 - 1992), BRITISH/CANADIAN JESUS FALLS THE FIRST TIME: STATION III, 1962 [COPPEL SA, 64]

BERNARD BUFFET (1928-1999), FRENCH LE CRI, 1967 [SORLIER, 312]

FRIEDENSREICH HUNDERTWASSER (1928 2000), AUSTRIAN SEEREISE II - REISE ZUR SEE UND MIT DER BAHN (JOURNEY II AND TRAVEL BY RAIL), 1967 [KOSCHATZKY, 25]

Colour linocut in brown, viridian, Payne's grey and ivory black on Japon paper; signed, titled “Jesus Falls Station III” and numbered 3/60 in pencil to margin

Colour lithograph; signed and dated 67 in the plate; signed and numbered 54/250 in pencil to margin.

Printed by Charles Sorlier with le!ers: “Ch. Sorlier Grav.” in the plate lower le". Published by Mourlot Editions.

Image/Sheet 13.4" x 13" — 34 x 33 cm.; 13.7" x 13.8" — 34.8 x 35 cm.

Image/Sheet 21.3" x 16.3" — 54.1 x 41.5 cm.; 28" x 21" — 71.1 x 53.3 cm.

Provenance: Masters Gallery Ltd., (Calgary); Private Collection, Calgary

Provenance: Private Collection, Montreal

Literature: Hana Leaper, Sybil Andrews Linocuts: A Complete Catalogue, Lund Humphries, London, 2015, page 118, Plate 73 for Jesus Falls the First Time: Station III, reproduced in colour.

$2,000—2,500

Colour lithograph on Japon paper; signed, dated 1967 at Genève, inscribed with work number “652” in a circle and numbered 15/267 in black pen and ink to margin, stamped with two red seals and inscribed: “Tirage special sur Japon” and numbered “XV/XVII” in pencil to margin. Printed by Michel Cassé, Paris.

Published by Galerie Krugier & Moos, Geneva.

Sheet 25.8" x 19.8" — 65.5 x 50.3 cm.

Provenance: Prominent Toronto Gallery $1,000—1,500

$4,000—6,000

22

23

24

ROY LICHTENSTEIN (1923 - 1997), AMERICAN THE ENEMY WOULD HAVE BEEN WARNED...

(ONE PLATE ONLY, # 2, FROM AS I OPENED FIRE, TRIPTYCH, 1964 {CORLETT, APP.5, PART]

PAUL JENKINS (1923 - 2012), AMERICAN YORK SUMMER SOLSTICE; CONTINENTAL DIVIDE, 1981

CLAES OLDENBURG (1929- ), AMERICAN THURE RAY GUN, 1961 [AXSOM-PLATZKER, 100}

Offset colour lithograph on wove paper; Stedelijk Museum, Amsterdam copyright blindstamp in the plate lower right. Printed by Drukkerij Luii & Co., Amsterdam in an edition of unknown size.

Sheet 25" x 21" — 63.5 x 53.3 cm.

Two colour lithographs on wove paper with EC blindstamps lower right; each signed, dated 1981 and numbered 52/150 and 24/150 respectively in pencil along the bo!om edge Sheets 37.5" x 18" — 95.3 x 45.7 cm.

Provenance: Prominent Private Collection

Provenance: Editions Canada, London, Ontario; Private Collection, Toronto

$300—500

$1,000—1,500

Colour lithograph; signed and numbered 63/250 Image/Sheet 29.75" x 22.25" — 75.6 x 56.5 cm.; 39.75" x 29.75" — 101 x 75.6 cm.

Provenance: Park West Galleries, Southfield, Michigan stamp verso backing; Leo Castelli Gallery, New York; Prominent Collection, Montreal $1,200—1,800

25

26

27

RAOUL DUFY (1877-1953), FRENCH LA PECHE; L’AMOUR (FROM L’AMOUR), 1910 -1911, 2ND EDITION, PRINTED LATER, 1953

ALPHONSE MUCHA (1860 - 1939), CZECH PLATE 25 (FROM FIGURES DÉCORATIVES), 1905

HENRI DE TOULOUSE-LAUTREC (1894 - 1901), FRENCH COLUMBINE À PIERROT (YVETTE GUILBERT) (FROM ELLES), 1895 [DELTEIL, 96; ADRIANI, 103]

Two woodcuts on Marais watermarked paper; each with the artist’s studio ink stamp “Atelier Raoul Dufy” and numbered 84/220 and 179/220 respectively in pencil to margins

Stone lithograph en grisaille; stamped “Figures Decoratives - par A.M. Mucha” lower le! margin, stamped “Librairie Centrale des Beaux Arts - Paris” lower right margin and numbered 25 in the plate bo"om centre margin

Sheets 19.7" x 26" — 50 x 66 cm.

Image 10" x 14" — 25.4 x 35.6 cm.

$700—900

28 ANDRÉ KERTÉSZ (1894 - 1985), HUNGARIAN/AMERICAN THE CIRCUS, BUDAPEST (FROM A HUNGARIAN MEMORY), 1920 Gelatin silver print; signed, titled “Circus” and inscribed: “p.33”, and dated “May 19 - 1920” in pencil verso. Later printing.

Sheet 9.8" x 7.8" — 24.9 x 19.8 cm.

Provenance: Acquired directly from the artist by the present Private Collection, Toronto in September, 1978 $1,000—1,500

Lithograph in black ink; signed with monogram in the plate. From the posthumous edition, originally published in “Elles” portfolio in 1895. One of 1700 impressions as authorized by the Musee ToulouseLautrec, Albi, France from Lautres’s original stone.

Provenance: Atlas Gallery, Chicago with their Certificate of Authenticity, No. #31450-25” labels verso; Private Collection, Toronto

Image 11.5" x 7.5" — 29.2 x 19.1 cm.

$500—700

$500—700

29

30

EDWARD S. CURTIS (1868 - 1952), AMERICAN FROM THE NORTH AMERICAN INDIAN (TEN PORTRAITS ORIGINALLY PUBLISHED BETWEEN 1907 - 1930): INTO THE DESERT - NAVAHO; SHORES OF PUGET SOUND; 1898 COPYRIGHT; QUINAULT FEMALE TYPE; 1912 COPYRIGHT; NOVA WALPI; 1906 COPYRIGHT; INCENSE OVER MEDICINE BUNDLE - HIDATSA; Ten Photogravures on Holland or Van Gelder paper; each with le"ers “From Copyright Photographs by E. S. Curtis” Plate 9" x 6" — 22.9 x 15.2 cm.

Provenance: Private Collection, Toronto $1,000—2,000

Provenance: Private Collection, Montreal

AFTER MARY CASSATT (1844 - 1926), AMERICAN MATERNITY, CIRCA 1897 Colour collotype; signed in the plate lower le!, signed in pencil to margin Plate 10.5" x 8.8" — 26.7 x 22.4 cm.

Provenance: Private Collection, Toronto $3,000—5,000

31

32

33

PIERRE-AUGUSTE RENOIR (1842 - 1919), FRENCH LE CHAPEAU EPINGLE (LA FILLE DE BERTHE MORISOT ET SA COUSINE), 1894 [DELTEIL, 8]

CARL CLEMENS MORITZ RUNGIUS (1869-1959), AMERICAN YOUNG BULL, 1926 [CROUCH, 16]

Etching on wove paper; signed in plate. From an edition of approximately 1000.

Etching and drypoint; signed in pencil to margin.

LÉONARD TSUGUHARU FOUJITA (1886 - 1968), JAPANESE/FRENCH CHAT COUCHÉ (FROM LES CHATS), 1930 [BUISSON, C30.136.G]

Plate 4" x 3" — 10.2 x 7.6 cm.

Provenance: Private Collection, Waterloo $500—700

Plate 10.7" x 8.7" — 27.2 x 22 cm.

Provenance: Estate Collection, London, Ontario $4,000—6,000

Colour etching and aquatint on Chine colle mounted to paper; signed and numbered 34/100 in pencil to margin.

Plate/Sheet (trimmed) 11.7" x 14.6" — 29.8 x 37 cm.; 12.8" x 16.1" — 32.5 x 41 cm.

Provenance: Estate Collection, Hamilton, Ontario Literature: Sylvie Buisson, Leonard Foujita inedits par Sylvie Buisson, A l'encre rouge, Archives artistiques et Fondation Nichido, 2007, P.210, No.C30.136.G. $10,000—15,000

35

36

37

MARTHA HENRICKSON, (1942 - ), AMERICAN/CANADIAN “SNOW”, #16, 2004

ALEXANDER CALDER (1898-1976), AMERICAN HOMAGE TO THE SUN, 1973

ROY LICHTENSTEIN (1923 - 1997), AMERICAN PYRAMID, 1968 [CORLETT, 62]

Colour print mounted on aluminum; signed, titled, dated 2004 and numbered 1/7 in pencil to the aluminum sheet below the mounted print

Colour lithograph on heavy unwatermarked wove paper; signed and numbered EA in pencil to margin.

Aside from the edition of 125. Published by Bateau, Paris.

Sheet 27" x 40.5" — 68.6 x 102.9 cm.

Sheet 25.9" x 38.6" — 65.8 x 98 cm.

Colour screenprint on board; signed and numbered to the underside “R. Lichtenstein, 78/300” in pencil (approximately 50 - 100 impressions were released).

Printed by Fine Creations Inc. Published by Roy Lichtenstein.

Provenance: Corkin Shopland Gallery, Toronto; Private Collection, Toronto

Provenance: Private Collection, Toronto

$1,500—2,000

$1,000—1,500

14.2" x 19.7" x 19.7" — 36.1 x 50 x 50 cm.

Provenance: Private Collection, Toronto $2,000—3,000

38

39

40

BRAM VAN VELDE (1895-1981), DUTCH MATIN, 1969 [RIVIERE, 54; MASON/PUTMAN, 54]

MARINO MARINI (1901-1980), ITALIAN POSTER: OLYMPISCHE SPIELE MUNCHEN 1972

Colour lithograph; signed and numbered 145/300 in pencil to margin. Printed by Bramsen, Paris.

Publiahed by Editions Prisunic, Paris.

Colour lithograph with le!ers; signed and numbered 22/200 in pencil on the image at the bo!om centre.

Edition Olympia, 1972 published by Mourlot

JOAN MIRO (SPANISH, 1893 - 1983), SPANISH MIRO PINTURA (DESIGN FOR A POSTER (WITHOUT LETTERS), 1978 [CRAMER,1164] Colour lithograph printed to the edges; signed and numbered 63/99 in pencil

Image 25.2" x 18.1" — 64 x 46 cm.

Image/Sheet 34" x 25.25" — 86.4 x 64.1 cm.; 41.5" x 27.5" — 105.4 x 69.9 cm.

Sheet 27.4" x 20" — 69.7 x 50.7 cm.

Provenance: Private Collection, Montreal $500—700

Provenance: Private Collection, Montreal $500—700

Provenance: Private Collection, Niagara Falls, Ontario $3,000—4,000

41

42

43

PAUL JENKINS (1923 - 2012), AMERICAN VERY SPECIAL ARTS, 1989

OSKAR KOKOSCHKA (1886-1980), AUSTRIAN POSTER: OLYMPISCHE SPIELE MUNCHEN 1972 [WINGLER/WELZ, 449]

HENRY MOORE (1898 - 1986), BRITISH

Colour lithograph; signed, dated 1989 and numbered 3/100 in pencil Sheet 29.7" x 21.9" — 75.5 x 55.5 cm.

Provenance: Private Collection, Toronto $600—900

Colour silkscreen; signed and numbered 14/200 in pencil. Edition Olympia, 1972 GmbH. Sheet 43" x 27.6" — 109.2 x 70.1 cm.

Provenance: Private Collection, Montreal $500—700

FOUR RECLINING FIGURES - CAVES, 1974 [CRAMER, 335] Colour lithograph; signed and numbered 79/100 in pencil to margin. There were 20 artist’s proofs.

Printed by Curwen Prints Ltd., London. Published by the Art Gallery of Ontario, Toronto.

Image/Sheet 17.5" x 23.25" — 44.5 x 59.1 cm.; 21.9" x 27.4" — 55.5 x 69.5 cm.

Provenance: Estate Collection, Toronto $1,500—2,000

44

45

46

BERT STERN (1929 - 2013), AMERICAN MARILYN MONROE CRUCIFIX (LATER IMPRESSION, 2012)

MARC CHAGALL (1887 - 1985), RUSSIAN/FRENCH LE VISAGE D’ISRAEL (FROM DESSINS POUR LA BIBLE), 1960 [MOURLOT, 231; SEE CRAMER BOOKS, 42]]

PABLO PICASSO (1881-1973), SPANISH VIEILLARD ASSIS AVEC UNE FEMME, ET DANSEUSE (FROM 347 SERIES, PL. 239), 1968 [BLOCH, 1719; BA, 1736]

Colour lithograph on Arches wove paper; signed and numbered 32/50 in pencil to margin. Printed by Mourlot, Paris. Published by Verve, Paris.

Etching and drypoint on Rives BFK paper, signed and numbered 6/50 in pencil to margin. There were 17 artist’s proofs. Published by Galerie Louise Leiris, Paris, 1969.

Pigment print; signed, titled “Marilyn” and numbered 14/25 in red pencil recto; signed, and dated 2012 with copyright symbol in red pencil to the artist’s stamp verso. Signed in red crayon, titled “Marilyn Monroe Crucifix” and dated “2012” in black ink to the accompanying artist’s Certificate of Authenticity label

Sheet 19" x 13" — 48.3 x 33 cm.

Provenance: Prominent Gallery, Europe

Image 14" x 10.5" — 35.8 x 27.2 cm.

Provenance: Galerie Dresdnere Inc., Toronto label verso, inventory No. 6070, accompanied by the receipt dated April 1, 1964, invoice No. M103; From whom purchased by a Private Collection, Westmount, Quebec. $3,000—5,000

Plate 6.8" x 10.4" — 17.2 x 26.3 cm.

Provenance: Parke West, Delaware with Certificate of Authenticity, Reg. No.240630.0001; Private Collection, purchased in 2008 $5,000—7,000

$2,500—3,500

47

48

49

HENRY MOORE (1898 - 1986), BRITISH FOUR STANDING FIGURES, 1978 [CRAMER, 489]

LÉONARD TSUGUHARU FOUJITA (1886 - 1968), JAPANESE/FRENCH FEMME À LA CRAVATE ROSE, 1930 [BUISSON, 30.26]

BERT STERN (1929 - 2013), AMERICAN MARILYN WITH DIAMONDS (LATER IMPRESSION, 2012)

Colour lithograph on wove paper; signed and numbered 11/50 in pencil to margin. Printed by Curwen Prints Ltd., London, England. Published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham.

Colour drypoint etching and aquatint on Chine colle mounted on paper; signed and numbered 34/100 in pencil to margin

Image 12.2" x 15" — 31 x 38.1 cm.

Plate 14.6" x 11.4" — 37.1 x 29 cm.

Pigment print; signed and titled “Marilyn” in red pencil recto; signed, and dated 2012 with copyright symbol in red pencil to the artist’s stamp verso.

Signed in red crayon, titled “Marilyn with Diamonds” and dated “2012” in black ink to the accompanying artist’s Certificate of Authenticity label

Provenance: Private Collection, Toronto

Provenance: Estate Collection, Hamilton, Ontario

Sheet 13" x 19" — 33 x 48.3 cm.

$1,000—1,500

$1,500—2,500

$5,000—7,000

50

51

52

DAVID DREBIN (1970 - ), CANADIAN HANGING ON, 2015

NOBUYOSHI ARAKI (1940 - ), JAPANESE SKY (FROM KUKEI SERIES), 1997

Digital c-print; numbered edition of 1/7 to original gallery receipt accompanying lot

Handcoloured silver gelatin print printed to the edges; signed in black ink verso.

HELEN FRANKENTHALER (1928 - 2011), AMERICAN BROOME STREET AT NIGHT, 1987 [HARRISON, 122]

Image/Sheet 72" x 48" — 152.4 x 121.9 cm.

Sheet 12" x 17.5" — 30.5 x 44.5 cm.

Provenance: Galerie de Bellefeuille, Montreal from whom purchased by the present Private Collection, Toronto on May 22, 2015 accompanied by the receipt

Provenance: Prominent Gallery, Europe $1,500—2,000

Colour etching and aquatint with drypoint on White Magnani paper with 2RC blindstamp; signed, dated ‘87 and numbered 65/68 in pencil to margin (the total edition includes 14 artist’s proofs). Printed by Vigna Antoniniana Stamperia d’Arte, Rome. Published by 2RC Edizione d’Arte, Rome.

Sheet 37.5" x 38.5" — 95.3 x 97.8 cm.

$5,000—7,000 $3,000—5,000

53

54

55

MARTHA HENRICKSON (1942 - ), AMERICAN/CANADIAN SNOW #15, 2004

JESSE BOLES (1980 - ), CANADIAN HUMBOLDTHOHE, 2012

HUGH MARTIN (1973 - ), CANADIAN ÊTES-VOUS PRÊTE POUR L’ÉTÉ? ARLES, 2002

Archival pigment print; titled, dated and numbered “AP” (Artist’s Proof) to label verso

Chromogenic print; signed, titled and numbered 2/12 below the image as signed and inscribed by the artist in pencil to the backing paper verso, with the artist’s studio label to the backing, also titled, dated 2002 and numbered 2/12 to the typed label verso

Colour print mounted on aluminum; signed, titled, dated 2004 and numbered 1/7 in pencil to the aluminum sheet below the mounted print Sheet 27" x 40.5" — 68.6 x 102.9 cm.

Provenance: Corkin Shopland Gallery, Toronto; Private Collection, Toronto $1,500—2,000

Image 20" x 15.5" — 50.8 x 39.4 cm.

Provenance: Private Collection, Toronto $1,000—1,500

Image sight 15.25" x 15" — 38.7 x 38.1 cm.

Provenance: Private Collection, Toronto $300—400

56

57

58

PAUL JEREMIAS (20TH/21ST CENTURY), AMERICAN ALBUQUERQUE, NM (NEGATIVE # ALB086022); ALBUQUERQUE, NM (NEGATIVE #ABQ86016), 1986

PAUL JEREMIAS (20TH/21ST CENTURY), AMERICAN SANTA FE, NM (NEGATIVE #SFE88023); SANTA FE, NM (NEGATIVE #SFE88024), 1988

FANCH LEDAN (1949-), FRENCH LE SALON MATISSE, 1993

Two dye coupler prints; each titled, dated 1986 and numbered 1/10 and 3/10 respectively with negative numbers respectively to gallery labels verso

Sheets 20" x 24" — 50.8 x 61 cm.

Provenance: Jane Corkin Gallery, Toronto labels verso; Private Collection, Toronto

Two dye coupler prints; each titled, dated 1988 and numbered 1/10 with negative numbers to gallery labels verso

Colour lithograph; signed and numbered 67/350 in pencil to margin Image 38.25" x 27.5" — 97.2 x 69.9 cm.

Sheets 20" x 24" — 50.8 x 61 cm.

Provenance: Private Collection, Toronto

Provenance: Jane Corkin Gallery, Toronto labels verso; Private Collection Toronto

$600—800

$900—1,200

$900—1,200

59

61

62

DONALD DENNIS CELENDER (1931-2005), AMERICAN ARTBALL TRADING CARDS, 1971

GRIT SCHWEDTFEGER (1971- ), GERMAN WEIDE (FROM THE DISTANZ SERIES), 2006

DAVID DREBIN (1970 - ), CANADIAN PINK MOMENT, 2012

Colour half-tone lithograph; signed, dated 1971 with copyright and numbered 36/200 in pencil to margin

Colour print; signed “Schwedtfeger” in pen and ink to the Corkin Gallery label verso, titled, dated 2006 and numbered 2/6 to gallery label verso

Digital c-print; printed in an edition of 7

Sheet 21.9" x 23.2" — 55.5 x 59 cm.

Sheet 28" x 41" — 71.1 x 104.1 cm.

Provenance: Prominent Toronto Gallery

Provenance: Corkin Gallery, Toronto; Private Collection, Toronto

Provenance: Gallery de Bellefeuille, Montreal; Private Collection, Toronto

$600—800

$2,000—3,000

Sheet 40" x 32" — 101.6 x 81.3 cm.

$4,000—5,000

63

64

65

TATSUMI ORIMOTO (1946 - ), JAPANESE UNTITLED (FROM BREADMAN SON + ALZHEIMER MAMA), 1996/2007

UNIDENTIFIED (20TH/21ST CENTURY) HANDS REACHING AND RESTING WITH CLASSICAL FIGURE IN ECSTASY

MARC CHAGALL (1887 - 1985), RUSSIAN/FRENCH ADAM ET EVE ET LE FRUIT DEFENDU (FROM DESSINS POUR LA BIBLE), 1960 [MOURLOT, 235]

C-print mounted on acrylic glass; signed and numbered 2/20 in black ink verso.

Colour photograph; indistinctly signed in pen and ink under a label verso

Sheet/Image 22.6" x 18.2" — 57.5 x 46.3 cm.; 21.7" x 17.1" — 55 x 43.5 cm.

Image 16" x 16" — 40.6 x 40.6 cm.

Colour lithograph on Arches wove paper; signed and numbered 32/50 in pencil to margin. Printed by Mourlot, Paris. Published by Verve, Paris.

Provenance: Prominent Toronto Gallery $3,000—5,000

Provenance: Prominent Private Collection $500—700

Image 14" x 10.5" — 35.6 x 26.7 cm.

Provenance: Galerie Dresdnere Inc., Toronto label verso, inventory No. 6072, accompanied by the receipt dated April 1, 1964, invoice No. M103; From whom purchased by a Private Collection, Westmount, Quebec. $4,000—5,000

66

67

68

JEAN MCEWEN (1923 - 1999), CANADIAN COURBES DE NUIT; COLONNES DE JOIE, 1974

PETER HOWSON (1958- ), SCOTTISH “SHADWELL”, 1998

Two colour lithographs; the first title; signed, dated 74 and numbered 5/250 in pencil to margin; the second, signed, dated 74 and numbered 119/250 in pencil to margin.

Etching on toned paper; signed, titled, dated 98 and numbered 16/23 in pencil to margin

MASSIMO CAMPIGLI (1895-1971), ITALIAN THREE SCENES (FROM LYRICHE DI SAFFO) 1944, LA FIGLIA DI SAFFO, 1944; ELEGANZA E MOLLEZZA, 1944; DANZE NOTTURNE, 1946 [MELONI-TAVOLA, 73; 70 AND 72 RESPECTIVELY]

Sheet sight 28" x 22" — 71.1 x 55.9 cm.

Provenance: Private Collection, Toronto $1,000—1,500

Plate 11.75" x 9.75" — 29.8 x 24.8 cm.

Provenance: Angela Flowers Gallery, London, UK accompanied by a copy of the original invoice dated 29/11/2000; O’Connor A. Gallery, Toronto $500—700

Three lithographs; each signed and dated 44 in the plate, the first two, each signed and dated in pencil to margins: the first two dated 44; the last dated 46, each numbered: the first inscribed “epreuve d ‘artiste”; the next numbered 5/20; the third numbered 11/20 in pencil to margins, one titled verso. Published

by Edizioni del Pellicano, Vicenza 1944.

Images 6" x 8" — 15.2 x 20.3 cm.; 5.5" x 7.5" — 14 x 19.1 cm.; 7.5" x 12.25" — 19.1 x 31.1 cm.

$1,500—2,000

69

70

71

THADDEUS HOLOWNIA (1949 - ), CANADIAN 56 CHEVY COUPLE (FROM THE “HEADLIGHTING” SERIES OF 24), 1974-1977

ANDRÉ KERTÉSZ (1894 - 1985), HUNGARIAN/AMERICAN ON THE QUAIS, PARIS, 1926

CARL CLEMENS MORITZ RUNGIUS (1869-1959), AMERICAN MATES, 1937 [CROUCH, 41]

Toned gelatin silver contact print from a paper negative; signed with a typed artist’s studio label, titled and dated to the a!ached handwri!en label in pencil a!ached to the verso

Gelatin silver print; signed, titled and dated at “Paris 1926” in pencil verso

Etching and drypoint; signed in pencil to margin

8" x 20" — 20.3 x 50.8 cm.

Provenance: Acquired directly from the artist by the present Private Collection, Toronto in September, 1978

Provenance: Private Collection, Toronto $600—800

Sheet 8" x 10" — 20.3 x 25.4 cm.

Plate 7.8" x 10.8" — 19.7 x 27.5 cm.

Provenance: Estate Collection, London, Ontario $4,000—6,000

$2,000—3,000

72

73

74

JEAN-PAUL RIOPELLE (1923 - 2002), CANADIAN LIED À EMILE NELLIGAN, PL. 4 (FROM THE BOOK “LIED A EMILE NELLIGAN”, 1977-1979 [YSEULT RIOPELLE, N°1979.02F.EST.LI.ALB]

ATTILA RICHARD LUKACS (1962 - ), CANADIAN ARBOR VITAE 1

AARON SISKIND (1903 - 1991), AMERICAN CHICAGO 1952

Etching; signed and numbered 28/40 in pencil to margin

Silver gelatin print; signed, titled and dated “Chicago 1952” in black pen and ink to margin. Printed circa 1980.

Lithograph; signed and numbered 52/75 in pencil Sheet 22" x 29.5" — 55.9 x 74.9 cm.

Provenance: Private Collection, Montreal Literature: Catalogue raisonné de Jean Paul Riopelle, Tome 2, 1954-1959, Yseult Riopelle, Hibou Editeur/Acatos, 2004, p. 469 $600—800

Sheet 40.1" x 29.1" — 101.9 x 73.9 cm.

Provenance: Private Collection, Vancouver $3,000—4,000

Image/Sheet 16" x 22" — 40.6 x 55.9 cm.; 20" x 23.75" — 50.8 x 60.3 cm.

Provenance: Private Collection, Toronto $1,500—2,000

75

76

77

RICK ZOLKOWER (1951 - ), CANADIAN SLIDE INTERIOR, 1984 Silver print; signed, dated 1984 and numbered 1/10 in black pen and ink to margin, titled in black crayon to the and titled to gallery label verso

LOTTE JACOBI (1896 - 1990), GERMAN/AMERICAN PHOTOGENIC ABSTRACTION, CIRCA 1950

LOTTE JACOBI (1896 - 1990), GERMAN/AMERICAN ALBERT EINSTEIN, 1938

Platinum-palladium print; signed in pencil on the image lower right edge recto. Printed later.

Gelatin silver print; signed in pencil lower right recto.

Printed a!er.

Sheet 13" x 8.6" — 33 x 21.8 cm.

Sheet 9.75" x 7.75" — 24.8 x 19.7 cm.

Sheet 14" x 11" — 35.6 x 27.9 cm.

Provenance: Jane Corkin Gallery, Toronto label verso; Private Collection, Toronto

Provenance: Acquired directly from the artist by the present Private Collection, Toronto

Provenance: Acquired directly from the artist by the present Private Collection, Toronto

$500—700

$1,000—1,500

$1,000—1,500

78

79

80

EDWARD AND COLE WESTON (1886 - 1958); (1919 - 2003), AMERICAN OCEANO, 1936

LUTZ DILLE (1922-2008), GERMAN/CANADIAN CONEY ISLAND, NYC (STRONG MAN ON THE BEACH), 1962

MARTHA HENRICKSON (1942 - ), AMERICAN/CANADIAN GLACIER I, 1994 - 1995

Silver print; stamped “Negative By Edward Weston”/ Print By” Cole Weston and signed by Cole Weston in pencil verso, titled and dated in pencil along the top edge verso, with the number “4750” also inscribed in pencil verso

Gelatin silver print; signed with initials and dated 62 in ink lower right, signed “Lutz” and inscribed with artist’s presentation: “with best wishes to Jan” in pen and ink lower le!

Triptych: three gelatin silver prints mounted on a curved aluminum sheet, with plexiglass sheet on top secured by screws in the margin; signed, titled, dated 1994-1995 and numbered 1/7 in pencil to the aluminum sheet under the prints

Sheet 15" x 13" — 38.1 x 33 cm.

Provenance: Private Collection, Toronto $2,000—3,000

Sheet 12.7" x 9.2" — 32.2 x 23.3 cm.

Provenance: Private Collection, Toronto $800—1,200

Sheet 27" x 92" — 68.6 x 210.8 cm.

Provenance: Jane Corkin Gallery, Toronto label verso; Private Collection, Toronto $2,000—3,000

81 DAVID BLACKWOOD (1941 - ), CANADIAN NOTES FROM BRAGG’S ISLAND, 1992 Colour etching and aquatint; signed, titled, dated 1992 and numbered 41/75 in pencil to margin Plate 14" x 33" — 35.6 x 83.8 cm.

Provenance: Gallery One, Toronto; Private Collection, Toronto Literature: Katharine Lochnan “Black Ice” David Blackwood Prints of Newfoundland”, Art Gallery of Ontario, 2011 $3,000—4,000

82 EDWARD S. CURTIS (1868 - 1952), AMERICAN FROM THE NORTH AMERICAN INDIAN (EIGHT PORTRAITS), ORIGINALLY PUBLISHED 1907 -1930: YELLOW KIDNEY-PIEGAN, 1910, PLATE NO. 196; BEAR’S BELLY - AKIKARA; 1908; CHEYENNE WARRIORS, PLATE NO. 215; 1905; VASH GON - JICARILLA; 1904; ESKADI - APACHE, PLATE NO. 15 Eight photogravures on Holland or Van Gelder paper; each with le"ers: “From Copyright Photograph by E.S. Curtis” and published by John Andrew & Son.

83 ALLEN SMUTYLO (1946 - ), CANADIAN SILENT BOATS #1 Colour etching on watermarked wove paper; signed, titled and numbered 46/65 in pencil to margin Plate/Sheet 11.8" x 31.1" — 30 x 79 cm.; 21.75" x 39.75" — 55.2 x 101 cm.

Provenance: Prominent Collection, Toronto $600—800

Plate 18.2" x 13.5" — 44.5 x 31.8 cm.

Provenance: Private Collection, Toronto $2,400—4,000

84

85

86

CAROL MARINO (1943 - ), CANADIAN APPLE BUCK, 1992

ANTHONY GOICOLEA (1971 - ), CUBAN/AMERICAN SKY LIFT, 2007

SOREL ETROG (1933 - 2014), CANADIAN PROFILE I, 1968

Quadriptych: four gelatin toned silver prints mounted to a white paper support surrounded by 6 waterbased stencilled strips of apples mounted to decorate the borders; signed, titled and dated 1992 along the bo!om edge in pen and ink to the lower right print

Digital chromogenic print; the title, date and edition size is as recorded in the inventory of the consignor Sheet 45" x 73" — 114.3 x 185.4 cm.

Sheet 39.75" x 50.75" — 99.1 x 127 cm.

Provenance: Private Collection, Toronto

Provenance: Jane Corkin Gallery, Toronto label verso; Private Collection, Toronto

$5,000—7,000

$2,500—3,500

Colour lithograph with circular blindstamp lower right; signed and numbered 5/12 in pencil Sheet 26.5" x 18.5" — 67.3 x 47 cm.

Provenance: Prominent Toronto Gallery $500—700

87

88

89

CLAES OLDENBURG (1929 - ), AMERICAN NEW MEDIA, NEW FORMS, 1960 [AXSOM & PALTZKER, 8] Offset lithograph with colour en grisaille on wove paper; signed and numbered 9/40 in pencil. There were also an unknown number of artist’s proofs.

Published by Martha Jackson Gallery, New York.

JESUS RAFAEL SOTO (1923 - 2005), VENEZUELAN VIBRATIONS (FROM THE FOLIO “VIBRATIONS”), 1969

KATIE (KIYOOKA) VAN DER OHE (1937- ) , CANADIAN ORANGE TWO STEP; CIRCLE ROUND ABOUT (2), 1969

Colour silkscreen; signed and numbered 37/200 in pencil to margin. Published by Denise Rene, Paris with their blindstamp.

Two colour silkscreens, each signed titled, dated 69 and numbered 7/13 and 5/39 respectively in pencil to margins, each signed in pencil verso

Sheet 22" x 17.5" — 55.9 x 44.5 cm.

Sight 23" x 18" — 58.4 x 45.7 cm.

Sheet 25.5" x 30.5" — 64.8 x 77.5 cm.

Provenance: Prominent Toronto Gallery

Provenance: Editions Denise Rene, Paris and New York; Private Collection, Toronto

Provenance: Private Collection, Toronto

$1,500—2,000

$1,000—1,500

$400—600

90

91

92

GORDON APPELBE SMITH (1919 - ), CANADIAN RAINBOW GREEN, 1971

JACK HAMILTON BUSH (1909 - 1977), CANADIAN FRIDAY MORNING, 1968

Colour silkscreen; signed, titled and numbered 48/50 in pencil to margin

Colour silkscreen; signed, dated 1968 and numbered XV/XV in pencil to margin. Aside from the edition of 150.

HERBERT BAYER (1900 - 1985), AUSTRIAN/AMERICAN AFTERGLOW, 1975

Sheet 20.5" x 25" — 64.8 x 73.7 cm.

Provenance: Private Collection, Toronto $1,000—1,500

Sight 18" x 23" — 45.7 x 58.4 cm.

Provenance: Private Collection, Toronto $2,000—3,000

Colour silkscreen on Domberger Stu!gart blindstamped paper; signed and numbered 4/50 in pencil in pencil on the image along the bo!om Sheet 32" x 32" — 81.3 x 81.3 cm.

Provenance: Beaux Arts Internationale, Willowdale, Ontario stamps verso backing; Private Collection, Toronto $500—700

93

94

95

ZAO WOU-KI (1920-2013), CHINESE/FRENCH UNTITLED, 1968 [AGERUP, 192]

NOBUYOSHI ARAKI (1940 - ), JAPANESE SUNRISE (FROM KUKEI SERIES), 1997

Colour etching and aquatint on Rives paper; signed, dated 68 and numbered 43/95 in pencil to margin.

Printed by Imprimiere Arte, Paris. Published by Al Lubin, New York.

Handcoloured silver gelatin print printed to the edges; signed in black ink verso.

ZAO WOU-KI (1921 - 2013), CHINESE/FRENCH MONTAGNES ET SOLEIL (MOUNTAINS AND SUN), 1951 [HEEDE & MOESTRUP, PLATE 59, P.45]

Plate 17.4" x 21" — 44.2 x 53.3 cm.

Together with a book by the artist: “Chiro, My Love”, printed in japan in 1990, autographed in black marker

by Araki in Roman and Japanese inside front cover.

Provenance: Private Collection, Smooth Rock Falls, Ontario

Sheet 12" x 17.5" — 30.5 x 44.5 cm.; 7.75" x 5.25" — 19.7 x 13.3 cm.

$3,000—5,000

Provenance: Prominent Gallery, Europe $1,500—2,000

Colour lithograph; signed “Zao” and signed in Chinese and numbered “E.A” (épreuve d'artiste) in pencil to margin. There was a total edition of 200.

Image/Sheet 11.6" x 17.5" — 29.5 x 44.5 cm.; 21.9" x 15" — 55.5 x 38 cm.

Provenance: Private Collection, Toronto $4,000—6,000

96

97

98

PAUL SIGNAC (1863-1935), FRENCH LE SOIR, JETEE DE FLESSINGUE (FROM PAN), 1898 [KORNFELD & WICK, 20.II.D.]

EDWARD JOHN HUGHES (1913 - 2007), CANADIAN THE OLD EMPRESS FIGUREHEAD IN STANLEY PARK (FROM A FOLIO OF LINOCUTS OF VANCOUVER’S STANLEY PARK INCLUDING ARTISTS PAUL GORANSON AND ORVILLE FISHER), 1939

JOAN MIRÓ (1893 - 1983), SPANISH PL. 9 (FROM MARAVILLAS CON VARIACIONES ACRÓSTICAS EN EL JARDIN DE MIRÓ), 1975 [MAEGHT, 1059; CRAMER BOOKS, 211]

Colour lithograph printed in five colours (blue, bluegrey, green, rose, and yellow) on China paper with le!erpress text: “Paul Signac, Abend Pan IV-I Funffarbige original lithographie” in the plate lower le# margin, titled to the printed auction label verso as Wick, 46. Kornfeld & Wick’s second and final state from the total edition of 1200 (artist’s edition of 36, deluxe edition of 75, standard edition of 1,100).

Published by Pan in the standard edition of the German art review Pan, Volume IV, no. 1, 1898.

Printed by Auguste Clot, Paris, 1897-98 Image/Sheet 7.9" x 10.2" — 20 x 25.8 cm.; 10.6" x 14.2" — 27 x 36 cm.

$1,000—1,500

Colour linocut; signed, titled, dated /39 and numbered indistinctly in an edition of 60 (36/60?) in pencil to margin

Colour lithograph; signed and numbered 22/75 in pencil. Published by Ediciones Poligrafa, Barcelona.

Sheet 21" x 29.5" — 53.3 x 74.9 cm.

Image 9" x 12" — 17.8 x 30.5 cm.

Provenance: Albert White Gallery, Toronto; Private Collection

Provenance: Private Collection, Vancouver

$2,000—3,000

Literature: Ian Thom, E.J. Hughes, 2002, reproduced page 37 $2,500—3,000

99

100

101

ANDY WARHOL (1928 - 1987), AMERICAN FLOWERS, 1964 [FELDMAN & SCHELLMANN, II.6]

SALVADOR DALI (1904 - 1989), SPANISH FLEURS SURRÉALISTES (FLOWERS FOR GALA) FOLIO OF TWO: GALA’S BOUQUET (FLOWERS FOR GALA); VANISHING FACE (PRINTEMPS DE GALA), 1980 [FIELD, 80-10 (A & B RESPECTIVELY COLOUR VARIATION)]

ANDRÉ KERTÉSZ (1894 - 1985), HUNGARIAN/AMERICAN MELANCHOLIC TULIP, 1939

Colour offset lithograph on wove paper; signed and dated “65” in black ink to margin. Printed by Total Color, New York. Published by Leo Castelli Gallery, New York for the Andy Warhol exhibition held at Leo Castelli Gallery, New York in 1964.

Gelatin silver print; signed and dated 1939 in pencil verso. Printed circa 1970.

Image/Sheet 9.7" x 7" — 24.6 x 17.8 cm.; 10" x 8" — 25.4 x 20.3 cm.

Provenance: Private Collection, Montreal

Two colour lithographs from original gouaches on Arches France watermarked paper with further blindstamp “copyright 1980” lower right margins; each signed and numbered 45/350 in pencil to margin. Each with printer’s blindstamp “Atelier Dumas Inc., New York” lower le" margin. Published

by Levine & Levine, New York.

$15,000—25,000

Image/Sheet 22.4" x 17.9" — 57 x 45.5 cm.; 29.1" x 21.1" — 74 x 53.5 cm.

$6,000—9,000

Sheet 23" x 23" — 58.4 x 58.4 cm.

Provenance: Acquired directly from the artist by the present Private Collection, Toronto in September, 1978

Provenance: Private Collection, Waterloo, Ontario Literature: Published in Albert Field’s “The Official Catalogue of the Graphic works of Salvador Dali", 1996, 80-10, p.

187, illustrated colour variation $1,000—1,500

102

103

104

SUZY LAKE (1947 - ), AMERICAN/CANADIAN DANCE TO LIFE (SMASHED VASE SEQUENCE), 1986 (LATER PRINTING)

GUIDO MOLINARI (1933 - 2004), CANADIAN SANS TITRE (G.M.-S-63-H), CIRCA 1992

JIM DINE (1935 - ), AMERICAN CALICO, PL.3 (FROM 11 POP ARTIST’S, VOLUME III), 1965 [MIKRO, 37]

Chromogenic print; signed, dated “2010/86” and numbered 4/25 in black pen and ink to margin Sheet 11.5" x 16" — 29.2 x 40.6 cm.

Provenance: Private Collection, Toronto $500—700

Colour silkscreen embossed with the Fondation Guido Molinari blindstamp lower right margin; stamped signature lower right margin, numbered 5/18 in pencil to margin,inscribed “G.M.S-63-h” verso Sheet 41" x 29" — 104.1 x 73.7 cm.

Provenance: Private Collection, Montreal $2,500—3,500

Colour silkscreen on Cartridge paper; signed and numbered 115/200 in pencil. There were also 50 artist’s proofs. Published by Abrams Original Editions, New York.

Sheet 39.8" x 30" — 101.1 x 76.2 cm.

Provenance: Private Collection, Toronto $1,000—2,000

105

106

107

CLAUDE TOUSIGNANT (1932 - ), CANADIAN SANS TITRE, #2 (ONE PLATE FROM THE “SANS TITRE” FOLIO OF 6, 1975)

ALEXANDER CALDER (1898-1976), AMERICAN CHEVRONS NOIR SUR ROUGE ET JAUNE, 1966 [MAEGHT, 657]

ALLAN D’ARCANGELO (1930 - 1998), AMERICAN UNTITLED (RETINA?) (FROM ROAD SERIES), 1969

Coliur silkscreen on paper; inscribed, dated and numbered: “#2-75-53/100” in pencil to margin.

Colour lithograph on BFK Rives watermarked paper; signed and numbered 61/90 in pencil. Published by Maeght, Paris.

Colour silkscreen on paper; signed and numbered 106/200 in pencil, inscribed “Retina” and numbered “#6920” in pencil bo!om le" edge verso

Image/Sheet 20" x 29" — 50.8 x 73.7 cm.; 24.25" x 35" — 61.6 x 88.9 cm.

Sheet 24" x 20" — 61 x 50.8 cm.

Sheet 25" x 38" — 63.5 x 96.5 cm.

Provenance: Private Collection, Montreal $2,000—3,000

Provenance: Mazelow Gallery, Toronto $1,500—2,500

Provenance: Private Collection, Toronto $800—1,000

108

109

110

BORIS BUĆAN (1947 - ), CROATIAN THE SCREAM, CIRCA 1980

VICTOR VASARELY (1906 - 1997), HUGARIAN/FRENCH VASARELY PARIS-TOKYO, 1980 (FOLIO OF 6)

PABLO PICASSO (1881 - 1973), SPANISH PICASSO 347 (2 VOLUMES), FIRST EDITION, 1970

Colour lithograph on wove paper; signed and numbered 100/150 in pencil to margin Sheet 33" x 22" — 83.8 x 55.9 cm.

Provenance: Private Collection, Toronto $500—700

Portfolio with complete text and six color screenprints, loose as issued with tissue guards; with dark blue cover and gilt le!ered title, the justification page; signed and numbered “FV 11/15” in pencil. Each print signed and numbered “FV 11/15” in pencil to margins. Printed by Atelier Duval, Paris. Published by Nantenshi Gallery, Tokyo and Inter-Continental Art Agency, Ltd, Vancouver. Aside from the edition of 75.

Sheets 22.5" x 22" — 57.15 x 55.9 cm.

Provenance: Prominent Toronto Gallery $3,000—5,000

Two volumes illustrated with a total of 347 facsimile gravures. Contained in a cream buckram over black cloth gilt embossed hard cover box, opening to a purple felt lined interior and the two similarly bound volumes containing the plates. Published by Random House and Maecenas Press, New York in 1970.

Overall 17.34" x 12.5" — 44 x 31.8 cm. $500—700

111

112

113

JOHN HOWARD GOULD (1929-2010), CANADIAN WHAT A PIECE OF WORK IS MAN/ THE SHAKESPEARE SUITE (COMPLETE FOLIO OF 6), 1980

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH BIBLE. VERVE, VOL. VIII, NOS. 33-34 (BOOK W/30 WORKS, INCL. 18 IN COLOUR), 1956 [CRAMER, 25; MOURLOT, 117-146]

JOAN MIRO (1893 - 1983), SPANISH GRAVE SUR LE GIVRE I, 1972 [DUPIN, 551]

Six lithographs on Fabriani paper; each signed and numbered 2/X in pencil. Special artist’s proof edition, aside from the edition of 145. With title page and Foreward text by Francis Broun, autographed and dated by him at “Toronto, August 2017” in blue pen and ink to the Foreward page. With text sheets.

Contained in a black cloth folio. Published by Madison Gallery, Toronto in 1980.

The complete volume, 1956, comprising 18 lithographs in colour, with the first lithograph on the front and back covers, text in French. Printed by Mourlot Frères, Paris. Published by Editions de la Revue Verve, Paris, bound as issued within original lithographed pictorial boards, with tissue guards.

Sheets/Overall 37" x 26.25" — 94 x 66.7 cm.; 37.5" x 26.75" — 95.3 x 67.9 cm.

Provenance: Ex. Coll. Ralph E. Collins, O!awa probably purchased between 1956-1957 while he was stationed as Diplomat for Canada in Russia from circa 1954 to 1957

$1,000—1,500

Overall 14.25" x 10.2" — 36.2 x 26 cm.

Colour etching and aquatint on Arches paper; signed and numbered H.C in pencil to margin. Aside from an edition of 50.

Plate/Sheet 22.7" x 18.9" — 57.6 x 48 cm.; 35.6" x 25" — 90.5 x 63.4 cm.

Provenance: Private Collection, Toronto $3,000—4,000

$3,000—4,000

114

115

116

SOL LEWITT (1928-2007), AMERICAN LINES, NOT LONG, NOT HEAVY, NOT TOUCHING, DRAWN AT RANDOM, (FROM KOLNER KUNSTMARKT), 1970 [KORNFELD, L2; KRAKOW, SOL LEWITT PRINTS CATALOGUE RAISONNE, 1970.06]

SALVADOR DALI (1904 - 1989), SPANISH STILLNESS OF TIME [V] TREE CLOCK) (FROM TIME), 1976 [FIELD 76-1 (A)

ALEXANDER CALDER (1898 - 1976), AMERICAN SANTA CLAUS (FROM SANTA CLAUS FOLIO OF 9 ETCHINGS, TEXT BY E.E. CUMMINGS), 1974

Colour photolithograph of an original gouache on Arches France watermarked paper with Dalart NV/ Copyright 1976 blindstamp; signed and numbered EA in pencil. There were 30 Epreuve d’artiste’s.

Published by Levine and Levine, New York.

Etching heightened with colour; signed and numbered 160/175 in pencil to margin. Published by Editions de l'Herne, Paris.

Lithograph; signed and numbered 10/250 in pencil.

There were also 50 artist’s proofs. Printed by F.B. Karbach, Dusseldorf. Published by Konrad Fischer, Dusseldorf & Kolner Kunstmarkt.

Sheet 28.7" x 21.3" — 73 x 54 cm.

Image/Sheet 9" x 9" — 22.9 x 22.9 cm.; 17.5" x 12.5" — 44.5 x 31.8 cm.

Provenance: Private Collection, Toronto

Provenance: Private Collection, Toronto

Literature: Published in Albert Field’s “The Official Catalogue of the Graphic works of Salvador Dali". 1996. p. 178

$500—700

$600—800

Plate/Sheet 18.25" x 13.5" — 46.4 x 34.3 cm.; 26.75" x 20.5" — 67.9 x 52.1 cm.

Provenance: Private Collection, Vancouver $800—1,000

117

118

119

HENRY MOORE (1898 - 1986), BRITISH RECLINING FIGURES WITH RED STRIPES, 1973, [CRAMER 291]

HENRI DE TOULOUSE-LAUTREC (1864–1901), FRENCH JANE AVRIL, 1893

SALVADOR DALÍ (1904 - 1989), SPANISH THE LANCE OF CHIVALRY (ST. GEORGE) (FROM RETROSPECTIVE), 1978 [FIELD, 78-10 A]

Colour lithograph on paper; signed and numbered 34/250 in pencil to margin. Published by Bruckmann Verlag, Munich.

Colour lithographic poster; signed with initials in the plate lower le! , signed and dated “93” in the plate bo"om centre. Printed by Chaix, Paris. Published by Jardin de Paris.

Colour lithograph from an original gouache on Arches watermarked paper for Martin Lawrence with “Dalart N.V. Copyright 1978” blindstamp to margin; signed and numbered 246/250 in pencil to margin.

Published by Levine and Levine, New York for Dalart.

With Certificate of Authenticity a"ached to the verso backing.

Sheet 9.25" x 8.9" — 23.5 x 22.6 cm.

Provenance: Private Collection, Waterloo $500—700

Sheet 32.2" x 23.4" — 81.9 x 59.5 cm.

Provenance: Private Collection, Toronto $1,000—1,500

Sheet 29.25" x 20" — 74.3 x 50.8 cm. $800—1,200

120

121

122

AFTER HENRI DE TOULOUSE LAUTREC (1964 1901), FRENCH AU CIRQUE: TRAVAIL DE RÉPÉTITION

AFTER HENRI MATISSE (1869 - 1954), FRENCH LA CITÉ-NOTRE DAME, PARIS (FROM “VILLE DE PARIS”), 1937 [DUTHUIT, 248]

CARL CLEMENS MORITZ RUNGIUS (1869-1959), AMERICAN BROWSING, 1938 [CROUCH,44]

Lithograph with tone and colour; signed with monogram in the plate lower right, numbered 234/350 in pencil to margin. Based on a drawing in colour pencil and Conté crayon on paper of the same title from 1899.

Etching on wove paper, signed in reverse in plate lower right; numbered 144/300 in pencil to margin.

Printed by Daragnes, Paris.

Etching and drypoint; signed in pencil over a faint pencil signature to margin

Image 9.6" x 7.9" — 24.4 x 20 cm.

Provenance: Private Collection, Vancouver $500—700

Plate/Sheet 13.25" x 10.25" — 33.7 x 26 cm.; 17.6" x 13.7" — 44.7 x 34.8 cm.

Provenance: Private Collection, Vancouver $500—700

Plate 7.9" x 10.8" — 20 x 27.5 cm.

Provenance: Estate Collection, London, Ontario $3,000—4,000

123

124

125

SALVADOR DALÍ (1904 - 1989), SPANISH AUTUMN, 1970 [FIELD, 70-2]

FRANCISCO DE GOYA (1746 - 1828), SPANISH TAN BÁRBARA LA SEGURIDAD COMO EL DELITO (THE LITTLE PRISONER), 1867 [DELTEIL, 31]

LÉONARD TSUGUHARU FOUJITA (1886 - 1968), JAPANESE/FRENCH CHAT ASSIS, 1929 [BUISSON, 29.06]

Engraving with colour added; signed and numbered 14/150 in pencil to margin. From the total edition of 1,150 (this lot being one from the 150 with colour added).

Plate 10" x 8" — 25.4 x 20.3 cm.

Provenance: Private Collection, Waterloo Literature: Published in Albert Field’s “The Official Catalogue of the Graphic works of Salvador Dali". 1996. p. 56

Etching with le"ers in the plate: “Imp. Delatre, Paris” lower right and “Gaze"e des Beaux-Arts” lower le# margins Plate 4" x 3 .2" — 10.2 x 8.1 cm.

Provenance: Private Collection, Waterloo $500—700

Colour etching and aquatint on chine colle on paper; signed and numbered 34/100 in pencil to margin Plate/Sheet 14.8" x 11.4" — 37.5 x 29 cm.; 16.1" x 12.8" — 40.8 x 32.5 cm.

Provenance: Estate Collection, Hamilton, Ontario $3,000—4,000

$1,000—1,500

126

127

128

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH LE LION S’EN ALLANT EN GUERRE (FROM LES FABLES DE LA FONTAINE, VOLUME II, [CRAMER, 22]

HENRI MATISSE (1869 - 1954), FRENCH L19 (DISENO PARA LA SERIE 0), 1942

HENRI DE TOULOUSE-LAUTREC (1864 - 1901), FRENCH LA GOULUE, VALSE POUR PIANO, 1894 [DELTEIL, 71; ADHEMAR, 77; ADRIANI, 99]]

Etching and drypoint on BFK Rives watermarked paper; signed and numbered H.C. in pencil to margin.

Plate/Sheet 11.6" x 9.6" — 29.5 x 24.5 cm.; 15.4" x 11.8" — 39 x 30 cm.

Provenance: Beverly Hills Galleries Inc., Hollywood, California from whom purchased by Bruce Gabriel, in 1979 accompanied by the receipt and the gallery Certificate of Authenticity, dated 3/5/79 $1,000—1,500

Lithograph; signed, dated “-42” and numbered “L19” in the plate lower le# Image 13" x 10" — 33 x 25.4 cm.

Provenance: Private Collection, Waterloo $500—700

Lithograph printed in olive green; signed with monogram in the plate 12" x 9.5" — 30.5 x 24.1 cm.

Provenance: Private Collection, Montreal $1,000—1,500

129

130

131

DIETRICH MOHR (1924-2016), GERMAN AMITIES, 1957

BARBARA HEPWORTH (1903 - 1975) TWO MARBLE FORMS (MYKONOS), 1969

Lithograph en grisaille; signed, titled dated ‘57 and numbered “Epreuve d’Artist” in pencil along the bo!om edge

Colour lithograph on handmade Barcham Green paper; signed and numbered 33/60 in pencil to margin. Published and printed by Curwen Studio Ltd., London with their blindstamp.

SAM FRANCIS (1923 - 1994), AMERICAN FIVE CORAL SCREEN, 1972 [GEMINI, 493; LEMBARK, S12]

Sheet 12" x 22.25" — 30.5 x 56.5 cm.

Provenance: Prominent Collection, Montreal $500—700

29" x 19" — 73.7 x 48.3 cm.

Provenance: Private Collection, Toronto $3,000—4,000

Colour silkscreen printed to the edges on Arches 88 paper with blindstamp of the publisher Gemini G.E.L, Los Angeles; signed and numbered 68/75 in pencil to margin, an inscribed number: “SF72-5053” in pencil at the bo!om edge verso.

Sheet 30" x 38" — 76.2 x 96.5 cm.

Provenance: Private Collection, London, Ontario $3,000—5,000

132

133

134

BORIS BUĆAN (1947 - ), CROATIAN SWAN LAKE, 1988

SALVADOR DALI (1904 - 1989), SPANISH PANTOCRATOR - CHRIST IN HIS MAJESTY (TAROT 3 OF COINS), 1977 [FIELD, 76-7]

HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH CHANTEUR AMÉRICAN (FROM LE CAFE CONCERT), 1893 [DELTEIL, 38]

Colour lithograph on wove paper; signed and numbered 131/150 in pencil to margin

Provenance: Private Collection, Toronto

Colour lithograph and mezzotint of original gouache with collage and lithographic remarque (Torrents) on Japon paper; signed and numbered XLVIII/C in pencil. Published by Levine and Levine for Beverly Hills Gallery in conjunction with Gala Publications (lacking portfolio case)

Lithograph; signed with monogram in the plate.

Published by L’Estampe Originale, Paris in an edition of 500.

$500—700

Sheet 29" x 21" — 73.7 x 53.3 cm.

Provenance: Private Collection, Montreal

Literature: Published in Albert Field’s “The Official Catalogue of the Graphic works of Salvador Dali". 1996. p. 131

$500—700

Image 27" x 26" — 68.6 x 66 cm.

$500—700

Image 11.5" x 7.5" — 29.2 x 19.1 cm.

135

136

137

LÉONARD TSUGUHARU FOUJITA (1886 - 1968), JAPANESE/FRENCH PETITE FILLE À LA FLEUR (FROM LES ENFANTS), 1929 [BUISSON, II.29.201]

HAROLD BARLING TOWN, (1924 - 1990), CANADIAN NUDE WITH BICYCLE (FROM FRENCH POSTCARD SERIES), 1971

HAROLD BARLING TOWN (1924-1990), CANADIAN GIRL WITH BICYCLE (FROM FRENCH POSTCARD SERIES),

Colour etching, drypoint and aquatint on Chine colle mounted on paper; signed and numbered 5/100 in pencil to margin. Published by Editions Artistique Apollo, Paris.

Lithograph; signed, dated 71 and inscribed with number “63-64” in pencil along the bo!om edge

Lithograph on paper; signed, dated 71 and inscribed with number “-12-57” in pencil along the top edge

Sheet 19.75" x 14" — 50.2 x 35.6 cm.

Sheet 14" x 20" — 35.6 x 50.8 cm.

Plate 14.3" x 10" — 36.3 x 25.4 cm.

Provenance: Private Collection, Toronto

Provenance: Fleet Gallery label; Winnipeg Art Gallery, Art Rental and Sales Gallery as “Bicycle” to label verso

Provenance: Estate Collection, Hamilton, Ontario

$400—600

$1,000—2,000

$400—600

138

139

140

FERNAND LÉGER (1881 - 1955), FRENCH LES LOISIRS SUR FOND ROUGE (LEISURE WITH RED BACKGROUND), 1949

HENRY MOORE (1898 - 1986), BRITISH MAN AND WOMAN, THREE-QUARTER FIGURES, 1978 [CRAMER, 490]

DAVID BLACKWOOD (1941 - ), CANADIAN GULL ROCK BREAKING, 2001

Colour lithograph on paper with the Musée Léger blindstamp; ink stamped signature lower right margin, numbered 215/250 in pencil to margin.

Published by Musee Fernand Leger, Biot, France.

Colour lithograph on T.H Saunders wove paper; signed and numbered VIII/XV in pencil to margin (aside from the edition of 50). Published by Raymond Spencer Company Ltd., Much Hadham.

Image 20" x 25.5" — 50.8 x 64.8 cm.

Image 10.5" x 14.5" — 26.7 x 36.8 cm.

Provenance: Posters International, Toronto; Private Collection, Toronto

Provenance: Private Collection, Toronto

Provenance: Abbozzo Gallery, Toronto from whom purchased by a Private Collection, Oakville, Ontario, accompanied by the original receipt dated September 04, 2004; Private Collection, Thunder Bay, Ontario

$1,000—1,500

$2,000—3,000

$600—800

Colour etching and aquatint; signed, titled, dated 2001 and numbered 38/75 in pencil to margin Plate 13.1" x 17.7" — 33.4 x 45 cm.

141

142

143

PABLO PICASSO (1881 - 1973), SPANISH PEINTRE À SON CHEVALET AVEC DEUX FEMMES NUES (DANS L’ATELIER), 1966 [BLOCH, 1371; BAER, 1392]

PABLO PICASSO (1881 - 1973), SPANISH DANS L’ATELIER, 1966 [BLOCH, 1380; BAER, 1402]

ROBERT RAUSCHENBERG (1925 - 2008), AMERICAN FEATURES FROM CURRENTS (FROM CURRENTS, #57), 1970 [FOSTER, 136]

Etching and aquatint on BFK Rives paper; signed and numbered 30/50 in pencil to margin. There were also 15 artist’s proofs. Published by Galerie Louise Leiris, Paris.

Image/Sheet 15.5" x 22" — 39.4 x 55.9 cm.; 19.75" x 25.5" — 50.2 x 64.8 cm.

Provenance: Private Collection, Toronto $3,000—4,000

Etching and aquatint on BKF Rives paper; signed and numbered 1/50 in pencil to margin. There were also 15 artist’s proofs. Published by Galerie Louise Leiris, Paris.

Image/Sheet 15.5" x 22.1" — 39.4 x 56.1 cm.; 19.75" x 25.5" — 50.2 x 64.8 cm.

Provenance: Private Collection, Toronto $3,000—4,000

Handprinted slikscreen on Aqua B 844 paper, signed, dated 70 and numbered 10/50 in pencil to margin.

There were also 4 artist’s proofs. Co-published by Dayton Gallery 12, Minneapolis and Leo Castelli Graphics, New York.

Sheet 40" x 40" — 101.6 x 101.6 cm.

Provenance: Private Collection, Toronto $3,000—4,000

144

145

146

JESUS CARLOS DE VILALLONGA (1927- ), SPANISH/CANADIAN “A MICHEL MOREAU (SIC) AMITIES DE VILALLONGA, CADAQUES, SPAIN, 7TH JUILLET, 1972”

GRAHAM COUGHTRY (1931 - 1999), CANADIAN RECLINING FIGURE MOVING #2, 1979

STANLEY WILLIAM HAYTER (1901 - 1988), BRITISH SEA WEB, 1968

Colour lithograph printed to the edges; signed, dated 79 and numbered 2/40 in pencil, gallery label verso.

Colour silkscreen on ochre paper with center fold; numbered 42/75 in pencil, with signed and dated presentation in pen and ink lower right, with hand wri!en personal notation to the le" side in pencil (with reference to the silkscreen image on the right of the sheet)

Sheet 38" x 29" — 96.5 x 73.7 cm.

Image Tondo/Sheet height 11" — 27.9 cm.; 15.25" x 25.25" — 38.7 x 64.1 cm.

$400—600

Provenance: Galerie Dominion, exclusive dealer of the artist, Montreal $500—700

Provenance: The Isaacs Gallery, Toronto label verso; Private Collection

Colour etching; signed, titled, dated 68 and numbered 31/50 in pencil to margin Plate 11.4" x 23.6" — 29 x 60 cm.

Provenance: Private Collection, Toronto $500—700

147

148

MARC CHAGALL (1887 - 1885), FRENCH/RUSSIAN L’OISEAU VERT (THE GREEN BIRD), 1962 (POSTER: CHAGALL GALERIE MAEGHT JUINJUILLET 1962) [MOURLOT, 354; SORLIER, P. 40]

DAVID DREBIN (1970 - ), CANADIAN BALLOONS OVER SAN FRANCISCO, 2016

Colour lithographic poster mounted on lightweight cardboard; signed in pencil to the image right, centre. Printed by Mourlot, Paris. Published by Galerie Maeght, Editions Maeght, Chagall’s longtime dealer.

Digital c-print; numbered edition of 2/7 to original gallery receipt accompanying lot Sheet 40" x 96" — 152.4 x 121.9 cm.

Sheet 27.4" x 20.9" — 69.5 x 53 cm.

Provenance: Galerie de Bellefeuille, Montreal from whom purchased by the present Private Collection, Toronto on April 19, 2016 accompanied by the original receipt

Provenance: Private Collection, Niagara Falls, Ontario

$7,000—9,000

$500—700

Buying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 25% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

bidding

To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder.

You will be responsible for all lots purchased on your bidding number. Banking information may be requested

by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale.

While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids.

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping.

The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Ship 905.470.6874, 905.470.6875, 416.293.8225 taurus@pakship.ca www.pakmailmarkham.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Selling at Waddington’s

waddington’s commission rates

insurance

Items selling for $2,501 to $7,500 15%

cites

Items selling for $7,501 or more 10%

Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.

Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

Conditions of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition.

It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 25% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The

auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale.

Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

International Art internationalart.waddingtons.ca 275 King Street East, Second Floor Toronto, Ontario M5A 1K2