Fine Furniture, Sculpture & Decorative Accessories | March 21 - 26, 2020

Fine Furniture, Sculpture & Decorative Accessories From Important Collections, Including the Beaverbrook Gallery M A R CH 21 — 26, 2 02 0

Fine Furniture, Sculpture & Decorative Accessories From Important Collections, Including the Beaverbrook Gallery MARCH 21 — 26, 2020

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sculpture, decorations, clocks & lighting Sean Quinn sq@waddingtons.ca

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front cover Lot 401 Attributed to Charles-Alphonse-Achille Guméry NAPOLEON III BRONZE TRIBUTE GROUP TO JEAN BAPTISTE LULLY AND PHILIPPE QUINAULT

front inside

Lot 442 Large Fragment of William Morris “Peacock and Dragon” Pattern Jacquard Loomed Woolen Fabric, c.1900

back inside Lot 406 Odoardo Fantacchiotti BUST OF PANDORA

back cover Lot 441 William and Mary Figured Walnut Highboy Chest on Stand, c.1700

This catalogue and its contents © 2020 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale on our website.

Photography & design by Waddington’s All Rights reserved.

401

402

403

ATTRIBUTED TO CHARLES-ALPHONSEACHILLE GUMÉRY (FRENCH, 1827-1871)

BARON CHARLES-ARTHUR BOURGEOIS, (FRENCH, 1838-1886)

EUTROPE BOURET, (FRENCH, 1833-1906)

NAPOLEON III BRONZE TRIBUTE GROUP TO JEAN BAPTISTE LULLY AND PHILIPPE QUINAULT

ORIENTALIST TAMBOURINE DANCER

patinated bronze, signed and titled, on Portoro marble base, height 18.5 in — 47 cm

the muses Calliope and Euterpe modelled standing with commemorative portrait medallions of operatic composer Jean Baptiste Lully and librettist Philippe Quinault, height 24 in — 61 cm

patinated bronze, signed, and with L. Marchand editeur,, height 21.8 in — 55.3 cm PROVENANCE:

Private Collection, Toronto

AU CLAIR DE LA LUNE

PROVENANCE:

Private Collection, Toronto $500 — 700

$1,000 — 1,500

See Website for full Catalogue Details $4,000 — 6,000

404

405

406

PAIR OF NORTH ITALIAN RENAISSANCE BRONZE ARMOURIAL PRICKET CANDLESTICKS, 16TH OR EARLY 17TH CENTURY

PAIR OF ITALIAN BRONZE MODELS OF THE MEDICI AND BORGHESE CAMPANA VASES, C.1900

ODOARDO FANTACCHIOTTI (ITALIAN, 1811-1877)

height 13.6 in — 34.5 cm, diameter 9.4 in — 24 cm

white marble, signed, on socle base, height 19.1 in — 48.5 cm

PROVENANCE:

PROVENANCE:

each modelled with a unicorn standing astride a Solomonic column surmounted by six lions supporting urn form pricket cup and with unidentified family coat of arms on rectangular base having angelic head and wings feet, height 22.4 in — 57 cm See Website for full Catalogue Details $3,000 — 5,000

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family See Website for full Catalogue $3,000 — 4,000

BUST OF PANDORA

Collection of Gerry Moses, Toronto Estate of Barbara Mercer, Toronto See Website for full Catalogue Details $3,000 — 5,000

407

408

409

FRENCH SCHOOL WHITE MARBLE BUST OF JOAN OF ARC, 19TH CENTURY

AFTER THE ANCIENT ITALIAN WHITE MARBLE BUST OF DIANA CHASSERESSE, 19TH CENTURY

AFTER THE ANCIENT ITALIAN WHITE MARBLE BUST OF A GODDESS, 19TH CENTURY

on socle base, also called Diana of Versailles, height 23.4 in — 59.5 cm

on socle base, height 24 in — 61 cm

PROVENANCE:

Collection of Gerry Moses, Toronto Estate of Barbara Mercer, Toronto

height 17.5 in — 44.5 cm PROVENANCE:

Collection of Gerry Moses, Toronto Estate of Barbara Mercer, Toronto $800 — 1,200

Collection of Gerry Moses, Toronto Estate of Barbara Mercer, Toronto

PROVENANCE:

$1,000 — 1,500

$1,500 — 2,500

410

411

412

ITALIAN ALABASTER FIGURE OF PAOLINA BORGHESE AS VENUS VICTORIUS, AFTER CANOVA, C.1900

FRENCH IVORY STRUNG TORTOISESHELL ARTIST’S WATERCOLOUR BOX, EARLY 19TH CENTURY

VICTORIAN RENAISSANCE STYLE ORMOLU MOUNTED VELVET FOLIO ALBUM BLOTTER COVER, C.1900

modelled reclining on a Récamier, length 28 in — 71.1 cm PROVENANCE:

Collection of Gerry Moses, Toronto Estate of Barbara Mercer, Toronto $800 — 1,200

the top with inset gouache miniature painting of Venus and Cupid,opening to an interior fitted for tablets, mixing pans, brushes, etc., 3.5 x 12 x 9.5 in — 8.9 x 30.5 x 24.1 cm PROVENANCE:

Private Collection, Toronto $600 — 800

16.1 x 12.5 in — 40.9 x 31.8 cm PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles R. Hosmer, Hosmer House, Montreal, thence by decent through the family $200 — 300

413

414

415

FRENCH GILT BRONZE FIGURAL MANTEL CLOCK RETAILED BY C. DETOUCHE, FSEUR DE L’EMPEREUR, PARISC.1860

PAIR OF ITALIAN ROCOCO SILVER GILT CONSOLE TABLES, MID 18TH CENTURY

FLORENTINE RENNAISSENCE PARCEL GILT CARVED WALNUT CASSONE, 16TH CENTURY

numbered throughout 22102, signed on the dial and count wheel movement, the case modelled with farmer with scythe harvesting wheat, height 19.3 in — 49 cm

each breccia marble top of serpentine outline on a robustly pierce carved rocaille work frame raised on cabriole legs, 35.5 x 55.5 x 27.5 in — 90.2 x 141 x 69.9 cm PROVENANCE:

relief carved with nudes and swags flanking a grotesque mask cartouche, with further masks at the corners and with serpent form wrought iron handles, all above Vitruvian scroll frieze raised on sea monster form feet, 23 x 63 x 20 in — 58.4 x 160 x 50.8 cm

Private Collection, Toronto

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of L. Marguerite Vaughan, Montreal, thence by descent through the family

$800 — 1,200

$5,000 — 7,000

416

417

418

PAIR OF ITALIAN RENAISSANCE REVIVAL SAVONAROLA ARM CHAIRS, 19TH CENTURY

PAIR OF ITALIAN BONE INLAID WALNUT SAVONAROLA CHAIRS, 18TH CENTURY

NEAR PAIR ITALIAN RENAISSANCE CREDENZAS, 16TH CENTURY

the brown calf upholstery with gilt armourial tooling, 36 x 29 x 22.5 in — 91.4 x 73.7 x 57.2 cm

each with fringed cut green velvet upholstery, 34.5 x 28.5 x 20.5 in — 87.6 x 72.4 x 52.1 cm

PROVENANCE:

PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family

$600 — 800

$2,000 — 3,000

PROVENANCE:

$3,000 — 5,000

with figural stiles, gotesque masks, paw feet and burl walnut panels, 35.25 x 26.25 x 11.25 in — 89.5 x 66.7 x 28.6 cm $800 — 1,200

419

420

421

SWEDISH KARL JOHAN MAHOGANY COMMODE DESK, GOTHENBURG, EARLY 19TH CENTURY

LOUIS XIV WALNUT OS-DE-MOUTON FAUTEUIL, 16TH/EARLY 17TH CENTURY

LOUIS XVI PRIE-DIEU KNEELING CHAIR, LATE 18TH CENTURY

with Victorian mediaeval style close studded tapestry upholstery,

PROVENANCE:

with stepped top over a fall front false drawer with velvet writing surface, under a fitted compartment, over two long drawers, the upper flanked by gilt columns and with neoclassical marquetry picture, all raised on four paw feet, 41.3 x 37.4 x 19.3 in — 105 x 95 x 49 cm

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family

The Beaverbrook Art Gallery, Frederiction, N.B. Estate of Lady Henriette Marie Davis, Montreal, thence by descent through the family

$500 — 700

$300 — 400

422

423

424

PAIR OF LOUIS XVI PAINTED BANQUETTES, 18TH/19TH CENTURY

SET OF FOUR LOUIS XVI STYLE GILTWOOD FAUTEUILS, 19TH CENTURY

SET OF SIX LOUIS XVI DINING CHAIRS, 18TH CENTURY

each with with padded armrests and loose cushion upholstered bench raised on tapering fluted legs with arrow feet, 27.25 x 63.5 x 16.5 in — 69.2 x 161.3 x 41.9 cm

eash with oval back, padded armrests and raised on tapering fluted legs to arrow feet,

with yellow silk damask upholstery, raised on square, tapering fluted legs to arrow feet, height 35 in — 89 cm

PROVENANCE:

See Website for full Catalogue Details $800 — 1,200

See Website for full Catalogue Details $2,000 — 3,000

PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family $800 — 1,200

PROVENANCE:

Private Collection, Montreal $2,000 — 3,000

425

426

427

FRENCH REGENCÉ STYLE ORMOLU MOUNTED KINGWOOD AND TULIPWOOD CHIFFONIER WRITING DESK, 19TH/20TH CENTURY

FRENCH REGENCÉ STYLE ORMOLU MOUNTED TULIPWOOD PARQUETRY COMMODE, 19TH CENTURY

FRENCH REGENCÉ STYLE ORMOLU MOUNTED TULIPWOOD PARQUETRY COMMODE, 19TH CETNURY

the three top false drawers opening to baize lined writing surface under two drawers and open shelves, 45 x 24 x 13.75 in — 114.3 x 61 x 34.9 cm

the mottled plum and cream marble top over three short and two long serpentine front drawers over a shaped apron and flanked by quarter round fluted pilasters, 32.5 x 44.75 x 19.75 in — 81.3 x 113.7 x 50.2 cm

with three serpentine front drawers under a mottled plum and cream marble top, 29.5 x 45 x 23.25 in — 74.9 x 114.3 x 59.1 cm

PROVENANCE:

PROVENANCE:

Private Collection, Toronto

Private Collection, Toronto

$1,000 — 1,500

$2,000 — 3,000

428

429

430

FRENCH BELLE EPOQUE ORMOLU MOUNTED TULIPWOOD INLAID KINGWOOD COMMODE, C.1900

FRANÇOIS LINKE GILT BRONZE MOUNTED KINGWOOD PARQUETRY ENVELOPE TABLE À JEUX, C.1900

with three breakfront drawers under conforming mottelled grey marble top, 32.25 x 49.5 x 21.75 in — 81.9 x 125.7 x 55.2 cm

signed, the swivel top with four panels opening to a tooled baize lined playing surface over a single drawer with scrolling neoclassical appliqué in the frieze, 29 x 23 x 23 in — 73.7 x 58.4 x 58.4 cm

LARGE FRANÇOIS LINKE ORMOLU MOUNTED ROSEWOOD AND BURL WALNUT ‘BUREAU PLAT’ PARTNER’S DESK, PARIS, EARLY 20TH CENTURY

PROVENANCE:

Private Collection, Montreal $800 — 1,200

PROVENANCE:

Private Collection, Montreal $7,000 — 9,000

PROVENANCE:

Private Collection, Montreal $2,000 — 3,000

each side with seven drawers having central locking mechanism, each end with additional ‘chart’’ drawer under the rectangular top, all raised on cabariole legs with hoof form sabots, 30 x 66 x 43 in — 76.2 x 167.6 x 109.2 cm See Website for full Catalogue Details $8,000 — 12,000

431

432

433

EDWARDIAN REGENCY STYLE SATINWOOD STRUNG BURL WALNUT WORK TABLE, EARLY 20TH CENTURY

ENGLISH VICTORIAN PAPIER MACHÉ TEA TRAY ON STAND, C.1840 AND LATER

GEORGE II STYLE ‘IRISH CHIPPENDALE’ MAHOGANY STOOL, 19TH CENTURY

with single drawer over slide out work basket, height 27.5 in — 69.9 cm

painted with pheasants among flowers within gilt tracery border and signed Wilkinson (?), London, verso, 20.75 x 31.25 x 23.25 in — 52.7 x 79.4 x 59.1 cm

PROVENANCE:

Private Collection, Toronto

robustly carved with feather and foliate scroll apron on cabriole legs having grotesque mask knees to hairy paw feet, 20 x 27 x 22 in — 50.8 x 68.6 x 55.9 cm PROVENANCE:

Private Collection, Montreal

Pirvate Collection, Toronto Three Centuries Shop, Vancouver

$400 — 600

$300 — 400

434

435

436

PAIR OF GEORGE I STYLE WALNUT SIDE CHAIRS, 19TH CENTURY

PAIR OF JACOBEAN SPOOL TURNED WALNUT OPEN ARM CHAIRS, 17TH CENTURY

PAIR OF JACOBEAN STYLE BARLEY TWIST OPEN ARMCHAIRS, 19TH CENTURY

each with fringed tapestry upholstery, 37 x 24 x 21 in — 94 x 61 x 53.3 cm

the first with arm supports carved as James I and Anne of Denmark, the second lion form hand rests, both with fringed green velvet stump-work upholstery, 37.5 x 24 x 23 in — 95.3 x 61 x 58.4 cm

$200 — 300

each with studded calf upholstered back and seat on a frame with shell carve apron raised on cabriole legs with acanthus carved knees and terminating in claw-and-ball feet, 55.75 x 26 x 24 in — 141.6 x 66 x 61 cm $600 — 800

PROVENANCE:

PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family $600 — 800

$600 — 800

437

438

439

JACOBEAN PANELLED OAK CHEST, 16TH/EARLY 17TH CENTURY

JACOBEAN STYLE WALNUT WORK TABLE, 19TH CENTURY

CHARLES II STYLE SETTEE, EARLY 20TH CENTURY

the hinged lid opening to compartment over two drawers, all raised on block feet, 30.25 x 40 x 19.75 in — 76.8 x 101.6 x 50.2 cm

the fan shaped top over a single drawer, all raised on massive barley twist legs with stretcher base, 33.75 x 66 x 34 in — 85.7 x 167.6 x 86.4 cm

with blue cut velevet upholstery and gilt thread fringe,

PROVENANCE:

PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles R. Hosmer, Hosmer House, Montreal, thence by decent through the family

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family

$800 — 1,200

$1,000 — 1,500

440

441

442

ENGLISH OAK REFECTORY TABLE, C.1900

WILLIAM AND MARY FIGURED WALNUT HIGHBOY CHEST ON STAND, C.1700

30.25 x 84 x 42 in — 76.8 x 213.4 x 106.7 cm

in two pieces, with moulded cornice above convex document drawer over two short and three long drawers, the on stand with three further drawers over shaped apron all raised on eight barley twist legs with double serpentine stretcher and ball feet, 67 x 22.25 x 41.25 in — 170.2 x 56.5 x 104.8 cm

LARGE FRAGMENT OF WILLIAM MORRIS “PEACOCK AND DRAGON” PATTERN JACQUARD LOOMED WOOLEN FABRIC, C.1900

PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family $1,000 — 1,500

See Website for full Catalogue Details $3,000 — 4,000

PROVENANCE:

$600 — 800

78 x 104 in — 198.1 x 264.2 cm PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles Hosmer, Hosmer House, Montreal, thence by decent through the family See Website for full Catalogue Details $2,000 — 3,000

443

444

445

FRAGMENT OF WILLIAM MORRIS “PEACOCK AND DRAGON” PATTERN JACQUARD LOOMED WOOLEN FABRIC, C.1900

VERY LARGE QUANTITY OF WILLIAM MORRIS STYLE ARTS AND CRAFTS WOOL FABRIC, C.1900

GILTWOOD FRAMED PIER GLASS, EARLY-MID 20TH CENTURY

50 x 78 in — 127 x 198.1 cm PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles R. Hosmer, Hosmer House, Montreal, thence by decent through the family $2,000 — 3,000

approximately 1500 square feet, cut into many various shapes and sizes as wall covering, worked in red, gold and olive with large scale pattern including gryphons flanking torches amongst grapevines, largest pieces approximately 108 x 264 in — 274.3 x 670.6 cm

47 x 25.25 in — 119.4 x 64.1 cm PROVENANCE:

Private Collection, Montreal $500 — 800

See Website for full Catalogue Details $3,000 — 5,000

446

447

448

LARGE NORTH ITALIAN GILT BRONZE AND REPOUSSÉ MIRROR FRAMED CUSHION MIRROR, PROBABLY VENICE, 18TH CENTURY

PAIR OF FRENCH GILT BRONZE CADUCEUS FORM TWO LIGHT WALL SCONCES, MID 20TH CENTURY

LARGE PAIR OF LOUIS XVI STYLE NATURALISTIC WALL SCONCES, MID 20TH CENTURY

overall height 18 in — 45.7 cm

each ribbon and torch backplate issuing rose vine form branches to blossom candle cups, height 26.5 in — 67.3 cm

the bevelled rectangular plate in a conforming frame with heavy gilt mounts with sea monsters and floral motifs, with full relief bronze busts of four apostles (?) in the corners, 51.8 x 44 in — 131.5 x 111.8 cm

PROVENANCE:

Private Collection, Montreal $500 — 700

PROVENANCE:

Private Collection, Montreal $600 — 800

See Website for full Catalogue Details $3,000 — 5,000

449

450

451

FRENCH CUT GLASS BEADED BASKET FORM CEILING LIGHT FIXTURE, EARLY 20TH CENTURY

VICTORIAN RENAISSANCE REVIVAL GILT BRONZE FIVE LIGHT HANGING FIXTURE WITH QUEZAL GLASS SHADES, LATE 19TH CENTURY

PAIR OF FRENCH SILVERED BRONZE ALTAR PRICKET CANDLESTICKS, C.1840

diameter 11 in — 27.9 cm PROVENANCE:

Private Collection, Montreal $300 — 500

each shade signed, height 56 in — 142.2 cm

of typical form and raised on hairy paw feet, height 29 in — 73.7 cm

PROVENANCE:

PROVENANCE:

Private Collection, Hamitlon

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of L. Marguerite Vaughan, Montreal, thence by descent through the family

$800 — 1,200

$300 — 400

452

453

454

PAIR OF LOUIS XV ROCOCO STYLE GILT BRONZE CHENETS, 19TH CENTURY

SHERATON STYLE BRUSHED IRON FIREPLACE SET, EARLY 20TH CENTURY

ENGLISH NEO CLASSICAL WHITE VARIEGATED AND SIENNA MARBLE FIREPLACE MANTLE AND SURROUND, EARLY 20TH CENTURY

each of ‘C’ scroll and rocaille work design, PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of L. Marguerite Vaughan, Montreal, thence by descent through the family $600 — 800

including raised coal basket with integral fireback, serpentine fender, tools and tool rests, 33 x 49 in — 83.8 x 124.5 cm PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of L. Marguerite Vaughan, Montreal, thence by descent through the family $400 — 600

52.5 x 72.75 x 7.5 in — 133.4 x 184.8 x 19.1 cm; 30 x 36 in — 76.2 x 91.4 cm PROVENANCE:

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of L. Marguerite Vaughan, Montreal, thence by descent through the family $3,000 — 4,000

455

456

PAIR OF ITALIAN ROCOCO POLYCHROMED PILASTERS, 18TH CENTURY

PAIR OF VENETIAN PAINTED PANELLED DOUBLE DOORS, 18TH CENTURY

each carved in deep relief with cherubs amongst rocaille ‘C’ scrolls and shells under Corinthian style capitals, height 107 in — 271.8 cm

with wrought iron lock and hardware, the panels painted with scenes of rural life, 79 x 38 in — 200.7 x 96.5 cm PROVENANCE:

PROVENANCE:

Private Collection, Toronto

The Beaverbrook Art Gallery, Fredericton, N.B. Estate of Charles R. Hosmer, Hosmer House, Montreal, thence by decent through the family

$1,000 — 1,500

$2,000 — 3,000

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