Fine Prints & Photography Online Auction | Sept. 29 - Oct. 4, 2018

Fine Prints & Photography Online Auction SE PT EM BE R 2 9 - O CTOBER 4, 2 01 8

Fine Prints & Photography Online Auction SEPTEMBER 29 - OCTOBER 4, 2018

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

Bacchanale, circa 1955

consignment coordinator Kristin Vance kv@waddingtons.ca

front inside

on view Sunday, September 30 from 12:00 pm to 4:00 pm

416-847-6178

Lot 21 AFTER PABLO PICASSO

Lot 18 ANDRÉ KERTÉSZ

In The Cellar, Williamsburg, Virginia, 1948

back inside

Monday, October 1 from 1:00 pm to 7:00 pm

Lot 132 JOSEF ALBERS

Homage Au Carre, 1964

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 67 WILLIAM NOTMAN

tel: 416-504-9100

“Canada” Album containing 96 photographic plates

toll free: 1-877-504-5700

This catalogue and its contents © 2018 Waddington McLean & Company Ltd.

front cover

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

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3

SERGE CLÉMENT (1950-), CANADIAN

ROBYN DENNY (1930-2014), BRITISH

CHARLES PACHTER (1942-), CANADIAN

BRUXELLES, BELGIQUE, 1992

UNTITLED PL. II (FROM COLOUR BOX, 2ND SERIES), 1969-1973

THIS IS A PHOTOGRAPH OF ME (FROM EXPEDITIONS: POEMS BY MARGARET ATWOOD), 1966

Gelatin silver print; signed and dated 1992 verso, titled and numbered ”ed. 1/6” with Negative No. 92-199-21 to gallery label verso Image 15 x 22 in — 38.1 x 55.9 cm Provenance: Jane Corkin Gallery, Toronto $400—600

Colour silkscreen printed to the edges; signed, dated ‘69 and numbered 32/75 in white pencil to the image bottom right.

Within a shadow box perspex casing designed by the artist.

Lithograph with text on paper with fold; signed, titled, numbered “Artist’s Proof” and inscribed “Atwood: Expeditions” in pencil to margin

Sheet 24.4 x 20.5 in — 62 x 52.1 cm

Sheet 22 x 30 in — 55.9 x 76.2 cm

Provenance: Galerie Godard Lefort, Montreal; Private Collection, Nova Scotia

Provenance: Private Collection, Toronto

$600—800

$500—700

4

5

6

REUVEN RUBIN (1893-1974), ISRAELI

MARTIN CREED (1968- ), BRITISH

UNTITLED (JACOB’S DREAM?)

WORK #2342, 2015

VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH

Colour lithograph; signed in Hebrew and numbered 154/200 in pencil to margin

Colour lithograph on thick paper; signed, titled, and numbered 12/100 in pencil verso

Colour silkscreen; signed and numbered 87/250 in pencil to margin

Sight 20 x 26.75 in — 50.8 x 67.9 cm

Sheet 16.1 x 16.1 in — 41 x 41 cm

Image 28 x 25 in — 71.1 x 63.5 cm

Provenance: Private Collection, Toronto

Provenance: Private Collection, Ontario

Provenance: Private Collection, Ontario

$300—500

$800—1,200

$500—700

SINVILAG, 1988

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ROBERT MOTHERWELL (1915-1991), AMERICAN

CORNEILLE (1922-2010), DUTCH

CORNEILLE (1922-2010), DUTCH

FEMME ET CHAT (ONE PLATE FROM FEMME ET FAUNE FAMILIER SUITE OF 5), 1978

LA VILLAGEOISE, 1970 [VAN DEN BERGHE, 241]

GAULOISES BLEUES (WHITE), 1970 [BELKNAP, 37]

Color aquatint and line-cut with ULAE blindstamp lower left; signed and numbered “trial proof” in pencil to margin.

Aside from the edition of 40 (there were also 4 artist's proofs). Published by Universal Limited Art Editions, West Islip, New York. Printed by Donn Steward.

Colour etching and aquatint on GKM Editeur blindstamped paper; signed, dated ‘77 and numbered E/A 24/25 in pencil to margin. Published by Adreine Maeght Imprimeur, Paris.

Plate/Sheet 11.4 x 6.5 in — 29 x 16.5 cm; 22.4 x 15 in — 56.8 x 38 cm

Provenance: Private Collection, Ontario

Provenance: The Morris Gallery, Toronto as “Gauloises I” inscribed “Working Proof” to attached label verso; Private Collection, Ontario

$300—400

Sheet 30.25 x 22.5 in — 76.8 x 57.2 cm

Colour lithograph; signed, titled, dated ‘70 and numbered 29/100 in pencil to margin.

Published by Stichting Arta.

Sheet 25.75 x 19.75 in — 65.4 x 50.2 cm Provenance: Private Collection, Ontario $300—400

$2,000—3,000

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11

12

ROBERT INDIANA (1928-2018), AMERICAN

MAN RAY (1890-1976), AMERICAN

SERGE POLIAKOFF (1906-1969), RUSSIAN

POSTER: INDIANAPOLIS MUSEUM OF ART INAUGURAL EXHIBITIONS, 25 OCTOBER 1970

DÉCOUVERT (FROM ELECTRO-MAGIE), 1969 [ANSELMINO, 40A]

COMPOSITION BLEUE ET ORANGE, 1962 [POLIAKOFF / SCHNEIDER, 35]

Colour etching and aquatint; signed and numbered 103/150 in pencil to margin.

Printed by Georges Girard, Paris.

Published by Georges Visat, Paris.

Colour lithograph on wove paper; signed and numbered “E.aA.” in pencil to margin.

Aside from the edition of 80. Printed by Pons, Paris. Published by Editeur XX Siecle, Paris.

Colour silkscreen; signed in yellow pencil bottom right. Printed in West Germany by Domberger K.G. Published by The American Poster Company.

Sheet 34.5 x 24.5 in — 87.6 x 62.2 cm Provenance: Estate of Ninalee Craig, Toronto $800—1,200

Plate 7.25 x 5.5 in — 18.4 x 14 cm Provenance: Private Collection, Ontario $500—700

Sheet 24.6 x 18.5 in — 62.5 x 47 cm Provenance: Private Collection, Ontario $2,000—3,000

13 AD REINHARDT (1913-1967), AMERICAN FOUR PLATES, NOS. 1,2,7 AND 8 (FROM 10 SCREENPRINTS BY AD REINHARDT), 1966

Four colour screenprints on heavy wove paper; unsigned, with the blindstamp of the printer, Ives-Sillman, New Haven, Connecticut, numbered 191 from the edition of 250 in pen and ink on the justification page.

Published by The Wadsworth Atheneum, Hartford, Connecticut in 1966.

Screenprinted by Sirocco Screenprints, Inc. Together with the paper folio cover with printed title, opening to contain 4 printed sheets with black inked numbers 1-8, each separated by tissue guards.

Each plate with printed corresponding plate number verso.

Each sheet 22 x 17 in — 55.9 x 43.2 cm Provenance: Private Collection, Ontario $1,500—2,000

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15

16

ANDRÉ KERTÉSZ (1894-1985), HUNGARIAN/AMERICAN

LITA ALBUQUERQUE (1946-), AMERICAN

ROBERT BOURDEAU (1931-), CANADIAN

LANDSCAPE (WITH GROVE OF TREES IN HUNGARY), CIRCA 1918

Gelatin silver print on weighted paper Sheet 3 x 4 in — 7.6 x 10.2 cm Provenance: Private Collection, Toronto $800—1,000

UNTITLED, 1987

MIDI-PYRENEES, FRANCE, 1991

Oil sticks with iridescent powders, tipped to a wove Arches watermarked paper support; signed and dated ‘87 in pencil to support margin. Unframed.

Gold-tone silver print; signed, dated 1991 and numbered 2/30 in pencil to margin, titled, dated 1991, numbered 2/30 with Neg. No. 91-820-14 to typed gallery label verso

Image/Sheet 11 x 14 in — 27.9 x 35.6 cm; 22.25 x 30 in — 56.5 x 76.2 cm

11 x 14 in — 27.9 x 35.6 cm

Provenance: Prominent Private Collection

Provenance: Jane Corkin Gallery, Toronto; Private Collection, Toronto

$400—600

17 ERTÉ (1892-1990), RUSSIAN/FRENCH “BAGDAD” (COSTUME DESIGN), 1982

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19

ANDRÉ KERTÉSZ (1894-1985), HUNGARIAN/AMERICAN

ERTÉ (1892-1990), RUSSIAN/FRENCH

IN THE CELLAR, WILLIAMSBURG, VIRGINIA, 1948

Colour silkscreen; signed and numbered III/XXI in pencil to margin. Aside from the Gelatin silver print; signed verso, titled “Williamsburg, Virginia” and dated 1951 to edition of 300. gallery label verso Sheet 16.25 x 12.75 in — 41.3 x 32.4 cm

Image 19.7 x 15.7 in — 50 x 40 cm

Provenance: Private Collection, Toronto

Provenance: Jane Corkin Gallery, Toronto label verso; Private Collection, Toronto

$300—500

$500—700

Literature: See website for full catalogue details. $1,500—2,000

AT THE BALL, 1981

Colour silkscreen; signed and numbered XCII/CXCVI (92/196) in pencil to margin.

Aside from the edition of 300.

Image 17 x 12 in — 43.2 x 30.5 cm Provenance: Private Collection, Toronto

$300—500

20 MARINO MARINI (1901-1980), ITALIAN HOMMAGE À DÜRER [GUSTALLA, 251]

Etching and drypoint; signed with initials “MM” in the plate, signed and numbered 38/90 in pencil to margin. Published by Propyläen Verlag, Berlin (Hrsg.).

Plate 17.3 x 14.2 in — 44 x 36 cm Provenance: Private Collection, Ontario $600—800

21 AFTER PABLO PICASSO (1881-1973), SPANISH BACCHANALE, CIRCA 1955

Colour aquatint on BFK Rives watermarked wove paper with blindstamp, “Atelier Crommelynck, Paris Editieur”; signed and numbered 292/300 in pencil to margin. Published by Atelier Crommelynck Editeur, Paris.

Plate/Sheet 18.7 x 22 in — 47.5 x 56 cm; 22 x 30 in — 56 x 76.2 cm Provenance: Mrs. Ernest M. Werner Graphics and Original Works of Art, New York label verso; Estate Collection, Toronto $10,000—15,000

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BRAM VAN VELDE (1895-1981), DUTCH

HELEN FRANKENTHALER (1928-2011), AMERICAN

ANDRÉ MASSON (1896-1987), FRENCH

VENIN (ONE PLATE FROM COMPOSITIONS, SET OF 15), 1974-1975 [RIVIERE, 142]

Colour lithograph on Japon paper; signed and numbered “e.a” in pencil to margin.

Aside from the edition of 110. Published by Maeght, Paris.

Image/Sheet 8.3 x 5.3 in — 21 x 13.5 cm; 15.2 x 12 in — 38.6 x 30.5 cm Provenance: Private Collection, Ontario $300—400

SOUTHWEST BLUES, 1969 [HARRISON 15; WILLIAMS, 16]

Colour lithograph from three stones on French hand-made paper with ULAE blindstamp; signed, dated ‘69 and numbered 2/19 in pencil on the image lower left. Titled, numbered, dated 1969 and inscribed to typed labels affixed to the verso. Published by Universal Limited Art Editions, West Islip, New York. Printed

by Zigmunds Priede and Frederick Genis.

ADAM AND EVE, 1963

Colour lithograph on Arches paper; signed and numbered “bon a’ tirer” (BAT) in pencil to margin Image 18.25 x 24.75 in — 46.4 x 62.9 cm Provenance: Private Collection, Ontario $400—600

Sheet 24 x 18.3 in — 61 x 46.5 cm Provenance: Private Collection, Ontario $2,500—3,500

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SIDNEY NOLAN (1917-1992), AUSTRALIAN

GRIT SCHWEDTFEGER (1971-), GERMAN

STEVE HART DRESSED AS A GIRL (FROM NED KELLY SERIES, NO. 1), 1970-71

WEIDE (FROM THE DISTANZ SERIES), 2006

ESTHER RENSEN (VAN GEEST) 20TH/21ST CENTURY, CANADIAN

Colour screenprint; signed and numbered A/P in pencil to margin, titled, numbered and inscribed “screenprint A/P Ed/60/ Ned Kelly Series No. I” certified in pen and ink to gallery label verso Image 18.5 x 24.75 in — 47 x 62.9 cm Provenance: Wagner Art Gallery, Paddington, Australia, certified to gallery label verso; Private Collection, Toronto $700—900

Colour print; signed “Schwedtfeger” in pen and ink to gallery label verso, titled, dated 2006 and numbered “ed. 2/6” to gallery label verso Sheet 28 x 41 in — 71.1 x 104.1 cm Provenance: Corkin Gallery, Toronto; Private Collection, Toronto $1,600—2,000

THE PICNIC (FROM THE SERIES: ONCE UPON A PLACE), 2007

Large format colour inkjet print; signed in pen and ink to the typed label a! ached to the verso backing; inscribed “Esther Rensen,” titled “The Picnic,” dated 2007 and inscribed “Edition 1 of 8” to the typed label verso Image 22 x 32 in — 55.9 x 81.3 cm Provenance: Private Collection, Toronto Exhibited: A print of this edition was exhibited in: “Once Upon A Place” at the Richard Johnson Gallery, Toronto, May 1–31, 2007. $1,000—1,500

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30

ARNOLD ZAGERIS (1948-), GERMAN/CANADIAN

GEORGE TICE (1938-), AMERICAN

NED PRATT (1964-), CANADIAN

OAK TREE, HOLMDEL, NEW JERSEY, 1970

HARBOUR ENTRANCE, 2015

Gelatin silver print on Brovira paper from a selenium plate mounted to acid free board; signed “Geo. A. Tice” in pencil to the mount, titled, dated and inscribed “Print: 2/18/80” with toning notations, inscribed: “Brovira/Selenium/Brown” in pencil to the mount verso

Chromogenic print; signed in ink to gallery label verso, titled, dated 2015 and numbered 2/7 to the typeset verso.

EXFOLIATED ROCK

Chromogenic print; signed and numbered 1/25 in pencil to matboard, signed and numbered 1/25 in pen and ink verso Sheet 16 x 20 in — 40.6 x 50.8 cm Provenance: Private Collection, Connecticut $1,000—1,500

Image 15.25 x 19.25 in — 38.7 x 48.9 cm Provenance: Private Collection, O! awa

34.75 x 46.25 in — 88.3 x 117.5 cm Provenance: Nicholas Metivier Gallery, Toronto Estate of Alison Hymas, Toronto $3,000—4,000

$2,000—3,000

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VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH

MOÏSE KISLING (1891-1953), POLISH/FRENCH

BRAM VAN VELDE (1895-1981), DUTCH

UNTITLED (FROM CTA 102), 1966

TÊTE DE FEMME

UNTITLED, 1978, [BVV, 328; MASON PUTMAN, 328]

Colour silkscreen on cardboard; signed bottom centre. Published by Galerie Der Spiegel, Cologne and Galerie Denise Rene, Paris.

Etching on folded, watermarked, heavy wove paper; signed in the plate lower right. Aside from the edition of 75. With tissue guard. Unframed.

Colour lithograph on Arches paper; signed and numbered 85/150 in pencil to margin. Printed by Pierre Badey, Paris.

Published by Putman, Paris.

Sheet 27.5 x 27.75 in — 69.9 x 70.5 cm

Plate/Sheet with fold open 7 x 5 in — 17.8 x 12.7 cm; 16 x 22 in — 40.6 x 55.9 cm

Image/Sheet 4.2 x 8.5 in — 10.7 x 21.5 cm; 7.25 x 11.5 in — 18.4 x 29.2 cm

Provenance: Private Collection, Harrington, P.E.I. by inheritance from the Estate of Dr. JeanMarc Klein, dermatologist, pilot and military officer, Charletown, P.E.I., acquired from his father, Paul Bernard Klein, book editor, born Paris, France

Provenance: Private Collection, Ontario

Provenance: Estate of Alison Hymas, Toronto $500—700

$600—800

$300—400

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35

36

SAMI BRISS (1930-), FRENCH

PAUL CÉSAR HELLEU (1859 - 1927), FRENCH

JEAN-PAUL RIOPELLE (1923-2002), CANADIAN

JEUNE FEMME, PROFIL À DROITE, 1895

FEUILLES II, 1967 [RIOPELLE, 1967.06EST. LI]

JERUSALEM, CIRCA 1975

Colour lithograph; signed and numbered 84/250 in pencil to margin, titled to label verso Sheet 25.5 x 19.5 in — 64.8 x 49.5 cm Provenance: Dianne Shore Limited, Toronto label verso; Private Collection, Ontario $300—500

Drypoint on laid paper; signed in pencil to margin, titled “Madame Helleu” in pen and ink to gallery label verso

Colour lithograph, signed and numbered 19/75 in pencil to margin

Plate 11.3 x 9.6 in — 28.8 x 24.5 cm

Sheet 29.5 x 41.3 in — 75 x 105 cm

Provenance: Property of Dr. Richard Hett, Edmonton, Alberta inscribed to the top of the back board verso; Dr. Richard Hett Estate on long term loan to the University of Lethbridge Art Gallery, Lethbridge, Alberta, No. 1994.915; Hett List #33 label verso backing; The Little Gallery, London, UK label verso; Private Collection, Toronto

Provenance: With Nikola Rukaj Gallery, Toronto gallery label verso backing; Private Collection, Toronto

$700—900

Literature: Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes, 2005, reproduced page 145. $2,000—3,000

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HENRI MATTISE (1869-1954), FRENCH

JEAN-PAUL LEMIEUX (1904-1990), CANADIAN

JEAN-PAUL LEMIEUX (1904-1990), CANADIAN

UNTITLED (WOMAN WAVING) (FROM THE SERIES LA PETITE POULE D’EAU), 1971

UNTITLED (FROM THE SERIES LA PETITE POULE D’EAU), 1971

Colour lithograph; signed and numbered H.C. V/XX in pencil to margin. Aside from the edition of 200.

Colour lithograph; signed and numbered H.C. V/XX in pencil to margin. Aside from the edition of 200.

Image 9.75 x 7.75 in — 24.8 x 19.7 cm

Image 9 x 17 in — 22.9 x 43.2 cm

Provenance: Private Collection, Montreal

Provenance: Private Collection, Montreal

$500—700

$500—700

MASSIA AU VISAGE ALLONGE, 1914 [DUTHUIT, 26]

Etching on chine colle on Arches watermarked paper; signed and inscribed "quinze ex/deuxime ep” (epreuvre; the second proof from the edition of 15) in pen and ink bottom right margin.

Plate/Sheet 5.4 x 4 in — 13.7 x 10.2 cm; 12.1 x 8.5 in — 30.7 x 21.5 cm Provenance: Private Collection, Ontario $4,000—6,000

40 JEAN-PAUL LEMIEUX (1904-1990), CANADIAN UNTITLED (SOLDIER) (FROM THE SERIES LA PETITE POULE D’EAU), 1971

Colour lithograph; signed and numbered H.C. V/XX in pencil to margin. Aside from the edition of 200.

Image 9 x 17 in — 22.9 x 43.2 cm Provenance: Private Collection, Montreal $500—700

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42

JEAN-PAUL LEMIEUX, R.C.A. (1904-1990), CANADIAN

JEAN-PAUL LEMIEUX (1904-1990), CANADIAN

UNTITLED (MAN AND HORSE) (FROM THE SERIES LA PETITE POULE D’EAU), 1971

LES ENFANTS (FROM THE SERIES LA PETITE POULE D’EAU), 1971

Colour lithograph; signed and numbered H.C. V/XX in pencil to margin. Aside from the edition of 200.

Colour lithograph; signed and numbered H.C. V/XX in pencil to margin. Aside from the edition of 200.

Image 8.75 x 16.75 in — 22.2 x 42.5 cm

Image 9.75 x 7.75 in — 24.8 x 19.7 cm

Provenance: Private Collection, Montreal

Provenance: Private Collection, Montreal

$500—700

$500—700

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SIR MATTHEW ARNOLD BRACY SMITH (1879–1959), BRITISH

FRANCISCO ZÚÑIGA (1912–1998), MEXICAN

ROBERT MOTHERWELL (1915-1991), AMERICAN

STILL LIFE

Colour lithographic monotype; signed with initials MS in the image; titled “Still Life” to gallery label verso Image/Sheet 17 x 13.5 in — 43.2 x 34.3 cm; 22 x 18 in — 55.9 x 45.7 cm Provenance: See website for full catalogue details $300—500

MUJER CON NURAJANA, 1974 [BREWSTER, 19]

Colour lithograph on paper with “Kyron” blindstamp; signed, dated 1974, numbered “P.A. X - XX” and inscribed indistinctly “...

Ted Wiggins” in pencil. Aside from the edition of 300. Printed and published by Kyron, S.A., Mexico City, with their blindstamp.

Sheet 26.75 x 19.25 in — 67.9 x 48.9 cm Provenance: Private Collection, Toronto $400—600

MEXICO CITY PERSONAGES III (FROM OCTAVIO PAZ SUITE), 1987 [B. 367]

Colour lithograph on chine colle on Arches support; signed with initials and numbered 39/50 in pencil to margin.

There were also ten artist’s proofs. From the second edition published and printed

by The Limited Editions Club/Trestle Editions Ltd., New York.

Plate/Sheet 17.25 x 24 in — 43.8 x 61 cm; 26.4 x 31.75 in — 67 x 80.6 cm See website for full catalogue details $700—900

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HOI LEBADANG (1921-2015), VIETNAMESE/FRENCH

CY TWOMBLEY (1928-2011), AMERICAN

ROBERT RAUSCHENBERG (1925-2008), AMERICAN

LE SOLEIL ORANGE (CALLED “RED BOATS I”), 1976

Colour lithograph with remarques on Japon paper a! ached at the top edge to a plain sheet of paper verso; signed and numbered EA in pencil to margin, titled “Red Boats I” to a typed label verso dated 09/08/87. Titled “Red Boats I” to the accompanying Certificate of Authenticity.

Sheet 29.25 x 20.75 in — 74.3 x 52.7 cm Provenance: See website for full catalogue details $200—300

LEO CASTELLI EXHIBITION POSTER, 1968

Colour offset lithograph printed in blue ink; the poster being an invitation to the Leo Castelli exhibition, with typeset lettering “Leo Castelli 4 E 77 NY 10021” and stamped with an un-cancelled postage stamp dated “Nov 25 ‘68” verso, the sheet with the original quartered folds and with two closure tabs present at each side, with the typed address to the collector “Mr. Steve Joy” to the verso.

Sheet 23.8 x 17.8 in — 60.5 x 45.3 cm

TAMPA 3 (FROM MADE IN TAMPA), 1972-73 [RRF 72.E009]

Lithograph, blueprint and sepia print with paper collage on brown paper with circular starburst blindstamp of the print workshop and publisher Graphicstudio, University of South Florida lower left corner; signed, numbered “USF XVIII” and dated 72 in black crayon to the bottom edge. From an edition of 20 Arabic numerals and 20 Roman numerals, this being number XVIII/XX.

Provenance: The invitation was addressed to Mr. Steve Joy, 336 E 59th St., N.Y, N.Y.; Private Collection, Toronto

Sheet 43.9 x 47.25 in — 111.4 x 120 cm

$500—700

$1,800—2,000

Provenance: Private Collection, Toronto

49 MICHAEL SNOW (1929-), CANADIAN WALKING WOMAN / CARLA BLEY (FROM THE “TORONTO 20” PORTFOLIO), 1965

Offset photolithograph with rubber stamp; signed, dated ‘65 and numbered 94/100 in pencil to margin Sheet 26 x 20 in — 66 x 50.8 cm Provenance: Estate of Alison Hymas, Toronto $1,500—2,000

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EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

FROM “THE NORTH AMERICAN INDIAN” (FOUR PORTRAITS): THE SIOUX; THE LOOKOUT - APSAROKE; ASSINIBOIN BOWMAN; THE FORD - APACHE

FROM “THE NORTH AMERICAN INDIAN” (THREE PORTRAITS): AT THE WATER’S EDGE; SLOW BULL’S WIFE; KILLS IN TIMBER - OGALALA

FROM “THE NORTH AMERICAN INDIAN” (THREE PORTRAITS): ZAHADOLZHA NAVAJO, 1904; A COWICHAN MASK, 1912; ARAPAHO SHIELD, 1927

Four photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin.

Three photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin. The first from Volume 5: The Mandan. The Arikara. The Atsina; the second from Volume 3: The Teton Sioux. The Yanktonai. The Assiniboin; the third from Volume 3: The Teton Sioux. The Yanktonai. The Assiniboin.

Three photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin. The first from Volume 1: The Apache. The Jicarillas. The Navaho; the second from Volume 9: The Salishan tribes of the coast.

The Chimakum and the Quilliute. The Willapa; the third from Volume 19: The Indians of Oklahoma. The Wichita. The southern Cheyenne. The Oto. The Comanche. The Peyote cult

The first from Volume 3: The Teton Sioux.

The Yanktonai. The Assiniboin; the second from Volume 4: The Apsaroke, or Crows.

The Hidatsa; the third from Volume 18: The Chipewyan. The Western woods Cree. The Sarsi; the fourth from Volume 1: The Apache. The Jicarillas. The Navaho.

Sheets/Approximately 11 x 13 in — 27.9 x 33 cm Provenance: Private Collection, Toronto $1,200—1,600

Sheets/Approximately 11 x 13 in — 27.9 x 33 cm Provenance: Private Collection, Toronto $900—1,200

Provenance: Private Collection, Toronto $900—1,200

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EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

FROM “THE NORTH AMERICAN INDIAN” (TWO PORTRAITS): ATSINA WAR-PARTY; START OF A WAR-PARTY

FROM “THE NORTH AMERICAN INDIAN” (TWO PORTRAITS): THE ALTAR - ARIKARA, 1908; ARIKARA MEDICINE CEREMONY NIGHT MEN DANCING, 1908

A HESQUIAT MAIDEN, 1915

Two photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin. The first from Volume 5: The Mandan. The Arikara. The Atsina; the second from Volume 3: The Teton Sioux. The Yanktonai. The Assiniboin.

Sheets/Approximately 11 x 13 in — 27.9 x 33 cm Provenance: Private Collection, Toronto $600—800

Two photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin.

Both from Volume 5: The Mandan. The Arikara. The Atsina.

Sheets/Approximately 11 x 13 in — 27.9 x 33 cm Provenance: Private Collection, Toronto $600—800

Photogravure in sepia tone on Van Gelder blindstamped paper, with the artist’s signature blindstamped to bottom margin, with deckled edges, with title in the plate lower left margin and with the photographer’s copyright with its date: “From Copyright Photograph 1915 by E.S. Curtis” in the plate below image. Printed

by John Andrew & Son, plate 379.

Sheet 23.5 x 19 in — 59.7 x 48.3 cm Provenance: Private Collection, Ontario Literature: Edward S. Curtis, The North American Indian, Volume 11: “The Nootka. The Haida.” $400—600

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EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

MOSQUITO HAWK - ASSINIBOIN, 1908

CHEYENNE WARRIORS, 1905

VASH GON - JICARILLA, 1904

Photogravure in sepia tone on Van Gelder blindstamped paper, with the artist’s signature blindstamped to bottom margin, with deckled edges, with title in the plate lower left margin and with the photographer’s copyright with its date: “From Copyright Photograph 1908 by E.S. Curtis” in the plate below image. Printed

by John Andrew & Son, plate 102.

Photogravure in sepia tone with deckled edges, with title in the plate lower left margin and with the photographer’s copyright with its date: “From Copyright Photograph 1905 by E.S. Curtis” in the plate below image. Printed by John Andrew & Son, plate 215.

Photogravure in sepia tone on Van Gelder blindstamped paper, with the artist’s signature blindstamped to bottom margin, with deckled edges, with title in the plate lower left margin and with the photographer’s copyright with its date: “From Copyright Photograph 1904 by E.S. Curtis” in the plate below image. Printed

by John Andrew & Son, plate 20, 1907.

Sheet 23.5 x 19.25 in — 59.7 x 48.9 cm

Provenance: Private Collection, Ontario

Provenance: Private Collection, Ontario Literature: Edward S. Curtis, The North American Indian, Volume 3: “The Teton Sioux. The Yanktonai. The Assiniboin.” $400—600

Sheet 17.5 x 22.5 in — 44.5 x 57.2 cm

Literature: Edward S. Curtis, The North American Indian, Volume 6: “The Piegan. The Cheyenne. The Arapaho.” $400—600

Sheet 23.5 x 19.25 in — 59.7 x 48.9 cm Provenance: Private Collection, Ontario $400—600

59

60

EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

AT NOOTKA, 1915

AN OASIS IN THE BADLANDS, 1905

Photogravure in sepia tone on Van Gelder blindstamped paper, with the artist’s signature blindstamped to bottom margin, with deckled edges, with title in the plate lower left margin and with the photographer’s copyright with its date: “From Copyright Photograph 1915 by E.S. Curtis” in the plate below image. Printed

by John Andrew & Son, plate 386.

Photogravure in sepia tone on Van Gelder blindstamped paper, with the artist’s signature blindstamped to bottom margin, with deckled edges, with title in the plate lower left margin and with the photographer’s copyright with its date: “From Copyright Photograph 1905 by E.S. Curtis” in the plate below image. Printed

by John Andrew & Son, plate 80.

Sheet 23.5 x 19 in — 59.7 x 48.3 cm

19.5 x 23.5 in — 49.5 x 59.7 cm

Provenance: Private Collection, Ontario

Provenance: Private Collection, Ontario

Literature: Edward S. Curtis, The North American Indian, Volume 11: “The Nootka. The Haida.”

Literature: Edward S. Curtis, The North American Indian, Volume 3: “The Teton Sioux. The Yanktonai. The Assiniboin.”

$400—600

$400—600

61

62

63

ALVIN LANGDON COBURN (1882-1966), AMERICAN/BRITISH

JAMES ABBOTT MCNEILL WHISTLER (1834 -1903), AMERICAN

JEAN-FRANÇOIS MILLET (1814-1875), FRENCH

THE BRIDGE, VENICE (FROM CAMERA WORK, NO.21), 1908

THE RAG GATHERERS, 1858 [KENNEDY, 23V]

Halftone reproduction. Printed by Photochrome Engraving Company, New York. Published by Camera Work, January, 1908.

Etching and drypoint on cream laid paper; signed and dated 1858 in the plate, centre right; the butterfly cipher on top of basket lower right, inscribed “The Rag Shop” in pencil to bottom margin

LE PAYSAN RENTRANT DE FUMIER (MAN WITH WHEELBARROW), 1855, [DELTEIL, 11; MELOT, 11]

Etching in black on tissue-thin cream laid Japon paper with indiscernible watermark (hand?; signed in the plate lower right.

Fourth state of four.

Plate 6 x 3.5 in — 15.2 x 8.9 cm

Plate/Sheet 6.3 x 5.1 in — 16 x 13 cm; 9.5 x 7.3 in — 24.2 x 18.5 cm

Provenance: Private Collection, Toronto

$1,000—1,500

Provenance: Private Collection, Toronto $600—800

Provenance: Private Collection, Quebec $800—1,200

w

64

65

66

MARTIN SCHONGAUER (C.1445-1491), GERMAN

ALBRECHT DÜRER (1471-1528), GERMAN

MARTIN SCHONGAUER (C.1445-1491), GERMAN

THE ENTOMBMENT (FROM THE PASSION), CIRCA 1840 [BARTSCH, 18; LEHRS, 28; HOLLSTEIN, 28]

Copper engraving on laid paper; watermark watermark of a bell-shaped shield with fleur-de-lys in centre and with a crown made of flower heads Plate/Sheet 6.4 x 4.5 in — 16.3 x 11.5 cm; 9.7 x 6.8 in — 24.7 x 17.2 cm Provenance: Private Collection, Toronto $2,000—3,000

THE LAMENTATION, CIRCA 1509-11, [BARTSCH 43; MEDER 152]

Woodcut on laid paper. Without watermark.

Plate 4.9 x 3.8 in — 12.5 x 9.7 cm Provenance: Private Collection, Toronto $800—1,200

CHRIST ON THE MOUNT OF OLIVES (FROM THE PASSION), CIRCA 1480, [BARTSCH, 9; LEHRS, 19]

Engraving on laid paper with indiscernible watermark, possibly a hoofed animal with one leg upheld (a horse?)

Plate/Sheet 6.5 x 4.5 in — 16.5 x 11.5 cm; 24.8 x 17.7 in — 63 x 45 cm Provenance: Private collection, Toronto $1,000—1,500

67 WILLIAM NOTMAN (1826-1891), CANADIAN “CANADA” 96 ALBUMEN HISTORICAL VIEWS OF QUEBEC CITY, MONTREAL AND OTTAWA, DATING FROM 1878-1901

Victorian album comprising 96 full page, and smaller, photographic plates, most signed in the negative with the company name under which it operated including: Wm. Notman & Son, Photo, Montreal; Wm. Notman & Son; Notman & Son; Notman, Montreal or Notman & Sandham.

Most titled and numbered in the negative (some with letters partially cut off at the bottom), some unsigned or titled in the plate. Each photograph or composite mounted or tipped on to both sides of the pages of a album contained in a brown calf embossed leather album engraved with gilt brass lettering “Canada” on the spine.

Album 7.25 x 10.2 x 1 in — 18.4 x 25.9 x 2.5 cm Provenance: Private Collection, Los Angeles $8,000—12,000

68

69

70

ELIZABETH O’NEILL VERNER (1883-1979), AMERICAN

ELIZABETH O’NEILL VERNER (1883-1979), AMERICAN

ELIZABETH O’NEILL VERNER (1883-1979), AMERICAN

PIRATES COURT YARD, CHARLESTON, BEFORE 1939

LOW COUNTRY, SOUTH CAROLINA, CIRCA 1930

SWORD GATES, CHARLESTON; GEORGE EDWARDS DOORWAY, CHARLESTON

Etching on laid paper with “Vidalon” watermark; signed, titled and numbered 17/80 in pencil to margin

Etching; signed and titled in pencil to margin, inscribed “61” in pencil to bottom margin. From an edition of 80.

Plate /Sheet 9.8 x 6.8 in — 25 x 17.3 cm; 13.7 x 10.2 in — 34.8 x 26 cm

Plate /Sheet 6.9 x 5 in — 17.5 x 12.8 cm; 11 x 8.9 in — 28 x 22.5 cm

Provenance: Private Collection, Toronto

Provenance: Private Collection, Toronto

Two etchings and drypoints; the first on paper with Heraldic crown and shield watermark with a scroll and a balloon shape symbol; signed, titled and numbered 76/80 in pencil to margin; the second, signed, titled and numbered 48/80 in pencil to margin. The second unframed.

$500—700

$800—1,200

Plates/Sheets 6.75 x 5 in — 17.1 x 12.7 cm; 6.3 x 7.4 in — 16 x 18.8 cm; 10.6 x 10.6 in — 27 x 27 cm Provenance: Private Collection, Toronto $600—800

71

72

ALBRECHT DÜRER (1471-1528), GERMAN

PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH

FLIGHT INTO EGYPT (FROM THE LIFE OF THE VIRGIN), 1504 [BARTSCH, 89]

Woodcut on laid paper, without watermark, trimmed to the border 11.9 x 8.4 in — 30.2 x 21.3 cm Provenance: Private Collection, Toronto $2,000—3,000

BERTHE MORISOT, CIRCA 1892, [STELLA, 4]

Etching and drypoint; signed in the plate lower left. Third, final state. Later impression.

Plate 4.3 x 3.5 in — 10.9 x 8.9 cm Provenance: Private Collection, Toronto $300—500

73

74

75

EDGAR DEGAS (1834-1917), FRENCH

AFTER PETER CHARLES HENDERSON (1791–1829), BRITISH

AFTER PETER CHARLES HENDERSON (1791–1829), BRITISH

THE MAGGOT-BEARING STAPELIA, 1801 (PL. 23 FROM DR. ROBERT JOHN THORNTON, "THE TEMPLE OF FLORA,” LONDON, 1799–1807), [DUNTHORNE, 301, P. 250]

THE WINGED PASSION FLOWER (PASSFLORA ALATA), 1802 (PL. 18 FROM DR. ROBERT JOHN THORNTON, "THE TEMPLE OF FLORA,” LONDON, 1799–1807)[DUNTHORNE, 301, P. 348]

DANSEUSE METTANT SON CHAUSSON, CIRCA 1892 [DELTEIL, 36; ADHÉMAR, 60]

Etching on heavy paper; signed in the plate lower left. Second state (of 2), after cancellation. Edition of approximately 150.

Published by Vollard, Paris.

Plate/Sheet 7.3 x 4.5 in — 18.5 x 11.5 cm; 10.5 x 7.9 in — 26.7 x 20.1 cm Provenance: Private Collection, Toronto $800—1,200

Colour aquatint, line and stipple-engraving with letters on wove paper finished with hand-colouring by Joseph Constantine Stadler (English, born in Germany, active 1780–1822. Published by Dr. Robert John Thornton (English/Irish, 1768-1837, London, July 1, 1801.

Colour aquatint, line and stipple-engraving with letters on wove paper finished with hand-colouring by Thomas Warner (English, active 1800–1810). Published by Dr. Robert John Thornton (English/Irish, 1768-1837), London, June 1, 1802.

Plate/Sheet 20.5 x 15.6 in — 52.1 x 39.6 cm; 23.4 x 18.5 in — 59.4 x 47 cm

Plate/Sheet 22.25 x 18 in — 56.5 x 45.7 cm; 22.6 x 18.2 in — 57.3 x 46.3 cm

See website for full catalogue details

Provenance: Estate Collection, Toronto

$800—1,200

$800—1,200

76

77

78

AFTER PHILLIPP REINAGLE (1749–1833), BRITISH

AFTER PETER CHARLES HENDERSON (1791–1829), BRITISH

AFTER PHILLIPP REINAGLE (1749–1833), BRITISH

THE BLUE PASSION FLOWER, 1800 (PASSIFLORA CAERULA), 1800 (PL. 17 FROM DR. ROBERT JOHN THORNTON, "THE TEMPLE OF FLORA,” LONDON, 1799–1807) [DUNTHORNE, 301, P. 248]

THE QUADRANGULAR PASSION FLOWER, 1802 (PLATE 19 FROM DR. R. J. THORNTON, "THE TEMPLE OF FLORA,” LONDON, 1799– 1807) [DUNTHORNE, 301]

THE AMERICAN ALOE, 1807 (PL. 12 FROM DR. ROBERT JOHN THORNTON, "THE TEMPLE OF FLORA,” LONDON, 1799–1807) [DUNTHORNE, 301, P. 246]

Colour aquatint, line and stippleengraving with letters on wove paper finished with hand-colouring by James Caldwall (English, 1739–1819. Published by Dr. Robert John Thornton (English/Irish, 1768-1837, London, Jan. 7, 1800.

Colour aquatint, line and stippleengraving with letters on wove paper with hand-colouring by William Hopwood (English, active about 1800–1803.

Published by Dr. Robert John Thornton (English/Irish, 1768-1837, London, June 1, 1802.

Colour aquatint, line and stippleengraving with letters on wove paper finished with hand-colouring by Thomas Medland (English, active 1800–1807.

Published by Dr. Robert John Thornton (English/Irish, 1768-1837, London, May 1, 1807.

Plate/Sheet 51 x 38 in — 129.5 x 96.5 cm; 22.6 x 18.3 in — 57.3 x 46.5 cm

Plate/Sheet 21.5 x 16.1 in — 54.7 x 41 cm; 24 x 18.9 in — 61 x 48 cm

Plate/Sheet 22.2 x 17.6 in — 56.3 x 44.7 cm; 22.6 x 18.3 in — 57.4 x 46.6 cm

See website for full catalogue details

See website for full catalogue details

See website for full catalogue details

$800—1,200

$800—1,200

$800—1,200

79

80

81

WILLIAM YOUNG OTTLEY (1771-1836), BRITISH

RAOUL DUFY (1877-1953), FRENCH

JAMES GILLRAY (1757-1815), BRITISH

ONE PLATE (FROM LA BELLE-ENFANT OU L'AMOUR A QUARANTE ANS BY EUGENE MONTFORT), 1930

CONFEDERATED-COALITION OR THE GIANTS STORMING HEAVEN, 1804 [GEORGE, 10240]

Etching; inscribed “Dufy” / Eau-Forte Originale” in pencil to the mat. Published

by Ambroise Vollard, Paris.

Hand-coloured etching and engraving with letters. Published by H. Humphrey, London May 1804.

Plate/Sheet 7.9 x 5.9 in — 20 x 14.9 cm; 12.1 x 9.8 in — 30.7 x 24.8 cm

Image 18.9 x 15 in — 48 x 38.1 cm

AN INQUIRY INTO THE ORIGIN AND EARLY HISTORY OF ENGRAVING, UPON COPPER AND IN WOOD WITH AN ACCOUNT OF ENGRAVERS AND THEIR WORKS, FROM THE INVENTION OF CHALCOGRAPHY BY MASO FINIGUERRA,

Illustrated with numerous engravings, wood engravings, woodcuts and with a few facsimiles, some full-page, some on folded sheets, with vignettes and tailpieces including plates by Dürer from the original blocks, separated with tissue guards. Printed by J. M’Creery, BlackHorse-Court, London. Published by John and Arthur Arch, London. Thick small folio, contemporary diced calf with Ex-Libris coat-of-arms of The Right Honble. .

Provenance: Greenwich Gallery, Toronto; Carol Solway Collection, Toronto; Her Estate Collection, Toronto $300—400

Provenance: The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library, Inventory No. 2191 stamped verso backing; Private Collection, Toronto $600—900

Each 8.9 x 8.8 in — 22.5 x 22.4 cm See website for full catalogue details $200—400

82

83

84

JAMES GILLRAY (1757-1815), BRITISH

EDUARD WIIRALT (1898-1954), ESTONIAN

EDUARD WIIRALT (1898-1954), ESTONIAN

HE STEERS HIS FLIGHT ALOFT, INCUMBENT ON THE DUSKY AIR THAT FELT UNUSUAL WEIGHT, 1810

SAARNAAJA PREDIKANTEN (THE PREACHER), 1932

AGUILIHOOV HOBUSEGA (TANAV) (HORSE IN STREET), 1920 [FROM THE “MCMXX” LINOCUT FOLDER]

Hand-coloured etching and engraving with letters. Published by H. Humphrey, London, August 8th, 1810.

Lithograph; signed and dated 1932 in the plate upper right; signed, dated 1932 and numbered 9/25 in pencil to margin

Blue inked linocut on japon paper; signed with monogram initials and dated MCMXX in the plate lower right.

Unnumbered from the artist’s collection.

Image 19.2 x 14.9 in — 48.8 x 37.8 cm

Image/Sheet 24.4 x 18.9 in — 62 x 48 cm; 27.8 x 21.3 in — 70.7 x 54 cm

See website for full catalogue details

See website for full catalogue details.

Plate/Sheet 8.5 x 12.4 in — 21.6 x 31.5 cm; 11.1 x 15 in — 28.3 x 38 cm

$600—900

$1,000—1,500

See website for full catalogue details. $800—1,200

85

86

87

EDUARD WIIRALT (1898-1954), ESTONIAN

EDUARD WIIRALT (1898-1954), ESTONIAN

EDUARD WIIRALT (1898-1954), ESTONIAN

KAHEKESI TUULE VESKIGA (TWO NUDES AND WINDMILL), 1920

LAPSED (CHILDREN), 1937 [KANGILASKI, 92]

Blue inked linocut; signed with initial “W” and dated “20” in the plate lower right.

Unnumbered from the artist’s collection.

Linocut on watermarked paper with a shield; signed and dated 1937 in the plate lower left, signed, inscribed “Linolloige” and dated 1937 in pen and ink to margin.

Un-numbered from the artist’s collection.

Aside from a numbered edition of 25

VANAMEES (VANAMEHE) PEA (THE OLD MAN’S HEAD), 1920 [FROM THE “MCMXX” LINOCUT FOLDER]

Plate irregular/Sheet 10.25 x 9.5 in — 26 x 24.1 cm; 11.6 x 10.5 in — 29.5 x 26.7 cm Provenance: The artist’s studio collection, Estonia; Family of the artist, Estonia; Travelled with the family to Sweden in September 1944; By descent to the present Private Collection, Toronto

Plate/Sheet 9.7 x 9.6 in — 24.7 x 24.5 cm; 15.9 x 15.1 in — 40.5 x 38.4 cm See website for full catalogue details. $500—700

Blue inked colour linocut; signed and dated MCMXX in the plate lower right.

Unnumbered from the artist’s collection.

Image 9 x 8.25 in — 22.9 x 21 cm Provenance: The artist’s studio collection, Estonia; Family of the artist, Estonia; Travelled with the family to Sweden in September 1944; By descent to the present Private Collection, Toronto $800—1,200

$800—1,000

88

89

90

EDUARD WIIRALT (1898-1954), ESTONIAN

EDUARD WIIRALT (1898-1954), ESTONIAN

EDUARD WIIRALT (1898-1954), ESTONIAN

MART KONKS, 1918-1920 [KANGILASKI, P.8]

VILJANDE MAASTIK - KUIVNOEL (LANDSCAPE NEAR VILJANDI), 1943 [KANGILASKI, 124]

HELVETET (PORGU/HELL), 1930 [KANGILASKI, 56]

Brown/black inked linocut on japon paper; signed with monogram initials and dated MCMXX in reverse in the plate lower right, titled and dated 1918 in the plate lower left. Unnumbered from the artist’s collection.

Plate/Sheet 12.25 x 7.5 in — 31.1 x 19.1 cm; 15 x 10.4 in — 38 x 26.5 cm See website for full catalogue details. $500—700

Drypoint; signed and dated 1942 at Viljandi” in the plate lower left; signed, titled “Viljandi maastik - kuivnoel” and dated “1943” in black pen and ink to margin. Unnumbered from the artist’s collection.

Etching and copper engraving; inscribed “Rue Maison Dieu Paris” in the plate lower left; signed, titled and inscribed “Helvetet kopparstick och etsing” and dated “1930” in sepia pen and ink to margin.

Unnumbered from the artist’s collection.

15.6 x 25.4 in — 39.5 x 64.5 cm

Plate/Sheet 15.4 x 18.5 in — 39 x 47 cm; 20 x 24.75 in — 50.8 x 62.9 cm

See website for full catalogue details

See website for full catalogue details

$1,000—1,500

$3,000—5,000

91

92

93

EDUARD WIIRALT (1898-1954), ESTONIAN

JEAN-HONORÉ FRAGONARD (1732-1806) AFTER GIOVANNI LANFRANCO (1582-1647), FRENCH/ITALIAN

SALVADOR DALÍ (1904-1989), SPANISH

BERBERI TÜDRUK KAAMELIGA (BERBER GIRL WITH CAMEL), 1940 [KANGILASKI, 115]

Soft ground etching printed on the back of an unsigned engraved map of the world; signed, titled “Berberi tudruk Kaameliga” and dated “1940” in black ink to margin. Unnumbered from the artist’s collection.

Plate/Sheet 19.25 x 15.7 in — 48.9 x 40 cm; 27.25 x 19.75 in — 69.2 x 50.2 cm See website for full catalogue details $800—1,200

SAINT MARK, CIRCA 1761-1765, [WILDENSTEIN, 7]

Engraving on laid paper by Jean-Honore Fragonard (1732-1806); signed “frago” in the plate lower right, inscribed “'lanfranc aux s.ts Apôtres à Naples'” in the plate along the bottom left of the plate Plate/Sheet 4.6 x 3.5 in — 11.7 x 9 cm; 7.9 x 5 in — 20 x 12.8 cm See website for full catalogue details

HELL CANTO 6 (FROM THE DIVINE COMEDY), 1964 [FIELD, ILLUSTRATED P.196]

Colour wood engraving on BFK Rives watermarked paper, signed “Dali” in the plate in red in the centre of the image Image/Sheet 10 x 7.6 in — 25.5 x 19.3 cm; 13 x 10.5 in — 33 x 26.5 cm See website for full catalogue details $300—400

$400—600

94

95

96

RAOUL DUFY (1877-1953), FRENCH

ANTONI TÀPIES (1923-2012), SPANISH

MAX ERNST (1891-1976), GERMAN

LA PECHE; L’AMOUR (FROM L’AMOUR), 1910-1911, 2ND EDITION, PRINTED LATER, 1953

PETJADA, 1987

PLATE 1 (FROM LA BALLADE DU SOLDAT

BY GEORGES RIBEMONT-DESAIGNES), 1972, [SPIES/LEPPIEN, 218 D]

Two woodcuts on Marais watermarked paper; each with the artist’s studio ink stamp “Atelier Raoul Dufy”; each titled in the plate and numbered 84/220 and 179/220 respectively in pencil to margins Sheets 19.7 x 26 in — 50 x 66 cm $500—700

Colour etching in several inks (grey, black and pink) on Guarro paper; signed and numbered 28/75 in pencil on the image to the bo! om edge. Printed by J. Barbara, Barcelona, Published by Galeria Toni Tapies, Barcelona.

Colour lithograph on japon paper; signed and numbered 18/79 in pencil to margin.

Published by Pierre Chave, Vence. French edition.

Sheet 19.7 x 27.6 in — 50 x 70 cm

Image 10.6 x 8.7 in — 27 x 22 cm

See website for full catalogue details.

Provenance: Private Collection, Ontario

$1,000—1,500

$800—1,000

97

98

99

MAX ERNST (1891-1976), GERMAN

JOHNNY FRIEDLAENDER (1912-1992), GERMAN

JOHN HARTMAN (1950-), CANADIAN

UN MAGISTRAT ET TROIS ESCALVES LIBRES (PLATE 5 FROM DECERVELAGES: PAROLES D’ALFRED JARRY), 1971 [SPIES & LEPPIEN, 197 V]

Colour lithograph on Arches; signed and numbered 19/99 in pencil to margin.

Printed by Pierre Chave, Vence. Published

by Galerie Alexandre Iolas.

UNTITLED (FROM SIX PALETTES), 1976 [SCHMUECKING, 522-547 SERIES]

Color etching and aquatint on Arches paper; signed and numbered 59/135 in pencil to margin. Published by Leidseplein Presse, Amsterdam in 1976.

Image 15 x 21.9 in — 38 x 55.5 cm

Provenance: Private Collection, Ontario

Provenance: Private Collection, Ontario

$300—500

FISH-TALKER, 1985

Colour drypoint etching; signed, titled, dated 12/1/85 and numbered 1/1 in pencil to margin Plate 6.75 x 9.75 in — 17.1 x 24.8 cm Provenance: Estate of Alison Hymas, Toronto, ON $800—1,200

$500—700

100

101

102

LÁSZLÓ DÚS (1941-), HUNGARIAN/AMERICAN

KERR EBY (1889-1946), JAPANESE/CANADIAN/AMERICAN

ATTRIBUTED TO SALVADOR DALÍ (1904 -1989), SPANISH

KEPES I, 1986

INFANTRY CHATEAU-THIERRY, 1920-1921 [GIARDINA, 45]

DON QUICHOTTE ET L’OURSIN (FROM “DON QUIXOTE” UNPUBLISHED [FIELD, P. 244 OF “THE GUIDE”]

Colour monotype with pastel; signed “Dus” and dated /86 in grey/black crayon in the image lower right, titled “Kepes I” to the accompanying Certificate of Authenticity. A unique impression.

Plate 25.5 x 35.75 in — 64.8 x 90.8 cm Provenance: Visit Waddingtons.ca for full provenance $300—500

Lithograph; signed in pencil to margin.

Printed in an edition of 100.

9.5 x 12.5 in — 24.1 x 31.8 cm Provenance: Graham Arader III, King of Prussia, PA; Private Collection, Toronto $200—300

Etching on Arches watermarked paper; signed and numbered E.A. in pencil to margin.

Plate/Sheet 12.8 x 17 in — 32.6 x 43.2 cm; 19.7 x 25.7 in — 50 x 65.2 cm See website for full catalogue details. $700—900

103

104

105

ANTONI TÀPIES (1923-2012), SPANISH

ANDRÉ MASSON (1896-1987), FRENCH

SALVADOR DALÍ (1904-1989), SPANISH

UNTITLED (SAINT GALL), 1962 [GALFETTI, 37]

ENLEVEMENT DE L’EUROPE

ALICE’S EVIDENCE (FROM ALICE IN WONDERLAND), [FIELD, 69-5/M]

Colour lithograph with embossing; signed and numbered 110/130 in pencil to margin.

Published and printed by Foto-Repro.

Sheet 18 x 22.6 in — 45.7 x 57.4 cm Provenance: Private Collection, Ontario

Etching heightened with colour; signed and numbered 53/100 in pencil to margin Plate 15 x 20.25 in — 38 x 51.4 cm Provenance: Private Collection, Ontario $300—500

$400—600

Colour heliogravure of an original gouache on Rives paper on the front of a folded sheet with two pages of text, this plate; signed in the plate recto, titled and numbered on each text page in the plate at the bottom: “Alice’s Evidence” in black ink and numbered “145” and “146” in red ink respectively in the plate. All copies of this suite; signed on the title page (lacking. Numbered “Cl/CC” to the gallery label verso.

Sheet/Folded sheet open 16.9 x 11.3 in — 43 x 28.7 cm; 16.9 x 22.7 in — 43 x 57.7 cm See website for full catalogue details $600—900

106

107

108

SALVADOR DALÍ (1904-1989), SPANISH

HENRY MOORE (1898-1986), BRITISH

JEAN COCTEAU (1889-1963), FRENCH

TRANSCENDENT PASSAGE, (ARCHES GIRL; DAPHNE II), 1979 [FIELD, 79-2, P. 184]

LULLABY (FROM AUDEN POEMS), 1973 [CRAMER, 271]

LE TRAIT DE FEU (LINE OF FIRE), 1958

Colour lithograph from original gouache on Arches paper with Dalart N.V. copyright 1979 blindstamp to margin, signed and numbered 213/350 in pencil to margin. Published by Levine and Levine for DALART.

Lithograph on Hodgkinson paper, watermarked with the artist’s initials; signed and numbered 8/25 in pencil to margin. Aside from the edition of 360.

Published by Petersburg Press, London.

Plate/Sheet 23 x 17.9 in — 58.4 x 45.5 cm; 29.4 x 21.5 in — 74.7 x 54.6 cm Provenance: Private Collection, Toronto $800—1,200

Image/Sheet 11.25 x 11.75 in — 28.6 x 29.8 cm; 23.1 x 17.3 in — 58.8 x 44 cm Provenance: Private Collection, Ontario $700—900

Colour lithograph on terracotta coloured wove Canson-type paper; signed and numbered 76/100 in white pencil. Drawn and printed by Cocteau at the Atelier Mourlot, Paris in 1958.

Image 25.5 x 19.75 in — 64.8 x 50.2 cm Provenance: Private Collection, Ontario $800—1,200

109

110

111

HENRY MOORE (1898-1986), BRITISH

MAX ERNST (1891-1976), GERMAN

JUNE WAYNE (1918-2011), AMERICAN

RECLINING FIGURE PIRANESI BACKGROUND II, 1979 [CRAMER, 511]

UNTITLED (ONE PLATE FROM OISEAUX EN PERIL, THE ILLUSTRATED BOOK CONTAINING 8 ETCHINGS, AQUATINTS AND COLLAGES WITH TEXT BY DOROTHEA TANNING), 1975

“SHE IS ALL STATES, AND ALL PRINCES, I -JOHN DONNE SERIES”, 1957

Etching on BFK Rives paper; signed and numbered “FOR/A/P” in pencil to margin.

Aside from the edition of 50. Printed by Atelier Lacouriere Frelaut, Paris.

Published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham in 1980.

Colour etching and collage; signed and numbered 24/100 in pencil to margin.

Published by Max Ernst and Georges Visat, Paris, 1975 in a total edition of 130.

Plate/Sheet 9 x 11 in — 22.9 x 27.9 cm; 17.7 x 21.1 in — 45 x 53.5 cm

Plate/Sheet 12 x 9.8 in — 30.5 x 25 cm; 21.4 x 16.5 in — 54.4 x 41.9 cm

Provenance: Private Collection, Ontario

Provenance: Private Collection, Ontario

Lithograph on BFK Rives watermarked paper; signed, titled, dated 1957 and numbered “II. 3/24” in pencil to margin Image/Sheet 25.2 x 20.1 in — 64 x 51 cm; 29.9 x 22.4 in — 76 x 56.8 cm Provenance: Private Collection, Toronto $300—500

$1,000—1,500 $1,500—2,000

112 AFTER PABLO PICASSO (1881-1973), SPANISH

113

114

HENRY MOORE (1898-1986), BRITISH

PABLO PICASSO (1881-1973), SPANISH

FEMME COUCHEE A L'OISEAU (FROM THE MARINA PICASSO COLLECTION), 1982

TWO RECLINING FIGURES IN YELLOW AND GREEN (FROM MEDITATION ON THE EFFIGY), 1967 [CRAMER, 74]

PORTRAIT OF VOLLARD IV (FROM LA SUITE VOLLARD), 1937 [BLOCH, 233]

Colour lithograph; inscribed “Collection of Marina Picasso” and numbered 312/500 in pencil to margin. Printed by Laurent Marcel Salinas. Published by Rosetree Associates from the collection of Marina Ambrose Picasso, Picasso’s granddaughter.

Image 14.8 x 22.2 in — 37.5 x 56.4 cm Provenance: Private Collection, Ontario $300—500

Colour lithograph; signed, dated 67 and numbered 25/50 in pencil to margin.

Printed by J.E. Wolfensberger. Published

by Marlborough Fine Art, London.

Image 13.2 x 11.7 in — 33.6 x 29.8 cm Provenance: Private Collection, Toronto $800—1,200

Etching on Montval laid paper with “Picasso” watermark, signed in pencil to margin. Printed by Lacourière. Published

by Ambroise Vollard, Paris.

Plate/Sheet 13.6 x 9.7 in — 34.5 x 24.6 cm; 17.5 x 13.4 in — 44.4 x 34 cm Provenance: The Isaacs Gallery, Toronto; Estate of Alison Hymas, Toronto, ON $2,500—3,500

115

116

117

HENRY MOORE (1898-1966), BRITISH

GERSHON ISKOWITZ (1921–1988), CANADIAN

ROBERT MARKLE (1936-1990), CANADIAN

FOUR RECLINING FIGURES - CAVES, 1974 [CRAMER, 335]

Colour lithograph; signed and numbered 50/100 in pencil to margin. Printed by Curwen Prints Ltd., London. Published by the Art Gallery of Ontario, Toronto.

Image/Sheet 17.7 x 23.6 in — 45 x 60 cm; 22.2 x 27.6 in — 56.5 x 70 cm Provenance: Private Collection, Ontario

$1,500—2,000

POSTER: UNTITLED

Colour screenprint; signed and numbered 21/50 in pencil below the image with letters: “THIS SERIES OF POSTERS BY CANADIAN ARTISTS CREATED ESPECIALLY FOR BROWNDALE. COUGHTRY, ISKOWITZ, MACGREGOR, MARKLE, RAYNER, TOWN” in the plate along the bo! om edge Sheet 25.5 x 20 in — 64.8 x 50.8 cm Provenance: Private Collection, Toronto $300—400

POSTER: UNTITLED

Colour lithograph; signed and numbered 22/50 in pencil with letters: “THIS SERIES OF POSTERS BY CANADIAN ARTISTS CREATED ESPECIALLY FOR BROWNDALE. COUGHTRY, ISKOWITZ, MACGREGOR, MARKLE, RAYNER, TOWN” in the plate along the bottom edge Sheet 20 x 25.75 in — 50.8 x 65.4 cm Provenance: Private Collection, Toronto $300—400

118

119

120

GORDON RAYNER (1935-2010), CANADIAN

JOHN MACGREGOR (1944-), CANADIAN

POSTER: MUDRA FOR HENRI MATISSE

POSTER: ‘THE BICYCLE’, 1972

HAROLD BARLING TOWN, R.C.A. (1924 -1990), CANADIAN

Colour silkscreen; signed and numbered 21/50 in pencil with letters: “THIS SERIES OF POSTERS BY CANADIAN ARTISTS CREATED ESPECIALLY FOR BROWNDALE. COUGHTRY, ISKOWITZ, MACGREGOR, MARKLE, RAYNER, TOWN” in the plate along the bottom edge

Colour silkscreen; signed, titled, dated /72 and numbered 22/50 in pencil with letters: “THIS SERIES OF POSTERS BY CANADIAN ARTISTS CREATED ESPECIALLY FOR BROWNDALE. COUGHTRY, ISKOWITZ, MACGREGOR, MARKLE, RAYNER, TOWN” in the plate along the bottom edge

Sheet 25.5 x 20 in — 64.8 x 50.8 cm Provenance: Private Collection, Toronto $300—400

Sheet 20 x 26 in — 50.8 x 66 cm Provenance: Private Collection, Toronto $300—400

POSTER: UNTITLED, 1972

Colour lithograph poster; signed and dated /72 in white pencil upper right, numbered 22/50 lower right with letters: “THIS SERIES OF POSTERS BY CANADIAN ARTISTS CREATED ESPECIALLY FOR BROWNDALE. COUGHTRY, ISKOWITZ, MACGREGOR, MARKLE, RAYNER, TOWN” in the plate along the bottom edge Sheet 20 x 26 in — 50.8 x 66 cm Provenance: Private Collection, Toronto $300—400

121

122

123

JOHN GRAHAM COUGHTRY (1931–1999), CANADIAN

ANTON CETIN (1936-), YUGOSLAVIAN/CANADIAN

PABLO PICASSO (1881-1973), SPANISH

POSTER: UNTITLED

ESPERANCE II, 1974

Colour lithograph; signed and numbered 21/50 in pencil below the image with letters: “THIS SERIES OF POSTERS BY CANADIAN ARTISTS CREATED ESPECIALLY FOR BROWNDALE. COUGHTRY, ISKOWITZ, MACGREGOR, MARKLE, RAYNER, TOWN” in the plate along the bottom edge

Colour etching; signed, titled, dated 74 and numbered E.A. in pencil to margin

25.5 x 20 in — 64.8 x 50.8 cm

$300—400

9.75 x 7.5 in — 24.8 x 19.1 cm Provenance: Moos Gallery, Toronto; Private Collection, Toronto

Provenance: Private Collection, Toronto $300—500

MINOTAURE, UNE COUPE À LA MAIN, ET JEUNE FEMME (FROM LA SUITE VOLLARD), 1933 [BLOCH, 190; BAER, 349]

Etching on heavy laid paper with Vollard watermark; signed in pencil to margin, inscribed “Suite Vollard/Bloch #190/1933” in pencil verso. Published by Vollard, Paris in a total edition of 310.

Plate/Sheet 7.7 x 10.6 in — 19.5 x 27 cm; 13.4 x 17.6 in — 34 x 44.8 cm Provenance: With Great Graphics Shop, Johannesburg gallery stamp verso backing; Private Collection, Ontario $8,000—10,000

124

125

126

JOAN MIRÓ (1893–1983), SPANISH

ANDRÉ VERDET (1913-2004), FRENCH

LEROY NEIMAN (1921-2012), AMERICAN

PLATE 3 (FROM XAVIER DOMINGO, EL INOCENTE), 1974 [DUPIN, 678; CRAMER BOOKS, 184]

LE SORCIER, 1967

X-RATED FILMAKERS, 1974

Colour lithograph on red paper; signed, dated /67 and numbered 41/50 in pencil to margin

Colour silkscreen; signed and numbered 66/300 in pencil to margin, titled “X Rated Movie” to gallery label verso

Sheet 10.8 x 7.5 in — 27.5 x 19 cm

Image 23 x 19.8 in — 58.4 x 50.3 cm

Provenance: The Estate of Katerina Haka-Ikse, Toronto

Provenance: Patrician Galleries Inc., label verso; Private Collection, Toronto

$200—300

$600—800

Colour etching and aquatint on Velin Arches wove paper, on the recto of a folded sheet with the colophon on the inside; this being stamped No. “142” from the edition of 170; signed and numbered 142/170 in pencil to margin. Printed by Morsang.Published by RLD, Paris.

Plate/Single Sheet /Sheet opened 4.5 x 3.5 in — 11.5 x 8.8 cm; 12.7 x 9.8 in — 32.2 x 25 cm; 12.7 x 19.7 in — 32.2 x 50 cm See website for full catalogue details $1,500—2,500

127

128

129

LEROY NEIMAN (1921-2012), AMERICAN

MARINO MARINI (1901-1980), ITALIAN

BERNARD JARDEL (1932-1984), FRENCH

LEFT BANK CAFE, 1987

CHEVALIER ROUGE ET NOIR, 1955 [GUSTALLA, L.56]

LA VIE EN BLUE, 1974

Colour silkscreen comprising 40 colours; signed and numbered 261/375 in pencil to margin, titled, dated 1987 and with justification, this being from the total edition of 656 impressions divided as follows: 375 numbered impressions; 90 artist proofs; 16 printer proofs; 175 Hors commerce; with no other states other than stated on the accompanying Certificate of Authenticity, Number 261, signed by the publisher of Knoedler Publishing Inc., and Styria Studio, the printer, in pen and ink to the Certificate of Authenticity dated December, 1987 Image 26 x 38 in — 66 x 96.5 cm Provenance: Knoedler Publishing Inc., and Styria Studio, printer with their dually signed Certificate of Authenticity; With Libby’s, Toronto framer’s stamp verso backing; Private Collection, Toronto $800—1,200

Colour lithograph; signed and numbered 20/30 in pencil to margin Image 26 x 19.3 in — 66 x 49 cm Provenance: Private Collection, Ontario Literature: The European Academy for the Arts & Accademia Italiana, London, p.103 $800—1,200

Colour lithograph printed to the edges; signed and numbered 33/250 on the image in pencil along the bo! om edge.

Accompanied by a Certificate of Authenticity from Art Conseil Editions d’oeuvres d’art dated July 25, 1977 at Paris. Unframed.

Sheet 19.5 x 25.5 in — 49.5 x 64.8 cm Provenance: Purchased from The Toronto Fine Art Gallery, Toronto; By descent from the consignor’s father; Private Collection, Toronto $200—300

130

131

132

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN

INDISTINCT (20TH CENTURY) , SPANISH OR FRENCH?

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN

I-S JP, 1972 [DANILOWITZ, 217]

UNTITLED, 1965

Colour silkscreen; signed, dated “A 72” and numbered 64/100 in pencil to margin.

Published by Ives-Sillman, Inc., New York.

Sheet 15 x 15 in — 38.1 x 38.1 cm

Colour etching, aquatint, carborundum with embossing on Arches watermarked paper; indistinctly signed, dated /65, numbered 87-100 and inscribed “imp”? in pencil to margin. Unframed.

HOMAGE AU CARRE, 1964 [DANILOWITZ, 160 (PLATE 6 OF 12)]

Colour silkscreen; monogrammed, dated “A 64” and numbered 114/125 in pencil to margin. Printed by Atelier Arcay, Paris.

Published by Editions Denise Rene, Paris.

Provenance: Estate of Alison Hymas, Toronto, ON

Plate/Sheet 23.6 x 18 in — 60 x 45.8 cm; 29.8 x 22.2 in — 75.8 x 56.5 cm

Image/Sheet 11 x 11 in — 27.9 x 27.9 cm; 19 x 15 in — 48.3 x 38.1 cm

$3,000—4,000

Provenance: Carol Solway Collection, Toronto; Her Estate Collection, Toronto

Provenance: The Isaacs Gallery, Toronto Estate of Alison Hymas, Toronto

$100—200

$1,500—2,500

133

134

ANDY WARHOL (1928-1987), AMERICAN

STU OXLEY (1950-), CANADIAN

U.N. STAMP, 1979 [FELDMAN & SCHELLMANN, II.185]

BOURNEMOUTH #4, 2004

Colour offset lithograph on wove paper; signed in black felt-tip pen by Warhol to the right margin and numbered 669/1000 in pencil to margin. Published and printed by the United Nations Disaster Relief Organization, New York.

Sheet 8.5 x 11 in — 21.6 x 27.9 cm

Colour etching and chine colle monotype; signed and dated ‘04 in pencil in the image lower left, titled, dated 2004 and numbered “edition 1/1” to gallery label verso Image/Sheet 14.5 x 29.5 in — 36.8 x 74.9 cm; 21 x 35.5 in — 53.3 x 90.2 cm

Provenance: Private Collection, Ontario

Provenance: Mira Godard Gallery, Toronto; Private Collection, Toronto

$1,000—1,500

$500—700

136

137

HANS ERNI (1909-2015), SWISS

135

STU OXLEY (1950-), CANADIAN

RÉPLIQUE DU MIRACLE DES SAINTS COME ET DAMIEN

BOURNEMOUTH #17, 2004

JOSÉ ROMELO LAGMAN (20TH/21ST CENTURY), CANADIAN

Colour lithograph on partially watermarked paper; titled with letters verso by the publisher. Published by Paul Bernard Klein. Unframed.

Sheet 16 x 24 in — 40.6 x 61 cm Provenance: Private Collection, Harrington, P.E.I. by inheritance from the Estate of Dr. JeanMarc Klein, dermatologist, pilot and military officer, Charletown, P.E.I., acquired from his father, Paul Bernard Klein, book editor, born Paris, France

Colour etching and chine colle monotype; signed and dated ‘04 in pencil in the image lower right, numbered “edition 1/1” to gallery label verso Image/Sheet 14.5 x 28.5 in — 36.8 x 72.4 cm; 23 x 37.5 in — 58.4 x 95.3 cm Provenance: Mira Godard Gallery, Toronto; Private Collection, Toronto

I WILL SEE YOU IN SPRING, 2006

Chromogenic print; signed, titled, dated 2006 and numbered “1 of 20” in pencil to the mat Image 11.4 x 17.3 in — 29 x 44 cm Provenance: Private Collection, Ontario $400—500

$500—700

$300—500

138

139

140

ED RUSCHA (1937 - ), AMERICAN

MARTHA HENRICKSON (1942- ), AMERICAN/CANADIAN

ERTÉ (1892-1990), RUSSIAN/FRENCH

HOME WITH COMPLETE ELECTRONIC SECURITY SYSTEM, 1982 [WALKER ART CENTER, 117; ENGBERG, 117]

Colour screen print on Stonehenge paper with the “Wasserman Silkscreen Co., Santa Monica” blindstamp lower right margin; signed, titled, dated 82 and numbered 76/100 in pencil to margin.

Published by the artist, Venice, California in an edition of 100. Unframed.

SNOW #15, 2004

Colour print mounted on aluminum; signed, titled, dated 2004 and numbered 1/7 in pencil to the aluminum sheet below the mounted print, titled, dated 2004 and numbered “ed. 1/7” to gallery label verso Sheet 27 x 40.5 in — 68.6 x 102.9 cm

Image/Sheet 12.6 x 42.4 in — 32 x 107.8 cm; 19.1 x 48 in — 48.5 x 121.9 cm

Provenance: Corkin Shopland Gallery, Toronto; Private Collection, Toronto

See website for full catalogue details.

$1,000—1,200

$1,000—2,000

EBONY IN WHITE, 1979

Colour silkscreen; signed and numbered 300/300 in pencil to margin Image 22.25 x 16.5 in — 56.5 x 41.9 cm Provenance: Le Bateau Gallery of Fine Art, Crystal Beach label verso; Private Collection, Toronto $400—600

141

142

143

AFTER HENRI MATISSE (1869-1954), FRENCH

NOBUYOSHI ARAKI (1940 -), JAPANESE

LA TRISTESSE DU ROI (FROM VERVE VOL. IX, NOS. 35-36), 1958

SUNRISE (FROM KUKEI SERIES), 1997

JESUS CARLOS DE VILALLONGA (1927-), SPANISH/CANADIAN

Double-page colour lithograph after papiers découpés et collés with centre fold, being the center-fold (being 2 colour lithographs of the 28 included in Verve’s book edition with text; signed with initials HM in the plate lower right. Published by Tériade, Paris.

Each sheet/Overall 14 x 10.5 in — 33.7 x 44.5 cm; 14 x 20.8 in — 35.6 x 52.8 cm Provenance: Private Collection, Ontario $400—600

Handcoloured silver gelatin print printed to the edges; signed in black ink verso.

A MICHEL MOREAU (SIC) AMITIES DE VILALLONGA, CADAQUES, SPAIN, 7TH JUILLET, 1972

Sheet 12 x 17.5 in — 30.5 x 44.5 cm; 7.75 x 5.25 in — 19.7 x 13.3 cm

Colour silkscreen on ochre paper with center fold; numbered 42/75 in pencil, with signed and dated presentation in pen and ink lower right, with hand written personal notation to the left side in pencil (with reference to the silkscreen image on the right of the sheet)

Provenance: Prominent Gallery, Europe

Image/Sheet height 11 in — 27.9 cm; 15.25 x 25.25 in — 38.7 x 64.1 cm

Together with a book by the artist: “Chiro, My Love,” printed in Japan in 1990, autographed in black marker by Araki in Roman and Japanese inside front cover.

$600—800

See website for full catalogue details $300—500

144

145

146

CIRCLE OF WILLIAM HAMILTON (1730 -1803) , BRITISH

IVOR ABRAHAMS (1935-2015), BRITISH

TAKASHI YASUMURA (1972-), JAPANESE

OPEN GATE,1972

A PAIR OF SLIPPERS, 1997

Colour silkscreen and relief print with cutouts and collage; signed, titled, dated 72 and numbered 60/100 in pencil.

Printed by Chris Betambeau, London in an edition of 100. Contained in a perspex frame.

Chromogenic print; titled and dated 1997 to typed label verso

SIX ANTIQUE ENGRAVINGS: GRECIAN STYLE FRIEZES AND PORTRAIT MEDALLIONS

Six colour engravings on laid paper; with plate numbers in the plate: the first, plate No. “35” top right; the second, plate No. “38” top right; the fourth, plate No. “101”; the fifth, plate No. “41”; the sixth, plate No. 56”.

Plate 8.5 x 8.5 in — 21.7 x 21.7 cm; 8.1 x 8 in— 20.7 x 20.4 cm; 4 x 19.8 in — 10.2 x 50.4 cm; 8.1 x 8.1 in — 20.7 x 20.5 cm; 8.1 x 8 in —20.5 x 20.4 cm; 8 x 19.3 in — 20.3 x 48.9 cm Provenance: See website for full catalogue details. $300—400

Sheet 32.3 x 58.5 in — 82 x 148.6 cm Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut Literature: Exhibition Catalogue Ivor Abrahams, Kölnischer Kunstverein, 1973, p. 88. $500—700

Sight 20 x 24 in — 50.8 x 61 cm Provenance: Private Collection, Montreal $600—800

147

148

149

STU OXLEY (1950-), CANADIAN

ITZCHAK TARKAY (1935-2012), ISRAELI

BOURNEMOUTH #9, 2004

BLUE HAT, 1991

ALLAN D’ARCANGELO (1930 - 1998), AMERICAN

Colour etching and chine colle monotype; signed and dated ‘04 in pencil in the image, titled, dated 2004 and numbered “edition 1/1” to gallery label verso

Color silkscreen; signed and numbered 344/350 in pencil to margin

Image/Sheet 21 x 41.5 in — 53.3 x 105.4 cm; 26 x 47 in — 66 x 119.4 cm

Provenance: Private Collection, Ontario

Provenance: Mira Godard Gallery, Toronto Private Collection, Toronto

$400—600

$600—800

Image 26 x 34 in — 66 x 86.4 cm

LANDSCAPE I, 1965 (FROM 11 POP ARTISTS, VOLUME I)

Colour silkscreen on paper; signed and numbered 106/200 in pencil, inscribed “Retina” and numbered “# 6920” in pencil verso. Printed by Knickerbocker Machine & Foundry Inc., New York. Published in 1966.

Sheet 24 x 20 in — 61 x 50.8 cm Provenance: Private Collection, Toronto $400—600

150 JOSÉ ROMELO LAGMAN (20TH/21ST CENTURY), CANADIAN CAN YOU WAIT A HUNDRED YEARS?, 2006

Chromogenic print; signed, titled, dated 2006 and numbered “1 of 20” in pencil to the mat Image 11.3 x 17.3 in — 28.8 x 44 cm Provenance: Private Collection, Ontario $400—500

151

152

153

RONNIE ROBERTS (1954-), CANADIAN

RONNIE ROBERTS (1954-), CANADIAN

RONNIE ROBERTS (1954-), CANADIAN

MERCEDES BENZ - 1982; REFLECTIONS -1972

SKYWAY BRIDGE STUDY 1 - 2005; SKYWAY BRIDGE STUDY 2 - 2010

SKYWAY BRIDGE STUDY 4 - 2010; SKYWAY BRIDGE STUDY 3 - 2010

Two black and white Ultra-chrome K3 photographs: the first, signed, dated /82 and inscribed “Boston” in black pen and ink to the mat, titled “Mercedes Benz” and dated 1982 to gallery stamp verso backing; the second, signed, dated /72 and inscribed “Rodeo Drive” in black pen and ink to the mat, titled “Reflections” and dated 1972 to gallery stamp verso backing

Two black and white Leica Ultra-chrome K3 photographs: the first, signed, dated “05” and titled “Bridge Study 1” in black pen and ink to the mat, titled “Skyway Bridge Study 1” and dated 2005 to gallery stamp verso backing; the second, signed, dated “010” and titled “Bridge Study 2” in black pen and ink to the mat, titled “Skyway Bridge Study 2” and dated 2010 to gallery stamp verso backing

Two black and white Leica Ultra-chrome K3 photographs, the first, signed, dated “010” and titled “Bridge Study 4” in black pen and ink to the mat, titled “Skyway Bridge Study 4” and dated 2010 to gallery stamp verso backing; the second, signed, dated “010” and titled “Bridge Study 3” in black pen and ink to the mat, titled “Skyway Bridge Study 3” and dated 2010 to gallery stamp verso backing

Image 12 x 14.5 in — 30.5 x 36.8 cm; 12 x 14.5 in — 30.5 x 36.8 cm

Image 13 x 17 in — 33 x 43.2 cm; 13 x 17 in —33 x 43.2 cm

Provenance: Gallery Aperture; Private Collection, Toronto

Provenance: Gallery, Aperture; Private Collection, Toronto

$500—700

$500—700

Image 18 x 12 in — 45.7 x 30.5 cm; 12 x 18 in— 30.5 x 45.7 cm Provenance: Gallery Aperture; Private Collection, Toronto $500—700

154

155

156

RONNIE ROBERTS (1954-), CANADIAN

BERT STERN (1929 - 2013), AMERICAN

NYC NO.9, 1986; BRIDGE STUDY 5 , 2017

MARILYN WITH DIAMONDS, 2012 (LATER IMPRESSION)

ANTHONY GOICOLEA (1971-), CUBAN/AMERICAN

Two colour Ultra-chrome photographs: the first, signed, dated /86 and titled “NYC No. 9” in black pen and ink to the mat, titled “Number 9 NYC” and dated 1986 to gallery stamp verso backing; the second, signed, dated 2017 and titled “Bridge Study 5” in black pen and ink to the mat, titled “Bridge - 5” and dated 2017 to gallery stamp verso backing Image 12 x 14.5 in — 30.5 x 36.8 cm; 10.5 x 17.5 in — 26.7 x 44.5 cm

Pigment print; signed and titled “Marilyn” in red pencil recto, signed and dated 2012 with copyright symbol in red pencil to the artist’s studio stamp verso, signed in red crayon, titled “Marilyn with Diamonds” and dated “2012” in black ink to the accompanying artist’s Certificate of Authenticity label.

Sheet 13 x 19 in — 33 x 48.3 cm

See website for full catalogue details

Provenance: Prominent Gallery, Europe

$500—700

$3,000—5,000

SKY LIFT (FROM ALMOST SAFE SERIES), 2006-2007

Black and white c-print on Di-Bond with non-glare, UV plexi laminate face mount; the title, date and edition size of this print being recorded as “7/9” in the inventory of the collector Sheet 45 x 73 in — 114.3 x 185.4 cm Provenance: Private Collection, Toronto $4,000—5,000

157

158

159

CAROL MARINO (1943-), CANADIAN

JOHN BLADEN BENTLEY (1948- ), CANADIAN

APPLE BUCK, 1992

WATER & STONE (LARGE VERSION)

MARTHA HENRICKSON (1942-), AMERICAN/CANADIAN

Quadriptych: four gelatin toned silver prints mounted to a white paper support surrounded by six water-based stencilled strips of apples mounted to decorate the borders; signed, titled and dated 1992 along the bo! om edge in pen and ink to the lower right of one image, titled and dated 1992 to gallery label verso

Colour carbon transfer print on thin paper mounted to a wove sheet (chine colle) with impressed plate mark; signed “Bentley” and numbered 1/10 in pencil to margin

Sheet 39.75 x 50.75 in — 99.1 x 127 cm Provenance: Jane Corkin Gallery, Toronto; Private Collection, Toronto $1,600—2,000

Image 17.75 x 22 in — 45.1 x 55.9 cm Provenance: Private Collection, Toronto, purchased directly from the artist after his Mexican trip See website for full catalogue details $2,500—3,500

GLACIER I, 1994-1995

Triptych: three gelatin silver prints mounted on a curved aluminum sheet, with plexiglass sheet on top secured by screws in the margin; signed, titled, dated 1994-1995 and numbered 1/7 in pencil to the aluminum sheet under the prints Sheet 27 x 92 in — 68.6 x 210.8 cm Provenance: Jane Corkin Gallery, Toronto gallery label verso with the same information; Private Collection, Toronto $1,500—2,000

160

161

162

MARTHA HENRICKSON, (1942-), AMERICAN/CANADIAN

DIETRICH MOHR (1924-2016), GERMAN

CLAES OLDENBURG (1929-), AMERICAN

AMITIES, 1957

RAY GUN, 1972 [AXSOM-PLATZKER, 100]

Lithograph en grisaille; signed, titled dated ‘57 and numbered “Epreuve d’Artist” in pencil along the bottom edge Sheet 12 x 22.25 in — 30.5 x 56.5 cm

Colour screenprint; signed and numbered 63/250 in pencil to margin; there were also 25 artist’s proofs. Printed by Syria Studio. Published by the National Peace Action Coalition, New York.

Provenance: Prominent Collection, Montreal

Image/Sheet 29.75 x 22.25 in — 75.6 x 56.5 cm; 39.75 x 29.75 in — 101 x 75.6 cm

$300—500

Provenance: Park West Galleries, Southfield, Michigan stamp verso backing; Leo Castelli Gallery, New York; Prominent Collection, Montreal

SNOW #16, 2004

Colour print mounted on aluminum; signed, titled, dated 2004 and numbered 1/7 in pencil to the aluminum sheet below the mounted print, titled, dated 2004 and numbered “ed. 1/7” to gallery label verso Sheet 27 x 40.5 in — 68.6 x 102.9 cm Provenance: Corkin Shopland Gallery, Toronto; Private Collection, Toronto $1,000—1,200

$800—1,000

163

164

165

AFTER HENRY ALKEN (1785-1851), BRITISH

GEORGE BARKER (1844-1894), CANADIAN/AMERICAN

FRANCIS SEYMOUR HADEN (1818-1910), BRITISH

NIAGARA FALLS WITH WALKWAY (A VIEW OF CAVE OF THE WINDS WITH A WALKWAY IN THE FOREGROUND, NIAGARA FALLS, NEW YORK WITH TWO MEN STANDING), CIRCA 1888

ON THE TEST (LE CREPUSCLE), 1859 [SCHNEIDERMAN, 24]

“FOX HUNTING” (FOUR ENGLISH HUNTING PRINTS), 1844

Four hand-coloured engravings with etching and aquatint with le! ers; each titled and with plate numbers in the plates: “Fox Hunting, The Meet”, No.1 – Delightful scene! When all around is gay, men, horses, hounds, The Fleet, And in each smiling countenance appears Fresh blooming health and universal song”; “Fox Hunting, Away” No. 2 – Hark! What loud shouts re-echo thro the groves! He breaks away, Away!, Shrill horns proclaim his flight – Each straggling hound Strains o’er the lawn to reach the distant pack. This triumph all and joy”; “Fox Hunting, The Brook”, No. 3 – In vain the stream In foaming eddies whirls, in vain the ditch, The Brook!, Wide gaping, threatens death!”; “Fox Hunting, W’lio-hoop!” No.4” In bolder notes, Each sounding horn proclaims the felon dead.” Each also inscribed in the plate, “Painted by H. Alken, London: Published March 1st 1844

by R. Ackermann, at His Eclipse Sporting Gallery, 191 Regent Street, Engraved by J. Harris, Somerville” Each image 16.6 x 24.4 in — 42.2 x 62 cm Provenance: Private Collection, Toronto $500—700

Mammoth albumen print from glass negative; titled and dated “circa 1890s” to the Art Gallery of Ontario rental label verso Image 15 x 19 in — 38.1 x 48.3 cm Provenance: Art Rental Service of the Art Gallery of Ontario, Toronto, No. M904 label verso; Private Collection, Ottawa

$600—800

Etching and drypoint; signed “Seymour Haden” in the plate lower right, signed in pencil to margin Plate/Sheet 5.9 x 8.9 in — 15 x 22.5 cm; 6.7 x 9.4 in — 17 x 24 cm Provenance: Private Collection, Nova Scotia

$300—500

166

167

168

PAUL JEREMIAS (20TH/21ST CENTURY), AMERICAN

AUGUSTE GARCIN (1816-1895), SWISS/NORWEGIAN

PAUL JEREMIAS (20TH/21ST CENTURY), AMERICAN

ALBUQUERQUE, NM (NEGATIVE NO. ALB086022); ALBUQUERQUE, NM (NEGATIVE NO. ABQ86016), 1986

EMPLACEMENT DES TURBINES À ...(?)

(FROM VUES DE SUISSE ET DE SAVOIE), CIRCA 1855-1870

SANTA FE, NM (NEGATIVE NO. SFE88023); SANTA FE, NM (NEGATIVE NO. SFE88024), 1988

Together with:

Two dye coupler prints; each titled, dated 1988 and numbered 1/10 with negative numbers to gallery labels verso

Two dye coupler prints; each titled, dated 1986 and numbered 1/10 and 3/10 respectively with negative numbers respectively to gallery labels verso Sheets 20 x 24 in — 50.8 x 61 cm

AFTER ADELSTEEN NORMANN (1848 -1918), NORWEGIAN LE PORT DE BODOE, NORVEGE, 1758 Sepia-toned photograph of an original oil painting; titled in the plate to the mount.

Sheets 20 x 24 in — 50.8 x 61 cm

Provenance: Jane Corkin Gallery, Toronto labels verso; Private Collection, Toronto

Each unframed.

Provenance: Jane Corkin Gallery, Toronto; Private Collection Toronto

See website for full catalogue details

$700—900

$700—900

$400—600

169

170

171

SALVADOR DALÍ (1904-1989), SPANISH

SALVADOR DALÍ (1904-1989), SPANISH

SALVADOR DALI (1904-1989), SPANISH

HEAVEN, CANTO 14 (FROM THE DIVINE COMEDY SERIES), 1960-1964 [FIELD, P. 196]

PURGATORY, CANTO 27 (FROM THE DIVINE COMEDY SERIES), 1960-1964 [FIELD, P. 197]

HELL, CANTO 14 (FROM THE DIVINE COMEDY SERIES), 1960-1964 [FIELD, P. 198]

Colour woodcut on plain paper with indistinct watermark in the bottom margin; signed in the plate lower left. From the book edition.

Image/Sheet 9.6 x 7.1 in — 24.4 x 18 cm; 12.9 x 10.3 in — 32.8 x 26.1 cm Provenance: Private Collection, Toronto $300—500

Colour woodcut on watermarked, plain paper, the watermark in reverse to the bottom margin being indistinct as it is covered by a masking tape hinge that covers the watermark at the back of the sheet; signed and numbered 6/150 in red pencil to margin, titled “Purgatory Banque De Nocher” to the typed label verso backing, No. GB 61834 and titled again “Purgatory/ La Barque De Nocher” in pen and ink to the backing paper verso.

Image/Sheet 9.7 x 7.3 in — 24.7 x 18.5 cm; 12.9 x 10.2 in — 32.8 x 26 cm

Image/Sheet 10 x 7.1 in — 25.5 x 18.1 cm; 13 x 10.25 in — 33 x 26 cm

See website for full catalogue details

Provenance: Sears, from the Vincent Price Collection gallery label verso backing; Private Collection, Toronto

$300—500

$300—500

172

173

GENERAL IDEA (1969-1994), CANADIAN

BENGT LINDSTRÖM (1925–2008), SWEDISH

AIDS, 1987

TWO UNTITLED COBRA SCHOOL PRINTS: FIGURE WITH RED FACE AND ANIMALS; GREEN FIGURE WITH RED EYE

Colour silkscreen; signed and dated “General Idea, 1987” in the plate lower left edge, signed “General Idea” and dated “1987” in black felt-tip pen lower left edge

Two colour lithographs; each signed and numbered 90/100 and 64/100 respectively in pencil to margins

Sheet 27 x 27 in — 68.6 x 68.6 cm

Sheets, each 27.5 x 20 in — 69.9 x 50.8 cm

Provenance: The Estate of Helen (Mellow) Zinkargue, Toronto

$600—900

$300—400

Colour woodcut; signed and numbered 6/150 in red pencil to margin, titled “Inferno - Les Blasphemateur” to the typed label verso backing, No. GB 61775 and titled again “Les Blasphemateur” in pencil to the backing paper verso.

Inscribed in pen and ink “GL 61775” to the Vincent Price gallery label on the verso backing

A

H

P

Abrahams, Ivor…145 Albers, Josef…130, 132 Albuquerque, Lita…15 Alken, Henry (After)…163 Araki, Nobuyoshi…142

Haden, Francis Seymour…165 Hamilton, William (Circle of)…144 Hartman, John…99 Helleu, Paul Cesar…35 Henderson, Peter Charles (After)…74, 75, 77 Henrickson, Martha…139, 159, 160

Pachter, Charles…3 Picasso, Pablo (After)…21, 112 Picasso, Pablo…114, 123 Poliakoff, Serge…12 Pratt, Ned…30

B Barker, George…164 Bentley, John Bladen…158 Bourdeau, Robert…16 Briss, Sami…34

I Indiana, Robert…10 Indistinct (20th Century)…131 Iskowitz, Gershon…116

C

J/K

Cetin, Anton…122 Clement, Serge…1 Coburn, Alvin Langdon…61 Cocteau, Jean…108 Corneille…8, 9 Coughtry, John Graham…121 Creed, Martin…5 Curtis, Edward S.…50-60

Jardel, Bernard…129 Jermias, Paul…166, 168 Kertész, André…14, 18 Kisling, Moïse…32

D d’Arcangelo, Allan…149 Dalí, Salvador…93, 105, 106, 169-171 Dalí, Salvador (Attributed to)…102 de Vilallonga, Jesus Carlos…143 Degas, Edgar…73 Denny, Robyn…2 Dürer, Albrecht…65, 71 Dufy, Raoul…80, 94 Dürer, Albrecht…65 Dús, László…100

L Lagman, José Romelo…137, 150 Lanfranco, Giovanni (After)…92 Lebadang, Hoi…46 Lemieux, Jean-Paul…38-42 Lindström, Bengt…174 M

R Rauschenberg, Robert…48 Rayner, Gordon…118 Reinagle, Phillipp (After)…76, 78 Reinhardt, Ad…13 Renoir, Pierre-Auguste…72 Rensen, Esther (van Geest)…27 Riopelle, Jean-Paul…36 Roberts, Ronnie…151-154 Rubin, Reuven…4 Ruscha, Ed…138 S Schongauer, Martin…64, 66 Schwedtfeger, Grit…26 Smith, Sir Matthew…43 Snow, Michael…49 Stern, Bert…155 T Tapies Antoni…95, 103 Tarkay, Itzchak…148 Tice, George…29 Town, Harold Barling…120 Twombley, Cy…47

Eby, Kerr…101 Erni, Hans…135 Ernst, Max…96, 97, 110 Erté…17, 19, 140

MacGregor, John…119 Man Ray…11 Marini, Marino…20, 128 Marino, Carol…157 Markle, Robert…117 Masson, André…24, 104 Matisse, Henri (After)…141 Matisse, Henri…37 Millet, Jean-François…63 Miró, Joan…124 Mohr, Dietrich…161 Moore, Henry…107, 109, 113, 115 Motherwell, Robert…7, 45

F

N

Fragonard, Jean-Honoré…92 Frankenthaler, Helen…23 Friedlaender, Johnny…98

Neiman, Leroy…126, 127 Nolan, Sidney…25 Notman, William…67

Warhol, Andy…133 Wayne, June…111 Whistler, James Abbott McNeill…62 Wiiralt, Eduard…83-91

O

Y

Oldenburg, Claes…162 Ottley, William Young…79 Oxley, Stu…134, 136, 147

Yasumura, Takashi…146

E

G Garcin, Auguste…167 General Idea…173 Gillray, James…81, 82 Goicolea, Anthony…156

V van Geest, Esther Rensen…27 van Velde, Bram…22, 33 Vasarely, Victor…6, 31 Verdet, André…125 Verner, Elizabeth O’Neill…68-70 W

Z Zageris, Arnold…28 Zúñiga, Francisco…44

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration.

The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

Canadian Art Auction Invaluable Live! clients will be charged a buyer’s premium of 25% of the successful bid price of each lot.

Concrete Contemporary Art Auction ARTSY clients will be charged a buyer’s premium of 25% of the successful bid price of each lot.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium.

For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale,

or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Selling at Waddington’s waddington’s commission rates

insurance

Items selling for $2,501 to $7,500 15%

cites

Items selling for $7,501 or more 10%

Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.

Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

bidding

To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder.

You will be responsible for all lots purchased on your bidding number. Banking information may be requested

by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale.

While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids.

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

Frames on artwork are not included as part of purchase or condition.

The Auctioneers will not undertake packing or shipping.

The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from:

buyers premium

PakShip

A premium of 20% of the successful bid price of each lot.

Canadian Art Auction Invaluable Live! clients will be charged a buyer’s premium of 25% of the successful bid price of each lot.

Concrete Contemporary Art Auction ARTSY clients will be charged a buyer’s premium of 25% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

905.470.6874 / 905.470.6875 / 416.293.8225

taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15).

Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca