ARCHITECTURE THESIS- 2022

THESIS PORTFOLIO- 2022

Museum Of Contemporary Art And Architecture

PRESENTED BY NAME: VAISHNAVI. VK REG NO :183701200 SEM :VIII B MSAP MAHE

PROJECT FORMULATION

TOPIC BRIEF

AIM To create a space providing an intimate experience between people and art by incorporating design and aesthetic into the structure and by promoting local artists and contemporary art into the museum and to act as a landmark in the city of Mangalore

OBJECTIVES Physical To create a comforting environment with adequate lighting and thermal levels to cater to the visitors/ tourists. To create a liesure space which is ideal to visitors.

REASON/ PURPOSE OF VISIT MANGALORE (TOURISTS)

The proposed thesis project aims to construct a “Museum of Contemporary Art and Architecture” promoting contemporary art which is the art of today, which aims to break the conventional ideas of museum instilled in people. The “Museum of Contemporary art” aims to expose the people of India to diverse art styles, technology and design on a global level while representing architecture through its design and structure.

DEVELOP MANGALORE INTO A PREFFERED TOURIST SPOT MODES OF TRANSPORT TO ARRIVE IN MANGALORE

8.3 8.3

21.67, 22%

30, 30% 46.67

11.67, 12%

FOCUS

21.6

36.67, 36% 15

TO CREATE A WORLD CLASS STRUCTURE THAT ACTS AS A LANDMARK IN THE CITY.

Pilgrimage Business

Economic

Rest and liesure Curiosity

Improved transport

Maintainance and clean

hotels/ accomodation

own vehicle train

SOURCE: https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.567.5038&rep=rep1&type=pdf

EXISTING ART GALLERIES

The museum acts as a tourist attraction which promotes economic boost as well as provide employment and promote local artists.

Additional attractions/ facilities

taxi/tourist vehicle public transport

NO OF VISITORS IN MANGALORE

16 To create a world class structure.

Educate It educates people about modern and contemporary art as well as display cultures of Mangalore. Architecturally structured to amaze and promote architecture as an art form.

12 10

To create a platform to represent futuristic art forms

Culture

14

Promote cultural art

8 SCOPE

To create a barrier free museum.

CHITRALAYA ART GALLERY

6

To promote the culture of Mangalore by promoting local artists and promoting social relationships between people and artists or art.

4 To create an immersive experience

METHODOLOGY Relevance of project in Mangalore

Project proposal

2 To attract tourists and promote economy

0 jan

feb

march

april

may

june

july

august

sept

oct

nov

dec

By analysing the statistics of domestic overnight visitors, foreign overnight visitors and day visitors, the graph is produced. In which in total February carries the highest number of visitors.

PRASAD ART GALLERY

Site study

KARNATAKA TOURISM POLICY 2020-25 • Provide a conducive business environment with investment-friendly policies to encourage private sector participation in the tourism sector • Tap the tourism potential of Karnataka to offer world-class experience to visitors through a diverse array of high-quality products and services

As a developing town which makes it a hub of culture, economy, education and tourism this museum of contemporary art will create an interest in the cities recreational and leisure scene as there is a shortage of museums in Mangalore.

With the growing population of Mangalore at a 1.54% growth rate with a population of 7,24,000 Even after the covid pandemic, Karnataka was one of the top 5 visited states in India. The online survey had a total sample size of 1,448 adults and fieldwork was undertaken between September 21 and 27, 2021.

2 MONTHS VISITORS COUNT

Literature study Literature/ case study

https://www.thehindu.com/news/cities/bangalore/karnataka-among-topfive-most-visited-states-survey/article37409483.ece

Art and Design

Bye laws

types of museums

Standards

Contemporary art

Guidelines

Visual art types

Barrier free design

Guggenheim museum

Museum of contemporary art Tokyo

National museum, New Delhi

Bihar museu m, Patna

Comparative analysis

What is Contemporary art?

Contemporary art refers to art—namely, painting, sculpture, photography, installation, performance, and video art—produced today,

IMPORTANT ASPECTS OF MUSEUM DESIGN

What is a museum?

A Museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment.

Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination

ART GALLERIES

of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century.

EXHIBITIONS

ADMINISTRATION

LIBRARY

RESTAURANT

Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.

Museum Of Contemporary Art and Architecture

CIRCULATION

ACOUSTICS

COLOUR

STORAGE

SERVICES/ DISASTER MANAGEMENT

DISPLAY TECHNIQUES

GALLERY DESIGNS

SECURITY

MAINTAINANCE

ENERGY EFFICIENT

FURNITURE

Project consists of spaces like LANDSCAPE

Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism".

USER BEHAVIOUR

THEATRE

SERVICES

VAISHNAVI.VK 183701200 PROJECT FORMULATION

1

LITERATURE

GALLERY DESIGN

Difficulties encountering in viewing details 3ft below or 1ft above

DISPLAY TECHNIQUES PASSIVE COMMUNICATION - Graphic panels – text and images - Object labels – for individual objects - E-labels- incorporate text, images, video, audio and interactivity.

- Images and illustration – photographs, maps, drawings and diagrams.

- Models – scale models, dioramas, props, reconstructions.

ACTIVE COMMUNICATION -audio – spoken word, oral testimony, music, foreign languages - video- film, interviews, archive films, moving image effects.

REACTIVE COMMUNICATION -user activated( push button, pressure pad, proximity switch -lighting effects- sequenced presentations -immersive effects- sequenced presentations with audio.

-films – movies, documentaries, video

Exhibition rooms with side lighting

NATURAL LIGHTING TYPES

INTERACTIVE COMMUNICATION - Educational technology, microprocessor controlled devices, online databases - Low tech interactives- incorporate text, film, flipbooks, audio - Live interpretation – staff or actors in role play - High-tech interactives- programmed and computerised VISITOR CATEGORIZATION

Viewing distance increase with greater size of object

DISPLAY TYPES

User-friendly hands-on exhibit

Tourists, school children, college students, families, specially abled people, visually impaired people, elderly, leisure learners etc.

EXHIBITION SPACE DIVISION

Measurement of adult and 6yo visitor in relation to cases

USER BEHAVIOUR ANALYSIS VISITOR CATEGORIZATION Hanging display s

Wall mounted display

Modular display

Container display

Open display

1.

CORE AND SATELLITES

3.

LABYRINTH

LOOP

LINEAR PROCESSION

2.

MUSEUM SECURITY CONCEPT

COMPLEX

TYPES OF MUSEUM CIRCULATION OPEN CIRCULATION

Interactive display

4.

ACTIVITY ANALYSIS

SPACE ORGANISATION DIAGRAM

7 PRINCIPLES OF UNIVERSAL DESIGN TYPES OF LIGHTING

FAÇADE LIGHTING

COLOUR -Walls, walkways and furniture are usually separated from the floor colour.

-Avoid certain colour combinations particularly within the same tonal range -If a space requires low lighting for conservation purposes think about putting lighter colour ranges to compensate.

USER

EQUITABLE USE

Possible gallery arrangements ACTIVITY Visual experience Shopping Reading Dining Parking Walking Sanitation

OUTDOOR LIGHTING

NATURAL AND ARTIFICIAL LIGHTING TYPES OF ARTIFICIAL LIGHTING - ROOM LIGHTING - EXHIBIT LIGHTING - DIFFUSED LIGHTING - INDIRECT LUMINARIES - WALLWASHERS - SPOT LAMPS - DIRECTIONAL LIGHTING - LUMINOUS CIELINGS - COVE LUMINARIES - INTERGRATED LIGHTING

Socio-demographic- age, sex, occupation, education, type of community.

Museological characteristics: interest in exhibits, professional etc.

Range characteristics: visitor time, type, frequency of visit etc.

Psychological characteristics: visual, acoustic, passiveactive response etc.

Source – Time savers standards, NBC

FLEXIBILITY IN USE

SPACES Gallery spaces Exhibition Restaurant Shops Library Reception Conference

TOURIST

outdoor space as well as the architecture itself also determine visitors' lasting impressions. In outdoor spaces, too, the objective is to present art in ideal light – whether this be an atmospherically illuminated sculpture garden or a tantalisingly accentuated statue on the forecourt.

Façade lighting is used to highlight architectural lines, textures, and focus points. However, from dusk till dawn, lighting and shadows can be used creatively to alter a building’s architectural identity

LOW PHYSICAL EFFORT

TYPES OF GALLERIES

SIZE AND SCALE FOR APPROACH AND USE

SIMPLE AND INTUITIVE USE

Office work Monitoring Meeting Retiring Dining Sanitation

Reception Info centre Office Security room Staff rest room Meeting hall

Working Servicing Retiring Dining Sanitation

Janitor Housekeeping Maintainance HVAC room High tension room Toilet

ADMIN TOLERANCE FOR ERROR

EARTH/ LAND ART

PERCEPTIBLE INFORMATION

INSTALLATION ART SERVICERS

PHOTOREALISM

CONCEPTUALISM

MINIMALISM

DIGITAL ART

STREET ART

PERFORMANCE ART

Source – Time savers standards, NBC

Museum Of Contemporary Art and Architecture

Restoration Storage Service Dining Sanitation WORKERS

VAISHNAVI.VK 183701200

Storage Store Workshop Archive Rest room Staff canteen Toilet

LITERATURE STUDY

2

CASE STUDY

BIHAR MUSEUM, PATNA MUSEUM OF CONTEMPORARY ART TOKYO

GUGGENHEIM MUSEUM BILBAO The work of American architect Frank O. Gehry, the Guggenheim Museum has played a key role in the urban revitalization and transformation of the area, in addition to becoming the symbol of the city of Bilbao, Spain. The building is a perfect example of the more avant-garde architecture of the twentieth century and represents a landmark for its innovative architectural design both abroad and domestically, forming a seductive backdrop for the exhibition of contemporary art. Visits can be made to both the interior and the exterior of the building.

Location : Bilbao, Spain Architects : Frank O Gehry Area : 11,000 sqm

Location : Bihar, Patna Architects : Maki And Assosiates, Opolis Client: Department Of Art, Culture And Youth, Government Of Bihar,india.

Area : 58,480 Established :2018 Built Up Area : 24,658m2

LOCATION : Tokyo, Japan ARCHITECTS :Takahiko Yanagisawa AREA : 24,000 SQM MAJOR SPACES: exhibition space, art library.

Established : 18TH october 1997 Visitors : 13,22,611 (2017) Built up area : 32,500 M2

With a total of 4,000 square meters of floor space on three floors, each with different ceiling heights (4m/6m/9m), as well as an Atrium which captures natural light (h.19m), it was able to utilize space as an important element, presenting contemporary creative activities in an effective fashion, striving to display the works in a manner that will create a fresh and surprising space in order to attract a wide range of visitors the museum.

MATERIALS limestone, glass and titanium, the museum used 33,000 pieces of titanium half a millimeter thick, each with a unique form suited to its location. As these pieces are so thin, a perfect fit to the curves is necessary. The glass has a special treatment to let in the sun’s light, but not its heat.

The edges of the clouds are sharp yet soft, and always in motion. Their color, density and brightness are constantly changing in tune with the weather and time of day. The temperature and humidity inside the container are controlled to keep the clouds at their designed height. The air inside the container forms three distinct strata, one cool and dry, at the bottom, a warm and humid middle stratum, and a hot and dry stratum at the top. The warm, humid layer is where the clouds form.

COMPARITIVE ANALYSIS

SITE DISTRIBUTION A small bank of clouds in the Sunken Garden of the Museum of Contemporary Art Tokyo. The clouds billow softly in a compact, transparent container and can be seen from the entrance hall, exhibition galleries, outdoor plaza, and other parts of the museum.

The Art Library specializes in contemporary art. It collects and stores literary materials and exhibition catalogues related to modern and contemporary art as well as art periodicals, making them widely available to the public.

Anyone can use the library without charge.

The Art Library for Children features art books for children

Between six and eight temporary exhibitions are held every year, covering a wide range of themes and genres centered around contemporary art, ranging from those that introduce and review artistic trends, focusing on emerging artists here and abroad, to those that examine the historical contexts of the works with reference to the museum’s collection. These highquality exhibitions, based on wideranging, continuing research and collaborations, present new viewpoints from which to consider contemporary art in the present day while questioning people’s values.

AREA DISTRIBUTION 3%

SECTION

Name

Guggenheim museum Bilbao

Museum of contemporary art Tokyo

National Gallery of modern art, New Delhi

Bihar museum, Patna

Built up area

11,000 sqm

24,000 sqm

18,000 sqm

17,000 sqm

Climate

Temperate climate

Humid subtropical

Composite climate

Humid subtropical

Ground coverage

80%

20%

25%

33z%

Total area

24,000 sqm

24,000 sqm

30,000 sqm

56,250 sqm

Major spaces

Permanent and visiting exhibits

Exhibition space, art library

Conservation gallery, library, historic gallery

Galleries, shopping areas, administrative spaces.

Architect

Gehry partners

Takahiro Yanagisawa

Gwyer committee

Maki and associates, Opolis

Inference

The sharp contrast makes it stand out in its surrounding. The interior gallery spaces deigned according to the exterior building envelope was to be studied.

Provides an immersive art experience creating an interactive experience . the largest library of its kind is in this museum. 5 zones of activity which are categorised according to spaces.

Circulation and zoning is designed to keep visitor experience in mind. Central atrium to create a focal point. Open space and built-up space almost equal. And majority of building area for exhibitions

Integration of spaces and use of natural lighting are the main aspects to be studied as well as the scale of the building . site and building distribution incorporated as exhibition spaces take the majority of built space with open space as the majority in site zoning.

It is situated on a plot of 32,500 square meters, of which 24,000 square meters are occupied by building. 9,066 square meters are devoted to exhibition spaces

NATIONAL GALLERY OF MODERN ART, NEW DELHI

SITE DISTRIBUTION

A L U M I N I U M

•Managed by: Ministry of culture •Year : 1954 •Location : New Delhi, India

AREA DISTRIBUTION

W O O D

Site plan

National Museum of India, in New Delhi, museum devoted to Indian art history and iconography as well as to Buddhist studies.

The museum was merged with the Asian Antiquities Museum to bring the treasures of India and Central Asia together. The collections include examples of art and archaeology, anthropology, decorative arts, and epigraphy. 18,500 SQM CONCEPT DEVELOPMENT

CIRCULATION

BASEMENT AND GROUND FLOOR PLANS

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

CASE STUDY

3

SITE SELECTION

SITE ACCESSIBILITY / CONNECTIVITY And according to the Mangalore bye laws areas that are used for exhibition spaces, library, cultural buildings are permitted under the agriculture zone. As per a new agreement the land owner agrees to construct a world class IT infrastructure in the adjacent site deeming it a commercial land use.

Source: https://www.daijiworld.com/news/newsDispla y?newsID=888750

MANGALORE

DAKSHINA KANNADA

INDIA

Vehicles can easily access the site by the KochiKanyakumari highway.

There is a bus stand almost 15 mts in proximity to the site. Closest bus stand – Bejai KSRTC bus stand Closest airport – 9.9 km away Mangalore International airport.

Which will increase tourism and accessibility.

KARNATAKA

Closest railway station –6 Kms away . Mangalore central railway station.

7.5 km away to Tannirbhavi beach on route.

Mangalore city is part of the new smart city initiative and is also home to new developments and infrastructure. The site is located towards the west of Mangalore which attracts tourists due to the water features present around.

THE SITE IS A PRIVATE LAND AND

CLIMATE ( MACRO) Karnataka experiences climatic variations that range from arid to semi-arid in the plateau region, sub-humid to humid tropical in the Western Ghats and humid tropical monsoon in the coastal plains. It comes under the warm and humid climate.

COMES UNDER THE COMMERCIAL AND URBAN AGRICULTURAL LAND USE ACCORDING TO THE LAND USE MAP OF MANGALORE. CLIMATE ( MICRO)

With an average of 28.9 degree Celsius, April is the warmest month.

August has the lowest temperature of the year.

It is 25.2 degree Celsius

Kuloor - Kavoor Rd, Kuloor, Kavoor, Mangaluru, Karnataka 575013

GPS COORDINATES 12.918859, 74.833803

The average amount of annual precipitation is: 999.9 mm (39.37 inch)

The driest month is February. There is 0.1 inch of precipitation in February.

With an average of 27.8 inch.

The most precipitation falls in July.

•On average, the most wind is seen in August.

•On average, the least wind is seen in September.

SITE CONTEXT / ROAD NETWORK

STRENGTHS -Adjacent to the kochiKanyakuamri highway making it a suitable location for tourism.

- Good circulation and entry -Not much vegetation on site present so no need to clear site.

-Heavy rain may cause stagnant water due to negligible slope

-Close to tourist water bodies so site attracts tourists -

SITE AREA – 5.5 ACRES, 22,125.23 m²

WEAKNESSES Due to the approach road requiring passing the circle, road widening may be needed.

Alloting exact site demarcation as a site is huge.

OPPORTUNITIES

THREATS

SITE VIEWS

PERMISSIBLE GROUND COVERAGE – 50% TOTAL BUILDABLE AREA –88,500 SQM PERMISSIBLE FAR – 4 SETBACKS – FRONT -6M ,REAR – 8M CLIMATE –WARM HUMID TOPOGRAPHY – FLAT VEGETATION – COCONUT TREES, BUSHES GPS COORDINATES 12.918859, 74.833803 SITE SLOPE – NEGLIGIBLE SLOPE ENTRY ROAD WIDTH – 12M SOIL TYPE – LATERITIC SOIL (RED) SITE ORIENTATION – N

KOCHI- KANYAKUAMI HIGHWAY ROAD WIDTH ON 5-6 MTS ON EACH LANE

SITE BOUNDARY

RELIANCE PETROL PUMP SITE ENTRY VIEWS

Museum Of Contemporary Art and Architecture

ROYAL OAK FURNITURE

DELTA INFRALOGISTICS (WORLDWIDE) LTD

INFERENCE DUE TO THE SHORTAGE OF CULTURAL/ RECRETIONAL SPACES IN MANGALORE AND AS A PART OF DEMAND IN PEOPLE, THE SITE CHOSEN ON THE OUTSKIRTS OF MANGALORE PROVIDES A PERFECT SOLUTION TO THE NEED FOR MUSEUMS AS A PART OF KARNATAKAS NEW TOURISM POLICY WHICH BENEFITS THE CITY AS WELL AS THE ECONOMY OF THE SITE.

VAISHNAVI.VK 183701200

CASE STUDY

4

SITE ANALYSIS

WIND FLOW

WIND ROSE DIAGRAM

Wind direction from southwest to northeast according the macroclimate and wind rose diagram.

According to the wind direction, open spaces such as viewing deck can be placed towards the west to maximize air flow. Also providing views to the highway.

According to the shadow analysis in the winter solstice, the sun leans towards the south which throws a shadow towards the north so the south end of the buildings should have shading or less openings to let sunlight in.

PERIMETER=585.66 m

ACCESS POINTS

The access to the site is through one gate which is the entry and exit for the site in which the circulation inside the site goes around the buildings mass.

Due to noise coming from the highway and adjacent buildings towards the northwest and north of the site, silent spaces like galleries and exhibition spaces can be placed on the other side of the site or natural or artificial buffering can be done.

The site is covered with red laterite soil and less vegetation so runoff of soil during rainy season is possible.

NOISE

CLIMATE ANALYSIS SHADOW ANALYSIS

Majority of vegetation including coconut trees scattered around the site but none of them inside the site.

Electric poles present in the entry border of the site with electric connection to the existing site gate.

TERRAIN(FLAT)

The earthquake zoning map of India classifies the city of Mangalore under zone 3 which is low risk of damage due to zone 2 being the lowest seismic activity whereas zone is highest seismic activity.

WINTER SOLSTICE

SUMMER SOLSTICE

INFERENCE 1.

Drainage connection can be introduced in the site due to existing commercial and retail buildings in the proximity of the site.

2.

Water supply from the Mangalore city corporation 3.

Drainage runoff due to rains is possible as the site has no vegetation to hold the soil.

4. Existing gate and border wall to indicate entry and exit.

5. Electricity connection from MESCOM Mangalore.

LATERITE SOIL THROUGHOUT THE SITE

SITE SECTION

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

SITE ANALYSIS

5

AREA PROGRAMMING

DESIGN BRIEF PROJECT OVERVIEW

SITE OBJECTIVES AND GOALS

SPACES

TARGET AUDIENCE/ CAPACITY PRIMARY USER GROUPS

TOURISTS

FAMILIES

DESIGN GUIDELINES

The objectives and goal to be achieved in the site is to create a contemporary volumetric structure facing the highway to display its landmark design features. With ample area for road access and circulation inside the site for parking and service areas.

OCCUPANCY RATE Total built up area – services – circulation space = occupancy rate 8,200sqm – 1,893sqm – 1,020sqm = 5,287 sqm As per requires space per person in museums = Min 2.7 sqm per person Total capacity in contemporary museum = 5,287 / 2.7 = 1,959 people for 8,200 sqm of total built up area ROAD WIDTH As per Mangalore zonal regulations for plot area of more than 4000sqm with an existing road width of 12m and a proposed road width of 12m the permissible FAR is 2.5 with premium FAR of 1.0 and TDR od 0.5 = 4 Total plot area = 22,125 sqm x 4 = 88,500sqm total built up area.

With a plot coverage of 50% for public buildings the total height is 8 floors with a height of 24m For a road width of 12m the minimum setbacks for all types of buildings except residential and industrial are 6m in the front and 8 m in the rear and sides.

Total ground coverage = 10,908 sqm BASEMENT Every basement storey shall be at least 2.4m in height from the floor to the bottom of the roof slab/beam/ceiling (whichever is less) and this height of basement floor shall not exceed 4.5m Approach for car parking- one number of 4.5m width of 2 number of 3.5 m width minimum.

RAMP A ramp provided from surface level of the site to the basement floor shall have a minimum width of 3.50m and slope of not more than 1 in 8. The slope of the ramp shall commence from 1.5m of the front property line or 1.0m after the road widening line CORRIDOR, STAIRCASE AND PEDESTRIAN RAMP For assembly or public buildings the minimum width of corridor= 2.0m Minimum width of staircase = 2.0m Minimum ramp width = 2.0m MEZZANINE FLOOR A mezzanine floor shall be accessible only from its lower floor and shall be allowed only in non residential buildings between ground and first floor.

PARKING Allotted space for Motor vehicles shall not be less than 12.5m2 = 2.5 x 5m Two wheeler = 2.0m2 = 2.0x 1.0m TOILETS: - One special water closet in a set of toilets shall be provided for the use of handicapped persons with wash basin keeping in view the following provisions: a) The minimum size of toilet shall be 1.50 m x 1.75 m. b) The maximum height of the W.C. set shall be 0.50 m above the floor.

AREA (SQM)

UNITS

TOTAL AREA(SQM)

ADMIN ISTRATION ENTRANCE HALL

The project is to design a “Museum of Contemporary Art” in the city of Mangalore as a smart city initiative. Mangalore is a city full of rich culture and heritage. With the introduction of a new museum which displays contemporary art from around the world, the people of India can be exposed to the various art forms and see the mixture of Mangalore cultural art contrasting to modern contemporary art.

CS 1 (BIHAR)SQM CS2 (DELHI)SQM CAPACITY(no of people)

STUDENTS

400

250

50

250

1

250

RECEPTION

30

30

2

30

1

30

TICKET COUNTER

20

20

2

20

1

20

BACK OFFICE

20

20

2

30

1

30

INFORMATION HELP DESK

20

20

1

20

1

20

SECURITY CHECK IN / OUT

30

20

1-2

30

1

30 = 380

PHOTOGRAPHY ART

100

200 - 400

50- 70

250

1

250

INSTALLATION ART GALLERY

300

200 - 400

100

400

1

400

DIGITAL ART

300

200 - 400

80

350

1

350

AR/VR

200

200 - 400

80

350

1

350

EARTH ART

200

200 - 400

100

200

1

200

SCULPTURE ART

300

200 - 400

50-100

200

1

200

INDIAN GALLERY

400

200 - 400

50-100

250

1

250

INTERNATIONAL GALLERY

400

200 - 400

50-100

250

1

250

PAINTING GALLERY

300

200 - 400

50-100

250

1

250

KIDS ZONE

600

30-50

180

1

180 = 2680

EXHIBITION SPACES

ARTISTS

MATERIALS

SELF HEALING CONCRETE STRUCTURAL STEEL

GLASS

TEMPORARY EXHIBITION

1000

1000

100-200

1000

1

500 = 3180

300

200

100

300

1

300

30

30

20

30

1

30

MULTIPURPOSE HALL

200

200

100

250

1

250

CONFERENCE ROOM

200

20-30

90

1

90 = 670

EDUCATION AND RESEARCH LATERITE STONE

WHITE TILE

PAVERS

FINANCIAL FEASIBILITY Revenue generation for keeping the museum functional by ticketing for visitors as well as renting of exhibition spaces or seminar halls also the restaurant as well as souvenir shops acts as income for the museum ARCHITECTURAL GOAL

BUILDING FEATURES

LIBRARY AND RKIVE DIGITAL LIBRARY

RECREATION

SUSTAINABILITY FEATURES

RESTAURANT/ CAFÉ

250

250

50-100

250

1

250

Solar panels Rain water harvesting

GIFT STORE

200

100

20-50

150

2

300

60

30

5-10

100

1

100

200

100

2-3

40

3

120

100

50

100

1

100

600

1

600

30-50

100

1

100 = 1,070

KITCHEN

Displacement ventilation

STOREROOM COURTYARD PLAZA/ OPEN AIR THEATRE STAFF CANTEEN

200

SERVICES ADMIN

SERVICES BARRIER FREE DESIGN

MAINTAINANCE

100

50

1

50

1

50

LOADING AREA

400

400

1

400

1

400

STORAGE ARTIFACTS ROOM

200

100

20

100

1

100

50

20

1

50

1

50

HOUSEKEEPING CENTRE

100

20

1-2

20

3

60

HIGH TENSION CONTROL ROOM

200

200

1

200

1

200

HVAC ROOM

200

200

1

50

1

50

50

50

100

50

3

150 = 1020.

JANITOR ROOM AREAS OF ACTIVITY

TOILETS Education and research

Exhibition spaces

Museum Of Contemporary Art and Architecture

Recreation spaces

TOTAL AREA

30% CIRCULATION SPACE

= 1893SQM

VAISHNAVI.VK 183701200

=8,200 SQM

DESIGN BRIEF/ AREA PROGRAMMING

6

CONCEPTUAL DESIGN DEVELOPMENT CONCEPT- “FLOW”

CONCEPTUAL FORM DEVELOPMENT

noun

1.the action or fact of moving along in a steady, continuous stream.

THE FLOW OF WATER THE FLOW OF AIR THE FLOW OF LIGHT ‘THE FLOW OF CIRCULATION AND THE FLOW OF EXTERIOR STRCUTRE

TIME

PEOPLE

ENTRY

CONTEMPORARY STYLE OF ARCHITECTURE

PLACE

OPEN PUBLIC SPACE

USERS APPROACH

CONCEPTUAL SKECTHES OPEN SPACES/ COURTYARD

CURVED EDGES FOR CONTINUITY AND FLOW

ASYMMETRIC PLAN

PHOTOGRAPHY ART

A free flowing contemporary structure representing a contrast towards the surrounding to prove as a landmark. With a large area for landscape including water bodies and circulation around the site.

BUILDING LEVEL ZONING

SCLUPTURE GALLERY DIGITAL INTERACTIVE GALLERY

SITE LEVEL ZONING Admin and entry spaces in the entrance towards the west of the site.

WINTER SUN

2

3

4

1

Basement parking provided along with a few parking on site close to building envelope.

WATER BODY

SECOND FLOOR

5

2

6 LANDSCAPING

1.

2.

3.

4.

5.

6.

ROAD/ PAVEMENT BUILDING MASS

4 2

SUMMER SUN

5

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1

PARKING CIRCULATION

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2.

3.

4.

5.

6.

6

FIRST FLOOR 3

USERS APPROACH

ENTRY

Water body with surrounding landscape close to building envelope which can be viewed from all floors due to glass facade.

3 1.

2

1

Library placed in the interior of the site away from the roads to prevent noise and dust from the road.

MULTIPURPOSE HALL CONFERENCE SPACES EXHIBITION SPACES GALLERY GALLERY SPACES TOILETS/ SERVICES

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Open space for outdoor gallery or public recreation space .

RESTAURANT / CAFÉ STAFF CANTEEN KITCHEN EXHIBITION SPACES VIEWING DECK EART ART ROOM

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3.

4.

5.

6.

4 5

ADMIN/ ENTRY HALL/ RECEPTION/ SECURITY. PUBLIC HALL SPACE SERVICE AND STORAGE TOILETS LIBRARY GIFT STORES

GROUND FLOOR 1.

GROUND COVERAGE ACHIEVED – 14.5 % ACHIEVED FAR – 0.37 %

Museum Of Contemporary Art and Architecture

CIRCULATION

2.

STAIRCASES, RAMPS AND ELEVATORS PRESENT ON EVERY LEVEL DIFFERENCE PUBLIC WASHROOMS AS WELL AS STAFF WASHROOMS

VAISHNAVI.VK 183701200 CONCEPTUAL DEVELOPMENT

7

TRANSFORMER

SITE MASTERPLAN

GENERATOR

SEPTIC TANK UNDERGROUND PARKING EXIT

SUMP

SITE VIEW

MATERIALS

TILE- DROP OFF POINT

INTERLOCK PARKING PAVERS

UNDERGROUND PARKING ENTRY

PAVERS-FOOTHPATH

SITE AREA – 5.5 ACRES, 22,125.23 m² PERMISSIBLE GROUND COVERAGE – 50% TOTAL BUILDABLE AREA –55,313 SQM PERMISSIBLE FAR – 2.5

SPACE FOR OUTDOOR EXHIBITIONS.

SETBACKS – FRONT -6M ,REAR – 8M CLIMATE –WARM HUMID TOPOGRAPHY – FLAT VEGETATION – COCONUT TREES, BUSHES, DECIDUOUS TREES.

LANDSCAPING

SITE SLOPE – NEGLIGIBLE SLOPE DECIDUOUS TREES

ENTRY ROAD WIDTH – 12M SOIL TYPE – LATERITIC SOIL (RED) SITE ORIENTATION – N

PALM/ COCONUT

TOTAL GROUND COVERAGE ACHIEVED – 14.5 % BUILDING ENVELOPE – 3200 SQM TOTAL BUILT UP AREA- 9,690 SQM

SECURITY BOOTH

BOUGAINVILLA

ENTRY ROAD WIDTH – 9M

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

SITE PLAN

8

GROUND FLOOR PLAN

Services are provided at the back of the structure as well as unloading area.

LIBRARY

ADMIN SPACE PUBLIC SPACES Gift and souvenir shops provided close to the entrance and exit pathway for tourists to access easily

INDOOR PUBLIC SPACE SERVICES

Administration and office spaces for museum staff and other back of house spaces

Washrooms provided on each floor

Library and digital archive provided towards the east corner of the structure to reduce noise and improve views towards the waterbody and outwards towards the site.

GROUND FLOOR

Waterbody provided for flow concept and views which reflect on glass façade.

SCALE 1:200

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

FLOOR PLANS

9

FIRST FLOOR PLAN PRIVATE SPACE SEMI PUBLIC SPACE INDOOR PUBLIC SPACE

Flow of gallery spaces all the way to temporary exhibitions.

SERVICES

Conference rooms towards the south west which can be directly accessed by elevators to reduce time usage in circulation.

Washrooms provided on each floor

GLASS FACADE

WATER BODY

Temporary exhibition area has a large volumetric area so that division of spaces can be altered according to individual exhibitions.

FIRST FLOOR Multipurpose hall towards the southwest for ample space and privacy during private events.

SCALE 1:200

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

FLOOR PLANS

10

SECOND FLOOR PLAN PRIVATE SPACE Flow of gallery spaces all the way to temporary exhibitions.

SEMI PUBLIC SPACE INDOOR PUBLIC SPACE SERVICES

Staff canteen close to the restaurant kitchen and service elevator.

Washrooms provided on each floor

GLASS FACADE

View below from balcony on all floors.

WATER BODY

Rooftop restaurant that provides a view to site landscaping as well as highway and consists of outdoor and indoor seating.

Temporary exhibition area has a large volumetric area so that division of spaces can be altered according to individual exhibitions.

SECOND FLOOR

SCALE 1:200

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

FLOOR PLANS

11

BASEMENT PLAN 1.

Ramp Width – 6.7m

RAMP LEADING TO THE BASEMENT

2. TWO WHEELER PARKING

Ramp length -24 meters for 3 m height.

3. FOUR WHEELER PARKING

No of 2 wheeler parking 36 + 36= 72 parking.

4. RAMP LEADING TO BELOW BASEMENT PARKING

No of 4 wheeler parking – 107+ 107 = 214.

5. RAMP LEADING TO EXIT 6. ELEVATOR ROOM

Total parking underground – 286 total parking on site = 17 cars +14 2 wheelers

7. ELEVATOR ROOM

Overall total parking = 317 nos Basement floor height : 3m Second basement floor height : 3m

5 6 4

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3

2 3

3

3

1

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

FLOOR PLANS

12

ELEVATIONS

SOUTH ELEVATION

NORTH ELEVATION

EAST ELEVATION

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

ELEVATIONS

13

SECTIONS

INDOOR AND OUTDOOR SEATING RESTAURANT

GLASS FAÇADE FROM THE INTERIOR OF THE BUILDING.

CURVATURE OF THE BUILDING

DIGITAL ART ROOM

STAFF CANTEEN

A’

B’

ENTRY INTO THE BUILDING.

RESTAURANT

HALLWAY

INDIAN GALLERY

MULTIPURPOSE HALL

HALLWAY PHOTOREALSIM GIFT SHOP

GIFT SHOP

A

RECEPTION

HALLWAY

B

BASEMENT PARKING BASEMENT PARKING

KEY PLAN

RAMP LEADING TO BASEMENT PARKING

SECTION A-A’

CLOSED COURTYARD WITH DIFFUSED LIGHTING FOR EART ART GALLERY

ANGLED GLASS FAÇADE TO LET NATURAL LIGHT IN THROUGH THE SOUTH

EARTH ART GALLERY

WATERBODY TOWARD THE SOUTH END OF THE BUILDING FOR VIEWS.

TEMPORARY EXHIBITION

LIBRARY

TEMPORARY EXHIBITION

TEMPORARY EXHIBITION

W/C PROVIDED ON EACH FLOOR.

TEMPORARY EXHIBITION

TEMPORARY EXHIBITION

LIBRARY

W/C

W/C

W/C

LIBRARY

LIFT

CURVATURE OF THE BUILDING

CONSTRUCTION DETAILS

Spider fin glass façade

Angled glass façade

WAITING ROOM

WAITING ROOM

WAITING ROOM

Water body BASEMENT PARKING BASEMENT PARKING

SECTION B-B’ COLUMN GRID SIZE : 10*10m FLOOR HEIGHT – 4 M COLUMN SIZE – 400*400M

COLUMN: RCC WALL MATERIAL : LATERITE/ WHITE PAINT FOUNDATION: STEPPED FOOTING

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

SECTIONS

14

VIEWS

WATER BODY FLOATING DISPLAY

GLASS FAÇADE VIEW

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

VIEWS

15

VIEWS

SITE VIEW

WATER BODY FLOATING DISPLAY

LIBRARY INTERIOR

EARTH ART GALLERY

WATER BODY FLOATING DISPLAY

LIBRARY INTERIOR

ANGLED GLASS FAÇADE

GLASS COURTYARD AND EXTERIOR VIEW SITE VIEW

Museum Of Contemporary Art and Architecture

VAISHNAVI.VK 183701200

VIEWS

16

THANK YOU

PRESENTED BY NAME: VAISHNAVI. VK REG NO :183701200 SEM :VIII B MSAP MAHE