SoNA Continental Connections Program Notes

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SoNA

Symphony of Northwest Arkansas

Continental Connections February 26, 2022 Walton Arts Center Paul Haas, conductor

Overture for Orchestra

Grażyna Bacewicz b 5 February 1909, Łódź, Poland d 17 January 1969, Warsaw, Poland Among life’s musical pleasures there are few as keen as first discovery, whether of a composer, or a performer, or a composition. Many people can well remember that initial encounter with, say, Tchaikovsky or Horowitz or the Beethoven Eroica; such experiences can foster a lifelong love for music, or perhaps rekindle a love that had been waning. That’s why our current interest in restoring the music of worthy but overlooked composers is such a blessing. We’re all making new friends. That takes us to the 1930s and celebrated teacher Nadia Boulanger, whose studio was considered de rigueur for up-and-coming young musicians everywhere. That included Grażyna Bacewicz, an exceptionally talented triple-threat violinist, pianist, and composer. Raised by highly cultured Polish and Lithuanian parents, Bacewicz identified as Polish and was educated in Warsaw, then went on to teach in Łódź. While in Paris with Boulanger in the 1930s, she also studied violin with Carl Flesch. Her long-overlooked music has been coming into view of late, and it’s well worth exploring – beautifully crafted, vital, and passionate, it carves out a stylistic journey from

the Gallic influences of her youth to the dark complexities of her late years. Bacewicz’s Overture for Orchestra is a wartime composition from 1943 and very much in her full ‘neoclassical’ mode, in which Baroque-style rhythms and transparent textures co-exist with harmonic practices à la Stravinsky and Prokofiev. Cast in a solid three-part structure, it flanks a contemplative middle section with blazingly energetic opening and closing passages, making particular use of the timpani via a four-note motive reminiscent of the Beethoven Fifth, and also spotlights the trumpets in their best punchy, now-hear-this mode.

Tabla Concerto, Movements 1 and 2 Dinuk Wijeratne b 1978, Sri Lanka

First up: the tabla. Not one instrument but two, it’s a pair of tuned hand drums, made of hollowed out wood, clay or metal, found in the classical music of the Indian subcontinent including the island nation of Sri Lanka. The drums are of different size and shape; the larger baya is played


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