V91

CHANEL BOUTIQUES 800.550.0005 chanel.com ©2014 CHANEL®, Inc.

B®

CHANEL BOUTIQUES 800.550.0005 chanel.com ©2014 CHANEL®, Inc.

B®

CHANEL BOUTIQUES 800.550.0005 chanel.com ©2014 CHANEL®, Inc.

B®

R A L PH

The Ultra-Large Ricky Bag

L A U RE N Collection

8 8 8 . 4 75.7674

R A L P H L A U R E N C O L L E C T I O N . C O M

888-DYURMAN © D.YURMAN 2014

DAVIDYURMAN.COM/ENDURING STYLE

888-DYURMAN © D.YURMAN 2014

DAVIDYURMAN.COM/ENDURING STYLE

888-DYURMAN © D.YURMAN 2014

DAVIDYURMAN.COM/ENDURING STYLE

DIVE INTO FALL

Hedi Slimane reliably tunes out the noise of the fashion industry to produce collections that are deeply personal and rooted in his adoration of music. The designer’s recent Spring 2015 menswear show for Saint Laurent was dedicated to “Psych Rock’s New Rising,”— the latest stop on a tour through popular music that he’s has taken since his days at Dior Homme and Yves Saint Laurent. His work has spanned post-grunge, electroclash, garage rock, neo-soul, and West Coast folk in turn, always echoing the spirit of youthful rebellion.

Simultaneous to his output in fashion, Slimane has built an iconic library documenting and chronicling his inseverable connection with rock and roll. His unforgettable portraits of Brian Wilson, Courtney Love, Lou Reed, and Amy Winehouse as well as emerging artists like Ariel Pink, Christopher Owens, and Sky Ferreira— many of which originally appeared in V—have established him as one of the greatest modern photographers not just in fashion, but also in music and art.

This month, the Fondation Pierre Bergé-Yves Saint Laurent opens Sonic, an exhibition of Slimane’s studio portraits taken from his 15-year archive, shown alongside a video installation that juxtaposes two musical cycles: London from 2003 to 2007 and California from 2007 to 2014. (An accompanying book will be published as well, featuring Slimane muse Christopher Owens on the cover.) The more recent years will include never-before-seen images from the likes of young bands Cherry Glazerr, Bleached, Mystic Braves, Froth, Foxygen, and La Femme. This encompassing overview will serve as a crystalline side-by-side comparison between two adjacent generations of performers and their fans, as well as a glimpse into two eras of Slimane’s personal history that have greatly shaped his idiosyncratic (and endlessly fascinating) vision. patrik sandberg

photography hedi slimane / courtesy almine rech gallery Sonic iS on view at Fondation Pierre Bergé–YveS Saint Laurent From SePtemBer 18 through JanuarY 11, 2015

WELCOME

Crowd Surfer The Garden, Burgerama, Santa Ana, CA, October 10, 2013

V MAGAZINE 4 3

©2014 COACH®

FALL 2014 Rhyder 24 in gunmetal Shearling Coat on Lexi Studded Coach Taxi Tote in black

Coach proudly supports the High Line. coach.com

©2014 COACH®

FALL 2014 Urban Hiker in black Whipstitch Dakotah in black Houndstooth Parka on Harleth

Coach proudly supports the High Line. coach.com

WELCOME

V MAGAZINE 5 7

800.929.Dior (3467) Dior.com

balenciaga .com

870 MADISON AVENUE NEW YORK

HUGO BOSS FASHIONS INC. Phone +1 212 940 0600

SHOP ONLINE HUGOBOSS.COM

marc jacobs stores worldwide

www.marcjacobs.com

DKNY.com/ WeAreNYC #WeAreNYC

MICHAELKORS.COM

DsquareD2.com

Photography Dan Forbes Fashion Mia Solkin

masthead louiS vuitton ETERNAL BORDEAUX HALF BOOT ($1,630, LOUISVUITTON.COM)

’

t h i s b u d s f o r y o u

Editor-in-ChiEF / CrEativE dirECtor Stephen Gan Editor Sarah Cristobal SEnior Editor Patrik Sandberg Managing dirECtor Steven Chaiken art dirECtor Cian Browne CrEativE SErviCES dirECtor Jennifer Rosenblum Photo & bookingS Editor Spencer Morgan Taylor dESign Alexa Vignoles Alexander McWhirter onlinE Editor Natasha Stagg MarkEt EditorS Michael Gleeson Mia Solkin FaShion aSSoCiatE Julian Antetomaso CaSting Samuel Scheinman Contributing FaShion EditorS Carlyne Cerf de Dudzeele Melanie Ward Nicola Formichetti Joe McKenna Jane How Panos Yiapanis Beat Bolliger Olivier Rizzo Clare Richardson Jacob K Andrew Richardson Jonathan Kaye Tom Van Dorpe SEnior FaShion Editor Jay Massacret Contributing EditorS / EntErtainMEnt Greg Krelenstein Kate Branch / Starworks Editor-at-largE Derek Blasberg Contributing EditorS Kevin McGarry T. Cole Rachel Nicole Catanese Editorial aSSiStant Ian David Monroe CoPy EditorS Jeremy Price Traci Parks aSSoCiatE PubliShEr Jorge Garcia jgarcia@vmagazine.com advErtiSing ManagEr Vicky Benites vbenites@vmagazine.com 646.747.4545 advErtiSing oFFiCE, italy and SwitzErland Magazine International / Luciano Bernardini de Pace +39.02.76.4581 magazineinternational.it advErtiSing rEPrESEntativE Jef Greif 212.213.1155 advErtiSing rEPrESEntativE, hoME and dESign Michael Colangelo GLM Communications, mcolangelo@glmreps.com advErtiSing aSSiStant Sacha Breitman CoMMuniCationS Samantha Kain / Purple PR 212.858.9888 diStribution David Renard rESEarCh Editor Lela Nargi ProduCtion dirECtor Melissa Scragg ProduCtion aSSoCiatE Gina Wang FinanCial CoMPtrollEr Sooraya Pariag aSSiStant CoMPtrollEr Ivana Williams aSSiStant to thE Editor-in-ChiEF William Defebaugh adMiniStrativE aSSiStant Wyatt Allgeier ConSulting CrEativE / dESign dirECtion Greg Foley intErnS Kerri Arfa Robyn Arteaga Shayan Asadi Nicola Bernardini de Pace Carolyn Binder David Cerami Ava Chambers Zoe Chodosh Eliana Epstein Tania Farouki Madison Finley Bruna Fontevecchia Patrick Galizio Amanda Garcia Lester Gibbs Ron Hartleben Bree Jackson Zoe Kahn Christina Kwiek Wynnie Newton Nikki Refghi Hussain Salahuddin Scott Shapiro Isabella Tunioli V is a registered trademark of V Magazine LLC. Copyright © 2014 V Magazine LLC. All rights reserved. Printed in U.S.A. V (BIPAD 96492) is published bimonthly by V Magazine LLC. Principal offce: 11 Mercer Street, New York, NY 10013.

POSTMASTER: Send address changes to Speedimpex 3010 Review Avenue, Long Island City, NY 11101. For subscriptions, address changes, and adjustments, please contact Speedimpex, tel. 800.969.1258, e-mail: subscriptions@speedimpex.com.

For back issues contact V Magazine, 11 Mercer Street, New York, NY 10013, tel. 212.274.8959. For press inquiries please contact Purple PR, tel. 212.858.9888

110 V MAGAZINE

Fendi Boutiques Fendi.com

N E W YO R K

62 Mercer Street, New York, NY 10012

53, rue Vieille du Temple 75004 Paris

IROPARIS.COM

Photography Dan Forbes Fashion Mia Solkin

contributors dsquared2 LEATHER AND FUR SHOE ($1,265, DSQUARED2.COM)

’

t h e r a z o r s e d g e

V91 Karl Lagerfeld Mario Sorrenti Hedi Slimane Inez & Vinoodh Steven Klein Madonna James Franco Willy Vanderperre Katy England Sebastian Faena Sølve Sundsbø Alasdair McLellan George Cortina Ai Weiwei Marie Chaix Sarah Richardson François Nars Patti Wilson Anthony Maule Stéphane Sednaoui Giovanni Bianco Scott Trindle Stella Greenspan Anna Trevelyan Meinke Klein Chad Pitman Maryam Malakpour Mark Abrahams Keegan Singh Casey Spooner Akeem Smith Robin Broadbent Dan Forbes Therese Aldgård John Norris Pierre Alexandre de Looz Ashley Simpson Kristin Tice Studeman Tania Farouki sPeCIaL THaNKs Eric Pfrunder Katherine Marre Océane Sellier Art Partner Giovanni Testino Amber Olson Marianne Tesler Candice Marks Sally Borno Lucy Lee Lindsey Steinberg Alexis Costa Lauren Lanier Julia Reis Allison Hunter Katie Fash Chris Cassetti Kim Pollock Yann Rzepka Natalie Hazzout Art + Commerce Annemiek Ter Linden Yael Peres Amanda Fiala Sally Dawson Paula Ekenger theCollectiveShift Jae Choi Brenda Brown Marc Kroop Intrepid Anya Yiapanis Cale Harrison Roberta Arcidiacono Floriane Desperier Helena Martel Seward Total Justinian Kfoury Jordan Sternberg Katie Yu Maxim FMA Akua Enninful Streeters Robin Jafee Deanna Archer Paula Jenner Lisa Stanbridge Carla Pierce Jed Root Kelly Penford Miranda Neri Alicia Eddy-Quintana Rachel King India Gentile Alexandre Camille-Removille Management Artists Anne du Boucheron Dayna Carney Humberto Petit Micole Rondinone CLM Jasmine Kharbanda Cassandra Maxwell Home Agency Christine Lavigne Lisa Weatherby Danielle Palma CXA Inc. Jordan Nystrom Kent Belden Premier Hair and Makeup Paul Lonergan D+V Lucy Kay Brennan Casey The Wall Group Ali Bird Anaïs Merle Saint Luke Artists Candice O’Brien Julian Watson Agency Julian Watson Julie Boyle Stania Jaspert Starworks Artists Noelle Keshishian Atomo Management WAH LMC Nex9 Tracey Mattingly Brydges Mackinney BRIDGE Nailing Hollywood B-Agency Dragonfy Scenery FORD Natalie Smith Julien Miachon-Hobson IMG Ivan Bart Jen Ramey Maja Chiesi Mina White The Lions NY Christiana Tran Louie Chaban Women Pedja Govedarica Ludovic d’Hardiville DTouch Stereohorse Output London Gloss NY Rich Imaging John Halla Velem Gil Inoue Lutz + Schmitt Nu Projects Hannes Deter Laura Holmes Production 4Oktober Kelly Virtue Esther Han Aesthesia Studios, L.A. Big Sky Studios, London Milk Studios Provision Studios, London ROOT Studios Splashlight SoHo Studio 0, Paris Sunset Studios, Brooklyn L.A. Spice Monterone Shoot Food B2Pro Scheimpfug Hotel La Réserve, Ramatuelle Hotel Le Yaca, Saint Tropez Hotel Pennsylvania, New York 118 V MAGAZINE

822 Madison Avenue 121 Greene Street New York

www.proenzaschouler.com

colehaan.com

The open door. The empty road. The blank page.

HISTORY BEGINS HERE

Photography Dan Forbes Fashion Mia Solkin

table of contents STELLA McCARTNEY FELIK/BRETHIL BRICK/TURQUOISE SHOE ($1,080, 212.255.1556)

t h e m a i n a t t r a c t i o n 129 HAUTE NIGHTS Paris proves why it’s the center of all things chic with a plethora of parties during couture week, for Fendi, Miu Miu, Coach, and Bulgari

142 REBELS In honor of the issue’s theme, icons from flm, photography, music, and architecture nominate their favorite provocateurs. Learn the true meaning of rebellion from Ai Weiwei, Marianne Faithfull, Laverne Cox, Brooke Candy, Emily Danger, and James Franco 158 V GIRLS Get to know the new hotness: Kylie Jenner is the koolest Kardashian by far; Chloe Chaidez is the Kitten’s meow; actress Jess Weixler steals the spotlight; artist Rachel Lord is all about the Trecartin treatment; and dancer turned actress Sofa Boutella high kicks into Hollywood 168 NEWS Marc Jacobs keeps things popping; Dree Hemingway is the new face of Cole Haan; Max Mara goes back to its roots; Pedro del Hierro welcomes a new creative director; Moncler sends up a new capsule collection; and Kors announces a feel-good accessory 124 V MAGAZINE

170 PUT ME IN, COACH! Stuart Vevers’s debut collection for Coach hits a fashionable home run 174 SHORT STACK From Bulgari to Balenciaga, bare it all with Fall’s brilliant bangles

176 IN YOUR FACE Free your inner Blackheart with the season’s best mascaras and reddest lipsticks 178 NEXT GEN There’s no stopping the new wave of tastemakers from NYC, London, and Paris 184 TAKE IT TO THE STREETS Run the town in Fall’s knockout trends, including ’60s mod, minimal sheaths, and tomboy grace

B® ©2014 CHANEL®, Inc.

AVAILABLE AT CHANEL .COM

Photography Dan Forbes Fashion Mia Solkin Prop stylist Marie-Yan Morvan Digital technician Rob Weber Photo assistant Yuki Saito Production Alicia Eddy-Quintana (Jed Root) Location ROOT Studios

table of contents VALENTINO JEWELED COLOR DIAMOND FLAP BAG ($4,145, VALENTINO.COM)

p i e c e b y p i e c e 192 PARTY ANIMAL bY KARL LAgERfELd Cover gal Miley Cyrus talks to Karl Lagerfeld about what it means to be a modern-day media sensation

272 HEAd cAsE bY ANTHONY MAuLE ’Tis the season for a statement coat. Fortunately, Fall is chock-full of luxurious elongated outerwear. Extravagant headpieces not included

206 wEb Of sEducTION bY MARIO sORRENTI New York City’s rising art-world royalty do what they do best and get skin-timate

282 LOud bY HEdI sLIMANE They are not afraid to make some noise. Cue Perfect Pussy, Donovan Blanc, Regal Degal, Nothing, and Appetite—the new faces of face-melting rock

226 REbEL fLOwER bY wILLY VANdERPERRE Katy England deconstructs the season’s sought-after staples and pairs them with poppies 238 TwIgs IN bLOOM bY søLVE suNdsbø The provocative princess of trip-hop comes of age as an artist with her new album, LP1 248 dREAM wEAVER bY ALAsdAIR McLELLAN Daydreaming beauty Lara Stone drifts back to the decade of peace, love, and revolution 260 LITTLE dARLINg bY sEbAsTIAN fAENA Jamie Bochert shimmers and shines as she rocks her way down the Bowery 126 V MAGAZINE

288 VENus IN fuRs bY søLVE suNdsbø All you really need to turn heads is a fabulous fur, chic blouse, and the right belt to cinch it all together 298 NARs ATTAcKs! bY fRANçOIs NARs An alien queen has landed on the shores of Tahiti, armed with out-of-this-world bags and killer makeup

hello

Polaroids and sketches for Miley Cyrus’s custom Fendi fur one-piece by Karl Lagerfeld, as sent to Carlyne Cerf de Dudzeele

m a d f o r m i l e y This issue focuses on the art of rebellion. But before you think us punks or misfts, it should be noted that we’re not necessarily talking about that type of rebellion associated with being deliberately defant or rowdy, but rather with the idea of taking ownership of one’s ideas and craft and not compromising even when difcult situations arise. Staying true to one’s self and one’s art, no matter what, takes courage and discipline, which is vital to any artist’s survival. And we have plenty of examples of that in this issue, our biggest and best of the year.

Cover star Miley Cyrus kicks things of with Karl Lagerfeld in a très chic shoot in the south of France—styled by the incomparable Carlyne Cerf de Dudzeele and featuring an ultraglamorous custom Fendi fur one-piece and coat. In the accompanying interview, the designer and cultural phenom talk about sex in pop, blocking the haters, and their shared love of Dolly Parton. Let’s not forget that V had the good fortune of working with the multiplatinum icon in the summer of 2013, when she was just getting comfortable with her own form of rebellion (shedding her Hannah Montana persona), while fnishing up Bangerz and hanging with the likes of Pharrell Williams. More than a few people thought we were crazy to feature her back then, unaware that she was a wrecking ball about to lay waste to the status quo. Now, just over a year later, is the perfect moment to reconnect. One of music’s most provocative stars, Miley may have cultivated an outof-control aesthetic, but in reality the woman herself is exactly the opposite.

We are also beyond honored to have dissident Chinese artist Ai Weiwei pen an exclusive essay. Widely considered one of the most impactful artists of our time, he writes

CoVer photography karl lagerfeld fashion Carlyne Cerf de dudzeele miley WeARS one-piece fendi 128 V mAGAZine

about how he perceives rebellion from his studio in Beijing. His passport inexplicably revoked by his government, he is a true testament to enduring some very difcult and unjust circumstances on behalf of his art.

Ai sets off a chain reaction of rebels-nominated-by-rebels, in a section that includes cult director Gregg Araki, musician Marianne Faithfull, architect Odile Decq, James Franco riffing on James Franco, transgender actress and activist Laverne Cox, and more.

The issue is peppered with courageous frontiersmen and -women from the worlds of photography and fashion: Mario Sorrenti examines the most popular crop of selfobsessed Instagram-era artists (styled by George Cortina); Hedi Slimane fnds (and photographs) the new faces of underground rock; Willy Vanderperre and stylist Katy England capture model-of-the-moment Anna Ewers in some seriously deconstructed duds; Alasdair McClellan and Marie Chaix give Lara Stone a fabulous make-under; Jaime Bochert channels a delusional dream girl in Sebastian Faena’s and Sarah Richardson’s sojourn through New York City; and FKA twigs talks to John Norris about owning adulthood, in celebration of her epically good new album, LP1 (with photos and styling by Sølve Sundsbø and Beat Bolliger).

And of course the insurgence continues with the most hyped-up looks for Fall—oversize knits, must-have statement coats, and glam-rock furs and frocks.

We hope this issue ignites the rebel in you. Whatever you are passionate about, do it, and do it well. The truest act of rebellion is unbridled creativity. Ms. V

100 60

100 100 60

A

B

70 70

70

30 30

30

100 100 60

100 60

100 100

100

2007

70 70

70

ISO 12647-7 Digital Control Strip

100 100

100

30 30

30

100 100 60

100 60

100 100

100

70 70

70

30

30 30

3%

100 40

100 40

100 40

40 100

40 100

40 100

10 40 40

40 70 40

20 70 70

70 40 40

70 70 40

40 70 40

70 40 40

40 70 40

0 0 0 0

70 40 40

3.1 2.2 2.2

3

10 7 7

10

25 19 19

25

50 40 40

50

75 66 66

75

100 100 100

90

807070100

100

NEW YORK DALLAS CHICAGO LAS VEGAS BEVERLY HILLS

TOMFORD.COM

merci, miuccia

mrs. prada marks her magnifique cruise collection with an enviable group of dinner guests and a sonic dessert, courtesy of jack white Top row, from left: Isla Fisher, Mos Def, Marc Jacobs, Josephine Oniyama Second row, from left: Bianca Brandolini d’Adda, Carine Roitfeld, Stacy Martin, Uma Thurman, Maya Hawke, Dominic Cooper Third row, from left: Douglas Booth, Léa Seydoux, Roman Polanski, Max Brun, Emmanuelle Seigner Fourth row, from left: Saoirse Ronan, Sophie Kennedy

haute nights bijoux & bulgari

international trendsetters are treated to a private viewing of bulgari’s shimmering stones, straight from its mvsa highjewelry collection, which was inspired by carla bruni-sarkozy

Clark, Freida Pinto, Gemma Arterton, Emily Browning, Alex and Steven McQueen

Top row, from left: Shu Pei Qin, Eric Bana Second row, from left: Alexander Ludwig, Olivia Palermo, Arizona Muse, Poppy Delevingne, DJ Mad Marj Third row, from left: Becca Cason Thrash, Jared Leto, Jean-Christophe Babin, Carla Bruni-Sarkozy, Zachary Quinto

fÊte À fendi From top: courtesy Miu Miu; courtesy Fendi; David Atlan/courtesy of Bulgari; courtesy Coach

fendi throws a soirÉe with fashion’s hottest faces to kick off its highly covetable “karlito” key chain Top row, from left: Alexandra Richards, Lily McMenamy Second row, from left: Marie-Agnès Gillot, Leigh Lezark, Karl Lagerfeld, Clara Paget, Pietro and Costanza Beccari Third row, from left: Binx Walton, Ashleigh Good Fourth row, from left: Ming Xi, Chiharu Okunugi, Anna Dello Russo, Ito Morabito, Elizabeth von Thurn und Taxis, Eugénie Niarchos

coach À colette, trÈs chic

to herald the arrival of stuart vevers’s first coach collection at colette, the executive creative director’s fashionable friends gathered at verjus, on the grounds of le palais royal gardens Top row, from left: Sarah Andelman, Sonia and Sacha Sief, Camille Bidault-Waddington, Stuart Vevers Second row, from left: Alexandre de Betak, Sofía Sanchez Barrenechea, André Saraiva, Mademoiselle Agnès, Caroline de Maigret v magazine 129

porsche design www.porsche-design.com

STUARTWEITZMAN.COM

pedrodelhierromadrid.com

rebels nominated by madonna

ai weiwei

“freedom of expression is essential to human existence,” writes artist and activist ai weiwei in this open letter about righteousness, rebellion, and the healing power of art I think of “rebels” as those who do not ft into the society they live in or are not satisfed with their current reality, for the power structure in place or its dominant ideology conficts with their beliefs or conditions. Rebellion is a product of social injustice. It is a phenomenon of a developing civil society, in which the oppressed are aware and present.

Intellectually, the rebel voice is always the most compelling argument.

In 2011, I was detained for 81 days due to false accusations of tax evasion. My studio is under constant video surveillance. My passport is still held by the police, and I am unable to freely travel. All of these restrictions have given me a new perspective as to what freedom is really about and also why some might feel the need to repress it.

It makes me question whether it is possible to limit freedom. These restrictions have made me understand our world in a unique way. Sometimes I almost feel glad this has happened to me. If some of us must sufer this uncomfortable situation, I would rather it be myself than another.

Because I am physically restricted from travel, I have taken to social media as a means of virtual mobility. Social media has the potential to allow the unrestricted interchange of ideas necessary for positive social change. Much about social media is related to personal freedom; it is a vehicle for new ideas and communication. In the future, with the power of the Internet, I think we can avoid conflicts, because everything is open for discussion, everything can be shared, and dialogues can be facilitated.

Rebellion only happens in oppressed societies where communication is blocked or filtered, where there is no public sphere.

I got into art because I wanted to take a diferent path. Having a constant dissatisfaction and a critical mind, art brings me into unpredictable areas. Sometimes joy, sometimes discomfort, and even danger. However, that is what exercising freedom of expression is all about; our instincts and intellect struggle toward new experiences and possibilities. Freedom of expression is essential to human existence.

Art changes our lives. It survives under the most awkward and uncomfortable situations. It elevates our collective consciousness. It enables us to cast doubts on authority and the sanctity of social conventions. I make art with the hope that it might stimulate an emotional and intellectual response within viewers. I hope my art can facilitate necessary conversations about society. I hope my art can save me from drowning in reality.

Ai weiwei in beijing, chinA, july 2014 PhotograPhy and text ai weiwei the fAke cAse is in select theAters now V MAgAZine 14 3

rebels

nominated by courtney love

marianne faithfull this year, the artist celebrates 50 years of love, life, and rock and roll with a new album, book, and tour

144 v magaZine

©2014 Stephane Sednaoui. All Rights Reserved.

There will never be another Marianne Faithfull. The English singer, songwriter, actress, and all-around cultural icon has lived one of the most mythic—and heavily mythologized—existences in the history of rock and roll, as even the almighty Courtney Love attests. “I have a deep afnity for Marianne,” says Love. “She’s like family to me and my daughter. I hear her raspy voice and I am always soothed by it, and how she is so beautiful and proud to tell the truth. Although she’s made some shitty life choices, I can relate completely. She’s got a huge heart and a massive intellect.”

A legendary career such as Faithfull’s—encompassing over fve decades, with more extreme ups and downs than a million amusement parks combined—is remarkable to say the least. She has been both famous and infamous, surviving illness, addiction, a variety of marriages, and

a famous romantic dalliance with Mick Jagger. More has made in years, but also shows of her exceptional range. importantly, she has created an expansive and impossi- “The album basically came about because I broke my back ble-to-categorize body of work that covers almost every in Los Angeles,” she explains. “I had seven months on hard genre of music. Her now famous voice is a thing of ragged narcotics where I could basically do nothing but lie about beauty—the soulful evidence of a life that has been truly, and try to recover. I realized that I had a lot of things that madly, and deeply lived.

I still needed to say, and I hadn’t felt that way since back At the age of 67, Faithfull isn’t quite ready to hang it up when I made Broken English in ’79.” To that end, London— just yet. This fall she will release Give My Love to London which Faithfull worked on at hotelier André Balazs’s new (her twenty-frst studio album), oversee an upcoming hotspot, Chiltern Firehouse, in Marylebone—is a study in photo book, from Rizzoli, flled with portraits of the art- extremes, from the gorgeousness of the album’s title track ist shot by the likes of Helmut Newton and David Bailey, to the blistering admonishment of “Mother Wolf,” a song plus embark on a year-long world tour that will serve to that takes on mankind’s propensity for being terrible. “I’ve commemorate her more than 50 years in the music busi- just had enough, haven’t you?” she asks. “Human beings ness. It’s a feat that Faithfull herself, calling me from her are disgusting—the way they treat the planet, the way they Paris apartment, still can’t quite fathom. treat animals, the way they treat each other. It’s awful.”

“I certainly didn’t expect it,” she laughs. “It’s really, really She has fnally given up smoking (“Quite honestly the crazy. When I think of all the people who didn’t make it— hardest thing EVER”), and Faithfull now scofs at the perGod bless them, may they rest in peace—and I did? It’s just sona of the tormented diva that she inhabited throughout completely random. I did something right and they did much of her career. “People like their divas to be drama something wrong? Bullshit. It’s just random. I did every- queens,” she says. “They want to think that you may be thing wrong. EVERYTHING. I actually wanted to die for a pretty, you may be beautiful, you might even be talented, while there. I tried desperately, but it didn’t work. I wasn’t but you’ve got to be unhappy. The truth is, I’m actually a allowed to. I had a lot more to do, I just didn’t realize it.” very happy person. One of the only real advantages of getFaithfull has no qualms about dishing the dirt regard- ting old is learning how to be happy. It’s a by-product of ing her tumultuous life (“You know me, I’ll talk about any- fguring out how to fnally do the right thing.” T. Cole RaChel thing, really”), but she is particularly happy to discuss the making of her new record. Give My Love to London, which marianne faithfull in Paris, june 2014 includes collaborations with the likes of Nick Cave and PhoTogRaPhy STePhane Sednaoui Roger Waters, is not only the most personal thing Faithfull give my love to london is out sePtember 24 on dramatico

WWW.BALMAIN.COM

RebelS

Stills from White Bird in a Blizzard

nominated by GaboURey Sidibe

gregg araki

the auteur of teen-angst psycho-cinema returns with a lush new drama that shines a light on the politics and perversity of the american family

146 v magazine

Hair and grooming Courtney Perkins (Tracey Mattingly) Photo assistants Check Wu and John Beecroft Stylist assistants Verena Hafner, Whitney Meyer, Christopher Lee

relate to his chosen through line. From his very first to uncover the mystery of her vanished mother, Eve (Eva feature film, Sundance’s Grand Jury Prize–nominated Green), the flm breaks new ground for Araki by paying The Living End, through his “Teen Apocalypse Trilogy” a stylish homage to the lush melodrama of his flm idol, of Totally Fucked Up, The Doom Generation, and Nowhere, Douglas Sirk. to his critically lauded drama Mysterious Skin, Araki has “I saw Eve as this tragic, feminist character,” he says of built a singular iconography of aggressive teen angst, Green’s wildly entertaining version of a desperate housetransmogrifying the soft-focus John Hughes model of wife. “She’s the beautiful woman who’s starting to lose isolated youth into something at intervals more savage, her looks and then is being supplanted by her daughter. scathing, emotional, bizarre, outrageous, comic, exple- She’s stylized and theatrical, but she’s a product of that tive, and, to quote McGowan’s Amy Blue once more, “so time, the type who grew up watching Douglas Sirk movies. vile and beastly, I can’t believe any human being can She’s just a really fawed, fucked-up woman.” even conceive it.”

In regard to casting Woodley, whose profle has skyOne-liners aside, White Bird (based on the novel by rocketed in the past year, Araki notes the fortunate Laura Kasischke) veers closer to the afecting and tender timing—the actress had signed on right after her award Mysterious Skin than it does to the Apocalypse flms. “I circuit for The Descendants, before Divergent was even a “This place is so fucking boring I wish someone would read [the book] and it was very poetic, super beautifully conversation. “She’s so special,” he says. “There are ten burn it to the ground.” written, and had this melancholy air about it, the same thousand pieces on her in the media that say the same These words, uttered by Rose McGowan in an early way that Mysterious Skin did,” Araki says. “It also really thing, but she’s so unique. She marches to her own drumscene of Gregg Araki’s 1995 flm The Doom Generation, struck me, because it was sort of like The Ice Storm or mer. She reminds me a lot of Joseph Gordon-Levitt, you could easily be the motto for the screenwriter-director’s American Beauty…the sorts of movies they don’t make know? They just have their shit together. They’re just whole career. In fact, it’s repeated by Gabourey Sidibe, as anymore, about the dislocated American family with this really great, extraordinary human beings with both feet Beth, in his latest flm, White Bird in a Blizzard. dark undercurrent. So that, to me, was really attractive.” on the ground, and they’re serious artists who really want “Across diferent eras people are saying the same thing Araki’s return to this tone is made particularly tactile by to make good, interesting work.” over and over again,” Araki says cheerily on the phone the original music for the flm, composed by the Cocteau Earlier this year, Woodley told V she cherished joining from L.A. While Doom Generation is set in the mid-’90s, Twins’ Robin Guthrie, who also coscored Mysterious Skin. the “Araki clan,” which she described as a rite of passage. the era in which it was made, period piece White Bird is Though the book is set in early-’80s Ohio, Araki moved “Everyone’s been amazing,” Araki says with a laugh, before a full-tilt journey back to the ’80s. But in both cases, the the story to late-’80s SoCal, to bring it closer to the real- echoing his favorite line: “They’re like all my little kids out line is delivered beneath the strobes and black lights of ity of his own adolescence, spent in Santa Barbara dur- there, lighting the world on fre.” patrik sandberg a goth club. “I bet there’s a club in 2014 you could go to ing that time. The fawless reproduction of the period— and they play those exact songs in that same order, and the music, the attitude, and the décor—make it almost gregg araki in park city, utah, january 2014 people say the same exact thing. I spent all my 20s in a impossible to believe this is the director’s frst ’80s fick. photography mark abrahams Fashion keegan singh club exactly like that. You know what I mean?”

“I had been wanting to make one for years and years, so it araki wears shirt saint laurent by hedi slimane Anyone familiar (or as is more often the case, was kind of a perfect storm,” he says. Centering around white bird in a blizzard is in theaters september 25 obsessed) with the films of Gregg Araki can certainly teenager Kat Connor (Shailene Woodley), who searches for the full interview go to vmagazine.com

rEBEls

NOMINATED BY sTEvEN klEIN & NIcOlA fOrMIchETTI

pop’s outrÉ new rap star pays tribute to her two biggest collaborators and shares exclusive tidbits of the recording process behind her debut album, due in 2015

148 V MAGAZiNE

Makeup Kabuki for M.A.C Cosmetics Hair Shon (Julian Watson Agency) Manicure Bernadette Thompson (The Bernadette Thompson Nail Collection)

BROOKE CANDY

If you’re in it too much and you never stop, you’re always in that world of delusion and you’re never centered or fully present. I needed to stop and chill the fuck out so I could say, Wait, stop telling me what to do. I’m running the ship. I don’t want to make a bunch of songs that are scattered and throw them onto an album just because I’m blessed with an opportunity. It’s going to be a body of work, and I’ve never had that. I want to be the best artist I can be.”

Following her video for “Opulence,” Candy says fans can expect more enthralling collaborations with Klein and Formichetti. “They’re like brothers to me,” she says.

“They both don’t care, and that’s what’s so cool about them. They’re decisive and they don’t take things too seriously. They’re intuitive and they go of instinct. There are times when you meet someone and you connect on a level you can’t fully comprehend or understand. That’s what happened when I met both of them.” Next, Brooke plans to make a big pop video, “with choreography,” she says. “More digestible, if you will.”

“I’m not a stripper anymore, but I can still work a pole,” Brooke Candy told us when She also has an idea for a video with no budget. “I showed Steven this video from the we met up to shoot her for the Summer issue of V. True to her word, she is doing just Midwest. This church made a song for Jesus on a shitty VHS camera, where this old that in this explosive outtake from her shoot with Steven Klein and Nicola Formichetti. man was holding a smoke machine and someone threw glitter. You could see the hand But self-aware raunch is only part of what makes Brooke a rebel to watch. She’s also in the frame. Steven said we need to do a video like that, and it will cost fve dollars. Do determined to surpass expectations.

I sound loony?” she asks. “There is a lot that goes into being a musician.” PATRIK SANDBERG “If you don’t have the best voice in the world, like me, you have to tell a story,” she says, calling from the caves of Lanikai Beach, in Oahu. She’s on a much-needed respite BROOKE CANDY iN NEW YORK CiTY, fEBRuARY 2014 from recording with a bevy of producers, including TV on the Radio’s Dave Sitek. “All PhoToGRAPhy STEVEN KLEIN FAShIoN NICoLA FoRMIChETTI of this is not real,” she says, referencing her major label lifestyle. “It’s very dreamlike. CLOTHiNG AND SHOES STYLiST’S OWN JEWELRY CANDY’S OWN

B EWA RE O F A N G ELS

MUGLER.COM

AVA I L A B L E AT S A K S F I F T H AV E N U E

rEBEls

NOMINATED BY NATAshA lYONNE

LAVERNE COX

ACTRESS, DANCER, DIRECTOR, PRODUCER, ACTIVIST, AND WRITER LAVERNE COX IS ELEVATINg ThE TOPIC Of TRANSgENDERISm ThROUgh EVERy POSSIbLE mEDIUm. bOW DOWN TO ThIS gLAmOROUS TOUR DE fORCE

laverne cox in new york city, april 2014 PHotoGrAPHy cAsEy sPoonEr FAsHIon AkEEM sMItH dress EMILIo PuccI earrings DAvID yurMAn trans teen airs tHis october on logo and mtv 150 v magaZine

Makeup Regina Harris using M.A.C Pro Cosmetics Hair Jeff Francis for Shu Uemura (Brydges Mackinney) Lighting director Chris Parsons Digital technician Jonathan Rios Photo assistants Kenya Jones and Michael Burk Production Jay Wert and Nyenye Kitchings (Bunker) Retouching Gil Inoue

“A lot of my life has been about me charting my own space for myself, creating a space for myself to survive,” says Laverne Cox. “Now I’m trying to reframe my experiences. I’m not just in survival mode anymore. I’m in a space where I can thrive.”

For Cox, this is what thriving looks like: flming the third season of the Netfix hit Orange Is the New Black, writing a memoir, touring the country to speak to transgendered teens (she visited nearly 50 cities in the last year), and producing two documentaries. The frst, TransTeen, airs this fall on Logo and MTV and delves into the issues of teens who are going through their own questions about sexuality and identity.

The other—entitled Free CeCe—explores similar themes to OITNB, telling the story of CeCe McDonald, a 24-year-old African-American trans woman who served 19 months of a 41-month sentence in a men’s prison in Minnesota for defending herself against a violent attacker.

McDonald’s story resonates deeply with Cox, who certainly endured her own difculties while growing up fatherless in New Orleans. “I am a black transgendered woman from a working-class background, raised by a single mother,” says Cox. “There’s not any kind of template for me to have this mainstream acting career or platform to promote myself and the things I care about. It’s scary, but we’re at the forefront of a lot of new things in terms of this kind of career and having complicated discussions about gender and what it means to be a man or a woman. I think it’s about time that despite all of these systemic structures against us, someone like me is living my dreams anyway. ” Her humility, juxtaposed with her brazen self-confdence and wicked sense of humor, has made Cox an industry favorite. She has been able to bring a bit of herself to Sophia Burset, her OITNB character, and ignite a conversation about trans representation on television. (Perhaps you noticed her on the cover of Time this past May?) “I think that before Sophia, for the most part, representations of trans folks were comic relief,” says Cox. “We’ve been victims, we’ve been mostly talked about in terms of our transition and being trans, but in a lot of ways Sophia gets to be just another woman in Litchfeld, with a diferent experience and a diferent story. She is complicated and nuanced, so that we understand this is a full human being and that she’s not just one thing. I think that is major progress.”

“Laverne stands up for what she believes in and does so with grace and humility,” says her costar and nominator Natasha Lyonne. “She is one of a kind: a game changer and a maverick who not only expands closed minds but educates them. She is the living embodiment of what she believes in, and the inevitable fallout of that is she inspires others to tell their own truths.”

Cox’s message is rooted in an uncompromised sense of self: “As an actress, I love playing diferent characters, but it all starts with me being truthful to who I am, honoring my own truths and having a lot of conviction,” she says. “Most of us aren’t ofered spaces to do that. We’re encouraged to ft in and conform, and that just doesn’t always work for everyone. So, in a way, I think authenticity—really listening to our hard-wiring, our emotions—is the greatest rebellion of all.” WILLIAM DEFEBAuGH

shop at www.giuseppezanottidesign.com

atlanta - bal harbour - beverly center - beverly hills - las vegas - new york

giuseppe zanotti design

automne-hiver 2014 2015

rebels

FRAC Bretagne

all things punk. Convention just isn’t her cup of tea. As a student Decq was told that women (because they are practical) might aspire to designing kitchen cabinets, to which a multi-decade, award-winning career, touching on scales as varied as urban planning and cutlery, has answered. This year, she unveiled ofces for international corporation GL Events, in Lyon, France, a refective box that encloses a dizzying matrix of steel and glass, and appears to foat over the surrounding landscape. Here, as with other major commissions, such as the Museo d’Arte Contemporanea di Roma (2001–10) and the regional contemporary art center FRAC Bretagne (2005–14), Decq’s scenography sparks a sweet chill. It is feisty and brooding, at once serious and ecstatic, a lot like her taste in music. These days, she’s listening a lot to AC/DC (not at the ofce), and at a recent conference in Oslo picked up some Norwegian metal (“which unleashes so much energy”). For Decq, one interest follows another: “I am a barometer of others’ ability to accept diference,” during weekend trips to London through the late ’70s and says French architect Odile Decq. Her pronouncement ’80s, she would break onto construction sites as easily as refects something far deeper than her unmistakably smoky she slipped backstage to hang with Iggy Pop, the Ramones, eyeliner and ratty raven hair, winks to Siouxsie Sioux and and the Lords of the New Church.

The hair-raising, award-winning archiTecT wiTh a penchanT for norwegian meTal bands is Taking her Trade To The nexT level wiTh a program dedicaTed To The confluence of design and social obligaTion 152 V maGaZine

GL Events headquarters, in Lyon, France

Not surprisingly, then, Decq maintains a vibrant, independent eye both on culture and on her profession, which she scolds for being sexist and reactionary even now. “I am always where the energy is. I never look back,” she explains. In collaboration with her husband, Benoît Cornette, until his untimely death in 1998, and, since then, practicing independently, Decq has always lunged headlong into the future. Her latest project is an architectural institute, dubbed Confuence, to open its doors this fall, in Lyon, an attempt to adapt architectural education to global realities in ways informed by social media, neuroscience, community organization, and Decq’s fve years as the executive director of a leading Parisian school. “What will students today fnd for work? They have to know that they can collaborate with communities all over the world.

Architecture has to be engaged,” says Decq. This project, like the others, is not a matter of choice. For Decq, the heart is a battlefeld. “The interest for me lies in killing myself at it, to do or die trying.” Pierre AlexAndre de looz ConfluenCe opens in a temporary spaCe on september 29

Top: ©Odile Decq-Roland Halbe Bottom: ©Mazen Saggar / Louis Vuitton

odile decQ

Museo d’Arte Contemporanea di Roma

rEBEls

NOMINATED BY INEZ & VINOODH

emily danger

This is no cauTionary Tale. and emily danger is no diva. buT be forewarned, The opera-Trained indie musician’s honed howl is going To blow your mind photography inez & vinoodh 154 V MAGAZINE

A musical theater major from Bakersfeld, California, Emily Danger (aka Emily Nicholas) came to New York with aspirations of becoming an opera singer. But the extensive classical training at Manhattan School of Music, for her master’s degree, eventually took its toll. “I just kind of fell out of love with it,” says Danger. “It’s a very specifc and controlling art form. There’s not a lot of room for personal artistry.”

The saving grace was that while in her fnal year she started writing her own music.

It was the dawn of a new aria. Danger took all of her musical know-how and applied it to her frst cabaret show, at The Duplex, in New York’s Greenwich Village, during which she performed “a bunch of oddball covers, like Tom Waits and Radiohead.” The well-received run reenergized the now front woman, who was prompted to form a band with instrumentalist Cameron Orr. (Her husband, John Patrick Wells, is the visual director who has shot all three of their colorfully elaborate videos.) Fast-forward nearly three years, and Danger’s namesake group is playing their brand of Queen-meets-Heart psychedelic art rock all around the country, on behalf of their second EP, Peace Arch.

They recorded the album over three months at Brooklyn’s Room 17 studios. “Peace Arch is four songs, and then we’re releasing another EP, War Torn, in October,” says Danger, whose voice, most impressively, can cover four octaves. Writing the lyrics for both releases (as she does with all her tracks) has proven to be cathartic for the singer, who gets fred up by social injustice issues, such as not legalizing gay marriage and the SCOTUS Hobby Lobby ruling. “I think I wrote six songs about that,” she says of the latter. “I was just like, ‘Are you kidding me right now?’ This is the only way I can fght back at this point. You know? It fuels your fre as a female.”

Her passionate stance has attracted a loyal following. Among them, regular V contributors Inez van Lamsweerde and Vinoodh Matadin. “Emily was always on our radar as this very cute friend of friends who studied to be an opera singer,” says Van Lamsweerde. “When she was available to teach our son, Charles, how to play the piano, we got to know her better, and were fascinated by her ideas to move with all her opera training into rock. We are stunned by what has grown out of these two

opposites. The EP album covers [seen here] had to have the mixture of both theater and rock that lies at the heart of Emily, and of course show off her cute Twiggy-like face in all its expressiveness.”

The emotion really unfurls onstage, when the front woman transforms into her Danger-ous persona, which entails a Björk-like approach to fashion. “It’s nice to shape-shift into someone else and wear like a ton of weird eye makeup and a Snuggie,” she says. “Kind of David Bowie meets Antony Hegarty.” With her native ability and wholehearted 360 approach, Danger is in no risk of fading from the spotlight anytime soon. sarah cristobal

Emily DangEr in nEw york City, junE 2014 top iro jEans GUEss rings inEz & Vinoodh pEaCE arCh is out now, anD war torn is out in oCtobEr

NOMINATED BY jAMEs frANcO

james franco

creative supernova james franco sounds off on what rebellion means to him and how not giving a fuck is sexy TEXT AND ARTWORK BY JAMES FRANCO Rebel, rebel, rebel.

There is a way to be, and then there is a way to be boring.

156 V MAGAZINE

When I think of “rebel,” I think of James Dean in Rebel Without a Cause. But then I think of all the lazy journalists who have used James Dean to identify or denigrate some new up-and-coming actor (I should know, I was one of them), and I see that the image of Dean has been tarnished.

I think of Dean shooting through his windshield with the force of his Porsche Spyder, racing down the dusty road to Salinas, right before impact with old Donald Turnupseed’s sizable coupe. “He’s got to see us,” said Dean to his passenger, Rolf Wütherich, his mechanic, right before impact—and POW. Dean’s ghost never stopped, launched from that moment, and shot through every generation after.

It shot through the outlaw antics of Dennis Hopper—“Motorcycles man, I got that from Dean, man.”

Shot through the slouchy insouciant pose and attitude of Bobby Dylan.

Shot through the jazzy heroin rhythms of Chet Baker.

Shot through the fuck-you punch to the art world of cigarette-smoking Jackson Pollock— he crashed too, didn’t he?

High School Yearbook Old School Selfe, 2014

rebels

because it spells their doom. The digital writing is on the wall, and it’s decried in the old-fashioned writing of ink on glossy pages and newsprint.

I hate a selfe as much as anyone. But I love a selfe more than anyone. Know why?

Because it’s mine. And yours is yours. It is taken in that special place between self and mirror. If it’s a true selfe it is held by the subject, so that the arm is circling out in front of the person and the camera is just an extension of the self. Like an octopus with eyes at the end of its arms looking back at itself.

Group, group, group. We all live in a group. The citadels are crumbling. New ways of standing above will be developed, eventually, but for now the old ways are crumbling.

The rebels of a new generation where everything can be stolen and reposted? Those that steal and collage and repost in the most interesting ways.

The Bling Ringers, those teens who stole all that shit from Lindsay Lohan and Paris Hilton, they are the punk rockers of today. Of course they’re douche bags, and of course we don’t like them, but who liked punks back in the day? They were the outsiders: the smelly and the ugly. Not the punks appropriated by children’s television today, softened

by MTV, but the ugly shits who shot up heroin mixed with toilet water. They weren’t cool, but they were rebels.

The Bling Ringers are pretty, but they’re criminals. They’re MTV on the surface, and Sid Vicious underneath.

Richard Ramirez, the “Night Stalker,” who would break into people’s homes and kill them, no matter how old, started as a burglar. He would break into houses to steal items for drugs. Later he started killing the people inside.

Ramirez says: Hail Satan.

The Bling Ringers say: Hail Fame.

I say: Hail myself that is Satan within this frestorm of Fame.

Rebellion involves violence. A killing. Not a literal killing, but a killing of something that came before.

Sometimes the something is preserved, but it must always be beholden to what chipped away at it, they become fused.

Frank Bidart: There is a cost to being someone who commits violence. The violence is inevitably a violence against the self as well. I don’t mean it’s not better than not committing violence. The violence is necessary. But there’s a back taste that rises from the stomach to the mouth. Hard always to hold onto the vision that generated the rebellion.

And sometimes one just feels dumb, stupid. Look, I’ll show you what I really look like.

I’ll shave my head. Me on Letterman, talking about the ugly shirtless selfe I posted: It’s like that Britney Spears shaved-head moment, where it’s sort of like, “All right, you want me? Here, you can have me, but I am going to be really ugly.” You know what I mean? ...It’s a little bit of self-hatred, but it’s not hatred of the self, it’s hatred of the public self.

Sometimes violence is more tolerable when it is cloaked in comedy. You can kill people with no repercussions as long as they’re laughing.

Shot through siren of the streets Jean-Michel Basquiat.

Shot through the blue jeans of working-class hero Bruce Springsteen.

Shot through the art flms of Kenneth Anger, like Scorpio Rising. Dean lives, hail Satan.

Shot through the vampire teen phenomenon of Robert Pattinson, and even more so his hard-core ex, Kristen Stewart, a brooding Dean if I ever saw one.

Shot through Jack Kerouac and Neal Cassady out on the road.

Shot through Terrence Malick—“I’ll kiss your ass if he don’t look like James Dean.”

The ghost, it shot through and inhabited, and the Dean infuence grew like a phantom.

That’s the problem with idols, they become communal, and the lame and boring take them for their own purposes. How can you be dangerous in the age when MTV appropriates all youth rebellion and commercializes it? Of course there is still rebellious stuf on MTV, but it is all framed by the network.

Social networking is a fresh road of access. It’s scary to magazines and newspapers

Today there are two types of rebels: those that fght the system outright and those that walk the line between acceptance of the system and destruction of the system. If you’re on the inside (I’m on the inside of the Hollywood system), you can work your rebellion into your work without seeming to rebel. This is my kind of rebellion.

Oz and Spring Breakers out at the same time.

And Interior. Leather Bar. Out at the same time too. Real gay sex.

Milk and Pineapple Express out in the same year.

A movie about the end of the world, a book of poems about movies, a book of fction about performance, photographs about movies.

I love you, I love you, I love you, I love you.

At the same time as: I hate you, I hate you, I hate you.

v g i r l s

PhotograPhy chad Pitman fashion maryam malakPour 158 V MAGAZINE

kylie jenner

COULD THis TEEN REALiTY qUEEN, COAUTHOR, sOCiAL MEDiA ALL-sTAR, AND MOGUL iN THE MAKiNG ALsO bE THE wORLD’s MOsT iNfLUENTiAL MiLLENNiAL? The youngest of the Jenner-Kardashian set, Kylie Jenner, 17, might be more Calabasian than any of her sisters, having spent most of her lucid life in syndication. “We don’t even remember a time before the show and before the cameras and all that,” she says over the phone upon arrival in New York, where she and the rest of the clan are celebrating Khloé Kardashian’s thirtieth birthday, in late June. “It’s all kind of normal to us.”

The cohort “we” to whom Kylie refers comprises herself and sister, Kendall, a model two years her senior.

Sisters—they’re just like us! The two do almost everything together: pose for magazine covers, host red carpets in Hollywood and awards shows abroad (Canada), and, above all, expand the family business of licensing themselves.

There’s a Kendall & Kylie collection at PacSun, and one for Steve Madden as well. But most recently, the girls

have made an unexpected foray into the literary world, With just under 10 million followers, @kyliejenner is publishing their frst young adult novel, Rebels: City of where many people can go to fnd their FOMO. She has Indra: The Story of Lex and Livia, this past June. By all more followers than any other minor on earth, three times online accounts, it’s about friendship and dystopian class more than Barack Obama, four times more than Paris disparity, a mash-up of William Gibson steampunk meets Hilton, and almost twice as many as Drake. Apart from one-child policy China meets techno paradise foating Bieber, and Beyoncé, her sisters’ accounts are the only over a terrestrial garbage can, à la Elysium. ones that outnumber hers. “I’m obsessed with Instagram,” “Originally we were going to do a book revolving around she says. “Kendall showed it to me, and my mom was on me and Kendall,” says Jenner. “Maybe high school girls Twitter before me, so I was kind of the last one in the or something like that. Then we decided we wanted to family to get on social media.” do something that no one expected, like a sci-f novel.

If the baby of the clan is caught in the shadow of her So it actually has nothing to do with our life, and that’s more famous kin while simultaneously following in their what we wanted.” Livia’s green light across the bay is the footsteps, then let it be said that Kylie has her own disdream of escaping her golden cage to run free with her tinctive sparkle—not “Wear Something Spar-Kylie,” the horse; Lex is a street urchin training to be a Special Ops lustrous, red glitter nail polish named after her, from assassin. One can’t help but wonder if, protestation aside, the Kardashian Kolor line, but a brooding, self-assured these alliterative besties represent the sisters Jenner in glint that contrasts with the irrepressibly femme, tufted a de facto roman à clef.

McMansion energy that has so far engulfed her. Having Does black sheep Kylie, whose adolescent absentee- firted heavily with grunge and seapunk over the last year, ism and preternaturally evolved sense of personal style Kylie now seems to be staring, via cell phone from the back(as seen on Keeping Up with the Kardashians) consider seat of her mom’s black G-Wagon, into her own Ghost World. herself a rebel? “I don’t know, me and Kendall don’t fol- “I’m a Leo, and I relate to that. I’m not compatible with low the book or the rules or anything like that,” she says, Scorpios—girls more than boys—but I live in a house with “but we defnitely aren’t, like, bad kids.” Well, bad kids are three of them: my mom, my dad, and Kendall.” Kevin McGarry typically bored kids, and Kylie doesn’t seem to be bored.

Over a 72-hour period during that weekend on the East kylie jenner in los angeles, june 2014 Coast, she Instagrammed pictures of herself slumping in dress chanel drop earring lizzie Mandler a seat on a private jet with a golden Birkin, strutting onto ring chanel fine jewelry bracelets cartier a Hamptons-bound helicopter, showing of her tanlines in and other earrings jenner’s own a teeny bikini, and being held aloft like Cleopatra by male opposite page: coat eMporio arMani dress olatz models during a Bruce Weber photo shoot with Kendall. rebels: city of indra is available now from gallery books

V GIRLS

chloe chaidez a new, dance-worthy album dripping with synth-filled sound proves the 19-year-old star of Kitten was truly born to rocK

“There was never a question,” asserts Chloe Chaidez, the brazen front woman of L.A.-based shoegaze–glam rock band Kitten. “I was like, I’m gonna be a fucking rock star.

As fippant as that sounds.” The precocious L.A. teen is talking about her early, hesitation-free rock-and-roll beginnings. “I’ve always been surrounded by music and I feel like—I don’t know if I ever had natural talent, but I made myself play,” she says. Chaidez grew up in a creative household—dad was a member of seminal underground ’70s punk band Thee Undertakers, while mom was a writer—and she immersed herself in her father’s music catalog, chock-full of New Order, the Eurythmics, and Bowie, as he drove her the two hours back and forth from gymnastics every day. At age 10, when most girls are asking for Barbies, she requested a bass, and started writing her own songs later that year. It was the music (“Those artists really spoke to me”) and the lure of the lifestyle (“I mean, it’s fun—we have no responsibility other than showing up and playing”) that helped propel Chaidez to fulflling her rock-and-roll fantasy. Kitten brings together elements of Chaidez’s eclectic ’80s-focused sonic education. The band recently released a self-titled debut: a mix of pop seduction (the hook on “Sensible”); New Wave cheese appeal (the heavy synth of “Doubt,” the Princereminiscent “Sex Drive”); and glassy emo-infused haze (“Why I Wait”). “Writing is an organic process,” says Chaidez. “I usually make a track, then whatever words spill out of me become the lyrics—I look at it afterward and it’s like, I never thought I felt that way. But I try not to over-calculate.” Performing is intuitive as well. The band opened for Garbage and Charli XCX, and headlined its own tour this past summer. “I don’t get nervous,” says Chaidez. “I just feel alone up there—whether we’re playing for 10 or 10,000—and I don’t know why, but it really allows me to do whatever I feel in that moment. People call us an indie band, but I want to be huge.” Ashley simpson

chloe chaidez in los angeles, june 2014 dress kenzo p/f 2014 vest (in hand) Adrienne lAndAu necklace bulgAri shoe giuseppe zAnotti design tights wolford earring and ring chaidez’s own kitten is out now from elektra

160 v magazine

V

G

I

L

V

A

A

M

E V E R Y C E N T F R O M T H E S E L L I N G P R I C E O F V I VA G L A M L I P S T I C K A N D L I P G L A S S G O E S T O W A R D H E L P I N G W O M E N , M E N A N D C H I L D R E N L I V I N G W I T H A N D A F F EC T E D BY H I V / A I D S . M A C C O S M E T I C S .C O M / V G

V GIRLS

jess weixler

The Juilliard alum reuniTes wiTh besTie Jessica chasTain in This monTh’s The disappearance of eleanor rigby You’ll remember Jess Weixler as the horrifying girl with the man-eating vagina in the 2007 Sundance stunner Teeth. Dubbed “The Indie Girl to Watch” before she even got a grip on the industry, Weixler is now getting back to her roots by teaming up with her Juilliard scene partner and good friend, Jessica Chastain, in their forthcoming movie, The Disappearance of Eleanor Rigby: Them. “We were oddly put in every single play together, and often opposite each other,” says the Kentucky native, recalling the time she played the mother to Chastain’s Juliet.

“We haven’t worked together since, and now we get to play sisters, which is much like our own relationship—we have a sisterly bond.” The flm’s director, Ned Benson, wrote the script with this particular casting—including the Scottish actor James McAvoy—in mind. The trio all lived together under one roof while Benson wrote and asked them questions. “He did write these roles for us, because I think he witnessed our friendship and wanted something that felt like that in the movie as well,” says Weixler. A heartbreaking love story originally told in two parts, from the perspective of both Him and Her, Rigby was later edited down to one cohesive flm, as told by Them, “for those who don’t love to binge watch, I guess,” jokes the 33-year-old Santa Monica transplant. “I hope it opens up the doors to more experimental subjects.”

Another of her art-house flms, also out this fall, is Alex Ross Perry’s Listen Up Philip, about a writer (Jason Schwartzman) who, in the midst of experiencing fame for the frst time, pushes away all of his friends, mainly girls, played by Weixler, Elisabeth Moss, Dree Hemingway, and Josephine de La Baume. “I am surrounded by people who are so good and really inspire me,” says the humble actress, who took a star turn on Silda Spitzer-esque drama The Good Wife as well. “I think that anybody starting out feels terrifed. That that never goes away is possibly one of your greatest assets, it means that you are going to take chances and push yourself, which is a good sign. Like, a really good sign.” kate branch jess weixler in los angeles, june 2014 dress marc jacobs slip (underneath) kiki de montparnasse cardigan the elder statesman shoes christian louboutin earrings alexis bittar bracelet louis vuitton fine jewelry the disappearance of eleanor rigby is in theaters september 26, and listen up philip is in theaters october 17

162 V magaZine

Y-3.COM

Š 2014 adidas AG. adidas, the Globe, the 3-Stripes mark and Y-3 are registered trademarks of the adidas Group. Yohji Yamamoto is a registered trademark of Yohji Yamamoto, Inc.

V GIRLS

rachel lord

Having gained notoriety as part of experimental provocateur ryan trecartin’s collaborative tribe, tHis wonderfully off-kilter artist is ready to break out on Her own After art school, at RISD, and a short-lived internship at the Rubell Family Collection, Rachel Lord found herself marooned in Miami, where she wound up poolside with Ryan Trecartin. He was in preproduction on Any Ever, his breakout seven-movie series, shot in the late 2000s, and Lord took on an advisory role as a kind of conspiracy consultant, plowing through dubious blogs and rifng on ideas with the famously up-tempo artist. Once it was time to shoot, Lord found her way on to the screen in a bit part, but, more interestingly, her paintings found

164 V MagaZine

their way in front of the camera, too. “For me workThis past summer, Lord reunited with Trecartin for ing with Ryan is like what I imagine a drone Borg must CENTER JENNY, starring as the most central Jenny, and experience when it assimilates to the collective hive fnally acquiesced to having a traditional solo show, at mind,” says Lord. “There’s a sense of coming home, a Dem Passwords, a storefront gallery, east of Culver City. new level of self-actualization, achieved through shared Entitled “Documental,” the exhibition once again circled thought experience.” back to her creative relationship with Trecartin, who Trecartin commissioned Lord to make a series of commissioned the show’s four large paintings as props acrylic paintings to function as props in his movies, and for another upcoming production. “When I was working the works have lived on as components of an installation on these pieces, I knew it was about them each being difcalled Access Quad. Familiarly rectangular canvases, they ferent types of documents,” she says. “But I never wanted combine corporate, pop cultural, and political referents them to be called ‘document type,’ because that implies into branded credit cards issued by fctitious institutions. ‘doc type,’ and there’s no real connection to the Internet Three examples: Bank of America combined with Obama here. People like to geek out about what they know about propaganda (Change); the repugnantly twee, artisanal coding, and I don’t know anything about it anyway.” afrmation “I Am Not A Plastic Bag” mixed with generic Indeed, the layered meanings of the works reference personal aphorisms from American Express; and Dora the a nonlinear reality as well as various takes on the notion Explorer marching along the Mexican-U.S.A. border as of quantum superposition, of things existing in many and an illegal alien in support of greening. “She’s almost like all possible states all at once. The show even incorporated a 21st-century Karen Kilimnik,” French curator Caroline the gallery’s skylight, which every day at 4:20 pm beamed Bourgeois says of the artist, referring to the grande dame a ray of sun onto Lord’s backward-facing blueprint of Da of the 1980s “bad painting” movement.

Vinci’s Vitruvian Man. Does it take a genius to jumble all Lord has been busy since her 2011 move to Los Angeles. this together? Only time will tell. Kevin McGarry At frst, like many others, she delved into clichés, taking acting classes and studying Scientology. Meanwhile she rachel lord in los angeles, june 2014 peddled Angry Birds paintings on the Venice Beach board- dress burberry prorsuM walk—Bob Ross-esque landscapes cleverly adorned with necklace chanel fine jewelry those ubiquitous avian avatars. watch oMeGa

#THISISLEGEND BIMBAYLOLA.COM

a professional dancer whose sleek moves caught the eye of madonna and michael Jackson, this exotic beauty is finally getting her own spotlight in hollywood

You’ve probably never heard of the Algeria-born, Parisbred actress Sofa Boutella, but you’ve most certainly seen her dance. The 32-year-old trained ballerina and Olympic-level rhythmic gymnast frst shimmied onto the world stage in commercials for Nike (with whom she still collaborates). Soon after, Madonna took notice and invited her to be a backup dancer on her “Confessions” and “Sticky and Sweet” tours, in the video for “Hung Up,” and her 2012 Super Bowl spectacular.

“She challenges the people she works with,” says Boutella of her mentor and V89 cover star. “She asked me if I had ever danced in heels before, and when I said no, she gave me a pair that were hers and said, ‘There is a beginning for everything.’” These days Boutella— who studied acting as well, at Stella Adler—is kicking ass in strappy stilettos on the silver screen, in Matthew Vaughn’s forthcoming British action fick, Kingsman: The Secret Service. About a thug turned secret agent, played by newcomer Taron Edgerton, the flm costars heavyweights Colin Firth, Samuel L. Jackson, and Sir Michael Caine, while Boutella plays a double amputee on carbon fber running blades who also happens to be a killing machine.

“I told the stylist [Arianne Phillips] that I really wanted to wear the thinnest, highest heels she could fnd, because I needed to feel how my character would feel walking on a very tiny surface.”

With two independent flms on the horizon, warthemed Monsters: Dark Continent as well as Jet Trash, the story of two lost girls who attract trouble in India, Boutella’s crossover appeal clearly has staying power.

“I truly believe the discipline I have honed as a dancer will bring me more opportunities as an actor,” she says.

“When I was dancing, whether it was the music or the story, the question was Why am I doing this piece, and why am I dancing? It is exactly the same when you are acting. You have a very close relationship with your body movement. You have to fnd the physicality of your character.” Surely, the Material Girl wouldn’t disagree.

Kate Branch sofia boutella in los angeles, june 2014 sWeateR McQ BY aLeXanDer McQUeen Robe (unDeRneatH) KIKI De MOntParnaSSe sHoes BrIan atWOOD Double stRanD neCKlaCe chaneL FIne JeWeLrY Rings (on HeR RigHt inDex fingeR, top, RigHt miDDle anD Ring fingeR, top, left inDex fingeR, bottom, anD left Ring fingeR) LIzzIe ManDLer Rings (on HeR left inDex fingeR, top, anD left miDDle fingeR) rePOSSI otHeR jeWelRy boutella’s oWn Kingsman: tHe seCRet seRviCe is in tHeateRs oCtobeR 24

166 v magaZine

Makeup Kirin Bhatty (Starworks Artists) Hair Dennis Gots (Jed Root) Manicure Whitney Gibson (Nailing Hollywood) Photo assistants Brad Liber and Alex Gay Stylist assistant Catlin Myers Production Miranda Neri (Jed Root) Location Aesthesia Studios, Los Angeles Catering L.A. Spice

s ofi a bou t ella

#THISISLEGEND BIMBAYLOLA.COM

v

n

PoP SEnSaTIon

e

Marc Jacobs’s Fall makeup collection is a far cry from the stark tonality that took over the runway of his namesake fashion line last February. Bleached-out brows, über-pale faces painted in a neutral palette, and subdued monochromatic wigs might have been all the rage back then, but the word “pop” was the starting point for his current line of prettifers. “He loves the word,” says Catherine Gore, manager of Marc Jacobs Beauty, “and also taking the idea of pop throughout every sense of the product experience, from the bright, saturated pop of color in the formulas, to the pop of color at the tip of each chrome exterior, and even the way they’re opened, with a pop

SuIT uP In Max STylE

For decades, some of the world’s most fashionable women, including Ingrid Bergman and Cate Blanchett, have turned to Max Mara in search of simple elegance. The Italian label’s newest collection of classics, the Tailored Suit Project, ofers up just that. It’s a small ofering that includes 10 jackets, nine pants, and only one skirt—made up of luxe, versatile staples that run from $535 for a custom underpinning to over $4,000 for an overcoat.

“We wanted to reach the highest level of excellence of the Italian tailoring tradition and to give today’s women the possibility to choose an outft that can be worn elegantly and comfortably together,” said Laura Lusardi, the label’s fashion director.

168 v magaZine

w

s

sound, as opposed to a traditional twist.” Jacobs has reinvented the boring yet efcient eye sticks, which apply a quick dose of color to lids, with soothing Alpine snow water extract. And his lipsticks (inspired by the work of artist Tom Wesselmann) come in vibrant hues, with a Crayola-like tip. Stop, pop, and roll. NIcOlE cAtANEsE

MARc JAcObs Kiss PoP Color stiCKs and twinKle PoP eye stiCKs ($28 eaCh, sePhora.Com or marCjaCobsbeauty.Com) PhOtOgRAPhy thEREsE AlDgåRD

March on They did so by focusing on impeccable tailoring and high quality fabrics. The jackets, ofered in four diferent styles, are the core of the collection, with each one taking 345 minutes (twice as long as a standard jacket) to make.

“We built and designed masculine-inspired jackets around the woman’s body,” said Lusardi. “Jackets are much easier to wear and adapt to your own style and situation, without compromising your femininity.” Pair one with a trouser from the collection and you’re set for modern-day power dressing. KRIstIN tIcE stuDEMAN

MAx MARA the tailored suit ProjeCt is available at max mara boutiques in new yorK, beverly hills, and ChiCago

Founded in 1976, heritage brand Pedro del Hierro Madrid aims to revitalize its luxury collection in 2014 with fresh eyes at the helm. The Fall/Winter collection is the frst under creative director Carmen March, who is seeking to align the rebirth of the brand with Spain’s emergence from years of economic crisis. Largely comprising structured coats and neutral tweeds, the collection is sprinkled with optimism in the form of brilliant pops of lavender, teal, and canary yellow. “This project is very exciting for me,” says March. “It has a lot to do with taking a piece of our history and culture and showing it to the world. This collection is a frst step in that direction.” IAN DAVID MONROE

V-BUY

3.1 PHIllIP lIm 31PHIllIPlIm.cOm AcNe AcNestUdIOs.cOm AdIdAs AdIdAs.cOm AGeNt PROVOcAteUR AGeNtPROVOcAteUR.cOm AlAÏA AlAIA.FR AleXANdeR mcQUeeN AleXANdeRmcQUeeN.cOm AleXANdeR WANG AleXANdeRWANG.cOm AleXIs BIttAR AleXIsBIttAR.cOm AmARcORd AmARcORdVINtAGeFAsHION.cOm AmBUsH AmBUsHdesIGN.cOm AmeRIcAN APPARel AmeRIcANAPPARel.Net AmmeRmAN scHlÖsBeRG AmmeRmANscHlOsBeRG.cOm ANd Re WAlKeR NeWYORK.dOVeRstReetmARKet.cOm ANdRIeNNe lANdAU AdRIeNNelANdAU.cOm ANN deXteR JONes ANNdeXteRJONes.cOm ANtHONY VAccARellO ANtHONYVAccARellO.cOm ANtONIO BeRARdI ANtONIOBeRARdI.cOm AsHIsH AsHIsH.cO.UK AsHIsH X tOPsHOP tOPsHOP.cOm AsHleY WIllIAms mAcHINe-A.cOm AssK AssKclOtHING.cOm BAleNcIAGA BAleNcIAGA.cOm BAlmAIN BAlmAIN.cOm BelleROse BelleROse.Be BeRNARd delettReZ BeRNARddelettReZ.cOm Bess Bess-NYc.cOm BetONY VeRNON BetONYVeRNON.cOm BOtteGA VeNetA BOtteGAVeNetA.cOm BRIAN AtWOOd BRIANAtWOOd.cOm BUlGARI BUlGARI.cOm BURBeRRY PRORsUm BURBeRRY.cOm cAlVIN KleIN cOllectION cAlVINKleIN.cOm cARtIeR cARtIeR.cOm cARVeN Us.cARVeN.cOm cÉlINe celINe.cOm cHANel cHANel.cOm cHANel FINe JeWelRY cHANel.cOm cHlOÉ cHlOe.cOm cHOPARd Us.cHOPARd.cOm cHRIstIAN lOUBOUtIN cHRIstIANlOUBOUtIN.cOm cHRIstOPHeR sHANNON cHRIstOPHeRsHANNON.cO.UK cHROme HeARts cHROmeHeARts.cOm cOAcH cOAcH.cOm cOmme des GARÇONs cOmme-des-GARcONs.cOm cONVeRse cONVeRse.cOm cRAIG GReeN cRAIG-GReeN.cOm dAVId YURmAN dAVIdYURmAN.cOm dIANe VON FURsteNBeRG dVF.cOm dIesel dIesel.cOm dIOR dIOR.cOm dIOR HOmme dIOR.cOm/dIOR-HOmme dKNY dKNY.cOm dOlce & GABBANA dOlceGABBANA.cOm dONNA KARAN dONNAKARAN.cOm dsQUARed2 dsQUARed2.cOm eddIe BORGO eddIeBORGO.cOm emIlIO PUccI emIlIOPUccI.cOm emPORIO ARmANI ARmANI.cOm eRes eRes.FR estÉe lAUdeR esteelAUdeR.cOm estUdIO cAmPANA cAmPANAs.cOm.BR etQ AmsteRdAm etQ-AmsteRdAm.cOm FAlKe FAlKe.cOm FAllON FAllONJeWelRY.cOm FeNdI FeNdI.cOm GARetH PUGH ANtONIOlI.eU GIAmBAttIstA VAllI GIAmBAttIstAVAllI.cOm GIANVItO ROssI GIANVItOROssI.cOm GIORGIO ARmANI ARmANI.cOm GIUsePPe ZANOttI desIGN GIUsePPeZANOttIdesIGN.cOm GIVeNcHY BY RIccARdO tIscI GIVeNcHY.cOm GOsHA RUBcHINsKIY GOsHARUBcHINsKIY.cOm GRAFF GRAFFdIAmONds.cOm GUccI GUccI.cOm GUeRlAIN GUeRlAIN.cOm GUess sHOP.GUess.cOm HeIdI lee HeIdIlee.BIGcARtel.cOm HUGO BOss HUGOBOss.cOm INeZ & VINOOdH PRettYmUcHeVeRYtHING.cOm IRO IROPARIs.cOm IsABel mARANt IsABelmARANt.cOm J.W. ANdeRsON J-W-ANdeRsON.cOm JAsON WU JAsONWUstUdIO.cOm JeAN PAUl GAUltIeR JeANPAUlGAUltIeR.cOm JeRemY scOtt JeRemYscOtt.cOm JeRemY scOtt FOR AdIdAs AdIdAs.cOm JIl sANdeR JIlsANdeR.cOm JOsePH JOsePH-FAsHION.cOm JUst cAVAllI JUstcAVAllI.ROBeRtOcAVAllI.cOm KeNNetH cOle KeNNetHcOle.cOm KeNNetH JAY lANe KeNNetHJAYlANe.Net KeNZO KeNZO.cOm KIKI de mONtPARNAsse KIKIdm.cOm lAAIN lAAIN.cO.UK lANcÔme lANcOme-UsA.cOm lANVIN lANVIN.cOm lAQUAN smItH lAQUANsmItH.cOm lARUIccI lARUIccI.cOm leVI’s leVI.cOm lIZZIe mANdleR lIZZIemANdleR.cOm lONelY HeARts lONelYHeARtslABels.cOm l’ORÉAl PARIs lOReAlPARIsUsA.cOm lOUIs VUIttON lOUIsVUIttON.cOm lOUIs VUIttON FINe JeWelRY lOUIsVUIttON.cOm m.A.c cOsmetIcs mAccOsmetIcs.cOm mAIsON mARtIN mARGIelA mAIsONmARtINmARGIelA.cOm mAKe UP FOR eVeR mAKeUPFOReVeR.cOm mANOlO BlAHNIK mANOlOBlAHNIK.cOm mARc BY mARc JAcOBs mARcJAcOBs.cOm mARc JAcOBs mARcJAcOBs.cOm mARtINe ROse mARtIN-ROse.cOm mAX mARA WORld.mAXmARA.cOm mcQ AleXANdeR mcQUeeN AleXANdeRmcQUeeN.cOm/Us/mcQ melet meRcANtIle meletmeRcANtIle.cOm mIcHAel KORs mIcHAelKORs.cOm mIU mIU mIUmIU.cOm mm6 mAIsONmARtINmARGIelA.cOm mONcleR Y eNG.mONcleR.cOm mONIes mONIes.dK mOscHINO mOscHINO.cOm mYKItA mYKItA.cOm N HIstORIAe NHIstORIAe.cOm NARcIsO ROdRIGUeZ NARcIsOROdRIGUeZ.cOm NARs NARscOsmetIcs.cOm NAsIR mAZHAR NAsIRmAZHAR.cOm NAtAsHA mORGAN NAtAsHAmORGANNYc.cOm NeW eRA NeWeRAcAP.cOm NeW ROcK NeWROcK.cOm NIKe NIKe.cOm NIUKU cOINcIdeNce cOINcIdeNcePARIs.cOm NORmA KAmAlI sHOP.NORmAKAmAlI.cOm OlAtZ OlAtZ.cOm OlYmPIA le tAN OlYmPIAletAN.cOm OmeGA OmeGAWAtcHes.cOm PAcO RABANNe PAcORABANNe.cOm PAtRIcIA FIeld PAtRIcIAFIeld.cOm/ PedRO del HIeRRO mAdRId PedROdelHIeRRO.cOm PetIt BAteAU PetIt-BAteAU.Us PIGAlle PIGAlleNYc.cOm PORscHe desIGN PORscHe-desIGN.cOm PRAdA PRAdA.cOm PROeNZA scHOUleR PROeNZAscHOUleR.cOm RAF sImONs x AdIdAs RAFsImONs.cOm RAG & BONe RAG-BONe.cOm RAlPH lAUReN RAlPHlAUReN.cOm Reed KRAKOFF ReedKRAKOFF.cOm RellIK RellIKlONdON.cO.UK RePOssI RePOssI.cOm RIccARdO tIscI x NIKe NIKe.cOm/Us/eN_Us/c/AF1Rt ROBeRt cleRGeRIe ROBeRtcleRGeRIe.cOm/eN ROBeRtO cAVAllI ROBeRtOcAVAllI.cOm ROKIt ROKIt.cO.UK ROYAl NAtIONAl tHeAtRe NAtIONAltHeAtRe.ORG.UK sAcAI sAcAI.JP sAINt lAUReNt BY HedI slImANe Ysl.cOm/Us sAlVAtORe FeRRAGAmO FeRRAGAmO.cOm scOtt WIlsON x AQAQ scOttWIlsONlONdON.cOm scReAmING mImIs scReAmINGmImIs.cOm sIlVeR & BUll sIlVeRANdBUll.cOm sIsleY sIsleY.cOm sKUllcANdY x AdAm selmAN sKUllcANdY.cOm sONIA RYKIel sONIARYKIel.cOm sOXIetY sOXIetY.cOm stellA mccARtNeY stellAmccARtNeY.cOm stUARt WeItZmAN stUARtWeItZmAN.cOm sUPReme sUPRemeNeWYORK.cOm sWeAR BY RYAN lO RYANlO.cO.UK tABItHA sImmONs tABItHAsImmONs.cOm telFAR sHOP.telFAR.Net tHe eldeR stAtesmAN eldeR-stAtesmAN.cOm tHOm BROWNe tHOmBROWNe.cOm tIFFANY & cO. tIFFANY.cOm tImBeRlANd tImBeRlANd.cOm tOd’s tOds.cOm tOm FORd tOmFORd.cOm tUK tUKsHOes.cOm UNdeRGROUNd UNdeRGROUNd-eNGlANd.cO.UK UNIQlO UNIQlO.cOm VAleNtINO VAleNtINO.cOm VAN cleeF & ARPels VANcleeFARPels.cOm VeRsAce VeRsAce.cOm VIctORIA’s secRet VIctORIAssecRet.cOm VIONNet VIONNet.cOm VIVIeNNe WestWOOd VIVIeNNeWestWOOd.cOm We lOVe cOlORs WelOVecOlORs.cOm WHAt GOes AROUNd cOmes AROUNd WHAtGOesAROUNdNYc.cOm WIGWAm WIGWAm.cOm WOlFORd WOlFORdsHOP.cOm Y-3 Y-3.cOm YOHJI YAmAmOtO YOHJIYAmAmOtO.cO.JP

GoinG native

“We can get lost in cities, but there is a sense of peace in Idaho that styled by Melanie Ward. “The riding boots are very chic, and the I’ve never found anywhere else,” Dree Hemingway says of her native texture and design is traditional, but modern at the same time.” state. That’s why the new face of Cole Haan returned to her birthFor Cole Haan and Hemingway, whose great-grandfather was place for the frst shoot (entitled “History Begins Here”) of the author Ernest, this is the beginning of a multiyear partnership. iconic American label’s 2014 campaign. Photographer Glen Luchford “Cole Haan is a very understated, authentic all-American brand,” snapped the model and actress wearing Cole Haan’s new boots and she says. “I love that they are bringing back tradition, but with handbags, with Sun Valley’s stunning landmarks as the background. a modern approach that has universal appeal.” We look forward “I love all the oxfords and the loafers, the pieces are classic and to seeing what comes next from Hemingway and CH. Until then, timeless and work with everything,” says Hemingway, who was enjoy the scenery. Kts

SnoW anGeL

Skiing connoisseurs and Japanophiles unite as Moncler heralds the arrival of a new capsule collection: vests, parkas, bomber jackets, and the like inspired by the shapes of antique kimonos. Designed by Mihara Yashuhiro, the Moncler Y collaboration also features select pieces with tattoolike digital prints informed by traditional imagery from the Land of the Rising Sun. If you’re planning to hit the slopes of Hakuba in style, these are the pufers for you. tANIA FAROUKI

mONcleR Y capsule collection ($850–$3,500, at select Moncler boutiques)

FeeL GooD FaSHion

Michael Kors’s global infuence is well established within the fashion realm, and this Fall he’s once again branching out into the humanitarian sector as well. After last year’s success with the United Nation’s World Food Programme, Kors is continuing his partnership with the organization to release another limited edition, 100 series watch. His second collaboration with the WFP, Kors’s new edition features a rose-gold tone body and gray-blue face.

The Watch Hunger Stop campaign is committed to providing 100 meals for every watch sold. You could help add to the already 5 million meals provided worldwide. Idm

mIcHAel KORs liMited edition 100 series Watch ($295, Michaelkors.coM/Watchhungerstop) PHOtOGRAPHY tHeRese AldGåRd

a FaSHionaBLe inStitUtion

Internationally known luxe-goods conglomerate LVMH will open the doors of its highly anticipated Fondation Louis Vuitton on October 27. The Frank Gehry–designed museum will house a permanent corporate art collection as well as temporary exhibitions, artist commissions, and a theater for multidisciplinary performances. Nestled in the serene Jardin d’Acclimatation, the airy establishment aims to “encourage and promote contemporary artistic creation, both in France and internationally.” Idm

put me in, coach

stuart vevers, coach’s new executive creative director, steps up to the plate with an outstanding debut collection inspired by a journey through america The fashion world issued a collective hurrah when it was announced last year that Stuart Vevers, an industry favorite, would be taking the reins as executive creative director of Coach, following the departure of longtime designer Reed Krakof. Vevers, who began in womenswear at Calvin Klein, has also logged time at Bottega Veneta, Mulberry, and Loewe, where he was heralded as an accessories expert as well. “The frst thing I did when I started was to explore the Coach girl and investigate what makes her unique,” he says. “She has a real individuality, and an efortlessness and lightness of spirit that makes her innately cool. She’s fun and smart. You like her.” He’s right, we do. Editors have been clamoring to shoot the collection since its launch in February. The luxurious and utilitarian shearling coats, boots, and bags, in sumptuous autumnal hues inspired by Joel Sternfeld’s ’70s-era suburban landscapes, are an absolute home run. sarah cristobal

PhotograPhy scott trindle Fashion stella greensPan clothing and accessories coach 170 V MagaZine

Makeup Adrien Pinault for NARS Cosmetics (Management Artists) Hair Holli Smith using Bumble & bumble (Total) Models Jillian, Noel, Rush (FORD) Digital technician Neil Pemberton Photo assistants Alexei Topounov, Ryan Bailey, Luis Jamarillo Stylist assistant Arizona Williams Makeup assistant Sae-Ryun Song Hair assistant Yuhi Kim Retouching KSM Chimera

look

TONY BENNETT & LADY GAGA CHEEK TO CHEEK AVAILABLE SEPTEMBER 23

i CHEEKTOCHEEK.TONYBENNETT.COM

|

CHEEKTOCHEEK.LADYGAGA.COM

taxicab confessions

shopaholics rejoice! fall’s super satchels are the perfect fit for a retail fix, whether heading to the market or madison avenue PhotograPhy dan forbes fashion mia solkin

marC by marC JaCobs it tt tote iN skipper BlUe mUlti-plAiD ($198, mArcJAcoBs.com) balenCiaga cAlfskiN “sHopper” tote witH cABle HANDles iN grAy ($2,055, 212.206.0872) Chanel cAlfskiN AND AcetAte smAll sHoppiNg BAg iN DArk greeN (price UpoN reQUest, 800.550.0005) givenChy by riCCardo tisCi rAVe BAg witH rUBBer effect iN yellow ($980, AVAilABle At tHe weBster, miAmi, 305.674.7899) CÉline cAlfskiN BAg witH lAmBskiN liNiNg ($5,600, AVAilABle At gypsy, pAlm BeAcH, 561.832.1333) 172 V mAgAZiNe

Prop stylist Marie-Yan Morvan Digital technician Rob Weber Photo assistant Yuki Saito Production Alicia Eddy-Quintana (Jed Root) Location ROOT Studios

clockwise from top: 3.1 PhilliP lim “totes AmAZe” NUDe leAtHer cUtoUt HANDle tote ($1,100, 31pHilliplim.com)

SH O R T ST A C K

this fall’s arm candy comes in various shapes and sizes, so whether you’re wearing just one or mulitples, you can get a lot of bangle for your buck PhotograPhy dan forbes fashion mia solkin 174 V mAGAzINE

Prop stylist Marie-Yan Morvan Digital technician Rob Weber Photo assistant Yuki Saito Production Alicia Eddy-Quintana (Jed Root) Location ROOT Studios

one hit wonder

from top: Chanel pINK AND BLUE rESIN, StrASS, AND mEtAL BrACELEt ($2,000, 800.550.0005)

bUlgari B.zEro1 BrACELEt IN 18K WHItE GoLD AND DIAmoNDS ($51,000, 800.BVLGArI) gUCCi CrYStAL BrACELEt ($1,350, GUCCI.Com) daVid yUrman HAmptoN CABLE BrACELEt IN StErLING SILVEr WItH GrAY DIAmoNDS AND BLUE SAppHIrES ($24,000, 212.752.4255) balenCiaga pEArL AND rHINEStoNE BrACELEt ($3,150, 212.206.0872)

in your face channel your inner siouxsie sioux this fall with dramatic lashes and a perfectly punk-rock pout PhotograPhy robin broadbent beauty nicole catanese

CloCkwise from top: estÉe lauder pUre Color eNVY sCUlptiNG lipstiCk iN CArNAl ($30, esteelAUDer.Com) nars AUDACioUs lipstiCk iN ritA ($32, NArsCosmetiCs.Com) guerlain kiss kiss lipstiCk iN roUGe kiss ($37, NeimANmArCUs.Com) dior roUGe Dior lipstiCk iN roUGe mAssAi #869 ($35, Dior.Com) giorgio arMani roUGe eCstAsY #404 ($34, GiorGioArmANiBeAUtY.Com)

beauty CloCkwise from top: GIVENCHY Noir CoUtUre VolUme mAsCArA ($32, BArNeYs.Com) LANCÔME GrANDiÔse mAsCArA iN Noir mirifiQUe ($32, lANCome.Com) M.A.C COSMETICS miNerAliZe mUlti-effeCt lAsH iN CHArGeD BlACk ($26, mACCosmetiCs.Com) TOM FORD eXtreme mAsCArA iN rAVeN ($44, tomforD.Com) MAKE UP FOR EVER AQUA smokY eXtrAVAGANt mAsCArA ($24, sepHorA.Com) GIORGIO ARMANI BlACk eCstAsY mAsCArA ($32, GiorGioArmANiBeAUtY.Com)

V mAGAZiNe 17 7

ne w yo rk cit y

NEXT GEN fashion’s future lies within these pages. culled from the style capitals, these talented tastemakers are infiltrating the industry with bold new points of view. get to know them or get lost PHotoGRAPHy MeINKe KLeIN FAsHIoN ANNA tReVeLyAN

back row, from left: erIc ScHlÖSberG (deSIGner, ammerman ScHlÖSberG) wearS coat RobeRto cAVALLI crown DoLce & GAbbANA JewelrY cHRoMe HeARts SHIrt HIS own emIlY GrUca (dJ and deSIGner) wearS necklace sILVeR & bULL toP and earrInGS Her own ZacHarY cHInG (creatIve dIrector, vfIleS) wearS robe PIGALLe necklace sUPReMe t-SHIrt HIS own JeSSe HUdnUtt (bUYer, oPenInG ceremonY) wearS Sweater KeNZo HaleY wollenS (StYlISt) wearS clotHInG and acceSSorIeS Her own telfar clemenS (deSIGner, telfar) wearS clotHInG and JewelrY teLFAR raUl loPeZ (deSIGner, lUar ZePol) wearS PantS LUAR ZePoL rInGS GRAFF earrInGS HIS own mIddle row, from left: elIZabetH ammerman (deSIGner, ammerman ScHlÖSberG) wearS clotHInG AMMeRMAN scHLÖsbeRG SHoeS Her own Gerlan marcel (deSIGner, Gerlan JeanS) wearS Jacket and toP GeRLAN JeANs JeanS VoGUe JeANs by AsHIsH acceSSorIeS Her own brIanna caPoZZI (PHotoGraPHer) wearS dreSS DKNy earrInGS cHANeL necklace Her own mattHew HenSon (StYlISt and faSHIon edItor) wearS coat DIoR HoMMe SHIrt secoND LAyeR PantS LAQUAN sMItH SHoeS etQ AMsteRDAM kevIn amato (PHotoGraPHer and caStInG dIrector, Hood bY aIr) wearS SHortS KeVIN AMAto FoR HooD by AIR SHoeS tIMbeRLAND rInGS RePossI JewelrY, brIefS, PHone HIS own front row, from left: mIke eckHaUS (deSIGner, eckHaUS latta) wearS PantS ecKHAUs LAttA t-SHIrt (featUrInG co-deSIGner Zoe latta) and earrInGS HIS own PrInce franco (StYlISt) wearS PantS DIoR HoMMe braceletS GRAFF otHer JewelrY HIS own HaYleY PISatUro (StYlISt) wearS coat JUst cAVALLI HeadScarf vIntaGe DIoR rInGS LARUIccI dreSS and earrInGS Her own v maGaZIne 17 9

13895_178_183.indd 179 13895_178_183.indd 179

7/28/14 5:22 7/28/14 5:22 PM PM

lo n do n

From leFt: Ali pirzAdeh (hAirstylist) weArs robe RobeRto Cavalli shoes guCCi pAnts And socks his own ryAn lo (designer) weArs clothing And hAt RYaN lo shoes SweaR bY RYaN lo shArmAdeAn reid (Founder, wAh nAils, london) weArs sweAter KeNzo skirt aShleY williamS shoes ChRiStiaN louboutiN eArrings vaN Cleef & aRpelS ring (on index Finger) falloN ring (on ring Finger) And necklAce her own grAce lAdojA (Film director) weArs dress dieSel jAcket balmaiN shoes ChRiStiaN louboutiN eArring ChopaRd necklAce eddie boRgo nAsir mAzhAr (designer) weArs clothing NaSiR mazhaR boots New RoCK ring tiffaNY & Co. michAel mAyren (photogrApher) weArs jAcket jameS loNg sweAter And pAnts alexaNdeR mcQueeN sneAkers adidaS thomAs petherick (set designer) weArs clothing ChRiStopheR ShaNNoN shoes Y-3 mArtine rose (designer) weArs jAcket miu miu t-shirt maRtiNe RoSe skirt paCo RabaNNe shoes daNielle SCutt eArrings her own AnnA trevelyAn (stylist) weArs top aShiSh skirt miu miu shoes giuSeppe zaNotti deSigN rings KYle hopKiNS necklAce ambuSh crAig green (designer) weArs jAcket CRaig gReeN t-shirt uNiQlo jeAns levi’S shoes CoNveRSe mAtthew josephs (stylist) weArs clothing And Accessories dolCe & gabbaNa necklAce bulgaRi ellA dror (public relAtions) weArs robe aShiSh x topShop hAt NaSiR mazhaR ring (on pinkie) tiffaNY & Co. rings (on ring Finger) her own

PARIS

From leFt, top row: lenny guerrier (creative director, coÏncidence pariS) wearS Suit niuku COÏnCiDEnCE paris ScarF rEllik omaima Salem (StyliSt) wearS dreSS MarC jaCObs S/S 2014 her own alban adam (public relationS, dieSel) wearS clothing DiEsEl hat nEw Era Sarah SchoField (deSigner, aSSK) wearS dreSS giaMbattista valli rich aybar (StyliSt) wearS clothing COMME DEs garÇOns helena tejedor (StyliSt) wearS clothing paCO rabannE ShoeS Christian lOubOutin braceletS gOOssEns paris ringS her own middle row, From leFt: jean-paul paula (StyliSt and FaShion director, wad) wearS clothing tOM fOrD SneaKerS riCCarDO tisCi x nikE hat suprEME jeanne-SalomÉ rochat (Founder, creative director, and artS editor oF Sang bleu & novembre) wearS dreSS garEth pugh ShortS nikE bracelet thE x nails lotta volKova (StyliSt) wearS clothing anthOny vaCCarEllO ringS bEtOny vErnOn bracelet balEnCiaga ShoeS MaisOn Martin MargiEla Front row, From leFt: charlie le mindu (hairStyliSt) wearS jacKet and ShortS jEan paul gaultiEr Shirt turnbull & assEr ring bulgari ShoeS Dr. MartEns alex SoSSah (creative director, wad) wearS clothing agi & saM SneaKerS nikE x pigallE hat Ds linE agatha KowalewSKi (deSigner, aSSK) wearS Shirt agi & saM t-Shirt and hat assk ShortS alExanDEr wang SneaKerS nikE SocKS gOsha rubChinskiy bracelet bunnEy NEW YORK MaKEup MaYia allEauME (ThE Wall GROup) haiR aNThONY CaMpbEll usiNG ORibE (ThE Wall GROup) MaNiCuRE aliCia TOREllO usiNG ZOYa (ThE Wall GROup) sTYlisT assisTaNTs MadEliNE MaChOld, ChRis lEE, YaOYaO liN haiR assisTaNT KiMbERlEY GaRduNO MaNiCuRE assisTaNT NaTaliE pavlOvsKi pROduCTiON assisTaNT NiKKi REfGhi lOCaTiON ROOT sTudiOs lONdON MaKEup luCY buRT (d+v) haiR paul dONOvaN (ClM) MaNiCuRE ElliE haRRY (Wah Nails) sTYlisT assisTaNTs luCY addY aNd YaOYaO liN MaKEup assisTaNT KaMila fORiNi haiR assisTaNTs NaOMi REGaN aNd sabRiNa lEfEbvRE lOCaTiON pROvisiON sTudiOs, lONdON paRis MaKEup daRiia daY (aTOMO MaNaGEMENT) haiR sOiChi usiNG KiEhl’s (saiNT luKE) MaNiCuRE ChlOE dEsMaRChEliER (aTOMO MaNaGEMENT) sTYlisT assisTaNTs NaTaliE faduGba aNd YaOYaO liN MaKEup assisTaNTs saRah MiERau aNd YvaNE ROChER haiR assisTaNT KaZ MaNiCuRE assisTaNT aNaïs JEaN-lOuis lOCaTiON sTudiO 0, paRis RETOuChiNG JOhN halla CasTiNG aNNa TREvElYaN aNd paTRiK saNdbERG

TAKE IT TO THE STREETS the urban warrior knows how to dress for her city. from uptown to downtown and everywhere in between, these five fall trends will take you where you need to go PhotograPhy Scott trindle FaShion Stella greenSPan 184 V MAGAZINE

power fabrics from left: kate wears ClotHING aND NeCklaCe LOUIS VUITTON DasHa wears ClotHING TOD’S sHoes MANOLO BLAHNIK BraCelet DAVID YURMAN sHaNNoN wears toP aND JaCket SACAI skIrt PORSCHE DESIGN sHoes STUART WEITZMAN rING DAVID YURMAN

MOD squaD from left: shannon wears Dress VALENTINO shoes TABITHA SIMMONS carly wears sweater anD leG warmers RAG & BONE sKIrt CARVEN shIrt (UnDerneath) SISLEY shoes MANOLO BLAHNIK necKlace DAVID YURMAN Dasha wears sweater ANTHONY VACCARELLO sKIrt anD shoes MIU MIU Bracelet DAVID YURMAN

from left: kate wears JaCket GIORGIO ARMANI sweater REED KRAKOFF skIrt SACAI Carly wears JaCket VERSACE Dress SISLEY

JItte wears JaCket DIANE VON FURSTENBERG toP MIU MIU skIrt COACH

Makeup Adrien Pinault for NARS Cosmetics (Management Artists) Hair Holli Smith using Bumble and bumble (Total) Models Shannon Keenan (FORD), Jitte Oerlemans (The Lions NY), Kate Bogucharskaia and Dasha Gold (Next), Carly Moore (The Society) Manicure Madeline Poole (BRIDGE) Digital technician Neil Pemberton Photo assistants Alexei Topounov, Ryan Bailey, Luis Jaramillo Stylist assistant Arizona Williams

outrÉ furs

from left: shannon wears Dress HUGO BOSS rInGs REPOSSI

kate wears toP TOM FORD skIrt CALVIN KLEIN COLLECTION rInGs REPOSSI

Dasha wears toP VIONNET Pants SISLEY

Makeup assistant Sae-Ryun Song Hair assistant Yuhi Kim Manicure assistant Natalie Pavloski Production Dayna Carney, Justin Rose (Management Artists), Chelsea Stemple Production assistant Bruna Fontevecchia Retouching KSM Chimera Location Milk Studios, NY Catering MG FoodStuff

stark shapes

girl meets boy from left: jitte wears ClotHiNG NARCISO RODRIGUEZ sHoes DR. MARTENS dasHa wears ClotHiNG aNd sHoes MICHAEL KORS NeCKlaCe DAVID YURMAN Kate wears ClotHiNG aNd NeCKlaCe DIOR

moncler.com

WELCOME TO v FALL

FASHION

MILEY CYRUS TAKES THE PLUNGE MARIO SORRENTI’S ARTFUL BODIES IN MOTION DECONSTRUCTING THE SEASON WITH ANNA EWERS FKA TWIGS HITS TRIPPY NEW HIGHS LARA STONE IS DREAMY IN AUTUMNAL KNITS JAMIE BOCHERT FLOATS IN A FANTASY LIFE FALL COATS TO GO CRAZY OVER A MODERN-DAY VENUS IN FURS WALKS AMONG US HEDI SLIMANE SHOOTS THE FRESH FACES OF ROCK OUT OF THIS WORLD ACCESSORIES

V MAGAZINE 191

party animal In the year sInce she fIrst graced the cover of v, MIley cyrus, 21, has gone on to release a nuMber one platInuM-sellIng albuM, declare her forMer alter-ego deceased, rIde a wreckIng ball naked, wrIthe around In a rIsquĂŠ Mtv perforMance, and spark an InternatIonal debate on the current state of pop. as her extravagant, psychedelIc stadIuM tour gets ready to IgnIte the shores of south aMerIca, the MultIdIMensIonal MIley speaks to karl lagerfeld about her MotIvatIons for beIng one of the Most bewItchIng acts on the planet photography karl lagerfeld fashIon carlyne cerf de dudzeele 192 V MAGAZINE

SUIT AND GLOVES OLYMPIA LE TAN BANqUETE chAIr, 2002 (ThrOUGhOUT) EsTudIO cAMPANA

“I know that I’m not a pop pop dumb dumb. I know that I’m not. I’m a lot more than someone who just goes and shakes her ass onstage.”

—mIley cyrus

coat aND oNe-piece FENDI BootS MANOLO BLAHNIK jewelry (throughout) cyruS’S owN

TOP BALMAIN SOCKS PATRICIA FIELD SHOES MANOLO BLAHNIK

COAT RALPH LAUREN BRIEFS PATRICIA FIELD SHOES MANOLO BLAHNIK

“i think it’s kind of funny to mess with people and rile them up, because i’m actually the most chill person and it’s just funny to watch the world get out of their minds over things that are so irrelevant and don’t matter.”

—miley cyrus Karl Lagerfeld Your body is youth incarnate. I think, in fact, you are a very decent girl and well educated, you just like to provoke. What is more fun than to shock the bourgeois anyway?

Miley Cyrus I’m pretty lighthearted. I was happy to hear you say that, because I know that I’m not a pop pop dumb dumb. I know that I’m not. I’m a lot more than someone who just goes and shakes her ass onstage. If you ever listen to me speak, or watch me at more than just a VMA performance or video or anything like that…when you actually hear me outside of that character, there’s a totally diferent side of me. You know, people are so afraid of sexuality and the way I do it, but I’m just joking in most ways, and in a kind of pop sense exploring what being sexual means. I don’t feel like I’m giving of the sex vibe. I’m not trying to be sexy, especially in that male-dominated-world kind of way. It’s kind of just about being free. I think freedom is sexy. I think it’s really fun to shock people the other way. Even a lot of people on my Instagram…I’ve been posting the art that I’ve been making for Jeremy Scott’s upcoming fashion show [where I am designing pieces for the set], and they don’t know what it’s for. So when I put it up, they say, “You’re an idiot, that’s the worst thing,” and blah blah blah. Those aren’t the kind of people you want to have around you as friends and fans. I don’t want to have too many negative people, not even in my fan base. I am a real believer in moojoo-goojoo vibes and people not sending bad vibes your way. In my life, no matter what the media tries to make it seem, my real life is so happy and so peaceful that those angry comments don’t really ever afect me. I’m just so happy in my life and those people make me kind of sad because there’s just so much anger. You can’t even read the good comments on what your fans are trying to say because they’re so polluted by the dumb people that just want to be angry and anonymously abusive.

KL To me, you’re never going to be vulgar. Who inspired you to behave this way? Is there an infuence?

MC There wasn’t really ever an infuence. You know, I grew up around Dolly Parton a lot. She actually has a song, called “Backwoods Barbie,” where she sings, “Don’t let these false eyelashes lead you to believe that / I’m as shallow as I look ’cause I run true and deep.” It’s part of what makes her Dolly. I think you can put Dolly Parton and Barbie in the same category of iconic female perfection, in a weird way. She’s like my fairy godmother, but to the world she’s the only country artist that looks like fucking Pamela Anderson. But even when she was younger she had the tits and she had the body, but her voice and what she was saying…She’s so deep and has done so much for the world, and that was always a constant reminder to me of don’t listen to what people think just looking at you or judging you. She is someone that is obviously one of the most intelligent people. She’s almost 70 and you mention Dolly Parton to anyone, even a 10-yearold, and they know who she is. I go play songs by the Beatles and people look at me like “Huh? I’ve never heard this song before in my life.” I play “Jolene” and everybody sings along. My true core fans, they’ve stayed with me from the beginning, and that’s Dolly, too. She has fans that just love her and they’re so loyal. It’s worth the abuse to have these core fans that just love you and respect you for not changing who you are.

KL If you didn’t play the part of a scandalous girl, would you have the success that you have had today?

MC I know this sounds whack, but I don’t think I would be a household name if things like the VMAs or the Annie Leibovitz cover for Vanity Fair when I was 15 didn’t happen.

I truly think that was part of the reason I was discussed in every house, because it was almost like, “Okay, are we gonna let them watch this stuf? Are we going to let them buy her music? Oh God, what are we going to do?” Even when I was on Hannah Montana, shit was coming out all of the time. So it wasn’t like all of a sudden I left Disney and became a wild child. It’s like, Did you guys forget about the 15 scandals that happened when I was on Disney? I was never pretending to be something else. My parents taught me to have a really good work ethic. So when I was there, I was on the company’s time, I didn’t get fucked up. Every day that I went to set I’m sure people thought I was a fucking mess, but every day that I went to set I was so focused. There’s no way I could be fucked up and do that Bangerz tour. It’s insane. I’m obviously not that far-out.

KL Do you want to show the world that you’ve grown up, to forget that you were once a child star?

MC I’ve never felt the need to break away, because it just happened naturally. I didn’t think, Let’s make this transition. I just started doing it, and it kind of happened. I never felt like I needed to prove anything. I just felt like I needed to prove it to myself.

Even in ways of, you know, there’s good parts and there’s bad parts. With the VMAs, people take it and they turn it, but that was just me showing how I was growing and maturing, and then I think doing things with Jeremy Scott, that’s a whole other way.

KL Is that going to be announced beforehand?

MC I think they’re going to have to announce it a few days before, because I’m going to have to be there a few days before to set everything up. So I’m sure people will start talking. It’ll be good for me because it’s just something I need to do. One day I even tweeted, “Dude I gotta start reading again because I just feel like I’m a pop pop dumb

dumb.” I cannot be that. When someone asks me what I do, the depth of it cannot stop at I’m a popstar. That cannot be all I am at the end of my life. So I was like, “What do I want to be?” I’m an artist to the core. I used to paint as a kid and had all these paints in my garage. It started as a therapy with shit that happened with my dog and stuf that’s going on. It’s a time to sit outside with a blank piece of paper and make something beautiful. That’s honestly something I think Jeremy does a lot. He’s someone that I think is the perfect combo of kitschy and couture in a way, and what he does with that kind of kitschy-ness is something I’m inspired by. I have a dress he made me that’s literally a sack of Cheetos and I love it. He never takes it too serious. And Carlyne too. When I did my frst shoot with V, that’s something that I learned from her. I was like, Fashion can be so much fun! She’ll put me in socks that are Trash and Vaudeville or Pat Fields, but then with this fur Fendi bathing suit. I started to get it a little bit. I think that shows a lot in my life.

KL Is it easier to be a grown-up singer who provokes than it is to be a child star?

MC I defnitely don’t think it’s easier. I think it’s hard, and I don’t think that because sex sells you’ll sell a million albums. You’ve gotta have more than that. It’s defnitely easy to make a splash being a woman, and if you throw sex in there, it all of a sudden becomes a headline. But I always use the example of Elvis. Elvis was the one who brought sex into the culture anyway. It should really be equal, but I think as a woman it’s easier to make news if you’re using sex within your content, but it doesn’t necessarily make it easier.

You go to an awards show and the only thing that gets picked up is what a girl does and wears anyways. It doesn’t matter what it is, even if it’s the Grammys. You’re not going to fip through a tabloid magazine and see Josh Groban at the piano. You’re gonna see what Katy wore and what Rihanna didn’t wear. Or what I did or didn’t do. It’s all that.

KL Could you have imagined when you were a kid that you would end up this way? If only you had known about this kind of thing!

MC Timing is everything. I think it can only be this way now because of my age. I feel like I did my time on the show of giving my fans what they wanted. I didn’t get wild and not fnish my show. I paid my dues, doing what I didn’t necessarily want to do and love. So now I spend all of my time doing only what I want to do and love. Nothing else.

I was in an industry that made a lot of money and now what I do is spend all that I make back into my show. It drives my team crazy. We’re about to go to South America, and I’m kind of a diferent person than I was on the frst leg of the Bangerz tour, so I had to change a lot of it. I’m in a totally diferent zone. I’m 21. I change drastically every two fucking months. It’s been a year since we made this. I have to change some of it. Having money in my bank account isn’t worth it to me. I want to know that instead of having money just sitting there—I want to just look at it. I want my fans to see it. I want to entertain them and have them enjoy it. Everything we make is so well made. We have so many amazing artists that work on it, like John Kricfalusi from The Ren & Stimpy Show. You know we actually have you in one of the pieces in one of the songs! In “My Darlin” there’s a big Karl! I don’t feel like a pop artist, because I don’t really live that way. I think you can see a lot of that from my Instagram. Those faces I’m making, I’m joking, but people are like, “Oh my God, she’s so high she’s gonna die.” I’m just making that face. I think it’s kind of funny to mess with people and rile them up, because I’m actually the most chill person and it’s funny to watch the world get out of their minds over things that are so irrelevant and don’t matter. What I care about is being happy and being myself more than making money. And my true fans really know that. They can see it in my show.

KL Chanel and I are very happy to see you wearing the brand. You’re one of the few that buys the stuf…what are your favorite cities for shopping?

MC I love this question. I’m a little bit of a hoarder and I collect a lot of things, like food clocks, like funny, big, giant clown sunglasses, piggy banks. Chanel is really just a part of that collection, and it just happens to have more value in that way. I actually just love my stuf because it’s a part of my collection and the value of things don’t really matter to me. I love my Chanel as much as I love my piggy banks. I just happen to be able to wear the Chanel stuf, which makes it great, because you can actually keep it forever.

KL Where do you put all of this?

MC I have a place in my room where all my Chanel is together. I’m also extremely obsessive-compulsive, so my entire closet is alphabetized by designer, because I’m really OCD. It’s gnarly. That’s how I know my stuff. I don’t go, Oh, my gray jacket!

It’s insanely organized within each designer. And my shelves…I’ll actually send you a picture. It’s kind of funny. They’re just covered in piggy banks and giant sunglasses.

Plus my gifts from fans. I love it because they’re such treasurable things. I make things, and the fact that my fans made these for me, I know how much time it takes.

I know how excited you are to give what you make to the person you made it for. I can’t throw it away.

KL That’s sweet. In a hypocritical world like ours, girls like you are very rare!

to read the full interview, go to vmagazine.com

TURTLENECK BOTTEGA VENETA p/f 2014 BAG PATRICIA FIELD

“Your bodY is Youth incarnate. i think, in fact, You are a verY decent girl and well educated, You just like to provoke. what is more fun than to shock the bourgeois anYwaY?” —karl lagerfeld

JACKET, LEGGINGS, BAG CHANEL

COAT MOSCHINO SHORTS JEREMY SCOTT BOOTS JEREMY SCOTT FOR ADIDAS WATCH CHANEL FINE JEwELRY

“Le MiLey is the epitoMe of now.. MiLey and i go together Like hand and gLove.. J’adore Le MiLey!”—carLyne cerf de dudzeeLe

SWEATER And SHOES JEREMY SCOTT MAkEup TOM pEcHEux (HOME AgEncy) HAiR SAM McknigHT (pREMiER HAiR And MAkEup) Manicure Liza SMith uSing cnD Direction of iMage eric PfrunDer anD Katherine Marre Photo aSSiStantS Xavier ariaS, oLivier SaiLLant, Ben SoLLich StyLiSt aSSiStant Kate greLLa MaKeuP aSSiStant grigorioS PyrPyLiS hair aSSiStant cynDia harvey ProDuction hanneS Deter (nu ProjectS) ProDuction aSSiStantS arnauD LaurenS anD Quentin chaMarD BoiS viDeograPher ivan oLita viDeograPher aSSiStantS PaoLo cartago anD jacoPo Sarno retouching LuDovic D’harDiviLLe Location La réServe raMatueLLe hoteL, france ButLer to Mr. LagerfeLD freDeric DaviD SPeciaL thanKS hoteL Le yaca, Saint troPez, océane SeLLier

WEB OF SEDUCTION the new exhibitionists FOR A NEW GENERATION, CELEBRATION OF THE SELF IS A PUBLIC ART FORM. A VIRTUAL EXTENSION OF THE BODY, MOBILE MEDIA HAS CREATED A PERFORMANCE TREND THAT THRIVES ON EXPOSURE AND PROVOCATION. ARE THESE KIDS THE NEXT WAVE OF ARTISTS TO WATCH? MEET THE MINDS THAT MIGHT BE STARTING A MOVEMENT, LIKE IT OR NOT PHOTOGRAPHY MARIO SORRENTI FASHION GEORGE CORTINA 206 V MAGAZINE

Ally WEARS DRESS ALEXANDER McQUEEN BRIEFS AGENT PROVOCATEUR NECKlACE STylIST’S OWN BRACElET (ThROughOuT) hER OWN MIChAEl WEARS hAT AND NETTINg STylIST’S OWN

“I fInd that my work helps me grow up, and cope wIth my anxIety.”—anna collIns, 19

ANNA WEARS JACKET GIVENCHY BY RICCARDO TISCI TIGHTS WOLFORD BELT ALAÏA Fox WEARS PANTS LOUIS VUITTON NECKLACE AND BELT VINTAGE FRoM MELET MERCANTILE

“My MediuMs that i Most often work with are My phone, My MacBook, and My Body.”

—ally Marzella, 24

ALLY WEARS SWEATER FENDI

“I’m not really someone who plans ahead. It’s just not the way I work. whatever happens, happens.”

—Fox attIcus martIndale, 19

FOX WEARS JACKET SAINT LAURENT BY HEDI SLIMANE SCARF PRADA BRIEFS AMERICAN APPAREL

PETRA (wiTh cARloTTA) wEARS DRESS VICTORIA’S SECRET

clockwise from top left: JUliA weArs BrA AGENT PROVOCATEUR NecklAce her owN kArleY weArs BoDYsUit KIM HALLER petrA weArs NecklAce her owN AllY weArs BoDYsUit VICTORIA’S SECREt cArlottA weArs BrA ERES NecklAce her owN

MICHAEL WEARS SHORTS vInTAgE fROM What goes around comes around EARRIng LouIs VuItton BELT aLaÏa KARLEY WEARS CLOTHIng AnD BELT aLaÏa RIng bernard deLettrez nECKLACE STYLIST’S OWn

“We are so lucky to have the Internet as a Way to connect WIth an audIence—and no longer do We have to please the mIddleman In order to garner recognItIon.”—JulIa BaylIs, 22

JULIA WEARS SWEATER MIU MIU BRA PRADA SHOES ISABEL MARANT JEWELRY HER OWN

FOX WEARS PANTS BURBERRY PRORSUM NECKLACE AND BELT VINTAGE FROM MELET MERCANTILE

“My work in three words: dark, light, real.”—sandy kiM, 28

SANDY WEARS SWEATER ISABEL BENENATO SHOES GIANVITO ROSSI

“I lIke that I get to wrIte artIcles about vagIna style In vogue, because wIthIn the vogue context, It seems chIc rather than rIdIculous.”—karley scIortIno, 28

KARLEY WEARS COAT BURBERRY PRORSUM mEnS BRA AnD BELT VInTAGE FROm MELET MERCANTILE BRIEFS LONELY HEARTS SHOES GIVENCHY BY RICCARDO TISCI GLOVES ALAÏA

from left: mICHAel WeArS brIefS HIS oWn AllY WeArS (tHIS pAge And next) SHoeS GIANVITO ROSSI KArleY WeArS CoAt MIU MIU

“I lIke to collaborate wIth frIends, but I prImarIly create to maIntaIn my sanIty. I’m currently workIng toward a solo show.”—carlotta kohl, 21

CARLOTTA WEARS DRESS PROENZA SCHOULER NECKLACE AND RiNg HER OWN

ANNA (with petrA) weArS JACKet RALPH LAUREN tiGhtS WOLFORD eArriNG BERNARD DELETTREZ

“I’ve been very InspIred

by Honoré daumIer’s HuntIng IllustratIons.

I’ve been convertIng tHem Into scenes of cHaos wItH queer angels.”

—mIcHael baIley-gates, 20

JULIA WEARS SWEATER PRADA TIGHTS WOLFORD NECKLACES HER OWN

ALLY WEARS BAG LOUIS VUITTON

“I work wIth publIcatIons lIke I-D, DazeD, oyster, purple, Vogue, loVe, elle Japan, rollIng stone, garage, VIce, anD more.”

—petra collIns, 21

Manicure christina Zuleta set design PhiliPP haeMMerle (nex9) digital technician Felix KiM lighting technician lars Beaulieu Photo assistants Johnny Vicari and alBerto Maria coloMBo stylist assistants JaiMe Kay WaxMan, eileen hayes, Katie eytch MaKeuP assistants yuKo suyaMa and MiKaKo shoJiMa hair assistants holly Mills, ryan Mitchell, Kiyo igarashi Production Katie Fash and christoPher cassetti VideograPher heather soMMerField set design assistants theo VolPatti and ryan stenger retouching arc laB ltd. location sunset studios, BrooKlyn catering shoot Food ny

PETRA WEARS DRESS SAINT LAURENT BY HEDI SLIMANE nEcklAcE hER oWn MAkEuP FRAnk B. uSing nARS (ThE WAll gRouP) hAiR JAMES PEciS (D+V) MoDElS MichAEl BAilEy-gATES, JuliA BAyliS, AnnA collinS, PETRA collinS, SAnDy kiM, cARloTTA kohl, Fox ATTicuS MARTinDAlE, Ally MARzEllA, kARlEy ScioRTino

rebel flower breakout model of the moment anna ewers proves her fashion mettle in the most daringly deconstructed looks of the season. with oversize outerwear and sharp suiting, her superior style speaks volumes photography willy vanderperre fashion katy england 226 V MAGAZINE

CLOTHING LANVIN BELT ELLIOT RHODES ON EyEs, cHANEL ÉCRITURE DE CHANEL AUTOMATIC LIQUID EyELINER IN NOIR ON LIps, cHANEL ROUGE COCO sHINE HyDRATING sHEER LIpsHINE IN CONFIDENT

JACKET (WORN AS TOP) AND PANTS GIVENCHY BY RICCARDO TISCI bOOTS (iN vARiOuS COlORS, THROuGHOuT) FROM ROYAL NATIONAL THEATRE

coat COMME DES GARÇONS HOMME PLUS DRESS PRADA JacKEt (UNDERNEatH) VINtaGE COMME DES GARÇONS FRoM RELLIK PaNtS JOSEPH

JACKET AND PANTS VINTAGE YOHJI YAMAMOTO FROM RELLIK TURTLENECK (IN VARIOUS COLORS, THROUGHOUT) CARLO MANZI SWEATER (WORN AS SLEEVES) LAAIN PANTS (UNDERNEATH) JOSEPH

coat, jacKEt (WoRN aS toP), PaNtS PRADA UOMO

PINAFORE MAISON MARTIN MARGIELA JACKET VINTAGE COMME DES GARÇONS FROM RELLIK SWEATER (WORN AS SLEEVES) JIL SANDER

COAT VIVIENNE WESTWOOD PANTS VINTAGE COMME DES GARÇONS AND BELT VINTAGE FROM RELLIK ON EyES, CHANEL OMBRE ESSENTIELLE SOFT TOUCH EyESHADOW IN SENSATION ON CHEEkS, CHANEL JOUES CONTRASTE POWDER BLUSH IN INNOCENCE ON LIPS, CHANEL LÈVRES SCINTILLANTES GLOSSIMER IN ROSE RÊVÉ

COAT AND BODICE VERONIQUE BRANQUINHO PANTS J.W. ANDERSON PANTS (UNDERNEATH) JOSEPH

JACKET AND SKIRT (WORN AS DRESS) CALVIN KLEIN COLLECTION SKIRT VINTAGE COMME DES GARÇONS FROM RELLIK

COAT AND PANTS YOHJI YAMAMOTO SWEATER LAAIN MAkEuP VAl GARlAND (STREETERS lONDON) HAiR Duffy fOR ViDAl SASSOON (STREETERS lONDON) MODEl ANNA EWERS (WOMEN) Manicure anatole rainey (B-agency) Digital technician henri coutant (Dtouch) Photo assistant roMain DuBus stylist assistants Kerry Panaggio anD lyDia siMPson hair assistant MirKa haDjova ProDuction Floriane DesPerier (4oKtoBer) retouching teaM triPlelutz Florist Flora starKey location Big sKy stuDios, lonDon

twigs in bloom her music and dance roots firmly in place, lithe young artist fka twigs is branching out and quietly transforming trip-hop with her sultry solo album, lp1. watch as she grows into one of the industry’s most mesmerizing new stars photography sØlve sundsbØ fashion beat bolliger text john norris

Who’s to say what “grown-up” really is? Life doesn’t have an ofcial timetable. And flmmaker who turned twigs into a wind-up Manga doll from another planet for 2013’s while Tahliah Barnett—aka FKA twigs (no capital “t,” please)—may be petite, in the “Water Me” video. Apparently inspired by twigs’s tales of verbal injury, Kanda outdid past two years she has done a lot of growing up. “Not to sound too psycho-babbly, but himself in creating LP1’s artwork, one of the most striking cover images of the year: a I’m 26,” says twigs, during a quick trip to New York from her London home. “When I close-up of the artist’s pixie face, looking both clownlike and bruised, wistful, resilient, signed to XL/Young Turks, I was 24. As a young woman, the mid-20s are a strange time, and wiser, a girl who’s been through it all. When Kanda frst showed her the cover, twigs because you get to 21 and kind of think that you’re a woman. And then you get to 24 and says, “I was completely taken aback. It just made me so emotional, because it showed you suddenly realize you have no clue. At least for me anyway, I felt like a young girl me that all those weeks I’d been explaining to him how I felt, even though he was so trapped in a woman’s body. Getting signed and having that responsibility changed my quiet, he’d been listening the whole time. I felt like I’d been smacked in the face, and life dramatically…I think 24 to 26 was kind of my transition into becoming a grown-up, in his picture I have this mark on my face, but it makes me more beautiful.” and a lot of that refects in the music as well.”

There’s no denying that the part-Jamaican, part-Spanish twigs has become a fashtwigs is referring to LP1, her superb debut album, released in August, on which ion favorite, one of the more exotic and adventurous young style icons to emerge since the Gloucestershire native, known for her outré style, sings with real confdence for Björk. Red lips, septum ring, and Josephine Baker spit curls are frequently part of her the frst time. Her frst two releases—2012’s EP1 (a collaboration with Young Turks’ look, but from there she can go in wildly diferent directions. In photo shoots we’ve Tic Zogson) and 2013’s EP2 (created with Venezuelan New Yorker Alejandro “Arca” seen her work neo–Diana Ross and latter-day Lisa “Left Eye” Lopes (the sort of comGhersi)—were spellbinding and quietly seductive, but they were records more inter- parisons she probably loathes, by the way), as well as alabaster skin and a distended ested in creating an atmosphere through muted vocals than in showcasing the artist’s neck, like on her EP2 cover. And while she doesn’t shy away from a connection to the self-assurance. “I was very timid at frst,” twigs recalls, “and I would sing into the mic fashion world—she soundtracked a show for her friends Ben Cottrell and Matt Dainty really quietly. I would have to face away from people! And now it’s only two years on, of the London menswear line Cottweiler this past summer—she insists that she and but I feel a lot more confdent, and from a place deep inside myself I have a bit more her manager always bring it back to the music. “Whenever I get ofered an opportunity, belief in what I am doing.” even if it’s really good—like a couple of big brands have approached me and asked me The album features twigs’s strongest melodies to date, with hook lines that burrow into to do modeling for them, and obviously it’s exciting—we always say, What is the justifthe brain, including the memorable “Lights On” (“When I trust you / we can do it with cation for this? What is it saying about the music? That is the factor on which we base the lights on”), which despite how it sounds has less to do with sex, she says, than with absolutely everything. It’s like, Is the music leading this decision?” opening yourself up to another. She had plenty of top-fight writing and production help: On the music-video front, twigs has amassed quite a portfolio for a young artist only Adele’s right-hand man Paul Epworth (who cowrote the soaring standout “Pendulum”); two years into a career: 10 stunners, from provocative phallic-fower-in-naked-crotch U.K. electro hotshot Sampha (a nominee, along with twigs for the BBC’s lauded “Sound of debut, “Hide,” to her latest, the Nabil-directed “Two Weeks,” in which she’s a Nubian 2014” prize); Blood Orange’s Dev Hynes; Michael Volpe (aka Clams Casino); and Emile queen surrounded by miniature gyrating dancers in a resplendent setting reminiscient Haynie (whose four tracks include the steamy single “Two Weeks” and whose CV includes of the Temple of Dendur. Might we see a video for every track from LP1? twigs isn’t so Lana Del Rey’s Born to Die). But there is a remarkable consistency to LP1, which, twigs sure. “For me, when I do something, once that thing starts catching on, I’m over it,” she says, was the point. “Working with so many diferent people, it meant that I had to really explains. “I’m like, Okay, next! I mean, I would like to do as many visuals as I can, but focus on my own vision and my own stamp,” she explains. “I’m always determined to there are other things now that I’m excited about that I feel are my babies, and I want do something that really feels like me, and I don’t want to copy anyone or have anyone to work on them secretly, and when they come out, it will be like, Ta-da! Maybe like a be able to compare me to anyone.” She’s also keen to point out that she self-produced new thing that no one’s ever thought of, you know?” Besides, she says, all those videos a majority of the album, and played on most of it, challenging herself to learn (with the take time. “I’ll sit there and I’ll edit a video with someone until like four o’clock in the assistance of longtime friend and band mate Cy An) to create music on Ableton and the morning. I’m really involved in every single bit.” drum machine Tempest, which she’s been folding into her band’s live shows.

There she goes again, reminding us that she is not on the sidelines of anything she twigs seems to have something to prove this time around. After all, a good amount does. Only four years ago, twigs was one of those back-up dancers, playing a marionette of the media attention given to her frst two EPs went to her male partners—particu- on strings in electropop gal Jessie J’s “Price Tag” video. She is no one’s puppet today, but larly Arca—thanks to his being a hot name after his work on Kanye’s Yeezus. Even in she’s also quick to point out that she’s not the “control freak” that she’s been described the studio, twigs was on the receiving end of some snarky comments that cast doubt on as being in the press. “This whole control-freak thing, I think it’s so silly. Really, I think her abilities. “When I’m at the computer, I’m like a little mole staring up at the screen. people are intimidated, or need to be neggy about something.” Challenging herself, And people will walk in and be like, ‘Oh, check you out, using the computer!’ They don’t she adds, has less to do with control than with making the most of her moment—and mean it in a harmful way. But if I was a boy they wouldn’t say that.” While she’s not twigs is indisputably enjoying a moment. “I’m just taking what I do seriously, and I naming names, she later vents, “Some people, they want to keep you in your place. They try really hard, because I don’t know how long it’s gonna last. Not because maybe it want you to do well, but only on their terms. And as soon as you start going beyond that, will get taken away from me, but I don’t know, maybe I will just decide I want to have they just like to kick you back down, so you stay exactly where they want you to be.” a baby in two years. Or I might decide I want to go set up a youth club and spend time Intentional or not, the condescension hurt. But she had a confdante at the time, doing that, or start a dancing school for kids. I just want to work really hard while I’ve particularly toward the end of making the album: Jesse Kanda—the visual artist and got this opportunity.”

238 V MAGAZINE

TOP SLIM BARRETT NECKLACE SCOTT WILSON x AQAQ NOsE riNg (ThrOughOuT) Twigs’s OwN

DRESS ALEXANDER McQUEEN SHOES PRADA EaRRingS (tHROugHOut) twigS’S Own

JUMPSUIT JEAN PAUL GAULTIER SHOES ROBERT CLERGERIE NECKPIECE ALEXIS BITTAR BRACELETS VERSACE

SWEATER BALENCIAGA EARRINGS ALEXIS BITTAR

JACKET JUST CAVALLI

JUMPSUIT AND RE WALKER SHOES GIUSEPPE ZANOTTI DESIGN BRACELET ALEXIS BITTAR

JACKET AND SHOES THOM BROWNE BODYSUIT NORMA KAMALI BELT SCOTT WILSON x AQAQ

DRESS CHLOÉ SHOES ROBERT CLERGERIE NECKLACE MONIES

CREAtivE DiRECtOR (FKA twigS) KAREN CLARKSON MAKEup iSAMAyA FFRENCH (StREEtERS LONDON) HAiR SOiCHi uSiNg KiEHL’S (SAiNt LuKE) Manicure iMarni (Saint Luke) ProP StyLiSt Ben cLark (DragonfLy Scenery) DigitaL technician anna henDry Photo aSSiStantS Moritz kerkMann anD JaMeS Whitty StyLiSt aSSiStant eDWarD BoWLeg iii MakeuP aSSiStant JoSh WiLkS hair aSSiStant reBecca MoroSo ProDuction SaLLy DaWSon anD PauLa ekenger Location Big Sky StuDioS, LonDon

NECKLACES MONIES CUFFS (HER RIGHT) DEAD DAVIDSON CUFF (HER LEFT, TOP) N HISTORIAE CUFF (HER LEFT, bOTTOm) ALEXIS BITTAR EARRINGS KENNETH JAY LANE

dream weaver wrap yourself in luxury À la lara stone, who works fall’s sumptuous, retro-inspired knits with kittenish appeal photography alasdair mclellan fashion marie chaix 248 V MAGAZINE

CLOTHING AND SHOES CÉLINE

SWEATER PRADA

TURTLENECK PROENZA SCHOULER PANTS AND SHOES CÉLINE

CLOTHING AND SHOES CÉLINE ON CHEEkS, L’OrÉaL ParIs VISIbLE LIfT bLur bLuSH IN SOfT PINk

SWEATER CHANEL BRIEFS (ThRoughouT) PETIT BATEAU

SWEATER STELLA McCARTNEY

SWEATER MIU MIU On EyES, L’OrÉaL ParIs ThE BlAckBuSTER By InfAllIBlE And VOlumInOuS BuTTERfly WATERpROOf mAScARA

SWEATER SONIA RYKIEL PANTS CÉLINE

SWEATER CALVIN KLEIN COLLECTION PANTS AND SHOES CÉLINE

SWEATER ACNE

SWEATER OLYMPIA LE TAN

MAkEup LuciA picA (ART pARTnER) HAiR AnTHony TuRnER (ART pARTnER) ModEL LARA STonE (iMG) Manicure Michelle huMphrey (lMc) photo assistants Gareth powell, lex KeMbery, JaMes robJant stylist assistants roMain lieGaux and aMelie huault MaKeup assistant siobhan FurlonG hair assistant david harborow production laura holMes production assistant JacK driver retouchinG output london

T-SHIRT GIVENCHY BY RICCARDO TISCI

LITTLE DARLING

Dancing through the streets of new York citY, moDel anD musician Jamie Bochert Dreams of Being a Ballerina anD actress in rome. as she pliÉs from the real worlD to the reimagineD in fall’s glam-rock finerY, Delusions of granDeur fill her heaD. noBoDY is more Beautiful photographY seBastian faena fashion sarah richarDson 260 V MAGAZINE

DRESS MARC JACOBS ShoES (thRoughout) SAint lAuRent By hedi SliMAne

DRESS MICHAELA CARRARO COAT (IN HAND) EMPORIO ARMANI

DRESS MIU MIU SWEATER VINTAGE FROM ROKIT EARRINGS SAINT LAURENT BY HEDI SLIMANE

TOP VINTAGE FROM AMARCORD SKIRT VERSACE

CLOTHING SAINT LAURENT BY HEDI SLIMANE

COAT CHLOÉ BODYSUIT VINTAGE FROM SCREAMING MIMIS BOOTS (THROUGHOUT) SAINT LAURENT BY HEDI SLIMANE RING (THROUGHOUT) BOCHERT’S OwN ON EYES, M.A.C COSMETICS EYE SHADOw IN AqUADISIAC ON lIpS, M.A.C COSMETICS pREp+pRIME BB BEAUTY BAlM SpF 35 IN GOlDEN

CLOTHING SAINT LAURENT BY HEDI SLIMANE

BODYSUIT AND VEST EMPORIO ARMANI

coat LOUIS VUITTON on eyes, m.a.c cOSmeTIcS haught & naught too black lash and Fluidline Pencil in black brilliance

MAkeUp BeNjAMIN pUCkeY (D+V) HAIr eDWArD LAMpLeY (D+V) MODeL jAMIe BOCHerT (THe LIONS NY) Manicure Katherine St. Paul hill uSing chanel (the Wall grouP) light DeSign eriK lee SnyDer Digital technician JoSePh BorDuin Photo aSSiStantS Siggy BoDolai anD graySon Vaughan StyliSt aSSiStantS alice lefonS anD Michael BeShara ProDuction helena Martel SeWarD ProDuction aSSiStantS Shayan aSaDi, Bruna fonteVecchia, niKKi refghi retouching lutz + SchMitt equiPMent rental root StuDioS SPecial thanKS hotel PennSylVania, neW yorK

COAT GUCCI BODYSUIT STYLIST’S OWN

HEAD CASE with a nod to the english eccentrics of the early ’90s, fall’s fierce statement coats are the crowning looks worth craving (and covering up in) now photography anthony maule fashion patti wilson headpieces kamo 272 V magaZiNe

sam wears COaTs SALVATORE FERRAGAMO TOp, TaNK (wOrN as Dress), bOOTs (ThrOughOuT) BESS sCarF MICHAEL SCHWARTZ FishNeTs (ThrOughOuT) WE LOVE COLORS

SaSha wearS COaT, JaCKeT, PaNTS CHANEL T-ShIrTS INNERCITY RAIDERS ShOeS aND NeCKLaCe BESS GLOVeS LANVIN ON CheeKS, m.A.C CoSmETICS POwDer bLuSh IN fuN eNDING ON LIPS, m.A.C CoSmETICS LIPSTICK IN NOVeL rOmaNCe

SaSha wearS COaT aND PaNTS JIL SANDER TUrTLeNeCK CHANEL SOCKS BELLEROSE ShOeS UNDERGROUND NeCKLaCe BESS BraCeLeT (arOUND haND) EDDIE BORGO ON CheeKS, m.A.C COSmEtICS POwDer BLUSh iN PiNK CULT ON LiPS, m.A.C COSmEtICS LiPgLaSS iN OBviOUSLy Bare

sam wears COaT, VesT, sKIrT MAX MARA TIe KENNETH COLE sUNGLasses MYKITA

SaSha wearS COaT PROENZA SCHOULER ShIrT BLK DNM bOOTS RAF SIMONS x ADIDAS TIe JUPE heaDPIeCeS (unDerneaTh VeIL) HEIDI LEE

sam wears COaT 3.1 PHILLIP LIM VesT DSQUaRED2 PaNTs JUPE sOCKs SOXIETY sHOes UnDERgROUnD GLOVes MaISOn MaRTIn MaRgIELa NeCKLaCes ann DEXTER JOnES

sam wears CLOTHING CALVIN KLEIN COLLECTION

sam wears COaT aND PaNTs RALPH LAUREN TreNCHCOaT (wOrN UNDerNeaTH) LOGAN NEITZEL sOCKs WIGWAM sHOes ACNE sUNGLasses NATASHA MORGAN ON eyes, M.A.C COSMETICS eLeCTriC COOL eye sHaDOw iN HiGHLy CHarGeD ON LiPs, M.A.C COSMETICS LiPsTiCK iN sHiTaKe

Sam wearS COaT DONNA KARAN PaNTS JASON WU TaNK BESS SHOeS T UK SUNGLaSSeS NATASHA MORGAN ON LiPS, M.A.c cOSMETicS LiPSTiCK iN YieLd TO LOve

sasha wears COaT FENDI shIrT BLK DNM PaNTs LPD TIe GIORGIO ARMANI shOes UNDERGROUND GLOVes MM6 heaDPhONes SKULLCANDY x ADAM SELMAN MakeuP aND haIr kaMO (hOMe) MODeLs saM rOLLINsON aND sasha Luss (wOMeN) Manicure alicia Torello (The Wall Group) DiGiTal Technician BreTT Moen phoTo assisTanTs chris callaWay anD JiMi Franklin sTylisT assisTanTs Taylor kiM anD lauren Bensky Makeup anD hair assisTanTs yohey nakaTsuka, rie Tsukui, serina Takei, aya kuDo proDucTion MiranDa neri (JeD rooT) locaTion splashliGhT sTuDios caTerinG MonTerone

PERFECT PUSSY

Hometown: Syracuse, NY Members: Meredith Graves (vocals) [above]; Ray McAndrew (guitar), Garrett Koloski (drums), Shaun Sutkus (electronics), and Greg Ambler (bass) How long have you been making music together? A little over a year.

How did you come up with your name? We needed a name that refected our themes of transcendence, self-acceptance, confdence, and grace, but we also wanted it to be funny and rude.

Describe your sound. Short ecstatic bursts of noise.

What’s the craziest show you’ve ever played? In Toronto, for NXNE. We blew up a bass head before we started playing, and after three songs we blew a second. The staf tried to unplug us and get us ofstage, so Shaun made a bunch of screeching, hateful feedback while I chanted and rolled around on the ground. Greg had been playing a guitar with four baritone strings instead of a bass, and he smashed it to pieces. Some boys were shouting that we sucked, and the next day people were suggesting I’d had a nervous breakdown. It was probably the best show we ever played.

What do you listen to on the road? Lately it’s been Speedy Ortiz and Chick Corea’s soundtrack to the book Battlefeld Earth.

What is your favorite venue? 285 Kent [in Williamsburg, Brooklyn]. R.I.P. If you could book your dream bill, who would you play with? I would organize a weekend slumber party festival with all my friends’ bands and we’d just play for each other and eat pizza.

Finish this sentence: “The music industry needs more…” people who are willing to call out male journalists who use social media to harass female musicians and writers.

Finish this sentence: “Rock and roll is…” boring. Most bands sound the same.

Tell us your favorite lyric from your own music. “I’m at best a step removed from what’s considered natural / I’m at worst disinterested in what’s considered lovable / Love is love, but power is power” [from “Advance Upon the Real”] perfect pussy is on tour in europe and the u.k. this fall

with american rock radio bought and paid for by major labels and music television long extinct, the best bands in the u.s. are flourishing under the radar—but that doesn’t mean they deserve to be ignored. as pop embraces hip-hop and e.d.m., the most defiant action an artist can take is to pick up a guitar. there’s a new punk spirit rising. meet the dreamers and screamers bringing big, bad sounds back to life photography hedi slimane V MAGAZINE 283

DONOVAN BLANC

Hometown: Highland Park, NJ Members [below, from left]: Raymond Schwab (keyboard and bass) and Joseph Fekete (vocals and guitar) How long have you been making music together? About three years.

How did you come up with your name? It just came to us one day after a long soak in a hot tub.

Describe your sound. Soft but frm, like a good custard.

What’s the craziest show you’ve ever played? In college, I played in a lot of bars, because they were the only places that actually paid acts. One night during the winter at a bar in a beach town where only the most depraved of townies hung out, a fght erupted when a guy walked in and saw his wife or girlfriend with someone else. There were only about 10 or so people there that night, and all of them started throwing punches and glasses.

What do you listen to on the road? Harold Budd.

What is your favorite venue? It was Maxwell’s, in Hoboken, but unfortunately it closed last year. It was a great room to play, and I’ve got many fond memories of seeing some of my favorite artists there. It is sorely missed.

If you could book your dream bill, who would you play with? Arnaldo Baptista and Françoise Hardy.

Finish this sentence: “The music industry needs more…” buzzwords and quickly evaporating trends.

Finish this sentence: “Rock and roll is…” for lawyers and Eric Clapton.

Tell us your favorite lyric from your own music. “When you believed me, how did you see me?” [from “When You Believed Me”] donovan blanc is on tour in north america this fall

REGAL DEGAL

Hometown: New York, NY Members [above, from left]: Jamen Whitelock (drums and drum machine), Josh da Costa (guitar and vocals), and Josiah Wolfson (bass) How long have you been making music together? Five years.

How did you come up with your name? Based on an imaginary sound system conceived by someone who likes the idea of dub/reggae but has never actually heard it.

Describe your sound. Loose Syd Dream.

What’s the craziest show you’ve ever played? We played a huge Halloween party at a four-story warehouse in Baltimore a couple of years ago. Some guy tried to instigate a fght with a hammer he brought from home. He put it down for a second and I made sure to promptly hide it under the stage. I don’t think he found it.

What do you listen to on the road? Lots of mixes and Robert Evans’s The Kid Stays in the Picture audiobook.

What is your favorite venue? Botanique in Brussels. Maybe one day we’ll play there.

If you could book your dream bill, who would you play with? Panda Bear, Ariel Pink’s Haunted Grafti, and Amon Düül II, circa 1973, with Ron Hardy deejaying between sets and at the after-party.

Finish this sentence: “Rock and roll is…” was easy, but now it’s clean and heavy.

Tell us your favorite lyric from your own music. “Clean up your act / have a good time / shape up and I’ll see you in my dreams,” from “Not Mired,” the frst song on our last album. It’s the only lyric I feel comfortable highlighting, because I lifted it verbatim from Dennis Hopper in a certain movie that shall not be named for the sake of retaining some element of mystery.

Regal Degal is Releasing a new mixtape, Regalize it, via new camp, anD finishing theiR full length foR teRRible RecoRDs this fall

NOTHING

Hometown: Philadelphia, PA Members [above, from left]: Nick Bassett (bass), Kyle Kimball (percussion), Domenic Palermo (guitar and vocals), and Brandon Setta (lead guitar and vocals) How long have you been making music together? About a year now.

How did you come up with your name? Reading Céline in an empty bathtub high on pills.

Describe your sound. A messy room in a nice home in a shit ghetto.

What’s the craziest show you’ve ever played? It was our last show at 285 Kent. I tried throwing my guitar, but I was caught in the cable. It rubber-banded and came back at me, striking me on my forehead and opening me up. No one had any bandages, so I used vodka, paper towels, and duct tape. They were also nice enough to give me a bottle of Evan Williams that I drank the whole way back on the turnpike home.

What do you listen to on the road? Each other crying.

What is your favorite venue? Bottle Tree, in Birmingham, and Boot & Saddle, in Philadelphia.

If you could book your dream bill, who would you play with? Let’s just do a whole tour with prime Oasis.

Finish this sentence: “The music industry needs more…” David Bowies.

Finish this sentence: “Rock and roll is…” in a casket in Brooklyn, lying down next to Lou Reed.

Tell us your favorite lyric from your own music. “No help for us / There’s no safe haven / Search for a place / You can’t be saved in” [from “Rites of Love and Death”] nothing is releasing a split 7-inch with whirr this october on run for cover records

Production Yann rzePka

APPETITE

Hometown: Brooklyn, NY Members [below, from left]: Jane Chardiet (vocals, synthesizer, and various efect pedals) and Ciarra Black (drum machine, sampler, and various synthesizers) How long have you been making music together? Three years.

How did you come up with your name? We chose the word “appetite” because of its multiple levels of meaning: physical hunger, the desire for something more, something you can lose or gain beyond your own will, something you can’t control. For us, the word appetite is synonymous with why we have to make music.

Describe your sound. Both of our sensibilities put into a blender. A mix of noise, industrial, experimental, and techno.

What’s the craziest show you’ve ever played? Our second show ever was at a twoday noise festival in North Carolina called Savage Weekend. We saw everything from a perverted clown to people cutting themselves with broken mirrors to an abandoned meth village to public golden showers in sports-themed hotel rooms to a recent divorcée in a wedding dress setting of freworks inside one of the venues to someone inserting a contact microphone in his anus. All of that and more. It was a savage weekend indeed.

What is your favorite venue? It’s illegally run in a residential loft, so we can’t mention it by name. It’s long been a staple in the underground punk and noise scenes, and we have seen some of the best shows of our lives in that building.

If you could book your dream bill, who would you play with? Throbbing Gristle, Haus Arafna, Cabaret Voltaire, Severed Heads, and Drexciya at an invite-only location in the desert, with visuals by Chelsea Marks.

Finish this sentence: “The music industry needs more…” musicians and artists with a profound connection to the scene that they are supporting, as opposed to businessmen trying to make money.

Finish this sentence: “Rock and roll is…” tired.

Tell us your favorite lyric from your own music. “Paint life onto my cheeks and walk away forever on callused feet” [from an untitled track of Appetite] appetite is releasing a new cassette of live material before hitting the studio this fall

VENUS iN FURS

powering through the streets of london, model andreea diaconu is a modern-day temptress who takes glam to new heights in fall’s most luxurious furs, blouses, belts, and not much else photography sølve sundsbø fashion george cortina 288 V MAGAZINE

COAT TOM FORD BLOUSE SAINT LAURENT BY HEDI SLIMANE BELT ALEXANDER McQUEEN TIGHTS (THROUGHOUT) FALKE SHOES (THROUGHOUT) GIANVITO ROSSI EARRINGS (THROUGHOUT) SCOTT WILSON x AQAQ ARCHIVE

COAT AND BLOUSE GIVENCHY BY RICCARDO TISCI BELT BALMAIN

COAT SAINT LAURENT BY HEDI SLIMANE BLOUSE EMILIO PUCCI BELT ALEXANDER McQUEEN

COAT MIU MIU DRESS (WORN AS TOP) PRADA BELT TOM FORD ON EyES, ClARIns OmBRE mATTE CREAm-TO-POWDER mATTE EyEShADOW iN SPARkLE GREy ON ChEEkS, ClARIns BLuSh PRODiGE iN TAWNy PiNk

COAT AND DRESS (WORN AS TOP) GUCCI BELT SCOTT WILSON x AQAQ

COAT Emilio Pucci SCARF (WORN AS TOP) viNTAge FROM mAiREAD lEWiN BeLT AlAÏA ON FACe, clARiNs exTRA COMFORT FOuNdATiON SPF 15 ON LiPS, clARiNs ROuge eCLAT iN Red FuShiA

COAT GIORGIO ARMANI BLOUSE EMILIO PUCCI BELT ALEXANDER McQUEEN

Makeup HiroMi ueda (Julian Watson) Hair nicolas JurnJack (ManageMent artists) Model andreea diaconu (iMg)

coat alexander McQUeen Blouse SaInT laUrenT BY HedI SlIMane Belt alaĂ?a

Manicure adaM Slee (StreeterS london) digital technician anna hendry Photo aSSiStantS Moritz KerKMann, JaMeS Whitty, PanoS darnaSKinidiS StyliSt aSSiStantS SoPhia heSKeth and iMan alern MaKeuP aSSiStant yuKo MuraKaMi Production lalaland retouching digital light ltd.

COAT DIOR SHIRT ANTONIO BERARDI NECKLACE SCOTT WILSON x AQAQ BELT BALMAIN

nars at acks

all the way from the sunny shores of tahiti comes an elegant e.t. with bags on the brain. fashion is her game. bright makeup and bold accessories are her aim. watch out world, she’s landed! photography franÇois nars fashion patti wilson 298 V MAGAZINE

DIOR LAMBSKIN EMBROIDERED CLUTCH ($4,000, 800.929.DIOR) naRs ON BROwS (THROUgHOUT), BROw PERfECTOR IN SURINAME ON EyES, DUO EyESHADOw IN JOLIE POUPéE AND SOfT TOUCH SHADOw PENCIL IN TRASH ON CHEEKS, HIgHLIgHTINg BLUSH IN ALBATROSS ON LIPS, VELVET MATTE LIP PENCIL IN MySTERIOUS RED

BALENCIAGA NAVY BLUE CALFSKIN MAILLON TOTE BAG ($2,495, 212.206.0872) NArs ON EYES, SOFT TOUCh ShAdOw PENCIL IN dArK rITE ANd SINGLE EYEShAdOw IN LhASA ON ChEEKS, BLUSh IN MATA hArI ON LIPS, SATIN LIP PENCIL IN JArdIN dE PLANTES ON NAILS (ThrOUGhOUT), OPAqUE NAIL POLISh IN JUNGLE rEd

CHANEL SHEEPSKIN, LAMBSKIN, AND METAL FLAPBAG (PRICE UPON REQUEST, 800.550.0005) NARS ON EYES, EYE PAINT IN SOLOMON ISLANDS AND SINGLE EYESHADOW IN OUTREMER ON CHEEKS, BLUSH IN GAIETY ON LIPS, SEMI MATTE LIPSTICK IN SCHIAP

VERSACE D-SIGNATURE BAG IN PETROL BLUE (PRICE UPON REQUEST, 888.721.7219) NARS ON EYES, SOFT TOUCH SHADOW PENCIL IN HEAT, DUO EYESHADOW IN MAD MAD WORLD, SINGLE EYESHADOW IN GOLDFINGER ON CHEEKS, BLUSH IN EXHIBIT A ON LIPS, SATIN LIP PENCIL IN LODHI

LOUIS VUITTON BLACK EPI DOC PM BAG ($2,960, LOUISVUITTON.COM) NarS ON EyES, SINGLE EyEShADOw IN NIGhT FLIGhT ON ChEEKS, MATTE MULTIPLE IN SIAM ON LIPS, VELVET MATTE LIP PENCIL IN DrAGON GIrL TO SEE MOrE OF ThIS ShOOT, GO TO VMAGAzINE.COM ArT DIrECTOr GIOVANNI BIANCO MAKEUP JAMES KALIArDOS (ArT + COMMErCE) hAIr ShON (JULIAN wATSON AGENCy) MODEL DArIA STrOKOUS (wOMEN) manicure eve combet StyliSt aSSiStant taylor Kim Hair aSSiStant ryuta Saiga Production Kelly virtue and eStHer Han