The Canada Auction Series | May 27 - June 1, 2023

The Canada Auction Series MAY 27 -JUNE 1, 2023

bid and view all lots online www.waddingtons.ca

canadian fine art canadianart@waddingtons.ca

auctions start Saturday, May 27 at 9 am ET

senior specialist Gregory Humeniuk 416-847-6190

auctions end Thursday, June 1 property from the estate of roland michener starts to close at 5 pm ET canadian arts, culture & history session starts to close at 6 pm ET inuit art session starts to close at 7 pm ET canadian fine art session starts to close at 8 pm ET on preview Wenesday, May 24 from 10 am to 7 pm Thursday, May 25 from 10 am to 5 pm Friday, May 26 from 10 am to 5 pm Saturday, May 27 from 10 am to 5 pm

consignment specialist Kendra Popelas 416-967-6027

decorative arts, culture & history decorativearts@waddingtons.ca senior specialist Sean Quinn 416-847-6191

inuit & first nations art inuitart@waddingtons.ca specialist Palmer Jarvis 416-847-6191

senior specialist Duncan McLean

front cover Lot 9 Lawren Stewart Harris Late Sun, North Shore, Lake Superior, 1924 front inside cover Lot 165 Kenojuak Ashevak Untitled (Owl) (detail) opposite Lot 30 James Edward Hervey MacDonald Snowy Morning, Rocky Mountains Near Lake O'Hara, August, 1925 (detail) back inside cover Lot 107 Thomas Sivuraq Mother With Children, ca. 1975 back cover Lot 101 George Tataniq Drum Dancer With Attendant Spirit ca. 1975

416-847-6183

consignment coordinator Elizabeth Gagnon 416-847-6184

Sunday, May 28 from 12 pm to 5 pm Monday, May 29 from 10 am to 5 pm Tuesday, May 30 from 10 am to 5 pm Wednesday, May 31 from 10 am to 7 pm

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 This catalogue and its contents © 2023 Waddington McLean & Company Ltd.

This auction is subject to Waddington’s Conditions of Sale.

Photography & design by Waddington’s All rights reserved.

Canadian Fine Art tLOTS 1 - 62 The great theme of the Canadian Fine Art section of The Canada Auction is not found in the subject or style of its artworks, but rather in a shared desire on the part of the artists it includes: a desire to expand the visual vocabulary of this country, to move the needle of artistic expression.

To some, the sublime landscapes of the Group of Seven can feel as familiar as the Canadian flag. However, with approximately 100 years of history between the painters and their present-day viewers, it is easy to forget this collective was once seen as deeply provocative. The Group was formed with the goal of rebelling against the constraints of Old World aesthetics, to create a national school of painting, and to change conservative Canadian tastes. The establishment at the time disliked their rhetoric as much as their paintings, which were negatively reviewed – their first exhibition was famously compared to “the contents of a drunkard’s stomach.” Today, these paintings form the bedrock of what we call Canadian Fine Art. Bidders will enjoy work in this auction by Lawren Harris, A.J. Casson, Frank Hans Johnston, A.Y. Jackson, and J.E.H. MacDonald.

Norval Morrisseau was also in search of a new artistic vocabulary, which he would find through blending traditional Anishinaabe legends with contemporary mediums. Morrisseau broke open the contemporary art scene for First Nations artists. Fellow member of the Professional Native Indian Artists Incorporation (PNIAI) Alex Janvier was similarly driven to forge a new path, aiming to “take our art out of the ethnological and war museums in Ottawa, Ontario and bring it to mainstream Canada.” Janvier has made lasting contributions as a muralist, painter, activist, community leader and educator.

Women artists have also worked hard to express their unique viewpoints. This auction is enhanced by the work of Laura Muntz Lyall, one of the first female artists to receive recognition outside of Canada; Anne Savage, part of the Beaver Hall Group and a founding member of the Canadian Group of Painters; and Pegi Nicol MacLeod, who used quotidian subjects – children, gardens, street scenes – to bring a vibrancy to a progressive modernist style that was all her own. We are pleased to be featuring their work alongside art by Marion Long, Doris McCarthy, and Carol Wainio.

Rounding out this spring’s selection are excellent examples of Canadian post-war abstraction.

Three members of the influential Painters Eleven group – Kazuo Nakamura, William Ronald, and Jack Bush – are represented in this auction, artists who pushed to introduce abstraction into Canadian culture. These paintings are complemented by an excellent work by Gordon Smith, who devoted his practice to facilitating a conversation between the abstract and the representational. Bringing the auction full circle is Takao Tanabe, who, like the Group of Seven, was driven by a desire to create a new vocabulary with which to speak about the land, a revolutionary in the wilderness.

We hope you will enjoy this auction as much as we enjoyed putting it together.

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KAZUO NAKAMURA

The Canada Auction1960 Series SUMMER REFLECTION, (detail)

Canadian Fine Art

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1 ALAN CASWELL COLLIER RCA, OSA (1911-1990), CANADIAN NEAR MOUNTAIN VIEW, SOUTHERN ALBERTA, 1982 oil on board signed; signed, titled, dated and inscribed “To Ruth I. Collier Collection, Christmas, 1982” with artist label verso 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Estate of the artist; Private Collection, Ontario $2,500–3,500

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Canadian Fine Art

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2 ALEXANDER YOUNG (A.Y.) JACKSON OSA, RCA (1882-1974), CANADIAN ISLANDS, GO HOME BAY, 1933 oil on board signed; signed and titled verso 10.5 x 13.5 in — 26.7 x 34.3 cm PROVENANCE:

Consignor Canadian Fine Art, Toronto, ON, 22 Nov 2016, lot 81; Private Collection, Toronto, ON EXHIBITED:

Little Pictures by Members of the Ontario Society of Artists, Art Gallery of Toronto, Toronto, ON, 8 Dec 1933-1 Jan 1934, no. 198.

Paintings of A. Y. Jackson, Galleries of J. Merritt Malloney, Toronto, ON, until 10 March 1934, no. 26.

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LITERATURE:

Catalogue of an Exhibition of Paintings by the Royal Scottish Society of Painters in Water-Colours, Little Pictures by Members of the Ontario Society of Artists and Lithographs by Edmond X. Kapp. Exh. cat.

(Toronto: Art Gallery of Toronto, 1933) 11, no. 198.

Harold Kalman, “Two Clients, Their Architect, and the Birth of Canadian Modernism,” Journal of Canadian Art History, vol. 38, no. 2/vol. 39, no. 1 (2018), p. 85 repro. col.

NOTE:

Accompanied by a copy of Journal of Canadian Art History, vol. 38, no. 2/vol. 39, no. 1 (2018). $25,000–35,000

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3 FRANK HANS (FRANZ) JOHNSTON OSA, RCA (1888-1941), CANADIAN COUCHER DE SOLEIL À TROIS PISTOLES, 1916 oil on linen, laid down on board signed, titled and dated verso 11.25 x 15.75 in — 28.6 x 40 cm PROVENANCE:

Private Collection, Quebec $15,000–20,000

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Canadian Fine Art

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4 ALFRED JOSEPH (A.J.) CASSON OSA, PRCA (1898-1992), CANADIAN DIAMOND LAKE, 1976 oil on paperboard signed; signed, titled and dated verso 9.25 x 11.125 in — 23.5 x 28.3 cm PROVENANCE:

Private Collection, Toronto, ON $20,000–30,000

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Canadian Fine Art

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5 FREDERICK SIMPSON COBURN RCA (1871-1960), CANADIAN THE RED SLEIGH PASSING A NEIGHBOUR, 1945 oil on canvas signed and dated “45” 23.125 x 32.125 in — 58.7 x 81.6 cm PROVENANCE:

Collection of Dr. William Gallie, Toronto, ON; By descent to the present Private Collection, Toronto, ON $8,000–12,000

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Canadian Fine Art

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6 FRANK HANS (FRANZ) JOHNSTON OSA, RCA (1888-1949), CANADIAN THE RENDEZVOUS oil on hardboard signed; titled verso 24 x 33 in — 61 x 83.8 cm PROVENANCE:

Private Collection, Toronto, ON; By descent to the present Private Collection, Dunchurch, ON $20,000–30,000

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Canadian Fine Art

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7 ROBERT WAKEHAM PILOT, PRCA OSA (1898-1967), CANADIAN LAKE CHARLEVOIX oil on canvas signed 20.25 x 27.25 in — 51.4 x 69.2 cm PROVENANCE:

IEGOR, Montreal, QC, 12 Sept 2017, lot 50; Private Collection, Ontario $6,000–8,000

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Canadian Fine Art

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8 JAMES EDWARD HERVEY (J.E.H.) MACDONALD OSA, RCA (1873-1932), CANADIAN VALLEY AT ST. JOVITE, QUE., LAURENTIANS, CA. 1913 oil on board signed and titled “Valley at St. Govite [sic] Que Laurentians” verso 3 x 4 in — 7.6 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $5,000–7,000

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Canadian Fine Art

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9 LAWREN STEWART HARRIS (1885-1970), CANADIAN LATE SUN, NORTH SHORE, LAKE SUPERIOR, 1924 oil on paperboard signed; signed, titled and inscribed verso 10.5 x 13.75 in — 26.7 x 34.9 cm PROVENANCE:

Private Collection, Toronto, ON; By descent to the present Private Collection, Toronto, ON LITERATURE:

Doris Mills, L.S. Harris Inventory, [MS] 1936, Group 4, Lake Superior Sketches, no. 123, as Late Sun. $300,000–500,000

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Canadian Fine Art

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10 MARION LONG RCA, OSA (1882-1970), CANADIAN

PROVENANCE:

SHOPPING FOR THE FAMILY oil on board signed; titled verso 8.5 x 10.5 in — 21.6 x 26.7 cm

EXHIBITED:

Private Collection, Toronto, ON Possibly, Exhibition of Small Paintings and Sculpture by Members of the Ontario Society of Artists, Art Gallery of Toronto, Toronto, ON, 8 Oct-10 Nov 1921, no. 74, as Shopping.

LITERATURE:

Possibly, Exhibition of Small Paintings and Sculpture by Members of the Ontario Society of Artists. Exh. cat. (Toronto: Art Gallery of Toronto, 1921) no. 74, unpaged, as Shopping. $8,000–10,000

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11 LAURA ADELINE MUNTZ LYALL OSA, RCA (1860-1930), CANADIAN A SEA ANEMONE, 1921 oil on canvas signed 20 x 17.5 in — 50.8 x 44.5 cm PROVENANCE:

Private Collection, Alexandria, VA

EXHIBITED:

43rd Exhibition of the Royal Canadian Academy of Arts. Art Gallery of Toronto, Toronto, ON, 17 Nov 1921-2 Jan 1922, no. 98.

LITERATURE:

Catalogue of the Forty-Third Exhibition of the Royal Canadian Academy of Arts. Exh. cat. (Toronto: Art Gallery of Toronto, 1921), no. 98.

Augustus Bridle, “Pictures! Pictures! Who’ll Come an’ Buy?” Toronto Star, 16 Nov 1921, 4.

Joan Murray, Laura Muntz Lyall: Impressions of Women and Childhood, (Montreal: McGill-Queen’s University Press, 2012), 162. $8,000–12,000

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12 PEGI NICOL MACLEOD (1904-1949), CANADIAN SOLDIERS AT REST oil on board 26 x 24 in — 66 x 61 cm PROVENANCE:

Acquired directly from the family of the artist; By descent to the present Private Collection, Oakville, ON $10,000–15,000

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13 ANNE DOUGLAS SAVAGE (1896-1971), CANADIAN LAURENTIAN VILLAGE IN SUMMER oil on hardboard titled to gallery label verso 16 x 18 in — 40.6 x 45.7 cm PROVENANCE:

Walter Klinkhoff Gallery, Montreal, QC; Joyner Fine Art, Toronto, ON, 21 Nov 1997, lot 85; Private Collection, Ottawa, ON $8,000–12,000

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14 DORIS JEAN MCCARTHY RCA, OSA (1910-2010), CANADIAN UNTITLED (ARCTIC), 1974 oil on panel signed; dated “740408B” verso 11.75 x 15.75 in — 29.8 x 40 cm PROVENANCE:

Private Collection, Sarnia, ON $4,000–6,000

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Canadian Fine Art

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15 JOHN GEOFFREY CARUTHERS LITTLE RCA (B. 1928), CANADIAN DIMANCHE MATIN, RUE ST. OLIVIER ENTRE CÔTE ST. AUGUSTIN ET CÔTE STE. GENEVIÈVE, QUEBEC, 1976 oil on canvas signed; signed, titled and dated “76” to stretcher; also titled to label verso 24 x 30.25 in — 61 x 76.8 cm PROVENANCE:

Continental Galleries Inc., Montreal, QC; Private Collection, Ontario; Consignor Canadian Fine Art, Toronto, ON, 23 Nov 2017, lot 20; Private Collection, Ontario $20,000–25,000 36 The Canada Auction Series

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16 ROBERT WAKEHAM PILOT PRCA, OSA (1898-1967), CANADIAN GOVERNMENT BUILDINGS, QUEBEC CITY oil on canvas signed, titled on plaque 16.3 x 20 in — 41.4 x 50.8 cm PROVENANCE:

The PSBGM Cultural Heritage Foundation, Montreal, QC; Heffel Fine Art Auction House, Vancouver, BC, 15 May 2013, lot 135; Private Collection, Montreal, QC; Heffel Fine Art Auction House (online), 30 June 2016, lot 333; Private Collection, Ontario $8,000–10,000 38 The Canada Auction Series

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17 FREDERICK NICHOLAS LOVEROFF OSA, ARCA (1894-1960), CANADIAN UNTITLED (BLOSSOMING TREES), 1920 oil on canvas signed and dated 34 x 38 in — 86.4 x 96.5 cm PROVENANCE:

Private Collection, Ontario; By descent to the present Private Collection, Ontario $12,000–16,000

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Canadian Fine Art

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18 JACK HAMILTON BUSH OSA, ARCA (1909-1977), CANADIAN RELEASE, 1950 oil on Masonite signed and dated “50” 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Estate of the artist; Private Collection, Ontario EXHIBITED:

Ontario Society of Artists 79th Annual Exhibition, Art Gallery of Toronto, Toronto, ON, 10 Mar-15 Apr 1951, no. 11.

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LITERATURE:

79th Annual Spring Exhibition of the Ontario Society of Artists. Exh. cat. (Toronto: Art Gallery of Toronto, 1951) unpaged, no. 11, repro. b/w.

NOTE:

Release, 1950 © Estate of Jack Bush (Copyright Visual Arts-CARCC, 2023) $20,000–30,000

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Canadian Fine Art

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19 TAKAO TANABE RCA (B. 1926), CANADIAN UNTITLED (STUDY FOR MURAL FOR BRUSSELS WORLD’S FAIR), 1958 oil and graphite on paper, mounted on painted artboard inscribed verso 18.75 x 27.5 in — 47.6 x 69.9 cm PROVENANCE:

Acquired directly from the artist ca. 1958 by the present Private Collection, Toronto, ON $6,000–10,000

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20 KAZUO NAKAMURA RCA (1926-2002), CANADIAN UNTITLED paint on hardboard signed 16 x 20.5 in — 40.6 x 52.1 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Toronto, ON $15,000–25,000

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21 FREDERICK ARTHUR VERNER OSA, ARCA (1863-1928), CANADIAN ENCAMPMENT, CA. 1875 oil on canvas gallery stamp verso 13.875 x 26.875 in — 35.2 x 68.3 cm PROVENANCE:

Laird’s Gallery of Art, Toronto, ON; Private Collection, Toronto, ON; Private Collection, Cambridge, ON $25,000–35,000

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Canadian Fine Art

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22 AARON ALLAN EDSON OSA, RCA (1846-1888), CANADIAN MOUNTAINS WITH SUNSET, CA. 1885 oil on canvas signed; gallery labels verso 30 x 48.25 in — 76.2 x 121.9 cm PROVENANCE:

Fraser Institute, Montreal, QC; Purchased 1949 by Dominion Gallery, Montreal, QC; Galerie Valentin, Montreal, QC; Private Collection, Montreal, QC $4,000–6,000

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23 CORNELIUS KRIEGHOFF (1815-1872), CANADIAN THE BASKET SELLER oil on canvas, laid down on board signed 11 x 9 in — 27.9 x 22.9 cm PROVENANCE:

Private Collection, Ontario; Waddington’s Auctioneers, Toronto, ON, 25 May 2015, lot 29, as The Indian Basket Seller; Private Collection, Ontario $15,000–20,000 52 The Canada Auction Series

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24 GEORGE THEODORE BERTHON (1806-1892), CANADIAN PORTRAIT OF A WOMAN oil on canvas 30 x 25 in — 76.2 x 63.5 cm PROVENANCE:

The Estate of Mrs. Mabel Turner, Hawkestone, ON; Private Collection, Ontario, acquired ca. 1960; By descent to the present Private Collection, Toronto, ON $15,000–25,000

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25 ROBERT HARRIS OSA, PRCA (1849-1919), CANADIAN SELF PORTRAIT, 1878 oil on canvas inscribed “R. Harris painted in Paris in 1878 by himself” to label verso 17.5 x 14.5 in — 44.5 x 36.8 cm PROVENANCE:

Collection of William Edward Cotton, Charlottetown, PEI; By descent to the present Private Collection, Halifax, NS $10,000–15,000

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26 WILLIAM GOODRIDGE ROBERTS RCA (1904-1974), CANADIAN SELF PORTRAIT WITH CANVAS IN BACKGROUND, CA. 1961 oil on linen signed; gallery label verso 36 x 24 in — 91.4 x 61 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Private Collection, Toronto, ON $6,000–8,000

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Canadian Fine Art

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27 TONY SCHERMAN RCA (1950-2023), CANADIAN STILL LIFE (06028), 2006 encaustic on canvas 48 x 48 in — 121.9 x 121.9 cm PROVENANCE:

Galerie de Bellefeuille, Montreal, QC; Galerie d’art Cosner au Ritz Carlton, Montreal, QC; Private Collection, Montreal, QC $10,000–15,000

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28 ALEXANDER YOUNG (A.Y.) JACKSON OSA, RCA (1882-1974), CANADIAN GREY DAY, ST. TITE DES CAPS, 1946 oil on board signed; signed, titled and dated “Mar 1946” verso 8 x 10 in — 20.3 x 25.4 cm PROVENANCE:

The artist, or his niece Naomi Jackson Groves; By gift to Katherine Brett (née Maw), Toronto, ON; By descent to the present Private Collection, Aurora, ON $25,000–35,000

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29 FREDERICK NICHOLAS LOVEROFF OSA, ARCA (1894-1960), CANADIAN UNTITLED (ESCARPMENT) oil on canvas signed 34.25 x 38 in — 87 x 96.5 cm PROVENANCE:

Private Collection, Ontario; By descent to the present Private Collection, Ontario $18,000–24,000

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30 JAMES EDWARD HERVEY (J.E.H.) MACDONALD OSA, RCA (1873-1932), CANADIAN SNOWY MORNING, ROCKY MOUNTAINS NEAR LAKE O’HARA, 1925 oil on paperboard signed and dated “25”; signed, dated “Aug. 1925” and titled verso 8.375 x 10.375 in — 21.3 x 26.4 cm PROVENANCE:

Collection of Dr. William Gallie, Toronto, ON; By descent to the present Private Collection, Toronto, ON $80,000–120,000

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31 ALEXANDER YOUNG (A.Y.) JACKSON OSA, RCA (1882-1974), CANADIAN ST. URBAIN, QUEBEC graphite on paper signed and titled 7.5 x 10.75 in — 19.1 x 27.3 cm PROVENANCE:

The artist, or his niece Naomi Jackson Groves; By gift to Katherine Brett (née Maw), Toronto, ON; By descent to the present Private Collection, Aurora, ON $4,000–6,000

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32 ALEXANDER YOUNG (A.Y.) JACKSON OSA, RCA (1882-1974), CANADIAN CREEK IN MARCH, 1958 oil on board signed; titled and dated “March 1958” verso 10.2 x 13.3 in — 26 x 33.7 cm PROVENANCE:

Estate of A. Davidson and Kathleen B. Dunton, Ottawa, ON; By descent to the present Private Collection, Montreal, QC EXHIBITED:

Owens Art Gallery, Sackville, NB, 1988 $20,000–30,000 70 The Canada Auction Series

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Canadian Fine Art

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33 FRANK HANS (FRANZ) JOHNSTON OSA, RCA (1888-1949), CANADIAN IN WINTER’S EMBRACE oil on hardboard signed; titled to labels verso 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, Toronto, ON; By descent to the present Private Collection, Dunchurch, ON EXHIBITED:

Fine Art Galleries of The T. Eaton Co. $10,000–15,000 72 The Canada Auction Series

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34 LAWREN STEWART HARRIS (1885-1970), CANADIAN ALGOMA SKETCH, CA. 1920 oil on panel signed and titled verso 10.5 x 13.75 in — 26.7 x 34.9 cm PROVENANCE:

Private Collection, Ontario $80,000–120,000

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35 ALFRED JOSEPH (A.J.) CASSON OSA, PRCA (1898-1992), CANADIAN SEPTEMBER NEAR BARRY’S BAY, 1964 oil on board signed; signed, titled “September Near Barry [sic] Bay” and dated verso; also titled and dated to gallery labels verso 12 x 15 in — 30.5 x 38.1 cm PROVENANCE:

Kaspar Gallery, Toronto, ON; McDowell Gallery, Toronto, ON; Private Collection, Toronto, ON $20,000–30,000 76 The Canada Auction Series

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36 ALAN CASWELL COLLIER RCA, OSA (1911-1990), CANADIAN YUKON’S LOOMING MOUNTAIN RISE oil and Lucite 44 on canvas signed; titled to gallery label verso 30 x 40 in — 76.2 x 101.6 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Private Collection, Ontario $6,000–8,000

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37 DORIS JEAN MCCARTHY RCA, OSA (1910-2010), CANADIAN ROCKS GRISE FIORD, 1976 watercolour and graphite on paper signed sight 21.5 x 29 in — 54.6 x 73.7 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Victoria, BC $5,000–7,000

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38 DORIS JEAN MCCARTHY RCA, OSA (1910-2010), CANADIAN UNTITLED (ARCTIC), 1974 oil on panel signed; dated “740403B” and inscribed verso 11.75 x 15.75 in — 32.4 x 40 cm PROVENANCE:

Private Collection, Sarnia, ON $4,000–6,000

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39 EDWARD HARDY (TED) HARRISON RCA (1926-2015), CANADIAN KATIE IN NOVA SCOTIA, 2006 acrylic on board signed; signed, dated “06” and inscribed “Happy Birthday Barb (24th Sept 06) from Ted” verso 11.25 x 15 in — 28.6 x 38.1 cm PROVENANCE:

Private Collection, Victoria, BC; Private Collection, Aurora, ON $6,000–8,000

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Canadian Fine Art

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40 JOE NORRIS (1924-1996), CANADIAN LOWER PROSPECT oil on canvas signed and titled 25.25 x 30 in — 64.1 x 76.2 cm PROVENANCE:

Private Collection, Texas $4,000–5,000

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41 DORIS JEAN MCCARTHY OSA, RCA (1910-2010), CANADIAN UNTITLED (ARCTIC SCENE), 1974 oil on panel signed; dated “740421” verso 12 x 15.75 in — 29.2 x 39.4 cm PROVENANCE:

Private Collection, Ottawa, ON; By descent to the present Private Collection, Toronto, ON $4,000–6,000

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42 RENÉ MARCIL (1917-1993), CANADIAN UNTITLED ABSTRACT (AP-414), 1966 oil on canvas signed and dated “66”; signed, dated “/66” and titled to auction house label verso 50.25 x 68.125 in — 127.6 x 173 cm PROVENANCE:

Patrimoine Marcil, Geneva, Switzerland EXHIBITED:

René Marcil, Kar Gallery of Fine Art, Toronto, ON, 14-28 May 1977.d 90 The Canada Auction Series

LITERATURE:

René Marcil. Exh. cat. (Toronto: Kar Gallery of Art, 1977), cover repro. col.

NOTE:

Registered with Patrimoine Marcil (Estate of René Marcil) under the number AL- 414 $20,000–30,000

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Canadian Fine Art

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43 CHARLES PACHTER (B. 1942), CANADIAN THE PAINTED FLAG, 1986 acrylic on canvas signed and dated “86”; signed and dated “86” verso; inscribed “St. Rémy Oct 91-Jan 92; Bonn Apr-May 92; CN Tower Jun-Oct/95” 36 x 72 in — 91.4 x 182.9 cm PROVENANCE:

Acquired directly from the artist; Private Collection, Ontario

EXHIBITED:

Charles Pachter: La lumière ombre, Centre d’art Présence Van Gogh Art Contemporain, Saint-Rémyde-Provence, France, 12 Oct 1991-5 Jan 1992.

Licht im Schatten, Haus an der Redoute, Bonn, Germany, Apr-May 1992.

In Pachter’s Orbit, 360 Revolving Restaurant, CN Tower, Toronto, ON, Jun-30 Sep 1995.

LITERATURE:

Charles Pachter: La lumière ombre. Exh. cat. (SaintRémy-de-Provence: Centre d’Art Présence Van Gogh Art Contemporain, 1991), no. 8, frontispiece repro. col., 26 as Le Drapeau Peint.

Maclean’s Special Issue: The Ties That Bind, Vol. 107, no. 27, 1 Jul 1994, cover repro. col.

NOTE:

Accompanied by a copy of Maclean’s Special Issue: The Ties That Bind, July 1, 1994. $50,000–60,000 92 The Canada Auction Series

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44 KAZUO NAKAMURA RCA (1926-2002), CANADIAN SUMMER REFLECTION, 1960 oil on board signed and dated “60”; titled and dated to gallery label, and signed, dated and inscribed “Toronto 9” verso of artist’s frame.

37 x 48 in — 94 x 121.9 cm PROVENANCE:

Laing Galleries, Toronto, ON; Private Collection, New York, USA; Heffel Fine Art Auction House, Toronto, ON, 26 Nov 2015, lot 68; Private Collection, Ontario $35,000–55,000 94 The Canada Auction Series

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45 TAKAO TANABE, RCA (B. 1926), CANADIAN THE LAND SKETCH, 1974 acrylic on canvas signed; signed, titled and dated “74”, gallery label verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Marlborough-Godard Gallery, Toronto, ON; Mayberry Fine Art, Winnipeg, MB; Private Collection, Toronto, ON $5,000–7,000

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46 ALAN CASWELL COLLIER OSA, RCA (1911-1990), CANADIAN

BY ST. MARY’S RIVER AND ST. MARY’S MISSION, B.C. oil on board signed; signed and titled with artist label verso 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Estate of the artist; Private Collection, Ontario $2,500–3,500

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NORVAL MORRISSEAU RCA (1932-2007), ANISHINAABE (OJIBWE) UNTITLED (MOTHER AND YOUNG), CA. 1970 acrylic on kraft paper signed in syllabics sight 35.75 x 23.75 in — 90.8 x 60.3 cm PROVENANCE:

The Pollock Gallery Ltd., Toronto, ON; Private Collection, Toronto, ON $7,000–9,000

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48 ALEX JANVIER RCA (B. 1935), DENESULINE BLAZING AUGUST, 1983 acrylic on canvas signed; titled verso; also titled and dated to gallery label on stretcher 24 x 20 in — 61 x 50.8 cm PROVENANCE:

Gallery Moos, Toronto, ON; Private Collection, Toronto, ON $6,000–8,000

102 The Canada Auction Series

VIEW LOT

Canadian Fine Art

103

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49 ALAN CASWELL COLLIER RCA, OSA (1911-1990), CANADIAN PINE LAKE, YUKON (NEAR HAINES JUNCTION), 1985 oil on board signed; signed and titled with artist label verso 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Estate of the artist; Private Collection, Ontario $2,500–3,500

104 The Canada Auction Series

VIEW LOT

Canadian Fine Art

105

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50 IAIN BAXTER& (B. 1936), CANADIAN TIRES, NORTH VANCOUVER, BRITISH COLUMBIA, 1967 Duratrans lightbox 27 x 18 x 5.5 in — 68.6 x 45.7 x 14 cm PROVENANCE:

Private Collection, Toronto, ON EXHIBITED:

Art Gallery of Windsor, Windsor, ON $12,500–17,500 106 The Canada Auction Series

VIEW LOT

Canadian Fine Art

107

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51 GORDON APPELBE SMITH RCA (1919-2020), CANADIAN PAINTING, CA. 1955 oil on board signed; titled to label verso 22.75 x 39.75 in — 57.8 x 101 cm PROVENANCE:

Private Collection, Vancouver, BC; Heffel Fine Art Auction House, Toronto, ON, 26 Nov 2015, lot 2; Private Collection, Ontario $20,000–30,000

108 The Canada Auction Series

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Canadian Fine Art

109

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52 SOREL ETROG RCA (1933-2014), CANADIAN THE COUPLE STUDY bronze including base 17.25 x 3.25 in — 43.8 x 8.3 cm PROVENANCE:

Private Collection, Ontario; Waddington’s Auctioneers, Toronto, ON, 27 May 2019, lot 82; Private Collection, Toronto, ON $8,000–10,000

110 The Canada Auction Series

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Canadian Fine Art

111

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53 GERSHON ISKOWITZ RCA (1919-1988), CANADIAN YELLOW-BLUE A, 1980 oil on canvas signed, dated “1980”, titled, Gershon Iskowitz Foundation stamp and inventory number “B108”, and Art Gallery of Ontario incoming loan label verso 50 x 45 in — 127 x 114.3 cm PROVENANCE:

Artist’s studio; Gershon Iskowitz Foundation, Toronto, ON NOTE:

Proceeds from the sale of this lot to benefit the Gershon Iskowitz Foundation. $9,000–12,000 112 The Canada Auction Series

VIEW LOT

Canadian Fine Art

113

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54 CAROL WAINIO RCA (B. 1955), CANADIAN

EXHIBITED:

DROPPED FROM THE CALENDAR (EXPERIENCE AND SELF-CONSCIOUSNESS), 1984 acrylic on canvas signed, titled and dated “84” verso 60 x 81 in — 152.4 x 205.7 cm

Carol Wainio, Yarlow Salzman Gallery, Toronto, ON, 8-29 Sep 1984.

Perspective 85: Carol Wainio and Robert Weins, Art Gallery of Ontario, Toronto, ON, 2 May-14 Jul 1985, no. 6, as Dropped from the Calendar: (Experience and Self-Consciousness).

PROVENANCE:

LITERATURE:

Yarlow Salzman Gallery, Toronto, ON; Loretta Yarlow and Gregory Salzman, Toronto, ON; Waddington’s Auctioneers and Appraisers, 28 May 2018, lot 84, as Dropped from the Calendar/Experience and Self-Consciousness; Private Collection, Quebec; By descent to the present Private Collection, Quebec

114 The Canada Auction Series

Jerry McGrath, “Carol Wainio, Yarlow Salzman Gallery, Toronto, September 8 to 29, Sylvia Safdie, Evelyn Aimis Gallery, Toronto, September 8 to 27,” Vanguard, Dec 1984-Jan 1985, 32-33, p. 32 repro., as Dropped from the Calendar: (Experience and SelfConsciousness).

David Burnett, Perspective 85: Carol Wainio and Robert Weins. Exh. cat. (Toronto: Art Gallery of Ontario, 1985), no. 6, as Dropped from the Calendar: (Experience and Self-Consciousness). $8,000–10,000

VIEW LOT

Canadian Fine Art

115

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55 NORVAL MORRISSEAU RCA (1932-2007), ANISHINAABE (OJIBWE) UNTITLED (FOUR BIRDS), CA. 1970 acrylic on kraft paper signed in syllabics, fragmentary gallery label verso sight 31.25 x 39 in — 79.4 x 99.1 cm PROVENANCE:

The Pollock Gallery Ltd., Toronto, ON; Private Collection, Toronto, ON $6,000–8,000

116 The Canada Auction Series

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Canadian Fine Art

117

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56 DUSAN KADLEC (1942-2018), CZECH-CANADIAN FISH MARKET BELOW FRONT STREET - WITH COFFIN BLOCK, 1830 oil on hardboard signed; titled and dated verso 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Private Collection, Ontario $5,000–6,000

118 The Canada Auction Series

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Canadian Fine Art

119

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57 WILLIAM RONALD RCA (1926-1998), CANADIAN UNTITLED TOTEMIC FIGURE, 1951 casein on artist board signed and dated “51”; inscribed and stamped verso of artist board, gallery labels on backing paper 21.375 x 29.25 in — 54.3 x 74.3 cm PROVENANCE:

Roberts Gallery, Toronto, ON; Private Collection, Calgary, AB; Joyner Waddington’s, Toronto, ON, 22 Nov 2010, lot 177; Kaspar Gallery, Toronto, ON; Private Collection, Toronto, ON $10,000–15,000

120 The Canada Auction Series

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Canadian Fine Art

121

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58 NORVAL MORRISSEAU RCA (1932-2007), ANISHINAABE (OJIBWE) MOOSE acrylic on kraft paper on board signed in syllabics 39.5 x 55 in — 100.3 x 139.7 cm PROVENANCE:

Acquired directly from the artist; Estate of Robert Lavack, North Bay, ON $10,000–15,000

122 The Canada Auction Series

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Canadian Fine Art

123

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59 MAUD LEWIS (1903-1970), CANADIAN UNTITLED (TWO DEER, SUNSET) oil on pulpboard signed 11.75 x 13.75 in — 29.8 x 34.9 cm PROVENANCE:

Collection of Wynne Chisholm (née Wallis), Annapolis Royal, NS; By descent to the present Private Collection, Toronto, ON $25,000–35,000

124 The Canada Auction Series

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Canadian Fine Art

125

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60 RENÉ MARCIL (1917-1993), CANADIAN ABSTRACT (AL-61), CA. 1975 oil on hardboard signed 24 x 24 in — 61 x 61 cm PROVENANCE:

Patrimoine Marcil, Geneva, Switzerland NOTE:

Registered with Patrimoine Marcil (Estate of René Marcil) under the number AL- 61 $8,000–10,000

126 The Canada Auction Series

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Canadian Fine Art

127

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61 PAUL VANIER BEAULIEU RCA (1910-1996), CANADIAN UNTITLED (WOMAN READING) oil on canvas signed 10.25 x 8.25 in — 26 x 21 cm PROVENANCE:

Private Collection, Texas $3,000–5,000

128 The Canada Auction Series

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Canadian Fine Art

129

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62 LAURA ADELINE MUNTZ LYALL OSA, RCA (1860-1930), CANADIAN

PROVENANCE:

MAY, 1903 watercolour on card signed and dated “1903”; exhibition and framer’s labels sight 14.5 x 12.875 in — 36.8 x 32.7 cm; sheet 15 x 13.25 in — 38.1 x 33.7 cm

EXHIBITED:

Private Collection, Cincinnati, OH New York Water Color Club: 14th Annual Exhibition, American Fine Arts Building, New York, NY, 21 November-13 December 1903, no. 107.

LITERATURE:

New York Water Color Club: 14th Annual Exhibition. Exh. cat. (New York: New York Water Color Club, 1903), 15, no. 107.

“Harmonies in Pictures,” The New York Times, (22 Nov 1903), 7.

Joan Murray, Laura Muntz Lyall: Impressions of Women and Childhood, (Montreal: McGill-Queen’s University Press, 2012), 149. $3,000–5,000

130 The Canada Auction Series

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Canadian Fine Art

131

Inuit Art

t LOTS 101-236

Since Waddington’s first auction devoted to Inuit art in 1978, we have watched the market for the sculpture, works on paper, and textiles the Inuit artists create soar ever higher, often surpassing the art of mainstream Canadian artists with respect to the high price levels and international interest it has achieved.

The continued expansion of this market is reflected in our Inuit art auctions, attracting many eager bidders who are all vying to acquire their must-have pieces.

Canadian collectors lead the way but are competing with collectors from Belgium, France, Italy, Switzerland, Sweden, the UK and the United States — and more. The key to this success is of course, the beautiful and powerful artform which reflects a uniquely beautiful and powerful culture.

We are continuously delighted to watch as collectors from other disciplines discover Inuit art. The diversity of offerings from our various departments means that our public and online previews attract wide audiences, many of them new to the art of the Canadian Arctic. At a recent auction preview we displayed Inuit art pieces alongside fine Asian art; an overseas collector flew in to examine a group of historic Chinese jades to find himself captivated by the work of Manasie Akpiliakpik and bought one — and just like that, a new collector.

Our Spring 2023 auction of Inuit art focuses on rarity and quality, the work of top artists, both young and old, alongside classic, early anonymous pieces — many which have often been tucked away in private collections for decades. While collectors’ individual tastes are as unique as the art they collect, this auction is sure to have something for every palate.

We invite you to browse this auction, while also taking the opportunity to remind you that we hold several Inuit auctions throughout the year that are also worth exploring.

NAPATCHIE POOTOOGOOK ᓇᐸᓯ ᐳᑐᒍ KINNGAIT (CAPE DORSET) BIRD SPIRITS, 1960 (detail) 132 The Canada Auction Series

Canadian Arts, Culture & History

133

101 GEORGE TATANIQ ᑕᑕᓂ (1910-1991), QAMANI’TUAQ (BAKER LAKE) DRUM DANCER WITH ATTENDANT SPIRITS, CA. 1975 stone, antler, signed in syllabics 9 x 10.5 x 2.25 in — 22.9 x 26.7 x 5.7 cm PROVENANCE:

Private Collection, Seattle, WA $5,000—7,000 VIEW LOT

134 The Canada Auction Series

102 GEORGE TATANIQ ᑕᑕᓂ (1910-1991), QAMANI’TUAQ (BAKER LAKE) LONG NECKED BIRD, CA. 1970 stone, signed in syllabics 7.25 x 7.25 x 3 in — 18.4 x 18.4 x 7.6 cm PROVENANCE:

Private Collection, Seattle, WA $400—600 VIEW LOT

Inuit Art

135

103 DAVIDIALUK ALASUA AMITTU ᑎᕕᑎᐊᓗ (1910-1976), PUVIRNITUQ (POVUNGNITUK) LEGEND OF THE EAGLE WHO TOOK THE SMALL GIRL TO BE HIS WIFE, CA. 1965 stone, signed in Roman; disc number inscribed; paper label affixed to underside inscribed “POV / David / 1054” 8.5 x 10.25 x 3.5 in — 21.6 x 26 x 8.9 cm PROVENANCE:

Private Collection, Maine $4,000—6,000 VIEW LOT

136 The Canada Auction Series

104 DAVIDIALUK ALASUA AMITTU ᑎᕕᑎᐊᓗ (1910-1976), PUVIRNITUQ (POVUNGNITUK) EAGLE WITH YOUNG, CA. 1958 stone, signed; disc number inscribed 3.5 x 5.75 x 4 in — 8.9 x 14.6 x 10.2 cm PROVENANCE:

Private Collection, Maine $3,000—5,000 VIEW LOT

Inuit Art

137

105 JOHN PANGNARK ᔭᓐ ᐸᓇ (1920-1980), ARVIAT (ESKIMO POINT) FIGURE, CA. 1975 stone, signed in syllabics 9 x 5.25 x 7 in — 22.9 x 13.3 x 17.8 cm PROVENANCE:

Private Collection, Seattle, WA $2,000—4,000 VIEW LOT

138 The Canada Auction Series

106 JOHN PANGNARK ᔭᓐ ᐸᓇ (1920-1980), ARVIAT (ESKIMO POINT) MOTHER AND CHILD, CA. 1975 stone, signed in syllabics 7.5 x 4 x 7 in — 19.1 x 10.2 x 17.8 cm PROVENANCE:

Private Collection, Seattle, WA $1,000—1,500 VIEW LOT

Inuit Art

139

107 THOMAS SIVURAQ ᑕᒪᓯ ᓯᕗᒐ (B. 1941), QAMANI’TUAQ (BAKER LAKE) MOTHER WITH CHILDREN, CA. 1975 stone, signed in syllabics; inscribed with the disc number of Thomas Sivuraq’s wife Nancy Kangeryuaq; marked “B.L N.W.T. / C-51-200 / C-52-75” 18.5 x 21 x 12.5 in — 47 x 53.3 x 31.8 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—4,000 VIEW LOT

140 The Canada Auction Series

108 PAUL TOOLOOKTOOK ᐸᓪ ᑐᓗᑐ (1947-2003), QAMANI’TUAQ (BAKER LAKE) IQAYQTI SPIRIT AND MUSK OX, CA. 1990 stone, musk ox horn, unsigned 27.5 x 20 x 7 in — 69.9 x 50.8 x 17.8 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB, acquired directly from the artist $3,000—4,000 VIEW LOT

Inuit Art

141

109 JUDAS ULLULAQ ᔪᑕ ᐅᓗᓚ (1937-1999), UQSUQTUUQ (GJOA HAVEN) CAVORTING SPIRIT, CA. 1990 stone, antler, musk ox horn, signed in syllabics 14 x 9 x 4 in — 35.6 x 22.9 x 10.2 cm PROVENANCE:

Private Collection, Seattle, WA $4,000—6,000 VIEW LOT

142 The Canada Auction Series

110 RALPH PORTER ᐸᑐ (B. 1942), UQSUQTUUQ (GJOA HAVEN) SHAMAN, CA. 1990 whalebone, stone, sinew, unsigned 14 x 9.5 x 6 in — 35.6 x 24.1 x 15.2 cm PROVENANCE:

Private Collection, Toronto, ON $1,500—2,000 VIEW LOT

Inuit Art

143

111 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK THE BREAKING OF THE SOUL, 2009 stone, synthetic thread, signed in Roman; dated 15.5 x 9 x 4.5 in — 39.4 x 22.9 x 11.4 cm PROVENANCE:

Private Collection, Toronto, ON $4,000—6,000 VIEW LOT

144 The Canada Auction Series

112 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK ERODING POLAR BEAR, 2008 stone, signed in Roman; dated 16 x 8 x 5 in — 40.6 x 20.3 x 12.7 cm PROVENANCE:

Private Collection, Toronto, ON $4,000—6,000 VIEW LOT

Inuit Art

145

113 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK BARCODES (TWO DUCKS), 2014 stone, signed in Roman; dated 5.75 x 8 x 3.25 in — 14.6 x 20.3 x 8.3 cm PROVENANCE:

Private Collection, Toronto, ON $900—1,200 VIEW LOT

146 The Canada Auction Series

114 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK SEDNA SEARCHING, CA. 1984-1986 stone, signed in Roman; dated 1986 9 x 19 x 9.25 in — 22.9 x 48.3 x 23.5 cm PROVENANCE:

Esther Atkin Ruben Collection, Toronto, ON; Private Collection, Toronto, ON $3,000—5,000 VIEW LOT

Inuit Art

147

115 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK OPPOSING FACES, 1980/1981 stone, signed in Roman; dated 15.25 x 18.5 x 6 in — 38.7 x 47 x 15.2 cm PROVENANCE:

Private Collection, British Columbia $1,500—2,500 VIEW LOT

148 The Canada Auction Series

116 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK SPIRIT SHAMAN AND ANIMALS, CA. 2000 stone, unsigned 24 x 12 x 10.5 in — 152.4 x 30.5 x 20.3 cm PROVENANCE:

Private Collection, Idaho $5,000—7,000 VIEW LOT

Inuit Art

149

117 PAUTA SAILA ᐸᐊ ᓯᓚ RCA (1916-2009), KINNGAIT (CAPE DORSET) DANCING BEAR, CA. 1988 stone, ivory, signed in syllabics 21.5 x 13 x 7 in — 54.6 x 33 x 17.8 cm PROVENANCE:

Private Collection, Beverly Hills, CA $20,000—30,000 VIEW LOT

150 The Canada Auction Series

118 MARTHA TICKIQ ᑎᑭ (1939-2015), QAMANI’TUAQ (BAKER LAKE) HERD OF MUSK OXEN, CA. 2000 stone, signed in syllabics 4.5 x 17 x 12 in — 11.4 x 43.2 x 30.5 cm PROVENANCE:

Private Collection, Seattle, WA $900—1,200 VIEW LOT

Inuit Art

151

119 LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) PEOPLE OF THE CARIBOU, CA. 1995 stone, antler, signed in syllabics 16.25 x 23.5 in — 41.3 x 59.7 cm PROVENANCE:

Private Collection, Seattle, WA $4,000—6,000 VIEW LOT

152 The Canada Auction Series

120 MARY AYAQ ANOWTALIK ᐊᓇᐅᑕᓕ (B. 1938) OR LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) MOTHER AND RAMBUNCTIOUS CHILD, CA. 1969 stone, signed in syllabics 10 x 5.25 x 2.75 in — 25.4 x 13.3 x 7 cm PROVENANCE:

Private Collection, Maine $1,000—1,500 VIEW LOT

Inuit Art

153

121 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) FAMILY, CA. 1990 stone, unsigned; fragmentary “Canadian Eskimo Art” sticker affixed to underside 11 x 11 x 4.5 in — 27.9 x 27.9 x 11.4 cm PROVENANCE:

Private Collection, Seattle, WA $2,000—3,000 VIEW LOT

154 The Canada Auction Series

122 LUKE IKSIKTAARYUK ᐃᓯᑕᔪ (1909-1977), QAMANI’TUAQ (BAKER LAKE) TRANSFORMING FIGURE, CA. 1970 antler, stone, steel nails, unsigned 15.75 x 4.5 x 2 in — 40 x 11.4 x 5.1 cm PROVENANCE:

Private Collection, Seattle, WA $3,000—4,000 VIEW LOT Inuit Art

155

123 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) OUR MASSIVE FRIEND, 1984 stonecut, titled, dated and numbered 45/50; artist’s name in Roman and syllabics; unframed sheet 25.25 x 37.75 in — 64.1 x 95.9 cm PROVENANCE:

Private Collection, Vermont $1,000—1,500 VIEW LOT 156 The Canada Auction Series

124 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) UNTITLED (AIRPLANES ABOVE THE HARBOUR), CA. 1980 coloured pencil, felt-tip, conté and watercolour drawing, signed in syllabics; unframed sheet 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Private Collection, Hamilton, ON $1,500—2,000 VIEW LOT Inuit Art

157

125 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) WALRUS HUNTERS ON SEA ICE, 1967 stonecut, titled, dated and numbered 45/50; artist’s name in Roman and syllabics; unframed sheet 24.75 x 33.5 in — 62.9 x 80 cm PROVENANCE:

Private Collection, Toronto, ON $2,500—3,500 VIEW LOT 158 The Canada Auction Series

126 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) THREE HUNTERS WITH WALRUS, 1967 stonecut, titled, dated and numbered 34/50; artist’s name in Roman; matted sight 21.5 x 29.5 in — 54.6 x 74.9 cm PROVENANCE:

Private Collection, Toronto, ON $2,500—3,500 VIEW LOT Inuit Art

159

127 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) BIRDS AND ANIMALS, 1964 stonecut, titled, dated and numbered 32/50; artist’s name in Roman; unframed sheet 24.5 x 36.5 in — 62.2 x 92.7 cm PROVENANCE:

Private Collection, Vermont $2,500—3,500 VIEW LOT 160 The Canada Auction Series

128 PARR ᐸ (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED (ANIMALS WITH PREY), CA. 1965 graphite drawing, signed in syllabics; matted sight 20 x 25.75 in — 50.8 x 65.4 cm PROVENANCE:

Private Collection, Ontario $3,000—4,000 VIEW LOT

Inuit Art

161

129 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) UNTITLED (GEESE IN FLIGHT), CA. 1976 coloured pencil and graphite drawing, signed in syllabics; disc number inscribed; unframed sheet 23 x 29 in — 27.9 x 73.7 cm PROVENANCE:

Private Collection, Hamilton, ON $3,000—4,000 VIEW LOT 162 The Canada Auction Series

130 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) UNTITLED (CARIBOU-PEOPLE FISHING), CA. 1975 coloured pencil and graphite drawing, signed in syllabics; disc number inscribed; writting verso reads: “$200 / Anguhadluq / 35 / 200594 - 15”; unframed sheet 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Private Collection, Hamilton, ON $4,000—6,000 VIEW LOT Inuit Art

163

131 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) UNTITLED (MOTHER WITH CHILD IN AMAUTI), CA. 1970 coloured pencil and graphite drawing, signed in syllabics; unframed sheet 12.75 x 8.5 in — 32.4 x 21.6 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT 164 The Canada Auction Series

132 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) UNTITLED (CARIBOU), CA. 1970 coloured pencil and graphite drawing, signed in syllabics; unframed sheet 8.5 x 13 in — 21.6 x 33 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000—1,500 VIEW LOT

Inuit Art

165

133 TOMMY ASHEVAK ᐊᓴᕙ (1931-1996), TALOYOAK (SPENCE BAY) SPIRIT HEAD, CA. 1974 stone, ivory, antler, unsigned 6.25 x 5 x 2.5 in — 15.9 x 12.7 x 6.4 cm PROVENANCE:

Private Collection, Edmonton, AB $6,000—8,000 VIEW LOT

166 The Canada Auction Series

134 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK BETWEEN TWO WORLDS (MASK), 1996 stone, antler, signed in Roman; dated 7.25 x 4.5 x 2 in — 18.4 x 11.4 x 5.1 cm PROVENANCE:

Esther Atkin Ruben Collection, Toronto, ON; Private Collection, Toronto, ON $900—1,200 VIEW LOT

Inuit Art

167

135 JACOB IRKOK ᐃᕐ ᑯᒃ (1937-2009), ARVIAT (ESKIMO POINT) GEESE, CA. 1999 antler, unsigned; label affixed to underside inscribed with artist’s name in Roman and syllabics 6.5 x 8.5 x 7.5 in — 16.5 x 21.6 x 19.1 cm PROVENANCE:

Private Collection, Ottawa, ON $400—600 VIEW LOT

168 The Canada Auction Series

136 SYOLLIE (SAROLLIE) WEETALUKTUK ᓴᔪᐃᓕ ᐃᑕᓗᑐ (1906-1962); UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) INCISED HUNTING SCENE AND MINIATURE CLAMP, CA. 1950 ivory, melted phonograph record, unsigned largest 1.25 x 6.25 x .25 in — 3.2 x 15.9 x 0.6 cm PROVENANCE:

Images Gallery, Toronto, ON; Private Collection, Toronto, ON Collection notes accompanying the incised scene note: “1940s Port Harrison.” $200—300 VIEW LOT

Inuit Art

169

137 AKEEAKTASHUK ᐊᑭᐊᑐᓱ (1898-1954), INUKJUAK (PORT HARRISON) BEAR, CA. 1950 stone, unsigned 1.75 x 3.25 x 1.5 in — 4.4 x 8.3 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

170 The Canada Auction Series

138 AKEEAKTASHUK ᐊᑭᐊᑐᓱ (1898-1954), INUKJUAK (PORT HARRISON) WALRUS HEAD, CA. 1950 stone, ivory, unsigned; resting on acrylic base 1.25 x 1.5 x 1.5 in — 3.2 x 3.8 x 3.8 cm PROVENANCE:

Private Collection, Ottawa, ON $200—300 VIEW LOT

Inuit Art

171

139 ANDY MIKI ᒥᑭ (1918-1983), ARVIAT (ESKIMO POINT) FIGURE, CA. 1975 stone, no visible signature 6.25 x 2.25 x 1.5 in — 15.9 x 5.7 x 3.8 cm PROVENANCE:

Private Collection, Seattle, WA $1,000—2,000 VIEW LOT

172 The Canada Auction Series

140 ANDY MIKI ᒥᑭ (1918-1983), ARVIAT (ESKIMO POINT) FIGURE, CA. 1975 stone, signed in syllabics; accompanied by “Canadian Eskimo Art” tag inscribed “Andy Miki / Eskimo Point / Basalt / Wolf” 5.75 x 3.25 x 1.25 in — 14.6 x 8.3 x 3.2 cm PROVENANCE:

Private Collection, Austin, TX $2,000—3,000 VIEW LOT

Inuit Art

173

141 TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015), QAMANI’TUAQ (BAKER LAKE) THREE HEADS, CA. 1965 stone, no visible signatures; old collector’s labels affixed to undersides inscribed “Toona Erkoolik / head of a man / No. 13,” “Toona Erkoolik / head of a woman...[?]” and “Toona Erkoolik / head of woman / A/C.11” largest 4.25 x 3.25 x 1.5 in — 10.8 x 8.3 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON $500—700 VIEW LOT

174 The Canada Auction Series

142 MARC ALIKASWA ᒪᐊᒃ ᐃᓕᑲᓴ (1928-2008), ARVIAT (ESKIMO POINT) FIGURES CONVERSING, CA. 1970 stone, signed in syllabics; “Canadian Eskimo Art” label affixed to underside 3.5 x 7.75 x 2.75 in — 8.9 x 19.7 x 7 cm PROVENANCE:

The Albrecht Collection, Arizona; Private Collection, Ottawa, ON $700—900 VIEW LOT

Inuit Art

175

143 MIRIAM MAREALIK QIYUK ᒪᕆᐊᒪ ᑭᔪ (B. 1933), QAMANI’TUAQ (BAKER LAKE) FLOATING BIRDS, CA. 1990 stone, signed in Roman 1.75 x 5.75 x 4.5 in — 4.4 x 14.6 x 11.4 cm PROVENANCE:

Private Collection, Seattle, WA $500—700 VIEW LOT

176 The Canada Auction Series

144 MIRIAM MAREALIK QIYUK ᒪᕆᐊᒪ ᑭᔪ (B. 1933), QAMANI’TUAQ (BAKER LAKE) BIRTHING SCENE, CA. 1990 stone, signed in Roman 2.75 x 10 x 8 in — 7 x 25.4 x 20.3 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $900—1,200 VIEW LOT

Inuit Art

177

145 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) BIRD, CA. 1971 stone, signed in syllabics 3.5 x 3 x 1.5 in — 8.9 x 7.6 x 3.8 cm PROVENANCE:

Private Collection, Ontario, acquired directly from the artist $400—600 VIEW LOT

178 The Canada Auction Series

146 PAULOOSIE AKITIRQ ᐊᑭᑎ (B. 1935), IKPIARJUK (ARCTIC BAY) BIRD WITH CATCH, CA. 1970 whalebone, signed in syllabics; disc number inscribed 2.25 x 4.25 x 1.5 in — 5.7 x 10.8 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON $150—250 VIEW LOT

Inuit Art

179

147 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) HUNTER, CA. 1970 stone, wood, plastic coffee canister lid, thread, signed in syllabics 8.5 x 4.5 x 2.25 in — 21.6 x 11.4 x 5.7 cm PROVENANCE:

Private Collection, Ontario $3,000—5,000 VIEW LOT

180 The Canada Auction Series

148 TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015), QAMANI’TUAQ (BAKER LAKE) MAN WITH FOLDED ARMS, CA. 1995 stone, signed in syllabics 8.75 x 4 x 2.5 in — 22.2 x 10.2 x 6.4 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $500—700 VIEW LOT

Inuit Art

181

149 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK SPIRIT CARIBOU, 2005 stone, whalebone, initialed; dated 5.5 x 7.5 x 3.75 in — 14 x 19.1 x 9.5 cm PROVENANCE:

Private Collection, Toronto, ON $400—600 VIEW LOT

182 The Canada Auction Series

150 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) CARIBOU, CA. 1965 stone, bone, signed in Roman and syllabics; accompanied by old inventory labels 3.25 x 4.5 x 1 in — 8.3 x 11.4 x 2.5 cm PROVENANCE:

Private Collection, Seattle, WA $800—1,200 VIEW LOT

Inuit Art

183

151 BARNABUS ARNASUNGAAQ ᐸᓇᐸᓯ ᐊᓇᓴᒐ (1924-2017), QAMANI’TUAQ (BAKER LAKE) MUSK OX, CA. 1980 stone, signed in syllabics 4 x 6 x 1.75 in — 10.2 x 15.2 x 4.4 cm PROVENANCE:

Private Collection, Ontario $1,000—2,000 VIEW LOT

184 The Canada Auction Series

152 MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940-2010), QAMANI’TUAQ (BAKER LAKE) BIRD PERCHED ON MUSK OX, CA. 1975 stone, signed indistinctly 8.75 x 11.75 x 5 in — 22.2 x 29.8 x 12.7 cm PROVENANCE:

Private Collection, Maine $2,000—3,000 VIEW LOT

Inuit Art

185

153 NUVEEYA IPELLIE ᓄᕕᐊ ᐃᐱᓕ (1920-2010), IQALUIT (FROBISHER BAY) FIGURE WITH ATTENDANT SPIRITS, CA. 1985 stone, ivory, signed in Roman and syllabics 6 x 2.5 x 4 in — 15.2 x 6.4 x 10.2 cm PROVENANCE:

Private Collection, Ontario $700—1,000 VIEW LOT

186 The Canada Auction Series

154 KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ RCA (1935-2010), KINNGAIT (CAPE DORSET) WINDSWEPT MUSK OX, CA. 2000 stone, signed in syllabics 8 x 11.5 x 4 in — 20.3 x 29.2 x 10.2 cm PROVENANCE:

Private Collection, Seattle, WA $1,000—1,500 VIEW LOT

Inuit Art

187

155 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) MOTHER AND CHILD, CA. 1980 stone, signed indistinctly in syllabics 14.5 x 6.5 x 8 in — 36.8 x 16.5 x 20.3 cm PROVENANCE:

Private Collection, Seattle, WA $3,000—5,000 VIEW LOT

188 The Canada Auction Series

156 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) STANDING FIGURE, CA. 1970 stone, unsigned 13 x 8 x 3.5 in — 33 x 20.3 x 8.9 cm PROVENANCE:

Private Collection, Maine $3,000—5,000 VIEW LOT

Inuit Art

189

157 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) FIGURAL POT, CA. 1968 ceramic, unsigned; accompanied by “Canadian Eskimo Art” tag inscribed: “John Kavik / Rankin Inlet c 1968 / Ceramic Pot” height 8 in — 20.3 cm, diameter 6.5 in — 16.5 cm PROVENANCE:

Private Collection, Maine $2,000—4,000 VIEW LOT

190 The Canada Auction Series

158 JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993), KANGIQLINIQ (RANKIN INLET) HEADS, CA. 1970 stone, unsigned 5.5 x 8 x 2 in — 14 x 20.3 x 5.1 cm PROVENANCE:

Private Collection, Maine $2,000—3,000 VIEW LOT

Inuit Art

191

159 JOHNNY ISSAJA PAPIGATOK ᐸᐱᑲᑐ (B. 1923), SALLUIT (SUGLUK) FATHER AND CHILD, CA. 1955 stone, unsigned; sticker affixed to underside of figure’s foot inscribed “Johnny Papigatok” 11 x 7.5 x 4 in — 27.9 x 19.1 x 10.2 cm PROVENANCE:

Private Collection, USA $700—900 VIEW LOT

192 The Canada Auction Series

160 UNIDENTIFIED ARTIST IKPIARJUK (ARCTIC BAY) OWL, CA. 1980 whalebone, unsigned 16 x 9 x 7 in — 40.6 x 22.9 x 17.8 cm PROVENANCE:

Private Collection, Haileybury, ON $900—1,200 VIEW LOT

Inuit Art

193

161 ATTRIBUTED TO: LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) SEAL, CA. 1965 stone, unsigned 5.75 x 10.5 x 3.5 in — 14.6 x 26.7 x 8.9 cm PROVENANCE:

Private Collection, Maine $700—900 VIEW LOT

194 The Canada Auction Series

162 ATTRIBUTED TO: OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ RCA (1923-2005), KINNGAIT (CAPE DORSET) BASKING SEAL, CA. 1965 stone, unsigned 5.5 x 8.75 x 2.75 in — 14 x 22.2 x 7 cm PROVENANCE:

Private Collection, Seattle, WA $1,000—2,000 VIEW LOT

Inuit Art

195

163 OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ RCA (1923-2005), KINNGAIT (CAPE DORSET) REARING CARIBOU, CA. 1985 stone, antler, signed in Roman and syllabics 11.5 x 7.5 x 3.5 in — 29.2 x 19.1 x 8.9 cm PROVENANCE:

Private Collection, Seattle, WA $8,000—12,000 VIEW LOT

196 The Canada Auction Series

164 OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ RCA (1923-2005), KINNGAIT (CAPE DORSET) RECLINING CARIBOU, CA. 1990 stone, antler, signed in syllabics 13.5 x 15 x 10 in — 34.3 x 38.1 x 25.4 cm PROVENANCE:

Private Collection, Seattle, WA $8,000—12,000 VIEW LOT

Inuit Art

197

165 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (OWL), CA. 2009 coloured pencil and felt-tip drawing, signed in syllabics; inscribed verso; “CD 040 - 2859 - bd - 00/01 - 03 - 51 x 66 cm”; unframed sheet 20 x 25 in — 50.8 x 63.5 cm PROVENANCE:

Spirit Wrestler Gallery, Vancouver, BC; Private Collection, Toronto, ON $4,000—6,000 VIEW LOT 198 The Canada Auction Series

166 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) UNTITLED (FIVE BIRDS), CA. 1990 coloured pencil and felt-tip drawing, signed in syllabics; unframed sheet 26 x 40 in — 66 x 101.6 cm PROVENANCE:

Private Collection, Vermont $3,000—4,000 VIEW LOT

Inuit Art

199

167 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) SIILAVUT, NUNAVUT, 1999 lithograph, titled, dated and numbered 35/99; artist’s name in Roman and syllabics; diptych; unframed overall 44.75 x 30 in — 113.7 x 76.2 cm PROVENANCE:

Private Collection, Ontario $7,000—9,000 VIEW LOT 200 The Canada Auction Series

168 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) IQALUTSIAVAK (BEAUTIFUL FISH), 2005 stonecut and stencil, titled, dated and numbered 37/50; artist’s name in Roman and syllabics; unframed sheet 26 x 32 in — 66 x 81.3 cm PROVENANCE:

Private Collection, Toronto, ON $2,000—3,000 VIEW LOT Inuit Art

201

169 NAPATCHIE POOTOOGOOK ᓇᐸᓯ ᐳᑐᒍ (1938-2002), KINNGAIT (CAPE DORSET) BIRD SPIRITS, 1960 stonecut, titled, dated and numbered 10/50; artist’s name in Roman; framed sight 18.25 x 21.5 in — 46.4 x 54.6 cm PROVENANCE:

Private Collection, London, ON $3,000—5,000 VIEW LOT 202 The Canada Auction Series

170 NIVIAXIE ᓂᕕᐊᓯ (1909-1959), KINNGAIT (CAPE DORSET) CHAR FISHERMEN, 1959 sealskin stencil, signed, titled, dated and numbered 35/50; framed sight 9.25 x 1 7 in — 23.5 x 43.2 cm PROVENANCE:

Private Collection, Toronto, ON $4,000—6,000 VIEW LOT

Inuit Art

203

171 SHEOUAK PETAULASSIE ᓯᐅᕋ (1923-1961), KINNGAIT (CAPE DORSET) CONVERSATION WITH FOXES, 1960 skin stencil, signed, titled, dated and numbered 3/50; artist’s name in Roman; unframed sheet 9.75 x 13.5 in — 24.8 x 34.3 cm PROVENANCE:

Private Collection, United Kingdom $3,000—5,000 VIEW LOT 204 The Canada Auction Series

172 KUDLALAK OR KELLYPALIK MANGITAK ᒪᒋᑕ (B. 1940), KINNGAIT (CAPE DORSET) GEESE RISING, 1957 stonecut, titled, dated and numbered 5/30; artist’s name in Roman “Kudlalak”; unframed 15 x 9 in — 38.1 x 22.9 cm PROVENANCE:

Private Collection, Alberta Experts are divided as to whether this work should be attributed to Kudlalak or Kellypalik Mangitak. A carved tusk by the former is believed by James Houston and others to be the source image for this print, while Jonassie Salamonie, Mangitak’s wife and Terry Ryan attribute the print to the latter. $2,000—3,000 VIEW LOT

Inuit Art

205

173 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) VISION IN AUTUMN, 1960 stonecut, titled, dated and numbered 32/50; artist’s name in Roman; framed sight 16.75 x 19.75 in — 42.5 x 50.2 cm PROVENANCE:

Private Collection, Kelso, Scotland $8,000—12,000 VIEW LOT 206 The Canada Auction Series

174 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) BIRD HUMANS, 1960 stonecut, titled and dated; cited as “W.B.E.C. 2”; artist’s name in Roman; framed sight 19.75 x 25.25 in — 50.2 x 64.1 cm PROVENANCE:

Private Collection, London, ON $8,000—10,000 VIEW LOT Inuit Art

207

175 PAUTA SAILA ᐸᐊ ᓯᓚ RCA (1916-2009), KINNGAIT (CAPE DORSET) DANCING BEAR, CA. 1972 stone, signed in Roman and syllabics 14.5 x 8.5 x 4 in — 36.8 x 21.6 x 10.2 cm PROVENANCE:

Private Collection, Ontario, acquired directly from the artist; By descent to the present Private Collection, Ontario Accompanied by an original photograph of the artist and the present lot. Photograph inscribed “Pauta “Dancing Bear” Cape Dorset / 1972 / Pictured carving as [sic] same as here.” $10,000—15,000 VIEW LOT

208 The Canada Auction Series

176 LUKTA QIATSUK ᓗᑕ ᑭᐊᓱᑲ (1928-2004), KINNGAIT (CAPE DORSET) BIRD LEANING INTO THE WIND, CA. 1979 stone, signed in syllabics; accompanied by old collector’s tag inscribed “From M. F. Feheley Arts, Toronto / BIRD - LUKTA QUIATSUK / Cape Dorset - 1979 / Soapstone” 7.75 x 10.5 x 6 in — 19.7 x 26.7 x 15.2 cm PROVENANCE:

M. F. Feheley Gallery, Toronto, ON; Collection of Betty Ballantine, New York, NY; Private Collection, New York $800—1,200 VIEW LOT

Inuit Art

209

177 PAUL QUVIQ MALLIKI ᐹᓪ ᖁᕕᖅ ᒪᓕᑭ (B. 1956), NAUJAAT (REPULSE BAY) RAVEN, CA. 1999 stone, signed in Roman and syllabics; inscribed: “Repulse Bay N.W.T.” 8 x 12 x 6 in — 20.3 x 30.5 x 15.2 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $3,000—5,000 VIEW LOT

210 The Canada Auction Series

178 AUDLA PEE ᐊᐅᓚ ᐱ (1920-2002), KINNGAIT (CAPE DORSET) OWL TRANSFORMATION, CA. 1995 stone, signed in syllabics 12.25 x 4.5 x 3.5 in — 31.1 x 11.4 x 8.9 cm PROVENANCE:

Wendy and Les Fisher Collection, California; Private Collection, USA $800—1,200 VIEW LOT

Inuit Art

211

179 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) OWL, CA. 1990 stone, composite plinth, no readily visible signature 21 x 13 x 6 in — 53.3 x 33 x 15.2 cm PROVENANCE:

Private Collection, Seattle, WA $2,000—3,000 VIEW LOT

212 The Canada Auction Series

180 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) BIRD, CA. 1975 stone, unsigned 10.75 x 9 x 4.75 in — 27.3 x 22.9 x 12.1 cm PROVENANCE:

Private Collection, Maine $1,000—1,500 VIEW LOT

Inuit Art

213

181 DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947-2006), IQALUIT (FROBISHER BAY) DRUM DANCER, CA. 1990 stone, signed in Roman 24 x 15.5 x 5.75 in — 61 x 39.4 x 14.6 cm PROVENANCE:

Private Collection, Seattle, WA $5,000—7,000

VIEW LOT

214 The Canada Auction Series

182 DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947-2006), IQALUIT (FROBISHER BAY) MAN BUILDING INUKSHUK, 1982 stone, signed in Roman; dated 21 x 13 x 6.5 in — 53.3 x 33 x 16.5 cm PROVENANCE:

Galerie d’art Esquimau / Eskimo Art Gallery, Montreal, QC, 1983; Private Collection, Wilton, CT $4,000—6,000 VIEW LOT

Inuit Art

215

183 JOHNNY IKKIDLUAK ᔪᐊᓂ ᐃᑭᓗᐊ (B. 1945), KIMMIRUT (LAKE HARBOUR) MOTHER WITH CHILD AND CATCH, 1975 stone, signed indistinctly; dated 23.5 x 15 x 8 in — 59.7 x 38.1 x 20.3 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 30 April 1979, lot 153; Private Collection, Ontario $2,000—3,000 VIEW LOT

216 The Canada Auction Series

184 NOAH ECHALOOK ᓄᐊ ᐃᑲᓗ (B. 1946), INUKJUAK (PORT HARRISON) MOTHER AND CHILD, CA. 1980 stone, signed in syllabics; disc number inscribed 18 x 8 x 8.5 in — 45.7 x 20.3 x 21.6 cm PROVENANCE:

Private Collection, Cedarhurst, NY $1,000—2,000 VIEW LOT

Inuit Art

217

185 OVILOO TUNNILLIE ᐅᕕᓗ ᑐᓂᓕ RCA (1949-2014), KINNGAIT (CAPE DORSET) WOMAN COVERING HER FACE, 2000 stone, signed in syllabics; dated; “Canada Eskimo Art” tag inscribed “Ovilu Tunellie [sic], Cape Dorset, 2000, Woman (Covered Face), #3640” 14.75 x 5.5 x 2.75 in — 37.5 x 14 x 7 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 14 March 2013, lot 4; Private Collection, Ontario $900—1,200 VIEW LOT

218 The Canada Auction Series

186 PAULASSIE POOTOOGOOK ᐸᓗᓯ ᐳᑐᒍ RCA (1927-2006), KINNGAIT (CAPE DORSET) PRIEST, CA. 1992 stone, signed in syllabics 12.25 x 7 x 2 in — 31.1 x 17.8 x 5.1 cm PROVENANCE:

Private Collection, Ontario $1,500—2,500 VIEW LOT

Inuit Art

219

187 JESSIE OONARK ᔪᓯ ᐃᓇ OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) BIG WOMAN, 1976 stencil, titled, dated and numbered 30/46; artist’s and printer’s name in Roman and syllabics; unframed sheet 35 x 26 in — 88.9 x 66 cm PROVENANCE:

Private Collection, Ontario $3,000—4,000 VIEW LOT 220 The Canada Auction Series

188 JESSIE OONARK ᔪᓯ ᐃᓇ OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) PROUD FISHERMAN, 1969 stonecut and stencil, titled, dated and numbered 5/26; artist’s and printer’s name in Roman and syllabics; unframed sheet 34 x 24.5 in — 86.4 x 62.2 cm PROVENANCE:

Private Collection, Ontario $1,000—1,500 VIEW LOT Inuit Art

221

189 LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982), QAMANI’TUAQ (BAKER LAKE) OLD WOMAN, 1976 stonecut and stencil, titled, dated and numbered 25/50; artist’s and printer’s name in Roman and syllabics; unframed sheet 31 x 21.5 in — 78.7 x 54.6 cm PROVENANCE:

Private Collection, Ontario $700—900 VIEW LOT 222 The Canada Auction Series

190 SHEOJUK ETIDLOOIE ᓯᐅᔪ ᐃᑎᐃᑎᓚᐃ (1929-1999), KINNGAIT (CAPE DORSET) WOMAN IN SHAWL, 1998 etching and aquatint, titled, dated and numbered 4/50; artist’s name in Roman and syllabics; unframed sheet 26.5 x 23 in — 67.3 x 58.4 cm PROVENANCE:

Private Collection, Baltimore, MD $1,000—2,000 VIEW LOT Inuit Art

223

191 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) THREE BIRDS WITH A FISH, 1969 stonecut, titled, dated and numbered 33/50; artist’s name in Roman; matted sight 15 x 21.5 in — 38.1 x 54.6 cm PROVENANCE:

Private Collection, Toronto, ON $800—1,200 VIEW LOT 224 The Canada Auction Series

192 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) WINTER OWL, 1965 stonecut, titled, dated and numbered 47/50; artist’s name in Roman and syllabics; unframed sheet 24 x 28.25 in — 61 x 71.8 cm PROVENANCE:

Private Collection, Toronto, ON $700—900 VIEW LOT Inuit Art

225

193 SHEOJUK ETIDLOOIE ᓯᐅᔪ ᐃᑎᐃᑎᓚᐃ (1929-1999), KINNGAIT (CAPE DORSET) THREE BEARS, 1997 etching and aquatint, titled, dated and numbered 50/50; artist’s name in Roman and syllabics; unframed sheet 23.75 x 31.75 in — 60.3 x 80.6 cm PROVENANCE:

Private Collection, Ontario $800—1,200 VIEW LOT 226 The Canada Auction Series

194 SHEOJUK ETIDLOOIE ᓯᐅᔪ ᐃᑎᐃᑎᓚᐃ (1929-1999), KINNGAIT (CAPE DORSET) AOUPILATUNGUAK (NEWBORN CARIBOU CALF), 1977 etching, titled, dated and numbered 23/50; artist’s name in Roman and syllabics; framed sight 11.5 x 11.5 in — 29.2 x 29.2 cm PROVENANCE:

Private Collection, Ontario $1,000—1,500 VIEW LOT Inuit Art

227

195 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) SHAMAN REVEALED, 2007 lithograph, titled, dated and numbered 2/50; artist’s name in Roman and syllabics; unframed sheet 20.25 x 18 in — 51.4 x 45.7 cm PROVENANCE:

Private Collection, Vermont $500—700 VIEW LOT 228 The Canada Auction Series

196 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) SURFACING, 2005 stonecut, titled, dated and numbered 37/50; artist’s name in Roman and syllabics; unframed sheet 21 x 24 in — 53.3 x 61 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—2,000 VIEW LOT Inuit Art

229

197 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) OWLS IN MOONLIGHT, 2007 etching and aquatint, titled, dated and numbered 48/50; artist’s name in Roman and syllabics; unframed sheet 41.5 x 31.5 in — 105.4 x 80 cm PROVENANCE:

Private Collection, Vermont $2,000—3,000 VIEW LOT 230 The Canada Auction Series

198 NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) OWL PAINTS THE RAVEN, 2009 etching and aquatint, titled, dated and numbered 40/50; artist’s name in Roman and syllabics; unframed sheet 35 x 28.75 in — 88.9 x 73 cm PROVENANCE:

Private Collection, New Brunswick $500—700 VIEW LOT Inuit Art

231

199 MOSESIE KOLOLA ᒧᓯᓯ ᑯᓗᓚ (1930-1985), KIMMIRUT (LAKE HARBOUR) INCISED TUSK ON BEAR HEAD BASE, CA. 1974 stone, ivory, signed in Roman; disc number inscribed 21.25 x 11 x 6 in — 54 x 27.9 x 15.2 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 1979, lot 245; Private Collection, Ontario $900—1,200 VIEW LOT

232 The Canada Auction Series

200 SEEPEE IPEELIE ᓯᐱ ᐃᐱᓕ (1940-2000), IQALUIT (FROBISHER BAY) DANCING WALRUS, CA. 1975 stone, antler, signed in syllabics 15 x 8 x 6 in — 38.1 x 20.3 x 15.2 cm PROVENANCE:

Private Collection, Ontario $800—1,000

Inuit Art

233

201 ATTRIBUTED TO: JACKOPOSIE OOPAKAK ᔭᐊᑲᐅᓯ ᐅᐸᑲᐊᒃ (B. 1948), IQALUIT (FROBISHER BAY) ARCTIC FIRMAMENT, CA. 2000 polar bear jaw bone, unsigned 8.25 x 8.75 x 3 in — 21 x 22.2 x 7.6 cm PROVENANCE:

Private Collection, Ottawa, ON $1,500—2,500 VIEW LOT 234 The Canada Auction Series

202 NUYALIAQ QIMIRPIK ᓄᔭᓕᐊ ᑭᒥᐱ (1937-2007), KIMMIRUT (LAKE HARBOUR) PAIR OF INCISED TUSKS, CA. 1980 stone, ivory, signed in syllabics; accompanied by a “Canadian Eskimo Art” tag inscribed “Newgaleah Quimmerpig / Lake harbour NWT / Jan 80 / Etched Tusk #198-6015” largest 23.5 x 4 x 2.25 in — 59.7 x 10.2 x 5.7 cm PROVENANCE:

Private Collection, British Columbia $700—900 VIEW LOT Inuit Art

235

203 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) JANUS-FACED SPIRIT, CA. 2000 whalebone, stone, baleen, antler, signed in syllabics 15 x 22.5 x 8 in — 38.1 x 57.2 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the artist $2,500—3,500 VIEW LOT 236 The Canada Auction Series

204 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) GIRL AND OWL SPIRIT, 2000 whalebone, stone, baleen, signed in syllabics; dated 11.5 x 18.5 x 4.25 in — 29.2 x 47 x 10.8 cm PROVENANCE:

Private Collection, Toronto, ON, acquired directly from the artist $2,500—3,500 VIEW LOT Inuit Art

237

205 BARNABUS ARNASUNGAAQ ᐸᓇᐸᓯ ᐊᓇᓴᒐ (1924-2017), QAMANI’TUAQ (BAKER LAKE) WINGED SPIRITS, CA. 1990 stone, signed in syllabics 7.75 x 6 x 6.25 in — 19.7 x 15.2 x 15.9 cm PROVENANCE:

Private Collection, Seattle, WA $700—900 VIEW LOT

238 The Canada Auction Series

206 JOSIAH NUILAALIK ᓄᐃᓚᓕ (1928-2005), QAMANI’TUAQ (BAKER LAKE) SPIRIT TRANSFORMATION, CA. 2000 stone, signed in syllabics 10 x 14 x 2 in — 25.4 x 35.6 x 5.1 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—1,500 VIEW LOT

Inuit Art

239

207 MIKISITI SAILA ᒥᑭᓯᑎ ᓴᐃᓚ (1939-2008), KINNGAIT (CAPE DORSET) PREENING LOON, 1995 stone, signed in Roman and syllabics; dated 18.5 x 15.5 x 4.5 in — 47 x 39.4 x 11.4 cm PROVENANCE:

Private Collection, California $600—900 VIEW LOT

240 The Canada Auction Series

208 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007), IQALUIT (FROBISHER BAY) STANDING BEAR, CA. 1985 stone, signed in Roman and syllabics 9.75 x 4.25 x 3 in — 24.8 x 10.8 x 7.6 cm PROVENANCE:

Walker’s Auctioneers, Ottawa, ON, 16 May 2008, lot 166; Private Collection, Ontario $2,000—4,000 VIEW LOT

Inuit Art

241

209 KELLYPALIK QIMIRPIK ᑭᒥᐱ (B. 1948), KINNGAIT (CAPE DORSET) DANCING WALRUS, CA. 1990 stone, whalebone, unsigned 20 x 18.5 x 7.5 in — 50.8 x 47 x 19.1 cm PROVENANCE:

Private Collection, California $1,500—2,500 VIEW LOT

242 The Canada Auction Series

210 GEORGE ARLUK ᐊᓗ (1949-2023), ARVIAT (ESKIMO POINT) TRANSFORMATION, CA. 1995 stone, antler, unsigned 16 x 9 x 8 in — 40.6 x 22.9 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—1,500 VIEW LOT

Inuit Art

243

211 JOHN TIKTAK ᔭᓐ ᑎᑕ RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) STANDING MAN, CA. 1970 stone, signed in syllabics 6.5 x 2.5 x 1.5 in — 16.5 x 6.4 x 3.8 cm PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 30 April 1980, lot 195; Private Collection, Maine $3,000—5,000 VIEW LOT

244 The Canada Auction Series

212 JOHN TIKTAK ᔭᓐ ᑎᑕ RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) TRIUMPHANT MAN, CA. 1970 stone, signed in syllabics 5.25 x 6.5 x 3.25 in — 13.3 x 16.5 x 8.3 cm PROVENANCE:

Private Collection, Toronto, ON $1,500—2,500 VIEW LOT

Inuit Art

245

213 JOHN TIKTAK ᔭᓐ ᑎᑕ RCA (1916-1981), KANGIQLINIQ (RANKIN INLET) FACES, CA. 1970 stone, signed in syllabics 6.5 x 7 x 4.5 in — 16.5 x 17.8 x 11.4 cm PROVENANCE:

Private Collection, Toronto, ON $3,000—4,000 VIEW LOT

246 The Canada Auction Series

214 TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015), QAMANI’TUAQ (BAKER LAKE) COMPOSITION WITH ANIMALS AND FACES, CA. 1995 stone, unsigned 13.5 x 10 x 9.5 in — 34.3 x 25.4 x 24.1 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $1,000—1,500 VIEW LOT

Inuit Art

247

215 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) FAMILY, CA. 1990 stone, signed in syllabics 9.5 x 3.5 x 2 in — 24.1 x 8.9 x 5.1 cm PROVENANCE:

Private Collection, Seattle, WA $500—700 VIEW LOT

248 The Canada Auction Series

216 ELIZABETH NUTARALUK AULATJUT ᐃᓕᓴᐸ ᓄᑕᕋᓗ (1914-1998), ARVIAT (ESKIMO POINT) FIGURE, CA. 1990 stone, signed in syllabics 5.5 x 5 x 1 in — 14 x 12.7 x 2.5 cm PROVENANCE:

Private Collection, Seattle, WA $400—600 VIEW LOT

Inuit Art

249

217 UNIDENTIFIED ARTIST PANNIRTUQ (PANGNIRTUNG) STANDING FIGURE, CA. 1958 stone, no visible signature; mounted to marble base 14 x 5.25 x 2.75 in — 35.6 x 13.3 x 7 cm PROVENANCE:

Private Collection, Cedarhurst, NY $700—900 VIEW LOT

250 The Canada Auction Series

218 HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007), IQALUIT (FROBISHER BAY) STANDING FIGURE, CA. 1985 stone, no visible signature; mounted to acrylic base 15.25 x 6 x 5 in — 38.7 x 15.2 x 12.7 cm PROVENANCE:

Fred and Laura Reif Collection of Inuit Art, Berkeley, CA $3,000—5,000 VIEW LOT

Inuit Art

251

219 JOY KILUVIGYUAK HALLAUK ᐊᓴᔪᐊ (1940-2000), ARVIAT (ESKIMO POINT) PEOPLE OF THE CARIBOU, CA. 1975 stone, signed in syllabics 8 x 4 x 3.75 in — 20.3 x 10.2 x 9.5 cm PROVENANCE:

Private Collection, Seattle, WA $400—600 VIEW LOT

252 The Canada Auction Series

220 MARTHA TICKIQ ᑎᑭ (1939-2015), QAMANI’TUAQ (BAKER LAKE) MOTHER AND CHILD, CA. 1990 stone, unsigned 12 x 10.25 x 7.25 in — 30.5 x 26 x 18.4 cm PROVENANCE:

Collection of Fred Ford, Winnipeg, MB $2,000—3,000 VIEW LOT

Inuit Art

253

221 NUVEEYA IPELLIE ᓄᕕᐊ ᐃᐱᓕ (1920-2010), IQALUIT (FROBISHER BAY) MUSK OX, CA. 1985 stone, ivory, unsigned 6.25 x 9 x 3.5 in — 15.9 x 22.9 x 8.9 cm PROVENANCE:

Private Collection, Berkeley, CA $600—900 VIEW LOT

254 The Canada Auction Series

222 KALAI ADLA ᑲᓓ ᐊᓚ (B. 1927), KINNGAIT (CAPE DORSET) PREENING BIRD, CA. 1965 stone, signed in syllabics 6 x 5.5 x 3 in — 15.2 x 14 x 7.6 cm PROVENANCE:

Private Collection, California $500—700 VIEW LOT

Inuit Art

255

223 JEAN BLODGETT (1945-2020) & KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) KENOJUAK: GRAPHIC MASTERWORKS OF THE INUIT, 1981 4to; buff blind stamped cloth, backed in caribou hide, green lettering on spine, buff blind stamped cloth slip case, Blodgett, Jean, Graphic Masterworks of the Inuit: Kenojuak (Toronto, ON: National Library of Canada, 1981); illustrated with full colour plates; accompanied by a hand-coloured etching “Myself and I” signed and numbered 14/275; limited edition 14/275, numbered and signed by the author 12.5 x 14 x 3.5 in — 31.8 x 35.6 x 8.9 cm PROVENANCE:

Private Collection, Ontario $1,000—1,500 256 The Canada Auction Series

VIEW LOT

224 KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ RCA (1935-2010), KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013) PETER PITSEOLAK ᐱᑕ ᐱᓯᐅᓚ (1902-1973), WITH THE WORLD WILDLIFE FUND THE WORLD WILDLIFE FUND COLLECTION: ART OF THE ESKIMOS, 1977 stonecuts; stonecut and stencils, limited edition print portfolio containing six prints; introductory loose leaf absent; accompanied by original invitation for preview at the Art Gallery of Ontario; all works titled, dated and numbered 47/200; artists’ names in Roman and syllabics; unframed portfolio 30 x 24.5 in — 76.2 x 62.2 cm PROVENANCE:

Private Collection, Vermont The leather-bound and pewter-trimmed portfolio contains explanatory texts accompanied by drawings and artist biographies. This specially commissioned work of six prints for the 1977 Art of the Eskimos, a cooperative project between the West Baffin Eskimo Cooperative and the International World Wildlife Fund. The portfolio “is dedicated to the animals of the Arctic and those men and women around the world.” Each print is blind embossed with the Panda symbol of the World Wildlife Fund.

Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010) Walrus [Timertik], 1977 (pictured) Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010) Caribou [Tuktu], 1977 Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010) Ducks [Metik], 1977 Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010) Big Male Musk Ox [Omingmungjuaq], 1977 (pictured) Kenojuak Ashevak ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013) Owl of the Sea [Kiggavik], 1977 (pictured) Peter Pitseolak ᐱᑕ ᐱᓯᐅᓚ (1902-1973) Hawk [Unnuarsiutit], 1977 $3,000—5,000

VIEW LOT Inuit Art

257

225 JESSIE OONARK ᔪᓯ ᐃᓇ OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) SPIRITS MAKING A WISH, 1978 stencil, titled, dated and numbered 23/39; artist’s and printer’s name in Roman and syllabics; framed sight 21.5 x 29.25 in — 54.6 x 74.3 cm PROVENANCE:

Private Collection, Ontario $2,000—3,000 VIEW LOT 258 The Canada Auction Series

226 JESSIE OONARK ᔪᓯ ᐃᓇ OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) MY HANDS ARE LIKE BIRDS, 1984 stonecut, titled, dated and numbered 46/50; artist’s and printer’s name in Roman and syllabics; framed sight 22.75 x 32 in — 57.8 x 81.3 cm PROVENANCE:

Private Collection, Ontario $600—900 VIEW LOT Inuit Art

259

227 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) NESTING BIRD, 1969 stonecut, titled, dated and numbered 42/50; signed in Roman; framed sight 17.5 x 23.25 in — 44.5 x 59.1 cm PROVENANCE:

Private Collection, London, ON $1,000—1,500 VIEW LOT 260 The Canada Auction Series

228 KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ CC, RCA (1927-2013), KINNGAIT (CAPE DORSET) NIGHT HUNTER, 1969 stonecut, titled, dated and numbered 20/50; artist’s name in Roman; unframed sheet 24.5 x 34 in — 62.2 x 86.4 cm PROVENANCE:

Private Collection, Vermont $3,000—5,000 VIEW LOT Inuit Art

261

229 JESSIE OONARK ᔪᓯ ᐃᓇ OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) THE LOVING COUPLE, 1980 stencil, titled, dated and numbered 19/45; artist’s and printer’s name in Roman and syllabics; unframed sheet 19 x 24 in — 48.3 x 61 cm PROVENANCE:

Private Collection, Ontario $800—1,200 VIEW LOT 262 The Canada Auction Series

230 JESSIE OONARK ᔪᓯ ᐃᓇ OC, RCA (1906-1985), QAMANI’TUAQ (BAKER LAKE) SHAMAN, 1969 stonecut, titled, dated and numbered 18/50; artist’s and printer’s name in Roman and syllabics; unframed sheet 11 x 12.25 in — 27.9 x 31.1 cm PROVENANCE:

Private Collection, Ontario $500—700 VIEW LOT Inuit Art

263

231 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) ECCLESIAST, 1969 stonecut, titled, dated and numbered 28/50; artist’s name in Roman; unframed sheet 21.5 x 24.25 in — 54.6 x 61.6 cm PROVENANCE:

Private Collection, New Brunswick $500—700 VIEW LOT 264 The Canada Auction Series

232 JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), PUVIRNITUQ (POVUNGNITUK) CLAWING ITS PREY, 1965 stonecut, titled, dated and numbered 11/30; artist’s name in syllabics; framed sight 10.5 x 12.5 in — 26.7 x 31.8 cm PROVENANCE:

Private Collection, Toronto, ON $600—800 VIEW LOT Inuit Art

265

233 MARY PUDLAT ᒥᐊᔨ ᐳᓪᓚᑦ (1923-2001), KINNGAIT (CAPE DORSET) BIRDS EMBRACE, 1999 etching and aquatint, titled, dated and numbered 49/50; artist’s name in Roman and syllabics; framed sheet 28.5 x 31.25 in — 72.4 x 79.4 cm PROVENANCE:

Private Collection, Toronto, ON $800—1,200 VIEW LOT 266 The Canada Auction Series

234 TIKITU QINNUAYUAK ᑭᓐᐅᐊᔪᐊ (1908-1992), KINNGAIT (CAPE DORSET) IPUTTUIT (ROWING THE BOAT), 1991 stonecut and stencil, titled, dated and numbered 39/50; artist’s name in Roman and syllabics; framed sight 21.75 x 26.25 in — 55.2 x 66.7 cm PROVENANCE:

Private Collection, London, ON $700—1,000 VIEW LOT Inuit Art

267

235 KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ RCA (1935-2010), KINNGAIT (CAPE DORSET) ARCTIC MURRES, 2007 etching and aquatint, titled, dated and numbered 48/50; artist’s name in Roman and syllabics; unframed sheet 28 x 35.25 in — 71.1 x 89.5 cm PROVENANCE:

Private Collection, Vermont $1,200—1,500 VIEW LOT 268 The Canada Auction Series

236 GERMAINE ARNAKTAUYOK ᔨᕐᒪᐃᓐ ᐊᕐᒃᑕᐅᔪᕐᒃ (B. 1946), IGLULIK (IGLOOLIK) QAYAIK (KAYAK), 2005 etching and aquatint, titled and numbered 7/75; artist’s name in Roman and syllabics; unframed sheet 30 x 25 in — 76.2 x 63.5 cm PROVENANCE:

Private Collection, Vermont $700—900 VIEW LOT Inuit Art

269

Canadian Arts, Culture & History tLOTS 301-401 Waddington’s Canadian Arts, Culture, and History auction reflects the country’s incredible breadth of talent across various disciplines. A twice-yearly occurrence, this auction echoes our popular Cabinet of Curiosities series, but instead of presenting all things foreign and exotic, the focus is instead turned homeward—and what treasures abound!

One of the highlights of this auction is lot 301, a 19th century Canada-United States Border Marker. It was not until the 1818 Convention of London that the line between the two nations was both legislatively defined and socially understood. Established along the 49th parallel, the demarcating line stretching from coast to coast is the longest undefended border in the world.

Made from granite, cast iron, bronze and stainless steel and placed in 1861, this obelisk is just one of the 8,600 total markers erected along the border between Canada and the United States.

Photography is one of the threads of this auction. Fans of SCTV and Toronto’s Second City troupe will enjoy a look behind the scenes, courtesy of lot 322, an album of polaroids of John Candy, Eugene Levy, Catherine O’Hara, Andrea Martin, Joe Flaherty, Harold Ramis and Dave Thomas in character makeup for their first television appearances on Global TV’s Second City, as photographed by Diane Rowe, a makeup artist who worked with the troupe from 1977 through 1979. Lot 303 is a rare carte de visite belonging to Louis Riel and bearing his photographic likeness, from an era that saw the election of Riel as President of a Provisional Métis government, the accession of the Province of Manitoba into Confederation (then the Red River Settlement), the execution of Thomas Scott on the orders of a Métis court-martial, Riel's election to the House of Commons, and subsequent escape to New York. Another lensbased work of note is lot 306, a photograph by Bob Olsen which captures the passing of John Diefenbaker's funeral train through Rosthern, Saskatchewan.

Maps, posters and other works on paper are also a theme of this auction, from lot 377, Giacomo Gastaldi’s woodcut map, said to be the first printed plan of a North American town or village, published in 1556, to lots 373-377, similarly interesting maps from historical Canada.

Canada’s great contributions to the musical field are reflected in lot 320, a self-portrait by Leonard Cohen, and lot 327, a signed album by Neil Young.

These works are enhanced by historical items from Indigenous cultures, European explorers and settlers, the fur trade, the Confederation of Canada, and the nation’s involvement in two World Wars.

We hope you will be as intrigued by these items as we were, and are pleased to be sharing this installment with you.

CANADIAN CHICLE GUM CO. LTD., PETERBOROUGH, PROMOTIONAL PILLOW SHAM, C.1910 270 The Canada Auction Series

Canadian Arts, Culture & History

271

301 CONVENTION OF LONDON CANADA-UNITED STATES BORDER MARKER, A. LAIDLAW & CO., HAMILTON, 19TH CENTURY cast iron, of obelisk form with Convention of London recto and ‘October 20, 1818’ verso in the cast and ‘Laidlaw & Co.’ and ‘Hamilton’ in small type, height 96 in — 243.8 cm NOTE:

By 1818 the relationship between Canada and the United States had come a long way from President John Adam’s assertion in 1776 that “Canada must be ours; Quebec must be taken”.

The American War of Independence was the first concrete step towards delineating a boundary between the North and South, with the War of 1812 serving as another catalyst for change; but it was not until the 1818 ‘Convention of London’ that the line between the two nations was both legislatively defined and socially understood. Established along the 49th parallel, the demarcating line stretching from coast to coast is the longest undefended border in the world.

The Convention outlined a series of articles that firmly stated the geographical and commercial rights of each country. It initially included a clause that left what was west of the Rocky Mountains to be “free and open” to either British or American settlement, a policy later nullified by the Oregon Treaty of 1846 which extended the 49th parallel to the Strait of Georgia in the Pacific Ocean.

Made from granite, cast iron, bronze and stainless steel and placed in 1861, this obelisk is just one of the 8,600 total markers erected along the border between Canada and the United States. $5,000—7,000 VIEW LOT

272 The Canada Auction Series

Canadian Arts, Culture & History

273

302 ALFRED LALIBERTÉ (1878-1953), CANADIAN BUST OF SIR WILFRID LAURIER patinated bronze, signed and dated 1949, with impressed ‘Roman Bronze Works Inc.’ foundry mark 19 x 17.5 x 19 in — 48.3 x 44.5 x 48.3 cm $2,000—3,000 VIEW LOT

274 The Canada Auction Series

303 LOUIS RIEL CARTE DE VISITE, HALL-LOWE STUDIO, WINNIPEG, 1870 signed albumin print on studio card, after the portrait by John Harrington Noverre, Toronto 3.5 x 2.5 in — 8.9 x 6.4 cm $800—1,200 VIEW LOT

Canadian Arts, Culture & History

275

304 TORONTO AMATEUR ATHLETIC CLUB SILVER SHOOTING MEDAL, 1907 presented to Col. Sgt. A. Anderson, G Company, 48th Highlanders, ribbon height 3.5 in — 8.9 cm; medal diameter 1.4 in — 3.5 cm $100—150 VIEW LOT

276 The Canada Auction Series

305 ELISHA KENT KANE (1820-1857), AMERICAN ARCTIC EXPLORATIONS: THE SECOND GRINNELL EXPEDITION IN SEARCH OF SIR JOHN FRANKLIN, 1853, 54, 55 2 vols., 8vo., each with portrait frontispiece, illustrated half title, full title and fold-out chart, numerous mezzotint full plates with tissue guards and woodcut vignettes in the text, in later 3/4 calf mottled paper boards, the ribbed spines with applied labels; Philadelphia, Childs & Peterson, 1856 9 x 6.25 in — 22.9 x 15.9 cm $400—600 VIEW LOT

Canadian Arts, Culture & History

277

306 BOB OLSEN (1931-2022) THE ‘CHIEF’S’ FINAL TRIP gelatin silver print photograph of John Diefenbaker’s funeral train passing by the Janzen family of Rosthern, SK PROVENANCE:

Estate of Joel Aldred, Port Perry, ON NOTE:

The current lot was presented by the photographer to Diefenbaker’s friend and advisor, Joel Aldred, in September of 1979. $300—400 VIEW LOT 278 The Canada Auction Series

307 LARGE QUEBEC SILVER ECUELLE, MID 18TH CENTURY each anthemion form handle with impressed maker’s mark crowned UR and flanking a bowl monogrammed PB interspersed with plant stalks, overall width 12.3 in — 31.2 cm; bowl diameter 7.4 in — 18.7 cm PROVENANCE:

John L. Russell Antiques, Sherbrooke St., Montreal, QC, mid 1960s LITERATURE:

See Langdon, CANADIAN SILVERSMITHS: 1700-1900, Stinehouse Press, 1966 $3,500—5,000 VIEW LOT

Canadian Arts, Culture & History

279

308 WWI GOLD MOUNTED SILVER ROYAL REGIMENT OF CANADIAN ARTILLERY PRESENTATION CIGARETTE CASE, HORACE WOODWARD & CO., BIRMINGHAM, 1916 the top with applied regimental badge, the interior with impressed maker’s and hallmarks, and with presentation inscription to ‘Major N.H. Macaulay, D.S.O., From N.C.O.’s & Men, 52nd Battery C.F.A., 1ST January, 1919, Siegburg, Germany’ $200—300 VIEW LOT

280 The Canada Auction Series

309 SIX HERBERT KITCHENER, 1ST EARL KITCHENER COMMEMORATIVE TEASPOONS, ROGERS CUTLERY CO., EARLY 20TH CENTURY silverplated, each with impressed maker’s marks, each length 5.9 in — 15 cm $80—120 VIEW LOT

Canadian Arts, Culture & History

281

310

311

TWELVE WORCESTER DINNER PLATES MADE FOR ALBERT, PRINCE OF WALES’S VISIT TO CANADA, KERR AND BINNS, 1860 each with green over-painted transfer decoration including the Prince of Wales plumed crest under the coronet of the prince consort, all within a maple leaf wreath border, and with impressed makers and PODR marks and retailer’s transfer mark for Sharpus & Co., 13 Cockspur St., London, verso, each diameter 10 in — 25.4 cm

ELEVEN WORCESTER DESSERT PLATES MADE FOR ALBERT, PRINCE OF WALES’S VISIT TO CANADA, KERR AND BINNS, 1860 each with green over-painted transfer decoration including the Prince of Wales plumed crest under the coronet of the prince consort, all within a maple leaf wreath border, and with impressed makers and PODR marks and retailer’s transfer mark for Sharpus & Co., 13 Cockspur St., London, verso, each diameter 8 in — 20.3 cm

LITERATURE:

Illustrated: E. Collard, 19th Century Pottery and Porcelain in Canada (2nd edition), plate 69.

Illustrated: E. Collard, 19th Century Pottery and Porcelain in Canada (2nd edition), plate 69. $1,000—1,500 VIEW LOT

LITERATURE:

$800—1,200

VIEW LOT

312

313

LARGE WORCESTER LOW CENTREPIECE COMPORT MADE FOR ALBERT, PRINCE OF WALES’S VISIT TO CANADA, KERR AND BINNS, 1860 with green over-painted transfer decoration including the Prince of Wales plumed crest under the coronet of the prince consort, all within a maple leaf wreath border, and with retailer’s transfer mark for Sharpus & Co., 13 Cockspur St., London, verso, height 3 in — 7.6 cm, diameter 11 in — 27.9 cm

TUREEN STAND, VEGETABLE DISH AND A LARGE PLATTER MADE FOR ALBERT, PRINCE OF WALES’S VISIT TO CANADA, KERR AND BINNS, 1860 with green over-painted transfer decoration including the Prince of Wales plumed crest under the coronet of the prince consort, all within a maple leaf wreath border, and with impressed makers and PODR marks and retailer’s transfer mark for Sharpus & Co., 13 Cockspur St., London, verso, platter 14.3 x 17 in — 36.3 x 43.2 cm

LITERATURE:

Illustrated: E. Collard, 19th Century Pottery and Porcelain in Canada (2nd edition), plate 69. $400—600 VIEW LOT

282 The Canada Auction Series

$300—500 VIEW LOT

Canadian Arts, Culture & History

283

314 PORTRAIT MINIATURE OF GENERAL JAMES WOLFE, EARLY 19TH CENTURY gouache on oval ivory panel in a gilt metal slip and ebonised frame, 5.5 x 4.75 in — 14 x 12.1 cm $150—250 VIEW LOT

284 The Canada Auction Series

315 PORTRAIT MINIATURE OF JOHN DOUGLAS SUTHERLAND CAMPBELL (1845-1914), 9TH DUKE OF ARGYLL, C.1870 gouache on oval ivory panel in gilt metal slip, 2.4 x 2 in — 6.2 x 5.1 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

285

316 PLAINS OF ABRAHAM HISTORICAL PAMPHLET: MR. COOPER’S SERMON, OCCASIONED BY THE REDUCTION OF QUEBEC, 1759 8vo., 53p., on wove paper saddle stitched: ‘A sermon preached before His Excellency Thomas Pownall, Esq; Captain-General and Governor in Chief, the Honourable His Majesty’s Council and House of Representatives, Of the Province of the Massachusetts-Bay in New-England, October 16th, 1759: Upon Occasion of the Success of His Majesty’s Arms in the Reduction of Quebec. / By Samuel Cooper, A.M. Pastor of a church in Boston, Boston: New England; Printed by Green & Russell, and Edes & Gill, by Order of His Excellency the GOVERNOR, and both Houses of ASSEMBLY’, 9 x 5.5 in — 22.9 x 14 cm $200—300 VIEW LOT 286 The Canada Auction Series

317 TWO ENGRAVED PORTRAITS OF NOTABLE CANADIAN HISTORICAL FIGURES, 18TH/EARLY 19TH CENTURIES ADMIRAL SAUNDERS AND JOSEPH (BRANT) THAYENDANEKEN both in period frames, larger frame 22.5 x 20 in — 57.2 x 50.8 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

287

318 DAVID BROWN MILNE (1882-1953) PAINTING PLACE, 1931 drypoint etching printed in colours, signed in pencil and bound into ‘The Colophon: A Book Collectors’ Quarterly’, Part V, New York, Colophon Ltd., 1931, sheet 10.5 x 8.5 in — 26.7 x 21.6 cm $500—700 VIEW LOT

288 The Canada Auction Series

319 PHOTOGRAPH OF WILLIAM HENRY DRUMMOND (1854-1907) BY JAMES RICE STUDIO, MONTREAL, EARLY 20TH CENTURY albumin print on studio card, signed by the photographer, lower right margin, the subject modelled hunting in a marshland setting framed 16.3 x 19.3 in — 41.5 x 49 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

289

320 LEONARD COHEN (1934-2016) IT WAS THE HAT AFTER ALL, 2007 self-portrait, serigraph print on wove paper, signed, titled, numbered 30/100 and dated in pencil, bearing the artist’s red ‘Unified Heart’ seals and blind stamps, 15 x 12 in — 38.1 x 30.5 cm PROVENANCE:

The Drabinsky Gallery, Toronto, ON $500—700 VIEW LOT

290 The Canada Auction Series

321 LEONARD COHEN (1934-2016) ‘DRAWN TO WORDS’ EXHIBITION SIGNED POSTER AND CATALOGUE, 2007 each signed in black marker by the artist poster frame 37.25 x 25.75 in — 94.6 x 65.4 cm PROVENANCE:

The Drabinsky Gallery, Toronto, ON $300—500 VIEW LOT

Canadian Arts, Culture & History

291

322 THE SECOND CITY (SCTV): ALBUM OF MOSTLY POLAROID PHOTOGRAPHS OF JOHN CANDY, EUGENE LEVY, CATHERINE O’HARA, ANDREA MARTIN, JOE FLAHERTY, HAROLD RAMIS AND DAVE THOMAS IN CHARACTER MAKEUP FOR IMPROVISATIONAL SHOWS AT TORONTO’S OLD FIREHALL, 1977-1979 each taken for reference and documentation by make-up artist Diane Rowe, accompanied by a second album of related press clippings, each album 11.75 x 10.5 in — 29.8 x 26.7 cm PROVENANCE:

Diane Rowe, Toronto, ON VIEW LOT 292 The Canada Auction Series

NOTE:

Chicago’s ‘The Second City’ comedy club expanded to Toronto in 1971, opening its doors on Lombard Street at The Old Firehall. The Toronto location quickly became a hub for Canadian comedy talent, launching the careers of many comedians and actors such as Martin Short, Andrea Martin, Catherine O’Hara, Eugene Levy and Dave Thomas.

The troupe’s comedy style was known for its sharp satire, political commentary, and irreverent humour.

Diane Rowe started her career as a make up artist in the early 1970s at Granada Television in the UK, working on such shows as Coronation Street. After emigrating to Canada, Rowe worked with the Second City troupe at Global TV, on their first television regularly scheduled television show. $300—400

Canadian Arts, Culture & History

293

323 TRANS CONTINENTAL POP FESTIVAL (FESTIVAL EXPRESS) PRESS KIT, 1970 the blue Duo-Tang folder with a fabric ‘rumpersitcker’ and 10 gelatin silver publicity ‘glossies’ including Janice Joplin, Ten Years After, Ian & Sylvia with The Great Speckled Bird, The Band, Grateful Dead, etc., 11.75 x 9.5 in — 29.8 x 24.1 cm $100—150 VIEW LOT

294 The Canada Auction Series

324 TRANS CONTINENTAL POP FESTIVAL (FESTIVAL EXPRESS) POSTER, 1970 design by Ken Walker, art by John Hayward Lown, 22.2 x 17.2 in — 56.4 x 43.7 cm NOTE:

Featuring The Band, Janice Joplin, Grateful Dead, Delaney & Bonnie, Cat, Ten Years After, Ian and Sylvia with the Great Speckled Bird, etc., at the CNE Grandstand, Toronto. $200—300 VIEW LOT

Canadian Arts, Culture & History

295

325 FIFTEEN COSTUME DESIGNS FOR VARIOUS STRATFORD FESTIVAL PRODUCTIONS, 1953-1962 each a lithograph on paper, signed or initialed by the artist and laid down on card, the oldest

by Tanya Moiselwitsch for the titular character of Richard III, played by Alec Guinness in the first production of Stratford’s inaugural season (1953); other designers represented are Brian Jackson, Robert Prevost, and Desmond Heeley, 14 x 11 in — 35.6 x 27.9 cm $150—250 VIEW LOT

296 The Canada Auction Series

326 THE BODY POLITIC GAY LIBERATION MAGAZINE: EIGHT EARLY EDITIONS, 1972-1977 tabloid format, including issue nos. 2 (x2), 3, 4, 5 and 6 dated 1972, issue no. 19, 1975 and no. 30, 1977, each 12 x 8.5 in — 30.5 x 21.6 cm $80—120 VIEW LOT

Canadian Arts, Culture & History

297

327 NEIL YOUNG SIGNED LP RECORD ALBUM ‘HARVEST’, 1972 the gatefold sleeve signed in black felt tip marker on the cover, 12.5 x 12.5 in — 31.8 x 31.8 cm NOTE:

Neil Young’s ‘Harvest’ is widely regarded as one of the artist’s most accomplished works, featuring a mix of acoustic and electric sounds, with Young’s distinct vocals and songwriting taking center stage. The record introduced classics like “Heart of Gold” and “Old Man”, which are among some of the most recognizable songs in Young’s extensive catalog and its mellow, introspective vibe is complemented by the contributions of a host of notable guest musicians, including James Taylor, Linda Ronstadt, and members of The Band. $100—150 VIEW LOT

298 The Canada Auction Series

328 CANADIAN CHICLE GUM CO. LTD., PETERBOROUGH, PROMOTIONAL PILLOW SHAM, C.1910 silkscreen on satin, framed $200—300 VIEW LOT

Canadian Arts, Culture & History

299

329 TWO SIGNED WILFRED GRENFELL PAMPHLETS WHAT CAN JESUS CHRIST DO WITH ME, 1912 AND THE CHALLENGE OF LABRADOR, 1928 each with author’s signature in quill on the cover, larger 8.75 x 5.7 in — 22.2 x 14.5 cm $100—200 VIEW LOT

300 The Canada Auction Series

330 SIR WILFRED THOMASON GRENFELL A LABRADOR DOCTOR AND AUTOGRAPH SIGNED LETTER, 1931 8vo., green cloth boards with gilt title, end paper signed, with pen and ink sketch titled ‘M. Christmas Dinner in Labrador’, with tipped in letter on Tuskegee Institute letterhead to Mrs. Pomeroy, speaking largely to his work on greenhouses. Houghton Mifflin, Boston and New York, 1925, 8.9 x 6.5 in — 22.6 x 16.5 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

301

331 GRENFELL INDUSTRIES MAT WITH DUCKS FLYING OVER EVERGREENS, MID 20TH CENTURY with cloth label verso, 26.25 x 40.5 in — 66.7 x 102.9 cm $300—400 VIEW LOT

302 The Canada Auction Series

332 GRENFELL LABRADOR INDUSTRIES HOOKED MAT OF A DOG SLED TEAM, MID 20TH CENTURY together with a second mat of a husky, larger 12.5 x 24.5 in — 31.8 x 62.2 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

303

333 GRENFELL LABRADOR INDUSTRIES CARVED MARINE IVORY GROUP, C.1965 comprising eight pieces of jewellery, a dog sled team and a model of a codfish dogsled team length 9 in — 22.9 cm $200—300 VIEW LOT

304 The Canada Auction Series

334 GRENFELL LABRADOR INDUSTRIES POTTERY GROUP, C.1965 comprising four goblets, a cream jug and a sugar bowl, each signed goblet height 6.5 in — 16.5 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

305

335 MIXED METAL TABLE BOX BY CORNELIUS JAKOB VAN DOP (B.1945), CORNWALL, ONT., 2ND HALF 20TH CENTURY, DUTCH/CANADIAN brass, copper and nickel, impressed maker’s mark CJVD to underside .75 x 4 x 2.4 in — 1.9 x 10.2 x 6 cm $200—300 VIEW LOT

306 The Canada Auction Series

336 CANADIAN STONEWARE JUG, THE WM. MARA CO., WINE MERCHANTS, TORONTO, 19TH CENTURY of 2 gallon capacity, height 12 in — 30.5 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

307

337 CANADIAN STONEWARE HALF GALLON JUG, 19TH CENTURY the body inscribed ‘The Property of Boon & Nowell, Toronto’, height 11 in — 27.9 cm $100—150 VIEW LOT

308 The Canada Auction Series

338 CHEVROLET CANADIAN JUBILEE DERBY SALESMAN’S QUOTA SHIELD PRESENTED TO M.L. PRENTICE, OCTOBER, 1927 white metal on oak with easel strut, 7.75 x 6.75 in — 19.7 x 17.1 cm $150—250 VIEW LOT

Canadian Arts, Culture & History

309

339 THREE WWII ERA DELFT TILES, 1943/5 the first commemorating the birth of Princess Margriet of the Netherlands in Ottawa, 1942, the others celebrating RAF food drop campaigns and the Dutch liberation from German occupation, each 7.75 x 5.75 in — 19.7 x 14.6 cm $200—300 VIEW LOT

310 The Canada Auction Series

340 WEDGWOOD JASPER BLUE MUG COMMEMORATIVE OF THE CONSTITUTION ACT, 1982 from an edition of 2,500, with Canadian Coat of Arms recto, a profile portrait of Elizabeth II verso and signed by Lord (Piers Anthony Weymouth) Wedgwood on the base, height 4.5 in — 11.4 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

311

341 QUANTITY OF STEREOSCOPE SLIDES OF PRIZE WINNING CATTLE, TORONTO (CANADIAN) NATIONAL EXHIBITION AND NEW YORK STATE FAIR, KEYSTONE VIEW COMPANY, C.1909 62 slides numbered consecutively accompanied by a ‘Stereo Graphoscope’ viewer slides 3.5 x 7 in — 8.9 x 17.8 cm $100—150 VIEW LOT

312 The Canada Auction Series

342 PETERBOROUGH CANOE COMPANY LIMITED MINIATURE PADDLE, EARLY-MID 20TH CENTURY length 18.25 in — 46.4 cm $80—120 VIEW LOT

Canadian Arts, Culture & History

313

343 CANADIAN DEPARTMENT OF THE INTERIOR LINEN BACKED FOLDING MAP OF TORONTO/MUSKOKA, 1912 open 36 x 28.5 in — 91.4 x 72.4 cm; closed 9.5 x 6.4 in — 24.1 x 16.3 cm $200—300 VIEW LOT

314 The Canada Auction Series

344 ARTHUR PEQUEGNAT CLOCK CO. ‘CANADIAN TIME’ OAK WALL TIMEPIECE, BERLIN, ONTARIO, C.1910 36 x 18 x 6.5 in — 91.4 x 45.7 x 16.5 cm $300—500 VIEW LOT

Canadian Arts, Culture & History

315

345 NORTH EASTERN WOODLANDS ALGONQUIN ELM BURL BOWL, 18TH/EARLY 19TH CENTURY approx. diameter 16 in — 40.6 cm $1,500—2,500 VIEW LOT

316 The Canada Auction Series

346 PAIR OF NORTHERN PLAINS PICTORIAL MOCCASINS, LIKELY ASSINIBOINE, LATE 19TH – EARLY 20TH CENTURY fringed at the heel, the beaded vamps decorated with figures, flags and foliage 3.5 x 9.75 x 4 in — 8.9 x 24.8 x 10.2 cm PROVENANCE:

Private Collection, Calgary, AB $2,000—2,500 VIEW LOT

Canadian Arts, Culture & History

317

347 PAIR OF NORTHERN PLAINS BEADED DOESKIN MOCCASINS, LIKELY OCETI SAKOWIN (SIOUX), LATE 19TH CENTURY each 3 x 9.75 x 3 in — 7.6 x 24.8 x 7.6 cm, length 9.75 in — 24.8 cm PROVENANCE:

Private Collection, Toronto, ON $200—300 VIEW LOT

318 The Canada Auction Series

348 NORTHERN PLAINS BEADED DOESKIN JACKET, EARLY 20TH CENTURY cotton lined, fringed, and with patch pockets $400—600 VIEW LOT

Canadian Arts, Culture & History

319

349 TWO NORTHERN WOODLANDS CROOKED DRAW-KNIVES (MOCOTAUGAN), EARLY AND MID 19TH CENTURY one with plain grip, the second, older example with ‘beaver tail’ cross-hatched grip longest length 9.25 in — 23.5 cm $300—500 VIEW LOT

320 The Canada Auction Series

350 WILLIAM DANIEL BLATCHLY (1838-1903) BATTLE OF FISH CREEK; BATTLE OF CUT KNIFE CREEK; THE CAPTURE OF BATOCHE three colour lithographs published by The Grip Printing and Publishing Co., Toronto, unframed, each sheet 21 x 28 in — 53.3 x 71.1 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

321

351 EAST COAST PAINTED SAILCLOTH SEA CHEST COVER, 19TH CENTURY the central oval depicting a three-masted barque at sea, 15.5 x 32 in — 39.4 x 81.3 cm $200—300 VIEW LOT

322 The Canada Auction Series

352 GOVERNMENT OF CANADA 25 YEARS OF SERVICE PRESENTATION RING, MID 20TH CENTURY 10k gold mounted silver, bearing the Arms of Canada, size 8 1/2, 0.5 oz. — 14.3 grams $100—150 VIEW LOT

Canadian Arts, Culture & History

323

353 ELEVEN CUT SIGNATURES OF NOTABLE EARLY CANADIAN POLITICAL AND BUSINESS LEADERS, EARLY-MID 19TH CENTURY various sizes, largest 5.5 x 1.5 in — 14 x 3.8 cm Including: William Dickson (1769-1846), Upper Canadian lawyer, businessman and politician Sir Henry Smith (1812-1868), Canadian lawyer and politician Thomas Scott (1746-1824), Upper Canadian judge and political figure James Leslie (1786-1873), Canadian businessman and political figure William Jarvis (1756-1817), American-born head of the Jarvis family of Toronto William Warren Baldwin (1775-1844), Toronto doctor, businessman, lawyer, judge, architect and reform politician in Upper Canada Thomas Scott (1746-1824), Upper Canadian judge and political figure William Eli Sanford (1838-1899), Upper Canadian businessman, philanthropist, and politician Sir David William Smith, 1st Baronet (1764 -1837), Soldier and political figure in Upper Canada Henry John Boulton (1790-1870), Lawyer and political figure in Upper Canada and the Province of Canada, as well as Chief Justice of Newfoundland Jacob Valentine Troop (1809-1881), Merchant, ship owner and political figure in New Brunswick David Thorburn (1790-1862), Scottish-born merchant and political figure in Upper Canada $200—300 VIEW LOT

324 The Canada Auction Series

Canadian Arts, Culture & History

325

354 TYPED LETTERS, SIGNED, BY THREE CANADIAN PRIME MINISTERS, 1901, 1925 AND 1944 SIR WILFRID LAURIER (1841-1919) Canadian lawyer, statesman, and politician who served as the seventh Prime Minister of Canada from 1896 to 1911, signed as Prime Minister, one page, 4to., on Privy Council Letterhead, dated at Ottawa, 17th June 1901, to the Right Reverend A. Hunter Dunn, declining an invitation to an event in Arthabaska.

William Lyon Mackenzie King (1874-1950) Canadian statesman and politician who served as the tenth prime minister of Canada for three non-consecutive terms from 1921 to 1926, 1926 to 1930, and 1935 to 1948, signed as Prime Minister, one page, 8vo., on Office of the Prime Minister letterhead, dated at Ottawa, June 29, 1944, a letter of condolence on the death of a gallant son (Francis Weatherford Peterkin, a flight sergeant in the Canadian Air Force who died October 22, 1943 in an overseas battle at the age of 26.)

Sir Robert Laird Borden (1854-1937) Canadian lawyer and politician who served as the eighth prime minister of Canada from 1911 to 1920, best known for his leadership of Canada during the first World War. Typed letter signed. One page horizontal 8vo., on Glensmere, Ottawa letterhead, dated at Booth Building, Sparks Street, Ottawa, 7th October 1925, sending his autograph. largest 10 x 8 in — 25.4 x 20.3 cm $300—400 VIEW LOT

326 The Canada Auction Series

Canadian Arts, Culture & History

327

355 CHRISTMAS CARDS AND NOTE FROM GOVERNORS GENERAL OF CANADA, 1944, 1962 AND C.1982 Harold Alexander, 1st Earl Alexander (1891-1969), also called Viscount Alexander of Tunis (1946-52) or Sir Harold Alexander (1942-46).

A prominent British Field Marshal in World War II noted for his North African campaigns against Field Marshal Erwin Rommel and for his later commands in Italy and western Europe, and as the 17th Governor General of Canada, signed Christmas card dated 1949, with photograph of the Parliament Buildings in Ottawa.

Georges-Philias Vanier (1888-1967) Canadian military officer and diplomat who served as 19th Governor General of Canada, the first Quebecer and second Canadian-born person to hold the position; card with engraving of Rideau Hall, signed and dated by Vanier and his wife Pauline Vanier, dated December 1962.

Edward Richard Schreyer (b. 1935) Canadian politician, diplomat, and statesman who served as 22nd Governor General of Canada; a signed Rideau Hall note card, with unsigned Christmas card, largest 5.74 x 7.25 in — 14.6 x 18.4 cm $100—150 VIEW LOT

328 The Canada Auction Series

Canadian Arts, Culture & History

329

356 SIGNATURES OF TWO GOVERNORS GENERAL OF CANADA OF SPORTING INTEREST, 19TH/EARLY 20TH CENTURY Albert Henry George Grey, 4th Earl Grey (1851-1917), quill signature on Government House stationery as Governor General of Canada from 1904 to 1911. Earl Grey established awards that honour Canadian arts, drama and sports, and the Grey Cup is still presented each year to the winning team of the Canadian Football League championship.

Field Marshal Julian Hedworth George Byng, 1st Viscount Byng of Vimy (1862-1935) and (Marie) Evelyn Byng, Viscountess Byng of Vimy (1870-1949), quill signatures on paper, undated. Lady Byng is best known for donating the Lady Byng Trophy to the NHL in 1925. She and her husband were both keen sports fans, especially of ice hockey, and attended many Ottawa Senators games, donating the trophy as Lady Byng appreciated gentlemanly play and good sportsmanship and wanted to encourage and reward it.

4.75 x 6 in — 12.1 x 15.2 cm $200—300 VIEW LOT

330 The Canada Auction Series

Canadian Arts, Culture & History

331

357 FAMILY ARCHIVE OF THOMAS HAZLETT DOBSON, NEW BRUNSWICK MERCHANT (1847-1920) including two cabinet cards of Dobson, one signed, verso Robert F. Hazen (1803-1874) document signed December 1st, 1837, recognising Dobson as a Free-Man of the City of Saint John (Hazen was Mayor of Saint John 1837-1840) Aaron Alward (1828-1886) document signed 14th April 1870, recognising Thomas H. Dobson, laborer, as Free-Man of the City of Saint John. Alward was a physician and political figure in New Brunswick and represented the City of Saint John in the Legislative Assembly of New Brunswick from 1870 to 1874 Dr. W.S. Carter, (1858-?) Chief Superintendent of Education for New Brunswick. Document signed 1st July 1910, awarding a teacher’s license. Carter was an educational leader and served as Chief Superintendent of Education for New Brunswick from 1909-1931 St. John Rural Cemetery document one page, signed John Cruikshank, reserving a burial plot, dated 31st January 1887 St. John Rural Cemetery document one page, folio, signed G. Sidney Smith, arranging burial for Thomas Dobson, dated 1st February 1887, together with approximately 20 additional family documents dated from the mid 19th to early 20th centuries $200—300 VIEW LOT

332 The Canada Auction Series

Canadian Arts, Culture & History

333

358 PHOTOGRAPHIC ARCHIVE OF THE EDWARD SAWTELL FAMILY OF MONTREAL, 19TH AND EARLY 20TH CENTURY including four early William Notman cartes de visite and cabinet cards, as well as other cabinet cards and photographs of extended family members, together with related correspondence, largest card 8.1 x 5.7 in — 20.5 x 14.5 cm $200—300 VIEW LOT

334 The Canada Auction Series

359 THREE WWII PRIME MINISTER’S OFFICE IDENTIFICATION CARDS FOR DEANE H. RUSSELL, PRINCIPAL SECRETARY TO MACKENZIE KING, 1940/41 framed with ‘Prime Ministers Office No. 3’ door sign and photograph 12.6 x 14.6 in — 32 x 37.1 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

335

360 FOUR FRAMED DOMINION STORES LIMITED SHARE CERTIFICATES, 1927-1932 two signed by William James Pentland, co-founder and president of Dominion Grocery Stores, each framed 18 x 22 in — 45.7 x 55.9 cm $200—300 VIEW LOT

336 The Canada Auction Series

361 PAIR OF PORTRAIT PHOTOGRAPHS OF HM QUEEN ELIZABETH AND HRH PRINCE PHILIP BY ANTHONY BUCKLEY, 1968 each gelatin silver print signed by the photographer and mounted on studio card signed and dated by the sitter, each print 11.8 x 9 in — 30 x 22.9 cm; each framed 19.5 x 15.5 in — 49.5 x 39.4 cm NOTE:

Though best-known as a royal photographer in the 1960s and 1970s, Anthony Buckley’s long career as a portraitist stretched from 1937-1975. $800—1,200 VIEW LOT Canadian Arts, Culture & History

337

362 JEAN-MARC CARISSE PIERRE ELLIOT TRUDEAU large gelatin silver print, tinted and signed lower left, sight 19 x 15.4 in — 48.3 x 39 cm; framed 25.25 x 21.5 in — 64.1 x 54.5 cm $300—400 VIEW LOT

338 The Canada Auction Series

363 PHOTOGRAPH ALBUM OF A FAMILY OF TRAVELLING ACROBATS, 1939-1943 56 gelatin silver prints, with captions, of ‘Ruth, Audrey and Johnny’ practising, and the family at various locations including Vancouver, BC, Winnipeg, MB and Laclu, ON. album 8 x 11.5 in — 20.3 x 29.2 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

339

364 PHOTOGRAPH PORTRAIT OF THE 19TH ALBERTA DRAGOONS NON-COMMISSIONED OFFICERS, EARLY 20TH CENTURY gelatin silver print, framed 8.25 x 14.25 in — 21 x 36.2 cm $100—150 VIEW LOT

340 The Canada Auction Series

365 WILLIAM NOTMAN & FRASER, CANADIAN THE MEMBERS OF THE LEGISLATIVE ASSEMBLY OF ONTARIO, TORONTO, 1879 ALBUMIN PRINT, TITLED AND SIGNED, ON STUDIO CARD IN ORIGINAL SLIP overall 20.5 x 30.25 in — 52.1 x 76.8 cm; print 10.25 x 20 in — 26 x 50.8 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

341

366 MILTON FIRE BRIGADE COMPANY PORTRAIT PHOTOGRAPH, 1907 14.25 x 18.25 in — 36.2 x 46.4 cm $100—150 VIEW LOT

342 The Canada Auction Series

367 PHOTOGRAPH PORTRAIT OF R.C.A.F. FLIGHT 4, SQUADRON B, #8A, PERMANENT SECURITY GUARD COURSE, MANNING DEPOT, TORONTO, 1942 signed, titled and dated in the print, framed 7.9 x 15.7 in — 20 x 40 cm $80—120 VIEW LOT

Canadian Arts, Culture & History

343

368 WWI BLUEPRINT PLAN: ‘CANADIAN EXPEDITIONARY FORCE, FROM CANADA TO ENGLAND, LEAD BY REAR ADMIRAL WHYM IN H.M.S. CHRYBDIS’, OCTOBER 3, 1914 sheet 8.7 x 27.8 in — 22 x 70.5 cm; framed 13.75 x 33.5 in — 34.9 x 85.1 cm $200—300 VIEW LOT

344 The Canada Auction Series

Canadian Arts, Culture & History

345

369 WWII CANADIAN PACIFIC COAST MILITIA RANGERS (PCMR) GROUP, C.1942-45 comprising a cap with a cap badge, a lapel pin, a fabric swatch and two photographs, one inscribed ‘Nanaimo, H. Baldwin’ $200—300 VIEW LOT

346 The Canada Auction Series

370 BOER WAR CANADIAN IMPERIAL YEOMANARY CAP BADGE, C.1900 1.1 x 1.7 in — 2.8 x 4.2 cm $80—120 VIEW LOT

Canadian Arts, Culture & History

347

371 WWII R.C.A.F. HEAVY BOMBER SQUADRON NO. 6 GROUP MISSION NAVIGATOR LISTS AND RELATED MAPS, 1944 each bomb silhouette cut from a map, and inscribed verso with the target city, the mission date and a list of the navigators involved, accompanied by a quantity of related war room maps of Europe, each silhouette height 13 in — 33 cm $200—300 VIEW LOT

348 The Canada Auction Series

Canadian Arts, Culture & History

349

372 THOMAS JEFFRIES (C.1719-1771) THE NATURAL AND CIVIL HISTORY OF THE FRENCH DOMINIONS IN NORTH AND SOUTH AMERICA 1st edition, folio, two parts in one volume, full titles in red and black, all 18 folding engraved maps and plans absent, marbled end papers, contemporaneous full calf boards, London, printed for Thomas Jeffreys at Charing Cross, 1760, 14.75 x 9.5 in — 37.5 x 24.1 cm $800—1,200 VIEW LOT

350 The Canada Auction Series

373 TWO SMALL MAPS OF CANADA, EARLY-MID 18TH CENTURY CARTE GENERALE DU CANADA EN PETIT POINT (1703), AND A PLAN OF THE CITY & HARBOUR OF LOUISBURG: SHOWING THAT PART OF GABARUS BAY IN WHICH THE ENGLISH LANDED, ALSO THEIR ENCAMPMENT DURING THE SIEGE IN 1745 the first by Louis-Armand de Lom d’Arce de Lahontan, Baron de Lahontan (1666-prior to 1716), the second published in Gentlemen’s Magazine, March 1758 Carte Generale 4.75 x 6 in — 12.1 x 15.2 cm; Louisburg 8 x 10.5 in — 20.3 x 26.7 cm $250—350 VIEW LOT

Canadian Arts, Culture & History

351

374 JAMES WYLD (BRITISH, 1812-1887) A MAP OF THE PROVINCE OF UPPER CANADA, 1843 hand coloured engraving, 23 x 37 in — 58.4 x 94 cm $300—400 VIEW LOT

352 The Canada Auction Series

375 JAMES WYLD (BRITISH, 1812-1887) A NEW MAP OF THE PROVINCE OF LOWER CANADA, 1842 hand coloured engraving, 23 x 37 in — 58.4 x 94 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

353

376 JAQUES NICHOLAS BELLIN (1703-1772) A NEW CHART OF THE COAST OF NEW ENGLAND, NOVA SCOTIA, NEW FRANCE OR CANADA WITH THE ISLANDS OF NEWFOUNDLAND, CAPE BRETON, ST. JOHN’S &C. hand-coloured engraved map published in January 1746 for Gentleman’s Magazine, detailing the Canadian East Coast with insets of Quebec City, Fort Dauphine, the Atlantic Ocean, and a Plan of the City and Port of Louisbourg, unframed, sheet 14.25 x 18.75 in — 36.2 x 47.6 cm $300—400 VIEW LOT

354 The Canada Auction Series

377 ROBERT SAYER AND JOHN BENNETT, BRITISH A GENERAL MAP OF THE NORTHERN BRITISH COLONIES IN AMERICA, WHICH COMPREHENDS THE PROVINCE OF QUEBEC, THE GOVERNMENT OF NEWFOUNDLAND, NOVA-SCOTIA, NEW-ENGLAND AND NEW-YORK hand-coloured engraved map from The American Military Pocket Atlas, 1776, laid down on linen, folded and bound, sheet 20.3 x 26.4 in — 51.5 x 67 cm; folded 10.5 x 9.7 in — 26.7 x 24.6 cm $500—700 VIEW LOT

Canadian Arts, Culture & History

355

378 JOHN MELISH (1771-1822), SCOTTISH NORTHERN SECTION OF THE UNITED STATES INCLUDING CANADA &C., 1816 hand-coloured map of the eastern seaboard of the United States and the Atlantic Provinces of Canada, west to the Great Lakes, from Melish’s Traveller’s Directory, framed, sight 15.25 x 20.75 in — 38.7 x 52.7 cm; frame 25.6 x 30.3 in — 65 x 77 cm $200—300 VIEW LOT

356 The Canada Auction Series

379 GIACOMO GASTALDI (C. 1500-1566) LA TERRA DE HOCHELAGA NELLA NOVA FRANCIA, 1565 woodcut, said to be the first printed plan of a North American town or village, from Delle Navigationi et Viaggi, Venice, 1556, 12 x 16 in — 30.5 x 40.6 cm NOTE:

In October of 1535 Jacques Cartier visited the Iroquois at Hochelaga, located near a mountain which he named Mount Royal or Monte Real. This plan is based on his account of that visit. Several place names in and around Montreal and the Hochelaga Archipelago can be traced back to the early French explorer. $800—1,200 VIEW LOT Canadian Arts, Culture & History

357

380 ONTARIO POWER COMPANY BLUEPRINT, NIAGARA FALLS, 1903 CROSS SECTION ON POWER HOUSE THROUGH TUNNEL NO. 2 24.75 x 33.5 in — 62.9 x 85.1 cm $100—150 VIEW LOT

358 The Canada Auction Series

381 SIX WWII CANADIAN VICTORY LOAN/BOND DRIVE PENNANTS, 1940-45 from the first, second, sixth, seventh, and eighth campaigns respectively, 22 in — 55.9 cm, length 51 in — 129.5 cm $300—500 VIEW LOT

Canadian Arts, Culture & History

359

382 CANADIAN WWI VICTORY BONDS PROPAGANDA POSTER, C. 1918 sheet 36 x 24 in — 91.4 x 61 cm $200—300 VIEW LOT

360 The Canada Auction Series

383 CANADIAN WWII PROPAGANDA VICTORY BONDS POSTER, C.1943 TO YOU THE TORCH IS THROWN, HELP FINISH THE JOB: BUY VICTORY BONDS design by Joseph Ernest Sampson, (1887-1946), 36.1 x 23.9 in — 91.7 x 60.8 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

361

384 CANADIAN WWII PROPAGANDA POSTER, C.1943 ITS GOT TO FIT TO DO ITS BIT creator: Wartime Information Board, Ottawa, for Department of Munitions and Supply, Ottawa, 36 x 24 in — 91.4 x 61 cm $200—300 VIEW LOT 362 The Canada Auction Series

385 AIR FRANCE ‘CANADA’ TRAVEL POSTER, 1968 design by Georges Mathieu (1921-2012) published by S.A. Courbet, Paris, 39.4 x 23.6 in — 100 x 60 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

363

386 CANADIAN PACIFIC RAILWAYS BANFF NATIONAL PARK TRAVEL POSTER, C.1970 sheet 35 x 24 in — 88.9 x 61 cm $80—120 VIEW LOT

364 The Canada Auction Series

387 FRANZ XAVIER HABERMANN (1721-1796) TWO WORKS: VUE DE LA HAUTE VILLE À QUEBECK & VUE DE LA PLACE CAPITAL À QUEBECK each a hand-coloured engraved idealized view of Quebec City on wove paper, with text in German and French, laid down on paper, unframed, sheet 12.25 x 16.5 in — 31.1 x 41.9 cm; overall 13.25 x 17.5 in — 33.7 x 44.5 cm $200—300 VIEW LOT

Canadian Arts, Culture & History

365

388 WILFRED CAMPBELL (1860-1918), CANADIAN CANADA: PAINTED BY T. MOWER MARTIN; DESCRIBED BY WILFRED CAMPBELL 8vo.; A. & C. Black, 1907 8.875 x 6.5 x 1.75 in — 22.5 x 16.5 x 4.4 cm PROVENANCE:

Private Collection, Toronto, ON $75—100 VIEW LOT

366 The Canada Auction Series

389 THOMAS D’ARCY MCGEE, M.P.P., (1825-1868), CANADIAN CANADIAN BALLADS, AND OCCASIONAL VERSES 12mo., full title, 12pp. in pressed blue cloth boards with gilt tooled title, Montreal, John Lovell, 1858 7 x 4.5 in — 17.8 x 11.4 cm $100—150 VIEW LOT

Canadian Arts, Culture & History

367

390 WILLIAM LYON MACKENZIE KING (1874-1950) THE SECRET OF HEROISM: A MEMOIR OF HENRY ALBERT HARPER 8vo., portrait frontispiece, full title, signed, 161pp., in green linen boards, Toronto, The Ontario Publishing Co., Ltd., 7.9 x 5.5 in — 20 x 14 cm $150—300 VIEW LOT

368 The Canada Auction Series

391 LOUIS HÉMON (1880-1913), FRENCH, ILLUSTRATIONS BY CLARENCE GAGNON, RCA (1881-1942), CANADIAN MARIA CHAPDELAINE 8vo., no. 1835, Éditions Mornay, 1933 9.5 x 7.5 x 1 in — 24.1 x 19.1 x 2.5 cm PROVENANCE:

Private Collection, Toronto, ON $1,000—1,200 VIEW LOT

Canadian Arts, Culture & History

369

392 SIR JAMES MACPHERSON LE MOIN (1825-1912) QUEBEC PAST AND PRESENT: A HISTORY OF QUEBEC, 1608-1876 IN TWO PARTS 8vo., with Henry Whitney ownership inscription, full title, illustrated including fold-out, 466pp. in gilt-illustrated green cloth boards, Quebec, Augustin Côté, & Co., 1876 8.75 x 6.25 in — 22.2 x 15.9 cm NOTE:

Henry Whitney was the president and founder of the West End Street Railway Company during the Gilded Age. He led the company to expand across Boston, and was integral to Boston completing North America’s first subway lines, the precursor to today’s Metropolitan Boston Transit Authority. $100—150 VIEW LOT 370 The Canada Auction Series

393 FROM THE LIBRARY OF ROBERT BALDWIN (1804-1858): WILLIAM MOLYNEUX (1656-1698) THE CASE OF IRELAND’S BEING BOUND BY ACTS OF PARLIAMENT IN ENGLAND & THE CASE OF TENURES UPON THE COMMISSION OF DEFECTIVE TITLES 8vo., woodcut portrait frontispiece, full title, dedication to the King, 192pp. contemporaneous tooled leather boards, the ribbed spine with applied maroon leather title, Dublin, Pressick Rider and Thomas Harbin for Pat. Dugan, Bookseller on Cork-Hill, 1725 PROVENANCE:

Armourial Bookplate: Baldwin, of Spadina, in the County of York, Upper Canada $300—400 VIEW LOT

Canadian Arts, Culture & History

371

394 JOSEPH-CHARLES TACHÉ (1820-1894), SIR WILLIAM EDMOND LOGAN (1798-1875), THOMAS STERRY HUNT (1826-1892) CANADA AT THE UNIVERSAL EXHIBITION (OF PARIS), 1855 illustrated frontispiece, full title with arms, 464pp. with fold-out map, in later blue linen boards with red leather title to spine, Toronto, Ontario, John Lovell, Yonge Street, 1855 10 x 6.75 in — 25.4 x 17.1 cm $150—250 VIEW LOT

372 The Canada Auction Series

395 JOHN JOSEPH HENRY (1758-1811) AN ACCURATE AND INTERESTING ACCOUNT OF THE HARDSHIPS AND SUFFERINGS OF THAT BAND OF HEROES, WHO TRAVERSED THE WILDERNESS IN THE CAMPAIGN AGAINST QUEBEC IN 1775 18mo., 1st edition, full title, 22pp., with owner’s quill inscription (B.A. Boynton) on the endpaper (torn) and preface ‘To the Public’, in full calf boards with applied red leather spine title, Lancaster, printed by Willliam Greer, 1812 LITERATURE:

TPL 465, Howes H423aa, Sabin 3140, Gephart 5944 $200—300 VIEW LOT

Canadian Arts, Culture & History

373

396 COOLIE VERNER AND BASIL STUART-STUBBS, CANADIAN THE NORTHPART OF AMERICA folio, signed by the authors and numbered 1018/1500, being a history of the territory now known as Canada, from the mid-16th to the mid-19th centuries, in gilt-illustrated linen boards in a linen slipcase, Toronto, Academic Press Canada Limited, 1979 14.25 x 16.25 in — 36.2 x 41.3 cm $150—250 VIEW LOT

374 The Canada Auction Series

397 JOHN E. LANGDON CANADIAN SILVERSMITHS, 1700-1900 4to., Toronto, The Stinehour Press, 1966, limited edition of 1,000 copies, 11.25 x 9 in — 28.6 x 22.9 cm $100—200 VIEW LOT

Canadian Arts, Culture & History

375

398 WILLIAM JORDAN RATTRAY (1835-1883) THE SCOT IN BRITISH NORTH AMERICA. four volumes, 8vo., 1st edition, each with portrait frontispiece with tissue guard and full title, volume 1 with dedication page, in tooled and gilt blue cloth boards, Toronto, Maclear and Company, 1880 $100—150 VIEW LOT

376 The Canada Auction Series

399 WILLIAM PERKINS BULL (187-1948), CANADIAN SPADUNK: FROM PAGANISM TO DAVENPORT UNITED 4to.

10.2 x 10.6 in — 26 x 27 cm $80—120 VIEW LOT

Canadian Arts, Culture & History

377

400 FIFTEEN BOOKS FROM THE LIBRARY OF ALICE MASSEY AND OTHER FAMILY most with presentation and/or owner’s inscriptions and bookplates, various sizes NOTE:

Alice Parkin Massey was a Canadian philanthropist and the wife of Vincent Massey, who became Governor General of Canada shortly after Alice Massey’s death in 1950. $100—150 VIEW LOT

378 The Canada Auction Series

401 FIVE BOOKS PRESENTED TO ALICE AND VINCENT MASSEY BY JOHN BURGON BICKERSTETH VIEW LOT

Henry LaFarge ed., LOST TREASURES OF EUROPE. New York: Pantheon Books, 1946, inscribed “Vincent and Alice from Burgon Batterwood Christmas 1946.”

Laurence Binyon, DANTE’S PARADISO, London: Macmillan and Co., 1943, inscribed “Vincent and Alice from Burgon Christmas 1943.”

Geoffrey Bickersteth, THE PARADISO OF DANTE ALIGHERI Cambridge: At the University Press, 1932, inscribed “Vincent and Alice from J.B.B. Batterwood Christmas 1932.”

Samuel Bickersteth, MORRIS BICKERSTETH, (1891-1916). Private Circulation: Cambridge, 1931, inscribed "Vincent and Alice Massey from Morris’s parents, Meistyer Omer The Precincts Canterbury June 1931."

Camille Mauclair, THE FRENCH IMPRESSIONISTS, London: Duckworth and Co., 1903, inscribed on front fly leaf: “Hart from J.B. Bickersteth. 7th November 1935. Bought at Edinburgh June 1928.” various sizes $100—150

Canadian Arts, Culture & History

379

402 TWO BOOKS SIGNED BY GOVERNORS GENERAL OF CANADA, 19TH & EARLY 20TH CENTURIES 1) Helen, Lady Dufferin SONGS, POEMS AND VERSES 439pp. with portrait frontispiece tissue guarded, folding genealogical table with a bibliography of works by the Sheridan family, in light green boards with a gilt tooled pattern of coronets over monograms, London: John Murray, 1895, quill inscribed: “To Ida with the affectionate regards of her old friend, the Editor Dufferin and Ava, Paris, April 1895” 2) Various Authors THE LIBERAL WAY: A Record of Opinion on Canadian Problems as Expressed and Discussed at the First Liberal Summer Conference [in] Port Hope, September 1933, Vancouver: J.M. Dent & Sons Limited, 1933, signed by Vincent Massey in quill on the title page, and with his pencil annotations on the front end paper, larger 8.75 x 5.75 in — 22.2 x 14.6 cm $200—300

VIEW LOT

380 The Canada Auction Series

403 THREE BOOKS, SIGNED, BY MARSHALL MCLUHAN Marshall McLuhan and Harley Parker THROUGH THE VANISHING POINT: SPACE IN POETRY AND PAINTING, New York: Harper & Row, New York, 1968, inscribed to Hugh and Barbara Kirker by the author Marshall McLuhan LA GALAXIE GUTENBERG: La Genèse de l’Homme Typographique, Montréal, éditions HMH, Coll. Constantes, 1967, 428 inscribed to Andre Major by the author Marshall McLuhan TAKE TODAY: THE EXECUTIVE AS DROPOUT, New York, Harcourt Brace Jovanovich, 1972, inscribed to Steve Charish by the author, largest 9.5 x 6.5 in — 24.1 x 16.5 cm $200—300 VIEW LOT Canadian Arts, Culture & History

381

404 WILLIAM NOTMAN AND FENNINGS TAYLOR PORTRAITS OF BRITISH AMERICANS 3 vols. 8vo., the set containing a total of 84 tipped-in albumin prints of early notables each with biography including; John A. Macdonald, George Moffat, George Etienne Cartier, J. William Dawson, Joseph Howe, René-Édouard Caron, Lt. Colonel Irvine, Thomas Talbot, Isaac Buchanan, Samuel Wentworth Monk, Thomas D’Arcy McGee, Sir John Michel, Alexander Tilloch Galt, John Hamilton Gray, Colonel John Prince, George Brown, Jospeh Ulric Tessier, William Hamilton Merritt, Sir Allan Napier MacNab, Peter McGill, Sir John Beverly Robinson, Charles Tupper, Frederick Auguste Quesnel, Francis Hincks, Robert Baldwin, John Hamilton Hawkesbury, Louis Joseph Papineau, Rev. John Strachan, William Molson, James Cockburn, & Colonel C.M. de Salaberry, etc., in newer red faux leather boards with gilt title to spines, Montreal, published by William Notman, printed by John Lovell, 1865 & 1867, 8.75 x 6.5 in — 22.2 x 16.5 cm $300—500 VIEW LOT

382 The Canada Auction Series

Canadian Arts, Culture & History

383

405 TEN BOOKS FROM THE PERSONAL LIBRARY OF VINCENT MASSEY, EARLY 20TH CENTURY 1) W.R. Lethaby. ARCHITECTURE (London: Williams and Norgate, undated) Ownership inscription “Vincent Massey/Balliol” and with Vincent Massey’s bookplate.

2) E. Armstrong. LORENZO DE’ MEDICI l (New York: G.P. Putnam’s Sons, 1896) Ownership inscription “Vincent Massey/1912” and with Vincent Massey’s bookplate.

3) Thomas Dinham Atkinson. ENGLISH ARCHITECTURE (London: Methuen, 1904) Ownership inscription “C. Vincent Massey/London 1912” and with Vincent Massey’s bookplate.

4) Cuthbert Bede. THE ADVENTURES OF VERDANT GREEN: AN OXFORD FRESHMAN (Liverpool: Henry Young and Sons, 1909) Inscribed “Vincent Massey/London, 1910”, with Vincent Massey’s bookplate.

5) Walter Prichard Eaton (ed.). WASHINGTON SQUARE PLAYS (New York: Doubleday and Page, 1917) Inscribed “Vincent Massey”, with Vincent Massey’s bookplate.

6) Anthony Trollope. BARCHESTER TOWERS (London: Collins, 1910) Ownership signature “Vincent Massey/London 1910” with Vincent Massey’s bookplate.

7) Samuel Rawson Gardiner. THE CONSTITUTIONAL DOCUMENTS (Oxford: At The Clarendon Press, 1906) Ownership inscription “Vincent Massey/Balliol/1912” and with Vincent Massey’s bookplate 8) J.R. Seeley. INTRODUCTION TO POLITICAL SCIENCE (London: Macmillan and Co., 1909) Inscribed “Vincent Massey/Balliol/1912”, with Vincent Massey’s bookplate.

9) Hilaire Belloc. CAUTIONARY TALES FOR CHILDREN (London: Eveleigh Nash, 1907).

Ownership signature “C. Vincent Massey” with Vincent Massey’s bookplate.

10) John Masefield. THE TRAGEDY OF POMPEY THE GREAT. (London: Sidgwick and Jackson, Ltd., 1914) with ownership inscription of “R. H. Massey/Oxford, 1919” With Vincent Massey’s bookplate $200—300 VIEW LOT

384 The Canada Auction Series

Canadian Arts, Culture & History

385

406 THREE BOOKS SIGNED BY CANADIAN PRIME MINISTERS, EARLY-MID 20TH CENTURY 1) Robert Laird Borden: Hedley A. Chilvers. THE SEVEN LOST TRAILS OF AFRICA (London, Toronto, Melbourne and Sydney: Cassell, 1930). Bookplate of Sir Robert Borden and his ownership signature on the title page.

2) W.L. Mackenzie King. THE MESSAGE FROM THE CARILLON (Toronto: Macmillan, 1927) Inscribed by King. “To Mrs. D.A. Dunlop from W.L. Mackenzie King with best wishes for Christmas and the New Year. Laurier House Ottawa, December 1927”. Hardcover. No Jacket.

First Edition. Red boards.

3) Arthur Meighen UNREVISED AND UNREPENTED: DEBATING SPEECHES AND OTHER STORIES (Toronto: Clarke, Irwin & Company, 1949) Inscribed by Meighen “Inscribed to Harold Riches/Arthur Meighen/April 1953”. Hardcover. 470 p. 24 cm. B&W frontispiece portrait. Grey cloth, no dust jacket. Speeches on topics including conscription, Canada’s natural resources, church union, Thomas D’Arcy McGee, the constitutional crisis of 1926, isolationist neutrality, Sir John Abbott, the defense of Canada, 1939 declaration of war, help for Finland, Canada’s war effort, Sir John A. Macdonald, socialism and universities. $150—250 VIEW LOT

386 The Canada Auction Series

Canadian Arts, Culture & History

387

407 FIVE BOOKS FROM THE LIBRARY OF PRIME MINISTER SIR ROBERT BORDEN, EARLY 20TH CENTURY 1) Aegidius Fauteux. THE INTRODUCTION OF PRINTING INTO CANADA: A BRIEF HISTORY (Montreal: Rolland Paper Company, Limited, 1930) Hardcover. 8vo. pp. xii, 178, [1 leaf] title within red & black border, 22 full-page facsimiles, decorative headpieces and red & black initials. First Edition.

2) Homer Lea. THE VALOUR OF IGNORANCE (New York: Harper & Brothers, 1909) pp. XXIV, 344. Illustrated with a frontispiece and ten maps. Other edges untrimmed, and some signatures unopened. Bound in blue cloth with titles and decorations in gilt.

3) Will Durant. THE STORY OF PHILOSOPHY, THE LIVES AND OPINIONS OF THE GREATER PHILOSOPHERS (New York: Simon and Schuster, 1927) 4) John Garvin. (editor). Charles Mair. TECUMSEH, A DRAMA AND CANADIAN POEMS (Master Works of Canadian Authors, Volume XIV) With Introduction by Robert Norwood (Toronto: Radisson Society, 1926) Hochelaga edition deluxe set #3 of 250. Hardcover. Tall 8vo., publisher’s leatherette spine, cloth, gilt decoration on spine, LXXII, 470pp.

5) John Garvin. (editor). George Grant. OCEAN TO OCEAN. SANFORD FLEMING’S EXPEDITION THROUGH CANADA IN 1872 Revised edition (Master Works of Canadian Authors Volume XIII. Introduction and Notes by William L. Grant.) (Toronto: Radisson Society, 1925). Hochelaga edition deluxe set #3 of 250. Hardcover. Limited edition, 1 of 26 copies. Tall 8vo., full publishers leather, gilt decoration on spine, XXI, 412pp. A fine copy.

PROVENANCE:

Each volume with armourial bookplate for Robert Laird Borden $200—300 VIEW LOT

388 The Canada Auction Series

Canadian Arts, Culture & History

389

408 ATTRIBUTED TO ROBERT FIELD (CA. 1769-1819), BRITISH/AMERICAN/CANADIAN A REGENCY COUPLE OF HIGH SOCIETY: A NAVAL OFFICER OF THE ROYAL MARINES; A LADY IN HIGH NECK DRESS, CA. 1807-1810 oil on canvas each 30 x 24 in — 76.2 x 61 cm PROVENANCE:

W. Scott & Sons, Montreal, QC; Galerie Valentin, Montreal, QC; Estate of Jean-Pierre Valentin, Montreal, QC LITERATURE:

Harry Piers, Robert Field - Portrait Painter in Oil, Miniatures, Water-Colours and Engraver, Frederick Fairchild Sherman, New York, 1927.

NOTE:

According to the preeminent historian of early painting in English Canada, J. Russell Harper, Robert Field was born in England and died in Kingston, Jamaica in 1819.

Field was a painter and engraver, studying at the Royal Academy School in London in 1790. He became a skilled mezzotint and stipple engraver in England before 1794. In that year he emigrated to the United States, spending time in Baltimore, then Philadelphia. From 1800-1802, he lived in Washington, then moved to Boston from 1805-1808. During his time in the U.S., Field executed many miniatures and a few portraits in oil of prominent Americans including Martha Washington and Thomas Jefferson.

In 1808, when tensions between America and England started to rise in the lead up to the War of 1812, Field remained a loyalist and moved from Boston to Halifax, Nova Scotia, Canada. He served in the 1st Company of Halifax Volunteer Artillery in 1812 and became a member of the Charitable Irish Society of Halifax.

Recognized as one of Canada’s leading portrait artists, Field was probably the most professionallytrained painter to settle in Canada at the beginning of the 19th century and certainly ranked as Canada’s leading portrait painter on the eastern seaboard. Working in the neoclassical portrait style of Henry Raeburn and Gilbert Stuart, his patrons of the over 50 fine portraits Field painted in oil in Canada were of army and naval officers and prominent citizens. He also executed portraits for the Rockingham Club of Halifax, several of which were engraved.

Robert Field’s portraits painted during the Halifax stage of his career stand as a striking illustration of patronage of the arts in colonial Canada. $4,500—7,500 VIEW LOT 390 The Canada Auction Series

Canadian Arts, Culture & History

391

Property From The Estate of Roland Michener LOTS 501-606

Single-estate auctions function as powerful portraits of their owners. They are the expression of an individual through the objects that meant something to them, items which accompanied them through the years. In assembling the estate of lawyer, politician, and diplomat Roland Michener (1900-1991), it became clear that the pieces in this auction tell a story about the incredible breadth of a life spent in service to his country.

Michener served as the Speaker of the House of Commons from 1957 to 1962, the High Commissioner to India from 1964-1967, and as the Governor General of Canada from 1967 to 1974.

These positions placed him in the centre of many of the events which defined Canada in the last half of the 20th century. Only ten days into his tenure as Governor General, he opened Expo 67.

Michener also faced down a constitutional crisis while in office, when Prime Minister Lester B. Pearson's government was defeated on a tax bill in February 1968. The FLQ Crisis also occurred during Michener’s period of service, sparking his invocation of the War Measures Act. Many years later, it was revealed that it was Michener himself, rather than James Cross and Pierre Laporte, who was the FLQ’s intended kidnapping target.

As Governor General, Michener ushered in a new precedent when he undertook a state visit to Trinidad and Tobago in 1971, followed by his trip to Persepolis for what would enter the history books as the most expensive party in modern history: Shah Mohammad Reza Pahlavi’s banquet to commemorate the 2,500th anniversary of the Persian Empire (see lot 501, a menu from this event).

These trips sparked controversy, as Michener was not Canada’s head of state, yet was presiding over what looked like state visits. However, Michener’s successes on these trips would end up changing the conventions of the role and broadening the responsibilities of future Governors General.

Michener and his wife Norah were also noted for relaxing protocol at Rideau Hall – particularly in their dissolving the requirement for women to curtsey.

After serving his term as Governor General, Michener and Norah relocated to the Rosedale neighbourhood of Toronto. He served as Chancellor of Queen's University until 1980, and remained active in business.

Michener’s affairs, presented in this auction, include historical documents, signed photographs of international royalty, dignitaries and politicians, alongside presentation items from his time in office.

These more formal items—sure to be of interest for the historian or lover of international affairs¬—are enhanced by personal belongings, books, and artworks. A few items bear the touch of Michener’s wife Norah¬—a similarly impressive figure—who annotated a few of the items in this auction, and purchased a few others. A poignant example of this is lot 527, a painting by Clayton David Insley, which was a gift from Norah to her husband on their 36th wedding anniversary, 26 February 1962.

Whether you intend to bid or just browse, we hope you take a moment to take a closer look at the Estate of Roland Michener. This special auction serves as an incredible time capsule, representing both a period in our nation’s history as well as the extraordinary life of Roland Michener.

SIGNED PRESENTATION PHOTOGRAPH PORTRAIT OF ROLAND MICHENER, ASHLEY & CRIPPEN, TORONTO, 1949 392 The Canada Auction Series

Property From The Roland Michener Collection

393

501 MENU OF THE STATE DINNER HOSTED BY THE ‘SHAHINSHAH ARYAMEHR’ AND THE EMPRESS OF IRAN CELEBRATING THE 2500TH ANNIVERSARY OF THE FOUNDING OF THE PERSIAN EMPIRE BY CYRUS THE GREAT, AT PERSEPOLIS, 14TH OCTOBER 1971 with Persian and French text in gilt and black on pink-lined wove paper with gilt arabesque cartouches on facing pages in a faux lacquer box with mirrored interior, printed by Maison Tolmer, Paris, 9.2 x 6.5 x 1 in — 23.4 x 16.5 x 2.5 cm $200—300 VIEW LOT

394 The Canada Auction Series

502 TWO ELIZABETH II SIGNED PROCLAMATIONS, JULY 9, 1964 each a two-page fair copy to the President of India, Sarvepalli Radhakrishnan, signed, the first announcing the return of High Commissioner Chester Alvin Ronning to Canada, the second announcing the appointment of Roland Michener to that position each sheet 13 x 8 in — 33 x 20.3 cm $2,000—3,000 VIEW LOT

Property From The Roland Michener Collection

395

503 PAIR OF GRECIAN VAPHEIO GOLD CUPS, VOURAKIS, ATHENS, 20TH CENTURY in a presentation case, the cover applied with the arms of Greece, height 3.6 in — 9.2 cm; height 3.4 in — 8.6 cm, 17.8 oz. — 555 grams $30,000—40,000 VIEW LOT

396 The Canada Auction Series

504 NIELLOED SILVER RECTANGULAR CIGAR BOX, C. 1973 inscribed ‘FROM / THE AMBASSADOR OF IRAQ / MOHSIN DIZAYEE / TO HIS EXCELLENCY / THE RT. HON. ROLAND MICHENER / THE / GOVERNOR GENERAL OF CANADA / SEPT 26, 1973’, contained in a presentation case, 1.8 x 7.1 x 3.9 in — 4.5 x 18 x 10 cm $150—250 VIEW LOT

Property From The Roland Michener Collection

397

505 ITALIAN SILVER AND YELLOW GOLD RECTANGULAR CIGARETTE CASE, MID 20TH CENTURY applied crowned cipher within a foliate scroll surround, 0.5 x 4.1 x 3.7 in — 1.2 x 10.3 x 9.5 cm, 6.4 oz. — 200 grams $250—350 VIEW LOT

398 The Canada Auction Series

506 SET OF SEVEN 1966 CENTENAIRE DE MONTE-CARLO, GOLD MEDALLIONS FEATURING RAINIER III AND GRACE KELLY all 900 grade gold.

65mm/105.0g.

55mm/70.0g.

45mm/35.0g.

32mm/17.5g.

28mm/10.5g.

24mm/7.0g.

20mm/3.5g. $13,000—17,000 VIEW LOT Property From The Roland Michener Collection

399

507 AUGARTEN VIENNA WHITE GLAZED MODEL OF A REARING STALLION, KARIN JARL-SAKELLARIOS, 20TH CENTURY on an ebonised wood plinth with applied plaque inscribed ‘Zur Erinnerung an den Staatsbesuch in Kanada / Dr. h.c. Franz JONAS / Bundespräsident der Republik Österreich / Mai 1967’, minor chip/loss, without plinth height 18.9 in — 48 cm $250—350 VIEW LOT

400 The Canada Auction Series

508 PAIR OF MOTHER OF PEARL GILT METAL OPERA GLASSES, KALIMAR, JAPAN, MID 20TH CENTURY 1.75 x 3.5 in — 4.4 x 88.9 cm $100—150 VIEW LOT

Property From The Roland Michener Collection

401

509 ‘PERDRIX’, PAIR OF LALIQUE MOULDED AND PARTLY FROSTED GLASS PARTRIDGES, 20TH CENTURY height 6.8 in — 17.3 cm; height 5.3 in — 13.5 cm, acid-stamped marks LALIQUE FRANCE $200—300 VIEW LOT

402 The Canada Auction Series

510 ‘BISON’, PAIR OF LALIQUE MOULDED AND PARTLY FROSTED GLASS PAPERWEIGHTS, 20TH CENTURY height 3.9 in — 9.9 cm, engraved marks LALIQUE FRANCE $150—250 VIEW LOT

Property From The Roland Michener Collection

403

511 CASED SET OF SIX COLOURED AND ETCHED ‘ROCKS’ GLASSES BY MOSER, CZECHOSLOVAK SOCIALIST REPUBLIC, DECEMBER 23RD, 1969 presented by Czechoslovakian Chargé d’Affaires Stanislov Novotny and Mrs. Novotny each glass height 2.6 in — 6.5 cm, diameter 2.8 in — 7 cm $100—150 VIEW LOT

404 The Canada Auction Series

512 MOSER ETCHED GLASS VASE DEPICTING THE PARLIAMENT BUILDINGS, PRAGUE, CZECHOSLOVAKIA, MID 20TH CENTURY presentation cased, vase height 9.25 in — 23.5 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

405

513 PAIR OF EGYPTIAN REVIVAL GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS, 19TH/EARLY 20TH CENTURY height 11.6 in — 29.5 cm $200—300 VIEW LOT

406 The Canada Auction Series

514 PAIR OF FRENCH ROCOCO STYLE GILT BRONZE CANDLESTICKS, EARLY-MID 20TH CENTURY height 10.25 in — 26 cm $150—250 VIEW LOT

Property From The Roland Michener Collection

407

515 BRITISH ROYAL NAVY BICORN HAT, EARLY-MID 20TH CENTURY in tole hat box, width 18 in — 23 cm $200—300 VIEW LOT

408 The Canada Auction Series

516 DOCUMENT AND LETTER DESK SEALS, C. 1968 each mahogany cased, with intaglios of lion rampant with sceptre and maple leaf each case 21.7 x 4.75 x 2.6 in — 5,5 x 12.1 x 6.5 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

409

517 CROSS WALNUT DESK STAND WITH PEN AND MECHANICAL PENCIL, MID 20TH CENTURY with named brass plaque, 8.5 x 11.25 x 3 in — 21.6 x 28.6 x 7.6 cm $100—150 VIEW LOT

410 The Canada Auction Series

518 LARGE CALCITE MINERAL SAMPLE on mid-century modern brass tripod stand, on stand height 9.5 in — 24.1 cm $150—250 VIEW LOT

Property From The Roland Michener Collection

411

519 THREE CHINESE SEALS, MID 20TH CENTURY comprising two hardstone examples surmounted by Foo Lions with monograms RM and NM respectively; the third, a cased ivory example with a six-character mark $200—300 VIEW LOT

412 The Canada Auction Series

520 PAIR OF VICTORIAN GOTHIC GILT BRASS PRICKET CANDLESTICKS, 19TH CENTURY each height 16 in — 40.6 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

413

521 SMALL ITALIAN BAROQUE STYLE PRICKET CANDLESTICK, MID 20TH CENTURY carved and painted wood, height 17.25 in — 43.8 cm $100—150 VIEW LOT

414 The Canada Auction Series

522 JAPANESE PRESENTATION SEIKO TRANSISTOR DESK CLOCK, 1963 the back inscribed from ‘Naka Funada, Speaker of the House of Representatives, National Diet of Japan’, as new, in original manufacturer’s packaging, timepiece 4.9 x 4.5 x 1.7 in — 12.5 x 11.4 x 4.3 cm NOTE:

The National Diet of Japan is the National Legislature, composed of the House of Representatives and the House of Councillors. $200—300 VIEW LOT

Property From The Roland Michener Collection

415

523 CHARLES FRASER COMFORT, OSA, PRCA (1900-1994) BALLERINA RESTING, 1937 watercolour signed and dated ‘37 31 x 32 in — 78.7 x 81.3 cm

EXHIBITED:

58th Annual Exhibition, Royal Canadian Academy of Arts, Art Association of Montreal, Montreal, QC, 18 November-17 December 1937, no. 49, as Ballerina Resting.

LITERATURE:

Margaret Gray, Margaret Rand, and Lois Steen, Charles Comfort (Canadian Artists 2), Gage Publishing: Toronto, 1976: illus. b/w p. 24, as Ballerina Resting. $3,000–5,000 VIEW LOT

416 The Canada Auction Series

524 CHARLES FRASER COMFORT, OSA, PRCA (1900-1994) CAERPHILLY CASTLE, JUNE 1959 oil on canvas board signed; titled and dated June 1959 to label on reverse 11.75 x 15.625 in — 29.8 x 39.7 cm $3,000–5,000 VIEW LOT

Property From The Roland Michener Collection

417

525 CHARLES FRASER COMFORT, OSA, PRCA (1900-1994) THE CHAPEL OF THE URSULINES, MAY 1928 oil on artist board signed; titled and dated on label on reverse 11.75 x 10 in — 29.8 x 25.4 cm PROVENANCE:

Purchased 1968 by Mrs. Norah Michener NOTE:

From label on reverse: Painted in May, 1928, while attending the Festival of Music in the city [Quebec City], arranged by Murray Gibbon and Wilfred Pelletier. $3,000–5,000 VIEW LOT

418 The Canada Auction Series

526 CHARLES FRASER COMFORT, OSA, PRCA (1900-1994) STUDY OF A BALLERINA, 28 JUNE 1937 graphite signed and dated June 28th ‘37 12 x 15.75 in — 30.5 x 40 cm $150–250 VIEW LOT

Property From The Roland Michener Collection

419

527 CLAYTON DAVID INSLEY (1908-1987) ROCK VALLEY, OCTOBER 1962 oil on hardboard signed; dated on reverse on backing paper 11.875 x 16 x .125 in — 30.2 x 40.6 x 0.3 cm NOTE:

The painting was a gift from Norah Michener to her husband on their 36th wedding anniversary, 26 February 1962. $150–200 VIEW LOT

420 The Canada Auction Series

528 JOSEPH FRANCIS PLASKETT, RCA (1918-2014) BORDER COUNTRY NEAR BRIDESVILLE, BC, 9 OCTOBER 1973 pastel signed and dated 9 Oct 73 19.5 x 25.5 in — 49.5 x 64.8 cm PROVENANCE:

Robertson Galleries, Ottawa, ON; purchased in 1973 by Mrs. Norah Michener EXHIBITED:

Exhibition of Paintings by Joe Plaskett, Robertson Galleries, Ottawa, ON, 16-30 November 1973. $600–800 VIEW LOT Property From The Roland Michener Collection

421

529 DOROTHY STEVENS, OSA, RCA (1888-1966) TWO LITTLE COLORED BOYS, 1953 oil on hardboard signed; signed, titled, and dated on artist’s label on reverse 16 x 13 in — 40.6 x 33 cm $200–400 VIEW LOT

422 The Canada Auction Series

530 C. ANIS (FL.MID 20TH CENTURY), FRENCH LE BEFFROI ET COLLÉGIALE SAINTE-WAUDRU DE MONS, 1962 oil on canvas, signed and dated lower right canvas 24.5 x 19.5 in — 62.2 x 49.5 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

423

531 PRESENTATION KEY TO THE CITY OF OTTAWA, C. 1970 gilt metal, length 5.5 in — 14 cm $100—150 VIEW LOT

424 The Canada Auction Series

532 FOUR CANADIAN NATIONAL EXHIBITION (CNE) HONORARY DIRECTOR MEDALS, 1968-1972 each enamelled gilt metal on silk ribbon, diameter 1.5 in — 3.8 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

425

533 MAC LEE PHOTOGRAPH ALBUM OF HARBOUR GRACE, NEWFOUNDLAND, 1968 handmade with red boards titled ‘Welcome to Old Hr. Grace 1583-1968, with antique and period images collected and assembled by Martin ‘Mac’ Lee (1906-1976), founder of the Conception Bay Museum, Harbour Grace, NFLD’, 12.4 x 9.5 in — 31.5 x 24.1 cm $200—300 VIEW LOT

426 The Canada Auction Series

534 QUEBEC WINTER CARNIVAL/CARNAVAL DE QUEBEC BAL DE LA REGENCE PRESENTATION PLAQUE, FEBRUARY 23, 1968 inscribed to Michener, with ceramic tile depiction of Bonhomme in front of skaters at the Frontenac Hotel, signed Roberge ‘65, on mahogany panel, overall 12 x 16 in — 30.5 x 40.6 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

427

535 CANADIAN ‘EVEREST ‘82’ EXPEDITION CREW SIGNED PHOTOGRAPHS, 1982 headshots of 11 crew members on one sheet, each signed in blue ink framed 11.5 x 14.5 in — 29.2 x 36.8 cm $100—150 VIEW LOT

428 The Canada Auction Series

536 CANADIAN CENTENNIAL INTERNATIONAL ATLANTIC NAVAL ASSEMBLY PRESENTATION PHOTOGRAPH ALBUM, 1967 32 photographic prints in a white leather album having a gilt-titled cover with Canadian Forces Maritime Command insignia, and with inscription to ‘Their Excellencies The Governor General and Mrs. Roland D. Mitchener [sic] by the Commander, Officers and Men of the Maritime Command to Commemorate his Excellency’s Review of the Fleet, 23 June, 1967’ 12.6 x 14.2 in — 32 x 36 cm NOTE:

Among other participating countries were: Colombia, Denmark, Finland, France, India, Italy, Netherlands, Portugal, Sweden, United Kingdom, United States of America and West Germany. $300—400 VIEW LOT Property From The Roland Michener Collection

429

537 CANADIAN UNION JACK, EARLY 20TH CENTURY of pieced linen construction, 24 x 54 in — 61 x 137.2 cm $100—150 VIEW LOT

430 The Canada Auction Series

538 CANADIAN RED ENSIGN, EARLY 20TH CENTURY of pieced linen construction, stamped 3 CANADA on the hoist and with crest bearing the provincial emblems on the fly, 52 x 108 in — 132.1 x 274.3 cm $500—700 VIEW LOT

Property From The Roland Michener Collection

431

539 INDIAN CARVED IVORY PRESENTATION FIGURE OF KRISHNA, C.1965 finely executed, on a rosewood base with silver plaque inscribed ‘To the Right Hon’ble Roland Michener and Mrs. Michener from Major Kapil Mohan, VSM, Managing Director, Mohan Meakin Breweries Ltd. India’, height 10.25 in — 26 cm $200—300 VIEW LOT

432 The Canada Auction Series

540 INDIAN RELIEF CARVED WALNUT JEWELLERY BOX, MID 20TH CENTURY with overall dragon motif, 4 x 13 x 9 in — 10.2 x 33 x 22.9 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

433

541 PAIR OF NEPALESE GILT BRONZE MODELS OF TEMPLE GUARDIAN LION ‘SINGHA’, MID 20TH CENTURY each 21.5 x 22.5 in — 54.6 x 57.2 cm $150—250 VIEW LOT

434 The Canada Auction Series

542 INDIAN GILT DHOKRA MODEL OF AN ELEPHANT AND DEITY RIDER STANDING WITHIN A HOLY PRABHA, EARLY-MID 20TH CENTURY height 8.7 in — 22 cm $150—250 VIEW LOT

Property From The Roland Michener Collection

435

543 INDIAN TEXTILE FIGURE OF AN ELEPHANT, C. 1963 of pieced linen construction with elaborate needlework and sequin decoration 11.2 x 7 x 18 in — 28.5 x 17.8 x 45.7 cm $80—120 VIEW LOT

436 The Canada Auction Series

544 THREE INDIAN SILVERED RATTLE ANKLE BRACELETS, 19TH/EARLY 20TH CENTURY each now with copper or brass liner, each approx. 2.25 x 4.25 x 3.6 in — 5.7 x 10.8 x 9.1 cm $150—300 VIEW LOT

Property From The Roland Michener Collection

437

545 FOUR INDIAN SCHOOL MINIATURE PAINTINGS, EARLY 19TH AND 20TH CENTURIES each a gouache on paper, comprising two Jaipur school examples from a ragamala series and two company school examples, one depicting Miran Shah, the second, Ahmad Shah, largest frame 13.4 x 9.75 in — 34 x 24.8 cm $300—400 VIEW LOT

438 The Canada Auction Series

546 THANJAVUR REPOUSSÉ SILVER, COPPER AND BRASS WALL CHARGER, MID 20TH CENTURY also known as a ‘Tanjore Art Plate’ the brass base with alternating panels of copper and silver centring a larger panel, in presentation box, charger diameter 12.2 in — 31 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

439

547 THREE CHINESE TANG STYLE CHALKWARE TOMB FIGURES, MID 20TH CENTURY comprising two attendants and a horse head, tallest height 11.8 in — 30 cm $100—150 VIEW LOT

440 The Canada Auction Series

548 CHINESE EXPORT PORCELAIN ROSE MEDALLION TUREEN, EARLY 20TH CENTURY 11 x 14.5 in — 27.9 x 36.8 cm $300—500 VIEW LOT

Property From The Roland Michener Collection

441

549 CANTON ENAMEL CONFECTIONARY SERVING SET, MID 20TH CENTURY the central dish centred by 8 side dishes, each with figures against a mountainous background, all fitted in a round gilt lacquer box with pen decoration, container height 3.3 in — 8.5 cm, diameter 12.2 in — 31 cm $300—400 VIEW LOT

442 The Canada Auction Series

550 SET OF 12 CHINESE LACQUER FINGER BOWLS, MID 20TH CENTURY each gilt exterior with dragon chasing the flaming pearl motif, with gold fish bowl interior, in original packing tube, each height 2.5 in — 6.4 cm, diameter 4.7 in — 12 cm $100—150 VIEW LOT

Property From The Roland Michener Collection

443

551 CHINESE SHIWAN POTTERY FIGURE OF POET QU YUAN, MID 20TH CENTURY base impressed with six-character mark height 13.75 in — 34.9 cm $100—150 VIEW LOT

444 The Canada Auction Series

552 TWO DAGGERS, MID 20TH CENTURY an Argentinean gold overlaid silver ‘Gaucho’ knife and a Tibetan nickel silver ceremonial knife, each with repoussé work sheath and grip, longest height 10.5 in — 26.7 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

445

553 AFRICAN BEADED ZEBRA SKIN DRUM, MID 20TH CENTURY height 19 in — 48.3 cm, diameter 20 in — 50.8 cm $100—150 VIEW LOT

446 The Canada Auction Series

554 LARGE GUYANESE CARVED AND BEADED WOOD MODEL OF A BLACK CAIMAN, MID 20TH CENTURY length 66 in — 167.6 cm $300—400 VIEW LOT

Property From The Roland Michener Collection

447

555 FIVE MILITARY RELATED PHOTOGRAPH ALBUMS, 1967-1973 Royal Netherlands Air Base Twentieth Presentation Album including photographs of Holton Canadian Cemetery, April 15, 1971 Canadian Forces Base Borden Presentation Album, January 25, 1971 Canadian Forces Northern Region Headquarters, opening of the Operations Centre, Yellowknife, January 20, 1973 Royal Military College of Canada, Trooping of the Colours, Parliament Hill, Ottawa, 26 May, 1967 Royal Military College of Canada, Convocation and Graduation, May 30th, 1969 largest album 12.6 x 12.2 in — 32 x 31 cm $100—150 VIEW LOT

448 The Canada Auction Series

556 ARCHIVE OF MISCELLANEOUS PHOTOGRAPHS INCLUDING STATE VISITS AND OFFICIAL FUNCTIONS, 1970-1985 including many images of domestic and international diplomats, dignitaries, officials and politicians $200—300 VIEW LOT

Property From The Roland Michener Collection

449

557 ARCHIVE OF 14 LARGE SCRAPBOOKS, 1958-1973 each with press clippings, invitations, documents, letters, cards, etc., recording an overview of the news and events relevant to the Micheners from before his time as Speaker of House, through his tenure in India and his role as Governor General of Canada each 14.5 x 12 in — 36.8 x 30.5 cm $300—500 VIEW LOT

450 The Canada Auction Series

558 FORMAL COPIES OF AMENDMENTS TO THE BRITISH NORTH AMERICA ACT OF 1867, SIGNED BY SPEAKER OF THE HOUSE OF COMMONS, ROLAND MICHENER, JULY 29, 1960 two documents, each framed, one with French and one with English text, dealing with reforms to the tenure and age of retirement of Judges of the Superior Courts of Canada each frame 25.4 x 17.3 in — 64.5 x 44 cm $300—400 VIEW LOT

Property From The Roland Michener Collection

451

559 ELIZABETH II WWII ‘BRITISH GUEST CHILDREN’ SIGNED PRESENTATION CERTIFICATE OF GRATITUDE, C.1953 framed 14 x 8.5 in — 35.6 x 21.6 cm NOTE:

As part of a government plan to remove British children from harm’s way, between 1940 and 1948, the Micheners hosted three ‘British Guest Children’ (Rosemary Kemp Allen of Rhodes House, Oxford, and Patience and Mertin Clark, also from Oxford) at Edgehill, their Toronto home. $200—300 VIEW LOT 452 The Canada Auction Series

560 MECHANICAL REPRODUCTION OF ELIZABETH II SIGNED DECLARATION TO THE KING OF NEPAL, DECEMBER 23, 1964 addressed to ‘My Good Brother’ and announcing the appointment of Roland Michener as Canadian ‘Ambassador Extraordinary and Plenipotentiary’ to Nepal, and signed ‘Sir My Brother, Your Majesty’s Good Sister, Elizabeth R’, 13 x 8.25 in — 33 x 21 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

453

561 DRAMATIC ARTS: VERE BRABAZON PONSONBY, 9TH EARL OF BESSBOROUGH’S FAIR COPY OF THE LETTERS PATENT INCORPORATING THE GOVERNORS OF THE DOMINION DRAMA FESTIVAL, 1935 4 pages, folio, ribbon bound with Great Seal facsimile, quill, endorsed by Bessborough, Hugh Guthrie (Attorney General), Charles H. Cahan (Secretary of State), and Ephraim Coleman (Deputy Registrar General of Canada) $100—150 VIEW LOT

454 The Canada Auction Series

562 GEORGE III SILVER OLD ENGLISH PATTERN SERVING SPOON, HESTER BATEMAN, LONDON, 1788 length 11.4 in — 28.9 cm, 3.4 oz. — 107 grams $100—200 VIEW LOT

Property From The Roland Michener Collection

455

563 PAIR OF GEORGE III SILVER FEATHER EDGED OLD ENGLISH PATTERN TABLE SPOONS, WALTER TWEEDIE, LONDON, 1771 with scroll cartouche terminals, length 8.4 in — 21.4 cm, 4.2 oz. — 130 grams $100—200 VIEW LOT

456 The Canada Auction Series

564 16 SILVER MOSTLY COIN SET ASHTRAYS, 1835-1901 including 12 Indian Rupee examples, another three engraved with an Imperial crown, and a later Egyptian 10 Piastres example, largest diameter 3.5 in — 8.9 cm; largest, 21.6 oz. — 672 grams $200—300 VIEW LOT

Property From The Roland Michener Collection

457

565 TWO BRONZE COMMEMORATIVE MEDALLIONS BY DORA DE PEDERY HUNT (1913-2002), CANADIAN: FIRST CANADIAN MEDAL EXHIBITION AND GEZA DE KRESZ, 1882-1959 each signed, largest diameter 3.5 in — 8.9 cm $200—300 VIEW LOT

458 The Canada Auction Series

566 ARTIST’S OVERSIZE PROTOTYPE PATINATED BRONZE MEDALLION COMMEMORATING THE TERCENTENARY OF THE HUDSON’S BAY COMPANY, BY DORA DE PEDERY HUNT (1913-2002), CANADIAN, 1970 cast in two pieces with edge seam, obverse: company arms with 16/970 below, and legend: Hudson’s Bay Company in the surround, reverse: the ketch ‘Nonsuch’, titled, with Churchill, Manitoba, 2nd May 1969 in the surround, diameter 4 in — 10.2 cm $300—400 VIEW LOT

Property From The Roland Michener Collection

459

567 TWO ROLAND AND NORA MICHENER SILVER GOVERNOR GENERAL’S ACADEMIC AWARD MEDALLIONS, C.1970 obverse: the couple in profile left, text in the surround, reverse: the Michener’s coat of arms with motto: Libre et Ordonne, each diameter 2 in — 5.1 cm, 5.1 oz. — 158 grams (gross) $200—300 VIEW LOT

460 The Canada Auction Series

568 THIRTEEN VARIOUS ROLAND AND NORA MICHENER GOVERNOR GENERAL’S ACADEMIC AWARD MEDALLIONS, C.1970 including a copper mint proof, three with the couple in profile left, text in the surround on the obverse, the reverse with the Michener’s coat of arms with motto: Libre et Ordonne, and eight with vacant reverse each diameter 2 in — 5.1 cm $150—250 VIEW LOT

Property From The Roland Michener Collection

461

569 RUSSIAN BRONZE MEDALLION COMMEMORATIVE OF THE SUPREME SOVIET OF THE USSR, 1958 by medalist Nikolay Sokolov, Leningrad Mint, recto: The Grand Kremlin Palace from the Moskva River, Moscow, verso: state emblem of the USSR, diameter 3 in — 7.5 cm $100—150 VIEW LOT

462 The Canada Auction Series

570 THREE MEDALS COMMEMORATING THE 2500TH ANNIVERSARY OF THE FOUNDATION OF THE PERSIAN EMPIRE, 1971 two of full size and one miniature, each obverse: Shah Mohammad Reza Pahlavi, head left with lotus blossom surround, reverse: the Cyrus Cylinder with Persian text and French below, all within a lotus blossom surround, diameter 1.6 in — 3.95 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

463

571 GROUP OF TWELVE CANADIAN COMMEMORATIVE MEDALLIONS, 1967-1982 Université Laval Centtennial, 1952 Israel Salutes Canada’s Centennial, 1967 Canadian Olympic Association, 1967 Northwest Territories Centennial, 1970 City of Kitchener/Waterloo Hospital Opening, 1970 Edmonton Klondike Days Dollar, 1971 City of Hamilton 125th Anniversary, 1971 RCAF Squadron 411, County of York, Presentation of the Standard, 1971 Royal Canadian Legion to Roland Michener, Grand Patron, 1971 Granite Club Centenary, 1976 The Royal Society of Canada Centennial, 1982 Marriage of The Prince and Princess of Wales, 1983, largest diameter 3 in — 7.5 cm $200—300

VIEW LOT

464 The Canada Auction Series

572 GROUP OF VARIOUS MEDALS, ORDERS AND DECORATIONS, 1967-1974 including: Commander of the Order of Military Merit, cased, The Order of Ontario, with miniature, cased, two Order of St. Lazarus stars, three decorations and two sashes and a wax great seal, one case, three Order of St. John stars and three decorations, one case and a presentation plaque, George V silver jubilee medal, 1935, a Canadian Silver Centennial medal, 1967, and two military cap badges: Royal Flying Corps and Royal Artillery largest case 2.5 x 10.25 x 5.25 in — 6.4 x 26 x 13.3 cm; largest case $500—700 VIEW LOT

Property From The Roland Michener Collection

465

573 26 SILVER GILT INGOT FORM REPLICAS OF HISTORICAL CANADIAN STAMPS, C.1980 with 25 in one case and a single in a smaller case, case 2.75 x 13 x 10 in — 7 x 33 x 25.4 cm, 15.7 oz. — 487 grams $200—300 VIEW LOT

466 The Canada Auction Series

574 QUEEN ELIZABETH II SILVER CORONATION MEDAL, 1953 obverse: HRH bust, right; reverse: royal cypher under the Imperial State Crown, with QUEEN ELIZABETH II CROWNED 2nd JUNE 1953 in the surround, cased, diameter 1.3 in — 3.2 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

467

575 TWO QUEEN ELIZABETH II SILVER JUBILEE MEDALS, 1977 each obverse: HRH head right, with ELIZABETH II DEI GRATIA REGINA FID DEF in the surround, reverse, a stylised maple leaf under CANADA, with the royal cypher below flanked by 1953 and 1977, one medal with drop ribbon, the other with bow ribbon suspension, each cased, diameter 1.3 in — 3.2 cm $300—400 VIEW LOT

468 The Canada Auction Series

576 SIGNED PRESENTATION PHOTOGRAPH OF THE BRITISH ROYAL FAMILY, 1970 including Queen Elizabeth, Prince Philip, Prince Charles and Princess Anne, in a leather easel frame by M.H. Plante, London, sheet 7 x 8.25 in — 17.8 x 21 cm; framed 11 x 12.2 in — 27.9 x 31 cm $500—700 VIEW LOT

Property From The Roland Michener Collection

469

577 TWO PHOTOGRAPHS INCLUDING QUEEN ELIZABETH II AND THE DUKE OF EDINBURGH, 1967 & 1973 the first taken July 5, 1967 at Government House with Lester B. Pearson, Roland Michener and nine Premiers for Centennial celebrations, the second taken August 4, 1973 with dignitaries attending the Commonwealth Heads of Government Meeting, taken by John Evans, Ottawa, and signed on the mat, larger 11.75 x 14.6 in — 29.8 x 37.1 cm $100—150 VIEW LOT

470 The Canada Auction Series

578 SIGNED PORTRAIT PHOTOGRAPH OF CHARLES, PRINCE OF WALES, 1970 gelatin silver print on card, signed in quill ‘Charles, 1970’, lower margin, in green leather easel frame impressed Jarrolds, Knightsbridge, with gilt tooled Prince of Wales plumes on the crest, frame 15 x 10.5 in — 38.1 x 26.7 cm $500—700 VIEW LOT

Property From The Roland Michener Collection

471

579 SIGNED PRESENTATION PORTRAIT PHOTOGRAPH OF SIR EDWARD HEATH BY ROBERT ENEVER, 1970 bromide print on studio card signed and dated by the sitter, in silver frame with Jarrold’s, Knightsbridge label $300—400 VIEW LOT

472 The Canada Auction Series

580 SIGNED PRESENTATION PORTRAIT PHOTOGRAPH OF PRINCESS ANNE, 1970 signed and dated on the studio card, in a blue leather easel frame with gilt monogram in the crest, print 25 x 20 in — 63.5 x 50.8 cm; framed 16 x 11.5 in — 40.6 x 29.2 cm $300—400 VIEW LOT

Property From The Roland Michener Collection

473

581 SIGNED PRESENTATION PHOTOGRAPH OF PRIME MINISTER JOHN DIEFENBAKER, 1957 print mounted on studio card inscribed in the lower margin “To Mr. Speaker Michener with Best Regards Diefenbaker’, photography by Gar Lunney for the National Film Board, Still Photography Division, framed 13.25 x 11.25 in — 33.7 x 28.6 cm $200—300 VIEW LOT

474 The Canada Auction Series

582 SIGNED PHOTOGRAPH OF JOHN DIEFENBAKER BY GABRIEL ‘GABY’ DESMARAIS, C.1962 gelatin silver print inscribed in quill: ‘With Best Wishes to Mr. Speaker and Mrs. Michener’ and with studio stamp, verso, frame, 10.5 x 8.4 in — 26.7 x 21.3 cm $100—150 VIEW LOT

Property From The Roland Michener Collection

475

583 SIGNED PRESENTATION PORTRAITS OF MOHAMMAD REZA SHAH PAHLAVI AND EMPRESS FARAH PAHLAVI OF IRAN, 1967 AND 1971 each signed and dated on the print, and each in a silver easel frame, his with the gilt Imperial Coat of Arms of Iran applied to the crest, larger 13.4 x 11 in — 34 x 28 cm $500—700 VIEW LOT

476 The Canada Auction Series

584 SIGNED PORTRAIT PHOTOGRAPH OF SARVEPALLI RADHAKRISHNAN, 2ND PRESIDENT OF THE REPUBLIC OF INDIA, C. 1964 on studio card, inscribed in pencil, verso: ‘President Radhakrishnan of India, who accepted the credentials of Roland Michener as High Commissioner to India in 1964’ print 9.25 x 7 in — 23.5 x 17.8 cm; overall 12 x 9 in — 30.5 x 22.9 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

477

585 SIGNED PRESENTATION PORTRAIT PHOTOGRAPH OF GEORGE DREW, C. 1956 gelatin silver print, signed and inscribed by National Film Board photographer Chris Lund, stamped, verso, sheet 9.5 x 7.5 in — 24.1 x 19.1 cm; framed 12.75 x 10.75 in — 32.4 x 27.3 cm $100—150 VIEW LOT

478 The Canada Auction Series

586 PRESENTATION PORTRAIT PHOTOGRAPH OF PRINCE AND PRINCESS TAKAMATSU OF JAPAN, 1967 photographed by Yoshihisa Watanabe (Japanese studio stamp, verso), in a black lacquer easel frame, 9.20 x 6.7 in — 23.4 x 17 cm; framed 11.6 x 9.1 in — 29.5 x 23.2 cm NOTE:

In 1967 the Royal Couple visited British Columbia, Alberta, Expo ‘67 in Montreal, and Ottawa as part of the nation’s centennial celebrations. $200—300 VIEW LOT

Property From The Roland Michener Collection

479

587 SIGNED PRESENTATION PORTRAIT PHOTOGRAPHS OF LIEUTENANT GOVERNOR JOHN KEILLER MACKAY AND KATHERINE “KAY” JEAN MACLEOD MCKAY, C. 1960 photographed by Artin Cavouk, Toronto, (signed, with studio stamp, verso) each inscribed and signed by the sitters, each print 9.75 x 8 in — 24.8 x 20.3 cm; framed overall 10.25 x 16.25 in — 26 x 41.3 cm $200—300 VIEW LOT

480 The Canada Auction Series

588 SIGNED PRESENTATION PHOTOGRAPH PORTRAITS OF KING BHUMIBOL THE GREAT AND QUEEN SIRIKIT OF THAILAND, 1967 each signed and dated by the sitter, and in silver gilt and niello frames signed Thai Nakon (Royal Thai Silversmiths, Bangkok) with mahogany easel backs overall 15.4 x 10.8 in — 39 x 27.5 cm $400—600 VIEW LOT

Property From The Roland Michener Collection

481

589 TWO PORTRAITS OF INDIRA GANDHI BY ARTIN CAVOUK, TORONTO, 1973 each signed by the photographer on the print, with studio stamp verso, and framed each frame approx. 14.25 x 12 in — 36.2 x 30.5 cm $200—300 VIEW LOT

482 The Canada Auction Series

590 FRAMED PHOTOGRAPH OF THE UNIVERSITY OF OXFORD TRACK TEAM, 1923 inscribed in pencil, verso: ‘Won over Cambridge 7 to 3 at Queen’s Club, London, Michener won pole vault for Oxford’, together with Michener’s 1943 George VI appointment to 2nd Lieutenant in the Canadian Army, endorsed by Governor General Alexander Cambridge, 1st Earl of Athlone, largest frame 13 x 16 in — 33 x 40.6 cm $150—250 VIEW LOT

Property From The Roland Michener Collection

483

591 TWO PORTRAIT PHOTOGRAPHS OF ROLAND AND NORA MICHENER

BY ARTIN CAVOUK, TORONTO, C.1972 each signed by the photographer on the colour print, lower right, and framed, (his) sight 9.5 x 7.5 in — 24.1 x 19.1 cm; framed 15 x 13 in — 38.1 x 33 cm $150—250 VIEW LOT

484 The Canada Auction Series

592 SIGNED PRESENTATION PHOTOGRAPH PORTRAIT OF ROLAND MICHENER, ASHLEY & CRIPPEN, TORONTO, 1949 the colour print mounted on signed studio card, with quill inscription on secondary card placed under the glass: ‘With love to my most constant supporter, Christmas, Roly Michener’ print 13 x 9.25 in — 33 x 23.5 cm; framed 16.25 x 13.25 in — 41.3 x 33.7 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

485

593 SIGNED PORTRAIT PHOTOGRAPH OF ROLAND AND NORAH MICHENER

BY ARTIN CAVOUK, C. 1968 gelatin silver print mounted on studio card signed by the sitters, studio stamp and numbered 10763, verso, print 13.4 x 10.4 in — 34 x 26.5 cm; framed 18 x 14.4 in — 45.7 x 36.5 cm $200—300 VIEW LOT

486 The Canada Auction Series

594 SIGNED PORTRAIT PHOTOGRAPH OF ROLAND AND NORAH MICHENER

BY ARTIN CAVOUK, C. 1968 gelatin silver print, signed by the photographer, mounted on studio card signed by the sitters, studio stamp and numbered 10764, verso, print 13 x 9.75 in — 33 x 24.8 cm; framed 43.5 x 33.5 in — 110.5 x 85.1 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

487

595 PORTRAIT PHOTOGRAPH OF ROLAND AND NORAH MICHENER BY YOUSUF KARSH, OTTAWA, 1962 gelatin silver print on studio card wiith presentation inscription, lower margin, and studio stamp verso, in leather easel frame bearing an element of the Vanier crest 15.25 x 12.5 in — 38.7 x 31.8 cm painted initials in blue $100—150 VIEW LOT

488 The Canada Auction Series

596 PHOTOGRAPH OF ROLAND MICHENER WITH RECIPIENTS OF THE VICTORIA CROSS AND THE GEORGE CROSS, OTTAWA, JUNE, 1967 photography by National Film Board of Canada, with letter of presentation signed by Roger Teillet, Minister of Veteran’s Affairs, verso, framed 21.75 x 21.75 in — 55.2 x 55.2 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

489

597 THREE PHOTOGRAPHS OF THE MICHENERS BY ARTIN CAVOUK, TORONTO, the largest of the couple in a garden setting, the second of Mrs. Michener at Queen’s Park (in a leather easel frame), the smaller of Queen Elizabeth, Prince Philip and Mrs. Michener in a park setting, largest (folio) 13 x 14.25 in — 33 x 36.2 cm $100—150 VIEW LOT

490 The Canada Auction Series

598 SPEAKERS OF THE SENATE AND OF THE HOUSE OF COMMONS TWENTY-FOURTH PARLIAMENT OF CANADA, 1960 folio, being a yearbook style listing of the Prime Minister, members of the Ministry, the Senate, the House of Commons by party, and Parliamentary Secretaries, with Michener’s name annotations throughout in blue ink, in tooled green linen boards $100—150 VIEW LOT

Property From The Roland Michener Collection

491

599 ROBERT H. HUBBARD RIDEAU HALL: AN ILLUSTRATED HISTORY OF THE GOVERNMENT HOUSE, OTTAWA, VICTORIAN AND EDWARDIAN TIMES 4to., presentation edition, with presentation inscription to ‘Their Excellencies’, signed by the author, Ottawa, Roger Duhamel, Queen’s Printer and Stationery, 1967, 9.25 x 11 in — 23.5 x 27.9 cm $100—150 VIEW LOT

492 The Canada Auction Series

600 ROBERT H. HUBBARD RIDEAU HALL: AN ILLUSTRATED HISTORY OF GOVERNMENT HOUSE, OTTAWA (3 copies) 4to., one with French text, each with half title, illustrated full title, 282pp., illustrated, in linen boards with dust jacket, Montreal & London, McGill-Queen’s University Press, 1977 $80—120 VIEW LOT

Property From The Roland Michener Collection

493

601 JOHN HATSELL (1733-1820) PRECEDENTS OF PROCEEDINGS IN THE HOUSE OF COMMONS, WITH OBSERVATIONS 2 vols., 4to., each with half title (clipped) full title, dedication to Jeremiah Dyson, in half calf marbled boards, London, printed by J. Hughs, for J. Dodsely, in Pall-Mall, 1785 PROVENANCE:

Morrin College Library, Quebec City, QC; Library of Thomas Cushing Aylwin, Montreal, QC $200—300 VIEW LOT 494 The Canada Auction Series

602 GARY LEVY (1948-2018) SPEAKERS OF THE HOUSE OF COMMONS 4to., publisher’s presentation edition embossed to and signed by Roland Michener, Ottawa, Library of Parliament, 1984 $100—150 VIEW LOT

Property From The Roland Michener Collection

495

603 MAJOR A.R. JESSUP ET AL. THE REGIMENTAL HISTORY OF THE GOVERNOR GENERAL’S FOOTGUARDS 4to., 1st presentation edition, tipped in presentation page with gilt text, signed by David Phillip William Wood dated 1968 gilt full title with red and blue banding, full title, foreword by Alexander Tunis, profusely illustrated including 14 fold-out panorama photographs and maps, in blue calf boards deeply impressed with the maple leaf against a radiating sun, inset with enamelled gilt metal regimental emblem, the red ribbed spine with applied blue title $300—400 VIEW LOT

496 The Canada Auction Series

604 H.R. PAGE HISTORICAL ATLAS OF LINCOLN & WELLAND ONTARIO, ILLUSTRATED, 1876 folio, a 1984 reprint of the original edition, the endpaper with presentation inscription to ‘The Honourable Roland Michener on the occasion of the 18th Jordan Pioneer Day Celebration by the Lincoln Town Council, October 13th, 1984’ $100—150 VIEW LOT

Property From The Roland Michener Collection

497

605 HUGH A. DEMPSEY (1929-1922) HISTORY IN THEIR BLOOD: THE INDIAN PORTRAITS OF NICHOLAS DE GRANDMAISON 4to, illustrated, quarter calf cloth boards, Douglas & McIntyre, Vancouver/Toronto, 1982 12.25 x 10 in — 31.1 x 25.4 cm $100—150 VIEW LOT

498 The Canada Auction Series

606 ERIC ROSS ARTHUR (1898-1982), CANADIAN TORONTO: NO MEAN CITY 4to., limited first edition, no. 4/350, presentation inscription signed by the author, illustrated, gilt top edge, in quarter calf and green cloth boards with gilt City of Toronto coat of arms, Toronto, University of Toronto Press, 1964, together with a booklet; THE EARLY BUILDINGS OF ONTARIO, also by Arthur, 1938 11.25 x 9.5 in — 28.6 x 24.1 cm NOTE:

Eric Arthur was a Canadian architect, writer and educator who played a vital role in the introduction of architectural modernism and in the preservation movement in Ontario. $200—300 VIEW LOT Property From The Roland Michener Collection

499

607 ABBÉ ARTHUR MAHEUX (1884-1967), CANADIAN TWO VOLUMES: CANADIAN UNITY; WHAT KEEPS US APART & PROBLEMS OF CANADIAN UNITY each a 12mo., 1st edition, with author’s signed presentation inscription, in quarter calf marbleised boards, Quebec, 1944 7.5 x 5.1 in — 19 x 13 cm $200—300 VIEW LOT

500 The Canada Auction Series

608 WILLIAM GEORGE HARDY (1895-1979) ALBERTA: A NATURAL HISTORY 4to., limited first edition no. 44/1200, signed, profusely illustrated in colour, in cloth boards, M.G. Hurtig Publishers, Edmonton, 1967, 11.2 x 8.75 in — 28.4 x 22.2 cm NOTE:

W.G. Hardy, CM was a Canadian professor, writer, and ice hockey administrator. He lectured on the Classics at the University of Alberta from 1922 to 1964, and served as president of the Canadian Authors Association. $80—120 VIEW LOT Property From The Roland Michener Collection

501

609 ROLOFF BENY (1924-1984) INDIA folio, 1st edition, with presentation inscription to Michener signed by the photographer, with 136 tipped in colour plates, and an essay by Aubrey Menen, Toronto, MacLelland & Stewart, 1969 14 x 11.6 in — 35.6 x 29.5 cm NOTE:

Also inscribed: “Like ‘The light that shines in the sun’ I feel that the light of India will always remain in your memory as it does in mine - with sincerest personal respect, I am your humble servant, Roloff Beny.” $100—200 VIEW LOT 502 The Canada Auction Series

610 N.D. SOBOLEVSKY THE ART OF SOVIET PALEKH folio, the introductory booklet with text in Russian, French and English, cased with 39 colour plates tipped on to green card mounts, all in red linen clamshell case, 16.1 x 12.2 in — 41 x 31 cm NOTE:

Presented to Norah Michener at Canada House in New Delhi in 1967 by the wife of Ivan A. Benedictov, the Russian ambassador to India, on the occasion of their departure from India. $100—150 VIEW LOT

Property From The Roland Michener Collection

503

611 NINE VOLUMES RELATING TO CANADIAN MILITARY HISTORY Philip Longworth THE UNENDING VIGIL, A History of the Commonwealth Graves Commission, London, Constable, 1967 Edmund Cosgrove THE EVADERS Toronto, Clarke, Irwin & Co., 1970 Waldo E.L. Smith (two works) THE NAVY AND ITS CHAPLAINS IN THE DAYS OF SAIL and THE NAVY CHAPLAIN AND HIS PARISH, 1961 & 1967 Paul P. Hutchinson CANADA’S BLACK WATCH: THE FIRST HUNDRED YEARS Montreal, The Black Watch (H.R.H), 1962 Colonel A. Fortescue Duguid HISTORY OF THE CANADIAN GRENADIER GUARDS, 1760-1964 Montreal, Gazette Printing Co., 1965 Lieut.-Colonel W. Boss THE STORMONT, DUNDAS AND GLENGARRY HIGHLANDERS, 1783-1951 Ottawa, The Runge Press, Ltd., 1952 Richard Arthur Preston CANADA’S RMC: A HISTORY OF THE ROYAL MILITARY COLLEGE University of Toronto Press, 1969 Ken Bell & Desmond Morton ROYAL CANADIAN MILITARY INSTITUTE 100 YEARS: 1890-1990 Toronto, RCMI, 1990 $200—300 VIEW LOT

504 The Canada Auction Series

Property From The Roland Michener Collection

505

612 TWO VOLUMES OF MILITARY INTEREST each with presentation inscription to Michener signed by the author Captain Johnnie Johnson WING LEADER London, Chatto & Windus, 1956 (inscription dated 1972) Bernard Fergusson WAVELL: PORTRAIT OF A SOLDIER 1st ed., 2nd impression London, Collins, 1961 (inscription dated 1970), 8 x 5.3 in — 20.3 x 13.5 cm $150—250 VIEW LOT

506 The Canada Auction Series

Property From The Roland Michener Collection

507

613 NINE CANADIAN HISTORICAL BIOGRAPHIES. C.P. Stacey A VERY DOUBLE LIFE: THE PRIVATE WORLD OF MACKENZIE KING Toronto, Macmillan of Canada, 1976 A.Y. Jackson A PAINTER’S COUNTRY Toronto, Clarke, Irwin & Co., 1963 Leon J. Ladner THE LADNERS OF LADNER (first edition, author signed presentation inscription) Vancouver, Mitchell Press Ltd., 1972 Shirley E. Woods, Jr. THE MOLSON SAGA, 1786-1986 presentation inscription signed by Eric H. Molson, numbered edition 107/1000 Toronto, Doubleday Canada Ltd., 1986 Robert Laird Bordon LETTERS TO LIMBO Toronto, University of Toronto Press, 1971 Emerson Bristol Biggar ANECDOTAL LIFE OF SIR JOHN A. MACDONALD Montreal, John Lovell & Son Donald Creighton (two works) JOHN A. MACDONALD: THE YOUNG POLITICIAN and THE OLD CHIEFTAIN Toronto, Macmillan Company of Canada Ltd., 1952 & 1955 Sir Joseph Pope MEMOIRS OF THE RIGHT HONOURABLE SIR JOHN ALEXANDER MACDONALD Toronto, Oxford University Press, 1930 $200—300 VIEW LOT

508 The Canada Auction Series

Property From The Roland Michener Collection

509

614 NINE VOLUMES RELATING TO CANADIAN MILITARY HISTORY. each with French text Charles-Marie Boissonnault et al HISTOIRE DU ROYAL 22e RÉGIMENT Québec, Éditions du Pelican, 1964 (2 copies, a leather bound presentation edition to Michener, signed by the officers of the regiment, and a trade edition) Colonel Joseph Chabelle HISTOIRE DU 22e BATAILLON CANADIEN-FRANÇAIS, VOL. I, 1914-1919 Montréal, Les Éditions Chantecler Ltée., 1952 Jacques Castonguay LE FORT SAINT-JEAN: TROIS SIÈCLES D’HISTOIRE with presentation inscription to Michener signed by Commander Jacques Chouinard Montréal, Les Éditions du Lévrier, 1965 Thomas E. Appleton USQUE AD MARE: HISTORIQUE DE LA GARDE CÔTIÉRE CANADIENNE ET DES SERVICES DE LA MARINE Ottawa, Ministère des Transport, 1968 CENT ANS D’HISTOIRE D’UN RÉGIMENT CANADIEN-FRANÇAIS: LES FUSILLIERS MONT-ROYAL, 1869-1969 Montreal, Éditions du Jour, 1971 Jacques Gouin PAR LA BOUCHE DE NOS CANONS: HISTOIRE DU 4e RÉGIMENT D’ARTILLERIE MOYENNE/4TH CDN MEDIUM REGT RCA/1941-1945 Sergent Victor Farardeau and Sergent Jean Parent LA MUSIQUE DU ROYAL 22e RÉGIMENT- 50 ANS HISTOIRE (1922-1972) Lt.- Col. Georges Coté PELERINAGE D’ANCIENS COMBATTANTS DE LA PREMIERE GUERRE MONDIALE AUX CHAMPS DE BATAILLE ET AUX CIMETTERES CANADIENS OUTRE-MER A L’OCCASION DU 50e ANNIVERSAIRE DE L’ARMISTICE 1918-1968 $200—300 VIEW LOT 510 The Canada Auction Series

Property From The Roland Michener Collection

511

615 FIVE VOLUMES OF VARIED INTERESTS Frank H. Ellis CANADA’S FLYING HERITAGE presentation edition to Michener, signed by the author, Toronto, University of Toronto Press, 1968 John Giles THE YPRES SALIENT 1st. ed., with an author signed letter to Michener, and presentation inscription to Michener signed by the Mayor of Ypres, dated April 22, 1971, London, Leo Cooper, 1971 Pierre Mayrand and John Bland THREE CENTURIES OF ARCHITECTURE IN CANADA/TROIS SIÈCLES D’ARCHITECTURE AU CANADA red leather boxed and bound presentation edition to Michener, Montreal, Federal Publication Service, 1971 Brian Hanington STANDING NAVAL FORCE ATLANTIC, CANADA’S FLAGSHIP YEAR with presentation inscription to Norah Michener from the Ship’s Company HMCS Iroquois, Hanington Publications, 1979 Fraser Symington THE CANADIAN INDIAN: THE ILLUSTRATED HISTORY OF THE GREAT TRIBES OF CANADA Toronto, McClelland & Stewart, 1969 $100—200 VIEW LOT

512 The Canada Auction Series

Property From The Roland Michener Collection

513

616 STAINED GLASS PORTRAIT OF DR. LUDWIG FREIHERR VON PASTOR, C.1916 32.75 x 22.25 in — 83.2 x 56.5 cm $200—300 VIEW LOT

514 The Canada Auction Series

617 PAIR OF CARVED GILTWOOD FIGURAL WALL SCONCES, C.1900 each modelled as a classically draped woman, with arms curved up and issuing light cups 20.5 x 18 in — 52.1 x 45.7 cm $300—400 VIEW LOT

Property From The Roland Michener Collection

515

618 PAIR OF CONTINENTAL GILT GESSO CHERUB FRAMED MIRRORS, EARLY-MID 20TH CENTURY each 28 x 20.5 in — 71.1 x 52.1 cm $300—400 VIEW LOT

516 The Canada Auction Series

619 ROLAND MICHENER’S HOUSE OF COMMONS SPEAKER OF THE HOUSE CHAIR, EARLY-MID 20TH CENTURY oak with studded green leather upholstery, 35 x 19 in — 88.9 x 48.3 cm $300—400 VIEW LOT

Property From The Roland Michener Collection

517

620 CANADIAN WALNUT PARTNERS DESK, MID 19TH CENTURY with leather inset top and drawers on either side, 60 x 31 x 41 in — 152.4 x 78.7 x 104.1 cm PROVENANCE:

By repute: The current lot was Sir John A. Macdonald’s and used in the East Block of the Parliament Building in Ottawa, then later presented to Michener by a descendant of the first prime minister. $1,000—1,500 VIEW LOT 518 The Canada Auction Series

621 QUEEN ANNE FIGURED WALNUT BANDED MAHOGANY DRESSING TABLE, EARLY 18TH CENTURY the central long drawer flanked by box drawer over a shaped apron all raised on cabriole legs terminating in pad feet, 27.5 x 32 x 20 in — 69.9 x 81.3 x 50.8 cm $700—900 VIEW LOT

Property From The Roland Michener Collection

519

622 PAIR OF INDIAN BONE INLAID TEAK LAMP TABLES, C.1965 each leg modelled as a stylised elephant head and trunk, height 20 in — 50.8 cm, diameter 20 in — 50.8 cm PROVENANCE:

Presented to the Micheners on their departure from India in 1967. $200—300 VIEW LOT

520 The Canada Auction Series

623 INDIAN ENGRAVED BRASS TRAY TABLE ON TEAK TRIPOD STAND, C.1967 height 18 in — 45.7 cm, diameter 40 in — 101.6 cm $200—300 VIEW LOT

Property From The Roland Michener Collection

521

Buying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

CONDITION OF LOTS All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

BUYER’S PREMIUM Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 cad. Hammer prices in excess of $25,000 cad will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

PAYMENT Payment for purchases must be by cash; INTERAC direct debit (cdn clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000). all transactions are conducted in canadian dollars (cad)

Selling at Waddington’s

SHIPPING The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca www.safershipping.ca REMOVAL OF PURCHASES Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

CITES Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species).

This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

INSURANCE A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

AUCTION ADVICE For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca).

For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto, Montreal and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale

1. Each lot is subject to a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD as part of the purchase price.

Hammer prices in excess of $25,000 will be charged a buyer’s premium of 20%.

2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.

3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

6. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash; interac direct debit (cdn client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the r e-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

524 The Canada Auction Series

Property From The Roland Michener Collection

525