FAA Creative Workshop (Prof. Lukas Tam)
First-stage brainstorming and development of creative project
LEE Kwun-leung Vincent (1007070165) MA Fine Arts – Year 2 Semester 2
Reference: Paul Ryan – Mixed Media Sketchbook • Rational episode / manuscript on the left page, sentimental episode on the right page
Step 1: Imitation • Experimental drawing on visual diary as similar as Paul Ryan - Dragging of lines • Imitation on these four linear-drawing examples
Step 1: Imitation
Step 2: Explorations and transformations
Step 2: marker drawing on visual diary • Forces from nature
Step 2: marker drawing on visual diary • Confusion of electrical power released from the digital world
Step 2: marker drawing on visual diary • Celebrative energies from circuses, amusement parks and concerts
Step 2: marker drawing on visual diary • Forces from the decaying of natural substances in deep autumn
Stage 3: The study on graphic art • From nonchalant dragging motions in a non-objective art manner to a representation of subconscious vision with composition – Example: exhibits from “The Weight of Lightness: Ink Art at M+”
“History of Modern Graphic Art” by Wolf Stubbe • “Concrete art” and autonomous graphic art – Immaterial qualities:
1.Slackness 2.Tenseness 3.Denseness 4.Diffuseness • Medium: Oil-pastel on paper
Wolf Stubbe: 1. Slackness
Wolf Stubbe: 2. Tenseness
Wolf Stubbe: 3. Denseness
Wolf Stubbe: 4. Diffuseness
Stage 3.5: Rediscovery of subconscious vision while playing with the previous bunch of linear experimentations
• “The Midnight After” movie – a withdrawal of figurative elements within a still episode – Kowloon Walled City • No longer being restrained by the anti-Omicron measures stressing a zero tolerance on infection cases
Stage 3.5: Rediscovery of subconscious vision while playing with the previous bunch of linear experimentations Kowloon Walled City