INTERIOR ARCHITECTURE
2020-2023
VIDITI JAIN CEPT UNIVERSITY
SELECTED WORKS
P
T F O L I O O R
Since 2020
VIDITI JAIN
March 08, 2002
CONTACT
Viditi.uir20184@cept.ac.in Viditijn@gmail.com
+91-7024650822
Amrapali Enclave, Kolar road, Bhopal, Madhya Pradesh 462042
EDUCATION
Pursuing 5 years in Bachelors in Interior Design, CEPT University, Ahmedabad
2004-2020
St. Joseph’s CO-ED school, Bhopal M.P. (CBSE)
SKILLS
Autocad
Sketchup
Adobe Photoshop
Adobe Indesign
Adobe Illustrator
Enscape
Sketchbook
Vray Rendering
Sketching
Hand Drafting
Model Making
Wood working
Metal working
Hand Rendering
EXTRA CURRICULUM
Qualified Nationals in basketball through CBSE Clusters in 2017
Trained in Kathak for 6 years
Journaling
6th June
- 15th July
2022 (2 Months)
WORKSHOPS
Woodcut printmaking (summer school)
Blockprint workshop
Tie and dye workshop
Storytelling workshop
Clay Pottery Workshop
WORK EXPERIENCE
Interned at TRIVERA DESIGNS (Ar. Ravisha Merchant)
Bhopal M.P.
CONTENTS
Software Manual Basic Medium Advanced
2022 2021 2021 2019
2020
01| SEM 04 TRAVELER’S HOME
ART OF DETAILING
REIMAGINING THE VERNACULAR
EXPLORATION IN DESIGN
DESIGN FUNDAMENTALS MISCLLANEOUS
02| 03| 04| 05| SEM 05 SEM 03 SEM 06
01|TRAVELER’S HOME
A MELANGE: Living Out of a Backpack
Melange is a home for a group of backpackers who has come from all over the world, unaware of each other and the exciting experience they are going to encounter. Located near a very busy beach of san Sebastian, Spain, The project focuses on creating a sub space to every main space or activities, so that the users can find their own corner as and when needed, allowing the interaction to happen only in the main spaces. The spatial composition also plays with the intersections of curves and lines, which allows to create playful and eclectic interiors within the spaces
A MELANGE:
Living Out of a Backpack
INTENT:
The design intent is to create
• a space that allows the travellers to be active, cheerful.
• space which encourages interaction among the travellers and allows them to feel free and comfortable around each.
• spaces for interractive recreational activities, which allows them to mingle up as well as find their own nook as and when required
• free spiritied and eclectic space in nature.
DIAGRAMS
MOVEMENT
SCALE
SPACE- ORDER (ORGANISATION PRINCIPLE)
VS SPACE FORM AND
KEY ELEMENTS
SITE SAN SEBASTIAN, SPAIN
SLEEPING SPACE ISOMETRIC VIEW
CORE SPACE VIEWS
DESIGNING A DOOR
1:1 JOINERY PROTOTYPE
1500 3170 4670 60 1470 1470 60 3060 P1 3.1 P2 3.1 P3 3.1 P4 3.1 P5 3.1 P1 2.2 P2 2.2 P3 2.2 P4 2.2 P5 2.2 S1 2.0 S2 2.0 S3 2.0 S1 2.0 S2 2.0 S3 2.0 150 510 450 380 450 1070 150 90 930 390 90 150x80MM T.W. BOTTOM RAIL 35x80MM T.W. ROD 290x50MM T.W. PANEL 60x50MM T.W. ROD 5MM THICK CLEAR GLASS 1270x450MM PLANTATION SHUTTER 95x25MM T.W. PLANKS 150x80MM T.W. TOP RAIL 60x80MM T.W. DOOR FRAME 90x80MM T.W. WINDOW FRAME 890x5755MM FIXED LOUVRE WINDOW 95x25MM T.W. PLANKS 35x50MM T.W. ROD 80x35MM T.W. ROD 3MM MS PLATE DOOR HANDLE 35x35MM T.W. ROD Elevation E1 5 0 10 90x80MM T.W. STILE Section S1 5 0 10 90 115 35 1170 90 150 450 90 90 2050 960 150 4670 510 150 300 1320 900x80MM T.W. WINDOW FRAME 5MM THICK CLEAR GLASS 120x90MM T.W. WINDOW FRAME 150x80MM T.W. TOP RAIL 275x35MM T.W. PANEL 35x35MM T.W. MEMBER 1470x450 PLANTATION SHUTTER 95x25MM T.W. PLANKS 150x80MM T.W. BOTTOM RAIL 540 305 575 35 575 305 540 90 90 3060 Plan P1 5 0 10 60x80MM T.W. DOOR FRAME LOUVRE SHUTTER 95x25MM T.W. PLANKS 5MM THICK CLEAR GLASS 60x50MM T.W. MEMBER Section S2 5 0 10 90 510 35 775 90 150 635 60 1206 450 510 150 90 1410 3160 4660 900x80MM T.W. WINDOW FRAME 5MM THICK CLEAR GLASS 120x90MM T.W. WINDOW FRAME 150x80MM T.W. TOP RAIL 35x35MM T.W. MEMBER 1470x450 T.W. PLANTATION SHUTTER 95x25MM T.W. PLANKS 150x80MM T.W. BOTTOM RAIL 35MMx80MM T.W. MEMBER FIXED T.W. LOUVRE SHUTTER 3MM M.S. PLATE HANDLE D5 D7 D13 D12 D14 D6 D7 D1 T.W. PANEL DETAIL D1 D2 D1 D6 D8 D9 D14 300 395 905 885 1289 885 1530 1530 95x25MM T.W. PLANKS 20x5MM T.W. FILLET 7 87 7 7 77 20 7 95 3 7 5 7 3 10 5 10 25 35MMx80MM T.W. MEMBER 60MMx50MM T.W. MEMBER 4.5 Ex: 04 PROPOSED WINDOW Designing A Window Name: Viditi Jain Code no.: UIR20184 Scale : 1:20 Date 31/09/22 Kanoria Centre for Arts
DESIGNING A WINDOW
5.2 Ex: 05 PROPOSED WINDOW Designing A Window
Name: Viditi Jain Code no.: UIR20184 Kanoria Centre for Arts
1:1 JOINERY PROTOTYPE
100 730 60 280 60 345 60 410 60 655 100 655 60 820 60 275 790 100 2760 100 2764 5620 S1 2.0 S1 2.0 S1 2.0 S1 2.0 S1 2.0 S1 2.0 S1 2.0 S1 2.0 S1 2.0 S1 2.0 P1 2.2 P1 2.2 P1 2.2 P1 3.1 P1 3.1 P1 3.1 Elevation E1 100 826 90 1254 90 100 1444 90 1016 2550 100x80MM T.W. WINDOW TOP RAIL 90x80MM T.W. WINDOW STILE T.W. FIXED WINDOW LOUVRE 60x50MM T.W. ELEMENT 8MM THICK CLEAR GLASS 100x25MM T.W. PLANK T.W. FIXED WINDOW LOUVRE 90x50MM T.W. MID RAIL 100x80MM T.W. WINDOW MULLION 100x25MM T.W. PLANK 60x80MM T.W. WINDOW MUNTIN 5MM THICK CLEAR GLASS CONCRETE SILL 100x80MM T.W. WINDOW FRAME 90 100 90 550 90 400 345 530 655 655 940 275 60 730 100 2760 2761 25 50 80 100 5620 100x80MM T.W. WINDOW FRAME 90x80MM T.W. WINDOW STILE 100x25MM T.W. PLANK 60x50MM T.W. ELEMENT 8MM THICK CLEAR GLASS 5MM THICK CLEAR GLASS 100x80MM T.W. WINDOW MULLION Plan P1 100 90x80MM T.W. WINDOW FRAME 60x80MM T.W. WINDOW MUNTIN 100x80MM T.W. WINDOW FRAME 100x80MM T.W. WINDOW RAIL 100x25MM T.W. PLANK 90x50MM T.W. MID RAIL T.W. FIXED WINDOW LOUVRE 100x80MM T.W. WINDOW BOTTOM RAIL 90x80MM T.W. WINDOW FRAME Section S1 100 90 826 90 1254 90 100 2550
90x80MM T.W. WINDOW FRAME 100x80MM T.W. WINDOW RAIL 100x25MM T.W. PLANK Window frame to plank detail D1
7.5
PROPOSED STAIRCASE
DESIGNING A STAIRCASE
3 2 1 4 5 6 7 8 9 10 11 12 14 15 16 17 18 19 21 22 13 20 23 2000 1106 1500 3144 2400 1658 1470 450 175 725 963 7.1 Ex: 04 PROPOSED STAIRCASE Designing A STAIRCASE Name: Viditi Jain Code no.: UIR20184 SID DOUBLE HEIGHT, CEPT Plan P1 35x300MM T.W. TREAD 150X150 MM SUPPORT COLUMN 50x50MM MS BOX SECTION 75X50MM T.W. ELEMENT I50X75 T.W. STRINGER BEAM 50x50MM MS BOX SECTION 35x300MM T.W. TREAD RIGHT ELEVATION E1 Plan P1 TREAD DETAIL D1 14 175 725 550 550 175 1000 1000 2000 3600 150 50 378 328 50 150 187 1464 50 1287 2400 Designing A STAIRCASE Name: Viditi Jain Code no.: UIR20184 SID DOUBLE HEIGHT, CEPT STRUCTURAL PLAN P1 TREAD JOINERY TREAD TO UNDERNEATH D4 35x300MM T.W. TREAD 35x300MM T.W. TREAD I50X75 T.W. STRINGER BEAM 35X50MM T.W. ELEMENT 1 2000 450 35x300MM T.W. TREAD 150X150 MM SUPPORT COLUMN 50x50MM MS BOX SECTION 75X50MM T.W. ELEMENT I50X75 T.W. STRINGER BEAM 50x50MM MS BOX SECTION 50x50MM MS BOX SECTION 75X50MM T.W. ELEMENT 35x300MM T.W. TREAD I50X75 T.W. STRINGER BEAM MIDLANDING 13X150MM I50X75 T.W. STRINGER BEAM 75X50MM T.W. SUPPORT ELEMENT Plan P1 7.3 Designing A STAIRCASE SID DOUBLE HEIGHT, CEPT MID LANDING STRUCTURE DETAIL D5 STRINGER TO GROUND DETAIL D7 STRUCTURE TO FLOOR DETAIL D8 35x300MM T.W. TREAD I50X75 T.W. STRINGER BEAM 35X50MM T.W. ELEMENT 35X50MM T.W. ELEMENT 35X50MM T.W. 140X40X5MM ANCHOR PLATE 60X60X6MM
STAIRCASE Designing A STAIRCASE SID DOUBLE HEIGHT CEPT
PROTOTYPE
1:1 JOINERY
03|REIMAGINING THE VERNACULAR
CRAFTING MY THOUGHTS
‘Crafting my Thoughts’ reimagines the various vernaculars of crafts in Gujarat. It translates them into my narrative of how I perceive them. The project focuses on 2 main outputs of the studio, Game design and storybook illustrations (A Rolling Pumpkin). Reimagining the Play, is about designing a board game for Kids, contextualizing one of the crafts of Gujarat. Hence my project, Bandhan takes inspiration from the craft of Bandhani. The inspiration is flourished from the field visit to the various craft clusters in Kutch. The visit to craft clusters were documented in the form of a field diary which is put up in miscellaneous section.
RE(IMAGINING THE PLAY):
Boardgame based on Bandhan
INTENT:
Re-imagining the Play, is about designing an educational board game for Kids, contextualizing one of the crafts of Gujarat. Hence my project, Bandhan takes inspiration from the craft of Bandhani. The inspiration is flourished from the field visit to the various craft clusters in Kutch. The boardgame runs with the narrative of earning points to collect the raw materials for a perfect wedding attire for 4 cultural communities and hence getting to learn about the traditional costumes or clothing of that community.
GAME COMPONENTS
CENTRAL BOARD
THE ROLLING PUMPKIN: A Folklore Story
in the context of Kumaon, and is inspired by the graphic style of Rohan Dahotre. The story revolves around an old lady longing to meet her daughter, who lives across the deadly jungle with her husband. The illustrations are a made with mix-media technique, where the charachters are done manually with watercolours and the backdrop is done digitally on sketchbook.
READ FULL BOOK HERE
04|EXPLORATION IN
DESIGN - MATERIAL IN FOCUS (ONGOING)
STUDIO IMPRESSIONS: A PRINTMAKERS OFFICE
This studio focuses on designing an office space and producing working drawings of all the electrical and hvac with reflected ceiling plan and flooring plan. the design is explored through just one material, GI (zinc coated MS). The office space is divided into 30% workspace and 70 % workshop. since printmaking is traditionally a manual art making process hence the office design is derived to look mechanical and slender.
PRINT WORKSHOP WORKSTATION DIRECTORS CABIN DISPLAY RECEPTION ENTRY W1 V1 2 W2 1 W1 1 B2 2 B1 2 B2 1 B1 1 LVL +90 LVL +90 TOILET SANDING ROOM MALE FEMALE P1 1 P10 1 P2 1 P3 1 P5 1 P4 1 P6 1 P7 1 P9 1 P8 1 675 T1 1 T2 1 S1 1 DI1 1 C1 1 T3 1 C2 1 C1 3 C1 1 C1 2 2 C1 3 4 7 6 5 T4 2 1 6 3 5 4 ST2 1 T5 1 MI3 1 MI2 1 MI1 1 T6 1 ST3 1 S2 2 1 S2 3 ST1 1 C1 C1 C1 C1 C1 T4 T4 T4 T4 T4 S2 T7 1 ST4 1 710 1025 750 580 2260 1275 620 1000 850 1800 880 500 1000 450 1290 2365 1025 1220 600 1110 1150 2200 790 2190 1540 650 1200 650 1200 330 320 490 585 2000 1325 2240 520 450 3040 450 605 940 650 1635 1640 890 650 595 1 A B C A B C 2 3 4 1 2 3 4 SITE: COLLONADE, CLIENT: PRINTMAKER PROJECT: DATE: 03/03/23 SCALE: 1:50 NAME: VIDITI FURNITURE NO. REVISION C- CHAIR P-PARTITION S-SEATING T-TABLE ST-STORAGE MI-MISCELLANEOUS DI-DISPLAY B-BLINDS LEGEND · ALL DIMENSIONS · ALL DIMENSIONS · THE DRAWING THE DRAWING WITHOUT ECP4 SB5 SB6 CP 32 PRINT WORKSHOP WORKSTATION DIRECTORS CABIN DISPLAY RECEPTION ENTRY LVL +90 LVL +90 TOILET SANDING ROOM MALE FEMALE CP1 CP2 CP3 CP7 CP6 CP5 CP 1 CP 2 CP 3 CP 4 CP 5 CP 48 CP 47 CP 46 CP 49 CP 8 CP 7 CP 9 CP 10 CP 6 CP 11 CP 17 CP 16 CP 12 TP 2 CP 15 CP 14 CP 13 CP 18 CP 19 CP 25 CP 20 CP 26 SB 9 SB 8 CP 21 CP 24 CP 22 CP 23 CP 29 CP 30 SB 14 CP 39 CP 38 CP 33 CP 40 CP 37 CP 34 CP 35 CP 36 CP 41 CP 27 CP 42 CP 44 CP 45 CP 43 WP 1 WP 2 CP 28 CP 31 SB 13 SB 10 SB 12 SB 11 1620 1620 1400 500 2710 1620 1620 860 860 785 860 1480 960 975 1465 TP 1 SB 2 LVL +2550 SB 1 SB 3 SB 4 SB 6 UPS 1 860 1600 1245 1240 980 1245 1060 1155 1890 340 345 1930 1935 1930 785 695 775 700 1025 330 330 330 1640 1195 3560 3890 780 550 1360 720 1300 SB 5 SB 17 SB 15 SB 18 SB 19 SB 20 LAN LAN SB 7 SB 16 SB 21 IR 2024SITE: COLLONADE, CLIENT: PRINTMAKER PROJECT: PRINTMAKING DATE: 03/03/23 SCALE: 1:50 @A3 NAME: VIDITI ELECTRICAL ALL DIMENSIONS ALL DIMENSIONS MEASURE. · THE DRAWING WITHOUT NO. REVISION WALLS COLOUMS NEW EXISTING TP SWITCH WALL GI CP 32 PRINT WORKSHOP WORKSTATION DIRECTORS CABIN DISPLAY RECEPTION ENTRY LVL +90 LVL +90 TOILET SANDING ROOM MALE FEMALE CP2 CP3 CP7 CP5 CP 1 CP 2 CP 3 CP 4 CP 5 CP 48 CP 47 CP 46 CP 49 CP CP CP 9 CP 10 CP 6 CP 11 CP 17 CP 16 CP 12 TP CP 15 CP 14 CP 13 CP 18 CP 19 CP 25 CP 20 CP 26 SB SB 8 CP 21 CP 24 CP 22 CP 23 CP 29 CP 30 SB 14 CP 39 CP 38 CP 33 CP 40 CP 37 CP 34 CP 35 CP 36 CP 41 CP 27 CP 42 CP 44 CP 45 CP 43 WP WP 2 CP 28 CP 31 SB 13 SB 10 SB 12 SB 11 1620 1620 1400 500 2710 1620 1620 860 860 785 860 1480 960 975 1465 TP SB LVL +2550 SB 1 SB SB SB 6 UPS 1 860 1600 1245 1240 980 1245 1060 1155 1890 340 345 1930 1935 1930 785 695 775 700 1025 330 330 330 1640 1195 3560 3890 780 550 1360 720 1300 SB SB 17 SB 15 SB 18 SB 19 SB 20 LAN LAN SB SB 16 SB 21 N (MATERIAL IN FOCUS) LEVEL-2 STUDIO SITE: COLLONADE, SG HIGHWAY PROJECT: PRINTMAKING STUDIO DATE: 03/03/23 SCALE: 1:50 @A3 NAME: VIDITI JAIN ELECTRICAL DRAWING ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO MEASURE. THE DRAWING SHOULD NOT BE COPIED NO. REVISION TYPE OF REVISION WALLS COLOUMS NEW CP EXISTING CP TP SWITCH BOARD WALL POINT GI FALSE CEILING FURNITURE CODING PLAN ELECTRICAL PLAN
PLAN FRONT ELEVATION STONE WITH GLASS TABLE TOP G1 MESH WITH GLASS TABLE TOP GI TROLLEY FOR WOOD BLOCK STORAGE STONE AS TABLE STRUCTURE TROLLEY WHEELS G1 MESH DRAWER STORAGE FOR INKS AND ROLLERS GI TROLLEY HANDLE KEY PLAN EXISTING SLAB IPS FLOORING ALL DIMENSIONS ARE IN MM. · ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION. NO. REVISION TYPE OF REVISION DATE 50MM IPS FLOORING 75MM PCC EXISTING SLAB 10MM LIMESTONE CHIPS EXISTING SLAB 75 X 150MM BOX SECTION 25 X 25 X 3MM ANGLE SECTION 2MM GI SHEET MESH PARTITION TO FLOORING DETAIL D2 GLASS PARTITION TO FLOORING DETAIL D3 PCC GI SCALE: 1:5 SCALE: 1:5 EXISTING SLAB 75MM PCC 50MM IPS FLOORING 75MM PCC 50MM IPS FLOORING B LAYOUT EXISTING SLAB IPS FLOORING LIMESTONE ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION. NO. REVISION TYPE OF REVISION DATE EXISTING SLAB 150MM PCC 50MM IPS FLOORING 25 x 5 MM LIMESTONE SKIRTING ALUMINIUM UCHANNEL 15MM PLASTER 230MM BRICK WALL BRICK WALL SKIRTING DETAIL D7 PCC GI BRICK SCALE: 1:5 C RECEPTION SEATING
WORKSHOP TABLE
05|DESIGNFUNDAMENTALS
DESIGN FUNDAMENTALS: CEPT FOUNDATION PROGRAMME
This section is a compilation of my works from foundation year and second year, where the studio excersises focused on developing the skills and the process to go about designing spaces. The process involves studying an architect and his style to create a spatial montage with the elements they use in their drawings. Also primaraly studying and disecting object helped to understand its working and joineries. Secondary case studies also helped in understanding the concept development and derivation of a design from it.
DETAIL STUDY
MAKING AND TESTING STRUCTURES
CHARCOAL SKETCHES
SECONDARY CASE STUDIES
AGING OF A CONVERSATION BENCH
DESIGNED OBSOLESCENCE
As a part of my winter school, I designed a conversation bench. the idea of whic is rooted in the philosophy of designed obsolescence, which by understanding is a profit making approach, where the product is designed with minimal use of resources for it to get obsolete. The renders below shows the decaying process of a paper mache bench.
-
Stage 1
Stage 2
Stage 3
Stage 4
06|MISCELLANEOUS
HANDS ON: WORKSHOPS AND INSTALLATION
CEPT campus provides a lot of opportunities to participate and get hands on experience through various academic and non-academic workshops, ssummer-winter schools and installations for events and fests. Hence this section is a compilation of my hands on experiences on campus.
WORKSHOPS PRINTMAKING WORKSHOP
TERRAZZO AND MARBLING WORKSHOP
WORKSHOPS WITH CRAFT CLUSTERS OF KUTCH
INSTALLATION
VIDITI JAIN VIDITI.UIR20184@CEPT.AC.IN VIDITIJN@GMAIL.COM +91-7024650822 CEPT PORTFOLIO WEBSITE
