Inuit Art: Visions of Transformation | March 18 - 23, 2023

Inuit Art: Visions of Transformation MA R C H 18 — 23, 2 023

Inuit Art: Visions of Transformation M A R C H 18 — 23, 2 023

bid and view all lots online at www.waddingtons.ca on view Sunday, March 19 from 12pm to 4pm Monday, March 20 from 10am to 5pm Tuesday, March 21 from 10am to 5pm preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2

senior specialist Duncan McLean adm@waddingtons.ca 416-847-6183

specialist Palmer Jarvis pj@waddingtons.ca 416-847-6191

consignment coordinator Elizabeth Gagnon ekg@waddingtons.ca 416-847-6184

tel: 416-504-9100

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Lot 7 BILL NASOGALUAK BEAR TANGLED IN BARBED WIRE

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Lot 28 PUDLO PUDLAT SPIRITS DOMAIN, 1964

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Lot 64 ABRAHAM APAKARK ANGHIK CHILDREN OF LIGHT

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Lot 31 MANASIE AKPALIAPIK SHAMAN TRANSFORMATION

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This catalogue and its contents © 2023 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights Reserved.

1 MATHEWSIE TUNNILLIE ᑐᓂᓕ (B. 1984), AKULIVIK IJIRAQ LEGEND

stone; signed in Roman 4.25 x 1.5 x 1.5 in — 10.8 x 3.8 x 3.8 cm PROVENANCE:

Private Collection, France $200 — 300

2 NUNGUSUITOK QAYUARYUK (B. 1964), KINNGAIT (CAPE DORSET) SPIRIT FACES, 1989

stone; signed in Roman; dated 8 x 5 x 3.25 in — 20.3 x 12.7 x 8.3 cm PROVENANCE:

Private Collection, France $200 — 300

3 MAUDIE RACHEL OKITTUQ ᐅᑭᑐ (B. 1944), TALOYOAK (SPENCE BAY) GRIMACING SHAMAN

stone, antler; signed in syllabics 7.5 x 2.5 x 2.5 in — 19.1 x 6.4 x 6.4 cm PROVENANCE:

Private Collection, France $300 — 500

4 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK SHAMAN’S HEAD

stone, bone; unsigned 10 x 5.25 x 3.5 in — 25.4 x 13.3 x 8.9 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/ or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.

Please do not hesitate to contact one of our specialists for further details. $500 — 700

5 JAMASIE PITSEOLAK ᔭᒥᓯ ᐱᓯᐃᓚ (B. 1968), KINNGAIT (CAPE DORSET) MODEL KNIFE

stone; signed in Roman and syllabics 11.5 x 2.25 x 1.25 in — 29.2 x 5.7 x 3.2 cm PROVENANCE:

Private Collection, France $250 — 350

6 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK NEEDLE WITH SKULL

stone, pewter, steel, bone; unsigned 19.75 x 6 x 3.75 in — 50.2 x 15.2 x 9.5 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Bill Nasogaluak has developed a highly distinctive canon of images encompassing subjects as diverse as shamanism and Inuit mythology, Western Renaissance traditions, climate change, depression, and the impacts of industry in the North.

A self-taught artist with a passion for both Inuit and Western art history, Nasogaluak is an accomplished painter, sculptor, and instructor whose prescient artworks have been garnering notable curatorial attention in recent years.

Slated for a solo show at the Art Gallery of Ontario in 2023, his work is held in important private and public collections including the Art Gallery of Ontario and the Prince of Wales Northern Heritage Centre. $900 — 1,200

7 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK BEAR TANGLED IN BARBED WIRE

painted barbed steel wire, stone; unsigned 6 x 15 x 7.5 in — 15.2 x 38.1 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON $2,000 — 3,000

8 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK SEDNA AND MELTING ICECAP

antler; unsigned 4.75 x 21.25 x 19 in — 12.1 x 54 x 48.3 cm PROVENANCE:

Private Collection, Toronto, ON $800 — 1,200

9 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK SHAMAN’S HANDS WITH HOOP

stone, antler; unsigned 26 x 26 x 4 in — 66 x 66 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $900 — 1,200

10 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK POLAR BEARS ON VANISHING ICE CAPS, 2012

stone, ivory; signed in Roman; dated 8.5 x 8 x 3.5 in — 21.6 x 20.3 x 8.9 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $1,500 — 2,500

11 BILLY KUKSUK (B. 1962), ARVIAT (ESKIMO POINT) POLLUTION

antler, vertebra; unsigned 11 x 11 x 5.5 in — 27.9 x 27.9 x 14 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $300 — 500

12 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK MASK, 1997

stone; signed in Roman; dated 10 x 7 x 2 in — 25.4 x 17.8 x 5.1 cm PROVENANCE:

Private Collection, Toronto, ON $2,000 — 3,000

13 UNIDENTIFIED ARTIST MAN WITH ATTENDANT SPIRITS, 1966

stone, antler; signed indistinctly 11 x 6 x 2.5 in — 27.9 x 15.2 x 6.4 cm PROVENANCE:

Private Collection, Ontario $200 — 300

14 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK SHAMAN TRANSFORMATION, 2015

stone, catlinite; signed in Roman; dated 8.5 x 18.7 x 6.5 in — 21.6 x 47.5 x 16.5 cm PROVENANCE:

Private Collection, Toronto, ON $2,500 — 3,500

15 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK SHAMAN

stone, antler, metal rod; unsigned 16 x 7 x 3.5 in — 40.6 x 17.8 x 8.9 cm PROVENANCE:

Private Collection, Illinois $1,500 — 2,000

16 BILL NASOGALUAK ᐱᐃᓪ ᓇᓱᒐᓗᐊᒃ (B. 1953), TUKTOYAKTUK SEDNA IN AN OIL SPILL, 2011

stone; signed in Roman; dated approx. 4 x 13.5 x 7 in — 10.2 x 34.3 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Bill Nasogaluak has developed a highly distinctive canon of images encompassing subjects as diverse as shamanism and Inuit mythology, Western Renaissance traditions, climate change, depression, and the impacts of industry in the North.

A self-taught artist with a passion for both Inuit and Western art history, Nasogaluak is an accomplished painter, sculptor, and instructor whose prescient artworks have been garnering notable curatorial attention in recent years. Slated for a solo show at the Art Gallery of Ontario in 2023, his work is held in important private and public collections including the Art Gallery of Ontario and the Prince of Wales Northern Heritage Centre. $900 — 1,200

17 ELI SALLUALU QINUAJUA ᐃᓕ ᓴᓗᐊᓗ ᑭᓄᐊᔪᐊ (1937-2004), PUVIRNITUQ (POVUNGNITUK) CREATURE

stone; signed in syllabics 5.5 x 13.5 x 2.5 in — 14 x 34.3 x 6.4 cm PROVENANCE:

Private Collection, Toronto, ON $700 — 900

18 ELI SALLUALU QINUAJUA ᐃᓕ ᓴᓗᐊᓗ ᑭᓄᐊᔪᐊ (1937-2004), PUVIRNITUQ (POVUNGNITUK) CREATURE

stone; signed in syllabics 5.75 x 6 x 2 in — 14.6 x 15.2 x 5.1 cm PROVENANCE:

Private Collection, Hamilton, ON $400 — 600

19 ELI SALLUALU QINUAJUA ᐃᓕ ᓴᓗᐊᓗ ᑭᓄᐊᔪᐊ (1937-2004), PUVIRNITUQ (POVUNGNITUK) TWO CREATURES

stone; unsigned; one with Canada Eskimo Art Tag dated 1982 largest 3 x 6 x 1.5 in — 7.6 x 15.2 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 400

20 SHARNI POOTOOGOOK ᓴᓂ ᑭᑐᒍ (1922-2003), KINNGAIT (CAPE DORSET) FANTASY, 1964

stonecut; titled, dated and numbered 43/50; artist’s name in Roman sheet 25 x 30 in — 63.5 x 76.2 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

In a lively and mysterious image, Sharni Pootoogook has captured the mischievous activities of spirits whose identities are unknown to us. The upper figure exhibits a strange protrusion embellished with a foliate design. The work is printed on Japanese tatami paper whose surface is enlivened by the inclusion of rush straw fibres.

Pootoogook was from a family of talented artists including husband Pudlat Pootoogook, daughter Sarah Putuguk, adopted son Elijah Pootoogook and sisterin-law Kananginak Pootoogook. $800 — 1,200

21 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) UNITITLED

watercolour, coloured pencil, felt tip drawing; signed; framed sheet 21.75 x 25.75 in — 55.2 x 65.4 cm PROVENANCE:

The Isaacs/Innuit Gallery, 1991; Private Collection, Toronto, ON $1,000 — 1,500

22 NINGEEUGA OSHUITOQ ᓂᒋᐅᒐ (1918-1980), KINNGAIT (CAPE DORSET) SPIRIT, 1968

stonecut; titled, dated and numbered 32/50; artist’s name in Roman; framed sight 20 x 24.5 in — 50.8 x 62.2 cm PROVENANCE:

Private Collection, Oakville, ON $150 — 250

23 NINGEEUGA OSHUITOQ ᓂᒋᐅᒐ (1918-1980), KINNGAIT (CAPE DORSET) DREAM IMAGE, 1967

stonecut; titled, dated and numbered 5/50; artist’s name in Roman and syllabics sheet 24.25 x 33.75 in — 61.6 x 85.7 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

24 AGNES NANOGAK (1925-2001), ULUKHAKTOK (HOLMAN) FOUR WINDS, 1986

stonecut; titled, dated and numbered 12/30; artist’s and printer’s name in Roman sheet 20 x 26 in — 50.8 x 66 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 400

25 EGEVADLUQ RAGEE ᐃᔨᕙᓗ ᕋᒋ (1920-1983), KINNGAIT (CAPE DORSET) BIRD WOMAN, 1970

stonecut; titled, dated and numbered 40/50; artist’s name in Roman sheet 24 x 23.75 in — 61 x 60.3 cm PROVENANCE:

Private Collection, Toronto, ON $250 — 350

26 ANIRNIK OSHUITOQ ᐊᓂᓂ (1902-1983), KINNGAIT (CAPE DORSET) SHAMAN DANCES, 1972

stonecut; titled, dated and numbered 8/50; artist’s name in Roman sheet 24.5 x 34 in — 62.2 x 86.4 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

27 PAUNICHEA ᐸᓇᓯᐊ (1920-1968), KINNGAIT (CAPE DORSET) FALLEN ANGELS, 1961

stonecut; titled, dated and numbered 15/50; artist’s name in Roman sheet 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

The daughter of Kiakshuk and husband of Davidee Munamee, Paunichea crafted lively images often full of frolicking, sometimes whimsical figures, as here in Fallen Angels. The almost luminous yellow angels in the print dance in joyous, raucous celebration–a so very Inuit perspective on the behaviour of the spirits. $800 — 1,200

28 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) SPIRITS DOMAIN, 1964

stonecut; titled, dated and numbered 7/45; artist’s name in Roman; framed and glazed 22.75 x 57.8 in — 57.8 x 146.8 cm PROVENANCE:

Private Collection, Hamilton, ON $1,000 — 1,500

29 NINGIUKULU TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963), KINNGAIT (CAPE DORSET) STORYTELLER, 2018

lithograph; titled, dated and numbered 28/50; artist’s name in Roman and syllabics; framed 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Private Collection, Calgary, AB $300 — 500

30 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) OWL COMPOSITION

antler, catlinite, baleen, whalebone; signed in syllabics 14.75 x 25.5 x 14 in — 37.5 x 64.8 x 35.6 cm PROVENANCE:

Acquired directly from the artist by the previous owner, ca. 1995 NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $2,000 — 3,000

31 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) SHAMAN TRANSFORMATION

reindeer skull, stone; signed in syllabics 24.25 x 21 x 17 in — 61.6 x 53.3 x 43.2 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $2,000 — 3,000

32 UNIDENTIFIED ARTIST JANUS-FACED HEAD WITH WOLF

whalebone vertebra, antler; unsigned 13 x 9 x 5 in — 33 x 22.9 x 12.7 cm PROVENANCE:

Private Collection, Ontario NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $200 — 300

33 UNIDENTIFIED ARTIST FACES

whalebone vertebra; unsigned 14 x 9 x 5 in — 35.6 x 22.9 x 12.7 cm PROVENANCE:

Private Collection, Ontario NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $300 — 500

34 ROY HENRY, HAUDENOSAUNEE (ONONDAGA) FIGURE WITH WOLF AND PIPE

whalebone, catlinite, stone; unsigned 19 x 24 x 7.5 in — 48.3 x 61 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

As late as the early 2000s, artists Roy and Randy Henry worked in Ontario in close proximity to the artist Manasie Akpaliapik following his move from Ikpiarjuk (Arctic Bay) after 1980. Benefiting from mutual artistic influence, Roy and Randy adopted the use of whalebone in their artwork, as Manasie had adopted the use of red catlinite, a stone absent in Ikpiarjuk, but of strong traditional importance to the Haudenosaunee and many other North American Indigenous peoples. In the present work, Roy Henry seamlessly incorporates Haudenosaunee wolf imagery into the newly introduced medium of whalebone. Surmounting the work with a representation of a sacred pipe made in catlinite, the sculpture speaks to notions of cross cultural Indigeneity for which fellow artist Manasie Akpaliapik is already well known. $800 — 1,200

35 UNIDENTIFIED ARTIST TWO-FACED SPIRIT

whalebone; unsigned 7 x 10 x 1.5 in — 17.8 x 25.4 x 3.8 cm PROVENANCE:

Private Collection, Ontario NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $200 — 300

36 LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) TRANSFORMING SPIRITS

antler; unsigned 9.25 x 14 x 4 in — 23.5 x 35.6 x 10.2 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

37 ELISHA SANGUYA ᐃᓕᓴ ᓴᒍᓴ (B. 1957), KANGIQTUGAAPIK (CLYDE RIVER) NORTHERN LIGHTS, 1994

antler; unsigned, accompanied by “Canadian Eskimo Art” tag reading “Elisha Sanguya” 13.25 x 10.75 x 1.25 in — 33.7 x 27.3 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON $100 — 200

38 ALEX ALIKASHUAK ᐊᓕᑲᓱᐊ (B. 1952), TIKIRAQJUAQ (WHALE COVE) HOWLING SPIRITS

stone, antler; signed in syllabics 14 x 9 x 3.5 in — 35.6 x 22.9 x 8.9 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

39 LUKE ANOWTALIK ᓗ ᐊᓇᐅᑕᓕ (1932-2006), ARVIAT (ESKIMO POINT) ANTLER MEN

antler; unsigned 8.75 x 6.75 x 1.5 in — 22.2 x 17.1 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

40 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) SPIRIT FIGURE

whalebone, baleen. stone; signed indistinctly in syllabics 16.5 x 11 x 5.5 in — 41.9 x 27.9 x 14 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $1,000 — 2,000

41 SAMONIE TOONOO ᓴᒧᓂ ᑐᓄ (1969-2017), KINNGAIT (CAPE DORSET) MADMEN, 2006

whalebone, stone; signed in syllabics 13.25 x 6 x 1.25 in — 33.7 x 15.2 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $300 — 400

42 MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955), IKPIARJUK (ARCTIC BAY) OWL

whalebone, stone, lichen; signed in syllabics 3.5 x 2.5 x 2.75 in — 8.9 x 6.4 x 7 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $150 — 250

43 UNIDENTIFIED ARTIST, PANNIRTUQ (PANGNIRTUNG) MOTHER WITH CHILD IN AMAUTI

whalebone; unsigned 14.5 x 17 x 7 in — 36.8 x 43.2 x 17.8 cm PROVENANCE:

Private Collection of Edward Charles and Judy Steeves, Ontario; Thence by descent to the consignor NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $300 — 400

44 PAULOOSIE NAUYUQ ᐸᐅᓗᓯ ᓇᐅᔪ (B. 1927), PANNIRTUQ (PANGNIRTUNG) BIRD BEAR TRANSFORMATION

stone; signed in syllabics 14 x 12.75 x 1.75 in — 35.6 x 32.4 x 4.4 cm PROVENANCE:

Images Art Gallery, Toronto, ON, 1993; Private Collection, Toronto, ON $350 — 450

45 HUGH HAQPI (B. 1955), QAMANI’TUAQ (BAKER LAKE) FLYING SHAMAN

stone; unsigned 9.5 x 4.5 x 3.5 in — 24.1 x 11.4 x 8.9 cm PROVENANCE:

Private Collection, Toronto, ON $500 — 700

46 LUKASIE TUNU SAVIAKJUK ᓴᕕᐊᔪ (1914-1984), SALLUIT (SUGLUK) WALRUS TRANSFORMATION

stone, antler; signed in syllabics 5.5 x 4.5 x 3.25 in — 14 x 11.4 x 8.3 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

47 KELLYPALIK QIMIRPIK ᑭᒥᐱ (B. 1948), KINNGAIT (CAPE DORSET) TRANSFORMATION, 2002

stone; unsigned 9.5 x 17.5 x 8 in — 24.1 x 44.5 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

48 JOANASSIE IGIU ᔪᐊᓇᓯ ᐃᒋᐅ (1923-1981), KINNGAIT (CAPE DORSET) TRANSFORMING FIGURE, CA. 1975

stone; signed in syllabics; includes custom lacquered plinth and acrylic case 52 x 20 x 20 in 15 x 18 x 14 in — 38.1 x 45.7 x 35.6 cm PROVENANCE:

Private Collection, Toronto $1,000 — 2,000

49 UNIDENTIFIED ARTIST, KIMMIRUT (LAKE HARBOUR) MISCHIEVOUS SPIRITS, CA. 1975

stone; unsigned 11 x 12.5 x 4 in — 27.9 x 31.8 x 10.2 cm PROVENANCE:

Private Collection, Montreal, QC NOTE:

Related Works: McMaster, Gerald. Inuit Modern (Ontario: Art Gallery of Ontario, 2011), p. 152 $800 — 1,200

50 GIDEON QAUQJUAQ (B. 1941), TALOYOAK (SPENCE BAY) TRANSFORMATION FIGURES

stone; signed in Roman largest 6.75 x 3 x 2 in — 17.1 x 7.6 x 5.1 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

51 NAPATCHIE POOTOOGOOK ᓇᐸᓯ ᐳᑐᒍ (1938-2002), KINNGAIT (CAPE DORSET) BIRD SHAMAN WITH GIANT’S HEAD

stone; signed indistinctly 16.5 x 8.5 x 7 in — 41.9 x 21.6 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON $700 — 900

52 MELIA PADLUQ (B. 1940), KINNGAIT (CAPE DORSET) SEDNA SPIRITS

stone; unsigned; old Waddington’s tag and artist’s label affixed to bottom 10.5 x 13 x 6 in — 26.7 x 33 x 15.2 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

53 LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000), KINNGAIT (CAPE DORSET) OWL, CA. 1990

stone; unsigned; West Baffin Cooperative sticker marked “1272 R” affixed to leg 15 x 12 x 7 in — 38.1 x 30.5 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON $1,500 — 2,500

54 KINGMEATA ETIDLOOIE ᑭᒥᐊᑕ ᐃᑎᐃᑎᓚᐃ (1915-1989), KINNGAIT (CAPE DORSET) BIRD OF FERTILITY, 1969

stonecut; titled, dated and numbered 46/50; artist’s name in Roman sheet 25.5 x 34.25 in — 64.8 x 87 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

55 PITSEOLAK ASHOONA ᐱᓯᐅᓚ ᐊᓱᓇ OC, RCA (1904-1983), KINNGAIT (CAPE DORSET) TUKTURA, 1977

stonecut; titled, dated and numbered 24/50; artist’s name in Roman and syllabics sheet 25 x 13 in — 63.5 x 33 cm PROVENANCE:

Private Collection, Toronto, ON $250 — 350

56 JANET KIGUSIUQ ᔭᓇ ᑭᒍᓯᐊ (1926-2005), QAMANI’TUAQ (BAKER LAKE) MERMAID AND OTHER SEA CREATURES, 1988

stencil; titled, dated and numbered 27/30; artist’s and printers name in Roman and syllabics sheet 25.25 x 38.5 in — 64.1 x 97.8 cm PROVENANCE:

Private Collection, Toronto, ON $250 — 350

57 INNUKJUAKJU PUDLAT ᐃᓄᔪᐊᕋᔪ ᐳᓚ (1913-1972), KINNGAIT (CAPE DORSET) SPIRIT OF THE FISHERMAN, 1964

stonecut; titled, dated and numbered 43/50; artist’s name in Roman sheet 26.5 x 24.5 in — 67.3 x 62.2 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

58 JOHNNIEBO ASHEVAK ᔭᓂᕗ ᐊᓴᕙ (1923-1972), KINNGAIT (CAPE DORSET) UNTITLED, 1962

engraving; numbered 39/50; artist’s name in Roman; framed sight 11 x 15.25 in — 27.9 x 38.7 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

59 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) SPIRIT OF THE BIRDS, 1980

stonecut and stencil; titled, dated and numbered 7/50; artist’s name in Roman and syllabics sheet 21.5 x 24 in — 54.6 x 61 cm PROVENANCE:

Private Collection, Toronto, ON $500 — 700

60 LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982), KINNGAIT (CAPE DORSET) UNTITLED

coloured pencil, felt tip; signed in syllabics; framed sight 15.5 x 20 in — 39.4 x 50.8 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

61 PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992), KINNGAIT (CAPE DORSET) UNTITLED

coloured pencil drawing; signed in syllabics sheet 20 x 26 in — 50.8 x 66 cm PROVENANCE:

Private Collection, Hamilton, ON $900 — 1,200

62 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK SHAMAN #2, 2016

felt tip on rag paper; gallery label and signature verso; framed sightt 11 x 11 in — 27.9 x 27.9 cm PROVENANCE:

Hazleton Fine Art Galleries; Private Collection, Toronto, ON $300 — 500

63 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK MOON WOMAN WITH FAMILIARS

serigraph; titled and numbered 35/75; artist’s name in Roman; printed on illustration board board 45 x 34.75 in — 114.3 x 88.3 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

64 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK CHILDREN OF LIGHT

serigraph; titled and numbered 38/75; artist’s name in Roman; printed on illustration board board 45 x 34.75 in — 114.3 x 88.3 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

65 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK RAVEN, 1999

stone; signed in Roman; dated 14 x 7 x 6 in — 35.6 x 17.8 x 15.2 cm PROVENANCE:

Private Collection, Toronto, ON $1,500 — 2,500

66 NAPACHIE ASHOONA ᓇᐸᓯ (B. 1974), KINNGAIT (CAPE DORSET) WOMAN TRANSFORMING INTO BIRD, 1993

stone; unsigned 5.75 x 2 x 1.25 in — 14.6 x 5.1 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON $150 — 250

67 DAVID RUBEN PIQTOUKUN ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950), PAULATUK DOG-MAN, 1996

stone; signed, titled, dated verso; inscribed on verso “The dog-man’s name is Sikoo (ice in Eskimo) One day I woke up and he said to me: “good morning David” I understood my dog way back “when.”

Thank you for allowing me to tell story” 12.75 x 4 x 2.75 in — 32.4 x 10.2 x 7 cm PROVENANCE:

Private Collection, Toronto, ON $1,000 — 2,000

68 ENUYA SHOOYOOK (B. 1942), IKPIARJUK (ARCTIC BAY) PREGNANT WOMAN

stone; signed in Roman; disc number inscribed 10.25 x 4.5 x 2.75 in — 26 x 11.4 x 7 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

69 UNIDENTIFIED ARTIST, KALAALLIT NUNAAT (GREENLAND) TWO TUPILAQS

ivory, baleen; unsigned largest 5.25 x 1.5 x 1.5 in — 13.3 x 3.8 x 3.8 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Originally, Greenlandic tupilaqs were dangerous magical objects, sometimes said to be made from the bones of dead animals wrapped in skins; they were considered to have the power to bring about death. The carving of small tupilaq figures made for sale or trade began in East Greenland in the early Twentieth century, spreading to West Greenland in the 1930s.

Twentieth century tupilaqs, typically carved in ivory or muskox horn, often appear (as here) gleefully pursuing the macabre ends of their historic counterparts.

REFERENCES:

Bodil, Kaalund, The Art of Greenland: Sculpture, Crafts, and Painting. Berkeley: University of California Press, 1979. p. 25-27 and 67-75. $500 — 700

70 UNIDENTIFIED ARTIST, KALAALLIT NUNAAT (GREENLAND) TWO TUPILAQS

ivory, baleen; unsigned largest 5.25 x 1.75 x 1.25 in — 13.3 x 4.4 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Originally, Greenlandic tupilaqs were dangerous magical objects, sometimes said to be made from the bones of dead animals wrapped in skins; they were considered to have the power to bring about death. The carving of small tupilaq figures made for sale or trade began in East Greenland in the early Twentieth century, spreading to West Greenland in the 1930s.

Twentieth century tupilaqs, typically carved in ivory or muskox horn, often appear (as here) gleefully pursuing the macabre ends of their historic counterparts.

REFERENCES:

Bodil, Kaalund, The Art of Greenland: Sculpture, Crafts, and Painting. Berkeley: University of California Press, 1979. p. 25-27 and 67-75. $500 — 700

71 OSUITOK, KINNGAIT (CAPE DORSET) TWO SPIRITED MAN

whalebone; unsigned, label affixed to underside reads: “Oshwetook / Cape Dorset / clkkkk” 3.75 x 12 x 7 in — 9.5 x 30.5 x 17.8 cm PROVENANCE:

Canadian Guild of Crafts, Montreal, PQ, 1970; Estate of W.A. Ross MacFadden, Toronto, ON NOTE:

With a great economy of form, the artist has created an image of a hunter divided into two men—or perhaps two hunters joined as one. Each is on alert, one with a club and one with binoculars in hand.

This lot is accompanied by the collector’s inventory page, 1971. $700 — 900

72 ALEX ALIKASHUAK ᐊᓕᑲᓱᐊ (B. 1952), TIKIRAQJUAQ (WHALE COVE) HOWLING SPIRIT

whalebone; unsigned 10 x 4 x 3 in — 25.4 x 10.2 x 7.6 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Alex Alikashuak’s sculpture in whalebone strays from the influence of mentor George Arluk that is so palpable in his work in stone. With a great eye for organic form and abstraction, here Alikashuak has carved within the natural confines of porous whalebone to create a sinuous howling spirit.

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $200 — 400

73 ALEX ALIKASHUAK ᐊᓕᑲᓱᐊ (B. 1952), TIKIRAQJUAQ (WHALE COVE) HOWLING SPIRIT

whalebone; unsigned 4.75 x 3 x 2 in — 12.1 x 7.6 x 5.1 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Alex Alikashuak’s sculpture in whalebone strays from the influence of mentor George Arluk that is so palpable in his work in stone. With a great eye for organic form and abstraction, here Alikashuak has carved within the natural confines of porous whalebone to create a sinuous howling spirit. $100 — 200

74 ROBERT KUPTANA ᑯᑉᑕᓇ (B. 1962), PAULATUK TRANSFORMATION

stone; signed in syllabics 6 x 1.5 x .75 in — 15.2 x 3.8 x 1.9 cm PROVENANCE:

Private Collection, France $80 — 100

75 ISACI ETIDLUI ᐃᓴᑭ ᐃᑎᓗᐃ (1972-2014), KINNGAIT (CAPE DORSET) SEDNA, 1993

whalebone, stone; signed in syllabics 2.75 x 5.75 x 1.75 in — 7 x 14.6 x 4.4 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $250 — 350

76 ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ (B. 1951), PAULATUK RAVEN SPIRIT, 1997

stone; signed in Roman; dated 19 x 17 x 6 in — 48.3 x 43.2 x 15.2 cm PROVENANCE:

Private Collection, Illinois $1,500 — 2,500

77 UNIDENTIFIED ARTIST BEAR TRANSFORMATION

bone, baleen; unsigned 2 x 4.25 x 4.25 in — 5.1 x 10.8 x 10.8 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $60 — 80

78 UNIDENTIFIED ARTIST TWO-HEADED BEAR TRANSFORMATION

bone, baleen; unsigned 3.75 x 5.25 x 1.25 in — 9.5 x 13.3 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $60 — 80

79 UNIDENTIFIED ARTIST FLYING SHAMAN

whalebone; no visible signature; framed in shadow box subject 6.5 x 11 x 3.25 in — 16.5 x 27.9 x 8.3 cm PROVENANCE:

Private Collection, Ontario NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/ or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.

Please do not hesitate to contact one of our specialists for further details. $100 — 200

80 BILLY KUKSUK (B. 1962), ARVIAT (ESKIMO POINT) IJAGAQ

antler; unsigned 9 x 3.75 x 3 in — 22.9 x 9.5 x 7.6 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

81 BILLY KUKSUK (B. 1962), ARVIAT (ESKIMO POINT) IJAGAQ, 1999

stone; signed in Roman; dated 8.5 x 3.5 x 2.5 in — 21.6 x 8.9 x 6.4 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

82 DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947-2006), I QALUIT (FROBISHER BAY) SHAMAN

stone; signed in Roman 16 x 18 x 8 in — 40.6 x 45.7 x 20.3 cm PROVENANCE:

Private Collection, Florida $2,000 — 4,000

83 QAVAROAK TUNNILLIE ᑲᕙᕋᒃ ᑐᓂᓕ (1928-1993), KINNGAIT (CAPE DORSET) SEDNA

stone; signed in syllabics 19.75 x 14 x 5.5 in — 50.2 x 35.6 x 14 cm PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

84 KAKA ASHOONA ᑲᑲ ᐊᓴᓇ (1928-1996), KINNGAIT (CAPE DORSET) OWL WOMAN

stone; signed in syllabics 16.5 x 9.5 x 8 in — 41.9 x 24.1 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON $1,000 — 1,500

85 PAULASSIE POOTOOGOOK ᐸᓗᓯ ᐳᑐᒍ, RCA (1927-2006), KINNGAIT (CAPE DORSET) SEDNA

stone; signed in syllabics 16.5 x 9.5 x 9 in — 41.9 x 24.1 x 22.9 cm PROVENANCE:

Private Collection Toronto, ON $1,000 — 1,500

86 NUYALIAQ QIMIRPIK ᓄᔭᓕᐊ ᑭᒥᐱ (1937-2007), KIMMIRUT (LAKE HARBOUR) TRANSFORMATION FIGURE

stone, antler; signed in Roman; mounted with screws to acrylic base 9.25 x 11 x 3 in — 23.5 x 27.9 x 7.6 cm PROVENANCE:

Private Collection, Cedarhurst, NY $900 — 1,200

87 KULULA ITULU ᐃᑐᓗ (B. 1952), KINNGAIT (CAPE DORSET) TRANSFORMATION SPIRIT

stone, antler; signed in Roman; disc number inscribed 5.25 x 9 x 3 in — 13.3 x 22.9 x 7.6 cm PROVENANCE:

Private Collection, USA $600 — 800

88 IOLA ABRAHAM IKKIDLUAK ᐃᐅᓚ (1936-2003), KIMMIRUT (LAKE HARBOUR) TRANSFORMATION WALRUS

stone, whalebone; signed in syllabics; disc number inscribed 5 x 8 x 2.75 in — 12.7 x 20.3 x 7 cm PROVENANCE:

Private Collection, Toronto, ON NOTE:

Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details. $300 — 500

89 UNIDENTIFIED ARTIST, FOLLOWER OF LUCY TASSEOR TUTSWEETOK, ARVIAT (ESKIMO POINT) MANY FACES

stone; unsigned 11 x 7 x 9 in — 27.9 x 17.8 x 22.9 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 400

90 ELIZABETH NUTARALUK AULATJUT ᐃᓕᓴᐸ ᓄᑕᕋᓗ (1914-1998), ARVIAT (ESKIMO POINT) SPIRIT WITH LONG BRAIDS

stone; signed in syllabics 6.25 x 8.5 x 5.5 in — 15.9 x 21.6 x 14 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

91 LUCY TASSEOR TUTSWEETOK ᓗᓯ ᑕᓯᐅ ᑎᓯᑕ (1934-2012), ARVIAT (ESKIMO POINT) SPIRIT MOTHER AND CHILD

stone; signed in syllabics 6.5 x 6 x 3.25 in — 16.5 x 15.2 x 8.3 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

92 DAVID ARNASUNGAAQ ᐊᓇᓴᒐ (B. 1964), QAMANI’TUAQ (BAKER LAKE) SPIRIT MOTHER AND CHILD, 2006

stone; unsigned 4 x 3.5 x 2 in — 10.2 x 8.9 x 5.1 cm PROVENANCE:

Private Collection, France $300 — 500

93 PANILUK QAMANIRQ ᐸᓂᓗᒃ (B. 1935), IKPIARJUK (ARCTIC BAY) TRANSFORMING SPIRIT

stone; unsigned 6.25 x 4.5 x 2.5 in — 15.9 x 11.4 x 6.4 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

94 PANILUK QAMANIRQ ᐸᓂᓗᒃ (B. 1935), IKPIARJUK (ARCTIC BAY) TRANSFORMING SPIRIT

stone; signed in Roman 4.5 x 4 x 1.75 in — 11.4 x 10.2 x 4.4 cm PROVENANCE:

Waddington’s, September 19, 2013, lot 5; Private Collection, Toronto, ON $200 — 300

95 CHARLIE INUKPUK ᐃᓇᐸ (B. 1941), INUKJUAK (PORT HARRISON) TWO SEDNAS

stone; signed in syllabics 2 x 11 x 6 in — 5.1 x 27.9 x 15.2 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 500

96 BASIL APTANIK ᐸᓯ ᑕᑕᓂ (B. 1952), QAMANI’TUAQ (BAKER LAKE) SEDNA

stone; signed in syllabics 3 x 4.75 x 2.5 in — 7.6 x 12.1 x 6.4 cm PROVENANCE:

Private Collection, Toronto, ON $150 — 250

97 UNIDENTIFIED ARTIST SHAMAN ATOP IGLOO

stone; unsigned 5.5 x 2.75 x .75 in — 14 x 7 x 1.9 cm PROVENANCE:

Private Collection, Toronto, ON $100 — 200

98 SIMON TOOKOOME ᑐᑯᒥ (1934-2010), QAMANI’TUAQ (BAKER LAKE) MEN WITH WOLF SPIRITS

stone; signed in syllabics largest 4.25 x 1.75 x 1.25 in — 10.8 x 4.4 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 400

99 SIMON TOOKOOME ᑐᑯᒥ (1934-2010), QAMANI’TUAQ (BAKER LAKE) MAN AND WOLF SPIRIT

stone; unisgned 8.5 x 4 x 2 in — 21.6 x 10.2 x 5.1 cm PROVENANCE:

Private Collection, Toronto, ON $200 — 300

100 MAUDIE RACHEL OKITTUQ ᐅᑭᑐ (B. 1944), TALOYOAK (SPENCE BAY) SHAMAN

stone, antler; signed in syllabics 4 x 5.5 x 6 in — 10.2 x 14 x 15.2 cm PROVENANCE:

Private Collection, Canmore, AB $200 — 300

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

buyer’s premium

Waddington’s charges a buyer’s premium of 20% on the hammer price. Buyer’s premium and applicable Canadian taxes are added to the hammer price. Taxes are exempt for any items directly shipped from our premises out of Canada.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

all transactions are conducted in canadian dollars (cad)

Selling at Waddington’s shipping

The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 416-293-8225 / 905-470-6875 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species).

This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca).

For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. Each lot sold is subject to a premium of 20% of the successful bid price of each lot as part of the purchase price.

2. Unless exempted by law, the buyer is required to pay Ontario Retail Sales Tax and Federal Goods and Services Tax on the total purchase price including the buyer’s premium.

3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the r e-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca