Prints & Photography | April 17 - 22, 2021

Prints & Photography A P R I L 17 — 22 , 2 021

Prints & Photography APRIL 17—22, 2021

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

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416-847-6179

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associate specialist Kristin Vance kv@waddingtons.ca 416-847-6178

front cover Lot 28 HERBERT BAYER

CHROMATIC TWIST, 1970

front inside

Lot 62 JEAN (HANS) ARP

CONSTRUCTION SELON LES LOIS DU HASARD, 1918 /1959

back inside Lot 32 ROBYN DENNY

COLOUR BOX NO. IV (FROM COLOUR BOX SERIES), 1969

back cover

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Lot 88 KIYOSHI HASEGAWA OBJETS DANS UNE VITRINE, 1962

tel: 416-504-9100 toll free: 1-877-504-5700 This catalogue and its contents © 2021 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

1 FRANK DAVIDSON (1912-1985), AMERICAN WORKMEN, 1941 Colour silkscreen; signed, titled and dated ‘41 in pencil to margin 14 ins x 10 ins; 35.6 cms x 25.4 cms PROVENANCE:

Krause’s Fine Art and Picture Frame Co., NY old label verso backing; Private Collection, Toronto $600 — 900

2 ALFRED STIEGLITZ (1864-1946), AMERICAN AN ICY NIGHT, FROM CAMERA WORK NUMBER 4, (FEATURED IN AN AD FOR GOERZ LENSES), 1898, PRINTED 1903 Photogravure on a printed sheet for Goerz Lenses with wide margins; the image on a sheet with text printed in sepia, headed at the top of the sheet on both sides: “Goerz” …. “Lenses,” above more text that reads in the left and right margins: “The original of this celebrated picture “Icy Night,” exhibited in the international exhibitions at London, Paris, Turin, Brussels, Hamburg, Philadelphia, etc., etc.” / “was made in January, Eighteen hundred and Ninety-eight, at 1:00 a.m., with a Goerz lens, Series III., full opening, and an exposure of three minutes”. Unframed.

Plate/Sheet 5.1 ins x 6.3 ins; 13 cms x 15.9 cms; 18.1 ins x 20 ins; 46 cms x 50.8 cms PROVENANCE:

Private Collection, Ontario $1,200 — 1,800

3 WILLIAM PETTET (B. 1942), AMERICAN UNTITLED, 1970 [2842] Colour lithograph; signed and inscribed: “William Pettet / 2842 Copperplate / deluxe” and numbered 8/20 in pencil verso. Printed by Larry Thomas. The verso with blindstamp of the Tamarind Institute workshop blue chop mark.

Sheet 18 ins x 38 ins; 45.7 cms x 96.5 cms PROVENANCE:

Private Collection, Ontario $600 — 900

4 ALFRED EISENSTAEDT (1898-1995), AMERICAN COVERED BAZAAR, ALEPPO, SYRIA, 1934 (PRINTED 1979) Gelatin silver print; signed and numbered 14/50 in pen and ink to margin; artist’s stamp and Time Inc. stamp with date and title in pencil verso Image/Sheet 12.3 ins x 9.5 ins; 31.3 cms x 24.2 cms; 13.9 ins x 11 ins; 35.4 cms x 28 cms PROVENANCE:

Wallack Galleries, Ottawa label verso; Private Collection, Ontario $1,000 — 1,500

5 ROBERT RAUSCHENBERG (1925-2008), AMERICAN TAMPA #8 (FROM “MADE IN TAMPA”), 1972 [GRAPHICSTUDIO 181] Colour lithograph, silkscreen and tape collage on Graphicstudio, University of South Florida blindstamped paper; signed, dated “72 USF” and numbered XVIII/XX in pencil; aside from an edition of 20 plus 5 APs. Published by Graphicstudio, (USF) University of South Florida.

Sheet 38 ins x 50 ins; 96.5 cms x 127 cms PROVENANCE:

Private Collection, Ontario $3,500 — 4,500

6 LARRY RIVERS (1923-2002), AMERICAN LAST CIVIL WAR VETERAN, 1970 Colour lithograph and collage printed to the edges; signed and numbered 16/100 in pencil lower right Sheet 28.9 ins x 19.9 ins; 73.4 cms x 50.5 cms PROVENANCE:

Paul Becker Collection, Toronto label to frame; Private Collection, Ontario $1,000 — 1,500

7 LES LEVINE (B. 1935), AMERICAN TWO PLATES (FROM THE DIAMOND BROOCH SERIES), 1979 Two colour etchings on black wove paper; each signed and numbered 8/20 in pencil 18 ins x 11.5 ins; 45.7 cms x 29.2 cms PROVENANCE:

Private Collection, Ontario $700 — 900

8 JOHN RANDOLPH CARTER (B. 1941), AMERICAN FRICTIONLESS GLIDER #3 AND #4, 1970 Pair of colour silkscreens; each signed, titled, dated, and numbered 77/100 in pencil to lower margins. Printed by Grippi Gallery, New York City.

Each image 29.9 ins x 20 ins; 76 cms x 50.9 cms PROVENANCE:

Dunkelman Gallery, Toronto, stock Nos. 128907 and 128908 respectively to gallery labels verso; Private Collection, Ontario $800 — 1,200

9 LES LEVINE (B. 1935), AMERICAN TWO PLATES (FROM THE DIAMOND BROOCH SERIES), 1979 Two colour etchings on black wove paper; each signed and numbered 8/20 in pencil 18 ins x 11.5 ins; 45.7 cms x 29.2 cms PROVENANCE:

Private Collection, Ontario $700 — 900

10 MILTON AVERY (1885-1965), AMERICAN FLIGHT, 1953 [LUNN, 51] Black inked woodcut on Japon paper; signed with initials in the block lower left; signed, dated 1953 and numbered 6/20 in pencil to margin. Aside from the edition of 100.

Published by the Collectors of American Art, New York.

Block 7 ins x 9 ins; 17.8 cms x 22.9 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

11 ALEXANDER CALDER (1898-1976), AMERICAN SOLEIL NOIR (BLACK SUN), 1969 Colour lithograph; signed and numbered 43/75 in pencil Sheet 29.4 ins x 43 ins; 74.8 cms x 109.2 cms PROVENANCE:

Wallack Galleries, Ottawa label verso; Environment Canada Collection label verso; Paul Becker Collection, Toronto label to frame; Private Collection, Ontario $2,000 — 3,000

12 YVONNE JACQUETTE (B. 1934), AMERICAN CLOUDS OBSCURING SAN DIEGO, 1987 Colour spit bite aquatint with soft ground and hard ground etching; signed, dated 1987 and numbered 12/60 in pencil along the bottom edge. Printed by Doris Simmelink. Published by Crown Point Press, San Francisco, CA. Sight 25 ins x 21 ins; 63.5 cms x 53.3 cms PROVENANCE:

Private Collection, Edmonton, AB $700 — 900

13 ROBERT MOTHERWELL (1915-1991), AMERICAN TRICOLOR 137, 1973 [ENGBERG & BANACH, 137; BELKNAP APPENDIX, 24] Colour offset lithograph on Arches Cover paper, signed with initials and dated ‘73 in the plate to the image upper right; signed and numbered 56/125 in pencil. There were also 15 artist’s proofs. Printed by Mourlot, Paris.

Published by the XXe Siècle Magazine, Paris.

12.25 ins x 9 ins; 31.1 cms x 22.9 cms PROVENANCE:

Private Collection, Ontario $1,500 — 2,000

14 WEEGEE (USHER ARTHUR FELLIG) (1899-1968), AUSTRIAN/AMERICAN I CRIED WHEN I TOOK THIS PICTURE, (FIRE IN HARLEM), DECEMBER 15, 1939, PRINTED LATER Gelatin silver print Image/Sheet 7.5 ins x 9.25 ins; 19.1 cms x 23.5 cms; 8.1 ins x 10 ins; 20.5 cms x 25.3 cms PROVENANCE:

Private Collection, British Columbia $600 — 800

15 AFTER CHARLES BIRD KING (1785-1862), AMERICAN FOUR NORTH AMERICAN CHIEFS (FROM HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA) Four hand-coloured lithographs, plates include: 1. A-NA-CAM-E-GISH-CA. A CHIPPEWAY CHIEF, 1838; with letters, signed with initials “RT” in the stone in the image lower right.

Drawn by Ralph Trembley, published by F.W. Greenough, Philadelphia in 1838; 2. PA-SHE-PA-HAW. A SAUK CHIEF, 1837; with letters, published by E. Biddle, Philadelphia, 1837; 3. LAP-PA-WIN-SOE. A DELAWARE CHIEF; titled in the plate (no letters); 4. 4. SHA-HA-KA. A MANDAN CHIEF; 1838, titled in the plate (no letters), signed with initials “RT” in the stone in the image lower right. Drawn by Ralph Trembley, published by F.W. Greenough, Philadelphia in 1838.

All drawn, printed and hand-coloured at J.T. Bowen’s Lithographic Establishment, 1837-1838.

Sheets 20.25 ins x 14.75 ins; 51.4 cms x 37.5 cms See website for full catalogue details. $1,000 — 1,500

16 ALBERTO GIACOMETTI (1901-1966), SWISS PORTRAIT OF ANDRÉ DU BOUCHET IV, 1965 [LUST, 395] Etching on wove watermarked paper; signed and numbered 2/10 in pencil to margin.

There were also a few trial proofs.

Plate/Sheet 6.4 ins x 4.7 ins; 16.2 cms x 12 cms; 7.8 ins x 5.5 ins; 19.8 cms x 13.9 cms PROVENANCE:

Private Collection, Ontario $6,000 — 9,000

17 DAVID DREBIN (B. 1970), CANADIAN/AMERICAN BIG CITY SPY, 2013 Digital c-print, flush-mounted with acrylic frame. Edition 6/7.

60 ins x 48 ins; 152.4 cms x 121.9 cms PROVENANCE:

Private Collection, Toronto $3,000 — 4,000

18 DAVID DREBIN (B. 1970), CANADIAN/AMERICAN LIPS AND BUBBLES, 2015 Digital c-print, flush-mounted with acrylic frame. Edition 4/10.

30 ins x 45 ins; 76.2 cms x 114.3 cms PROVENANCE:

Private Collection, Toronto $3,000 — 5,000

19 ALEX KATZ (B. 1927), AMERICAN THE SWIMMER, 1974 [MARAVELL, 75] Colour aquatint and drypoint on German etching paper printed close to the edges; signed and numbered 40/84 in pencil. Printed

by Prawat Laucheron, New York. Co-published

by Brooke Alexander, Inc., and Marlborough Graphics, Inc., New York.

Sheet 28.1 ins x 35.7 ins; 71.4 cms x 90.7 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

20 BETH VAN HOESEN (1926-2010), AMERICAN SALLY, 1979 Colour etching and aquatint; signed, titled, dated 1979 and numbered 9/100 in pencil to margin Plate 11.5 ins x 13.7 ins; 29.2 cms x 34.7 cms PROVENANCE:

Purchased in 1981 in San Francisco, California by the present Private Collection, Vero Beach, Florida LITERATURE:

Published in Beth Van Hoesen’s book “Beth Van Hoesen Creatures” $2,000 — 3,000

21 ARNOLD ROTH (B. 1929), AMERICAN PICASSO, 1978 (PRINTED LATER) Lithograph with hand-colouring after a line drawing; signed and dated 1978 in the plate lower right; signed, titled and numbered 72/100 in pencil to margin Image 16 ins x 22 ins; 40.7 cms x 55.8 cms PROVENANCE:

Private Collection, Ontario $300 — 500

22 RICHARD MISRACH (B. 1949), AMERICAN WAITING, EDWARD’S AIR FORCE BASE (FROM DESERT CANTOS II), 1983. PRINTED IN 1986 Chromogenic colour print; signed, titled, dated 1983/1986 and numbered 14/25 in pen and ink to margin Image/Sheet 18.1 ins x 23 ins; 46 cms x 58.3 cms; 19.75 ins x 24 ins; 50.3 cms x 61 cms PROVENANCE:

Private Collection, Toronto (purchased in California) $2,500 — 3,500

23 RICHARD MISRACH (B. 1949), AMERICAN SHUTTLE LANDING, EDWARD’S AIR FORCE BASE (FROM DESERT CANTOS II), 1983, PRINTED 1987 Chromogenic colour print; signed, titled, dated 1983/p1987 and numbered 7/25 in pen and ink to margin Image/Sheet 18.1 ins x 23 ins; 46 cms x 58.3 cms; 19.8 ins x 24 ins; 50.3 cms x 61 cms PROVENANCE:

Private Collection, Toronto (purchased in California) $2,500 — 3,500

24 JOHN GRUEN (20TH/21ST CENTURY), AMERICAN POUCHES, CIRCA 1980 Selenium-toned gelatin silver print on paper Image/Sheet 13 ins x 17 ins; 33 cms x 43.2 cms; 16 ins x 19.9 ins; 40.6 cms x 50.6 cms PROVENANCE:

Private Collection, Toronto $300 — 500

25 PETER LIK (B. 1959), AUSTRALIAN/AMERICAN HIDDEN SECRET (CENTRAL PARK, NEW YORK), 2012 Colour cibachrome print; signed and numbered 216/950 in silver pen and ink lower right, signed in pen and ink to the Peter Lik credit label verso. There were also 45 Artist’s Proofs. Contained in an olive wood frame.

Sight 25 ins x 38.25 ins; 63.5 cms x 97.2 cms PROVENANCE:

Private Collection, Toronto $7,000 — 9,000

26 PETER LIK (B. 1959), AUSTRALIAN/AMERICAN CITY HALL (NEW YORK), 2012 Colour cibachrome print; signed and numbered 130/950 in silver pen and ink lower right, signed in pen and ink to the Peter Lik credit label verso. There were also 45 Artist’s Proofs. Contained in an olive wood frame.

Sheet sight 25 ins x 38.5 ins; 63.5 cms x 97.8 cms PROVENANCE:

Private Collection, Toronto $6,000 — 8,000

27 PETER LIK (B. 1959), AUSTRALIAN/AMERICAN LAKE MORAINE (ROCKY MOUNTAINS, CANADA), 2006 Colour photographic print, printed on aluminum; signed and numbered 133/950 in gold pen and ink lower right. From the edition of 950 with 45 Artist’s Proofs.

Image/Sight 30.75 ins x 93.25 ins; 78.1 cms x 236.9 cms PROVENANCE:

Private Collection, Toronto, purchased directly from Peter Lik’s Gallery in Las Vegas in 2006.

“Peter Lik” studio label to the verso backing. $3,000 — 5,000

28 HERBERT BAYER (1900-1985), AUSTRIAN/AMERICAN CHROMATIC TWIST, 1970 Colour silkscreen; signed and numbered 18/75 in pencil to bottom edge Image/Sheet 29.5 ins x 29.4 ins; 74.9 cms x 74.6 cms; 31 ins x 31 ins; 78.7 cms x 78.7 cms PROVENANCE:

Dunkelman Gallery, Toronto, Inv. no. 129046; Private Collection, Ontario $500 — 700

29 ANTHONY QUINN (1915-2001), BRITISH/AMERICAN THE GREAT SPIRIT, TEN ORIGINAL LITHOGRAPHS, 1986 The complete portfolio, comprising ten colour lithographs on Arches paper, each signed and numbered 13/255 in pencil, with titlepage, justification, index and text in English, signed in pen and ink and numbered 13/255 in pencil to the first folded sheet of printed, handwritten text with profile portrait. Printed

by Atelier Lithographic Aloys Arcueil-France.

Published by Ariane Zeisig Lancell, Paris. The full sheets loose as issued within the original lambskin suede covered boards and solander box contains a removable cast wood relief sculpture signed by Anthony Quinn, produced

by Laurenzi, Paris. Printed in Paris, France on January 1987.

PROVENANCE:

Purchased by the present Private Collection from Higgins Harte International Galleries, LLC, Lahaina, HI; Private Collection, Alberta $800 — 1,200

30 GERALD LESLIE BROCKHURST (1890-1978), BRITISH CASPER, 1933 [FLETCHER, 76 IV/IV] Etching on paper laid down to a cardboard support, signed with initials in the plate in reverse in the image lower right; signed in pencil to margin, inscribed in pencil along the bottom edge of the sheet with title, the catalogue raisonné number “76” and number A56989. There are probable collector’s initials “H.W.” in diluted ink to the lower left edge, the verso backing paper reads: “91 proofs” (from the edition of 91).

Plate/Sheet 7.7 ins x 5.8 ins; 19.6 cms x 14.7 cms; 12.8 ins x 9.4 ins; 32.4 cms x 23.8 cms PROVENANCE:

Private Collection, Ontario $300 — 500

31 GRAHAM SUTHERLAND (1903-1980), BRITISH BIRD (ABOUT TO TAKE FLIGHT), FROM “A BESTIARY AND SOME CORRESPONDENCES” (ONE PLATE FROM THE FOLIO), 1968 [TASSI, 81-106] Colour lithograph on Arches wove paper; signed and numbered 55/70, dated “I.III.68” to the plate upper left. There were also ten artist’s proofs. Printed by Mourlot and published by Marlborough Fine Art, London.

Sheet 26.1 ins x 19.6 ins; 66.2 cms x 49.7 cms PROVENANCE:

Private Collection, Ontario $500 — 700

32 ROBYN DENNY (1930-2014), BRITISH COLOUR BOX NO. IV (FROM COLOUR BOX SERIES), 1969 Colour silkscreen and collage; signed, dated 69 and numbered 27/75 in white ink lower right, titled and dated to publisher’s stamp to the verso of an aluminum sheet. Produced and published by Editions Alecto, London stamp verso.

24 ins x 20 ins; 61 cms x 50.8 cms PROVENANCE:

The Pollock Gallery Limited, Toronto gallery label verso; Private Collection, Toronto $600 — 800

33 VICTOR PASMORE (1908-1998), BRITISH POINTS OF CONTACT #7, 1965 [BOWNESS & LAMBERTINI, 8] Colour lithograph; signed with initials and dated 65 in ink lower right, numbered 53/70 in pencil lower left. Printed and published by Marlborough Graphics, London.

18.1 ins x 18.1 ins; 46 cms x 46 cms PROVENANCE:

Dunkelman Gallery, Toronto, Inv. No. 121033 gallery label verso; Private Collection, Ontario $1,000 — 1,500

34 AFTER DAVID ROBERTS (1796-1864), SCOTTISH TEN VIEWS FROM “THE HOLY LAND, SYRIA, IDUMEA, ARABIA, EGYPT & NUBIA” London: Day & Son, 1855-56, including: “Cana General View,” 1855; “St. Jean D’acre From The Land,” 1855; “Tiberias Looking Towards Hermon,” 1855; “Jacob’s Well At Shechem,” 1855; “Jericho,” 1855; “Sidon,” 1855; “Askelon,” 1855; “Cape Blanco,” 1855; “Jerusalem From The North,” 1855; “The Acropolis (Kusr Faron) Lower End Of The Valley,” 1856 Ten colour lithographs with letters; each with plate numbers upper right margin. Published

by Day & Son, London in 1855, one 1856. From the quarto edition of “The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia” published after the lithographs by Louis Haghe from drawings made on the spot by David Roberts for the Standard First Folio Edition.

Each image 5.5 ins x 8.25 ins; 14 cms x 21 cms See website for full catalogue details. $800 — 1,000

35 GORDON RAYNER (1935-2010), CANADIAN A SCARBOROUGH BLUFF, 1969 Colour lithograph; signed, dated 69, and numbered 22/60 in pencil to margin Image/Sheet 18 ins x 25.1 ins; 45.7 cms x 63.7 cms; 22.4 ins x 28.9 ins; 57 cms x 73.3 cms PROVENANCE:

The Isaacs Gallery, Toronto label verso; Paul Becker Collection, Toronto label to frame; Private Collection, Ontario $500 — 700

36 (HOMAGE): JACK HAMILTON BUSH (1909-1977), CANADIAN SPECIAL EDITION FOLIO AND BOOK: HOMAGE TO JACK BUSH FOLIO (SUITE OF 8), 1983-4; JACK BUSH (DEDICATION COPY OF THE LIMITED EDITION BOOK) Including “Homage to Jack Bush,” the complete folio of eight original prints comprising of three colour silkscreens and five etchings with aquatint on paper and includes one by each of the following artists; William Perehudoff (1918–2013), “Jacob’s Dance,” 1984. Kathleen Margaret Graham (1913-2008) “For Jack,” 1983; Dan Christensen (1942–2007), “One for Jack,” 1984; Darryl Leo Hughto (B. 1943), “Grotto,” 1984; Friedel Dzubas (1915–1994),“Fugue,” Joseph Drapell (1940-) ,“Heart,” 1984; Michael Steiner (1945-) , Untitled; Dorothy Elsie Knowles (1927-), “Summer Day,” 1984 See website for full catalogue details. $1,500 — 2,500

37 SOREL ETROG (1933-2014), CANADIAN L’OISEAU QUI N’EXISTE PAS, 1966 Twenty-four relief blind-stamped embossments on Arches paper (12 poems; 12 Etrog works), loose as issued with Japon tissue guards between each plate; signed “Etrog” and by the poet, Claude Aveline, and numbered 24/60 in pencil to the colophon. In the original boxed portfolio. Published by Venice: Cavallino.

Each plate/Overall 17 ins x 13 ins; 43.2 cms x 33 cms; 17 ins x 13.25 ins x 1.5 ins; 43.2 cms x 33.7 cms x 3.8 cms PROVENANCE:

Felix Landau Gallery; By descent in the Landau family; Private Collection, West Hollywood, CA $800 — 1,200

38 FREEMAN WILFORD PATTERSON (B. 1937), CANADIAN FROM THE ODYSSEYS SERIES, 1998 Chromogenic colour print on Fujicolor Crystal Archive paper. Unsigned and unumbered.

Image/Sheet 10.6 ins x 15.9 ins; 27 cms x 40.5 cms; 11.2 ins x 19.6 ins; 28.5 cms x 49.7 cms PROVENANCE:

Tatar Alexander, Toronto gallery label verso; Private Collection, Toronto $500 — 700

39 GHITTA CAISERMAN-ROTH (1923-2005), CANADIAN CAT’S CRADLE I Colour etching; signed, titled, and numbered 9/25 in pencil to margin Plate 22.6 ins x 18.8 ins; 57.4 cms x 47.8 cms PROVENANCE:

Private Collection, Ontario $300 — 500

40 JONATHAN HOBIN (B. 1979), CANADIAN THE PIED PIPER, CIRCA 2010 Digital chromogenic print on aluminum; signed, titled and numbered 2/4 to artist’s studio label verso backing 56 ins x 24 ins; 142.2 cms x 61 cms PROVENANCE:

Private Collection, Toronto $600 — 800

41 RODNEY GRAHAM (B. 1949), CANADIAN UNTITLED DIPTYCH (OAK TREES RED BLUFF), 1993-1994 Two gelatin silver prints; each print signed, dated ‘95 (print date) and numbered 21/24 on the reverse. Published by the Art Gallery of York University, Toronto.

Each image 10.4 ins x 13.4 ins; 26.3 cms x 34 cms PROVENANCE:

Private Collection, Massachusetts $4,000 — 6,000

42 DAVID LLOYD BLACKWOOD (B. 1941), CANADIAN SEPTEMBER 3RD: UNCLE DAN STURGE HOME FROM LABRADOR, 1975 ; Colour etching and aquatint; signed, titled, dated 1975 and numbered 6/35 in pencil to margin Image 20 ins x 32 ins; 50.8 cms x 81.3 cms PROVENANCE:

Galerie Kanesatake, Quebec gallery label and original receipt, dated January 28, 1981 verso; Private Collection, Ottawa, ON $3,000 — 5,000

43 DAVID LLOYD BLACKWOOD (B. 1941), CANADIAN SKIPPER NAT WALKING HOME, 1982 Colour etching and aquatint; signed, titled, dated 1985 and numbered 20/50 in pencil to margin Image 7 ins x 9.8 ins; 17.8 cms x 24.9 cms PROVENANCE:

Galerie Mihalis, Hudson, Quebec; Galerie Kanesatake, Quebec gallery labels verso; Private Collection, Ottawa $1,000 — 1,500

44 RODNEY GRAHAM (B. 1949), CANADIAN FILM POSTER FROM “VEXATION ISLAND,” 1997 Offset lithograph; signed, dated ‘97 and numbered 3/100 34.75 ins x 21 ins; 88.3 cms x 53.3 cms PROVENANCE:

Private Collection, Massachusetts $1,000 — 1,500

45 DEBORAH SAMUEL (20TH/21ST CENTURY), CANADIAN KISS, 1987 Gelatin silver print; titled, dated 1987 and numbered 4/50 to gallery label verso backing 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:

Jane Corkin Gallery, Toronto gallery label verso backing; Private Collection, Toronto $1,200 — 1,500

46 GRAPHICS: TORONTO 20, CANADIAN GRAPHICS: TORONTO 20 (COMPLETE PORTFOLIO), 1965 Twenty original prints in various media on wove paper; 1. Dennis Burton (1933–2013); Untitled; 2. Jack Hamilton Bush (1909–1977); Untitled; 3. Graham Coughtry (1931–1999); Untitled; 4. Greg Curnoe (1936–1992); “Hockey Stick Blades from West Lions Park, London,” 5. Robert Markle (1936–1990); Untitled; 6. William Kurelek (1927–1977); “The Hound of Heaven”; 7. Robert Burns Hedrick (1930–2021); Untitled; 8. Gerald Gladstone (1929–2005); Untitled; 9. Richard Gorman (1935–2010); Untitled; 10. Kazuo Nakamura (1926–2002); Untitled; 11. Waltraud Markgraf (b. 1937); Untitled; 12. John Meredith (1933–2000); Untitled; 13. Gordon Rayner (1935–2010); Untitled; 14. Michael Snow (b. 1928); “Carla Bley”; 15. Tony Urquhart (b. 1934); “Unknown Landscape”; 16. Mashel Alexander Teitelbaum (1921–1985); Untitled; 17. William Ronald (1926–1998); Untitled; 18. Joyce Wieland (1931–1998); Untitled; 19. Les Levine (1936–); Untitled (The Wellesley Hospital); 20. Sorel Etrog (1933–2014); Untitled;

See website for full catalogue details.

$6,000 — 8,000

47 WILLIAM EAKIN (B. 1952), CANADIAN MONUMENT SERIES, BOWLER (FEMALE), 1994 Fujiflex monochrome print; titled, dated 1994 and numbered AP in pen and ink to gallery label verso Sheet 40 ins x 30 ins; 101.6 cms x 76.2 cms PROVENANCE:

Leo Kamen Gallery, Toronto gallery label inscribed “Cat. 20711” in black marker on top of their label verso; Property of Royal Bank of Canada, Cat. 20711 label verso until 2016; Sold to benefit Kitchener-Waterloo Art Gallery, Kitchener, Ontario (KWAG) collection acquisitions $2,500 — 3,500

48 KAREL APPEL (1921-2006), DUTCH UNTITLED (COMPOSITION SUR FOND BLEU), CIRCA 1967 Colour lithograph on Arches watermarked paper; signed and numbered “e.a.” in pencil to margin. Aside from the edition numbered “e.a.” also with Roman numerals numbered “EA / XXX” (or 30 EA Proofs) Image/Sheet 25.1 ins x 18.3 ins; 63.8 cms x 46.6 cms; 28.5 ins x 20.7 ins; 72.5 cms x 52.7 cms PROVENANCE:

Private Collection, Toronto $700 — 900

49 THOMAS ROWLANDSON (1756–1827) AND AUGUSTUS PUGIN (1812-1852), BRITISH 14 CARICATURES FROM “MICROCOSM OF LONDON”, 1808-1810 Fourteen handcoloured etchings and aquatints on wove paper: Pillory, Charing Cross, Plate 62, 1809; Bow Street Office, Plate 11, 1808; Court of King’s Bench, Plate 24, 1808; Court of Chancery, Plate 22, 1808; The Great Hall, Plate 7, 1808; House of Lords, Plate 52, 1809; Court of Common Pleas, Plate 23, 1808; Excise Office, Plate 103, 1810; Guildhall, Examination of a Bankrupt Before his Creditors..., Plate 41, 1808; Guildhall, Plate 40, 1808 Court of Exchequer, Plate 25, 1808; Royal Exchange, Plate 67, 1809; Old Bailey, Plate 58, 1809; House of Commons, Plate 21, 1808 See website for full catalogue details $600 — 800

50 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH THE EIGHT SQUARES, CIRCA 1960 Colour silkscreen on thick wove paper printed to the edges; signed and numbered 105/200 in white crayon to the bottom edge of the image Sheet 21.75 ins x 39.5 ins; 55.2 cms x 100.4 cms PROVENANCE:

Private Collection, Ontario $800 — 1,200

51 JEAN COCTEAU (1889-1963), FRENCH FEMME AVEC SERPENTE, 1959 Lithograph printed in green on black wove paper, signed and dated 1959 in the plate lower right; signed in white crayon and numbered 9/150 in pencil 13.75 ins x 10 ins; 34.9 cms x 25.4 cms PROVENANCE:

Interframe (PTY) Ltd. Fine Art and Custom Framers, Jeppe, Johannesburg label verso backing; From the personal collection of the late Joanne Bergen, who began her 40 year career as an Art Dealer in the mid 1970s in Paris, where she worked for the publishers of the early signed and numbered etchings and lithographs; By descent to the present Private Collection, Ontario $1,000 — 1,500

52 JEAN DUBUFFET (1901-1985), FRENCH AFFICHE, 1968 [WEBEL, 1091] Colour lithograph on wove paper; signed with initials, dated /68 and annotated “Affiche” in pencil to margin. Unnumbered. Aside from the edition of 100 numbered, the deluxe edition before the offset lithograph poster edition.

Printed by Michael Cassé, Paris with his blindstamp. Published by Galerie La Pochade, Paris.

Image 24.25 ins x 18.75 ins; 61.6 cms x 47.6 cms; 25.6 ins x 20 ins; 65 cms x 50.7 cms PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

53 HENRI MATISSE (1869–1954), FRENCH NU BLEU II, 1952 Colour lithograph; signed and dated ‘52 in the stone lower left Sheet 23.1 ins x 17.3 ins; 58.7 cms x 44 cms PROVENANCE:

Private Collection, Ontario $500 — 700

54 BERNARD BUFFET (1928-1999), FRENCH ORCHIDÉES, 1979 [R. 90] Colour drypoint; signed and numbered 118/120 in pencil to margin. Unframed.

Plate 24.6 ins x 18.5 ins; 62.5 cms x 47.1 cms PROVENANCE:

Private Collection, Toronto $800 — 1,200

55 GEORGES BRAQUE (1882-1963), FRENCH FROM L’ORDRE DES OISEAUX, PL. 11, 1962 [VALLIER, 182] Colour etching with aquatint on Ingres paper; signed and inscribed “H.C.” (Hors Commerce - not for the trade) in pencil to margin, titled, dated 1962 and inscribed “Artist Proof” in pen and ink to gallery label verso. Printed by Crommelynck, Paris. Published by Au Vent d’Artes.

Plate 13.4 ins x 18.3 ins; 34 cms x 46.4 cms PROVENANCE:

Galerie Dresdnere, Toronto gallery label, inscribed “No. 6526” verso; From whom purchased by the father of the present Private Collection, on December 24th, 1965, Invoice No. 1685, “No. 6526”; By descent to the present Private Collection, Toronto $2,500 — 3,500

56 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH DOMO Colour silkscreen; signed and numbered 25/250 in pencil to margin Image 13.5 ins x 13.4 ins; 34.2 cms x 34 cms PROVENANCE:

Private Collection, Ontario $600 — 800

57 VICTOR VASARELY (1906-1997), FRENCH/HUNGARIAN UNTITLED (FROM PERMUTATIONS), 1968 Colour silkscreen; signed and numbered 30/150 in pencil to margin, titled to gallery label verso Image 23.25 ins x 23.25 ins; 59.1 cms x 59.1 cms PROVENANCE:

The Pollock Gallery, Toronto gallery label verso; Private Collection, Toronto $800 — 1,200

58 MAX PAPART (1911-1994), FRENCH UNTITLED: COUPLE; WOMAN WITH PROFILE HEAD Pair of blockprints; each signed and numbered 3/15 in pencil to margin Each sheet 11 ins x 15 ins; 27.9 cms x 38.1 cms PROVENANCE:

Private Collection, Ontario $600 — 900

59 ERTÉ (1892-1990), FRENCH ADORATION, 1986 Colour silkscreen; signed and numbered 73/300 in pencil to margin 31 ins x 26 ins; 78.7 cms x 66 cms PROVENANCE:

Galaxy, label dated 02/21/1998 to the verso backing; From whom purchased by a Private Collection, Ontario; Private Collection, Ontario $600 — 900

60 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH TURKIZ (FROM LAPIDAIRE), 1968 Colour silkscreen on wove paper; signed and numbered 18/150 in pencil to margin, dated 1968 to The Pollock Gallery label verso.

Published by Denise René, Paris with their blindstamp lower left.

33 ins x 30 ins; 83.8 cms x 76.2 cms PROVENANCE:

The Pollock Gallery, Toronto gallery label verso; With the Art Gallery of Ontario, Art Rental Service, label verso, Cat. No. D162 while with Pollock Gallery; Private Collection, Toronto $700 — 900

61 VICTOR VASARELY (1906–1997), HUNGARIAN/FRENCH OSMOSIS Colour silkscreen; signed and numbered 90/250 in pencil to margin, titled and inscribed with stock number: “V-104” to gallery label verso 32.3 ins x 17.5 ins; 82 cms x 44.5 cms PROVENANCE:

Circle Arts International, Toronto gallery label inscribed “V-104” verso; Private Collection, Toronto $600 — 800

62 JEAN (HANS) ARP (1886-1966), FRENCH/GERMAN CONSTRUCTION SELON LES LOIS DU HASARD, 1918 /1959 Colour silkscreen; numbered 96/135 in pencil to margin. Printed by Galerie Denise René, Paris.

Image/Sheet 17.5 ins x 14.25 ins; 44.5 cms x 36.2 cms; 25.6 ins x 19.7 ins; 65 cms x 50 cms PROVENANCE:

The Pollock Gallery Limited, Toronto gallery label verso as “Untitled #2”; Private Collection, Toronto $700 — 900

63 GEORGES ROUAULT (1871-1958) LE CHRIST ET MAMMON (ALSO KNOWN AS CHRIST ET LES EXÉGÈTES), ONE PLATE FROM “PASSION,” 1936 [CHAPON-ROUAULT, 271] Colour aquatint on wove paper; signed with monogram and dated 1936 in the plate lower right. From an edition of 245. Published by Ambroise Vollard, Paris.

Plate/sheet 12.1 ins x 8.5 ins; 30.7 cms x 21.6 cms; 17.2 ins x 13.25 ins; 43.7 cms x 33.7 cms PROVENANCE:

Gallery Moos Ltd., Toronto as “Christ Among the Romans” to gallery label verso; Private Collection, Ontario $700 — 900

64 VICTOR VASARELY (1906-1997), FRENCH/HUNGARIAN DOMB-B - YELLOW, CIRCA 1973 Colour silkscreen; signed and numbered 66/150 in pencil to margin Image/Sheet 22.8 ins x 22.8 ins; 58 cms x 58 cms; 29.5 ins x 29.5 ins; 75 cms x 75 cms PROVENANCE:

Private Collection, Ontario $800 — 1,200

65 ROBERT VANDERMAY (1943-2015), CANADIAN UNTITLED (OPTIC PRINT), 1964 Colour lithograph, signed on the vertical in the image lower right; signed, dated /64 and numbered 1/20 in pencil to margin Image/Sheet 27.2 ins x 35.8 ins; 69 cms x 91 cms; 35 ins x 44.5 ins; 88.9 cms x 113 cms PROVENANCE:

Ex. Collection “Paul Becker/Becktor Holdings” typed label verso backing; Private Collection, Ontario $500 — 700

66 THÉO TOBIASSE (1927-2012), FRENCH ONE PLATE (FROM THE QUEEN ESTHER SUITE) Colour lithograph; signed and numbered 171/175 in pencil to margin Image/Sheet 25.5 ins x 19.25 ins; 64.8 cms x 48.9 cms; 27.8 ins x 21.1 ins; 70.6 cms x 53.6 cms PROVENANCE:

Private Collection, Quebec $600 — 800

67 BERNARD CATHELIN (1919-2004), FRENCH BOUQUET D’ANÉMONES SUR FOND NOIR, 1972 [ROGER PASSERON & NICOLE DE PONT CHARRA, 61] Colour lithograph; signed and numbered 72/150 in pencil to margin 18.5 ins x 25.6 ins; 47 cms x 65 cms PROVENANCE:

Private Collection, Toronto $700 — 900

68 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH IZ-ZO (FROM BACH), 1973 Colour silkscreen; signed, titled “Iz-zo” and numbered 63/200 in pencil along the bottom edge, titled “Izzo” from the J.S. Bach suite, dated 1973, with inscribed number “V-44” to gallery label verso Sheet approximately 30 ins x 24 ins; 76.2 cms x 61 cms PROVENANCE:

Albert White Gallery, Toronto gallery label inscribed “V-44” verso; Waddington’s Auctioneers and Appraisers, Toronto, March 11, 2014, Lot 82; Private Collection, Toronto $600 — 800

69 THÉO TOBIASSE (1927-2012), FRENCH ONE PLATE (FROM THE QUEEN ESTHER SUITE) Colour lithograph; signed and numbered 164/175 in pencil to margin Image/Sheet 25.5 ins x 19.25 ins; 64.8 cms x 48.9 cms; 27.8 ins x 21.1 ins; 70.6 cms x 53.6 cms PROVENANCE:

Private Collection, Quebec $600 — 800

70 OLDŘICH KULHÁNEK (1940-2013), CZECH ČERNÁ HODINKA (BLACK WATCH), ALSO KNOWN AS “VIRGIL”, 1967; I VY NAPLŇTE MÍRU OTCŮ SVÝCH (YOU TOO CAN FULFILL THE PEACE OF YOUR FATHERS, FROM “PROHIBITA”, 1968 Two etchings: The first: etching in black ink; signed, titled ‘Virgil,” dated 1967 and numbered 19/20 in pencil to margin; The second: etching in black ink; signed, titled and inscribed, dated 1968 and numbered 14/25 in pencil to margin Plate 12.4 ins x 8.9 ins; 31.5 cms x 22.5 cms; 12 ins x 19.5 ins; 30.5 cms x 49.5 cms PROVENANCE:

The Fine Art Galleries, The T. Eaton Co. Limited, Canada, as “Virgil,” Stock No. 20933 gallery label verso; Collection of Paul Duval, Toronto $600 — 800

71 AUGUSTE RODIN (1840-1917), FRENCH HENRI BECQUE (FROM L’ESTAMPE ORIGINALE, ALBUM II), 1893 [DELTEIL, 9 III/V; THORSON, VII; KARSHAN, 72] Drypoint etching on cream laid paper; signed with initials and with edition number “17 AR” in pencil to margin. From the edition of 100.

Published by André Marty.

Together with the book “Rodin’s Art: The Rodin Collection of Iris and B. Gerald Cantor Center for Visual Arts at Stanford University,” by Albert E. Elsen, 1st Edition, English, paperback, 680 pages. Published by Oxford University Press, NY June 12, 2003.

Plate/Book 6.25 ins x 8.25 ins; 15.9 cms x 21 cms; 11 ins x 9.4 ins x 1.6 ins; 28 cms x 24 cms x 4 cms PROVENANCE:

See website for full catalogue details. $1,500 — 2,500

72 HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH POSTER: LES VIEILLES HISTOIRES, POÉSIES DE JEAN GOUDEZKI MISES EN MUSIQUE POUR DÉSIRÉ DIHAU, COUVERTURE-FRONTISPIECE, 1893 [WITTROCK, 5; DELTEIL, 18] Lithograph, signed with monogram in the plate lower left, with letters “SÉRIE I” in the plate lower right. Published by Gustave Ondet, Paris.

Image/Sheet 13 ins x 21.25 ins; 33 cms x 54 cms; 17.9 ins x 24.1 ins; 45.4 cms x 61.3 cms PROVENANCE:

Gallery of Graphic Arts Ltd., New York label verso; Private Collection, Toronto $500 — 800

73 JOSEF ALBERS (1888–1976), GERMAN/AMERICAN FOUR PLATES (FROM THE FOLIO “FORMULATION: ARTICULATION,” 1972 [DANILOWITZ, APPENDIX C, P.204] Four folded sheets, each with two colour silkscreens; each with typeset lettering verso indicating the portfolio and folder numbers. Printed in an edition of 1000 with the blindstamp of the publisher/printer Ives-Sillman, Inc./Sirocco Screenprints, New Haven, Connecticut to each folded sheet.

Published by Harry N. Abrams Inc., New York and Ives-Sillman Inc., New Haven, Connecticut.

Published in collaboration with Harry N. Abrams, New York.

These prints are from the folio numbered 184/1000 with Albers signature on the frontispiece held in the present Private Collection.

Each sheet 15 ins x 40 ins; 38.1 cms x 101.6 cms PROVENANCE:

See website for full catalogue details. $4,000 — 6,000

74 JEAN (HANS) ARP (1886–1966), GERMAN/FRENCH IDOLE (FROM LA MAGIE QUOTIDIENNE), 1961 [ARNTZ, 233] Colour woodcut; signed and numbered 48/70 in pencil. Published by Louis Broder.

Image/sheet 20.9 ins x 14.6 ins; 53.1 cms x 37.1 cms PROVENANCE:

Paul Becker Collection, Toronto label to frame; Private Collection, Ontario $1,000 — 1,500

75 RICHARD LINDNER (1901-1978), GERMAN/AMERICAN WASHINGTON HOLIDAY FROM AN AMERICAN PORTRAIT, VOLUME II: NOT SONGS OF LOYALTY ALONE, 1975 Colour lithograph; signed and numbered 148/175 in pencil to margin. Published by Trans World Art. Image 21.7 ins x 16.5 ins; 55.2 cms x 41.9 cms PROVENANCE:

Paul Becker Collection, Toronto label to frame; Private Collection, Ontario $500 — 700

76 LYONEL FEININGER (1871-1956), GERMAN/AMERICAN TOPSAIL KETCHES, 1931 [PRASSE, 271; F. 3103] Woodcut on tissue thin, blindstamped, Japon paper; numbered ”Printers Proof” in pencil lower left, titled in pencil at the bottom right edge of the sheet Block/Sheet 7 ins x 9.3 ins; 17.8 cms x 23.7 cms; 12.9 ins x 15 ins; 32.7 cms x 38 cms PROVENANCE:

From the personal collection of the late Joanne Bergen, who began her 40 year career as an Art Dealer in the mid 1970s in Paris, where she worked for the publishers of the early signed and numbered etchings and lithographs; By descent to the present Private Collection, Ontario $3,000 — 4,000

77 FRITZ BRANDTNER (1896-1969), GERMAN/CANADIAN RIDERS, CIRCA 1940 Colour silkscreen; signed in the plate lower right Sight 14 ins x 19 ins; 35.6 cms x 48.3 cms PROVENANCE:

Private Collection, Ontario $300 — 500

78 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN CARACAS E.A., 1973 [DANILOWITZ, 222] Two colour silkscreen on Arches paper; signed with initial, dated ‘73 and numbered EA 9/100 in pencil to margin. There were also 20 Artist’s Proofs. Printed by Ives-Sillman, New Haven, Connecticut.

Image/Sheet 10.25 ins x 13.5 ins; 26 cms x 34.3 cms; 15 ins x 22 ins; 38.1 cms x 55.9 cms PROVENANCE:

The Pollock Gallery Limited, Toronto gallery label verso backing; Private Collection, Toronto, ON $700 — 900

79 JOHNNY FRIEDLAENDER (1912–1992), GERMAN PRISME, 1968 [SCHMÜCKING, 324] Colour etching and aquatint with embossing; signed and numbered 74/95 in pencil to margin; titled and dated 1968 to gallery label verso.

Published by L’Oeuvre Gravée, Paris with the blindstamp of the publisher.

Plate 30 ins x 21.8 ins; 76.2 cms x 55.4 cms PROVENANCE:

Walter Engel Gallery, Toronto, two gallery labels verso; Private Collection, Toronto $500 — 700

80 NACHUM GUTMAN (1898-1980), RUSSIAN/ISRAELI SAFED Colour lithograph; signed in Hebrew and numbered H.C. 10/20 in pencil to margin. Aside from the edition of 150. Published by Mourlot, their blindstamp lower left.

Image 15 ins x 18.9 ins; 38 cms x 48 cms PROVENANCE:

Private Collection, Toronto $600 — 800

81 MARINO MARINI (1901-1980), ITALIAN COMPOSIZIONE, 1955 [GUASTALLA, L 58] Colour lithograph; signed “Marino” and numbered “prova d’artista” in pencil to margin.

Aside from the edition of 50. Published by Berggruen.

Sheet 25.8 ins x 19.8 ins; 65.5 cms x 50.4 cms PROVENANCE:

Private Collection, Ontario $800 — 1,200

82 NINO LONGOBARDI (B. 1953), ITALIAN UNTITLED (SWIMMER AND CHAIR) Lithograph heightened with colour and handwork on blindstamped paper “SK”; signed and numbered 7/10 in pencil Sheet 19.7 ins x 27.2 ins; 50 cms x 69 cms PROVENANCE:

Evelyn Amis Fine Art, Toronto gallery label, titled “Swimmer & Chair” and inscribed: “Acrylic on paper”/ 27” x 30 ½” verso; Consigned by them to the Art Gallery of Ontario Art Rental Services, Toronto, No. R539 as “Untitled (Swimmer & Chair)” and “Lithograph with handwork” (inscribed $17.50 rental fee; $900 purchase price) to gallery label verso; Private Collection, Toronto $400 — 600

83 MARINO MARINI (1901-1980), ITALIAN PLATE (FROM MARINO FROM SHAKESPEARE II), 1978 [GUASTALLA, A215] Colour etching with drypoint and aquatint on Arches paper; signed “Marino” and numbered “P.A.” in pencil to margin. Printed by Labyrinth, Florence. Published by ZWR, London.

Plate/Sheet sight 19.25 ins x 15 ins; 48.9 cms x 38.1 cms; 30 ins x 22.4 ins; 76.2 cms x 56.9 cms PROVENANCE:

From the personal collection of the late Joanne Bergen, who began her 40 year career as an Art Dealer in the mid 1970s in Paris, where she worked for the publishers of the early signed and numbered etchings and lithographs; By descent to the present Private Collection, Ontario $1,000 — 1,500

84 MARINO MARINI (1901-1980), ITALIAN PLATE (FROM MARINO FROM SHAKESPEARE II), 1978 [GUASTALLA, A217] Colour etching with drypoint and aquatint; signed and numbered “P.A.” in pencil to margin.

Printed by Labyrinth, Florence. Published by ZWR, London.

Plate/Sheet sight 19.25 ins x 15 ins; 48.9 cms x 38.1 cms; 30 ins x 22.4 ins; 76.2 cms x 56.9 cms PROVENANCE:

From the personal collection of the late Joanne Bergen, who began her 40 year career as an Art Dealer in the mid 1970s in Paris, where she worked for the publishers of the early signed and numbered etchings and lithographs; By descent to the present Private Collection, Ontario $1,000 — 1,500

85 GIOVANI BATTISTA PIRANESI (1720-1778), ITALIAN VEDUTA DELL’ARCO DI CONSTANTINO, E DELL’ANFITEATRO FLAVIO, DETTO IL COLOSSEO (FROM VEDUTA DI ROMA), 1771 [HIND, 56] Etching with letters.

Plate 16.5 ins x 21.75 ins; 41.9 cms x 55.2 cms PROVENANCE:

Mickelson’s, Washington, DC label verso; Private Collection, Toronto $1,200 — 1,800

86 LEONARD TSUGUHARA FOUJITA (1886-1968), JAPANESE/FRENCH JEUNE FILLE AVEC UNE ROSE, 1925 [BUISSON, 118] Drypoint on wove paper; an unsigned artist’s proof aside from the edition of 29. Matted and unframed.

Plate/Sheet 9.3 ins x 7 ins; 23.7 cms x 17.6 cms; 14.9 ins x 10.8 ins; 37.8 cms x 27.5 cms PROVENANCE:

Prominent Collection, Toronto $1,000 — 1,500

87 LÉONARD TSUGUHARU FOUJITA (1886-1968), JAPANESE/FRENCH FIVE PLATES (FROM “A BOOK OF CATS”), 1930 Five collotypes on smooth paper, each signed in English and Japanese and dated 1929 in the plate. The sheets are glued to the mats, the margin of one, with printed letters: “Made in France” visible at the extreme edge of the sheet verso. Printed in an edition of 500.

Published by Covici-Friede, New York.

Plates 7.8 ins x 10.2 ins; 19.7 cms x 26 cms; 12.1 ins x 9.3 ins; 30.8 cms x 23.5 cms PROVENANCE:

Private Collection, Aurora, ON $1,500 — 2,500

88 KIYOSHI HASEGAWA (1891-1980), JAPANESE/FRENCH OBJETS DANS UNE VITRINE, 1962 Mezzotint; signed and numbered “ép. d’artiste” in pencil to margin. Aside from the edition of 70.

Plate/sheet 10.3 ins x 14 ins; 26.2 cms x 35.6 cms; 14.8 ins x 19.9 ins; 37.5 cms x 50.5 cms PROVENANCE:

Paul Becker Collection, Toronto, inscribed in pen and ink number “A-13” to a small circular label to the backing paper lower left verso; Private Collection, Ontario $4,000 — 6,000

89 HIDEO HAGIWARA (1913-2007), JAPANESE STONE FLOWER (YELLOW GREY) #6, 1960 Colour woodblock; signed, inscribed in Japanese, dated -60 and numbered 11/30 in pencil to margin, titled “Stone Flower #6” to label verso backing Plate/Sheet 35.5 ins x 23.5 ins; 90.2 cms x 59.7 cms; 39 ins x 24.8 ins; 99 cms x 63 cms PROVENANCE:

Private Collection, Ontario $300 — 500

90 JOHN NDEVASIA MUAFANGEJO (1943–1987), NAMIBIAN KUDU FRIENDS, 1979 Linocut, titled and dated “Kudo Friends 1979” in the plate in centre; signed, dated 1979 and numbered 15/100 in pencil to margin Image 11.7 ins x 18 ins; 29.7 cms x 45.8 cms PROVENANCE:

Private Collection, Quebec $500 — 700

91 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH THE COUPLE, FROM L’ÉLÉGIE DES ALIZÉS, “LAMENT OF THE TRADE WINDS,” 1969 [MOURLOT, 589] Lithograph printed in six colours on pale cream Japon nacré paper; signed and numbered 34/35 in pencil to margin Image/Sheet 8.75 ins x 6.75 ins; 22.2 cms x 17.1 cms; 18.25 ins x 14 ins; 46.4 cms x 35.6 cms PROVENANCE:

William Weston Gallery, London, UK letterhead with typed justification adhered to the verso backboard $2,000 — 3,000

92 OSSIP ZADKINE (1880-1967), RUSSIAN/FRENCH ALBUM: LE MONDE SECRET DE THE SECRET WORLD OF ZADKINE, 1966 Éditions d’Art, Paris, 1966. Hardcover, limited first edition. Uncut. Original red silk portfolio with gold lettering on spine and front cover, housed in the original red cloth slipcase.

This remarkable work on the life and work of Ossip Zadkine (1890-1967), the renowned Russian-born French painter and sculptor, contains 25 texts by the artist, and is exquisitely illustrated with 24 tipped-in b/w photographs. This copy (No. 66) is one of 100 (numbered 26 to 100) containing an original signed and numbered 66/100 etching by Ossip Zadkine, and a laid-in original photograph of a Zadkine sculpture. Published by Arted, Editions d’Art in 1966.

Overall dimensions 15.25 ins x 11.5 ins; 38.7 cms x 29.2 cms PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

93 ERTÉ (1892–1990), RUSSIAN/FRENCH PILLOW SWING, 1985 Colour silkscreen with foil embossing; signed and numbered 130/300 in pencil to margin Sight 26 ins x 18.25 ins; 66 cms x 46.4 cms PROVENANCE:

Private Collection, Ontario $300 — 500

94 EDUARDO PAOLOZZI (1924-2005), SCOTTISH SPONTANEOUS DISCRIMINATION NONSPONTANEOUS DISCRIMINATION (FROM THE UNIVERSAL ELECTRONIC VACUUM PORTFOLIO), 1967 Colour silkscreen; signed and numbered 44/75 in pencil to margin, titled and dated 1967 to gallery label verso. Printed by Kelpra Studio, London. Published by Editions Alecto, London.

35.8 ins x 24 ins; 90.9 cms x 61 cms PROVENANCE:

The Pollock Gallery, Toronto gallery label verso as “Spontaneous Discrimination”; With the Art Rental Service of the Art Gallery of Ontario, consigned by Pollock gallery label verso; Private Collection, Toronto $600 — 800

95 PABLO PICASSO (1881-1973), SPANISH A LOS TOROS AVEC PICASSO, 1961 [BLOCH, 1014-47; CRAMER, 113] The book, comprising four lithographs, one printed in colours on wove paper and 109 reproduction lithographs on smooth paper, from the edition of an unknown size, with title page, colophon and text in French.

The lithographs printed by Mourlot, Paris.

Published by André Sauret, Monte-Carlo.

The full sheets, bound as issued, grey clothcovered boards with a reproduction after a drawing by Picasso on the front and lettering on the spine, red laid paper-covered slipcase with a reproduction drawing by Picasso on the front and back covers.

Overall 10.2 ins x 13 ins; 25.9 cms x 33 cms PROVENANCE:

Private Collection, Winnipeg $1,000 — 1,500

96 AFTER PABLO PICASSO (1881-1973), SPANISH BOUQUET DE FLEURS, 1958 [CZWIKLITZER, 130] Colour lithograph on wove paper; signed “Picasso” and dated “21.4.58” in the stone lower right, signed “Picasso” in pencil lower right, numbered 86/200 in pencil lower left.

Published by Editions Combat pour la Paix, Paris. Together with a COA. Sheet 25.5 ins x 19.6 ins; 64.8 cms x 49.8 cms PROVENANCE:

Intercontinental Fine Art, Ltd., as “Mains aux Fleurs” accompanied by their Certificate of Authenticity, File No. L681; From whom purchased by Diana Dignam; Private Collection, Cobourg, ON $4,000 — 6,000

97 PABLO PICASSO (1881-1973), SPANISH OISEAUX DANS UNE CAGE (BIRDS IN A CAGE), 1958 [BAER, 1051] Linocut printed in blue-green on kraft paper; signed by both artist and printer: Picasso in blue crayon lower right and by Hidalgo Arnera in pencil lower left, further annotated: ”Oiseaux Dans Une Cage/Linogravure Originale de Picasso. 1958/Epreuve d’essai,” in pencil to lower left margin, noted “extremely rare and completely unique from any other print the artist ever created. […] one of only 3 or 4 proofs pulled for an edition that was never run,” from Curator’s Statement (one of three accompanying documents).

Accompanied by 3 Higgins Harte International Galleries, LLC authentication and provenance documents outlining the expertise consulted 17.75 ins x 11.75 ins; 45.1 cms x 29.8 cms See website for full catalogue details $10,000 — 15,000

98 PABLO PICASSO (1881-1973), SPANISH VALLAURIS TOROS, 1956 [BLOCH, 1270] Colour linocut on Arches watermarked paper, signed in the plate to the image mid left; signed “Picasso” in red pencil lower right margin. Accompanied by the “Curator’s Statement” document from the document from Higgins Harte International Galleries, LLC., HI. Possibly one of the 30 artist’s or printer’s proofs, aside from the edition of 200.

Printed by Imprimerie Arnéra. Published by the Association des potiers de Vallauris.

Image/Sheet sight 25.5 ins x 21 ins; 64.8 cms x 53.3 cms; 28.75 ins x 22 ins; 73 cms x 55.9 cms PROVENANCE:

Higgins Harte International Galleries, LLC, Lahaina, HI, accompanied by the “Curators Statement”; Private Collection, Alberta LITERATURE:

See website for full catalogue details. $3,000 — 4,000

99 ANTONI CLAVÉ (1913-2005), SPANISH ROI PEPE, 1959 [PASSERON, 68] Colour lithograph; signed, dated 59 and numbered in an edition of 90, this being numbered 4/90 (indistinct top number) in pencil to margin. Published by L’Oeuvre Gravée, Paris.

Image/Sheet 28.4 ins x 20.3 ins; 72.2 cms x 51.5 cms PROVENANCE:

Ex. Coll. Gerry Moses, Toronto, his name plate upper left verso backing; Gallery Pascal, Toronto gallery label verso inscribed: “Property of Gerry Moses” to their label verso; Private Collection, Toronto $700 — 900

100 ANTONI TÀPIES, (1923-2012), SPANISH LES CISEAUX, 1969 [GALFETTI, 193] Soft-ground etching and embossing on wove paper; signed and numbered “HC” in pencil, titled “Ciseaux” to COA affixed to the verso.

Aside from the edition of 75. Published by Maeght Editeur, Paris.

PROVENANCE:

Park West Galleries Inc., Southfield, Michigan, Certificate of Authenticity, Reg. no. 35067 affixed to the verso; Private Collection, Ontario $700 — 900

101 HENRI DELUERMOZ (1876-1943), FRENCH LION’S HEAD; GREY BEAR, CIRCA 1925 Two black pigment transfer prints, the first on heavy paper, the second on tissue thin paper, each signed with initial monogram in the block lower right; the bear inscribed “No. 22” in orange crayon verso, each with circular “Douane Centrale, Paris” stamps verso. Matted and unframed.

Sheets 13.1 ins x 19.8 ins; 33.3 cms x 50.3 cms; 10.1 ins x 13 ins; 25.7 cms x 33 cms PROVENANCE:

Purchased by the Art Gallery of Ontario, Toronto in 1927, Accession Nos. 892-B and 892-D; Deaccessioned to benefit art purchases at the AGO $500 — 700

102 SALVADOR DALÍ (1904–1989), SPANISH MARIE CURIE (FROM MEDICINE AND SCIENCE), 1970 [FIELD, 70-5D, P. 59] Original engraving on Arches paper heightened with colour; signed and numbered 11/125 in pencil to margin Plate/Sheet 6.9 ins x 4.9 ins; 17.4 cms x 12.5 cms; 12.8 ins x 9.8 ins; 32.6 cms x 25 cms PROVENANCE:

Private Collection, Toronto $500 — 700

103 JOAN MIRÓ (1893-1983), SPANISH L’OISEAU DU PARADIS, 1963 [DUPIN, 361] Colour aquatint on BFK Rives paper; signed and numbered 34/75 in pencil to margin.

Printed by Levallois-Perret. Published by Maeght, Paris. Together with a COA from Higgins Harte International Galleries, LLC as “Bird of Paradise, 1963.”

Plate/Sheet sight 22 ins x 32 ins; 55.9 cms x 81.3 cms PROVENANCE:

With Higgins Harte International Galleries, LLC, Lahaina, HI, “Curator’s Statement” further authenticated by the catalogue raisonné and Gale B. Tate of G.B. Tate & Sons, a copy accompanying the lot; Private Collection, Alberta $3,000 — 5,000

104 SALVADOR DALÍ (1904–1989), SPANISH LEWIS CARROLL: ALICE’S ADVENTURES IN WONDERLAND, TWELVE ILLUSTRATIONS WITH ORIGINAL WOODCUTS AND AN ORIGINAL ETCHING BY SALVADOR DALI, 1969 [FIELD 69-5] Portfolio with complete text, color etching and 12 color heliogravures on Mandeure paper; signed by Dali in pencil on the title page.

Stamp numbered 1651 from the edition of 2500 to the justification page. Printed at Ateliers Rigal, France in 1969. Published by Maecenas Press and Random House, New York. Original gilt-lettered cloth chemise and gilt-lettered 1/4-tan leather clamshell box with clasp.

17 ins x 11.5 ins; 43.2 cms x 29.2 cms PROVENANCE:

Private Collection, British Columbia $5,000 — 7,000

105 MAX BILL (1908-1994), SWISS COMBILLATION, 1970 The complete set of four colour silkscreens on plastic panels, each signed and numbered 153/210 A-D in ink respectively to the publisher’s label verso. There were also 25 Artist’s Proofs. Published by Contemporary Collections, Inc., Larchmont, New York. Printed

by Domberger, Bonlanden, West Germany. Full title sheet, with colophon, is numbered “153” in pen and ink. Housed in a white and yellow acrylic box as issued.

PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

Artist Index

A

E

Albers, Josef 78, 73 Appel, Karel 48 Arp, Jean (Hans), 62, 74 Avery, Milton 10

Eakin, William 47 Eisenstaedt, Alfred 4 Erté, 59, 93 Etrog, Sorel 37, 46

B

F

Bayer, Herbert 28 Bill, Max 105 Blackwood, David Lloyd 42, 43 Brandtner, Fritz 77 Braque, Georges 55 Brockhurst, Gerald Leslie 30 Buffet, Bernard 54 Burton, Dennis 46 Bush, Jack Hamilton 46

Feininger, Lyonel 76 Foujita, Leonard Tsuguhara 86, 87 Friedlaender, Johnny 79

C Caiserman-Roth, Ghitta 39 Calder, Alexander 11 Carter, John Randolph 8 Cathelin, Bernard 67 Chagall, Marc 91 Christensen, Dan 36 Clavé, Antoni 99 Cocteau, Jean 51 Coughtry, Graham 46 Curnoe, Greg 46

G Giacometti, Alberto 16 Gladstone, Gerald 46 Gorman, Richard 46 Graham, Kathleen Margaret 36 Graham, Rodney 41, 44 Gruen, John 24 Gutman, Nachum 80 H Hagiwara, Hideo 89 Hasegawa, Kiyoshi 88 Hedrick, Robert Burns 46 Hobin, Jonathan 40 Hoesen, Beth Van 20 Hughto, Darryl Leo 36

D

J-K

Dalí, Salvador 102, 104 Davidson, Frank 1 Deluermoz, Henri 101 Denny, Robyn 32 Drapell, Joseph 36 Drebin, David 17, 18 Dubuffet, Jean 52 Dzubas, Friedel 36

Jacquette, Yvonne 12 Katz, Alex 19 King, After Charles Bird 15 Knowles, Dorothy Elsie 36 Kulhánek, Oldřich 70 Kurelek, William 46

L

S-T

Levine, Les 7, 9, 46 Lik, Peter 25, 26, 27 Lindner, Richard 75 Longobardi, Nino 82

Samuel, Deborah 45 Snow, Michael 46 Stieglitz, Alfred 2 Steiner, Michael 36 Sutherland, Graham 31 Tàpies, Antoni 100 Teitelbaum, Mashel Alexander 46 Tobiasse, Théo 66, 69 Toulouse-Lautrec, Henri de 72

M-N Marini, Marino 81, 83, 84 Markle, Robert 46 Markgraf, Waltraud 46 Matisse, Henri 53 Meredith, John 46 Miró, Joan 103 Misrach, Richard 22, 23 Motherwell, Robert 13 Muafangejo, John Ndevasia 90 Nakamura, Kazuo 46 P-Q Paolozzi, Eduardo 94 Papart, Max 58 Pasmore, Victor 33 Patterson, Freeman Wilford 38 Perehudoff, William 36 Pettet, William 3 Picasso, After Pablo 96 Picasso, Pablo 95, 97, 98 Piranesi, Giovani Battista 85 Quinn, Anthony 29 R Rauschenberg, Robert 5 Rayner, Gordon 35, 46 Rivers, Larry 6 Roberts, After David 34 Rodin, Auguste 71 Ronald, William 46 Roth, Arnold 21 Rouault, Georges 63 Rowlandson, Thomas 49

U-Z Urquhart, Tony 46 Vandermay, Robert 65 Vasarely, Victor 50, 56, 57, 60, 64, 68, 61 Weegee, 14 Wieland, Joyce 46 Zadkine, Ossip 92

Notes:

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca