Old Masters and Related Works Online Auction | Apr. 27 - 30, 2015

275 King Street East, Toronto Ontario Canada M5A 1K2 Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700 Email: info@waddingtons.ca www.waddingtons.ca

Waddingtons.ca OLD MASTER AND RELATED WORKS ONLINE AUCTION

SPECIALIST:

Susan Robertson 416.847.6179 sr@waddingtons.ca

Starts: Monday 27 April 2015 at 9am Ends: Thursday 30 April 2015 at 2pm On View:Tuesday 28 April 2015 from 2:00 pm to 7:00 pm

http://internationalart.waddingtons.ca/auctions-161/Old-Master-and-Related-Works-Online-Auction

1 17TH CENTURY SCOTTISH PORTRAIT OF A YOUTHFUL JAMES IV OF SCOTLAND Oil on panel painted in a feigned oval 8” x 6.5” — 20.3 x 16.5 cm. $300—500

2 FOLLOWER OF SIR GODFREY KNELLER (1646-1723), BRITISH PORTRAIT OF A YOUNG MAN, FULL-LENGTH, WEARING A BLUE VELVET WAIST COAT, SEATED WITH A LANDSCAPE VIEW BEYOND Oil on canvas 50.25” x 41” — 127.6 x 104.1 cm.

Provenance: With A. Whitcombe & Co. Ltd., Cheltenham, restorer in October 1931, inscribed to the stretcher

3 ATTRIBUTED TO SIR JOHN HOPPNER (1758-1810), BRITISH MRS. ELLIOT (SAID TO BE) Oil on canvas; titled to label verso 30” x 25” — 76.2 x 63.5 cm.

Provenance: Ex. Coll. W.W. Skinner, Montreal; Cottier & Co., New York Exhibited: Loaned by W.W. Skinner, Montreal: Cottier & Co., New York, called “J. Hoppner” of “Mrs. Elliot,” n.d., No. c.74 label verso $1,500—2,500

$2,000—3,000

4 FOLLOWER OF WILLIAM HOGARTH (1697-1764), BRITISH SCHOOL CAVALIERS WITH A CAT AT THE HEARTH Oil on braced panel; signed “R. V...”indistinctly lower left 18” x 15” — 45.7 x 38.1 cm.

Provenance: Britnell’s Art Gallery, Diamond Jubilee label, Toronto $600—800

5 ATTRIBUTED TO JOHN CROME THE ELDER (17681821), BRITISH WATERLOO

6 ATTRIBUTED TO WILLIAM MULREADY (1786-1863), IRISH ENGLISH LANDSCAPE

Oil on board; given to John (Old) Crome and titled to the gallery nameplate

Oil on canvas; titled to the Art Gallery of Toronto label verso 25” x 29.75” — 63.5 x 75.6 cm.

7 LATE 18TH/EARLY 19TH CENTURY BRITISH SCHOOL CLASSICAL URN WITH ROSES IN A PALATIAL GARDEN Oil on canvas; unsigned, inscribed: “Coll Count Belleroche/ Brangwyn frame” to old paper label verso

8 FOLLOWER OF PHILIPS WOUWERMAN (1619-1668), DUTCH THE FALLEN CAVALIER Oil on thin card; inscribed “...OTORY” lower right 3.9” x 4.9” — 10 x 12.5 cm.

24” x 34” — 61 x 86.4 cm.

Provenance: The H.C. Cox Collection, Toronto; Presented to the Art Gallery of Toronto (Art Gallery of Ontario) by Mr. and Mrs. H.C. Cox in 1926, Accession No. 803; Deaccessioned to benefit art purchases at the AGO Note: The Cox family gave a number of gifts of pictures, notably a landscape by Thomas Gainsboroug, a C.F. Daubigny river view, a Ferdinand Victor Roybet portrait; a Jules Dupre, an Attributed Mulready (offered in this sale, Lot 6) and this painting Attributed to Old Crome. $600—800

Provenance: The H.C. Cox Collection, Toronto; Presented to the Art Gallery of Toronto (Art Gallery of Ontario) by Mr. and Mrs. H.C. Cox in 1926, Accession No. 815; Deaccessioned to benefit art purchases at the AGO

45” x 32” — 114.3 x 81.3 cm.

$500—700

Provenance: Ex. Collection of Count Belleroche, inscribed to label verso; The Estate of Audrey McQuaig, Toronto $1,500—2,500

Note: Mr. and Mrs. H.C. Cox of Toronto also presented other oil paintings to the Art Gallery of Toronto in 1926.

This presentation included this lot, as well as a work attributed to John Crome the Elder (offered in this sale, Lot 5). Likewise presented in 1926 by the couple, the oil on cradled panel entitled “Woodland Scenery” by Jules Dupre, which sold at Waddington’s on 9 December 2014 (Lot 475, Accession No. 805). $600—800

9 LOUIS CHARLES VERBOECKHOVEN (18021889), BELGIAN COASTAL SCENE WITH MEN IN FISHING BOATS

10 FOLLOWER OF JOHN GRIFFIER THE ELDER (16451718), DUTCH RIVERSIDE VILLAGE AND FIGURES

Oil on panel; signed “Louis Verboeckhoven” and inscribed indistinctly with a date? on the second post lower left foreground.

Unframed.

Oil on panel 4” x 8.5” — 10.2 x 21.6 cm.

Provenance: With the McEwan Gallery

17” x 21.75” — 43.2 x 55.2 cm. $500—700 $3,000—5,000

11 AFTER SIR PETER PAUL RUBENS (1577-1640), FLEMISH PORTRAIT OF A LADY (TRADITIONALLY KNOWN AS HELENE FOURMENT, 1614-1673) Oil on board. 19th Century.

13.75” x 11” — 34.9 x 27.9 cm.

12 FOLLOWER OF DAVID TENIERS THE YOUNGER (1610-1690), FLEMISH PLAYING CARDS (KARTENSPIELER)

13 CIRCLE OF DAVID TENIERS THE YOUNGER (1610-1690), FLEMISH VILLAGE CELEBRATION DANCE AND MERRYMAKERS AT NIGHT

Oil on panel; given to David Teniers and titled to a typed label verso

Oil on canvas

15.75” x 11.5” — 40 x 29.2 cm.

22” x 34.5” — 55.9 x 87.6 cm.

$800—1,200

Provenance: With Royer, Emballeur, Paris; Private Collection, Canada

14 FOLLOWER OF ADRIAEN JANSZ VAN OSTADE (16101685), DUTCH PAIR OF TAVERN MERRY MAKERS AT AN INN Pair of oils on oak panels 14” x 18.5” — 35.6 x 47 cm. $2,000—3,000

$1,000—1,500

$3,000—5,000

15 AFTER CASPAR NETSCHER (1639-1684) IN COLLABORATION WITH GERARD TER BORCH THE YOUNGER (1617-1681) , DUTCH THE PARENTAL ADMONITION, CIRCA 1654

16 FOLLOWER OF GERRIT DOU (1613-1675), DUTCH DUTCH MAID READING IN A NICHE Oil on canvas; feigned arch 12” x 9” — 30.5 x 22.9 cm. $300—500

Oil on canvas 27” x 23.5” — 68.6 x 59.7 cm.

17 MANNER OF JACOB VAN WALSCAPELLE (1644-1727), DUTCH GLASS VASE WITH PARROT TULIP, MORNING GLORIES, PANSY AND OTHER FLOWERS WITH WHEAT STALKS, BUTTERFLIES, SNAILS, CATERPILLARS, BUGS AND OTHER INSECTS ON A STONE LEDGE WITH CHERRIES AND BEES

18 CIRCLE OF WILLEM MARIS (1844-1910), DUTCH LUXURIOUS SUMMER Oil on canvas; signed lower right, titled to gallery label verso 13” x 18” — 33 x 45.7 cm.

Oil on panel

Provenance: Robert Scott & Sons; Bequest of Lily M. Cowan to the Art Gallery of Ontario, Toronto in 1961, Accession No. 63/45; Deaccessioned to benefit art purchases at the AGO

20.75” x 14.5” — 52.7 x 36.8 cm.

$1,500—2,500

$800—1,000

$1,500—2,500

19 AFTER GABRIEL METSU (1629-1667), DUTCH WOMAN MAKING LACE Oil on white metal.

8.25” x 6.5” — 21 x 16.5 cm. $300—500

20 FOLLOWER DUTCH 17TH CENTURY SCHOOL STILL LIFE WITH PARROT TULIPS IN A GLASS VASE ON A LEDGE

21 CIRCLE OF EGLON HENDRIK VAN DER NEER (1634-1703), DUTCH YOUNG GIRL IN A GARDEN POINTING TO A PARROT

22 SCHOOL OF JAN FYT (16111661), FLEMISH PHEASANTS (ON A TABLE WITH PLUMS)

Oil on canvas

Oil on canvas; indistinctly inscribed and dated 1697 to the stretcher

Oil on canvas. Previously given to Hondecoeter in an old written document accompanying the lot

56” x 40” — 142.2 x 101.6 cm.

24” x 32.5” — 61 x 82.6 cm.

$2,000—3,000

Provenance: With Geo. R. Donovan Esq., Toronto in 1920

24” x 30” — 61 x 76.2 cm. $500—700

23 ATTRIBUTED TO HENDRIK JACOBSZ DUBBELS (BORN C. 1620-1676), DUTCH MARINE (SMALL SHIPS NEAR A CITY PORT) Oil on canvas; given to Dubbels and titled to an old pen and ink label verso, the stretcher also signed and titled

24 ATTRIBUTED TO FRANZ VAN STAMPART (1675-1750), FLEMISH PORTRAIT OF A GENTLEMAN IN A RED COAT WEARING A WIG, 1724 Oil on canvas; inscribed in a 20th Century hand “F. Stampart Fecit A. 1724” in pencil to the board backing verso

14” x 19” — 35.6 x 48.3 cm.

24” x 20.5” — 61 x 52.1 cm.

Provenance: Ex. Coll. Dr. Rudolf Scheer-Hennings, Germany; By descent to the present Private Collection, Canada

Note: Dr. Rudolf Scheer-Hennings, serving on the Advisory Board of the Deutche Bank died before 1958. He was the son of Admiral Reinhard Scheer (1863-1928), the highest ranking officer in the German navy. $1,500—2,500

$1,500—2,500

25 PIETER JACOBSZ VAN LAER (1599-DIED CIRCA 1642), DUTCH CAVALIER ON HORSEBACK IN A GALLOP Sepia ink on laid paper with Fool’s Cap watermark (with clover); signed “Bamboots”, the alias of Pieter van Laer verso Together with: 17TH/18TH CENTURY FRENCH SCHOOL DRAPERY STUDY, RECLINING Charcoal heightened with white chalk on browned paper.

Sheet 11” x 15.5” — 27.9 x 39.4 cm.; 10” x 14” — 25.4 x 35.6 cm.

Provenance: Ex. Coll. Henry Sproatt, Toronto; By descent to his son, Henry Pratt, Toronto; By descent, Toronto $2,000—3,000

Note: This lot is accompanied by a letter from Geo. (rge) Alfred Meagher (1866-1930), a Canadian born artist specializing in watercolour. The accompanying typed letter from Mr. Meagher dated April 9th, 1920 addressed to Geo. R. Donovan, Esq., Toronto provides an opinion he and “Mr. Bell-Smith” certified this work as a very fine Hondecoeter. According to Mr. Bell-Smith, “... all the artists in the world to-day, could not paint a White Pheasant as well as it is painted in this picture.... “ By 1700, Dutch, Flemish, German, and French specialties had become less clearly distinguishable, with Dutch painters working for foreign princes and the market for still lifes growing throughout Europe. This still life has German newspaper clippings attached to the stretcher. $3,000—4,000

26 AFTER RAPHAEL (1483-1520), ITALIAN/DUTCH MADONNA AND CHILD

27 CIRCLE OF PIERRE MIGNARD THE ELDER (16121695), FRENCH DUCHESS OF PENTHIEVRE

Oil on braced oak panel 35.25” x 27” — 89.5 x 68.6 cm.

28 CIRCLE OF LOUIS DE BOULOGNE (1654-1733), FRENCH LEDA AND THE SWAN, CIRCA 1680

Oil on canvas; given to Mignard and titled to old inscribed label verso

Oil on canvas, scultped oval

24” x 20” — 61 x 50.8 cm.

45.5” x 36” — 115.6 x 91.4 cm.

$3,000—4,000

Provenance: Michel Aix, partial label to the frame; Royer emalleur, Paris label to the stretcher

29 AFTER JEAN-BAPTISTE GREUZE (1725-1805), FRENCH A GIRL WITH A DEAD CANARY, 1765 Oil on canvas; framed as an oval 21.5” x 18” — 54.6 x 45.7 cm.

Provenance: Reportedly from a convent in Leuven, acquired by Camille Schols, Leuven, Belgium until his death circa 1901; By descent to his son, Henri Schols, Leuven, Belgium; By descent to his daughter, Canada Note: According to family records, in the mid 1970’s, at the time of restoration, this work was examined by Mr. Bernard Leech, Associate Curator in Charge of Restoration at the Royal Ontario Museum, Toronto who reputedly identified this work as a “copy of Raphael’s Madonna with Child” and after some tests and examinations (including x-rays), Mr. Leech felt it was likely painted in two sessions: first probably started by one of Raphael’s students in the year 1500, then the second time it was completed 80 - 100 years later by a second unknown artist of the Flemish School.

Together with a file of 13 annotated black and white photographs showing the restoration done in certain areas of the painting by Toronto restorer, Jiri Ladocha in the mid 1970’s.

Note: This lot is accompanied by a typed letter from Louis Ryaux, dated at Paris on February 1983, stating the title: “Leda et le cygne” and dating the work circa 1680. In Ryaux’s opinion, he states the painting is not by the hand of Louis de Boulogne (Boullogne).

Louis de Boulogne executed a very similar canvas in reverse of this scene entitled “Venus, Hymen el les Amours” measuring 162 x 178 cm. in 1688 as well as other scenes of this subject that have been Attributed to his hand or Circle.

30 MANNER OF LOUIS TOCQUE (1696-1772), FRENCH ELEGANT LADY HOLDING A PURPLE FLOWER

$3,000—4,000

Note: The original by Jean Baptiste Greuze painted in 1765 is held in the collection of the National Galleries of Scotland $2,000—3,000

31 18TH CENTURY FRENCH SCHOOL LOUIS XIV OF FRANCE ON A WHITE STALLION Oil on canvas

Oil on canvas $2,000—4,000

16” x 13.5” — 40.6 x 34.3 cm.

29” x 24” — 73.7 x 61 cm.

Provenance: W. Scott & Sons, Montreal; Inscribed property of Raymonde Chevalier Roy to old label verso; Private Collection, Montreal $500—700

Provenance: Ex Coll. Raymonde Chevalier Roy to old label verso; Private Collection, Montreal $400—600

32 CIRCLE OF CLAUDE JOSEPH VERNET (1714-1789), FRENCH FIGURES IN A MOONLIT TEMPEST

33 FOLLOWER OF FRANCOIS BOUCHER (1703-1770), FRENCH ALLEGORY OF WINTER

Oil on canvas

Oil on canvas

30” x 36” — 76.2 x 91.4 cm.

21” x 25.5” — 53.3 x 64.8 cm.

$3,000—4,000

Provenance: With Royer, Emballeur, Paris $800—1,200

34 CIRCLE OF CHARLES LE BRUN (1619-1690), FRENCH FIGURE STUDY (FOR SEATED FIGURE IN “THE ENTRY OF ALEXANDER THE GREAT INTO BABYLON”, CIRCA 1664) Red chalk drawing with traces of pencil on laid paper with indistinct lettered watermark and center fold; inscribed: “Unfinished Sketch/ 17th Century” in pencil verso Sheet 13” x 9.8” — 33 x 25 cm.

35 ATTRIBUTED TO MICHEL CORNEILLE (1642-1708), FRENCH JOSEPH SOLD BY HIS BRETHREN Charcoal drawing on browned paper with WM fleur de Lys watermark, circa 1690 (inscribed “Heawood 1581” to the mount). Matted and unframed.

Together with: After Cornelis Troost (1697-1750), Dutch SEATED MAN IN TRICORN HAT

$3,000—5,000 Charcoal drawing on browned laid paper; bears initials and date 1737 lower left, small collector’s stamp verso (fleur de lys?), inscribed in pen and ink on the accompanying backboard attached to the matboard.

Matted and unframed.

Sheet 9.5” x 12” — 24.1 x 30.5 cm.; 11” x 8” — 27.9 x 20.3 cm. $1,500—2,000

36 FOLLOWER OF JEANBAPTISTE-SIMÉON CHARDIN (1699-1779), FRENCH THE WATER CARRIER Oil on canvas; inscribed “ Chardin” to the canvas verso, with an indistinct pen and ink label inscribed: “ed: = a.

Pacher” ? verso 13” x 9.5” — 33 x 24.1 cm. $1,000—1,500

37 AFTER ALEXANDER CABANEL (1823 -1889), FRENCH MICHAELANGELO IN HIS STUDIO, VISITED BY POPE JULIUS II Oil on canvas; bears initial “C” lower left. A late 19th Century copy.

31” x 52.5” — 78.7 x 133.4 cm.

Provenance: Purchased from a Collection, London, United Kingdom in 1962 as recorded on the typed label verso; Robert Deveau Galleries, (Deveau Auctioneers, Toronto); From whom purchased by the late father of the present Private Collection, Toronto in the 1980s.

Exhibited: The original painting, now untraced, was exhibited in the Salon, 1857, as “Michelangelo in His Studio Visited by Pope Julius II” $3,000—5,000

38 FOLLOWER OF GIULIO ROMANO (BORN CIRCA 14991546), ITALIAN STUDY OF TWO NUDES Pen and ink with pencil outlines on fibrous paper laid down onto another later sheet; inscribed in pencil to Giulio Romano verso Together with: AFTER NICOLAS BERTIN (16681736) , FRENCH STUDY FOR PROMETHEUS VINCTUS Charcoal on paper; inscribed “study for a picture: Prometheus Vinctus” painted in 1874 ? 16 feet high and now in the Birmingham Museum” lower right Image 7” x 5” — 17.8 x 12.7 cm.

Sheet 11.5” x 8.75” — 29.2 x 22.2 cm.

Provenance: A. Roussel Gravures Tableaux, Lille

40 AFTER BALDASSARE PERUZZI (1481-1536), ITALIAN APOLLO DANCING WITH THE NINE MUSES Oil on thick softwood panel 13.5” x 31” — 34.3 x 78.7 cm. $2,000—3,000

41 FOLLOWER OF LAVINIA FONTANA (1552-1614), ITALIAN THE HOLY FAMILY WITH THE INFANT SAINT JOHN THE BAPTIST

42 FOLLOWER OF JACOPO PALMA IL VECCHIO (BORN CIRCA 1479-1528), ITALIAN SACRA COVERSAZIONE (THE MADONNA AND CHILD WITH WITH SAINTS CATHERINE AND JOHN THE BAPTIST)

43 CIRCLE OF ARTEMISIA GENTILESCHI (1593-1656), ITALIAN MADONNA WITH POMEGRANATE KISSED BY A PUTTO WITH THE ENFANTS CHRIST AND ST. JOHN THE BAPTIST IN A LANDSCAPE

Oil on canvas

Oil on canvas

18.5” x 27” — 47 x 68.6 cm.

28.75” x 33.5” — 73 x 85.1 cm.

$3,000—5,000

$1,500—2,500

Oil on copper 9” x 6.5” — 22.9 x 16.5 cm. $2,000—3,000

44 AFTER DOMENICO ZAMPIERI (CALLED IL DOMENICHINO) (1581-1641), ITALIAN LA CACCIA DI DIANA (DIANA AND HER NYMPHS AFTER THE HUNT), 1616-1617 Oil on canvas; inscribed “Domenichino” and titled “Caccia di Diana” lower left; signed “B. Giove” at “Roma. Corso 300” by the copyist lower right 39.5” x 59” — 100.3 x 149.9 cm.

Note: The original oil on canvas by Zampieri measuring 225 cm x 320 cm is held in the collection of the Galleria Borghese, Rome, Italy $3,000—5,000

46 AFTER CARLO DOLCI (16161686), ITALIAN MADONNA OF THE VEIL Oil on canvas 36.5” x 30” — 92.7 x 76.2 cm. $500—700

47 17TH CENTURY VENETIAN THE ECSTASY OF ST. FRANCIS OF ASSISI CONSOLED BY ANGELS, CIRCA 1640 Oil on canvas; inscribed indistinctly “Frater? Sancrus Capucina de Venezia F” below the angel’s feet bottom center

47A CIRCLE OF GIUSEPPE BONITO (1707-1789), ITALIAN PAIR OF PEASANTS: PORTRAIT OF AN ELDER MAN; AN ELDER WOMAN

Oil on canvas. Unframed.

Pair of oils on canvas; one with partial indistinct inscription: “L. Trcois fec” to the stretcher

$2,000—3,000

15” x 24” — 38.1 x 61 cm. $3,000—4,000

62” x 46” — 157.5 x 116.8 cm.

Provenance: Marco Redolfi Antichita, Venezia; From whom purchased by P.J. Allen, Toronto accompanied by the original receipt dated 26/7/(1)967; Private Collection, Toronto

48 FOLLOWER OF CANALETTO (1697-1768), ITALIAN ALONG THE VENETIAN CANAL

4.5” x 3” — 11.4 x 7.6 cm.; 4.5” x 3” — 11.4 x 7.6 cm. $300—500

49 SCHOOL OF FRANCESCO GUARDI (1712-1793), ITALIAN ENTRANCE TO THE ARSENAL IN VENICE

50 METZINGER (19TH CENTURY) , GERMAN SULTRY WOMAN IN HER BOUDOIR

51 FOLLOWER OF JUSEPE DE RIBERA (1591-1652), SPANISH HEAD OF ABRAHAM

Oil on canvas

Oil on canvas; signed “Metzinger” lower right

Oil on canvas; given to Ribera on an old typed label to the stretcher and to the nameplate to the frame recto

52 CUZCO SCHOOL (18TH CENTURY), PERUVIAN SAINT ISADORE OiI on on canvas

13.5” x 17” — 34.3 x 43.2 cm.

$600—800

28.5 “ x 23” — 72.4 x 58.4 cm.

19” x 15” — 48.3 x 38.1 cm.

$3,500—4,500 Provenance: With R. Perl-Wein label verso $800—1,000

31.25” x 23.25” — 79.4 x 59.1 cm.

$700—900