Prints & Photography | March 19 - 24, 2022

Prints & Photography MA R CH 19 — 24 , 2 022

Prints & Photography MARCH 19 — 24, 2022

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front cover

Lot 24 VICTOR PASMORE SOFT IS THE SOUND OF THE OCEAN, 1986 [LYNTON, G38]

front inside cover

Lot 151 ALPHONSE MUCHA JOB (POSTER FOR JOB CIGARETTE PAPERS), 1898 [RENNERT/WEILL, 51]

back inside cover Lot 128 SALVADOR DALÍ FOUR FLOWERS (FROM FLORALS), 1970 [FIELD 72-7(C; F; G; AND E)]

back cover Lot 11 SYBIL ANDREWS IN FULL CRY, 1931 [SA, 13; WHITE, 13; LEAPER, 15]

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

1 CHRISTO AND JEANNE-CLAUDE (CHRISTO VLADIMIROV JAVACHEFF, 1935–2020 AND JEANNE-CLAUDE DENAT DE GUILLEBON, 1935–2009), AMERICAN ALLIED CHEMICAL TOWER, PACKED, PROJECT FOR 1 TIMES SQUARE, NEW YORK, PL.4 FROM “SOME NOT REALIZED PROJECTS,” 1971 [SCHELLMANN, 38]

Colour lithograph; signed “Christo,” titled and numbered 19/100 in pencil.

There were also 10 artist’s proofs. Printed

by Landfall Press, Chicago with their blindstamp. Published by Landfall Press, Chicago.

28 ins x 22 ins; 71.1 cms x 55.9 cms PROVENANCE:

Private Collection, Toronto $3,000 — 3,500

2 ARTHUR LUIZ PIZA (1928-2017), BRAZILIAN TWO ABSTRACTS: OVAL ON BROWN GROUND; BLACK CIRCLE

Two colour etchings; each signed and numbered, the first numbered 58/95, the second numbered 80/95 58/95 in pencil to margins.

Plate (1st) 16.25 ins x 12.5 ins; 41.3 cms x 31.8 cms; Plate (2nd) 18.4 ins x 22.4 ins; 46.7 cms x 57 cms PROVENANCE:

Petteplace Gallery, Hamilton, ON., gallery label to the first title (58/95) verso backing; Private Collection, Ontario $400 — 600

3 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH VY-37G (FROM “ÉNIGMES” FOLIO), 1974

Colour silkscreen on Arches wove paper, signed “Vasarely” and numbered 193/250 in pencil to margin. Printed by Atelier Arcay. Published by Editions Denise René, Paris with their blindstamp lower left.

Unframed.

Image 25.7 ins x 25.7 ins; 65.3 cms x 65.3 cms; Sheet 29.3 ins x 29.3 ins; 74.5 cms x 74.5 cms PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

4 BEN BENN (1884–1983), RUSSIAN/AMERICAN PROROK

Colour lithograph; signed “Benn” in the plate lower right, signed “Benn” and numbered 33/50 in pencil to margin.

Image 13.2 ins x 9.7 ins; 33.5 cms x 24.7 cms PROVENANCE:

Private Collection, Toronto $200 — 300

5 SIR KYFFIN WILLIAMS (1918-2006), WELSH COTTAGES AT GWASTADNANT

Colour linocut; signed and numbered 10/50 in pencil to margin.

Block 17 ins x 17 ins; 43.2 cms x 43.2 cms; Sheet 20.75 ins x 20.3 ins; 52.7 cms x 51.6 cms PROVENANCE:

Private Collection, Ontario $500 — 700

6 HWANG KYU-BAIK (B.1932), KOREAN A PILLOW ON THE GRASS; HANDKERCHIEF ON THE GRASS, 1976

Two colour mezzotints; the first signed, titled, dated /76 and numbered 60/75 in pencil to margin. The second signed, titled, dated /76 and numbered a.p. in pencil to margin.

Each plate 13.1 ins x 10.8 ins; 33.2 cms x 27.5 cms PROVENANCE:

Private Collection, Toronto $600 — 800

7 GÜNTER FRUHTRUNK (1923–1982), GERMAN UNTITLED (BLACK, WHITE, GREEN DIAGONAL COMPOSITION), 1967

Colour silkscreen; signed in pencil to margin. Unnumbered, aside from the edition of 125.

Image 26.5 ins x 25.4 ins; 67.3 cms x 64.6 cms; Sheet 28 ins x 27.2 ins; 71.1 cms x 69.1 cms PROVENANCE:

Purchased at Documenta, Kassel, Germany in 1968 by the present Private Estate Collection, Toronto $600 — 800

8 LUCY MOLNAR WING (1951-2016), CANADIAN LOUVRE WALK, PARIS

Chromira print; signed, titled and numbered 2/5 in pencil to mat.

Image 15 ins x 14.75 ins; 38.1 cms x 37.5 cms PROVENANCE:

Private Collection, Toronto $500 — 700

9 CARL MOSER (1873-1939), AUSTRIAN SCHLOSS RUNKELSTEIN (CASTEL RONCOLO), 1929 (PRINTED IN 1929), [KIRSCHL, HS 72]

Colour woodcut on Japon paper; signed “C. Moser”, dated “29” and numbered “No. 53” in the plate lower left. From an edition of a minimum of 257 numbered copies.

Block 18.25 ins x 14 ins; 46.4 cms x 35.6 cms; Sheet irregular 20.1 ins x 15 ins; 51 cms x 38.1 cms PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

10 SERGIO GONZÁLEZ TORNERO (1927-2020), CHILEAN/AMERICAN MAN WITH EXPLOSIVE IDEAS, 1971

Colour etching and aquatint; signed, titled, dated ‘71 and numbered 98/125 in pencil to margin.

PROVENANCE:

Private Collection, Ontario $400 — 600

11 SYBIL ANDREWS (1898-1992), BRITISH/CANADIAN IN FULL CRY, 1931 [SA, 13; WHITE, 13; LEAPER, 15]

Colour linocut printed in Chinese orange, spectrum red and Prussian blue on Japon laid paper; signed, titled and numbered 40/50 in pencil upper right.

Image 11.3 ins x 16.5 ins; 28.6 cms x 41.8 cms; Sheet 13 ins x 17.6 ins; 33 cms x 44.7 cms PROVENANCE:

Acquired directly from the artist by the Mrs. Audrey Taylor, from the Art Gallery in London, ON where Andrews was having an exhibition, circa 1952 or 1953, one of 5 prints purchased from the artist; By descent to the present Private Collection, Toronto See website for full catalogue details. $25,000 — 35,000

12 AFTER PIERRE BONNARD (1867–1947), FRENCH INTERIEUR (L’ATELIER D’ARTISTE), CA. 1940

Colour offset lithograph; signed in the plate lower left, signed and numbered 242/250 in pencil to margin.

Image 17 ins x 18.5 ins; 43.2 cms x 47 cms; Sheet 18 ins x 19.5 ins; 45.7 cms x 49.5 cms PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

13 DAVID ALFARO SIQUEIROS (1896-1974), MEXICAN ZAPATA, 1930

Lithograph; signed, twice, titled and numbered 9/50 in pencil to margin.

Published by Weyhe Gallery, New York for George C. Miller, New York. Unframed.

Image 21.1 ins x 15.6 ins; 53.5 cms x 39.5 cms; Sheet 24 ins x 19.5 ins; 61 cms x 49.5 cms PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

14 PAUL BERTHON (1872-1909), FRENCH LES EGLANTINES, 1900 [ARWAS, 54, P.106]

Color lithograph on paper; signed and titled in the plate in the margin. The final state of two. Published in a possible edition of 200 by Chaix, Paris.

Image 17.6 ins x 21.1 ins; 44.7 cms x 53.5 cms; Sheet 25.6 ins x 19.5 ins; 65 cms x 49.5 cms PROVENANCE:

Marianne Friedland Gallery, Toronto gallery label verso; Private Collection, Toronto $600 — 800

15 REUVEN RUBIN (1893-1974), ISRAELI UNTITLED (MOTHER AND CHILD)

Colour lithograph; signed in Hebrew and numbered 111/200 in pencil to margin.

Image 15 ins x 11.5 ins; 38 cms x 29.2 cms; Sheet 19.6 ins x 15.2 ins; 49.8 cms x 38.6 cms PROVENANCE:

Todd Gallery, Paramus, New Jersey gallery label verso; Private Collection, Toronto $400 — 600

16 JULES CHÉRET (1836-1932), FRENCH LES FANTOCHES DE JOHN HEWELT (MUSÉE GRÉVIN), 1900 [BROIDO, 471]

Colour lithographic poster before letters; signed “JChéret” and dated 1900 in the plate mid right. Published by Imprimerie Chaix, (Ateliers Chéret), Paris.

Sheet 48.25 ins x 33.9 ins; 122.6 cms x 86.1 cms PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

17 VLADIMIR KABELIK (B.1951), CZECHOSLOVAKIAN/CANADIAN CAMPARI, 1986

Pigmented ink on litho-realistic paper; signed and numbered 3/5 in black pencil to margin. Unframed.

Image 31 ins x 22.2 ins; 78.7 cms x 56.3 cms; Sheet 36.2 ins x 24 ins; 92 cms x 60.9 cms PROVENANCE:

Private Collection, Ontario $800 — 1,200

18 OSCAR CAMILO DE LAS FLORES (B.1971), EL SALVADORAN/MEXICAN TRATADO ANATOMICO PG. VI, 1996

Colour lithograph; signed, titled and dated /96 in pencil to margin. Unframed.

Sheet 19.75 ins x 13 ins; 50.2 cms x 33 cms PROVENANCE:

Private Collection, Toronto $400 — 600

19 AFTER MARC CHAGALL (1887-1985), RUSSIAN/FRENCH LE PEINTRE À LA PALETTE (PAINTER WITH PALETTE), PARIS, 1952 [VARIATION MOURLOT, 54]

Colour photolithograph; signed and numbered 34/75 in pencil along the bottom. Edition size and sheet size not found.

Sheet 10.9 ins x 8.5 ins; 27.6 cms x 21.6 cms PROVENANCE:

Private Collection, Toronto $300 — 400

20 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH MARC CHAGALL - OEUVRE GRAVÉ, BERGGRUEN, PARIS, 1967 (LE CIRQUE AU CLOWN JAUNE) [CZWIKLITZER, 15; SORLIER, 443 BEFORE LETTERS]

Colour lithographic poster with letters; signed “Chagall” in pencil lower left.

Published by Mourlot.

Sheet 34.1 ins x 22 ins; 86.5 cms x 55.9 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

21 REUVEN RUBIN (1893-1974), ISRAELI UNTITLED (WOMEN WITH LAMB)

Colour lithograph; signed in Hebrew and numbered 163/200 in pencil to margin.

Image 17.1 ins x 13.1 ins; 43.5 cms x 33.3 cms PROVENANCE:

Private Collection, Toronto $400 — 600

22 MARIO AVATI (1921-2009), FRENCH LA TABLE OVALE, 1971 [PASSERON, 439]

Colour mezzotint; signed “Avati,” titled and numbered 44/75 in pencil to margin.

Sight 11 ins x 13 ins; 27.9 cms x 33 cms PROVENANCE:

Private Collection, Toronto $500 — 700

23 GIUSEPPE CAPOGROSSI (1900-1972), ITALIAN PLATE 7 FROM “QUARZO,” 1970 [HASE-SCHMUNDT, 91]

Black and white lithograph on paper with Erker Presse, St. Gallen blindstamp lower left margin; signed “Capogrossi” and numbered 18/75 in pencil along the bottom edge.

29 ins x 21 ins; 73.7 cms x 53.3 cms PROVENANCE:

Private Collection, Ontario LITERATURE:

Ulrike von Hase-Schmundt, “Capogrossi.

Das graphisce Werk,” p. 104 $700 — 900

24 VICTOR PASMORE (1908-1998), BRITISH SOFT IS THE SOUND OF THE OCEAN, 1986 [LYNTON, G38]

Colour etching and aquatint on wove paper; signed, dated and numbered 71/90 in pencil to margin. Printed by Vigna Antoniniana Stamperia d’Arte, Rome. Copublished by Marlborough Graphics Ltd., London and 2RC Edizioni d’Arte, Rome.

28.3 ins x 42.5 ins; 71.9 cms x 108 cms PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000

25 ROBERT MOTHERWELL (1915–1991), AMERICAN AMERICA - LA FRANCE VARIATIONS III, 1984 [BELKNAP, 299; W.A.C., 330]

Colour lithograph printed to the edges with collage on black Arches Cover; signed and numbered 50/70 in black pencil on the image lower right. Printed and published by Tyler Graphics, Ltd., Mount Kisco, New York with the blindstamp lower right.

Sheet 48 ins x 30.75 ins; 121.9 cms x 78.1 cms PROVENANCE:

Private Collection, Toronto $3,000 — 4,000

26 KEITH HARING (1958-1990), AMERICAN FIGHT AIDS WORLDWIDE, 1990

Color lithograph on white wove paper; numbered 615/1000 in pencil to margin.

Printed by Emiliano Sorini, New York, with the blindstamp lower right. Published

by The World Federation of United Nations Associations, New York, with the blindstamp lower right.

Sheet 11 ins x 8.25 ins; 27.9 cms x 21 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

27 LOUIS ICART (1888-1950), FRENCH UNMASKED, 1933 [SCHIFFER, 428]

Colour etching and aquatint with Estampe Moderne blindstamp lower left margin; signed in pencil lower right, with Copyright 1933 by L. Icart, N.Y. stamp upper right margin.

12 ins x 8.25 ins; 30.5 cms x 21 cms PROVENANCE:

Private Collection, Toronto $500 — 700

28 LARRY TOWELL (B.1953), CANADIAN LA BATEA COLONY, ZACATECAS, MEXICO, 1994

Gelatin silver print.

Image 12.6 ins x 18.9 ins; 32 cms x 48 cms PROVENANCE:

Private Collection, Toronto $600 — 800

29 LARRY TOWELL (B.1953), CANADIAN LAMBTON COUNTY, ONTARIO, CANADA (HANDSTAND), 1995

Gelatin silver print; signed, titled, and dated in pencil verso. Printed in 2002.

Image 12.1 ins x 18.3 ins; 30.7 cms x 46.5 cms PROVENANCE:

Private Collection, Toronto $600 — 800

30 LARRY TOWELL (B.1953), CANADIAN MANUEL COLONY, TAMAULIPAS, MEXICO [KIDS IN FIELD], 1994

Gelatin silver print.

Image 12.2 ins x 18.4 ins; 31 cms x 46.7 cms; Sheet 10.75 ins x 13.75 ins; 27.3 cms x 34.9 cms PROVENANCE:

Private Collection, Toronto $600 — 800

31 LYNNE COHEN (1944-2014), CANADIAN PRACTICE RANGE, CA.1988

Gelatin silver print; inscribed 4/10 on the backing.

30 ins x 40 ins; 76.2 cms x 101.6 cms PROVENANCE:

Private Collection, Massachusetts $4,000 — 6,000

32 PAUL SPECHT (20TH/21ST CENTURY), AMERICAN THREE PORTRAIT STUDIES OF BEARDED MEN

Three colour prints. Matching frames.

Each sight 19.5 ins x 19.5 ins; 49.5 cms x 49.5 cms PROVENANCE:

Private Collection, Toronto $300 — 500

33 SAM TAYLOR-WOOD (B.1967), BRITISH IVAN, 2004

C-print; signed “Sam Taylor,” titled, dated 2004 and numbered 8/100 in black ink to margin.

32 ins x 28 ins; 81.3 cms x 71.1 cms PROVENANCE:

Christie’s, New York, 10 January-11 January 2007, Lot 183 labels verso; With Bark Frameworks LLC, New York, label and stamp to the wood moulding verso; Private Collection, Toronto $3,000 — 4,000

34 ELDON GARNET (B.1946), CANADIAN THE FALLEN BODY: TREMBLING (BRIDGE ON FIRE), 1990

Chromogenic print; from an edition of 7, possibly A/P and signed verso.

Image 18.5 ins x 18.5 ins; 47 cms x 47 cms PROVENANCE:

Acquired directly from the artist; Private Collection, Toronto $400 — 600

35 ZHANG HUAN (B.1965), CHINESE CHICKEN POX (IN 6 PARTS), 2000

Six dye construction cibachrome prints.

From an edition of 25.

Sheets 30 ins x 25 ins; 76.2 cms x 63.5 cms; Images 24.2 ins x 19.3 ins; 61.5 cms x 49 cms; Framed 32.1 ins x 27.2 ins; 81.5 cms x 69.1 cms PROVENANCE:

Private Collection, New York; Sotheby’s, New York, May 15, 2008, Lot 609 labels verso backing; Phillips, New York, August 20, 2021; From whom purchased by the present Private Collection, British Columbia EXHIBITED:

Berlin, Galerie Volker Diehl, “Zhang Huan, March - April 2006”, pp. 25-29, illustrated in color (another print from this edition) See website for full catalogue details. $10,000 — 15,000

36 ELDON GARNET (B.1946), CANADIAN THE FALLEN BODY: CAVES ‘ANXIETY,” 1984

Chromogenic print; from an edition of 7, possibly A/P and signed verso.

Image 18.5 ins x 18.5 ins; 61 cms x 61 cms PROVENANCE:

Acquired directly from the artist; Private Collection, Toronto $400 — 600

37 PETER LIK (B.1959), AUSTRALIAN/AMERICAN HIDDEN SECRET (CENTRAL PARK, NEW YORK), 2012

Colour cibachrome print; signed and numbered 216/950 in silver pen and ink lower right, signed in pen and ink to the Peter Lik credit label verso. There were also 45 Artist’s Proofs. Contained in an olive wood frame.

Sight 25 ins x 38.25 ins; 63.5 cms x 97.2 cms PROVENANCE:

Private Collection, Toronto $5,000 — 7,000

38 YURI DOJC (B.1946), SLOVAKIAN/CANADIAN POOL STEPS, CA. 1990-1995

Digital pigment print on Hahnmuele rag paper; signed and numbered 2/5 in pencil to margin. Printed with artist’s blind stamp bottom left. Unframed.

Image 36 ins x 24 ins; 91.4 cms x 61 cms PROVENANCE:

Private Collection, South Carolina $700 — 900

39 PETER LIK (B.1959), AUSTRALIAN/AMERICAN CITY HALL (NEW YORK), 2012

Colour cibachrome print; signed and numbered 130/950 in silver pen and ink lower right, signed in pen and ink to the Peter Lik credit label verso. There were also 45 Artist’s Proofs. Contained in an olive wood frame.

Sheet sight 25 ins x 38.5 ins; 63.5 cms x 97.8 cms PROVENANCE:

Private Collection, Toronto $5,000 — 7,000

40 YURI DOJC (B.1946), SLOVAKIAN/CANADIAN CLIMBING, CA. 1990-1995

Digital pigment print on Hahnmuele rag paper; signed and numbered 1/12 in pencil verso. Printed with artist’s blindstamp bottom right corner. Unframed.

Sheet 36 ins x 24 ins; 91.4 cms x 61 cms PROVENANCE:

Private Collection, South Carolina $700 — 900

41 YURI DOJC (B.1946), SLOVAKIAN/CANADIAN TRUST ME, CA. 1990-1995

Digital pigment print on Hahnemuele rag paper; signed and numbered 1/12 in pencil verso. Printed with artist’s blindstamp bottom right corner. Unframed.

Sheet 16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE:

Private Collection, South Carolina $600 — 800

42 YURI DOJC (B.1946), SLOVAKIAN/CANADIAN WARRIOR, CA. 1990-1995

Digital pigmant print on Hahnmuele rag paper; signed and numbered 2/5 in pencil to margin. Unframed.

Image 32 ins x 24 ins; 81.3 cms x 61 cms PROVENANCE:

Private Collection, South Carolina $700 — 900

43 LYLE MCINTYRE (20TH/21ST CENTURY), CANADIAN DRIVE WHEELS

Giclee print en grisaille; signed and numbered 1/60 in pencil to the image lower right edge, signed and authorized

by Lyle McIntyre on April 16/03, titled and numbered 1/60 in pen and ink to the Certificate of Authenticity label verso backing. Printed and published by Randy Foster Fine Arts.

Sight 10.6 ins x 17.5 ins; 27 cms x 44.5 cms PROVENANCE:

With Randy Foster Fine Arts, published the giclee; With Lyle McIntyre for signing the COA on April 16, 2003; Studio of Lyle McIntyre, Muskoka, ON; Private Collection, Ontario See website for full catalogue details. $100 — 150

44 JANE HINTON (1936-2020), CANADIAN CANADIAN CLICHÉ #3, B.C. WOODEN TRESTLE SINGEL, 2003

Silver print; signed, dated 2003 and numbered 2/15 to margin according to the gallery label verso.

Image 12.5 ins x 17.5 ins; 31.8 cms x 44.5 cms PROVENANCE:

Mira Godard Gallery, Toronto gallery labels verso backing; Private Collection, Toronto $300 — 500

45 GREG MURDOCK (B.1954), CANADIAN GENUS II, 1998

Colour etching and aquatint with chine collé; signed, titled, dated and numbered AP6 in pencil to margin, numbered A/P 6/6 to gallery label verso. Published by Landfall Press.

19.75 ins x 17.75 ins; 50.2 cms x 45.1 cms PROVENANCE:

Equinox Gallery, Vancouver Alumni gift to University of Michigan’s Ross School of Business Private Collection, Toronto $300 — 400

46 YAACOV AGAM (B.1928), ISRAELI UNTITLED (OP-ART COMPOSITION)

Colour silkscreen; signed and numbered 47/270 in pencil to margin.

Diameter 25.3 ins x 25.4 ins; 64.2 cms x 64.5 cms; Sheet 29 ins x 29 ins; 73.7 cms x 73.7 cms PROVENANCE:

Private Collection, Toronto $700 — 900

47 DAVID HOCKNEY (B.1937), BRITISH RECLINING FIGURE, 1975 [SCOTTISH ARTS COUNCIL 174; TOKYO, 163]

Etching and liftground etching en grisaille on Inveresk mould-made paper; signed, dated 75 and numbered 27/75 in pencil to margin. Printed by Petersberg Press.

Published by Dany Levy, London.

Plate 13.5 ins x 15.5 ins; 34.3 cms x 39.4 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

48 LOUISA CHASE (1951-2016), AMERICAN UNTITLED, 1988

Colour etching and aquatint; signed, dated 1988 and numbered 5/25 in pencil to margin, inscribed “Untitled” and dated 1988 to gallery label verso backing Plate 19.7 ins x 15.6 ins; 50 cms x 39.5 cms; Sheet 27 ins x 22.25 ins; 68.6 cms x 56.5 cms PROVENANCE:

Leanne Hull Fine Art, Toronto gallery label verso; Private Collection, Toronto $500 — 700

49 THÉO TOBIASSE (1927-2012), FRENCH FRUITS ACCROCHÉS LE LONG DE NOTRE VIE

Colour lithograph; signed and numbered 24/250 in pencil to margin.

Sheet 28.5 ins x 41.5 ins; 72.4 cms x 105.4 cms PROVENANCE:

Private Collection, Toronto $400 — 500

50 MAX ERNST (1891–1976), GERMAN FÜR DOCUMENTA III, 1946 [SPIES/LEPPIEN, 100]

Colour etching and aquatint; signed and numbered 58/100 in pencil to margin.

Plate 8.1 ins x 6.1 ins; 20.6 cms x 15.5 cms PROVENANCE:

Purchased at Documenta, Kassel, Germany in 1968 by the present Private Estate Collection, Toronto $600 — 800

51 FRIEDENSREICH HUNDERTWASSER (1928-2000), AUSTRIAN THE EXPULSION, 1967 [KOSCHATZKY, 28]

Colour lithograph; signed, dated 1967 at Genève, inscribed with work number 656 in a circle and numbered 22/154 in black pen and ink to margin stamped with two red seals. With the artist’s monogram stamp.

27.75 ins x 35 ins; 70.5 cms x 88.9 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

52 JOHN PIPER (1903-1992), BRITISH CAERNARVON CASTLE II, 1971 [LEVINSON, 201]

Colour silkscreen on wove paper; signed and numbered 15/75 in pencil to margin.

There were 10 artist proofs. Printed by Kelpra Studio, London. Published by Marlborough Fine Art, London, UK. Image 19.25 ins x 29.5 ins; 48.9 cms x 74.9 cms PROVENANCE:

Private Collection, Montreal $800 — 1,200

53 SALVADOR DALÍ (1904-1989), SPANISH AMERICAN CLOCK [V] (TIMELESS STATUE FROM TIME) [FIELD, 76-1 B]

Colour photolithograph of an original gouache on Arches France watermarked paper with Dalart N.V. Copyright 1976 blindstamp lower left margin; signed and numbered 16/250 in pencil. Unframed.

Sheet 29.5 ins x 21 ins; 74.9 cms x 53.3 cms PROVENANCE:

Private Collection, Vancouver $800 — 1,200

54 AFTER FERNAND LÉGER (1881-1955), FRENCH “FEMME DEBOUT” (ALSO TITLED FEMME AU FAUTEUIL), 1953

Colour lithograph; signed with initials and dated ‘53 in the plate lower right, signed with initials and numbered 6/200 in pencil to margin, titled “Femme Debout” to the catalogue entry adhered to the verso backing Image 19 ins x 15.5 ins; 48.3 cms x 39.4 cms PROVENANCE:

Sotheby & Co., London, July 23, 1968, Lot 34 as “Femme Debout”, labels verso backing; From whom purchased by Dr. Paul P. Biringer, Toronto; His Estate by descent through the family, Toronto $800 — 1,200

55 FRIEDENSREICH HUNDERTWASSER (1928-2000), AUSTRIAN DIE SCHATTEN DER STERNE (SHADOW OF THE STARS), 1967 [KOSCHATZKY, 30]

Colour lithograph on Arches paper; signed, dated 1967 at Geneva, inscribed with work number 660 in a circle and numbered 44/150 in black ink (there was also an unsigned edition of 750).

Published by Galerie Krugier and Moos, Geneva.

Sight 18.25 ins x 23.25 ins; 46.4 cms x 59.1 cms PROVENANCE:

Gallery Moos Ltd., Toronto gallery label verso; Private Collection, Ontario $1,500 — 2,500

56 ALEXANDER CALDER (1898-1976), AMERICAN LES ÉTOILES, CIRCA 1970

Colour lithograph; signed “Calder” and numbered 34/100 in pencil to margin.

Sight 19 ins x 23.75 ins; 48.3 cms x 60.3 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,500

57 FRIEDENSREICH HUNDERTWASSER (1928-2000), AUSTRIAN EIN REGENTAG MIT WALTER KAMPMANN, 1969 [KOSCHATZKY, 36 ]

Colour silkscreen with metal imprints on Fabriano wove paper; signed, dated 1969 at Campalto, inscribed with work number 684 in a circle and numbered 20/170 in black pen and ink to margin stamped with two red seals. Printed by Studio Quattro, Venice and others. Published by Ugo Meneghini, Venice.

Sight 19.25 ins x 24.75 ins; 48.9 cms x 62.9 cms PROVENANCE:

Gallery Moos Ltd., Toronto gallery label verso; Private Collection, Ontario $2,000 — 3,000

58 ALEXANDER CALDER (1898-1976), AMERICAN STABILES I, 1963

Colour lithograph in red and black on Rives BFK watermarked paper; signed and numbered 77/90 in pencil to margin.

Published by Maeght, Paris.

Sheet 29.75 ins x 21 ins; 75.6 cms x 53.3 cms PROVENANCE:

Private Collection, Toronto $800 — 1,200

59 ALFRED PELLAN (1906-1988), CANADIAN POLYCHROMÉE B, 1972

Colour silkscreen; signed, titled, dated 1972 and numbered 5/100 in pencil with the Graphic Guild blindstamp.

Sight 34.25 ins x 22.5 ins; 87 cms x 57.2 cms PROVENANCE:

Private Collection, Vancouver $800 — 1,200

60 HENRI MATISSE (1869-1954), FRENCH LA DANSE II, 1938 [DUTHUIT BOOKS, 67]

A six-colour lithograph (blue, green, red, brown, yellow and black) with vertical centerline fold and margins as published and stitch holes with two original colour linocuts by Matisse on the verso with window cut-outs, each signed with initials “HM” in the plate. Printed by Mourlot, Paris. Published by Teriade for Verve, No. 4, 1938, in an edition of ca. 1200.

Image 13 ins x 15.5 ins; 33 cms x 39.4 cms PROVENANCE:

Ptivate Collection, Toronto $800 — 1,200

61 FRIEDENSREICH HUNDERTWASSER (1928-2000), AUSTRIAN SEEREISE II - REISE ZUR SEE UND MIT DER BAHN (JOURNEY II AND TRAVEL BY RAIL), 1967 [KOSCHATZKY, 25]

Colour lithograph; signed, dated 1967 at Genève, inscribed with work number “652” in a circle and numbered 132/267 in black pen and ink to margin, stamped with two red seals, titled to gallery label verso.

Printed by Michel Cassé, Paris. Published

by Galerie Krugier & Moos, Geneva.

Sheet 25.7 ins x 19.7 ins; 65.2 cms x 50 cms PROVENANCE:

Gallery Moos Ltd., Toronto gallery label verso backing; Private Collection, Ontario $1,200 — 1,800

62 SONIA DELAUNAY (1885–1979), UKRAINIAN/FRENCH GRENOBLE: SONIA DELAUNAY, POSTER DESIGN BEFORE LETTERS FOR THE EXHIBITION “SONIA DELAUNAY, XX SIÈCLE” / 14 RUE DES CANETTES, PARIS VI / 12 NOVEMBRE - 10 DECEMBRE,” 1968

Colour lithograph; signed and numbered 16/75 in pencil. Printed by Atelier Mourlot, Paris.

Image 20 ins x 15.5 ins; 50.8 cms x 39.4 cms; Sheet 27.5 ins x 19.75 ins; 69.9 cms x 50.2 cms PROVENANCE:

Private Collection, Toronto $700 — 900

63 FERNAND LÉGER (1881–1955), FRENCH NATURE MORTE AUX DEUX POUPÉES, 1950

Colour lithograph on wove paper; signed in the plate lower left, signed with printed black ink signature lower right margin, numbered 78/300 in pencil to lower left margin. Published by the Musée Fernand Léger, Boit with their blindstamp.

Image 16 ins x 23 ins; 40.6 cms x 58.4 cms; Sheet 21.5 ins x 30 ins; 54.6 cms x 76.2 cms PROVENANCE:

An unidentified gallery, inventory No. 300F to typed label with title verso backing; Private Collection, Toronto $1,500 — 2,000

64 BERNARD BUFFET (1926-1999), FRENCH LA PAIX, 1970

Colour lithograph; signed and numbered E.A. in pencil to margin. Aside from the edition of 220. Printed by Sorlier.

Published by Editions des Peintres témoins.

Image 29 ins x 20.25 ins; 73.7 cms x 51.4 cms; Sheet 31.5 ins x 23.6 ins; 80 cms x 60 cms PROVENANCE:

Private Collection, Toronto $600 — 900

65 KAREL APPEL (1921–2006), DUTCH MAN MET SJAAL, 1969

Colour screen print; signed, dated /69 and numbered “EA” in pencil to margin.

Image 13 ins x 19.7 ins; 33 cms x 50 cms; Sheet 15 ins x 22 ins; 38 cms x 56 cms PROVENANCE:

Private Collection, Toronto $600 — 800

66 GEORGE SEGAL (1924–2000), AMERICAN UNTITLED (ARM OF WOMAN OVER BACK OF CHAIR SERIES 1964-68), 1968

Colour silkscreen on heavy paper; signed, dated /68 and numbered 50/150 in pencil to margin. Framed with another print by another artist used as the backing sheet verso.

Image 17.75 ins x 12 ins; 45.1 cms x 30.4 cms; Sheet 23.5 ins x 17.5 ins; 59.7 cms x 44.5 cms PROVENANCE:

The George Segal was purchased at Documenta, Kassel, Germany in 1968 by the present Private Estate Collection, Toronto $400 — 600

67 HENDRIKUS BERVOETS (B.1945), DUTCH/CANADIAN UNTITLED, INCLUDING: UNTITLED XXX, 1969; AND 2 OTHERS (ONE DATED 1970)

Three colour silkscreens; the first: signed, dated ‘69 and numbered 2/8 in pencil to margin; the second: signed, dated ‘69 and numbered “artist proof” in pencil; the third: signed, dated ‘70 and numbered 6/8 in pencil to margin, titled “Untitled XXX” to the 21st Century gallery label verso.

Sheet 30.5 ins x 22.5 ins; 77.5 cms x 57.2 cms PROVENANCE:

21st Century Gallery Limited, Toronto; Shiplake Investments Limited; Private Collection, Toronto $300 — 500

68 HENDRIKUS BERVOETS (B.1945), DUTCH/CANADIAN UNTITLED, 1970

Five colour silkscreens; each signed, two titled: Untitled VI; and Untitled XXVII to gallery labels verso, each dated /70 and variously numbered: 17/18; 1/30; artist proof; 1/60; and 60/60 in pencil to margins.

20.25 ins x 16 ins; 51.4 cms x 40.6 cms PROVENANCE:

Two with 21st Century Gallery Limited, Toronto; Shiplake Investments Limited gallery labels verso backing; Private Collection, Toronto $300 — 500

69 HENDRIKUS BERVOETS (B.1945), DUTCH/CANADIAN UNTITLED, INCLUDING XX; I; XXVII; AND THREE OTHERS, 1970

Six colour silkscreens; each signed and dated ‘70, variously numbered: “artist proof” (4); 7/18; and 1/17 in pencil to margins, three titled to gallery labels verso backing.

20.14 ins x 16.14 ins; 51.2 cms x 41 cms; 22.75 ins x 17.25 ins; 57.8 cms x 43.8 cms; 31 ins x 22.25 ins; 78.7 cms x 56.5 cms PROVENANCE:

Four prints were dedicated from the artist to a Private Collection, each inscribed recto, “To the Latner family”; The 21st Century (The Twenty-First Century) Gallery Limited, Toronto; Shiplake Investments Limited gallery labels verso backing to three; Private Collection, Toronto $400 — 600

70 HENRY MOORE (1898-1986), BRITISH MULTICOLOURED RECLINING FIGURE, 1967 [CRAMER, 99]

Colour lithograph, printed in reverse of Moore’s “Multicoloured Reclining Figure, 1967” [Cramer, 99]; numbered 32/50. There were also five artist proofs. Published by Galerie Beyeler, Basel.

Image 5.5 ins x 7.8 ins; 14 cms x 19.8 cms PROVENANCE:

Private Collection, British Columbia $600 — 800

71 CARL BUCHER (1935-2015), SWISS FOUR PLATES (FROM LANDING PORTFOLIO), 1973

Four colour silkscreens; each signed “Bucher” and numbered VII/X in pencil to margins. One is a vertical image.

PROVENANCE:

The Fine Line Art Gallery, Toronto gallery labels verso; Shiplake Investments Limited, Toronto label verso; The 21st Century Gallery Limited, Toronto gallery labels verso; Private Collection, Toronto $400 — 600

72 KEITH HARING (1958-1990), AMERICAN INTERNATIONAL VOLUNTEER DAY, 1988 [LITTMANN, 93]

Colour lithograph; signed, dated /88 and numbered 230/1000. Printed by Emiliano Sorini, New York, with the blindstamp lower right. Published

by The World Federation of United Nations Associations, New York, with the blindstamp lower right.

Sheet 11.25 ins x 8.5 ins; 28.6 cms x 21.6 cms PROVENANCE:

Private Collection, Ontario $3,000 — 5,000

73 RICHARD LACROIX (B.1939), CANADIAN VARIANTE IV - 0, 1966

Colour silkscreen; signed, titled, dated 1966 and numbered 12/30 in pencil to margin.

Image 17.9 ins x 17.9 ins; 45.5 cms x 45.5 cms; Sheet 25.5 ins x 19.5 ins; 64.8 cms x 49.5 cms PROVENANCE:

Private Collection, Ontario $400 — 600

74 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH “PLANETARY FOLKLORE (FOLKLOR PLANETARNY), 1967 (ALSO FOUND AS BERYL-POSITIVE)

Colour silkscreen on grey cardboard paperboard; signed “Vasarely” in the image in pencil lower right. Unnumbered and undated.

Image 24.6 ins x 23.5 ins; 62.6 cms x 59.6 cms; Sheet 25.4 ins x 24.3 ins; 64.6 cms x 61.7 cms PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto $1,000 — 1,500

75 NAOMI OKUYA (B.1930), JAPANESE YU. 666. Q, 1972

Colour silkscreen; signed, titled, dated /72 and numbered E/A in pencil to margin.

Sight 23.75 ins x 18.75 ins; 60.3 cms x 47.6 cms PROVENANCE:

Private Collection, Toronto $300 — 500

76 UMBERTO BRUNELLESCHI (1879-1949), ITALIAN/FRENCH LA CUEILLETTE DES POMMES,1925

Colour pochoir and stencil on paper laid down on card; signed in the image in the plate lower right, signed in pencil lower right margin, numbered “37” in pencil to the lower left margin.

Plate 11.7 ins x 8.4 ins; 29.7 cms x 21.4 cms; Sheet 17 ins x 12.75 ins; 43.2 cms x 32.4 cms PROVENANCE:

Prominent Private Collection of a former museum curator, Fredericton, NB $500 — 700

77 AFTER ALEXANDER CALDER (1898-1976), AMERICAN POSTER: LA GALERIE MAEGHT PRESENTE MAEGHT EDITEUR, 16 DECEMBRE 1971 AU 21 JANVIER 1972, 1971

Colour lithographic poster with letters; signed with initials and dated /71 in the plate mid right. Published by Maeght Editeur, Paris.

31 ins x 19.5 ins; 78.7 cms x 49.5 cms PROVENANCE:

Private Collection, Toronto $400 — 600

78 PATRICK CAULFIELD (1936-2005), BRITISH GLAZED EARTHENWARE, 1976 [CRISTEA, 51]

Colour silkscreen on wove paper; signed and numbered 55/76 in pencil to margin (there were also 15 proofs). Printed by Kelpra Studio, London with their ink stamp and number “8329” stamped verso.

Published by Leslie Waddington Prints, London, UK. Image 21.3 ins x 29.9 ins; 54 cms x 76 cms; Sheet 30.2 ins x 39 ins; 76.7 cms x 99 cms PROVENANCE:

The Estate of Grant L. Reuber, Toronto; Private Collection, Toronto $1,500 — 2,000

79 MR. BRAINWASH (THIERRY GUETTA), (B.1966), FRENCH TORONTO IS BEAUTIFUL (RED), 2019

Colour silkscreen; signed “Brainwash” in pencil on the vertical axis in the lower left margin. Numbered edition 12/20.

Image 27 ins x 19.8 ins; 68.6 cms x 50.4 cms; Sheet 30 ins x 22.2 ins; 76.2 cms x 56.5 cms PROVENANCE:

The Taglialatella Galleries,Toronto; From whom purchased by the present Private Collection, Ontario at the exhibition in 2019 $2,500 — 3,500

80 JEAN DUBUFFET (1901–1985), FRENCH FESTIVAL D’AUTOMNE À PARIS, DUBUFFET GRAND PALAIS… COUCOU BAZAR, 1973 [WEBEL, 1158]

Colour lithograph; signed and dated with initials “J.D. 73” and numbered 26/200 in pencil.

26 ins x 19 ins; 66 cms x 48.3 cms PROVENANCE:

Circle Arts, Toronto gallery label verso backing; Private Collection, Toronto $700 — 900

81 RONALD YORK WILSON (1907–1984), CANADIAN CITIES (PORTFOLIO INCLUDING: JAIPUR; SRINAGAR; MARRAKESH; KUCHING; ISFAHAN; KUALA LUMPUR; CAIRO)

Seven colour silkscreens; each signed, titled and variously numbered in an edition of 60 in pencil to margin, the print titled “Srinagar” being an epreuve d’artiste, aside from the edition of 60, being numbered “E/A” in pencil to margin.

Each unframed.

PROVENANCE:

Estate of the artist; Gifted directly from the York Wilson Foundation to The Collection of the Beaverbrook Art Gallery, Fredericton, N.B. in 2016-17; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $1,000 — 1,500

82 GENERAL IDEA (1968-1994), CANADIAN TSX “PAVILION FRAGMENTS” STUDY, URSA MAJOR AND TAURUS: PAVILLION FRAGMENTS FROM THE STARRY VAULT, 1983, NORTH WALL OF THE THIRD FLOOR STAIR WELL, FIRST /SECOND VERSION

Mixed-media print with colour and with reliefs in gold foil, signed “General Idea,” titled and dated “January 1983” in the plate; signed “AA” (AA Bronson) in blue pen and ink lower right. Unframed.

Sheet 28 ins x 35.25 ins; 71.1 cms x 89.5 cms PROVENANCE:

Private Collection, Toronto $600 — 800

83 VICTOR PASMORE (1908-1998), BRITISH POINTS OF CONTACT NO.16, 1973 [LYNTON, 31; BOWNESS AND LAMBERTINI, 31]

Colour silkscreen; signed with monogram initials “VP,” dated /73 and numbered 50/70 in pencil to margin. Printed by Kelpra Studio, London. Published by Marlborough Graphics, London.

Image 22 ins x 15.5 ins; 55.9 cms x 39.4 cms; Sheet 29.3 ins x 19.9 ins; 74.5 cms x 50.5 cms PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

84 JEAN-MICHEL ATLAN (1913–1960), FRENCH ASTARTÉ, 1958 [POLIERI,1750]

Colour lithograph on BFK Rives watermarked paper; signed “Atlan” in black crayon, numbered “epreuve d’artist” in pencil to margin. Aside from the edition of 150.

Image 25.8 ins x 18 ins; 65.5 cms x 45.8 cms; Sheet 29.8 ins x 22 ins; 75.7 cms x 56 cms PROVENANCE:

Private Collection, Toronto $1,200 — 1,800

85 JOHNNY FRIEDLAENDER (1912-1992), GERMAN FOUR PLATES (FROM PETIT BESTIAIRE), 1963

Four etchings and aquatints en grisaille; each signed and numbered 133/240 in pencil to margin.

Plates 12.4 ins x 8.1 ins; 31.5 cms x 20.5 cms; Sheets 19.9 ins x 13.4 ins; 50.5 cms x 34 cms PROVENANCE:

Private Collection, Ontario $500 — 700

86 GRAHAM PEACOCK (B.1945), CANADIAN PAMUKKALE SUITE, PLATE ONE #9, 2010

Colour monoprint; signed, titled and dated 2010 in pencil to margin. image 19 ins x 7.6 ins; 48.3 cms x 19.4 cms; Sheet 23.75 ins x 14.5 ins; 60.3 cms x 36.8 cms PROVENANCE:

Private Collection, Vancouver $600 — 800

87 JOHNNY FRIEDLAENDER (1912-1992), GERMAN COMPOSITION JANVIER

Colour etching and aquatint on wove paper with Arches watermark; signed and numbered 27/95 in pencil to margin.

Plate 25.5 ins x 18.9 ins; 64.8 cms x 48 cms PROVENANCE:

Waddington, McLean & Co. Ltd., Toronto, December 10 - December 14, 1979, Lot 896 labels verso; From whom purchased by Dr. Paul P. Biringer, Toronto; His Estate by descent through the family, Toronto $300 — 500

88 GREG MURDOCK (B.1954), CANADIAN TABLEAUX III, 1991

Colour aquatint, etching and drypoint on wove paper with leaf blindstamp to lower right margin; signed, titled, dated /91 and numbered P/P 2/2 in pencil to margin.

Aside from the edition of 30.

Plate 13.2 ins x 15.7 ins; 33.5 cms x 40 cms; Sheet 19.5 ins x 22 ins; 49.5 cms x 55.9 cms PROVENANCE:

Equinox Gallery, Vancouver gallery label verso backing; Private Collection, Toronto $300 — 400

89 MAX PAVANT (1911-1994), FRENCH LA DORMEUSE, 1969

Colour lithograph with transfer of a newspaper article; signed and numbered 22/50 in black crayon to margin.

Image 25.5 ins x 19.3 ins; 64.8 cms x 49 cms PROVENANCE:

Private Collection, Toronto $400 — 600

90 LILLIANA PORTER (B.1941), ARGENTINIAN/AMERICAN ESPEJO, 1959

Colour etching; signed, titled “Espejo” in Spanish and dated 59 in pen and ink lower right. Unnumbered.

Plate irregular 5.1 ins x 1.5 ins; 13 cms x 3.7 cms; Sheet sight 6.2 ins x 2.5 ins; 15.7 cms x 6.3 cms PROVENANCE:

Private Collection, Toronto $200 — 400

91 OSCAR CAMILO DE LAS FLORES (B.1971), EL SALVADORAN/MEXICAN CAPE DORSET NIGHTMARE, 1997

Lithograph on Japon paper; signed, titled, dated /97 and numbered A/P in pencil to margin. Unframed.

Sheet 25 ins x 37 ins; 63.5 cms x 94 cms PROVENANCE:

Private Collection, Toronto $400 — 600

92 CHARLES ÉMILE JACQUE (1813-1894), FRENCH SHEEP AT THE WATERING PLACE (ABREUVOIR AUX MOUTONS), 1888

Etching in black/brown ink on pale cream imitation vellum paper; signed and dated “Ch. Jaque - 1888” in the plate lower left, an artist’s proof with remarque device in the plate lower right margin, signed in pencil to margin.

Image 13.25 ins x 18.6 ins; 33.7 cms x 47.2 cms PROVENANCE:

William Weston Gallery, London, UK gallery label verso; Private Collection, Toronto $700 — 900

93 GILLES FABRE (1933-2007), FRENCH PONT DE L’ARCHEVÊCHÉ, 1971

Colour lithograph; signed and numbered 197/200 in pencil to margin. There were also 20 artist proofs. Printed by the Académie Culturelle, Paris. Accompanied by a CertifIcate of Authenticity dated May 11, 1972 adhered to the verso.

Image 20.25 ins x 14.25 ins; 51.4 cms x 36.2 cms PROVENANCE:

Private Collection, Ontario $150 — 250

94 SALVADOR DALÍ (1904-1989), SPANISH LA MOISSONNEUSE (REAPER) (FROM HOMMAGE À LEONARDO DA VINCI), 1975 [FIELD, 75-8(J)]

Original engraving with colour pochoir and etching on Arches; signed and numbered 103/450 in pencil to margin.

Plate 14.4 ins x 19.9 ins; 36.5 cms x 50.5 cms; Sheet 22 ins x 29.9 ins; 56 cms x 76 cms PROVENANCE:

Original Print Collector’s Group, Ltd., New York, label verso; Private Collection, Ontario $800 — 1,200

95 SALVADOR DALÍ (1904–1989), SPANISH THE WAILING WALL (FROM “ALIYAH”), 1968 [FIELD, 68-1 (E)]

Colour lithograph from a mixed-media painting on Arches watermarked paper; signed and numbered 178/250 in pencil to margin.

Image 20 ins x 15.6 ins; 50.8 cms x 39.7 cms; Sheet 25.5 ins x 19.6 ins; 64.8 cms x 49.7 cms PROVENANCE:

Private Collection, Toronto $700 — 900

96 PABLO PICASSO (1881–1973), SPANISH PICASSO 347 (COMPLETE SET: VOLUMES I & II), 1970, FIRST ED. COMPRISING: GRAVURES 1 - 178 (VOL. I) AND 179 - 347 (VOL. II)

The two volumes, each with 22 pages, comprising 347 offset lithographs after original etchings executed by Pablo Picasso and includes the major passage, in English, of George Bloch’s introduction to Picasso’s “Pablo Picasso. Catalogue de l’oeuvre gravé et lithographié, 19041967.” Printed and bound by Conzett & Huber, Zurich. Designed and produced by Chanticleer Press, New York. Published

by Random House Inc. and Maecenas Press Ltd., New York. Housed in the original felt lined clamshell box with black cover and gilt lettered title.

Each volume 16.25 ins x 11.75 ins x 1.25 ins; 41.3 cms x 29.8 cms x 3.2 cms; Overall dimensions 17.6 ins x 12.2 ins x 3.5 ins; 44.7 cms x 31 cms x 8.9 cms See website for full catalogue details. $500 — 700

97 SALVADOR DALÍ (1904-1989), SPANISH SONG OF SONGS OF SOLOMON (THE COMPLETE PORTFOLIO), 1971 [FIELD, 71-17]

King Solomon; The Kiss; The Shepherd; The King’s Train; The Dovelike Eyes of the Bride; The Bridegroom Leaps upon the Mountains; The Beloved Looks Forth Like a Roe; The Beloved is as Fair as a Company of Horses; Thou art Fair, My Love, and Thy Breasts; The Beloved Feeds Among the Lilies; The Fruits of the Valley; Return, O Shulamite See website for full catalogue details. $8,000 — 12,000

98 RICHARD AVEDON (1923-2004), AMERICAN RICHARD AVEDON: AN AUTOBIOGRAPHY

Autographed and dated 1993 in black pen and ink by Avedon on the inside front free endpaper. First edition. Hardcover.

Original brown cloth boards with pink lettering on spine and upper panel, with a black and white photograph of the artist to the rear cover. With clear acetate dust jacket. Illustrated with 284 photographs. Published in the US

by Random House, Inc., New York and Eastman Kodak Company, Rochester, New York. Simultaneously published in Canada

by Random House of Canada Limited, Toronto, in 1993.

15 ins x 12.25 ins x 2.5 ins; 38.1 cms x 31.1 cms x 6.4 cms See website for full catalogue details. $200 — 400

99 JAMES JACQUES JOSEPH TISSOT (1836–1902), FRENCH SOIRÉE D’ÉTÉ, 1882 [WENTWORTH, 56]

Drypoint and etching; signed “J.J. Tifsot (sic)” and dated 1881 in the image in the plate lower left, with the artist’s red ink stamp (Lugt 1545) lower left recto. The second state (of 2), with the additional shading around the left eye and the left side of the composition completed.

Edition of approximately 100.

Plate 8.9 ins x 15.6 ins; 22.6 cms x 39.5 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

100 SALVADOR DALÍ (1904-1989), SPANISH FIVE WORKS FROM LES AMOURS JAUNES, 1974 [FIELD, 74-15 (E; F; H; I; J)]

Including: E) Bonne Fortune et Fortune; F) Décline; H) Pudentiane; I) Duel aux Camélias; J) Le Crapaud Five original etchings with added colour and with gold flakes on Arches watermarked paper (one sheet is not waternarked); each signed and numbered 110/300 in pencil to margins. Each unframed.

Each plate approx. 11.5 ins x 8.25 ins; 29.2 cms x 21 cms; Each sheet approx.

15 ins x 11 ins; 38.1 cms x 27.9 cms PROVENANCE:

Private Collection, Vancouver $3,000 — 4,000

101 JAMES JACQUES JOSEPH TISSOT (1836–1902), FRENCH CES DAMES DES CHARS (FROM LE FEMME À PARIS), 1885 [WENTWORTH, 78 ]; UNTITLED (LADIES AND GENTLEMEN AT A SOCIAL GATHERING)

Etching and drypoint; signed “J.J. Tifsot (sic)” in the plate lower left margin, titled to gallery label verso, the label inscribed “B. 69” Together with another by the artist: UNTITLED (LADIES AND GENTLEMEN AT A SOCIAL GATHERING) Etching and drypoint; signed “J.J. Tifsot” (sic.) in the plate lower left margin.

Sight each 15.7 ins x 9.8 ins; 39.9 cms x 24.9 cms PROVENANCE:

Marianne Friedland Gallery, Toronto gallery label to the first title verso; Private Collection, Toronto $800 — 1,200

102 PIETRO ANNIGONI (1910-1988), ITALIAN UNTITLED (LANDSCAPE); MEDITATION

Two lithographs; the first, signed and numbered 34/90 in pencil to margin. The second, signed and numbered 74/90 in pencil to margin.

20 ins x 30 ins; 50.8 cms x 76.2 cms; 30 ins x 22 ins; 76.2 cms x 55.9 cms PROVENANCE:

Private Collection, Ontario $400 — 600

103 EDWARD SHERIFF CURTIS (1868-1952), AMERICAN THE VANISHING RACE, 1904

Orotone; blindstamped lower left, with negative number “301-04” in the plate below it lower left, signed in pen and ink to the image lower right, signed and annotated “To Heber Archibald from Edward S Curtis” on “Jan. 1913” in pen and ink to the mount lower right.

12.4 ins x 16.1 ins; 31.5 cms x 40.9 cms PROVENANCE:

Presented to Heber Archibald directly from the artist on Jan. 1913 annotated in pen and ink to the mount; Private Collection, Toronto $4,000 — 6,000

104 EDWARD SHERIFF CURTIS (1868-1952), AMERICAN EMBARKING (FROM “THE NORTH AMERICAN INDIAN,” VOLUME 10)

Photogravure with letters: “From Copyright Photograph 1914 by E.S. Curtis” in the plate below the image. Matted and unframed.

Plate 7 ins x 8.25 ins; 17.8 cms x 21 cms; Sheet 9.5 ins x 12.5 ins; 24.1 cms x 31.8 cms PROVENANCE:

Private Collection, Toronto $300 — 400

105 EDWARD SHERIFF CURTIS (1868-1952), AMERICAN FLATHEAD CAMP ON THE JOCKO RIVER (FROM THE NORTH AMERICAN INDIAN, VOL. 7, PLATE 232), 1910

Orotone; signed and annotated “To Heber Archibald from Edward S Curtis” on “Jan. 1913” by the artist in pen and ink to the mount lower right.

Sheet 11.7 ins x 15.6 ins; 29.7 cms x 39.6 cms PROVENANCE:

Presented to Heber Archibald directly from the artist on Jan. 1913 annotated in pen and ink to the mount; Private Collection, Toronto $4,000 — 6,000

106 AFTER CHARLES BIRD KING (1785-1862), AMERICAN FOUR NORTH AMERICAN CHIEFS (FROM HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA)

Four hand-coloured lithographs; See website for full catalogue details. $800 — 1,200

107 JOSEF WENGLEIN (1845-1919), GERMAN TWO BARBIZON LANDSCAPE VIEWS

Two engravings; each signed “J. Wenglein” in the plates. In matching frames.

Together with: Henry Farrer (1843–1903) American VILLAGE HOUSES WITH CARRIAGE, 1885, etching on heavy paper; signed and dated 1885 in the plate lower left.

Images (Wenglein 13 ins x 17.25 ins; 33 cms x 43.8 cms; Sheet (Farrer) 15.75 ins x 29.25 ins; 40 cms x 74.3 cms PROVENANCE:

Prominent Private Family Collection, Dundas, ON $300 — 400

108 ARTHUR H. HIDER (1870-1952), CANADIAN JOSEPH E. SEAGRAM’S QUEEN’S AND KING’S PLATE WINNERS, CA.1905

Chromolithograph on paper, set at Woodbine Race Course (later Greenwood Raceway), published by The Toronto Lithography Co. 34.75 ins x 39 ins; 88.3 cms x 99.1 cms PROVENANCE:

Private Collection, Toronto $400 — 600

109 LYLE MCINTYRE (20TH/21ST CENTURY), CANADIAN SEVEN MUSKOKA LANDSCAPES

Including four larger colour photographic views See website for full catalogue details. $700 — 900

110 GEORGE HAWKEN (B.1946), CANADIAN MARTA, 1974

Etching; signed, titled, dated and numbered 26/30 in pencil to margin TOGETHER WITH: George Hawken (B.1946), MY FATHER, etching; signed, titled, dated /75 and numbered 2/25 in pencil to margin.

Plate 19.5 ins x 23.75 ins; 49.5 cms x 60.3 cms; Plate 18.25 ins x 20 ins; 46.4 cms x 50.8 cms PROVENANCE:

Private Collection, Toronto $500 — 700

111 PAUL BÉLIVEAU (B.1954), CANADIAN OPUS INCERTUM II: LES OMBRES PORTÉES, 1989

Colour silkscreen; signed, titled, dated ‘89 and numbered 34/60 in white crayon along the bottom edge.

Image 13.5 ins x 30 ins; 34.3 cms x 76.2 cms; Sheet 22 ins x 37.5 ins; 55.9 cms x 95.3 cms PROVENANCE:

Private Collection, Toronto $500 — 700

112 HENRY MOORE (1898-1986), BRITISH TWO FIGURES AT A TABLE, 1975 [CRAMER, 370]

Color lithograph; signed and numbered X/X in pencil to margin. Aside from the edition of 50. Printed by Curwen Prints Ltd., London. Published by Harry N. Abrams, New York.

Image 8 ins x 7 ins; 20.3 cms x 17.8 cms PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

113 HENRY MOORE (1898-1986), BRITISH SIX RECLINING FIGURES, 1957 [CRAMER, 38]

Colour lithograph; signed and numbered 6/60 in pencil to margin. Printed by Mourlot, Paris. Published by Berggruen & Cie., Paris.

Image 17 ins x 13.6 ins; 43.2 cms x 34.5 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

114 HENRY MOORE (1898–1986), BRITISH FOUR RECLINING FIGURES (FROM OMAGGIO A MICHELANGELO), 1974975 [CRAMER, 33]

Colour lithograph on TH Saunders paper; signed and numbered 117/200 in pencil to margin. There were also 20 artist’s proofs.

Printed by Curwen Prints Ltd., London.

Published by Bruckman Stiftung, Munich.

Image 19.2 ins x 23.1 ins; 48.7 cms x 58.7 cms; Sheet 23.75 ins x 31.5 ins; 60.3 cms x 80 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,500

115 VARIOUS 18TH/19TH CENTURY ARTISTS: ANDRE. MOTTE (SCULP) & PIERRE BOUILLON (1776–1831), FRENCH THREE VIEWS OF THE LAOCOON:

A Front View of the Statue of Laocoön in the Vatican Considered Anatomically (pl.

19); The Same Laocoön in a Side View (pl.

13); A Third View of the Laocoön, Seen from Behind (pl. 4) Three antique engravings with letters on laid paper; the first title signed in the plate “Andre. Motte sculp” lower left.

Together with: Pierre Bouillon (1776–1831), French, Two plates: “Ariadne” and “L’Enfant à L’Oie/ Joueuse D’Osselets”; two steel engravings with letters.

Plates (3), approximately 12.8 ins x 7.1 ins; 32.4 cms x 18 cms; Plates (2) 10.4 ins x 14.6 ins; 26.5 cms x 37.2 cms PROVENANCE:

Private Collection, Toronto $300 — 500

116 HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH EN QUARANTE (FROM L’ESCARMOUCHE), 1893 [WITTROCK, 32; DELTEIL, 42; ADHÉMAR, 45; ADRIANI, 47]

Lithograph printed in olive green on velin laid down to a card support; signed with monogram initials in the plate lower right, with Lautrec’s red ink stamp (Lugt 1338) to the lower left corner, numbered “No. 85 “ in pencil to lower left margin, from the edition of 100. Printed by Ancourt, Paris. Published by Kleinmann, Paris on November 26, 1893.

Image 11.4 ins x 9.3 ins; 29 cms x 23.5 cms; Sheet 15.1 ins x 11.1 ins; 38.4 cms x 28.2 cms PROVENANCE:

Sotheby & Co., London, July 23, 1968, Lot 54 labels verso backing; From whom purchased by the father of the present Private Collection, Toronto by descent from his Estate, Toronto $4,000 — 6,000

117 JOSEPH SIMPSON (1879-1939), BRITISH ARTIST SEATED (SELF-PORTRAIT, SEATED HALF-LENGTH TO RIGHT, HOLDING PALETTE AND BRUSHES), 1925; BETTY, 1927

Two etchings; each signed and numbered 29/40 and 70/75 respectively in pencil to margins. Each in folded mats and unframed.

Plates 12 ins x 10 ins; 30.5 cms x 25.4 cms PROVENANCE:

Private Collection, Ontario $400 — 600

118 GUNTAR KRAVIS (20TH CENTURY), CANADIAN UNTITLED (PARIS #5), 1995

Gelatin silver print; signed, titled, dated 1995 and numbered “ed. 2/5” in pencil verso. Unframed.

20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:

Corkin Shopland Gallery, Toronto gallery label verso; Private Collection, Toronto $300 — 500

119 CRIS ALEXANDER (1920-2012), AMERICAN ANDY WARHOL, FRED HUGHES AND BOB COLACELLO IN A WASHROOM

Gelatin silver print; stamp signed in the image lower left, signed and numbered 1/20 in pencil to margin. Unframed.

18.25 ins x 24 ins; 46.4 cms x 61 cms PROVENANCE:

Private Collection, Mexico $400 — 600

120 CRIS ALEXANDER (1920-2012), AMERICAN ROLLER SKATEGIRL ROLLER SKATING IN A PALATIAL DRAWING ROOM

Gelatin silver print; stamp signed in the image lower right, signed and numbered 1/20 in pencil to margin. Unframed.

18.25 ins x 24 ins; 46.4 cms x 61 cms PROVENANCE:

Private Collection, Mexico $400 — 600

121 ARTHUR S. GOSS (1881-1940), CANADIAN FOUR VIEWS OF YONGE STREET, TORONTO, 1913

Four gelatin silver prints, each described to the gallery labels verso backing, each mounted to a linen album page; each titled and dated in the negative, dated in ink verso 1. “Yonge Street 1:37 p.m., June 14, 1913” 2. “Yonge Street 1:44 p.m., June 14, 1913” 3. “Yonge Street 1:47 p.m., June 14, 1913” 4. “Yonge Street 2:00 p.m., June 14, 1913” Each sheet approx. 10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms PROVENANCE:

From the Estate of Leslie B. Allan to Stephen Bulger Gallery, Toronto, gallery labels verso in 2013; Private Collection, Toronto $800 — 1,200

122 JOHN GRIEBSCH (20TH/21ST CENTURY), AMERICAN POPLAR CORNER NEAR SODUS, NY, 2004/2005

Archival digital print; signed, titled, dated and numbered “AP” in pencil to margin, John Griebsch/Photographer/ Putneyville, N.Y. label verso, titled to another label, dated 2005 and numbered 3/10 verso 36 ins x 44 ins; 91.4 cms x 111.8 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,500

123 FREDERICO FELLINI (1920-1993), ITALIAN IL CASANOVA - II TEATRO DI DRESDA (FLAG SERIES), AFTER THE DRAWING OF 1976, PRINTED LATER BY THE WORLD FEDERATION OF UNITED NATIONS ASSOCIATIONS IN 1986

Colour lithograph with the blindstamp of the World Federation of United Nations Associations and the JK Fine Art Editions Co in New York lower left margin; signed

by Fellini in pen and ink and numbered 321/750 in pencil to margin, with blue inked typeset text verso matted with glass.

Unframed.

Image 7.1 ins x 7.4 ins; 18 cms x 18.8 cms; Sheet 8.4 ins x 10.8 ins; 21.4 cms x 27.5 cms PROVENANCE:

Private Collection, Ontario $500 — 700

124 PETER MAX (B.1937), AMERICAN ETERNAL GUIDE, 1970

Colour silkscreen on Arches paper; signed, dated /70 and numbered 61/100 in pencil to margin. Inscribed “Eternal Flow” on cardboard backing.

Sight 21.25 ins x 27.5 ins; 54 cms x 69.9 cms PROVENANCE:

Private Collection, Toronto $600 — 800

125 JAMES ROSENQUIST (1933–2017), AMERICAN PYRAMID BETWEEN TWO DRY LAKES, 1978 [GLENN, 128}

Etching and aquatint with colour pochoir on Pescia Italia paper; signed, dated and numbered 41/78 in pencil to margin.

There were also 23 artist’s proofs. Printed

by Flatstone Studio, Tampa, Florida.

Published by Multiples, Inc., New York.

Plate 17.5 ins x 35.5 ins; 44.5 cms x 90.2 cms; Sheet 22.5 ins x 39.5 ins; 57.2 cms x 100.3 cms PROVENANCE:

Private Collection, Toronto $800 — 1,200

126 HENDES MAJESTAET DRONNING MARGRETHE II (QUEEN OF DENMARK MARGRETHE II ) (B. 1940), DANISH FORGLEM-MIG-EJ, 1988

Colour silkscreen; signed with initial “M,” dated “88” and numbered 298/350 in pencil to margin, with a printed gallery label depicting the artist working on this print verso.

Sight matted 18 ins x 17 ins; 45.7 cms x 43.2 cms; Sheet 25.1 ins x 18.5 ins; 63.8 cms x 47 cms PROVENANCE:

Galerie Edeling, Copenhagen where this print was exhibited and featured in the gallery announcement label verso; Private Collection, Toronto $500 — 700

127 SALVADOR DALÍ (1904-1989), SPANISH FRAMBOISIER (RASPBERRY, FROM FLORDALI / LES FRUITS), 1969 [FIELD, 69-11 (K)]

One photo-lithograph of an original gouache painted on a printed illustration and with original engraving on BFK Rives watermarked paper; signed and numbered 23/200 in pencil to margin.

Unframed.

Plate 22.1 ins x 14.2 ins; 56.2 cms x 36 cms; Sheet 29.2 ins x 21.5 ins; 74.2 cms x 54.7 cms PROVENANCE:

Private Collection, Vancouver $800 — 1,200

128 SALVADOR DALÍ (1904-1989), SPANISH FOUR FLOWERS (FROM FLORALS), 1970 [FIELD 72-7(C; F; G; AND E)] INCLUDING PLATES:

C) Water-hybiscus [+swan] / Le Pecheur; F) Stock [+Rhino horns] Rhinos; G) Gladiolus [+ ears] Costa Brava; E) Tulips [+ lips] Giraffe en feu Four colour lithographs of Dalinized illustrations with original engraving on heavy Arches France watermarked paper; each signed and numbered 57/350 in pencil to margin. There were also 25 artist proofs. Printed by Ateliers Rigal, Fontenay-aux-Roses. Published by Editions Graphiques Internationales, Paris.

Plate 21.5 ins x 14 ins; 54.5 cms x 35.5 cms PROVENANCE:

Purchased in the 1970s by the present consignor’s father and husband’s father as part of a group of 15 signed Dali prints; Private Collection, Toronto $4,000 — 5,000

129 PEGGY HINAEKIAN (20TH/21ST CENTURY), AMERICAN PLAISIRS D’AMOUR; LE TEMPS D’AIMIER

Two colour etchings and drypoints on wove paper; each signed, titled and numbered 29/150 in pencil to margin.

Published by Christie’s Contemporary Art, London with their portrait medalllion of a man in periwig blindstamp lower left margins.

Plates 10.75 ins x 7.6 ins; 27.3 cms x 19.3 cms; Sheets 22 ins x 14.75 ins; 55.9 cms x 37.5 cms PROVENANCE:

Private Collection, Sydenham, Kingston, ON, former representative of Christie’s Contemporary Art in Cape Town, SA; With J&W Graphics Ltd., Kingston, ON gallery label verso of one $300 — 400

130 RAYMOND MORETTI (1931-2005), FRENCH UNTITLED (FACE IN PROFILE)

Colour lithograph on Japon paper printed to the edges; signed and numbered 29/35 in pencil along the bottom edge.

Sheet 25.4 ins x 19.1 ins; 64.5 cms x 48.4 cms PROVENANCE:

Private Collection, Ontario $600 — 900

131 BILL RONALD REID (1920–1998), CANADIAN UNFINISHED DRAWING OF CENTRAL FIGURE IN “SPIRIT OF HAIDA GWAI” (THE BLACK CANOE), PRINTED IN 1997

Intaglio photogravure in black ink on grey tinted ground of Bill Reid’s drawing on paper with two blind stamps to bottom margin, titled in the plate mid left; dated 1997 and numbered 69/73 in pencil to margin.

Plate 29.5 ins x 22 ins; 74.9 cms x 55.9 cms; Sheet 36.5 ins x 28 ins; 92.7 cms x 71.1 cms PROVENANCE:

Douglas Reynolds Gallery, Vancouver; From whom purchased by the present Private Collection, Toronto $800 — 1,200

132 JAMES ROSENQUIST (1933–2017), AMERICAN PUSH BUTTONS, 1972 [GLENN, 51]

Lithograph en grisaille on Hodgkinson handmade oatmeal paper; signed, titled “Pushbuttons” dated 1972 and numbered 51/75 in pencil to margin. There were also 20 artist’s proofs. Printed and published

by Petersburg Press, London.

Image 21 ins x 27 ins; 53.3 cms x 68.6 cms PROVENANCE:

Christie’s East, November 25, 1997, Lot 598 labels verso backing; From whom purchased by the present Private Collection, Toronto $1,500 — 2,000

133 SALVADOR DALÍ (1904–1989), SPANISH HEAVEN, CANTO I (PARADISE FROM THE DIVINE COMEDY), BOOK EDITION, 19601962-1964 [FIELD, PGS. 189-200

Colour woodcut on BFK Rives watermarked paper; signed “Dali” in blue crayon lower right, numbered 3/150 in blue pencil to lower left margin, inscribed “paradise I” in pencil to the bottom edge verso Block 9.8 ins x 7.1 ins; 25 cms x 18 cms; Sheet 13.4 ins x 9.8 ins; 34 cms x 25 cms PROVENANCE:

Private Collection, Toronto LITERATURE:

Albert Field, “The Official Catalog of the Graphic Works of Salvador Dali,” pgs.

189-200. $1,000 — 1,500

134 SALVADOR DALÍ (1904-1989), SPANISH ONE’S IDENTITY (FROM “THE CYCLES OF LIFE”), 1979 [FIELD 79-1 (B)]

Colour photolithograph of a collage and original etching on Arches watermarked paper with Dalart N.V./ Copyright 1977 blind stamp; signed and numbered 299/300 in pencil to margin.

Plate 7.9 ins x 9.6 ins; 20 cms x 24.5 cms; Sheet 14.75 ins x 21.8 ins; 37.5 cms x 55.4 cms PROVENANCE:

Private Collection, Ontario $500 — 700

135 MATT PHILLIPS (1927-2017), AMERICAN LARGE READER WITH STRIPED BLOUSE, 1977

Colour monotype on fibrous paper cream coloured paper; signed “Phillips” and dated ‘77 in black ink to the image lower right, titled to gallery label verso backing.

Image 32.8 ins x 19.9 ins; 83.3 cms x 50.5 cms; Sheet sight 35.75 ins x 57.5 ins; 90.8 cms x 146.1 cms PROVENANCE:

Marianne Friedland Gallery, Toronto gallery label verso; Private Collection, Toronto $300 — 500

136 LÉONARD TSUGUHARU FOUJITA (1886-1968), FRENCH/JAPANESE LA JEUNESSE, 1960 [BUISSON, 60.28]X

Lithograph; signed “L. Foujita” in the image in the plate lower right, signed “L. Foujita” and numbered 38/250 in pencil to margin, signed again and inscribed by the artist with presentation: “a Mlle Madeleine Meleb (sp?) / Amicalement/ Leonard Foujita” in blue pen and ink to bottom centre margin. Unframed.

Image 21.25 ins x 15.5 ins; 54 cms x 39.4 cms; Sheet 27.75 ins x 21.25 ins; 70.5 cms x 54 cms PROVENANCE:

Private Collection, Montreal $2,000 — 3,000

137 GIOVANNI BATTISTA PIRANESI (1720–1778), ITALIAN VASI ANTICHI DI MARMO ECCELLENTEMENTE SCOLPITI…, 1778

Etching with letters on laid paper representing three antique marble vases in the collection of Sir Townley; signed “Cavalier Piranesi F.” in the plate lower right .

Plate 21 ins x 15.25 ins; 53.3 cms x 38.7 cms; Sheet 22.75 ins x 16.75 ins; 57.8 cms x 42.5 cms PROVENANCE:

Private Collection, Toronto $300 — 500

138 PAUL GAVARNI (1804-1866), FRENCH ELEVEN FIGURAL NARRATIVES (FROM LES LORETTES VIEILLES, MASQUES ET VISAGES, PHYSIONOMIES PARISIENNES), 1839-1858

Eleven lithographs with letters. Printed by Lemercier, Paris. Published by Librairie Nouvelle, Paris. Each matted in folders and unframed.

13.4 ins x 10.2 ins; 34 cms x 25.9 cms PROVENANCE:

Private Collection, Ontario $700 — 900

139 LÉONARD TSUGUHARA FOUJITA (1886-1968), JAPANESE/FRENCH JEUNE FILLE AVEC UNE ROSE, 1925 [BUISSON, 118]

Drypoint on wove paper; an unsigned artist’s proof aside from the edition of 29. Matted and unframed.

Plate 9.3 ins x 7 ins; 23.7 cms x 17.6 cms; Sheet 14.9 ins x 10.8 ins; 37.8 cms x 27.5 cms PROVENANCE:

Prominent Collection, Toronto $800 — 1,200

140 ALFRED STIEGLITZ (1864-1946), AMERICAN AN ICY NIGHT, FROM CAMERA WORK NUMBER 4, (FEATURED IN AN AD FOR GOERZ LENSES), 1898, PRINTED 1903

Photogravure on a printed sheet for Goerz Lenses with wide margins; the image on a sheet with text printed in sepia, headed at the top of the sheet on both sides, “Goerz” …. “Lenses,” above more text that reads in the left and right margins, “The original of this celebrated picture “Icy Night,” exhibited in the international exhibitions at London, Paris, Turin, Brussels, Hamburg, Philadelphia, etc., etc. was made in January, Eighteen hundred and Ninety-eight, at 1:00 a.m., with a Goerz lens, Series III., full opening, and an exposure of three minutes.”

Unframed.

Plate/Sheet 5.1 ins x 6.3 ins; 13 cms x 15.9 cms; Plate/Sheet 18.1 ins x 20 ins; 46 cms x 50.8 cms See website for full catalogue details. $800 — 1,200

141 PAUL CÉZANNE (1839-1906), FRENCH PORTRAIT DU PEINTRE ARMAND GUILLAUMIN AU PENDU, 1873 [CHERPIN, 2]

Drypoint etching. A posthumous impression.

Plate 6 ins x 4.5 ins; 15.2 cms x 11.4 cms PROVENANCE:

Folio Fine Art Ltd., London, UK label verso; Private Collection, Ontario $500 — 700

142 ANTONI TÀPIES (1923-2012), SPANISH LES CISEAUX, 1969 [GALFETTI, 193]

Soft-ground etching and embossing on wove paper; numbered 31/75 lower left; signed lower right.

Sheet 30 ins x 22.5 ins; 76.2 cms x 57.2 cms PROVENANCE:

Private Collection, Toronto $600 — 900

143 MARC CHAGALL (1887–1985), RUSSIAN/FRENCH PARADISE (FROM DRAWINGS FROM THE BIBLE), 1960 [MOURLOT, 232]

A double-sided print with colour lithograph on the recto printed to the edges and with a black and white lithograph verso. Printed by Atelier Mourlot, Paris. Published by Editions de la Revue Verve, Tériade, Paris in an edition of 6500 unsigned works produced for Verve from “Drawings for the Bible” aside from the edition of 50.

Sheet 14 ins x 10.2 ins; 35.5 cms x 26 cms PROVENANCE:

Private Collection, Vancouver $500 — 700

144 PIERRE-AUGUSTE RENOIR (1841–1919), FRENCH SUR LA PLAGE À BERNEVAL, CIRCA 1892 [DELTEIL, 5]

Etching and engraving on laid paper; signed in the plate lower right.

Posthumous printing.

Plate 5.2 ins x 3.7 ins; 13.3 cms x 9.3 cms; Sheet 13 ins x 10 ins; 33 cms x 25.4 cms PROVENANCE:

Phillip C. Freed Dealer in Fine Prints, Chicago, IL label verso; Private collection, British Columbia $500 — 700

145 JEAN JANSEM (1920-2013), FRENCH JACQUELINE (FROM FEMMES), 1975

Colour lithograph on Arches watermarked paper; signed and numbered 68/110 in pencil to margin.

Image 26.2 ins x 19.75 ins; 66.5 cms x 50.8 cms PROVENANCE:

Private Collection, Quebec $600 — 800

146 MAX KLINGER (1857-1920), GERMAN DER PHILOSOPHER, PL.3 (FROM THE PERIODICAL PAN, VOL.I, NO.2, JUL-AUG 1895), 1885 [SINGER, 244 III]

Etching and aquatint en grisaille; printed

by Otto Felsing, Berlin. Published by Genossenschaft Pan GmbH, Berlin.

Plate 10.5 ins x 6.25 ins; 26.5 cms x 16 cms; Sheet 14 ins x 11 ins; 35.6 cms x 27.9 cms PROVENANCE:

Waddington Galleries, Toronto, Stock No. T162, gallery label verso; Kaspar Gallery, Toronto gallery label verso; Private Collection, Toronto $200 — 300

147 FÉLIX HILAIRE BUHOT (1847-1898), FRENCH UNE MATINEE D’HIVER AU QUAI DE L’HOTEL DIEU, 1876 [BOURCARD/ GOODFRIEND, 123]

Etching and drypoint; signed in the image in the plate “Felix Buhot pinx. et sculp.” lower left, titled in the plate to the bottom margin. plates 9.5 ins x 12.5 ins; 24.1 cms x 31.8 cms PROVENANCE:

Private Collection, Toronto $500 — 700

148 WILLIAM HOGARTH (1697–1764), BRITISH NOON; NIGHT, (FROM THE FOUR TIMES OF THE DAY), 1738 [PAULSON, 153; 155]

Pair of copper engravings with letters, “Invented, painted, engraved and published by William Hogarth, according to Act of Parliament” on March 25, 1738.

Image 17.3 ins x 14.4 ins; 44 cms x 36.6 cms; Sheets 19.2 ins x 16 ins; 48.8 cms x 40.6 cms PROVENANCE:

T. Wood & Sons Fine Art Dealers labels verso; Private Collection, Toronto $400 — 600

149 JULES CHÉRET (1836-1932), FRENCH FOLIES - BERGÈRE / LE MIROIR, CIRCA 1892 [CHERET, 145; BROIDO, 122; MAINDRON, 110; MAITRES, 157]

Colour lithographic poster; signed “JChéret” in the image in the plate lower right. Published by Chaix, Ateliers Cheret, Paris, number 29086 stamp to the lower left edge.

Sheet 46.75 ins x 32.75 ins; 118.7 cms x 83.2 cms PROVENANCE:

Private Collection, Toronto $600 — 800

150 DUDLEY HARDY (1866-1922), BRITISH A GAIETY GIRL, 1894

Colour lithographic poster; signed in the plate mid-left with letters of the printer, “Waterlow & Sons Ltd., Lithographers, London/ Copyright - Registered” in the plate lower left.

Image 29.25 ins x 19.25 ins; 74.3 cms x 48.9 cms PROVENANCE:

Marianne Friedland Gallery, Toronto gallery label verso; Private Collection, Toronto $500 — 700

151 ALPHONSE MUCHA (1860–1939), CZECHOSLOVAKIAN JOB (POSTER FOR JOB CIGARETTE PAPERS), 1898 [RENNERT/WEILL, 51]

Colour lithographic poster; signed “Mucha” in the plate lower left. Printed by Imp. F. Champenois, Paris.

Image 57.5 ins x 37.25 ins; 146.1 cms x 94.6 cms; Sheet 61 ins x 41 ins; 154.9 cms x 104.1 cms PROVENANCE:

Private Collection, Toronto $6,000 — 9,000

152 GEORGES MEUNIER (1869-1942), FRENCH BULLIER. TOUS LES SAMEDIS BAL MASQUÉ, GRANDE FÊTE DE NUIT DIVERTISSEMENTS VARIÉS, 1895

Colour lithographic poster mounted on linen; signed in the image in the plate lower left. Published by Chaix, Ateliers Cheret, Paris, number 23994.94 stamp to the lower left edge.

Sheet 48.5 ins x 34.25 ins; 123.2 cms x 87 cms PROVENANCE:

Private Collection, Toronto $800 — 1,200

153 J. NEWMAN & CO. (FL. 1838-1880), BRITISH TENBY FROM THE SOUTH SANDS (THE DU CAVERN, IVY COTTAGES, ROCK TERRACE, ROCK HOUSES); TENBY FROM THE NORTH SHORE

Two lithographs with letters with hand colouring Together with: Charles Herbert Clark (1890-?), British, EASTGATE, CHESTER; black and white etching; signed in pencil to margin.

Unnumbered. Titled and published in a limited edition of 200 signed proofs, publisher’s label verso backing. Unframed.

Each (Tenby views) 4 ins x 5.9 ins; 10.2 cms x 15 cms; Plate (Clark) 7.5 ins x 9.75 ins; 19.1 cms x 24.8 cms PROVENANCE:

Phillipson & Golder Ltd., Eastgate Row, Chester label verso backing (the C.H. Clark); Private Collection, Ontario $200 — 300

154 OSCAR CAMILO DE LAS FLORES (B.1971), EL SALVADORAN/MEXICAN GRAN ELEGIA PATRIOTICA, 1997

Lithograph on Japon paper; signed, titled, dated /97 and numbered A/P in pencil to margin. Unframed.

Sheet 24.5 ins x 38.75 ins; 62.2 cms x 98.4 cms PROVENANCE:

Private Collection, Toronto $400 — 600

155 AFTER HENRY MOORE (1898–1986), BRITISH IDEAS FOR LEAD SCULPTURE: RECLINING FIGURES, 1939

Photogravure on heavy paper; signed “Moore” and dated /39 in the plate lower right.

Image 16.9 ins x 10 ins; 42.8 cms x 25.3 cms; Sheet 19.8 ins x 12.9 ins; 50.2 cms x 32.7 cms PROVENANCE:

Private Collection, Ontario $300 — 500

156 HENRY MOORE (1898-1986), BRITISH THREE SEATED FIGURES, 1981 [CRAMER, 620]

Colour lithograph on Rives paper; signed and numbered 50/50 in pencil to margin.

The total edition included 15 artist’s proofs. Printed by J.E. Wolfensberger, Zurich. Published by Raymond Spencer Company Ltd., for The Henry Moore Foundation, Much Hadham.

PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

157 HENRY MOORE (1898-1986), BRITISH FEMALE FIGURES WITH GREY BACKGROUND, 1980 [CRAMER, 576]

Colour lithograph on BFK Rives wove paper; signed and numbered 2/50 in pencil to margin. There were also 15 artist proofs. Printed by J E Wolfensberger, Zurich. Published by Raymond Spencer Company Ltd., Much Hadham for The Henry Moore Foundation, Much Hadham.

Image 9 ins x 17.5 ins; 22.9 cms x 44.5 cms; Sheet 16.7 ins x 22.3 ins; 42.5 cms x 56.6 cms PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

158 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN ANNIE, SEATED, CIRCA 1858-1859 [KENNEDY, 30; GLASGOW, 32]

Etching on grey toned wove paper; signed “Whistler” in the image in the plate lower left, titled “Annie” in the image in the plate bottom centre, titled to the gallery’s typed label verso backing.

Plate/Sheet 5 ins x 3.7 ins; 12.8 cms x 9.5 cms; Plate/Sheet 7.5 ins x 6.1 ins; 19 cms x 15.4 cms PROVENANCE:

The Vincent Price Collection, Sears, Roebuck and Co., Inventory No. GE15597 to label verso backing; Private Collection, Ontario $700 — 900

159 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN LA VIELLE AUX LOQUES (FROM TWELVE ETCHINGS FROM NATURE), 1958 [KENNEDY, 21 III/III; GLASGOW, 41]

Etching and drypoint on tissue-thin cream laid paper; signed “Whistler” in the plate lower right. Printed by Delâtre, Paris.

Plate 8.5 ins x 5.8 ins; 21.7 cms x 14.7 cms; Sheet 10.8 ins x 8 ins; 27.4 cms x 20.3 cms PROVENANCE:

The Vincent Price Collection, Inventory No. GE16530 to his typed label verso backing; Private Collection, Toronto $1,000 — 1,500

160 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN THE RAG GATHERERS, 1858 [KENNEDY, 23V; GLASGOW, 29]

Etching on tissue-thin cream laid paper; signed “Whistler” and dated 1858 in the plate on the image lower right.

Plate 6 ins x 3.4 ins; 15.2 cms x 8.6 cms; Sheet 9.4 ins x 8.1 ins; 23.9 cms x 20.6 cms PROVENANCE:

The Vincent Price Collection, Inventory No. GE15678 to his typed label verso backing; Private Collection, Toronto $1,000 — 1,500

161 JAMES ABBOTT MCNEILL WHISTLER (1834–1903), AMERICAN THE MUSIC ROOM, 1859 [KENNEDY, 33; GLASGOW, 39]

Etching and drypoint on cream laid Arches watermarked paper Plate 5.7 ins x 8.4 ins; 14.4 cms x 21.4 cms; Sheet 8.5 ins x 12.2 ins; 21.6 cms x 31 cms PROVENANCE:

Private Collection, Toronto $800 — 1,200

162 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN SIX PLATES FROM THE STUDIO AND ART JOURNAL [WAY, 26, 68, 110, 52; LEVY, 40, 96, 159, 83, 164; SPINK 35, 107, 146, 124] 1890; 1894 (2); 1896 (2); 1895

Six transfer lithographs, titles including: 1. GANTS DE SUÈDE; 2. LA ROBE ROUGE; 3. LITTLE EVELYN; 4. THE LONG GALLERY AT THE LOUVRE; 5. THE SMITH’S YARD; 6. SAVOY PIGEONS $600 — 800

163 THOMAS MORAN (1837-1926), AMERICAN THE RAINBOW, 1880 (ALSO CALLED “THREE MILE HARBOR, LONG ISLAND” AND “THREE MILE HARBOR, ROAD TO THE MARSH, TWO BOATS AT MORNING”)

Etching; signed “T. Moran” below the plate mark in the centre margin and titled “Three Mile Harbor, Long Island” in pencil to margin bottom left edge. Unframed.

Plate 3.9 ins x 7.9 ins; 9.8 cms x 20 cms; Sheet 9.3 ins x 12.5 ins; 23.5 cms x 31.8 cms PROVENANCE:

Private Collection, Ontario $300 — 500

Index A

F

AGAM, YAACOV 46

FABRE, GILLES 93

ALEXANDER, CRIS 119, 120

FELLINI, FREDERICO 123

ANDREWS, SYBIL 11

FLORES, OSCAR CAMILO DE LAS 18, 91, 154

ANNIGONI, PIETRO 102

FOUJITA, LÉONARD TSUGUHARA 136, 139

APPEL, KAREL 65

FRIEDLAENDER, JOHNNY 85, 87

ATLAN, JEAN-MICHEL 84

FRUHTRUNK, GÜNTER 7

AVATI, MARIO 22 AVEDON, RICHARD 98

G

B

GARNET, ELDON 34, 36 GAVARNI, PAUL 138

BÉLIVEAU, PAUL 111

GOSS, ARTHUR S. 121

BENN, BEN 4

GRIEBSCH, JOHN 122

BERTHON, PAUL 14 BERVOETS, HENDRIKUS 67, 68, 69

H

BONNARD, AFTER PIERRE 12 BRAINWASH, MR. 79

HARDY, DUDLEY 150

BRUNELLESCHI, UMBERTO 76

HARING, KEITH 26, 72

BUCHER, CARL 71

HAWKEN, GEORGE 110

BUFFET, BERNARD 64

HIDER, ARTHUR H. 108

BUHOT, FÉLIX HILAIRE 147

HINAEKIAN, PEGGY 129 HINTON, JANE 44

C

HOCKNEY, DAVID 47 HOGARTH, WILLIAM 148

CALDER, AFTER ALEXANDER 77

HUAN, ZHANG 35

CALDER, ALEXANDER 56, 58

HUNDERTWASSER, FRIEDENSREICH 51, 55, 57, 61

CAPOGROSSI, GIUSEPPE 23 CAULFIELD, PATRICK 78

I-J

CÉZANNE, PAUL 141 CHAGALL, AFTER MARC 19

ICART, LOUIS 27

CHAGALL, MARC 20, 143

IDEA, GENERAL 82

CHASE, LOUISA 48

II, HENDES MAJESTAET DRONNING MARGRETHE 126

CHÉRET, JULES 16, 149

JACQUE, CHARLES ÉMILE 92

COHEN, LYNNE 31

JANSEM, JEAN 145

CURTIS, EDWARD SHERIFF 103, 104, 105

JEANNE-CLAUDE, CHRISTO AND 1

D-E

K

DALÍ­, SALVADOR 53, 94, 97, 100, 127, 128, 134, 95, 133

KABELIK, VLADIMIR 17

DELAUNAY, SONIA 62

KING, AFTER CHARLES BIRD 106

DOJC, YURI 38, 40, 41, 42

KLINGER, MAX 146

DUBUFFET, JEAN 80

KRAVIS, GUNTAR 118

ERNST, MAX 50

KYU-BAIK, HWANG 6

L

R

LACROIX, RICHARD 73

REID, BILL RONALD 131

LÉGER, AFTER FERNAND 54

RENOIR, PIERRE-AUGUSTE 144

LÉGER, FERNAND 63

ROSENQUIST, JAMES 125, 132

LIK, PETER 37, 39

RUBIN, REUVEN 15, 21

M S MATISSE, HENRI 60 MAX, PETER 124

SEGAL, GEORGE 66

MCINTYRE, LYLE 43, 109

SIMPSON, JOSEPH 117

MEUNIER, GEORGES 152

SIQUEIROS, DAVID ALFARO 13

MOORE, HENRY (AFTER) 155

SPECHT, PAUL 32

MOORE, HENRY 70, 112, 113, 156, 157, 114

STIEGLITZ, ALFRED 140

MORAN, THOMAS 163 MORETTI, RAYMOND 130

T

MOSER, CARL 9 MOTHERWELL, ROBERT 25

TÀPIES, ANTONI 142

MUCHA, ALPHONSE 151

TAYLOR-WOOD, SAM 33

MURDOCK, GREG 45, 88

TISSOT, JAMES JACQUES JOSEPH 99, 101 TOBIASSE, THÉO 49

N

TORNERO, SERGIO GONZÁLEZ 10 TOULOUSE-LAUTREC, HENRI DE 116

NEWMAN, J. & CO, 153

TOWELL, LARRY 28, 29, 30

O

V

OKUYA, NAOMI 75

VARIOUS 18TH/19TH CENTURY ARTISTS 115 VASARELY, VICTOR 3, 74

P W PASMORE, VICTOR 24, 83 PAVANT, MAX 89

WENGLEIN, JOSEF 107

PEACOCK, GRAHAM 86

WHISTLER, JAMES ABBOTT MCNEILL 158, 159, 160, 162, 161

PELLAN, ALFRED 59

WILLIAMS, SIR KYFFIN 5

PHILLIPS, MATT 135

WILSON, RONALD YORK 81

PICASSO, PABLO 96

WING, LUCY MOLNAR 8

PIPER, JOHN 52 PIRANESI, GIOVANNI BATTISTA 137 PIZA, ARTHUR LUIZ 2 PORTER, LILLIANA 90

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca