British & Continental Art | September 7 - 12, 2019

British & Continental Art S E PT EM B E R 7—12 , 2 01 9

British & Continental Art S E PTE M BE R 7—12 , 2 01 9

bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca on view Sunday, September 8 from 12:00 pm to 4:00 pm

senior specialist Susan Robertson sr@waddingtons.ca 416-847-6179 client services Alec Kerr ak@waddingtons.ca 416-847-6186

Monday, September 9 from 1:00 pm to 7:00 pm preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

front cover Lot 18 Petrus Theodorus Van Wyngaerdt Elegants Playing Cards (detail) front inside Lot 50 George Turner Harvesting, 1887 (detail) back inside Lot 30 George Hendrik Breitner Street Scene With Horse-Drawn Cart, Amsterdam, Old Section of The City back cover Lot 55 Henry & Charles Shayer A Meet on Badderley

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents Š 2019 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All rights reserved.

1

2

3

EDUARD BOEHME (1830-1890), AUSTRIAN

OSKAR RUDOLPH DOGARTH (1898-1961), AUSTRIAN

P. GADSCH? (19TH CENTURY), AUSTRIAN?

TWO TYROLIAN RIVER LANDSCAPES: SPORTSMAN HUNTING; SPORTSMAN FISHING

STILL LIFE WITH SUMMER FLOWERS IN A GLASS VASE, WITH BUTTERFLIES, A BEE AND ANTS ON A MARBLE LEDGE

BOY WITH A PLATE OF LOBSTERS IN AN INTERIOR

Pair of oils on canvas; each signed lower left, each titled indistinctly in pen and ink to old labels verso 20.75 x 16.5 in — 52.7 x 41.9 cm

Oil on masonite board; signed lower left 24 x 20 in — 61 x 50.8 cm

Oil on canvas; indistinctly signed lower left 26 x 22 in — 66 x 55.9 cm $300 — 400

$800 — 1,000

PROVENANCE:

See website for full catalogue details $1,000 — 1,500

4

5

6

**MÜLLER (19TH/20TH CENTURY), AUSTRIAN SCHOOL

HUGO ENGL (1852-1926), AUSTRIAN

O. DIETMANS (19TH CENTURY), AUSTRIAN SCHOOL

BOY WITH A PET CANARY

Oil on panel; signed and dated 1881 lower right 13.5 x 9.5 in — 34.3 x 24.1 cm

Oil on panel; indistinctly signed “Müller ...” lower right 12.5 x 9 in — 31.8 x 22.9 cm $100 — 200

A GAME OF BOWLS, 1881

PROVENANCE:

With Schachingger Senoir, Munchen label $500 — 700

BEARDED ELDER IN SERIOUS STUDY OF A MANUSCRIPT Oil on braced panel; signed indistinctly lower right, inscribed O. Dietmans, titled and numbered No. 827 to an old label verso 17.5 x 13.25 in — 44.5 x 33.7 cm PROVENANCE:

See website for full catalogue details $150 — 250

7

8

9

GOTTFRIED ARNEGGER (1905), AUSTRIAN

ATTRIBUTED TO ABRAHAM HULK THE ELDER (1813-1897), DUTCH

JOHANN ADOLPH RUST (1828-1915), DUTCH

VILLA ON THE AMALFI COAST

STORMY COAST

Oil on canvas; signed lower left 23 x 31 in — 58.4 x 78.7 cm

Oil on canvas; signed “A. Hulk” lower right 22 x 36 in — 55.9 x 91.4 cm

SCHEPEN OP HELLING (BOATS ON SHORE WITH TOWNSFOLK)

$500 — 700

PROVENANCE:

Private collection by descent $1,000 — 1,500

Oil on canvas laid down on panel; signed “A. Rust” lower left, titled to gallery label verso 11.5 x 14.5 in — 29.2 x 36.8 cm PROVENANCE:

Roelofs Kunsthandels, Amsterdam label verso; The Estate of Adolph Rolin, Toronto $1,000 — 1,500

10

11

12

FRANÇOIS-ÉTIENNE MUSIN (1820–1888), BELGIAN

ANTHONIE PIETER SCHOTEL (1890-1958), DUTCH

DUTCH SCHOOL (20TH CENTURY)

SAILING FOR THE FISHING GROUNDS; RETURNING WITH THE CATCH

SAILBOATS

Oil on canvas; indistinctly signed lower right 27.75 x 31.5 in — 70.5 x 80 cm

Pair of oils on panel; the former signed lower left, the latter signed lower right, each with inscribed titles verso Each 11.25 x 16.25 in — 28.6 x 41.3 cm PROVENANCE:

See website for full catalogue details $3000 — 4000

Oil on board; signed with conjoined initials “APS” lower left, signed verso 17.5 x 12.25 in — 44.5 x 31.1 cm

FISHING BOATS IN POLDER WATERS

PROVENANCE:

Private Collection, Calgary

Property of J.H. Protor & Sons, Inv. No. 1106 label to the frame; Private Collection, Toronto

$800 — 1,200

$600 — 800

PROVENANCE:

13

14

15

HENK DEKKER (1897-1974), DUTCH

HENRI JOSEPH GOMMARUS CARPENTERO (1820-1874), BELGIAN

ATTRIBUTED TO CHRISTOFFEL BISSCHOP (1828-1904), DUTCH

Oil on canvas; signed lower left 39.5 x 31.5 in — 100.3 x 80 cm

VILLAGE MARKET VENDOR SELLING FOWL AND HARE, 1867

REMBRANDT ON HIS WAY TO THE ANATOMICAL LESSON OF DR. TULP

PROVENANCE:

Oil on panel; signed and dated 1867 lower right 9.5 x 7.5 in — 24.1 x 19.1 cm

Oil on panel; bears signature lower right 8 x 6 in — 20.3 x 15.2 cm

FISHING BOAT SCH41 IN A SWELL

By descent to the present Private Collection, Barrie, Ontario $400 — 600

PROVENANCE:

$2000 — 3000

Estate Collection; By descent $500 — 700

16

17

18

FRANZ KASPAR HUIBRECHT VINCK (1827–1903), BELGIAN

FOLLOWER OF JAN VAN OS (1744-1808), DUTCH

PETRUS THEODORUS VAN WYNGAERDT (1816-1893), DUTCH

VOX POPULI (THE VOICE OF THE PEOPLE)

STILL LIFE WITH FLOWERS

ELEGANTS PLAYING CARDS

Oil on canvas; signed lower left 32.75 x 13.25 in — 83.2 x 33.7 cm

Oil on canvas 25 x 21 in — 63.5 x 53.3 cm

PROVENANCE:

PROVENANCE:

Oil on panel; signed “P. Van Wyngaerdt” and possibly dated below the signature indistinctly 11 x 8.7 in — 27.9 x 22 cm

See website for full catalogue details

With Frank Worrall, Toronto restorer, his monogram initial stamp to the relined canvas verso; Estate Collection, Kingston, ON

$1500 — 2500

$700 — 900

$1200 — 1800

19

20

21

JOHANNES KAREL LEURS (1865-1938), DUTCH

WILLEM STEELINK (1856-1928), DUTCH

AREND JAN VAN DRIESTEN (1878-1969), DUTCH

HERDING SHEEP

Watercolour; signed lower right 25 x 36 in — 63.5 x 91.4 cm

Watercolour; signed lower left 14 x 20 in — 35.6 x 50.8 cm

HERDING THE SHEEP

$700 — 900

PROVENANCE:

The Robert Simpson Company Limited, Canada, Inv. #. 119374; Private Collection, Toronto

STORMY WEATHER (WOMAN TENDING COWS IN AN EXTENSIVE POLDER LANDSCAPE) Watercolour and opaque watercolour on paper mounted on cardboard; signed lower right Sheet 16.5 x 26 in — 41.9 x 66 cm $400 — 600

$800 — 1,000

22

23

24

ARNOLD MARC GORTER (1866-1933), DUTCH

CORNELIS BOUTER (1888-1966), DUTCH

JOHANNES WEILAND (1856–1909), DUTCH

A QUIET STREAM

BLOSSOM TIME IN HOLLAND

Oil on canvas; signed lower right, titled in pen and ink to the gallery label verso certifying this work 22 x 18 in — 55.9 x 45.7 cm

Oil on canvas; signed lower right, titled to an old typed label attached to the backing paper verso 24 x 36 in — 61 x 91.4 cm

THE OLD PEASANT SPINNING BY THE HEARTH

PROVENANCE:

PROVENANCE:

See website for full catalogue details

With Palette Fine Art Gallery, Toronto labels verso

$800 — 1,000

$1,000 — 1,500

Oil on canvas; signed “Weiland” lower right 25.5 x 21.25 in — 64.8 x 54 cm $500 — 700

25

26

27

JACOB SIMON HENDRIK KEVER (18541922), DUTCH

WILLEM GEORGE FREDERIK JANSEN (1871–1949), DUTCH

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868–1951), DUTCH

MOTHER MENDING BY THE WINDOW

IN HOLLAND WASHING CLOTHES

Oil on canvas; signed “Kever” lower left 26.25 x 20 in — 66.7 x 50.8 cm

Oil on canvas; signed lower right, signed and titled in black crayon to the stretcher 16 x 23.5 in — 40.6 x 59.7 cm

FARMER AND HIS COW OUTSIDE A THATCHED BARN

PROVENANCE:

Private Collection, Montreal $2,000 — 3,000

PROVENANCE:

Oil on canvas; signed lower right 20 x 28.75 in — 50.8 x 73 cm $500 — 700

See website for full catalogue details $700 — 900

28

29

30

HENRI HOOGEWEEGEN (1917-2007), DUTCH

GERARD VICTOR ALPHONS RÖLING (ROELING) (1904–1981), DUTCH

GEORGE HENDRIK BREITNER (18571923), DUTCH

A DUTCH LANDSCAPE WITH MILL

ZANDVOORT IN APRIL, 1923

Oil on canvas; signed lower left, titled to label verso 34 x 25 in — 86.4 x 63.5 cm

Oil on board; signed with incised signature and date (23?) lower right, given to the artist “Gerard Victor A. Roeling” and titled “Zandvoort in April” to gallery label verso 11.25 x 16 in — 28.6 x 40.6 cm

STREET SCENE WITH HORSE-DRAWN CART, AMSTERDAM, OLD SECTION OF THE CITY

PROVENANCE:

See website for full catalogue details

PROVENANCE:

$500 — 700

See website for full catalogue details $2,000 — 3,000

Oil on panel; signed with initials “GHB” lower right, inscribed with partial title in black marker verso 11.5 x 21 in — 29.2 x 53.3 cm $4,000 — 6,000

31

32

33

CIRCLE OF RICHARD WILSON (1714-1782), BRITISH

ATTRIBUTED TO JOHN LINNELL (1792-1882), BRITISH

JOHN CROME THE ELDER (1768-1821), BRITISH

FIGURES IN A MOUNTAINOUS RIVER LANDSCAPE WITH HOUSES AND CASTLE RUIN

LATE AUTUMN NEAR RED HILL

COUNTRY LANE WITH FIGURES OUTSIDE A COTTAGE, NORWICH

Oil on canvas 29 x 36 in — 73.7 x 91.4 cm PROVENANCE:

See website for full catalogue details $3,000 — 5,000

Oil on canvas laid down to masonite; indistinctly signed under black light examination lower left, given to John Linnell and titled to the nameplate 24 x 36 in — 61 x 91.4 cm PROVENANCE:

Oil on canvas; unsigned, inscribed “Old Crome” in black ink to the stretcher 17.25 x 24 in — 43.8 x 61 cm PROVENANCE:

See website for full catalogue details

See website for full catalogue details $2,000 — 3,000

$1,000 — 1,500

34

35

36

CIRCLE OF ALEXANDER NASMYTH (1758-1840), SCOTTISH

JOHN BERNAY CROME (1794-1842), BRITISH

THOMAS CRESWICK (1811-1869), BRITISH

RUSTICS MEETING IN AN EXTENSIVE LANDSCAPE BY COASTAL TOWN WITH AQUEDUCT AND CASTLE RUIN

NEAR LEYDEN - MOONLIGHT, 1840

AT MATLOCK DERBY, 1850

Oil on canvas 23 x 35.5 in — 58.4 x 90.2 cm

Oil on canvas; titled “Moonlight”, inscribed “Crome” and numbered “96.” in pen and ink to an old label to the stretcher 12 x 18 in — 30.5 x 45.7 cm

Oil on canvas; signed and dated indistinctly 1850 lower left, titled to the nameplate 14 x 26 in — 35.6 x 66 cm

PROVENANCE:

PROVENANCE:

See website for full catalogue details $700 — 1,000

See website for full catalogue details $1,000 — 1,500

$600 — 900

37

38

39

GEORGE VICAT COLE (1833-1893), BRITISH

JAMES HOLLAND (1799-1870), BRITISH

WILLIAM PITT (1853-1890), BRITISH

VILLAGE SCENE ON THE OUTSKIRTS WITH A CITY IN THE DISTANCE

HILLSIDE VILLAGE, 1869

AUTUMNAL LANDSCAPE, 1874 Oil on canvas; signed “Vicat Cole” and dated 1874 lower left 24 x 36 in — 61 x 91.4 cm

Oil on canvas; signed lower left 28.5 x 42 in — 72.4 x 100.3 cm

Oil on canvas; signed and dated 1869 lower right, titled to gallery label verso 20 x 28 in — 50.8 x 71.1 cm

PROVENANCE:

PROVENANCE:

PROVENANCE:

Private Collection, Toronto

The Fine Art Galleries, The T. Eaton Co., Limited, Canada; Private Collection, Toronto

Antoine’s Art Gallery, Montreal

$1,500 — 2,500

$1,500 — 2,500

$600 — 900

40

41

42

JOHN BARKER (1811-1886), BRITISH

JOHN BARKER (1811-1886), BRITISH

THE CROFTER’S COTTAGE

THE WOODCROFTER

WILLIAM WALKER MORRIS (FL. 1850-1867), BRITISH

Oil on canvas; signed “J. Barker” lower left, given to “Joseph Barker” and titled to gallery label verso 20 x 30 in — 50.8 x 76.2 cm

Oil on canvas; signed “J. Barker” lower left, given to “Joseph Barker” and titled to gallery label verso 20 x 30 in — 50.8 x 76.2 cm

PROVENANCE:

PROVENANCE:

Garfield Galleries, Toronto label verso

Garfield Galleries, Toronto label verso

$600 — 800

$600 — 800

HIGHLANDERS WITH THEIR DOGS AND PONY ON THE HUNT RESTING AT A WATER STATION, 1863 Oil on canvas; signed “WW Morris” and dated 1863 lower left 30.5 x 50.25 in — 77.5 x 127.6 cm $1,000 — 2,000

43

44

45

19TH CENTURY BRITISH

GEORGE COLE (1810-1883), BRITISH

“ENGLISH LANDSCAPE” (HAY CART PASSING THATCHED COTTAGES)

COWS AND GOAT AT A WATERING HOLE

JOHN FRED MOFFAT (EXHIBITED 1880-1888), BRITISH

Oil on “Chas G. Smithers, Carver Gilder, London” manufactured artist board, their label verso. Unsigned.

8 x 9.75 in — 8.9 x 14 cm

Oil on panel; signed “G. Cole” in red paint lower left 9 x 12 in — 22.9 x 30.5 cm $300 — 400

DUCKS AT A GRASSY BANK Oil on canvas; signed lower right 21 x 14 in — 53.3 x 35.6 cm PROVENANCE:

See website for full catalogue details

PROVENANCE:

$300 — 500

See website for full catalogue details $300 — 500

46

47

48

WILLIAM MELLOR (1851-1931), BRITISH

GEORGE F. BUCHANAN (1800-1864), SCOTTISH

THOMAS EDWARD FRANCIS (ACT. 1899-1912), BRITISH

A HIGHLAND SOLITUDE - SUNSET, 1850

COTTAGE AT BIRCH IN COLCHESTER, ESSEX

WOODLAND WATERFALL Oil on canvas; signed lower right 36 x 28 in — 91.4 x 71.1 cm $1,000 — 1,500

Oil on canvas; signed lower left, signed, titled and dated 1850 verso 13.5 x 18.75 in — 34.3 x 47.6 cm $500 — 700

Oil on canvas; signed “T.E. Francis” lower right, titled in sepia ink verso 20 x 30 in — 50.8 x 76.2 cm $600 — 800

49

50

51

FREDERICK CALVERT (C.1785 -C.1844), IRISH

GEORGE TURNER (1841-1910), BRITISH

DAVID BATES (1840-1921), BRITISH

HARVESTING, 1887

HEADING HOME

Oil on canvas; signed lower right, signed at Barrow-on-Trent Near Derby, titled and dated 1887 verso.

24.5 x 36 in — 62.2 x 91.4 cm

BY THE OLD ROAD - LLEDR VALLEY, WALES, 1903

Oil on canvas. Unsigned.

11 x 16 in — 27.9 x 40.6 cm PROVENANCE:

Private Collection, Toronto $600 — 800

Oil on canvas; signed lower right, signed, titled and dated 1903 verso 16 x 24 in — 40.6 x 61 cm

PROVENANCE:

PROVENANCE:

See website for full catalogue details

Arthur and Mae Freeman, Toronto; By descent to the present Private Collection

$2,000 — 3,000

$800 — 1,200

52

53

54

ATTRIBUTED TO WILLIAM SHAYER SNR. (1787-1879), BRITISH

MANNER OF CHARLES SHAYER (1826-1914), BRITISH

A VIEW IN WALES, SUMMER

FARMER STOPPED TO REST WITH HIS HORSES IN A SHADY CORNER

ATTRIBUTED TO CHARLES SHAYER (1826-1914) AND JOHN FREDERICK HERRING SENIOR (1795-1865), BRITISH

Oil on canvas laid down to masonite; signed lower right 24 x 36 in — 61 x 91.4 cm PROVENANCE:

Garfield Galleries, Toronto; By descent to the present Private Collection, Toronto $1,500 — 2,500

Oil on canvas. Unsigned.

30.5 x 25 in — 77.5 x 63.5 cm $600 — 900

NOONDAY REST Oil on canvas; given to “H.C. Shayer and John Frederic Herring Snr.” and titled to the nameplate attached to the verso 28.75 x 36 in — 73 x 91.4 cm PROVENANCE:

See website for full catalogue details $500 — 1,000

55

56

57

HENRY & CHARLES SHAYER (19TH/20TH CENTURY), BRITISH

LOUIS BOSWORTH HURT (1856-1929), SCOTTISH

SAMUEL DAVID COLKETT (1806-1863), BRITISH

A MEET ON BADDERLEY

IN ARDGOUR, N.B., SCOTLAND

Oil on canvas; titled to the nameplate 24 x 42 in — 61 x 106.7 cm

Oil on panel; signed lower right, titled and numbered No. 1 in pencil verso 9 x 6 in — 22.9 x 15.2 cm

FIGURES MEETING ON THE RIVER BANK

BY THATCHED COTTAGE, 1881

PROVENANCE:

By descent from the consignor’s parents to the present Private Collection, Burlington, ON $1,500 — 2,000

PROVENANCE:

Oil on panel; signed and dated 1881 lower right 11.6 x 17 in — 29.5 x 43.2 cm $500 — 700

John Magee Fine Art Dealer, Belfast; Private Collection, Toronto by descent from their grandparents $300 — 500

58

59

60

ALFRED FONTVILLE DE BRÉANSKI JR. (1877–1955), BRITISH

ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

HERDER WITH COWS BY A RIVER RAPIDS IN A HIGHLAND LANDSCAPE

HIGHLAND LANDSCAPE WITH COWS WATERING

RIVER LANDSCAPE WITH RAIL FENCE AND HERD OF CATTLE IN THE FIELD

Oil on canvas laid down to masonite board; signed lower right 24 x 30 in — 61 x 76.2 cm

Oil on canvas; signed lower right 18 x 30 in — 45.7 x 76.2 cm

Oil on canvas; signed lower left 18 x 30.25 in — 45.7 x 76.8 cm

$1,800 — 2,200

$1,800 — 2,200

$3,000 — 4,000

61

62

63

JOSEPH THORS (1835–1920), DUTCH/BRITISH

WILLIAM MCBRIDE (1856-1913), SCOTTISH

AN ESSEX COTTAGE

PICKING FAGGOTS

LOUIS PASSMORE (19TH/20TH CENTURY), BRITISH SCHOOL

Oil on canvas; signed lower left 16 x 24.5 in — 40.6 x 62.2 cm

Oil on canvas; signed lower right, titled to label verso 20 x 24 in — 50.8 x 61 cm

PROVENANCE:

Estate Collection, Toronto $500 — 700

PROVENANCE:

Ex. Collection M.A. Cameron inscribed to label verso; Robert MacIndoe Gallery, Glasgow label verso

HARVESTERS RETURNING HOME Oil on canvas; signed indistinctly “Louis Pas.....” lower right 16 x 24 in — 40.6 x 61 cm PROVENANCE:

Estate Collection, Toronto $600 — 800

$400 — 600

64

65

66

JOSEPH PAULMAN (19TH/20TH CENTURY), BRITISH

HENRY MAIDMENT (ACT. 1889-1914), BRITISH

LIONEL PERCY SMYTHE (1839-1918), BRITISH

FAMILY PICKING BERRIES

RIDER ON HORSEBACK FORDING A RIVER

RESTING BEFORE A CAMPFIRE ON ROUTE

Oil on canvas; signed lower left, signed “Paulman” to the top selvage and inscribed “Paulman 11” in pencil to the stretcher 16 x 12 in — 40.6 x 30.5 cm

Oil on canvas; signed lower right 12 x 16 in — 30.5 x 40.6 cm

Oil on canvas; signed “Smythe” lower left 10.25 x 14 in — 26 x 35.6 cm

PROVENANCE:

Estate Collection, Toronto $300 — 500

$400 — 600

PROVENANCE:

Private Collection, Toronto $600 — 800

67

68

69

AFTER SIR DAVID WILKIE (1785-1841), SCOTTISH

GILBERT STUART NEWTON (1794-1835), CANADIAN/BRITISH

JOHN BAGNOLD BURGESS (1830–1897), BRITISH

THE VILLAGE POLITICIANS

SPANISH BEAUTY WITH A FAN

Oil on wood panel 9.25 x 13 in — 23.5 x 33 cm

THE IMPORTUNATE AUTHOR (ILLUSTRATING ACT 3, SCENE 2 OF MOLIÈRE’S “FEMMES SAVANTES”), 1822

PROVENANCE:

Oil on canvas 24.75 x 20.5 in — 62.9 x 52.1 cm

Estate Collection, Kingston, ON $500 — 700

$1,500 — 2,500

Oil on panel; signed with initials “JBB” lower right 8 x 6 in — 20.3 x 15.2 cm PROVENANCE:

Arthur Tooth & Sons, London label verso; Private Collection, Carleton Place, ON $500 — 700

70

71

72

OLIVER RHYS (1854-1907), BRITISH

ROBERT RUSSELL MACNEE (1880-1952), SCOTTISH

ATTRIBUTED TO JOHN FAED (1818/20-1902), SCOTTISH

COUNTRYMAN READING THE NEWS IN A WORKSHOP

THE PICTURE BOOK

GRECIAN MAIDEN ON LEOPARD SKIN STREWN WITH FLOWERS Oil on board; signed lower right 18 x 12 in — 45.7 x 30.5 cm

Oil on canvas; signed lower left 14 x 10 in — 35.6 x 25.4 cm

Oil on canvas; bears signature “John Faed” on the foot stool lower right 30 x 24.5 in — 76.2 x 62.2 cm

With De Chez La Cie Wisintainer & Fils, Inc., framer’s label verso

PROVENANCE:

PROVENANCE:

R. Stewart Fine Art Dealer, Perth label verso

$1,000 — 1,500

$300 — 500

Garfield Galleries, Toronto; Private Collection, Toronto

PROVENANCE:

$500 — 1,000

73

74

75

SIR HUBERT VON HERKOMER (1849-1914), BRITISH

THOMAS VALENTINE GARLAND (1840-1914), BRITISH

GEORGE MORTON (FL. 1879-1904), BRITISH

YOUNG STREET MUSICIAN PLAYING THE VIOLIN, 1876

TWO BOYS STRINGING ROBINS’ EGGS, 1872

YOUNG GIRL READING A LETTER

Oil on panel; signed with initials and dated 1876 lower left 14.5 x 10.5 in — 36.8 x 26.7 cm

Oil on board; signed and dated 1872 lower right 13 x 10.5 in — 33 x 26.7 cm

PROVENANCE:

Parisienne Gallery, Toronto label verso

Estate Collection; By descent

$600 — 900

$800 — 1,200

76

77

78

WILLIAM STRANG (1859-1921), SCOTTISH

JOHN MCGHIE (1867-1952), SCOTTISH

FREDERICK GEORGE SWAISH (1879-1931), BRITISH

$500 — 700

PROVENANCE:

PORTRAIT OF A WOMAN IN A BONNET TIED WITH TARTAN RIBBONS

PORTRAIT OF A WOMAN IN A BONNET SAID TO BE AGNES BURNS, THE ARTIST’S WIFE

Oil on canvas; signed bottom right Oval 22 x 18 in — 55.9 x 45.7 cm

Oil on panel; signed lower right 14 x 10 in — 35.6 x 25.4 cm

$400 — 600

Oil on canvas; signed upper right 22 x 17 in — 55.9 x 43.2 cm

PROVENANCE:

Acquired in London, England $1,000 — 2,000

PORTRAIT OF JOHN COLLINGWOOD READE AT AGE 2, 1906 Oil on canvas; signed “F. G. Swaish” and dated “06” lower left, signed at 98 Redland, Bristol in pen and ink to the frame upper left verso 40 x 28 in — 101.6 x 71.1 cm PROVENANCE:

See website for full catalogue details $1,000 — 1,500

79

80

81

PIERRE DELAGE (1883-1956), BRITISH

ERNEST CHARLES WALBOURN (1872-1927), BRITISH

LIONEL J. COWEN (19TH/20TH CENTURY), BRITISH

GOSSIP, ROCHEFORT EN TERRE

THE FAREWELL

Oil on canvas; signed lower right, titled in pencil to the stretcher 16 x 12 in — 40.6 x 30.5 cm

Oil on panel; signed lower right, titled to typed label verso 10.5 x 6.75 in — 26.7 x 17.1 cm

THREE CONNOISSEURS Oil on canvas; signed lower left 25.5 x 29.5 in — 64.8 x 74.9 cm PROVENANCE:

The Cooling Galleries Ltd., London & Toronto label verso; With Ritchie Auctioneers, Toronto, on November 29, 2007, Lot 3059; Private Collection, Richmond Hill, ON

$300 — 500

PROVENANCE:

See website for full catalogue details $300 — 500

$1,500 — 2,500

82

83

84

HENRY MOORE (1831-1895), BRITISH

HENRY E. HOBSON (ACT. 1857-1870), BRITISH

JOHN WILSON (19TH CENTURY), BRITISH

WAITING FOR THE BOATS

A BRITISH BARQUE OFF THE NEEDLES

Watercolour; signed lower left Sight 20 x 13 in — 50.8 x 33 cm

Watercolour; signed “Wilson” lower left 21 x 30 in — 53.3 x 76.2 cm

PROVENANCE:

PROVENANCE:

Private Collection, Toronto

Private Collection, Toronto

$600 — 800

$500 — 800

SHIPPING AT SUNSET Oil on canvas; signed lower left.

14 x 18 in — 35.6 x 45.7 cm PROVENANCE:

Private Collection, Toronto $200 — 400

85

86

87

ATTRIBUTED TO THOMAS LUNY (1759-1837), BRITISH

JOHN ERNEST AITKEN (1881-1957), SCOTTISH

THOMAS BUSH HARDY (1842-1897), BRITISH

SAILING VESSEL IN DEEP SEAS

DUTCH HARBOUR WITH BOATS AT DOCK

BEACHED, 1879

Oil on canvas laid down to masonite; signed lower left 10.25 x 13.25 in — 26 x 33.7 cm

Watercolour; signed lower left Sight 13.25 x 19 in — 33.7 x 48.3 cm

Watercolour on paper laid on card; signed and dated 1879 lower right Sheet 4.8 x 9 in — 12.2 x 22.9 cm

$300 — 500

$300 — 500

PROVENANCE:

See website for full catalogue details $400 — 600

88

89

90

THOMAS BUSH HARDY (1842-1897), BRITISH

CHARLES MOTTRAM (1807–1876), BRITISH

ERNEST STUART (FL. 1889-1919), BRITISH

FISHERFOLK ON SHORE, 1873

SHIPS ON A STORMY SEA

... EVENING TIDE, NORTH BERWICK

Oil on canvasboard; signed and dated 1873 lower left 6.75 x 13 in — 17.1 x 33 cm

Watercolour on paper; signed lower right Sight 14.75 x 20.75 in — 37.5 x 52.7 cm

Watercolour on paper; signed lower right, titled to label verso Sight 10.25 x 30.5 in — 26 x 77.5 cm

$200 — 300

PROVENANCE:

PROVENANCE:

McDowell Gallery, Toronto label verso

Estate Collection, Toronto

$400 — 600

$200 — 300

91

92

93

CHARLES EDWARD DIXON (1872-1934), BRITISH

WILLIAM RAYMOND DOMMERSEN (1859-1927), DUTCH/BRITISH

***COOKE (19TH/20TH CENTURY), BRITISH

SHIPPING NEAR ITCHENOR, 1898

THE ZUYDER ZEE, HOLLAND, 1890

Watercolour on paperboard; signed and dated 98 lower left, inscribed verso Sheet 7 x 10 in — 17.8 x 25.4 cm

Oil on canvas; signed and dated 1890 lower right, titled and dated 1890 to the frame; inscribed “Dommersen” in pencil to the stretcher 11.25 x 15.25 in — 28.6 x 38.7 cm

FISHERMAN WORKING AT HIS HUT ON THE COAST

PROVENANCE:

Gifted to the father of a family directly from the artist (who painted at Itchenor”) inscribed to the verso

Oil on canvas; signed “Cooke” lower left 16 x 18 in — 40.6 x 45.7 cm $300 — 400

$1,000 — 1,500

$700 — 900

94

95

96

GUSTAVE DE BREANSKI (CIRCA 1856-1898), BRITISH

HENRY FOLEY (1848-1874), BRITISH

TOMSON LAING (ACTIVE 1890-1904), BRITISH

FISHING BOATS NEARING A LIGHTHOUSE

Oil on canvas laid down to masonite board; inscribed “H. Foley”, titled and dated “64” in black marker to the masonite verso 16 x 20 in — 40.6 x 50.8 cm

DIGGING FOR PEAT WITH FISHERMEN WORKING ON SHORE

$300 — 500

$600 — 900

Oil on canvas; signed lower right 24 x 36 in — 61 x 91.4 cm PROVENANCE:

See website for full catalogue details $1,500 — 2,000

WEST BOW. EDINBURGH, 1864

Oil on canvas; signed lower left 18.5 x 30 in — 47 x 76.2 cm

97

98

99

ANNA E. (BLUNDEN) MARTINO (1829–1915), BRITISH

PAUL FALCONER POOLE (1807-1879), BRITISH

ALFRED AUGUSTUS GLENDENING SR. (1840-1910), BRITISH

LUCERNE, 1868

THE FISHER GIRL, 1861

LOW TIDE, 1868

Oil on canvas; signed Anna Blunden and dated 1868 lower right, titled to the nameplate 13.25 x 19 in — 33.7 x 48.3 cm

Oil on canvas; signed and dated 1861 lower left, given to the artist and titled to the old nameplate 17.5 x 14 in — 44.5 x 35.6 cm

Oil on canvas; signed with initials “AAG” and dated 68 lower right 8 x 14.75 in — 20.3 x 37.5 cm

PROVENANCE:

With Frederick W. Thom gallery, Toronto, partial label verso

$400 — 600

$400 — 600

PROVENANCE:

Fall 2003 Auction, Calgary partial label to the stretcher $1,200 — 1,800

100

101

102

HENRY YEEND KING (1855-1924), BRITISH

THOMAS R. HUSON (1844-1920), BRITISH

ALBERT DUNINGTON (1860-1941), BRITISH

A MILL STREAM

IN WYREDALE

LOCH LOMOND

Oil on board; signed lower left, titled to a typeset label to the frame verso 8 x 12 in — 20.3 x 30.5 cm

Oil on canvas; signed lower left, signed “Thos.

Huson R.I.” at Northcote, Waterloo near Liverpool” and titled verso 23 x 35 in — 58.4 x 88.9 cm

Oil on canvas; signed lower left, dated? 99? lower right, titled verso 10 x 18 in — 25.4 x 45.7 cm

PROVENANCE:

See website for full catalogue details

PROVENANCE:

See website for full catalogue details $300 — 400

$1,000 — 1,500

$300 — 500

103

104

105

BERTRAM WALTER PRIESTMAN (1868–1951), BRITISH

ROBERT MACAULAY STEVENSON (1854-1952), SCOTTISH

SAMUEL PROUT (1783–1852), BRITISH

PASTORAL WITH A STREAM AND COWS RESTING

EVENING LANDSCAPE WITH HAYFIELDS AND A WOMAN HERDING A COW HOMEWARDS, 1886

Watercolour 8 x 10 in — 20.3 x 25.4 cm

Oil on canvas; signed and dated 1886 lower right 18 x 30 in — 45.7 x 76.2 cm

PROVENANCE:

Oil on canvas; signed lower right 14 x 18 in — 35.6 x 45.7 cm $400 — 600

PROVENANCE:

Private Collection, Carleton Place, ON

A BEACHED HULK AFTER A STORM

Christie’s June 10, 1969, lot 117 as “A Beached Hulk After a Storm”, the catalogue entry adhered to the verso backing; Private Collection, Toronto $600 — 800

$800 — 1,200

106

107

108

ALBERT POLLITT (1865-1926), BRITISH

UNIDENTIFIED (19TH CENTURY), EUROPEAN/BRITISH

JAMES BAKER PYNE (1800-1870), BRITISH

ISTANBUL FROM THE SEA OF MARMARA - COTE D’OR (WITH HAGA SOPHIA AND THE MOSQUE OF SULTAN AHMEB I), CIRCA 1870

PALESTINE, 1841

COASTAL WITH FIGURE AND FISHING BOATS AT LOW TIDE, 1901 Watercolour; signed and dated 1901 lower right Sight 10.25 x 17 in — 26 x 43.2 cm $100 — 150

PRE-RAPHAELITE SCHOOL, BRITISH? A COURT JESTER, CARRYING A MAROTTE Sheet 11.5 x 17.5 in — 29.2 x 44.5 cm; 16.5 x 10.5 in — 41.9 x 26.7 cm PROVENANCE:

See website for full catalogue details $300 — 400

Watercolour on paper; signed, titled and dated 1841 at Palestine lower right Sight 8.5 x 14.5 in — 21.6 x 36.8 cm $200 — 400

109

110

111

GEORGE CATTERMOLE (1800–1868), BRITISH

JOHN LEECH (1817-1864), BRITISH

WILLIAM HENRY HUNT (1790-1864), BRITISH

HISTORIC SCENE WITH SPANISH SOLDIERS

CARICATURES (HEAD STUDIES: AVIATOR; FAT MAN; DOG’S HEAD; HORSE AND RIDER, MAN IN HAT AND OTHERS)

Watercolour on paper laid down to cardboard; signed lower right Sheet 13.5 x 19.75 in — 34.3 x 50.2 cm

Pencil sketches on paper; signed with initials lower right Sight 10.5 x 8.5 in — 26.7 x 21.6 cm

$200 — 300

PORTRAIT OF A LADY, UNKNOWN; PORTRAIT (WOMAN WITH LONG RED HAIR)

See website for full catalogue details

Pair of watercolours on paper; each signed “W. Hunt” lower left, each inscribed to gallery labels and to the backings verso Sight 7.5 x 5.5 in — 19.1 x 14 cm; 7.25 x 6 in — 18.4 x 15.2 cm

$300 — 400

PROVENANCE:

PROVENANCE:

Canadian Art Galleries, Calgary, Alberta $700 — 900

112

113

114

MARIANNE STOKES (1855-1927), AUSTRIAN/BRITISH

DAVID COX THE YOUNGER (1808-1885), BRITISH

CIRCLE OF EDWARD LEAR (1812-1888), BRITISH

TWO EDWARDIAN RED-HAIRED BEAUTIES: A PROFILE LOOKING LEFT WITH ROSES; A PROFILE LOOKING RIGHT WITH ROSES

RUINS IN A LANDSCAPE

MONASTERY? IN GREECE; FARMHOUSES WITH RED ROOFS; FARMHOUSE BACKYARD; BEACHED BOAT BY THE SEA

Pair of watercolours, each sculpted tondos; the first signed “M. Stokes” lower right, the second signed with initials “M.S.” lower left Diameter, sight each approximately 19 x 19 in — 48.3 x 48.3 cm; 15.5 in — 39.4 cm PROVENANCE:

See website for full catalogue details $1,200 — 1,800

Watercolour; signed “... Cox Junior” lower left Sheet 13.75 x 21 in — 34.9 x 53.3 cm PROVENANCE:

Private Collection, Perth, ON $500 — 700

Four watercolours; one signed with initial monogram lower right. Each unframed.

Each 7.9 x 11 in — 20 x 28 cm; 7.8 x 11.2 in — 19.7 x 28.4 cm; 6.9 x 9.8 in — 17.6 x 25 cm; 6.1 x 9.7 in — 15.4 x 24.6 cm $400 — 600

115

116

117

ROBERT ANGELO KITTERMASTER MARSHALL (1849-1926), BRITISH

E. LEWIS (19TH CENTURY), BRITISH

JULIAN E. DRUMMOND (1824-1906), BRITISH

NEAR HEATHFIELD, SUSSEX Watercolour; signed lower left, signed and titled to label verso Sight 13.5 x 20.5 in — 34.3 x 52.1 cm PROVENANCE:

See website for full catalogue details $400 — 600

MEDIEVAL ARCHWAY TO VILLAGE LANE AND TOWNSFOLK Watercolour; signed lower left Together with: MANNER OF E. LEWIS (19TH CENTURY), BRITISH CATHEDRAL TOWN SCENE Watercolour; unsigned.

Sight 10 x 14 in — 25.4 x 35.6 cm; 12 x 8.5 in — 30.5 x 21.6 cm

AQUEDUCT AND COASTAL COTTAGES AT WHITBY, 1904 Watercolour; signed and dated 1904 lower left Sight 10.25 x 14.75 in — 26 x 37.5 cm PROVENANCE:

The Alice Peck Gallery, Burlington, ON label verso $200 — 300

$200 — 300

118

119

120

JOHN TERRIS (1865-1914), SCOTTISH

HENRY EDWARD TIDMARSH (1880-1927), BRITISH

ATTRIBUTED TO HENRY CHARLES FOX (1860-1925), BRITISH

ST. BARTHOLOMEWS; HENRY VIII GATE, 1899

ACROSS THE MOOR CHOBHAM, 1892

VILLAGE OF BARFORD, STRATFORDUPON-AVON, CIRCA 1887 Watercolour; signed lower right, titled and dated 1887 to label verso Sight 17.25 x 11.25 in — 43.8 x 28.6 cm PROVENANCE:

Two watercolours; both signed and dated 1899 lower right Each sight 10.7 x 15.25 in — 27.2 x 38.7 cm

See website for full catalogue details

PROVENANCE:

$300 — 400

See website for full catalogue details $600 — 900

Watercolour; signed indistinctly lower left, dated /92 lower left, titled verso Sheet 15.5 x 26 in — 39.4 x 66 cm PROVENANCE:

W. Scott & Sons, Montreal gallery label verso; Prominent Collection, Montreal $300 — 500

121

122

123

CECIL ARTHUR HUNT (1873-1965), BRITISH

WILLIAM JOSEPH WADHAM (1863-1950), BRITISH

DAVID COX THE YOUNGER (1808-1885), BRITISH

VISTA WITH CITY RUIN ON MOUNTAIN TOP

RIVER LANDSCAPE WITH WATERFALL, 1912

HERDING THE FLOCK

Watercolour; signed and dated 12 lower left Sight 17.25 x 29.25 in — 43.8 x 74.3 cm

Watercolour with pencil sketching lines on paper laid down to cardboard. Unsigned.

Sheet 19.4 x 27.2 in — 49.3 x 69 cm

Watercolour over pencil sketching lines; signed “C.A. Hunt” lower right Sight 14 x 21.5 in — 35.6 x 54.6 cm

$400 — 600

PROVENANCE:

$400 — 600

Private Collection, Perth, ON $700 — 900

124

125

126

CHARLES E. HANNAFORD (1863-1955), BRITISH

J.R. EDWARDS (19TH/20TH CENTURY), BRITISH

CLAUDE ALLIN SHEPPERSON (1867-1921), BRITISH

GLENGARRY, INVERNESS- SHIRE, SCOTLAND

CHILDREN PLAYING OUTSIDE COTTAGES ON WASHDAY, WHITBY, 1922

17 LANDSCAPE MINIATURES IN FOUR FRAMES, CIRCA 1905

Watercolour; signed and titled lower left Sight 17.5 x 27 in — 44.5 x 68.6 cm

Watercolour; signed and dated 1922 lower right Sight 14 x 10 in — 35.6 x 25.4 cm

$400 — 600

$200 — 300

Seventeen miniatures: 12 watercolours, three watercolours en grisaille, and two pencil sketches; on paper and on watercolour board; 15 signed (12 signed with initials CAS), one titled, one with colour annotations Largest/smallest 4 x 5 in — 10.2 x 12.7 cm; 2 x 1.25 in — 5.1 x 3.2 cm $300 — 500

127

128

129

EDMUND MORRIS WIMPERIS (1835-1900), BRITISH

MISS MADELINE BAGSHAW (EXHIBITED 1924-1928), BRITISH

THOMAS NICHOLSON TYNDALE (1860-1930), BRITISH

COMING FROM THE STUBBLEFIELD

AN ENGLISH COUNTRY VILLAGE

COTTAGE GARDEN WITH HOLLYHOCKS

Watercolour; signed with initials “EMW” lower left, titled to the matboard Sight 11.25 x 18 in — 28.6 x 45.7 cm

Watercolour; signed “M. Bagshaw” lower right, titled verso Sight 19.75 x 36.5 in — 50.2 x 92.7 cm

Watercolour; signed lower right Sight 8.5 x 12.75 in — 21.6 x 32.4 cm

PROVENANCE:

$150 — 250

$500 — 700

See website for full catalogue details $200 — 300

130

131

132

FRANTISEK KUPKA (1871-1957), CZECH

FRANTISEK KUPKA (1871-1957), CZECH

DRAPED FEMALE FIGURE, CIRCA 19021903

STUDY FOR “ARISTOPHANES LYSISTRATA”, CIRCA 1905-1906

TAVIK FRANTISEK SIMON (1877-1942), CZECH

Pencil drawing; signed “Kupka” in red pencil lower right, stamped signature in red ink lower left, dated circa 1902-03 to gallery label verso backing 12 x 8.9 in — 30.5 x 22.5 cm

Pencil drawing; stamped signature “Kupka” in red ink lower right, titled to the typed Kaspar Gallery label verso backing Approximatley 11.9 x 9 in — 30.2 x 22.8 cm

PROVENANCE:

See website for full catalogue details

See website for full catalogue details $700 — 900

PROVENANCE: LITERATURE:

See website for full catalogue details $600 — 900

BOATS IN A HARBOUR Oil on canvas; signed T.F. Simon lower right 21.25 x 29 in — 54 x 73.7 cm PROVENANCE:

Private Collection, Aurora, ON $2,000 — 3,000

133

134

135

ATTRIBUTED TO THÉODORE ROUSSEAU (1812 - 1867), FRENCH

JULIETTE PEYROL BONHEUR (1830–1891), FRENCH

JEAN RICHARD GOUBIE (1842-1899), FRENCH

DEER IN A FIELD

LAMBS RESTING IN A FEILD

TWO HORSES IN PASTURE

Probably “peinture à l’essence” (oil paint drained of its excess oil and then thinned down with turpentine) on panel; bears signature “TH. Rousseau” in black paint lower left 6.3 x 9.1 in — 16 x 23 cm

Oil on canvas; signed “Peyrol Bonheur” lower left 12.5 x 16 in — 31.8 x 40.6 cm

Oil on canvas; signed lower left 11 x 14 in — 27.9 x 35.6 cm $1,200 — 1,800

$1,000 — 1,500

PROVENANCE:

See website for full catalogue details

136

137

138

LÉON GERMAIN PELOUSE (1838-1891), FRENCH

EDMOND MARIE PETITJEAN (1844-1925), FRENCH

G. LAURENT (19TH/20TH CENTURY), FRENCH

COUNTRY SCENE

VILLAGE HOUSES WITH WASHERWOMEN

BY A RIVER

WASHING DAY, BRITTANY

Oil on canvas laid down on board; signed lower right 26 x 37 in — 66 x 94 cm PROVENANCE:

See website for full catalogue details $3,000 — 4,000

Oil on canvas; signed lower left 19.5 x 27 in — 49.5 x 68.6 cm

Oil on canvas; signed “G. Laurent” lower left, titled to the nameplate 15 x 21.75 in — 38.1 x 55.2 cm

$2,000 — 3,000

$700 — 900

139

140

141

LOUIS MARIE LEMAIRE (1824 –1910), FRENCH

MARTINUS ANTONIUS KUYTENBROUWER THE YOUNGER (1821 - 1897), DUTCH/FRENCH

MANNER OF PIERRE LE BOEUFF (1899-1920), FRENCH

Oil on canvas; signed lower right 12 x 16 in — 30.5 x 40.6 cm

DANS LES ROCHERS - (FONTAINEBLEAU) (AMONG THE ROCKS - FONTAINEBLEAU), 1863

Oil on canvas 14 x 10 in — 35.6 x 25.4 cm

PROVENANCE:

Gouache and watercolour on thick paper; signed Martinus and dated 1863 lower right, Sheet 21.25 x 27 in — 54 x 68.6 cm

CHICKS IN THE YARD

The Roberts Art Gallery, Toronto old label to the backboard verso $800 — 1,200

CONTINENTAL TOWN SCENE

$600 — 800

PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

142

143

144

MAX SILBERT (1871-1937), FRENCH

MAX SILBERT (1871-1930), FRENCH

L’HISTOIRE

EPLUCHEUSES DE LÉGUMES (THE VEGETABLE PEELERS)

MARIUS HUBERT-ROBERT (1885-1966), FRENCH

Oil on canvas; signed lower right, titled in pencil to the stretcher 21.5 x 18 in — 54.6 x 45.7 cm $800 — 1,000

A FRENCH STREET IN PERIGORD

Oil on panel; signed lower right, titled and inscribed “Painted in France” verso 13.75 x 10.5 in — 34.9 x 26.7 cm

Oil on canvas; signed lower left, titled in pencil to the stretcher 24 x 18 in — 61 x 45.7 cm

PROVENANCE:

PROVENANCE:

With Frederick Thom Gallery, Toronto label verso; Estate Collection, Toronto

Private Collection of B.F. Baker as reported by the consignor’s family

$500 — 700

$500 — 700

145

146

147

MARIUS HUBERT-ROBERT (1885-1966), FRENCH

ÉTIENNE PROSPER BERNE-BELLECOEUR (1838-1910), FRENCH

ADOLPHE ALEXANDRE LESREL (1839-1929), FRENCH

THREE MILITARY SCENES: THE PICKET; A QUIET MOMENT; LIGHTING UP, 1908

Oil on canvas; signed lower right 10 x 7.5 in — 25.4 x 19.1 cm

LANDSCAPE IN TOURAINE, FRANCE Oil on canvas on old masonite board; signed lower right 24 x 18 in — 61 x 45.7 cm PROVENANCE:

Private Collection of B.F. Baker as reported by the consignor’s family $500 — 700

Oil on cradled panel; signed and dated 1908 lower right 14.6 x 10.2 in — 37.2 x 26 cm; 14.5 x 10.25 in — 36.8 x 26 cm; 14.5 x 10.5 in — 36.8 x 26.7 cm

IN THE GUARD ROOM

PROVENANCE:

See website for full catalogue details $1,500 — 2,000

PROVENANCE:

See website for full catalogue details $4,000 — 6,000

148

149

149A

ATTRIBUTED TO EUGÈNE-ADALBERT CUVELIER (1837-1900), FRENCH

FOLLOWER OF FELIX ZIEM (1821-1911), FRENCH

JACQUES MARTIN-FERRIÈRES (1893-1972), FRENCH

CAVALRY ADVANCE, 1871

VENICE, LOOKING TOWARDS SAN MARCO

VENICE

Oil on board; signed with conjoined 2nd and last initials and dated 1871 lower right, inscribed “The Artists Brigade” in pen and ink verso 7.25 x 10.75 in — 18.4 x 27.3 cm

Oil on panel; signed lower right 18.5 x 26.75 in — 47 x 67.9 cm PROVENANCE:

See website for full catalogue details

Collection of Dr. and Mrs. J. Robert Nicholson, London, ON

$600 — 800

$1,000 — 1,500

PROVENANCE:

Oil on canvas; signed lower right 21 x 27.5 in — 53.3 x 69.9 cm $800 — 1,200

150

151

152

MICHEL RICHARD-PUTZ (1868-1934), BELGIAN/FRENCH

MANNER OF VICTORIA DUBOURG FANTIN-LATOUR (1840–1926), FRENCH

CONTINENTAL SCHOOL (19TH/20TH CENTURY)

PORTRAIT D’ÉDOUARD JABLONSKI PROFESSOR DU LYCÉE SAINT LOUIS, PARIS, CIRCA 1905

SUMMER CHRYSANTHEMUMS IN A GLASS VASE

FIGURE WITH CAMEL IN THE EGYPTIAN DESERT, THE GREAT PYRAMIDS OF GIZA IN THE BACKGOUND

Oil on canvas; signed lower left, titled in pencil to the stretcher 25.75 x 21.25 in — 65.4 x 54 cm PROVENANCE:

Private Collection, Montreal, QC

Oil on canvas 17.25 x 14 in — 43.8 x 35.6 cm PROVENANCE:

Senator R. Davies collection inscribed verso; Estate Collection, Kingston, ON

Oil on canvas; signed with monogram lower left 15 x 24 in — 38.1 x 61 cm $800 — 1,200

$1,000 — 1,500

$800 — 1,200

153

155

156

HENRI LEMAIRE (1897-1949), FRENCH

JEAN HIPPOLYTE MARCHAND (1883-1940), FRENCH

NIBLO? (19TH/20TH CENTURY), FRENCH

THE CONVERSATION

PAYSAGE AU MARINE

Pencil and black crayon drawing on thin paper; Atelier stamp lower left, titled to gallery label and to the provenance label verso backing 12.8 x 9.8 in — 32.5 x 25 cm

Oil on panel; signed indistinctly lower right, titled in pen and ink to old label verso 6 x 8.25 in — 15.2 x 21 cm

PROVENANCE:

Mackenzie & Co., Toronto gallery label verso: Estate Collection, Kingston, ON

ARAB GATE Oil on canvas; signed “H. LE MAIRE” lower right 14 x 10.75 in — 35.6 x 27.3 cm PROVENANCE:

Private Collection, Carleton Place, ON $300 — 400

See website for full catalogue details $600 — 900

PROVENANCE:

$300 — 500

157

158

159

FERNAND BOILAUGES (1891 -), FRENCH

FERNAND BOILAUGES (1891 -), FRENCH

19TH CENTURY GERMAN SCHOOL

AUX CAVES DE BOURGOGNE

BOUCHERIE CHARCUTERIE

Oil on panel; signed lower right 12.5 x 21 in — 31.8 x 53.3 cm

Oil on panel; signed lower right 13 x 21.5 in — 33 x 54.6 cm

PAIR: STILL LIFE OF FLOWERS WITH TULIPS ON A LEDGE

$500 — 700

$500 — 700

Pair of oils on canvas. Unsigned.

Each 16 x 11.75 in — 40.6 x 29.8 cm PROVENANCE:

Kunsthandlung Adolf Wild, Lahr, Germany; From whom purchased by the present Private Collection, Toronto $300 — 500

160

161

162

AFTER FELIX SCHLESINGER (1833-1910), GERMAN

AUGUST VON SIEGEN (1850-1910), GERMAN

JULIUS SCHRAG (1864-1948), GERMAN

CHILDREN PLAYING WITH RABBITS

STREET MARKET IN CAIRO

Oil on panel; bears signature “F. Schlesinger” (skinned) lower right, initialed “G.C.N.” in black ink verso, the possible artist 7 x 10.75 in — 17.8 x 27.3 cm

Oil on canvas laid down on masonite; signed “Aug. Siegen” lower right 38.75 x 56 in — 98.4 x 142.2 cm

Oil on board; signed at München lower right, titled “Kanaal in Leeuwarden” to partial label verso 13.5 x 17.5 in — 34.3 x 44.5 cm

PROVENANCE:

Estate Collection, Tiny, ON

Haynes Art Gallery, Toronto label verso; Private Collection, Toronto

$3,000 — 4,000

$300 — 400

PROVENANCE:

KANAAL IN LEEUWARDEN

$400 — 600

163

164

165

LUDWIG (LOUIS) NEUBERT (1846-1892), GERMAN

MAX SCHOLZ (1855-1906), GERMAN

BERND (BERNHARD) FUNKE (1902-1988), GERMAN

RURAL HOMESTEAD ON THE HORIZON WITH STORM CLOUDS Oil on canvas; signed lower right 16 x 32 in — 40.6 x 81.3 cm

Oil on panel; signed at “Munchen” lower right, titled and numbered #160 to a typed label verso 13.25 x 10 in — 33.7 x 25.4 cm

THREE GERMAN PORTRAITS OF COUNTRYMEN: DER BERG BAUER, 1969 (MAN IN A FEATHER HAT); MAN IN A STRAW HAT, 1967; MAN IN A TYROLEAN HAT, 1969

PROVENANCE:

PROVENANCE:

See website for full catalogue details

“Christies P” stamp to panel verso; Estate Collection, Toronto

Three oils on board; each signed upper left, and dated 1967 or 1969 Each 12 x 9.75 in — 30.5 x 24.8 cm

$700 — 900

THE THREE FAVOURITES

$500 — 700

PROVENANCE:

See website for full catalogue details $600 — 800

166

167

168

HENRY MUHRMAN (1854–1916), AMERICAN/GERMAN

ALBERT SPETHMANN (1894-1986), GERMAN

GÉZA PESKE (1859-1934), HUNGARIAN

WOMAN WORKING THE FIELDS

ISARTAL BEI LENGGRIES (VALLEY OF THE ISAR RIVER), 1946

Colour pastel on paper wrapped on card, the left side of the composition is wider than the given size as the sheet extends around to the back as well as the top edge about 1 inch; signed lower right 8 x 8 in — 20.3 x 20.3 cm $300 — 500

Oil on panel;, signed and dated 1946 lower right, signed, titled and dated 1946 in pencil verso, with an inscribed label in German certifying the work, dated 21.7.54 verso and with a typed label in German and a newspaper clipping in German adhered to the verso 12.5 x 21.25 in — 31.8 x 54 cm $300 — 500

HUNGARIAN FARMER STANDING IN A FIELD NEAR THE WELL Oil on canvas with a board between the relined canvas; inscribed “Geza Peske” in pen and ink to an unknown label verso 11.5 x 9 in — 29.2 x 22.9 cm $200 — 300

169

170

171

IMRE REVESZ (1859-1945), HUNGARIAN

J. CZÉGÁNY (20TH CENTURY), HUNGARIAN

FILIPPO INDONI (C.1842-1908), ITALIAN

PEASANT FAMILY AWAITING THE NEWS Oil on canvas; signed lower right 29.5 x 37.5 in — 74.9 x 95.3 cm $800 — 1,200

GRAND CANAL TOWARDS SAN GEREMIA, VENICE Oil on canvas; signed indistinctly “Czégány, J” (?) lower left 23 x 19 in — 58.4 x 48.3 cm

YOUNG HARVESTERS DANCING ON ROUTE Oil on canvas laid down on masonite; signed at Roma lower right 31.5 x 20.5 in — 80 x 52.1 cm $700 — 900

PROVENANCE:

See website for full catalogue details $200 — 300

172

173

174

RODOLFO AGRESTI (19TH CENTURY), ITALIAN

EDUARDO FORLENZA (1861-1934), ITALIAN

ANTONIO ENRICO FIORENTINO (1894-C.1968), ITALIAN

THE YOUNG ARTIST PAINTING GRANDPA

GIRL WITH HEADSCARF

PEASANT IN AN ORANGE HAT

Oil on canvas; signed lower left 22.5 x 31 in — 57.2 x 78.7 cm

Oil on canvasboard; signed “Forlenza” lower right 17 x 11.25 in — 43.2 x 28.6 cm

Watercolour; signed lower right 13 x 10 in — 33 x 25.4 cm

$600 — 800

$200 — 300

PROVENANCE:

With John R. Thompson, framer, Hamilton, ON label verso; The Estate of Adolph Rolin, Toronto $200 — 300

175

176

177

FRANK CATANO (19TH/20TH CENTURY), ITALIAN

OSCAR RICCIARDI (1864-1935), ITALIAN

ONORATO CARLANDI (1848–1939), ITALIAN

MARKET SCENE WITH MOSQUE, CAIRO

Oil on canvas; signed “Ricciardi” lower left 16 x 10 in — 40.6 x 25.4 cm

VIEW OF NAPLES HARBOUR WITH MT. VESUVIUS IN DISTANCE

$500 — 700

Oil on canvasboard; signed lower left 6.3 x 15.5 in — 16 x 39.4 cm

Watercolour; signed lower right 26 x 18 in — 66 x 45.7 cm

ITALIAN MARKET SCENE

$300 — 500

PROVENANCE:

See website for full catalogue details $700 — 900

178

179

180

VIRGILIO RIPARI (1843-1902), ITALIAN

SPANISH SCHOOL (19TH/20TH CENTURY)

ATTRIBUTED TO IGNACIO ZULOAGA Y ZABALETA (1870–1945), SPANISH

EL NENE (AN OLD MAN IN A HAT WITH A CANE FROM ONE OF THE VILLAGES IN SPAIN)

SOUVENIR A MARIA

GONDALIER AT VENICE OIl on canvas; signed “Ripari” lower right 12 x 24 in — 30.5 x 61 cm $500 — 700

Oil on canvas. Unsigned.

66 x 28.25 in — 167.6 x 71.8 cm PROVENANCE:

See website for full catalogue details $500 — 900

Colour pastel on grey coloured paper; signed and annotated “Souvenir a Maria” lower left Sight 24 x 18 in — 61 x 45.7 cm PROVENANCE:

Gonzalez, Madrid, Sevilla, Huelva label verso backing; Estate Collection, Montreal $1,000 — 1,500

181

182

183

MANNER OF ALFRED VON WIERUSZKOWALSKI (ALSO KNOWN AS JAN KONARSKI) (1849-1915), POLISH

ZYGMUNT JÓZEFCZYK (1881–1966), POLISH

CZESLAW WASILEWSKI (ALSO KNOWN AS IGNACY ZYGMUNTOWICZ) (C.1875-1947), POLISH

FALLEN COSSAK IN SNOW AFTER THE BATTLE (RETREAT FROM MOSCOW?)

Oil on board; signed lower right 23 x 43 in — 58.4 x 109.2 cm

Oil on canvas; signed with indistinct initials “A.K.”/ (”R.K.”)? and dated 1849 lower right 14.5 x 19.5 in — 36.8 x 49.5 cm

HORSE CARTS IN THE WINTER

$800 — 1,200

HORSE DRAWN WAGON IN WINTER Oil on card; signed “C. Wasilewski” lower right 5.5 x 7 in — 14 x 17.8 cm $400 — 600

PROVENANCE:

See website for full catalogue details $1,000 — 1,500

184

185

186

TADEUSZ KOWALSKI (19TH/20TH CENTURY), POLISH

POLISH SCHOOL (19TH/20TH CENTURY)

HORSE DRAWN CART ON A GREY DAY

COSSACK TROOPS CROSSING A FROZEN STREAM

LEOPOLD FRANZ (FRANCOIS) KOWALSKY (KOWALSKI) (1856-1931), RUSSIAN/ FRENCH

Oil on card; signed “Tad. Kowalski” lower left 4.6 x 6.5 in — 11.6 x 16.5 cm $200 — 300

Oil on canvas; inscribed initials “S.G.” in back paint verso, inscribed indistinctly in pencil verso 17.75 x 22.25 in — 45.1 x 56.5 cm $300 — 500

MAIDEN AND LAMBS IN A SUNLIT GLADE Oil on canvas; signed lower right 24.25 x 18 in — 61.6 x 45.7 cm $1,000 — 2,000

187 PETR IVANOVICH LVOV (1882–1944), RUSSIAN KUNDERSTEG (SWITZERLAND) Oil on canvas; signed lower right, titled to the stretcher 19.5 x 31 in — 49.5 x 78.7 cm PROVENANCE:

Estate Collection Innisfil, Ontario $600 — 800

Artist Index A Agresti, Rodolfo (172) Aitken, John Ernest (86) Arnegger, Gottfried (7) B Bagshaw, Miss Madeline (128) Barker, John (40, 41) Bates, David (51) Berne-Bellecoeur, Étienne Prosper (146) Bisschop, Attributed to Christoffel (15) Boehme, Eduard (1) Boeuff, Manner of Pierre Le (141) Boilauges, Fernand (157, 158) Bonheur, Julie!e Peyrol (134) Bouter, Cornelis (23) Breanski, Gustave de (94) Bréanski, Alfred Jr, Fontville de (58) Breanski, Alfred Snr (59, 60) Breitner, George Hendrik (30) British, 19th Century (43) Buchanan, George F. (47) Burgess, John Bagnold (69) C Calvert, Frederick (49) Carlandi, Onorato (177) Carpentero, Henri Joseph Gommarus (14) Catano, Frank (175) Cattermole, George (109) Cole, George (44) Cole, George Vicat (37) Colkett, Samuel David (57) Continental School (152) Cooke, *** (93) Cowen, Lionel J. (81) Creswick, Thomas (36) Crome, John Berney (35) Crome, John the Elder (33)

Cuvelier, Attributed to Eugène-Adalbert (148) Czégány, J. (170) D Dekker, Henk (13) Delage, Pierre (79) Dietmans, O. (6) Dixon, Charles Edward (91) Dogarth, Oskar Rudolph (2) Dommersen, William Raymond (92) Driesten, Arend Jan Van (21) Drummond, Julian E. (117) Dunington, Albert (102) Dutch School (12) E Edwards, J.R. (125) Engl, Hugo (5) F Faed, Attributed to John (72) Fantin-Latour, Victoria Dubourg, Manner of (151) Fiorentino, Antonio Enrico (174) Foley, Henry (95) Forlenza, Eduardo (173) Fox, Attributed to Henry Charles (120) Francis, Thomas Edward (48) Franz, Leopold (186) Funke, Bernd (Bernhard) (165) G Gadsch, P. ? (3) Garland, Thomas Valentine (74) German School, 19th Century (159) Glendening, Alfred Augustus Sr. (99) Gorter, Arnold Marc (22) Goubie, Jean Richard (135)

H Hannaford, Charles E. (124) Hardy, Thomas Bush (87, 88) Herkomer, Sir Hubert von (73) Hobson, Henry E. (83) Holland, James (38) Hoogeweegen, Henri (28) Hubert-Robert, Marius (144, 145) Hulk, Abraham, Attributed to the Elder (8) Hunt, Cecil Arthur (121) Hunt, William Henry (111) Hurt, Louis Bosworth (56) Huson, Thomas R. (101) I/J Indoni, Filippo (171) Jansen, Willem George Frederik (26) Józefczyk, Zygmunt (182) K Kever, Jacob Simon Hendrik (25) King, Henry Yeend (100) Kowalski, Tadeusz (184) Kupka, Frantisek (130, 131) Kuytenbrouwer, Martinus Antonius the younger (140) L Laing, Tomson (96) Laurent, G. (138) Lear, Circle of Edward (114) Leech, John (110) Lemaire, Henri (153) Lemaire, Louis Marie (139) Lesrel, Adolphe Alexandre (147) Leurs, Johannes Karel (19) Lewis, E. (116) Linnell, Attributed to John (32) Luny, Attributed to Thomas (85) Lvov, Petr Ivanovich (187)

M Macnee, Robert Russell (71) Maidment, Henry (65) Marchand, Jean Hippolyte (155) Marshall, Robert Angelo Kittermaster (115) Martin-Ferrières, Jacques (149A) Martino, Anna E. (Blunden) (97) McBride, William (62) McGhie, John (77) Mellor, William (46) Moffat, John Fred (45) Moore, Henry (82) Morris, William Walker (42) Morton, George (75) Mottram, Charles (89) Muhrman, Henry (166) Müller, ** (4) Musin, François-Étienne (10) N/O Nasmyth, Circle of Alexander (34) Neubert, Ludwig (Louis) (163) Newton, Gilbert Stuart (68) Niblo, ? (156) Os, Follower of Jan Van (17) P Passmore, Louis (63) Paulman, Joseph (64) Pelouse, Léon Germain (136) Peske, Géza (168) Petitjean, Edmond Marie (137) Pitt, William (39) Polish School (185) Pollitt, Albert (106) Poole, Paul Falconer (98) Priestman, Bertram Walter (103) Prout, Samuel (105) Pyne, James Baker (108)

R Revesz, Imre (169) Rhys, Oliver (70) Ricciardi, Oscar (176) Richard-Putz, Michel (150) Ripari, Virgilio (178) Röling, Gerard Victor Alphons (29) Rousseau, Attributed to Théodore (133) Rust, Johann Adolph (9) S Scherrewitz, Johan Frederik Cornelis (27) Schlesinger, After Felix (160) Scholz, Max (164) Schotel, Anthonie Pieter (11) Schrag, Julius (162) Shayer, Attributed to Charles (54) Shayer, Attributed to William Snr. (52) Shayer, Henry & Charles (55) Shayer, Manner of Charles (53) Shepperson, Claude Allin (126) Siegen, August von (161) Silbert, Max (143, 142) Simon, Tavik Frantisek (132) Smythe, Lionel Percy (66) Spethmann, Albert (167) Spanish School (179) Steelink, Willem (20) Stevenson, Robert Macaulay (104) Stokes, Marianne (112) Strang, William (76) Stuart, Ernest (90) Swaish, Frederick George (78) T Terris, John (118) Thors, Joseph (61) Tidmarsh, Henry Edward (119) Turner, George (50) Tyndale, Thomas Nicholson (129)

U Unidentified, 19th Century (107) V Vinck, Franz Kaspar Huibrecht (16) W Wadham, William Joseph (122) Walbourn, Ernest Charles (80) Wasilewski, Czeslaw (183) Weiland, Johannes (24) Wierusz-Kowalski, Manner of Alfred von (181) Wilkie, Atter Sir David (67) Wilson, Circle of Richard (31) Wilson, John (84) Wimperis, Edmund Morris (127) Wyngaerdt, Petrus Theodorus Van (18) Y Younger, David Cox the (113, 123) Z Zabaleta, Attributed to Ignacio Zuloaga y (180) Ziem, Follower of Felix (149)

Notes:

Fine Prints & Photography OCTOBER 26—31, 2019

HENRY MOORE Woman Holding Cat, 1949 [Cramer, 10] Estimate: $5,000—7,000

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca