No Blank Walls | June 25 - 30, 2022

No Blank Walls JU N E 25 — 3 0, 2 022

No Blank Walls JUNE 25 — 30, 2022

bid and view all lots online at www.waddingtons.ca on view Sunday, June 26 from 12pm to 4pm Monday, June 27 from 10am to 7pm

consignment coordinator Mark Gleberzon mjg@waddingtons.ca 416-489-6105

front cover

Lot 1 BARBARA MCGIVERN #62

front inside cover

Lot 24 JOAN SOUTER-ROBERTSON PORTRAIT OF YOUNG BOY, 1959

back inside cover Lot 48 ALEXANDER GORE

preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2

PARAMETERS OF BEAUTY, 2010

back cover

tel: 416-504-9100

Lot 15 HENRY MOORE

toll free: 1-877-504-5700

EXHIBITION POSTER, CURWEN GALLERY, 1983

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

1 BARBARA MCGIVERN (1945-2019), CANADIAN #62

Acrylic on paper laid down on canvas; signed and dated /95 lower left, estate stamp verso 10.25 ins x 7.1 ins; 26 cms x 18 cms; Framed 11.5 ins x 8.25 ins; 29.2 cms x 21 cms PROVENANCE:

Estate Collection, Toronto $100 — 150

2 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) SPIRIT OF THE LAND, SPIRIT OF THE WATER

stonecut; 1971; 14/32; Unframed 31 x 21.5 in — 78.7 x 54.6 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $200 — 400

3 ULAYU PINGWARTOK (1904-1978), KINNGAIT (CAPE DORSET) SURUSIIT PINGGUATUT

lithograph; 1976; 28/50; Unframed 20 x 25 in — 50.8 x 63.5 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $200 — 400

4 JOSEPH WOLF (1820-1899), GERMAN STERCORARIUS CATARRACTES

Colour lithograph on paper; handcoloured with letters by Bowen & Co. Lith & col. Philada.

Sight 16 ins x 20.4 ins; 40.6 cms x 51.8 cms; Framed 23.75 ins x 27.5 ins; 60.3 cms x 69.9 cms PROVENANCE:

Private Collection, Toronto $200 — 400

5 ARISTIDE MAILLOL (1861-1944), FRENCH FRONTISPIECE FOR POÉSIES DE PIERRE LOUŸS, 1926 (FROM THE BOOK EDITION)

Lithograph on laid paper; gallery/framer label verso Image 5.5 ins x 3.5 ins; 14 cms x 8.9 cms; Framed 13.25 ins x 11.2 ins; 33.7 cms x 28.4 cms PROVENANCE:

Gallery Schonberger, Kingston, ON label verso backing; Ritchie’s, Toronto, November 30, 2000, Lot 4219; From whom purchased by Douglas Creelman, Toronto with receipt; Dr. A. Lynne Beal, Toronto $400 — 600

6 UNIDENTIFIED (20TH CENTURY) GARDEN VIEW, 1987

Oil on masonite; indistinctly signed and dated /87 lower right, inscribed “GB 295” in pen verso 18.75 ins x 22.1 ins; 47.6 cms x 56.1 cms; Framed 26.4 ins x 30.1 ins; 67.1 cms x 76.5 cms PROVENANCE:

Private Collection, Montreal $150 — 250

7 CRIS ALEXANDER, (1920-2012), AMERICAN ANDY WARHOL, FRED HUGHES AND BOB COLACELLO IN A WASHROOM

Reproduction of an original photograph; signed and numbered 1/20 in pencil to margin. Unframed.

Image 15.9 ins x 19.5 ins; 46.4 cms x 61 cms PROVENANCE:

Private Collection, Toronto $100 — $150

8 ELISAPEE ISHULUTAQ (1925-2018), IQALUIT (FROBISHER BAY) ATAKTOO

stencil; 33/50; Unframed 18.5 x 24 in — 47 x 61 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $200 — 400

9 JOHANNES DU PLESSIS (B.1953), SOUTH AFRICAN BACCHANALIAN REVEL (TRIPTYCH)

Three oils on canvas; the last signed lower right, each inscribed with numbers indicating their order of hanging: “N1, N2, N3” in black marker verso. Unframed.

Each 41.3 ins x 41.3 ins; 105 cms x 105 cms PROVENANCE:

Private Collection, Ontario $600 — 800

10 JERZY LEONTIEW (1931-2011), POLISH THE GIRL AND BOY (FROM SERIES OF YOUTH), 1958

Colour monotype laid on backing paper; signed, dated /58 and inscribed in pencil to margin.

PROVENANCE:

With Man Fong Picture Framer Maker, Hong Kong label verso; Estate Collection, Toronto $150 — 250

11 GUY RODDON (1919-2006), BRITISH HOPFARM HAMPSHIRE

Watercolour on paper; signed and titled lower left.

Sight 12.5 ins x 9.5 ins; 31.8 cms x 24.1 cms; Framed 16.9 ins x 13.9 ins; 42.9 cms x 35.3 cms PROVENANCE:

David Messum Gallery, London label verso; Private Collection, British Columbia $200 — 300

12 JULIUSZ MAKOWSKI (B.1923), POLISH REBEKA

Oil on board; signed and dated /64 lower right, signed, titled and inscribed with artist’s address in black ink verso.

19.6 ins x 19.6 ins; 48.9 cms x 26 cms; Framed 28 ins x 28 ins; 71.1 cms x 71.1 cms PROVENANCE:

Estate Collection, Toronto $200 — 300

13 KELVIN SMITH (B.1961), CANADIAN STORMY SKIES, LITTLE TRINITY, 2011

Oil on panel; signed and dated lower left.

10 ins x 12 ins; 25.4 cms x 30.5 cms; Framed 18 ins x 20 ins; 45.7 cms x 50.8 cms PROVENANCE:

Roberts Gallery Limited, Toronto; Private Collection, Toronto $200 — 250

14 JANE ROY (20TH/21ST CENTURY), CANADIAN REMNANT OF EVERGREENS

Oil on birch panel; signed and titled verso 12 ins x 12 ins; 30.5 cms x 30.5 cms PROVENANCE:

Private Collection, Toronto $100 — 150

15 HENRY MOORE (1898-1986), BRITISH EXHIBITION POSTER, CURWEN GALLERY, 1983

Lithograph; an exhibition poster for “Recent Prints” at Curwen Gallery (London, UK), 14 July to 6 August 1983).

Signed lower right.

Sight 27.75 ins x 20.25 ins; 70.5 cms x 51.4 cms; Framed 32 ins x 24 ins; 81.3 cms x 61 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $300 — 500

16 RONALD YORK WILSON (1907-1984), CANADIAN KATHY MIKUSTYAK, 1973

Litho (grease) crayon on paper; titled lower left, signed and dated /73 lower right.

Sight 23.25 ins x 17.25 ins; 60.3 cms x 45.1 cms; Framed 30.5 ins x 24.5 ins; 77.2 cms x 62.2 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $200 — 250

17 IVAN FEODOROVICH KOLESNIKOV (1887-1929), RUSSIAN VILLAGE UP NORTH, 1917

Oil on card; signed in Cyrillic and dated lower right, signed and titled in Cyrillic verso (translates to “Village Up North.”

Unframed.

12.6 ins x 16.1 ins; 31.8 cms x 41 cms PROVENANCE:

Estate Collection, Toronto $200 — 400

18 AGNES NANOGAK (1925-2001), ULUKHAKTOK (HOLMAN) CUTTING UP WHALE

stonecut; 1989, 35/35; Unframed 24 x 31 in — 61 x 78.7 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $200 — 400

19 MARIA KORSAK (1909-2002), POLISH AUTUMN DAY

Oil on canvas; signed lower right.

23.25 ins x 31 ins; 59.1 cms x 78.7 cms PROVENANCE:

Estate Collection, Toronto EXHIBITED:

Desa Foreign Trade Enterprise Works of Modern Art, Warsaw, October 28, 1970 $500 — 700

20 AFTER GLYN WARREN PHILPOT (1884-1937), BRITISH PORTRAIT OF MRS. EMILE MOND

Mezzotint on paper; signed by the artist and printer lower margin.

Plate 22.5 ins x 12.5 ins; 56.8 cms x 31.8 cms; Framed 30.25 ins x 20.25 ins; 76.8 cms x 51.4 cms PROVENANCE:

Gift of Countess May Cippico to the Beaverbrook Art Gallery, Fredericton, NB, Accession No. 1958.337.P; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $100 — 150

21 OSLER? (20TH CENTURY), UNKNOWN LOVERS WITH A GOAT WATCHING, 1960

Colour lithograph; dated and numbered 93/200 in pencil to margin, indistinctly signed.

Image 17.75 ins x 24.75 ins; 48.3 cms x 66 cms; Framed 26 ins x 34 ins; 66 cms x 86.4 cms PROVENANCE:

Estate Collection, Toronto $100 — 150

22 ANDREW PLUM (B.1965), CANADIAN UNTITLED

Acrylic on cradled panel; unframed.

40 ins x 30 ins; 101.6 cms x 76.2 cms PROVENANCE:

Galerie Plum, Montreal label verso; Private Collection, Montreal $300 — 400

23 ANATOLI KAPLAN (1902–1980), RUSSIAN ROCHELE (UND DIE SCHWIEGERELTERN), 1966

Lithograph on paper; signed in Cyrillic and dated /65 in pencil to margin, inscribed in cyrillic in pencil to lower left margin, a paper label with print in red text: “Made in USSR” verso. Unframed.

Image 22 ins x 16 ins; 55.9 cms x 40.6 cms; Sheet 24.5 ins x 18.3 ins; 62.2 cms x 46.6 cms PROVENANCE:

Estate Collection, Toronto $150 — 250

24 JOAN SOUTER-ROBERTSON (1903-1994), BRITISH PORTRAIT OF YOUNG BOY, 1959

Oil on canvas; signed with initials “S.R” and dated /59 upper right.

22 ins x 16 ins; 55.9 cms x 40.6 cms; Framed 29.8 ins x 23.75 ins; 75.7 cms x 60.3 cms PROVENANCE:

With Bonhams, Oxford, May 14, 2014 lot 98; Private Collection, Toronto $500 — 700

25 ***LESER (20TH CENTURY), UNKNOWN TWO NUDE WOMEN, 1962

Charcoal drawing on paper; signed “Le ser” and dated /62 in the image lower right. Unframed.

Sheet 20.75 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:

Estate Collection, Toronto $100 — 200

26 GYTA EESEEMAILEE (B.1955), PANNIRTUQ (PANGNIRTUNG) TEA BREAK

stencil; 1994, 14/30; Unframed.

15 x 25.5 in — 38.1 x 64.8 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $150 — 200

27 STACEY ZACHARATOS (20TH/21ST CENTURY), GREEK SCHOOL A CLOWN WITH GIRL HOLDING BALLOONS, 1982

Oil on canvas; signed “S. Zacharatos” lower left, signed “Stacey” and dated /82 verso. Unframed.

27 ins x 21.5 ins; 71.1 cms x 61 cms PROVENANCE:

Private Collection, Toronto $200 — 300

28 AFTER SIGISMUND CHRISTIAN HUBER GOETZE (1866-1939), BRITISH DESPISED AND REJECTED OF MEN, 1904 (PRINTED IN 1905)

Photoengraving with letters; signed and dated 1904 in the image in the plate lower left, on paper with a circular XFD Print Sellers Association blindstamp lower left margin, the sheet laid down on canvas; signed “Sigismund Goetze” by the artist in pencil lower right margin and inscribed by the artist: “To my dearest Angela / with many grateful thanks / for her assistance while painting this picture” the inscription dated “October 5th 1905” in pencil to the lower left margin. Published by Messrs.

Manson, Swan & Morgan Ltd., Newcastleupon- Tyne, 11 Grainger Street West Copyright Registered on June 1st, 1905.

Image 28.3 ins x 18.75 ins; 71.9 cms x 47.6 cms; Plate 28.3 ins x 18.7 ins; 71.9 cms x 47.6 cms; Sheet 41.5 ins x 29.6 ins; 105.4 cms x 75.2 cms See website for full catalogue details. $100 — 150

29 UNIDENTIFIED (20TH CENTURY), UNKNOWN TREE STUDY, 1963

Pencil and watercolour on paper; inscribed “J. J 16-17 1963 OND. 22.” in pencil to margin.

Sight 19.75 ins x 24 ins; 50.2 cms x 61 cms; Framed 28.6 ins x 32.75 ins; 72.6 cms x 83.2 cms PROVENANCE:

Private Collection, Montreal $100 — 150

30 LEONARD AMOS (1903-1999), CANADIAN RIPE APPLES, BRIGHTON, ONTARIO

Oil on canvas board; signed lower right, signed and titled to artist’s label verso.

12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 15.1 ins x 19.25 ins; 38.4 cms x 48.9 cms PROVENANCE:

Private Collection, Toronto $75 — 150

31 ANDREW WERNICK (20TH CENTURY), AMERICAN JACKPOT, 1988; PUSH, 1988

Two mixed-media works on paper; “Jackpot” initial-signed and dated /88 lower left, “Push” initial-signed and dated /88 lower right.

Sheet 7.5 ins x 5.75 ins; 19.1 cms x 14.6 cms; Framed 23.75 ins x 20.75 ins; 60.3 cms x 52.7 cms; Sheet 7.5 ins x 5.5 ins; 19.1 cms x 14 cms; Framed 23.5 ins x 20.75 ins; 59.7 cms x 52.7 cms PROVENANCE:

Private Collection, Toronto $100 — 200

32 **ZAMI (20TH CENTURY), POLISH FOUR FIGURES, 1968

Acrylic on canvas laid down on panel; signed “Zami” and dated /68 lower right.

51 ins x 37.25 ins; 127 cms x 94 cms; Framed 51.8 ins x 37.9 ins; 131.6 cms x 96.3 cms PROVENANCE:

Estate Collection, Toronto $600 — 900

33 NELVANA LIMITED / JIM HENSON PRODUCTIONS, CANADIAN DOG CITY (1992-1994)

Multi-cel set up; xerographic and handpainted celluloids with corresponding hand-painted production background, studio notations on edges of cels Sight 8.75 ins x 12 ins; 22.2 cms x 30.5 cms; Framed 15.4 ins x 18.4 ins; 39.1 cms x 46.7 cms PROVENANCE:

Private Collection, Toronto $100 — 150

34 MARK EMERAK (1901-1983), ULUKHAKTOK (HOLMAN) BULL CARIBOU

lithograph; 1980, 50/50; Unframed 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $200 — 400

35 LASZLO VIGYAZO (B.1945), HUNGARIAN VILLAGERS ON FROZEN POND; VILLAGERS LOADING KEGS

Pair of oils on panel; each stamped with Hungarian export seals verso and signed “Vigyazo” lower left and lower right, respectively.

19.75 ins x 27.5 ins; 50.2 cms x 69.9 cms; 19.25 ins x 27 ins; 48.9 cms x 68.6 cms PROVENANCE:

Private Collection, Ontario $400 — 600

36 VARIOUS ARTISTS 29 ENGRAVINGS AND ETCHINGS, 18TH/19TH CENTURY

Assortment of 18th/19th century engravings and etchings, some with letters; subjects include Victorian portraits of women, botanicals, architectural views, Venetian views and European/Caribbean scenes. Various sizes. Unframed, contained in a cardboard portfolio.

PROVENANCE:

Estate Collection Ontario $100 — 200

37 FOLLOWER OF A 19TH CENTURY BRITISH SPORTING ARTIST THOROUGHBRED HORSE AND SHEEP

Oil on canvas; indistinctly signed “Mafra, A” lower right.

15.75 ins x 19.5 ins; 40 cms x 49.5 cms; Framed 22.75 ins x 26.75 ins; 57.8 cms x 67.9 cms PROVENANCE:

Private Collection, Toronto $300 — 500

38 ADAM NIEMCZYC (1914-2009), POLISH AKTORKA C. (ACTRESS), 1964

Mixed-media on braced panel; signed, titled in Polish and dated 1964 verso.

Panel 15.75 ins x 12 ins; 40 cms x 30.5 cms; Framed 22.6 ins x 19.25 ins; 57.4 cms x 48.9 cms PROVENANCE:

Estate Collection, Toronto $150 — 250

39 HENRY MOORE (1898-1986), BRITISH ART GALLERY OF ONTARIO POSTER, 1985

Lithographic print; possibly a gift shop print from the Art Gallery of Ontario (Toronto, Canada), signed and dated lower right.

Sight 34.5 ins x 15.9 ins; 87.6 cms x 40.6 cms; Framed 40.25 ins x 21.4 ins; 102.2 cms x 54.4 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $300 — 400

40 ANDREW KARPIK (B.1964), PANNIRTUQ (PANGNIRTUNG) WARMTH AND SOUND OF SUMMER

stencil; 2002, 16/50; Unframed.

27 x 20.5 in — 68.6 x 52.1 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $150 — 200

41 TERESA RUDOWICZ (1928-1994), POLISH UNTITLED (COLLAGE WITH OVAL PORTRAIT MEDALLION)

Mixed-media on canvas; signed and inscribed “collages” verso.

13.75 ins x 6.25 ins; 34.9 cms x 15.9 cms; Framed 14.5 ins x 7.4 ins; 36.8 cms x 18.8 cms PROVENANCE:

Estate Collection, Toronto $600 — 900

42 JAFFE K* (20TH CENTURY), INDONESIAN BALINESE JUNGLE WITH MONKEYS

Gouache on fabric; indistinctly signed “Jaffe K...” lower right, with Chinese writing to the frame verso. Presented in a polychromed Balinese hand-carved frame.

17.20 ins x 14.5 ins; 43.2 cms x 35.6 cms; Framed 20.9 ins x 18.5 ins; 53.1 cms x 47 cms PROVENANCE:

Estate Collection, Toronto $100 — 150

43 PERLE HESSING (1908-2001), CZECH/AUSTRALIAN NIGHT OVER THE VILLAGE MARKET, 1969

Oil on board; signed and dated ‘69 mid right, titled to label verso.

Sight 20 ins x 16 ins; 49.5 cms x 39.4 cms; Framed 23.25 ins x 19.25 ins; 59.1 cms x 48.9 cms PROVENANCE:

Cyril’s Framing Studio, North Sydney, Australia label verso; Estate Collection, Toronto $200 — 300

44 FOLLOWER OF A 19TH CENTURY BRITISH SPORTING ARTIST WHITE HORSE

Oil on canvas; indistinctly signed “Mafra A.” lower right.

15.75 ins x 19.5 ins; 40 cms x 49.5 cms; Framed 22.75 ins x 26.75 ins; 57.8 cms x 70.5 cms PROVENANCE:

Private Collection, Toronto $300 — 500

45 SAMUEL JOHN PEPLOE (1871-1935), SCOTTISH THE LUXEMBOURG GARDEN

Colour reproduction print mounted to wood panel.

Sight 10.9 ins x 8 ins; 30.5 cms x 22.9 cms; Framed 19.25 ins x 16.5 ins; 48.9 cms x 41.9 cms PROVENANCE:

Private Collection, British Columbia $150 — 250

46 CRIS ALEXANDER, (1920-2012), AMERICAN ROLLER SKATE GIRL IN A PALATIAL DRAWING ROOM

Reproduction of an original photograph; signed and numbered 1/20 in pencil to margin. Unframed, shrink-wrapped.

Image 15.9 ins x 19.6 ins; 40.4 cms x 50 cms PROVENANCE:

Private Collection, Toronto $100 — $150

47 RONALD YORK WILSON (1907-1984), CANADIAN KATHY, 1973

Litho (grease) crayon on paper; titled lower right, signed and dated /73 lower right.

Sight 21.5 ins x 16.5 ins; 54.4 cms x 41.7 cms; Framed 30.25 ins x 24.25 ins; 76.8 cms x 61.6 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $200 — 250

48 ALEXANDER GORE (B.1958), RUSSIAN/AMERICAN PARAMETERS OF BEAUTY, 2010

Oil on canvas; signed and dated lower right, titled to the Certificate of Authenticity, No. 001335, signed in pen and ink by the artist and affixed to the backing, verso.

Sight 35.5 ins x 23.5 ins; 91.4 cms x 61 cms; Sight 46.5 ins x 34.4 ins; 118.1 cms x 87.4 cms PROVENANCE:

Alexander Gore Art, Miami Beach, Florida, purchased directly from the artist with his COA attached on January 5, 2011; Private Collection, Ottawa, ON $500 — 700

49 ANDREW KARPIK (B.1964), PANNIRTUQ (PANGNIRTUNG) POLAR BEARS

stencil; 2002, 16/35; Unframed.

19 x 24 in — 48.3 x 61 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $150 — 200

50 JACOPOSIE TIGLILK (B.1952), PANNIRTUQ (PANGNIRTUNG) A HAPPY MEETING

stencil; 1995, 16/35; Unframed.

20.5 x 30 in — 52.1 x 76.2 cm PROVENANCE:

Estate of W. A. Ross MacFadden, Toronto $150 — 200

51 UNIDENTIFIED (20TH CENTURY), RUSSIAN SCHOOL TWO SEATED WOMEN IN SHROUDS, 1962

Lithograph on Arches France watermarked paper laid down on masonite; indistinctly signed “X He...ura,” dated, inscribed in cyrillic?, and numbered 6/42 in pencil to margin. Unframed.

Sheet 22.5 ins x 29.5 ins; 55.9 cms x 74.9 cms PROVENANCE:

Estate Collection, Toronto $100 — 200

52 MADE SINTEG (B.1943), INDONESIAN THE VILLAGE

Oil on fabric laid down on masonite; signed “JMD Sinteg” lower right.

27 ins x 19.25 ins; 73.7 cms x 48.3 cms; Framed 28.5 ins x 20.5 ins; 72.4 cms x 52.1 cms PROVENANCE:

Estate Collection, Toronto $200 — 300

53 RENATO GUTTUSO (1911-1987), ITALIAN PORTRAIT OF A WOMAN, 1963

Lithograph on paper; signed and dated in the stone lower right. Unframed.

Sheet 28 ins x 19.4 ins; 71.1 cms x 49.5 cms PROVENANCE:

Estate Collection, Toronto $50 — 90

54 KÄTHE KOLLWITZ (1867-1945), GERMAN NINE IMAGES (FROM 10 RADIENUNGEN LITHOGRAPHIEN UND HOLZSCHMITTE)

Portfolio of postumously-printed lithographs; 9 of 10 listed works included (1 missing) plus a cover-index page and card enclosure.

Overall dimensions 16.6 ins x 12.6 ins; 39.4 cms x 29.2 cms PROVENANCE:

Estate Collection, Toronto $50 — 90

55 KRYSTYNA HABURA-DYMEK (1928-1994), POLISH W NIM MILIANY SWIATKOW BUDZI SAMOTNI, 1968

Mixed-media on canvas; signed “K. Habura” lower right, signed “Krystyna Habura,” dated and inscribed “Wym: 60/45” in black ink verso.

23.8 ins x 18 ins; 60.5 cms x 45.7 cms PROVENANCE:

Estate Collection, Toronto EXHIBITED:

Desa Foreign Trade Enterprise Works of Modern Art, Warsaw, Oct., 28, 1970 $200 — 300

56 GYULA DERKOVITS (1894-1934), HUNGARIAN PORTFOLIO 1514

Postumous lithographic reprints of work by the artist; portfolio of 11 prints plus four pages including header page and biography.

Overall 15 ins x 13.8 ins; 38.1 cms x 35.1 cms PROVENANCE:

Estate Collection, Toronto $400 — 600

57 FOLLOWER OF JEAN-BAPTISTECAMILLE COROT (1796–1875), FRENCH TWO WOMEN BY THE WATER’S EDGE

Pastel on paper; indistinctly signed lower right.

15.75 ins x 19.75 ins; 40 cms x 50.2 cms; Framed 20 ins x 23.75 ins; 50.8 cms x 60.3 cms PROVENANCE:

Private Collection, Ontario $200 — 300

58 BARBARA MCGIVERN (1945-2019), CANADIAN #63, 1995

Acrylic on paper laid on canvas; signed and dated lower left, estate-stamped verso.

7.1 ins x 10.25 ins; 18 cms x 26 cms; Framed 8.25 ins x 11.5 ins; 21 cms x 29.2 cms PROVENANCE:

Private Collection, Toronto $100 — 150

59 RONALD YORK WILSON (1907-1984), CANADIAN SIRENA, 1969

Litho (grease) crayon on paper; signed, titled and dated “Mexico, 11-22-’69” lower right, artist’s studio label and other notations verso.

16.75 ins x 23.75 ins; 42.5 cms x 60.3 cms; 28.1 ins x 34.1 ins; 71.4 cms x 86.6 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $200 — 250

60 ZDZISLAW SALABURSKI (1922-2006), POLISH UNTITLED (WARZAWA XXV), 1967

Mixed-media on canvas; signed and dated /67 lower left, signed, dated 1967 at “Warszawa” and inscribed “XXV” in green paint verso.

43.3 ins x 29.9 ins; 110 cms x 76 cms PROVENANCE:

Estate Collection, Toronto $800 — 1,200

61 ADAM NIEMCZYC (1914-2009), POLISH POŻEGNANIE 2 MODELKA, (FAREWELL 2 MODEL), 1969

Mixed media on board; signed, titled and dated 1969 verso.

27.5 ins x 21.1 ins; 69.9 cms x 53.3 cms PROVENANCE:

Estate Collection, Toronto $200 — 300

62 HENRY MOORE (1898-1986), BRITISH 80TH BIRTHDAY EXHIBITION POSTER, 1978

Lithographic print; an exhibition/ commemorative poster to celebrate the artist’s 80th birthday, Bradford Art Galleries and Museums, UK, 1 April-25 June 1978, signed lower right.

Sight 29.4 ins x 19.5 ins; 74.9 cms x 49.5 cms; Framed 34.75 ins x 24.1 ins; 88.4 cms x 61.2 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $300 — 500

63 ANAK AGUNG GEDE DIANA(?), 20TH CENTURY BALINESE SCHOOL FAMILY OUTSIDE THEIR TROPICAL HUT

Oil on fabric laid down to masonite; signed indistinctly “A.A. Gd Diana” (?) lower right.

19.4 ins x 19.4 ins; 48.3 cms x 48.3 cms; Framed 20.5 ins x 20.5 ins; 52.1 cms x 52.1 cms PROVENANCE:

Estate Collection, Toronto $100 — 200

64 FRANJO MRAZ (1910-1981), CROATIAN RURAL FARM

Oil on canvas; signed “Mraz” lower right.

21.25 ins x 25.5 ins; 54 cms x 64.8 cms PROVENANCE:

Estate Collection, Toronto $600 — 800

65 RONALD YORK WILSON (1907-1984), CANADIAN TIEN, 1972

Litho (grease) crayon on paper; signed lower left, artist’s studio label verso.

Unframed, shrink-wrapped.

Sight 14 ins x 19 ins; 35.6 cms x 48.3 cms PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $175 — 225

66 UNKNOWN ARTIST (20TH CENTURY) COAST OF D’ISLA, CAPRI

Oil on canvas; titled “D’isla Capri(?)” lower right.

20 ins x 23.75 ins; 50.8 cms x 60.3 cms; Framed 26 ins x 30.5 ins; 66 cms x 77.5 cms PROVENANCE:

Private Collection, Ontario $200 — 300

67 ULAYU PINGWARTOK (1904-1978), KINNGAIT (CAPE DORSET) ANNAAK AGIRASIMAJUUK

lithograph; 1976, 1/50; Unframed.

20 x 25 in — 50.8 x 63.5 cm PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $200 — 400

68 UNKNOWN ARTIST RADHA KRISHNA PICHHWAI INDIAN FOLK ART PAINTING

Gouache and ink on fabric.

Sight 40 ins x 30 ins; 101.6 cms x 76.2 cms; Framed 43.25 ins x 33 ins; 109.9 cms x 83.8 cms PROVENANCE:

Private Collection, Toronto $150 — 250

69 ANDREW PLUM (B.1965), CANADIAN UNTITLED

Acrylic on cradled panel; unframed.

40 ins x 30 ins; 101.6 cms x 76.2 cms PROVENANCE:

Galerie Plum, Montreal label verso; Private Collection, Montreal $300 — 400

Notes:

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca