Concrete Contemporary Art Online Auction | Apr. 3 - 13, 2017

contemporary art online auction APRIL 3 - 13, 2017

contemporary art online auction APRIL 3 - 13, 2017

contemporary art online auction APRIL 3 - 13, 2017

ON&VIEW

April 3 - 13, 2017

WEEKDAY&HOURS

9:00 am - 5:00 pm Monday, April 10, 2017 1:00 pm - 7:00 pm

WEEKEND&HOURS Sunday, April 9, 2017 12:00 pm - 4:00 pm

PREVIEW&TO&BE&HELD&AT

Waddington’s 275 King Street East, 2nd Floor Toronto, Ontario M5a 1K2

FRONT&COVER

Lot 13 TIM ZUCK (1947-) Two Shapes (#177)

INSIDE&FRONT&COVER

Lot 57 BETTY ROODISH GOODWIN (1923-2008) Shirt Four

FRONTIS& Lot 12 CARLOS (1976-) AND JASON (1981-) SANCHEZ Descent, 2003

INSIDE&BACK&COVER All lots in the auction may be viewed online at ConcreteContemporaryArt.Waddingtons.ca

Lot 21 JO KLOSE Atanarjuat

BACK&COVER

Lot 9 DESIRÉE PATTERSON (1982-) Enraciné iii All lots offered through Artsy To bid through Artsy please visit: www.artsy.net/waddingtons

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

This catalogue and its contents © 2017 Waddington McLean & Company Ltd. All rights reserved.

Photography by Waddington’s

Lot 12

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Contemporary Art Specialist Vice President Business Development Stephen Ranger 416 847 6194 skr@waddingtons.ca Fine Art Administrator Kristin Vance 416 504 9100 x 6178 kv@waddingtons.ca Corporate Receptionist Dee Ismali 416 504 9100 di@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Communications Specialist Tess McLean 416 504 9100 tm@waddingtons.ca

Waddington’s 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 Telephone: 416 504-9100 Fax: 416 504-0033 Toll Free: 1-877-504-5700

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concrete contemporary auctions and projects

1 NICHOLAS PYE (1953-) A Silent Sonata, 2016 archival pigment print edition of 5 24 ins x 36 ins; 61 cms x 91.4 cms PROVENANCE Private Collection, Toronto $4,000–5,000

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2 ROBERT MARCHESSAULT (1953-) Sympata oil on paper laid down on board signed; signed, titled and dated 2008 on the reverse 20 ins x 20 ins; 50.8 cms x 50.8 cms PROVENANCE Private Collection, Toronto $800–1,000

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concrete contemporary auctions and projects

3 EDWARD BURTYNSKY (1955-) Pivot Irrigation #9, High Plains, Texas Panhandle, USA digital chromogenic colour print signed, stamped, dated 2011 and numbered 1/15 on artist’s document on the reverse 12 ins x 15.9 ins; 30.5 cms x 40.4 cms PROVENANCE Private Collection, Toronto $1,200–1,500

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4 APRIL HICKOX (1955-) Portholes (Black Boat), 2012 chromogenic print edition of 7 24 ins x 20 ins; 61 cms x 50.8 cms PROVENANCE Private Collection, Toronto $2,500–3,500

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concrete contemporary auctions and projects

5 APRIL HICKOX (1955-) Portholes (Building), 2012 chromogenic print signed, titled, dated and numbered 1/7 on artist label on the backing 24 ins x 20 ins; 61 cms x 50.8 cms PROVENANCE Private Collection, Toronto $2,500–3,500

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6 ROBERT MARCHESSAULT (1953-) Landscape in Yellow, Green and Blue oil on board signed 48 ins x 60 ins; 121.9 cms x 152.4 cms PROVENANCE Private Collection, Toronto Bau-Xi Gallery Ltd., Toronto $2,000–4,000

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concrete contemporary auctions and projects

7 DAVID BIERK (1944-2002) Eulogy to Life (Memory) oil on canvas signed with initials; signed, titled and dated 2001 on artist label on the reverse 44.5 ins x 68.5 ins; 113 cms x 174 cms PROVENANCE Private Collection, Toronto $10,000–15,000

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8 JOSHUA JENSEN-NAGLE (1981-) Untitled pigment print on panel with resin signed, dated 2005 and numbered 1/3 30 ins x 30 ins x 2.5 ins; 76.2 cms x 76.2 cms x 6.4 cms PROVENANCE Private Collection, Toronto $1,500–2,000

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9 DESIRÉE PATTERSON (1982-) Enraciné iii archival metallic chromogenic print mounted to 16 gauge aluminum with UV acrylic face-mount 2016; printed 2017; edition 2/12 45 ins x 30 ins; 114.3 cms x 76.2 cms PROVENANCE Private Collection, British Columbia $4,000–6,000

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10 JOHN LENNARD The Witness, 2016 oil on canvas signed 32 ins x 36 ins; 81.3 cms x 91.4 cms PROVENANCE Private Collection, Toronto $3,000–4,000

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concrete contemporary auctions and projects

11 MICHAEL ADAMSON (1971-) The Lesson of the Three Circles oil on canvas signed, titled and dated 2010 on the reverse 46 ins x 40 ins; 116.8 cms x 101.6 cms PROVENANCE Private Collection, Toronto $4,000–6,000

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12 CARLOS (1976-) AND JASON (1981-) SANCHEZ Descent, 2003 chromogenic print printed 2006; signed and numbered 15/25 on artist’s label on the reverse 20 ins x 24 ins; 50.8 cms x 61 cms PROVENANCE Private Collection, Toronto $1,600–2,000

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concrete contemporary auctions and projects

13 TIM ZUCK (1947-) Two Shapes (#177) oil on panel signed, titled and dated 1988 14.25 ins x 15.5 ins; 36.2 cms x 39.4 cms PROVENANCE Private Collection, Calgary The Sable-Castelli Gallery Ltd., Toronto $8,000–10,000

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14 PAUL BUTLER (1973-) To Watch (From the “Toronto Now” Suite, 2008) collage signed and dated 2008 on the backing Sight 10.25 ins x 22.75 ins; 26 cms x 57.8 cms PROVENANCE Private Collection, Toronto $1,000–1,500

20 concrete contemporary auctions and projects

15 PAUL BUTLER (1973-) The Directors (From the “Toronto Now” Suite, 2008) collage signed and dated 2008 on the backing Sight 10.25 ins x 16.25 ins; 26 cms x 41.3 cms PROVENANCE Private Collection, Toronto $900–1,100

16 PAUL BUTLER (1973-) The Moment (From the “Toronto Now” Suite 2008) collage signed and dated 2008 on the backing Sight 10.25 ins x 16 ins; 26 cms x 40.6 cms PROVENANCE Private Collection, Toronto $900–1,100

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17 PAUL BUTLER (1973-) Sources (From the “Toronto Now” Suite 2008) collage signed and dated 2008 on the backing Sight 9.5 ins x 6.5 ins; 24.1 cms x 16.5 cms PROVENANCE Private Collection, Toronto $800–1,000

18 PAUL BUTLER (1973-) Voices (From the “Toronto Now” Suite 2008) collage signed and dated 2008 on the backing Sight 6.25 ins x 7.75 ins; 16.5 cms x 19.7 cms PROVENANCE Private Collection, Toronto $800–1,000

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concrete contemporary auctions and projects

19 PAUL BUTLER (1973-) Marketplace (From the “Toronto Now” Suite 2008) collage signed and dated 2008 on the backing Sight 6.25 ins x 7.75 ins; 17.1 cms x 19.7 cms PROVENANCE Private Collection, Toronto $800–1,000

20 PAUL BUTLER (1973-) Talent Scouts (From the “Toronto Now” Suite 2008) collage signed and dated 2008 on the backing Sight 10.5 ins x 7.75 ins; 26.7 cms x 19.7 cms PROVENANCE Private Collection, Toronto $800–1,000

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21 JO KLOSE Atanarjuat acrylic on incised wood panels signed, titled and dated ‘03; signed, titled and dated 2003 on the reverse 48 ins x 48 ins x 1.5 ins; 121.9 cms x 121.9 cms x 3.8 cms PROVENANCE Private Collection, Ontario $7,000–9,000

22 JO KLOSE Algonquin acrylic on incised wood panels signed, titled and dated ‘03; signed, titled and dated ‘03 on the reverse 48 ins x 48 ins x 1.5 ins; 121.9 cms x 121.9 cms x 3.8 cms PROVENANCE Private Collection, Ontario $7,000–9,000

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concrete contemporary auctions and projects

23 JO KLOSE Haida acrylic on incised wood panels signed, titled and dated ‘06; signed, titled and dated 2006 on the reverse 48 ins x 48 ins x 1 ins; 121.9 cms x 121.9 cms x 2.5 cms PROVENANCE Private Collection, Ontario $7,000–9,000

24 JO KLOSE Athapaskan acrylic on incised wood panels signed, titled and dated ‘06; signed, titled and dated 2006 on the reverse 48 ins x 48 ins x 1 ins; 121.9 cms x 121.9 cms x 2.5 cms PROVENANCE Private Collection, Ontario $7,000–9,000

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25 ROBERT HOULE, R.C.A. (1947-) Red Earth oil on panel signed, titled and dated /08 8 ins x 10 ins; 20.3 cms x 25.4 cms PROVENANCE Private Collection, Toronto $1,500–2,000

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concrete contemporary auctions and projects

26 MELISSA DOHERTY (1967-) Aerial Grove, 2005 oil on board signed, titled and dated 2005 on the reverse 5.75 ins x 9.75 ins; 14.6 cms x 24.8 cms PROVENANCE Private Collection, Toronto Edward Day Gallery, Toronto $800–1,000

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27 ANDREW OWEN A01 Pitcher of Irises (A6er Van Gogh) cyanotype solargraph on photosensitized fabric signed, titled and dated 2016 on the reverse 36 ins x 28 ins; 91.4 cms x 71.1 cms PROVENANCE Private Collection, Toronto $2,500–3,500

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concrete contemporary auctions and projects

28 DANIELLE LANTEIGNE (1959-) Entre Deux Chaises acrylic and oil on canvas signed, titled and dated 1998 on the reverse 60 ins x 72 ins; 152.4 cms x 182.9 cms PROVENANCE Private Collection, Toronto Roberts Gallery Ltd., Toronto $2,500-3,500

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29 RAYMOND JOHN MEAD (1921-1998) Untitled acrylic on paper signed and dated /89 32 ins x 39.5 ins; 81.3 cms x 100.3 cms PROVENANCE Private Collection, Calgary $3,000–5,000

30 concrete contemporary auctions and projects

30 ADAD HANNAH (1971-) On Location, 2008 chromogenic print titled, dated 2008 and numbered on gallery label on the backing 40 ins x 53.5 ins; 101.6 cms x 135.9 cms PROVENANCE Private Collection, Toronto $7,000–9,000

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JOHN KISSICK (1962-)

JOHN KISSICK (1962-)

Untitled etching and chine-collé signed and inscribed “A/P” Image 7.75 ins x 7.75 ins; 19.7 cms x 19.7 cms

Untitled etching and chine-collé signed and inscribed “A/P” Image 7.75 ins x 7.75 ins; 19.7 cms x 19.7 cms

PROVENANCE Private Collection, Ontario

PROVENANCE Private Collection, Ontario

$1,500–2,000

$1,500–2,000

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JOHN KISSICK (1962-)

JOHN KISSICK (1962-)

Untitled etching and chine-collé signed and inscribed “A/P” Image 7.75 ins x 7.75 ins; 19.7 cms x 19.7 cms

Untitled etching and chine-collé signed and inscribed “A/P” Image 7.75 ins x 7.75 ins; 19.7 cms x 19.7 cms

PROVENANCE Private Collection, Ontario

PROVENANCE Private Collection, Ontario

$1,500–2,000

$1,500–2,000

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35 APRIL HICKOX (1955-) Vine chromogenic print mounted on dibond titled on label on the reverse; edition of 5 29.5 ins x 39.5 ins; 74.9 cms x 100.3 cms PROVENANCE Private Collection, Toronto $3,000–5,000

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concrete contemporary auctions and projects

36 EDWARD BURTYNSKY (1955-) Grasses, Bruce Peninsula, 1981 chromogenic print signed, titled, dated 1981 and 2003 (print date) and numbered 2/10 on artist’s label on the reverse 27 ins x 34 ins; 68.6 cms x 86.4 cms PROVENANCE Private Collection, Toronto $3,000–5,000

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37 JAMES LAHEY, R.C.A. (1961-) Morning at a Marsh acrylic on canvas signed, titled and dated 1997 on the reverse 12 ins x 24 ins; 30.5 cms x 61 cms PROVENANCE Wynick/Tuck Gallery, Toronto Private Collection, Toronto $2,000–3,000

38 TRACEY TARLING Pneuma Breath of Light mixed media on panel signed, titled and dated 2008 on the reverse 18 ins x 48 ins x 1.75 ins; 45.7 cms x 121.9 cms x 4.4 cms PROVENANCE Private Collection, Toronto Bau-Xi Gallery Ltd., Toronto $2,000–3,000 36

concrete contemporary auctions and projects

39 YEHOUDA CHAKI (1938-) Diary 9816 oil on canvas signed; signed and titled on the reverse, dated 1998 on gallery label on stretcher 40 ins x 65 ins; 101.6 cms x 165.1 cms PROVENANCE Private Collection, Toronto Odon Wagner Gallery, Toronto $7,000–9,000

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40 CHRISTOPHER KIER (1959-) Study of a Converging Environment mixed media on paper signed, titled and dated 1987-88 38 ins x 50 ins; 96.5 cms x 127 cms PROVENANCE Private Collection, Ontario $400–600

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concrete contemporary auctions and projects

41 ATTILA RICHARD LUKACS (1962-) Sharp Skin Portrait VIII oil on plywood signed, dated ‘97 and inscribed “VIII, New York, USA 97-8, R, #9” on the reverse 20.75 ins x 18 ins; 52.7 cms x 45.7 cms PROVENANCE Private Collection, Toronto $5,000–7,000 contemporary art online auction

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42 ANDY FABO (1953-) 2 Works from the Series, “The Encyclopedia of Experience” ink on antique gravure circa 1987 Each 15.75 ins x 22 ins; 40 cms x 55.9 cms PROVENANCE Private Collection, Toronto $1,500–1,800

40 concrete contemporary auctions and projects

43 TIM ZUCK (1947-) Bird House (#268) charcoal on wove paper signed, titled and dated 2008 on artist label on the reverse 22 ins x 17.75 ins; 55.9 cms x 45.1 cms PROVENANCE Private Collection, Calgary Paul Kuhn Gallery, Cagary $4,000–6,000

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44 DARLENE COLE (1972-) Chant (White Horse) oil on canvas signed, titled and dated 2003 on the reverse 14 ins x 11 ins; 35.6 cms x 27.9 cms PROVENANCE Private Collection, Toronto $1,000–1,500

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concrete contemporary auctions and projects

45 DAVID BIERK (1944-2002) Elora Dusk oil on board signed, titled and dated “18 April 1989” on the reverse 15 ins x 19.5 ins; 38.1 cms x 49.3 cms PROVENANCE Private Collection, Toronto $2,500–3,500

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46 SHARON HUNTER Blue City Wolf oil on canvas signed 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE Private Collection, Ontario $700–900

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concrete contemporary auctions and projects

47 ED PIEN (1958-) Untitled ink and watercolour on paper signed and dated 1998 10.5 ins x 7.5 ins; 26.7 cms x 19.1 cms PROVENANCE Private Collection, Ontario $1,000–1,200

48 GRAHAM GILLMORE (1963-) The Human Mind collage signed and dated /96 13.5 ins x 10.5 ins; 34.5 cms x 27 cms PROVENANCE Private Collection, Ontario $1,000–1,200

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49 DENIS JUNEAU, R.C.A. (1925-2014) Cubes ink, pencil and gouache on paper signed and dated /89; titled on gallery label on the backing 15 ins x 10 ins; 38.1 cms x 25.4 cms PROVENANCE Private Collection, Toronto Galerie Dresdnere, Toronto $600–800

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concrete contemporary auctions and projects

50 CATHERINE YOUNG BATES, R.C.A. (1934-) Sunset I oil on board signed, titled and inscribed on the reverse; dated 2001 on gallery label 45 ins x 72 ins; 114.3 cms x 182.9 cms PROVENANCE Private Collection, Toronto Roberts Gallery Ltd., Toronto $700–900

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51 WILLIAM RONALD, R.C.A. (1926-1998) Playmate acrylic on canvas signed and dated /81; inscribed with title and “R-82” on the backing 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE Private Collection, Toronto $3,000–4,000

52 WILLIAM PEREHUDOFF, R.C.A. (1918-2013) AC.80.75 acrylic on canvas signed, titled and dated 1980 on the reverse; condition noted 30 ins x 29.5 ins; 76.2 cms x 74.9 cms PROVENANCE Private Collection, London, U.K. $4,000–5,000

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concrete contemporary auctions and projects

53 KIM DORLAND (1974-) Untitled (Lori) oil on wood panel signed and dated 2009 on the reverse 48 ins x 36 ins; 121.9 cms x 91.4 cms PROVENANCE Private Collection, Toronto $7,000–9,000

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54 GERALD FERGUSON (1937-2009) 1000 Grapes enamel on canvas signed, titled and dated ‘98 on the reverse 15 ins x 15 ins; 38.1 cms x 38.1 cms PROVENANCE Private Collection, Toronto Olga Korper Gallery, Toronto $5,000–7,000 50 concrete contemporary auctions and projects

55 JOSHUA JENSEN-NAGLE (1981-) Flamingos archival inkjet print diasec signed on the reverse 26 ins x 35.75 ins; 66 cms x 90.8 cms PROVENANCE Private Collection, Toronto $1,500–2,000

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56 WANDA KOOP (1951-) Birdman India ink on Stonehenge paper 44 ins x 30.25 ins; 111.8 cms x 76.8 cms PROVENANCE Private Collection, Ontario $2,000–3,000

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concrete contemporary auctions and projects

57 BETTY ROODISH GOODWIN (1923-2008) Shirt Four etching signed, titled, dated /71 and inscribed “artist proof II” sheet 37.5 ins x 28.5 ins; 95.3 cms x 72.4 cms PROVENANCE Private Collection, Quebec $4,000–6,000

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58 KRISTIINA LAHDE Ten-Fold, 2016 ink jet print on Hahnemßhle German etching paper ten prints, each signed, titled, dated 2016, numbered 3/5 and inscribed with installation order number on the reverse overall 12.5 ins x 130 ins; 31.8 cms x 330.2 cms PROVENANCE Private Collection, Toronto $15,000–18,000

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detail

58 KRISTIINA LAHDE Ten-Fold, 2016 ink jet print on Hahnemßhle German etching paper ten prints, each signed, titled, dated 2016, numbered 3/5 and inscribed with installation order number on the reverse overall 12.5 ins x 130 ins; 31.8 cms x 330.2 cms PROVENANCE Private Collection, Toronto $15,000–18,000

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concrete contemporary auctions and projects

detail

detail

detail

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59 RACHEL BERMAN (1946-2014) Bombay Minor, Lower East Side N.Y. City mixed media on paper signed, titled and dated 2010 13.75 ins x 11.25 ins; 34.9 cms x 28.6 cms PROVENANCE Private Collection, Toronto $600–800

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concrete contemporary auctions and projects

60 GRAHAM FRENCH Window Abstract #1, Toronto, 2015 giclee toned print on Hahnemuhle watercolour paper signed and numbered 1/20 17 ins x 26 ins; 43.2 cms x 66 cms PROVENANCE Private Collection, Toronto $2,000–2,500

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61 ANDREW PLUM (1965-) Led Zep III oil on board signed; signed, titled and dated 2007 on the backing 35 ins x 23.75 ins; 88.9 cms x 60.3 cms PROVENANCE Private Collection, Toronto $1,000–1,500

60 concrete contemporary auctions and projects

62 DAVID BOLDUC (1945-2010) Sketch #2 acrylic and watercolour on paper signed, titled and dated /82 36.75 ins x 30 ins; 93.3 cms x 76.2 cms PROVENANCE Private Collection, Toronto $1,000–1,500

63 DAVID BOLDUC (1945-2010) Sketch #1 acrylic and watercolour on paper signed, titled and dated /82 36.75 ins x 30 ins; 93.3 cms x 76.2 cms PROVENANCE Private Collection, Toronto $1,000–1,500

64 DAVID BOLDUC (1945-2010) Sketch 9 acrylic and watercolour on paper signed, titled and dated /82 36.75 ins x 30 ins; 101.6 cms x 86.4 cms PROVENANCE Private Collection, Toronto $1,000–1,500

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65 BARBARA ASTMAN (1950-) Orphan Language digital print signed, titled, dated 2001 and inscribed “AP” on the reverse 4.5 ins x 8.5 ins; 11.4 cms x 21.6 cms PROVENANCE Private Collection, Toronto $500–700 Proceeds from the sale of this lot will be donated in support of the Canadian Diabetes Association.

66 CATHY DALEY (1955-) Untitled pastel on vellum signed and dated /98 13.75 ins x 11 ins; 34.9 cms x 27.9 cms PROVENANCE Private Collection, Toronto $1,500–2,000

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concrete contemporary auctions and projects

67 SHARON HUNTER Spring Goose in the City oil and spray paint on canvas signed 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE Private Collection, Ontario $700–900

68 MICHAEL CLAGUE Red Sky at Night (From the “Falling Man” Series) oil and collage on canvas signed, titled and dated 2014 on the overflap 15 ins x 15 ins; 38.1 cms x 38.1 cms PROVENANCE Private Collection, Montreal $500–700

69 MARK GLEBERZON USSMBL.15724 acrylic paint, various tapes, le"er-press blocks, toy wheels, epoxy resin, steel wood lath and screws on wood panel signed, titled and dated 2017 on the reverse 72 ins x 5 ins x 4 ins; 182.9 cms x 12.7 cms x 10.2 cms PROVENANCE Private Collection, Toronto $1,200–1,500

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70 MICHAEL SNOW, R.C.A. (1929-) Chords (From the Jazz Band Series) lithograph signed, dated ‘73 and numbered 47/100 24 ins x 24 ins; 61 cms x 61 cms PROVENANCE Private Collection, Ontario $1,200–1,500

71 MICHAEL SNOW, R.C.A. (1929-) Illustrated Poems - Who Knows One Poems by Phyllis Gotlieb, 1962 lithograph numbered 61/62 17 ins x 22 ins; 43.2 cms x 55.9 cms PROVENANCE Private Collection, Ontario $800–1,000

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concrete contemporary auctions and projects

72 ATTILA RICHARD LUKACS (1962-) American Flag Edition silkscreen on American flag signed and numbered 24/120 72 ins x 36 ins; 182.9 cms x 91.4 cms PROVENANCE Private Collection, Toronto This lot is accompanied by the exhibition catalogue, A"ila Richard Lukacs (Diane Farris Gallery 1990). $4,000–6,000

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73 CATHY DALEY (1955-) Untitled ink wash signed and dated /01 11 ins x 8.5 ins; 27.9 cms x 21.6 cms PROVENANCE Private Collection, Toronto $500–700

74 BETTY ROODISH GOODWIN (1923-2008) Fragment One etching signed, titled, dated 5/1972 and numbered 2/15 sheet 25.5 ins x 19.5 ins; 64.8 cms x 49.5 cms PROVENANCE Private Collection, Quebec Galerie B, Montreal $3,000–5,000

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concrete contemporary auctions and projects

75 JOHN SCOTT (1950-) Untitled (XXXYYY) mixed media on paper 19 ins x 24 ins; 48.3 cms x 61 cms PROVENANCE Private Collection, Toronto $900–1,200

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76 JUNE CLARK (1941-) Ce Petit Morceau collage on canvas signed, titled and dated 2007 on the reverse 15.75 ins x 15.75 ins; 40 cms x 40 cms PROVENANCE Private Collection, Toronto $2,000–2,200

77 CHRIS CURRERI (1978-) Mountainscape #3 chromogenic print 11 ins x 16.25 ins; 27.9 cms x 41.2 cms PROVENANCE Private Collection, Toronto Edward Day Gallery, Toronto $500–700

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concrete contemporary auctions and projects

78 KENT MONKMAN (1965-) Untitled acrylic on canvas signed and dated /91 48 ins x 48 ins; 121.9 cms x 121.9 cms PROVENANCE Private Collection, Ontario $5,000–7,000

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79 WANDA KOOP (1951-) Jet Plane, Two Hay Bales both acrylic on rag board the first, signed and dated /83 on the reverse; the second, signed and dated 1982; titled and dated on the reverse 7.75 ins x 10 ins; 19.7 cms x 25.4 cms; 7.75 ins x 9.75 ins; 19.7 cms x 24.8 cms PROVENANCE Private Collection, Winnipeg Mayberry Fine Art, Winnipeg $1,500–2,000

70 concrete contemporary auctions and projects

80 JOHN HARTMAN, R.C.A. (1950-) Foster Island Outer Lagoon, 1998 oil on linen signed with initial; signed, titled and dated 1998 on the stretcher 16 ins x 32 ins; 40.6 cms x 81.3 cms PROVENANCE Private Collection, Toronto Mira Godard Gallery, Toronto $4,000–5,000

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81 MICHAEL ADAMSON (1971-) Into Laos oil on canvas signed and titled on the reverse; dated 2012 on label on the reverse 10 ins x 11 ins; 25.4 cms x 27.9 cms PROVENANCE Private Collection, Toronto $1,500–2,000

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concrete contemporary auctions and projects

82 WANDA KOOP (1951-) Striped Pole; Raven’s Head both acrylic on rag board the first, signed and dated /82; titled and dated on the reverse; the second, signed and dated; titled and dated on the reverse 7.75 ins x 9.5 ins; 19.7 cms x 24.1 cms; 7.75 ins x 7.75 ins; 19.7 cms x 19.7 cms PROVENANCE Private Collection, Winnipeg Mayberry Fine Art, Winnipeg $1,500–2,000

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index of artists A Adamson, Michael…11, 81 Astman, Barbara…65

H

Hannah, Adad…30 Hartman, John…80 Hickox, April…4-5, 35 Houle, Robert…25 Hunter, Sharon…46, 67

B Bates, Catherine Young…50 Berman, Rachel…59 Bierk, David…7, 45 Bolduc, David…62-64 Butler, Paul…14-20 Burtynsky, Edward…3, 36

C Chaki, Yehouda…39 Clague, Michael…68 Clark, June…76 Cole, Darlene…44 Curreri, Chris…77

D Daley, Cathy…66, 73 Doherty, Melissa…26 Dorland, Kim…53

F Fabo, Andy…42 Ferguson, Gerald…54 French, Graham…60

G Gillmore, Graham…48 Gleberzon, Mark…69 Goodwin, Be"y Roodish…57, 74

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J Jensen-Nagle, Joshua…8, 55 Juneau, Denis…49

P Pa"erson, Desirée…9 Perehudoff, William…52 Pien, Ed…47 Plum, Andrew…61 Pye, Nicholas…1

R Ronald, William…51

K

S

Kier, Christopher…40 Kissick, John…31-34 Klose, Jo…21-24 Koop, Wanda…56, 79, 82

Sanchez, Carlos and Jason…12 Sco", John…75 Snow, Michael…70-71

L Lahde, Kristiina…58 Lahey, James…37 Lanteigne, Danielle…28 Lennard, John…10 Lukacs, A"ila Richard…41, 72

M Marchessault, Robert…2, 6 Mead, Raymond John…29 Monkman, Kent…78

O Owen AO1, Andrew…27

T Tarling, Tracey…38

Z Zuck, Tim…13, 43

conditions of sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot fromsale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion.

The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor.

The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a"endance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale.

The auctioneer’s decision in all cases shall be final.

8. Immediately a#er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or withoutre-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date o#he sale, a#er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , a#er which storage charges may be incurred.

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10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a wri"en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri"en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra#, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

As Waddington’s requires wri"en authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone.

However, fax authorization arrangements can be made.

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a"ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

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concrete contemporary auctions and projects

buying at waddington’s All lots will be offered and sold subject to the Conditions of Sale or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’sTM and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

CONDITION&OF&LOTS All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

BUYERS&PREMIUM A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.

Artfact Live! clients will be charged a buyer’s premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

BIDDING To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’sTM. You may submit an Absentee Bid Form if you are unable to a"end the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

PAYMENT Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra#, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

As Waddington’s requires wri"en authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone.

However, fax authorization arrangements can be made.

ALL&PRICES&IN&CANADIAN&FUNDS

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notice for our international clients

SHIPPING The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca Envoy 416.299.3367 416.299.9750 ph@envoy.ca www.envoypackandship.com

REMOVAL&OF&PURCHASES& Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

NOTICE&FOR&OUR&INTERNATIONAL&CLIENTS Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species).

The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries.

Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

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canadian fine art auction MAY 29 2017 at 7:00 pm

GERSHON ISKOWITZ, R.C.A. Night Reds-A, 1981 oil on canvas signed, titled and dated on the reverse 75 ins x 58 ins; 190.5 cms x 147.3 cms $40,000 - 50,000