'Biennale Snapshots' by Vivian Fung

Vivian Fung

Biennale Snapshots for full orchestra

Commssioned by the Vancouver Biennale, in Celebration of the 2014-2016 Open Air Museum Installations

Vivian Fung: Biennale Snapshots for full orchestra (2015) Commissioned by the Vancouver Biennale, in celebration of the 2014–16 Open Air Museum installations, with partial funding from the Canada Council for the Arts and the Buschlen Mowatt Nichol Foundation (Canada). World premiere by the Vancouver Symphony Orchestra, Bramwell Tovey, conductor, season-opening concerts, September 26 and 28, 2015. Orpheum Theatre, Vancouver, Canada. In five movements – total duration ca. 23 minutes 1. 2. 3. 4. 5.

Breath Song (inspired by Sumakshi Singh’s Breath Song) Tree (inspired by Konstantin Dimopoulos’s Blue Trees) Graffiti Mashup (inspired by OSGEMEOS’s Giants) Interludium: Water Rising (inspired by Ren Jun’s Water #10) Grass (inspired by Ai Weiwei’s F Grass)

approx. 2 mins. approx. 6 mins. approx. 7 mins. approx. 3 mins. approx. 5 mins.

Movements 1 and 2 are performed without pause.

Instrumentation 3 Flutes (3rd doubling Piccolo) 3 Oboes (3rd doubling English Horn) 3 Clarinets in B♭(2nd doubling Clarinet in E♭; 3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 4 French Horns 3 Trumpets in C 2 Tenor Trombones 1 Bass Trombone Tuba Timpani 3 Percussion Marimba Xylophone Glockenspiel 2 Crotales – D and E♭ Low Water Gong Tam-tam Snare Drum Tenor Drum Bass Drum Tambourine 2 Wood Blocks 2 Cowbells Slapstick Rain Stick Gourd Maracas Plastic Maracas Finger Cymbals Small Triangle Sheets of Loose Paper 3 Wine Glasses – tuned to D♭, F, and G♭ Tree Branches (to be played on bass drum) Harp Piano Strings (at least 12,10,8,7,6) * In addition – each member of the orchestra needs one sheet of loose 8.5” x 11” paper for mm. 83–87 of movement 2.

Program Note

Note by Vivian Fung; italicized paragraphs courtesy of the Vancouver Biennale

Biennale Snapshots celebrates the Vancouver Biennale’s 2014 - 2016 Open Air Museum installations and is the first musical composition to be commissioned by the Biennale. The twenty-five-minute work is set in five movements, the first and second of which are played without pause. I chose to pay homage to the Biennale by selecting five different artworks from the exhibition and having each movement be my musical “snapshot” of the visual piece, allowing the visual to inspire the aural. The work starts with “Breath Song,” inspired by Sumakshi Singh’s work, originally described as a “symphony of 108 breath sounds.” I have taken just a few of the breath phrases and magnified them for orchestra, so that the entire movement comprises whispers, breathing into certain instruments, and other ambient sounds reflecting the ephemeral nature of the original. BREATH SONG, created by Vancouver Biennale 2014 Residency Artist Sumakshi Singh from New Delhi, India, was a performative work composed of a symphony of 108 breath sounds specific to and recorded in Squamish, British Columbia, and accompanied by a video projected on a transparent screen placed in nature. The video displayed words related to breath (chosen by 108 participants) created from the condensation of their breath vapours on glass and appearing in a poetic sequence. In this work, Singh explored breath as a subtle border, a transparent veil moving between the physical and astral world, the thread tying the spirit to the body. Bringing together 108 breaths, BREATH SONG created a borderless space where one could experience existential unity. For more information about this artwork please visit: www.vancouverbiennale.com/artworks/breath-song/ “Breath Song” leads directly into “Tree,” inspired by The Blue Trees of Konstantin Dimopoulos. “Tree” starts off quietly and gently but gradually builds into large waves of sounds that weave in and out of each other. The second half of the movement grows more violent, reflecting the urgency of Dimopoulos’s mission to bring awareness of global deforestation through his artwork. THE BLUE TREES, by Australian artist Konstantin Dimopoulos, is a global environmental art project launched during the 2009 - 2011 Vancouver Biennale in three local cities – Richmond, West Vancouver, and Port Moody. Subsequently, the artist has expanded this project to eleven cities internationally. THE BLUE TREES is an example of a local initiative gone global, an example of how art can be a catalyst for learning and community engagement. THE BLUE TREES transforms the familiar urban landscape into something surreal or unfamiliar. The intentional transformation of the everyday stimulates dialogue and raises our environmental consciousness by highlighting trees and their importance as lungs of the Earth. In 2015, THE BLUE TREES installation will be created in New Westminster, Squamish, and at the launch of Simons West Coast flagship department store in West Vancouver. For more information about this artwork please visit: www.vancouverbiennale.com/artworks/the-bluetrees/ The third movement, “Graffiti Mashup,” pays homage to OSGEMEOS’s Giants. The movement is a mashup of different musical elements that underlie the colorful street art – quotations of two Brazilian Tropicalia songs, references to hip-hop beats and licks; in general, a rhythmically robust movement. This music is loud, in-your-face, and chaotic – like a hip-hop version of Charles Ives – with elements gradually colliding with each other into a wonderful mess, creating a crazy club-like atmosphere for the orchestra. GIANTS is the largest and first 360-degree mural created by the internationally renowned Brazilian street artists OSGEMEOS. The brightly coloured seventy-foot-tall mural has transformed the six industrial silos at the Ocean Concrete plant on Granville Island and has quickly become one of the iconic landmarks in a city skyline filled with glass and concrete architecture. The mural has become a focal point for the over ten million annual visitors to Granville Island and is now an undeniable icon of the city. For more information about this artwork please visit: www.vancouverbiennale.com/artworks/giants/ The fourth movement, labeled “Interludium: Water Rising,” is a short movement that reflects the undulating waves and curves of Ren Jun’s Water #10 sculpture. The beginning is orchestrated to simulate waves flowing in and out, gradually building into lush chords for the entire orchestra. The sound then ascends, all in one gesture from the very bottom to the top, in one big current that ends with the arrival of water gongs. WATER #10 is a 16-meter-tall stainless-steel sculpture by the Chinese artist Ren Jun. The inspiration for this artwork comes from pure forms: liquid water or mercury stopped in motion that reveals its shape as a drop or spill caught in the air. Despite its 2100-kg weight this work has no angles or hard edges, resulting in a free-flowing form, a manifestation of light and fluidity. This artwork was exhibited during the 2009 - 2011 Vancouver Biennale in Richmond, British Columbia and subsequently has become a permanent Legacy Artwork through a private donation. For more information about this artwork please visit: www.vancouverbiennale.com/artworks/water-10/ The last movement, “Grass,” reveals the defiant nature of Ai Weiwei’s F Grass. It features loud low bass pedal tones in the brass, counteracted by high, nasal woodwinds. A militaristic fanfare atmosphere is complemented by fast virtuosic passages for strings and woodwinds, releasing the also fleeting and

whimsical nature of Ai Weiwei’s work. All elements collide at the end, creating a triumphant close to the piece. Ai Weiwei is one of the leading artists and cultural figures of our time and consistently displays great courage in placing himself at risk to effect social change through his art. F GRASS is a site-specific installation created for the 2014 - 2016 Vancouver Biennale. The 1,328 interconnected “grass” pieces symbolize the collective and indestructible strength and resilience of ordinary individuals whose unified mass challenges censorship and oppression in China. Inspired by the organic form and fragile beauty of grass, Ai Weiwei created F GRASS using cast iron, an industrial material that will be transformed via exposure to nature throughout all seasons. For more information about this artwork please visit: www.vancouverbiennale.com/artworks/f-grass/ The Vancouver Biennale is a non-profit charitable organization that celebrates art in public spaces, creating a catalyst for learning, community engagement, and social action. The 2014 – 2016 Vancouver Biennale features diverse works by established and breakthrough international artists in keeping with the exhibition theme Open Borders / Crossroads Vancouver.

The Blue Trees – Konstantin Dimopoulos

Breath Song – Sumakshi Singh

Giants – OSGEMEOS

detail

F Grass – Ai Weiwei

Water #10 – Ren Jun

Commissioned by the Vancouver Biennale, in Celebration of the 2014-2016 Open Air Museum Installations

Biennale Snapshots

Transposed Score

for full orchestra

Suggested: Start with stage lights dimmed; slowly bring lights up at m. 19; full lights at m. 27

I. Breath Song

Vivian Fung (2015)

Inspired by Sumakshi Singh’s “Breath Song” As Clearly Enunciated As Possible q = 69 whisper into instrument

Flute 1

4 4

f

p

Breathe

p

f

4 4

Breathe Flute 3 (Piccolo)

f

4 4

Oboe 2

Breathe

Oboe 3 (English Horn)

4 4

whisper English Horn

f

4Bb Clarinet 4

Clarinet 3 in Bb (Bass Clarinet)

4 4

Bb Clarinet

whisper

4 4

Bb Clarinet

whisper

f

4 4

4 4

4 4

whisper into instrument

o

-

ceans

of

o

-

ceans

mes - meriz-ing dreams

of

o

-

ceans

mes - mer-i-zing dreams

of

o

-

ceans

of

o

-

ceans

of

o

-

ceans

of

o

-

ceans

of

o

-

ceans

mf

mf

mf

mf

mf

mf

mes - mer iz - ing dreams of

4 4

whisper into instrument

mes - mer - iz - ing dreams of f

repeat text: get faster with cresc., slower with dim. n

whisper into instrument

f

repeat text: get faster with cresc., slower with dim. n

f

4 4

whisper into instrument

Tuba

Timpani

Percussion I

Percussion II

Percussion III

Piano

Harp

Violin 1

Violin II

Viola

Violoncello

Double Bass

4 4 4 4 4 4 4 4 4 4

o - ceans

repeat text: get faster with cresc., slower with dim. n

o - ceans

repeat text: get faster with cresc., slower with dim. n

mes - mer - iz - ing dreams of

f

repeat text: get faster with cresc., slower with dim. n

mes - mer - iz - ing

mes - mer - iz - ing

Rain Stick

p Gourd Maracas

3q

repeat text: get faster with cresc., slower with dim. n

Breathe

4 4

o - ceans3q

f

Breathe whisper into instrument

4 4

3q

o - ceans

mes - mer - iz - ing dreams of f

whisper into instrument

Breathe Bass Trombone

3q

mes - mer - iz - ing dreams of

whisper into instrument

4 4

3q f

mes - mer - iz - ing dreams of

Breathe

Trombone 2

3q

repeat text: get faster with cresc., slower with dim. n

f

Breathe

4 4

o - ceans

repeat text: get faster with cresc., slower with dim. n

Breathe

Trombone 1

3q f

mes - mer - iz - ing dreams of 3q o - ceans

4 4 4 4

f

o - ceans3q

mes - mer - iz - ing dreams of f

whisper into instrument

Trumpet 3 in C

3q

repeat text: get faster with cresc., slower with dim. n

Breathe

Trumpet 2 in C

o - ceans 3q

mes - mer - iz - ing dreams of f

Breathe Trumpet 1 in C

f

repeat text: get faster with cresc., slower with dim. n

f

Breathe Horn 4 in F

of

mf

repeat text: get faster with cresc., slower with dim. n

4whisper into instrument 4 4 4

mes - meriz-ing dreams

mes - meriz-ing dreams

f

Breathe Horn 2 in F

ceans

p

Breathe

4 4

whisper into instrument

-

mes - meriz-ing dreams

Breathe Horn 3 in F

o

p

f

whisper

whisper into instrument Horn 1 in F

of

mf

mes - meriz-ing dreams

Breathe Bassoon 3 (Contrabassoon)

mes - mer-iz-ing dreams

p

f

whisper

Bassoon

ceans

mf

mes - meriz-ing dreams

f

whisper

4 4

-

p

f

Breathe Bassoon 2

o

p

Breathe

Breathe Bassoon 1

of

p

Breathe Clarinet 2 in Bb (Eb Clarinet)

mes-mer - iz-ing dreams

mes - mer

mf

mes - meriz-ing dreams f

whisper

mes - mer - iz - ing n

ceans

p

Breathe Clarinet 1 in Bb

ceans

-

p

f

-

o

p

Breathe whisper

o

of

p

f

4whisper 4 4 4

of

mf

mes-mer -iz-ing dreams

whisper into instrument Flute

Breathe Oboe 1

n

mes -mer-iz-ing dreams

whisper into instrument Flute 2

mf

f

p Plastic Maracas

f

p

f

4 4 4 4

As Clearly Enunciated As Possible q = 69 4 4 4 4 4 4 4 4 4 4 Copyright © 2015 Vivian Fung Music All Rights Reserved. SOCAN/ASCAP

2

6

repeat text: get faster with cresc., slower with dim. Add key clicks as you cresc. stop key clicks as you dim. ppp ff

repeat text: get faster with cresc., slower with dim. f

Fl. 1

o - ceans 3q

dreams of

3q

for - ests and trees

5q

4q

repeat text: get faster with cresc., slower with dim. Add key clicks as you cresc. stop key clicks as you dim.

repeat text: get faster with cresc., slower with dim.

f

ff

ppp

Fl. 2

iz - ing dreams of

o - ceans 3q

3q

for-ests and trees

5q

4q

repeat text: get faster with cresc., slower with dim. Add key clicks as you cresc. stop key clicks as you dim.

repeat text: get faster with cresc., slower with dim. n

f

ppp

ff

Fl. 3

o - ceans 3q

mes - mer - iz - ing dreams of

3q

for-ests and trees

5q

4q

repeat text: get faster with cresc., slower with dim. Add key clicks as you cresc. stop key clicks as you dim.

repeat text: get faster with cresc., slower with dim. n

f

ff

ppp

Ob. 1

mes - mer - iz - ing dreams of

o - ceans

3q

3q

for-ests and trees

5q

4q

repeat text: get faster with cresc., slower with dim. Add key clicks as you cresc. stop key clicks as you dim.

repeat text: get faster with cresc., slower with dim. n

f

ppp

ff

Ob. 2

mes - mer - iz - ing dreams of

o - ceans

3q

3q

for-ests and trees

5q

4q

repeat text: get faster with cresc., slower with dim. Add key clicks as you cresc. stop key clicks as you dim.

repeat text: get faster with cresc., slower with dim. n

f

ppp

ff

E.H.

mes - mer - iz - ing dreams of

o - ceans

3q

repeat text: get faster with cresc., slower with dim. n

3q

for-ests and trees

5q

4q

repeat text: get faster with cresc., slower with dim. stop key clicks as you dim. Add key clicks as you cresc.

f

ppp

ff

Cl. 1

mes - mer - iz - ing dreams of

3q

o - ceans

repeat text: get faster with cresc., slower with dim. n

3q

7q

for-ests and trees

3q

repeat text: get faster with cresc., slower with dim. stop key clicks as you dim. Add key clicks as you cresc.

f

ppp

ff

Cl. 2

mes - mer - iz - ing dreams of

3q

o - ceans

repeat text: get faster with cresc., slower with dim. n

for-ests and trees

3q

7q

repeat text: get faster with cresc., slower with dim. stop key clicks as you dim. Add key clicks as you cresc.

f

ff

ppp

Cl. 3

mes - mer - iz - ing dreams of

3q

o - ceans

repeat text: get faster with cresc., slower with dim. n

for-ests and trees

f

ppp

3q

7q

repeat text - get faster with cresc, and slower with dim. as you cresc. add key clicks

Bn. 1

3q

3q

mes - mer - iz - ing dreams of o -ceans repeat text: get faster with cresc., slower with dim. n

ppp

f

Bn. 2

3q

3q

mes - mer - iz - ing dreams of o -ceans repeat text: get faster with cresc., slower with dim. n

8q

for-ests and trees

repeat text - get faster with cresc, and slower with dim. as you cresc. add key clicks 8q

for-ests and trees

repeat text - get faster with cresc, and slower with dim. ppp as you cresc. add key clicks

f

Bn. 3

3q

3q

mes - mer - iz - ing dreams of o -ceans

8q

for-ests and trees

f Hn. 1

mes-mer-iz-ing dream

of for - ests

and trees

of for - ests

and trees

of for - ests

and

of for - ests

and trees

of for - ests

and trees

of for - ests

and trees

of for - ests

and trees

of for - ests

and trees

of for - ests

and trees

of for - ests

and trees

of for - ests

and trees

f Hn. 3

mes-mer-iz-ing dream f Hn. 2

mes-mer-iz-ing dream

trees

f Hn. 4

mes-mer-iz-ing dreams f

f

C Tpt. 1

3q

mes-mer-iz-ing dream

f

f

C Tpt. 2

3q

mes-mer-iz-ing dream

f

f

C Tpt. 3

3q

mes-mer-iz-ing dream

f

f

Tbn. 1

3q

3q

mes-mer-iz-ing dream

f

f

Tbn. 2

o - ceans

5e

3q

mes-mer-iz-ing dream

f B. Tbn.

dreams of

o - ceans

f 2q

3q

mes-mer-iz-ing dreams f

f

Tuba

dreams of

o - ceans

2q

3q

mes-mer-iz-ing dream wave paper, like a thunder sheet

R.S.

p

f

wave paper, like a thunder sheet Mrcs.

p

f 2 small + 2 large Maracas

wave paper, like a thunder sheet Mrcs.

p

f

p

f

Left Hand only: run fingers up and down fingerboard; start slowly and accel. to f Vc.

Left Hand only: run fingers up and down fingerboard; start slowly and accel. to f Cb.

3

quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

11

gradually add key clicks

Fl. 1

The rhy - thm of cre -a - tiv -i -ty quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

gradually add key clicks

Fl. 2

The rhy - thm of cre -a - tiv -i -ty quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

gradually add key clicks

Fl. 3

The rhy - thm of cre -a - tiv -i -ty quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

gradually add key clicks

Ob. 1

The rhy - thm of cre -a -tiv -i -ty quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

gradually add key clicks

Ob. 2

The rhy - thm of cre -a -tiv -i -ty

quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

gradually add key clicks

E.H.

The rhy - thm of cre -a -tiv -i -ty as you dim. stop key clicks Cl. 1

as you dim. stop key clicks Cl. 2

as you dim. stop key clicks Cl. 3

ff

quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

as you dim. stop key clicks

Bn. 1

4q

The rhy - thm of cre -a -

quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

as you dim. stop key clicks ff Bn. 2

4q

The rhy - thm of cre -a -

quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf

as you dim. stop key clicks ff Bn. 3

4q

The rhy - thm of cre -a -

quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf C Tpt. 1

The rhy - thm of cre -a - tiv - i -ty quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf C Tpt. 2

The rhy - thm of cre -a - tiv - i -ty quasi-spoken into instrument; pitches to guide contour, not specific; do not play together mf C Tpt. 3

The rhy - thm of cre -a - tiv -i -ty

Left Hand only: run fingers up and down fingerboard; start slowly and accel. to f Vn. I

6q

5q

f

Left Hand only: run fingers up and down fingerboard; start slowly and accel. to f

col legno battuto, freely: rhythms not exact; do not play together

Vn. II

6q

5q

f

Left Hand only: run fingers up and down fingerboard; start slowly and accel. to f 6q

col legno battuto, freely: rhythms not exact; do not play together

5q

Va.

f

col legno battuto, freely: rhythms not exact; do not play together

5q

6q Vc.

f

6q

5q

Cb.

f

col legno battuto, freely: rhythms not exact; do not play together

4

15

gliss.

start with more time between entrances jet whistle ord.

play passage with less and less time in between entrances and accel.

Fl. 1

pp

3

start with more time between entrances

ord.

Fl. 2

pp

start with more time between entrances

ord.

3

gliss.

Fl. 3

pp

ord., start with more time between entrances Cl. 2

ppp

ord., start with more time between entrances Cl. 3

ppp

gradually add key clicks Bn. 1

tiv - i - ty

gradually add key clicks Bn. 2

tiv - i - ty

gradually add key clicks Bn. 3

tiv - i - ty

gradually add valve clicks C Tpt. 1

gradually add valve clicks C Tpt. 2

gradually add valve clicks C Tpt. 3

col legno battuto - freely - rhythms not exact do not play together Vn. I

Vn. II

div. a3, ord., molto sul pont. as glassy a sound as possible Va.

ppp

div., ord., molto sul pont. as glassy a sound as possible Vc.

ppp

ord., molto sul pont.; as glassy a sound as possible Cb.

ppp

5 19

jet whistle

gliss.

ord.

Fl. 1

3

mf play passage with less and less time in between entrances and accel. Fl. 2

mf play passage with less and less time in between entrances and accel. Fl. 3

mf

Ob. 1

ord. Ob. 2

mf play passage with less and less time in between entrances and accel.

ord. E.H.

mf

mp

play passage with less and less time in between entrances and accel.

ord. Cl. 1

p

mf

play passage with less and less time in between entrances and accel. Cl. 2

mf play passage with less and less time in between entrances and accel. Cl. 3

mf ord. Bn. 1

mf ord. Bn. 2

mf ord. Bn. 3

mf whisper into instrument

2q

mp

2q

f

Hn. 1

Fierce winds of faith

Fierce winds of faith

whisper into instrument

2q

mp

2q

f

Hn. 3

Fierce winds of faith

Fierce winds of faith

whisper into instrument

mf

2q

2q

f

Hn. 2

Fierce winds of faith

Fierce winds of faith 2q

whisper into instrument

f

mf

2q

Hn. 4

Fierce winds of faith

Fierce winds of faith mf

whisper into instrument

2q

C Tpt. 1

Fierce winds of faith whisper into instrument

mf

2q

C Tpt. 2

Fierce winds of faith mf

whisper into instrument 2q

C Tpt. 3

Fierce winds of faith whisper into instrument 2q

f

mp

2q

Tbn. 1

Fierce winds of faith

Fierce winds of faith

whisper into instrument 2q

mp

f

2q

Tbn. 2

Fierce winds of faith

Fierce winds of faith

f

mp

whisper into instrument B. Tbn.

Fierce winds of faith

2q

2q

Fierce winds of faith

f

mp

whisper into instrument Tuba

Fierce winds of faith

2q

2q

Fierce winds of faith ord., molto sul pont.; as glassy a sound as possible div. 3

Vn. I

mf ord., molto sul pont.; as glassy a sound as possible

div.

div. a3

div. a4

Vn. II

ppp

mf

(div. a3) Va.

mf div. Vc.

mf Cb.

mf

div. a3

div. a4

6

21

regular whisper, not into instrument

3 2

Fl. 1

4 4

pp

f

ex

3 2

Fl. 2

pp

f

4 4

ex

f

4 4

pp

ex

pp

f

4 4

ex

f

4 4

pp

mf

ex

f

4 4

n

mf

ex

f

4 4

p

ex

n

Bn. 1

pp

f

Bn. 2

pp

f

3 2

4 4

ex

ff

3 2

4 4

ex

Fierce winds of faith

4 4

ex

4 4

4q

Fierce winds of faith

ex

ff

4 4

4q

ex 4q

4 4

Fierce winds of faith ff

ex 4q

4 4

Fierce winds of faith ff

ex 4q

C Tpt. 3

Fierce winds of faith ff Tbn. 1

3 2

4 4

3 2

4 4

3 2

4 4

ex

4q

Tbn. 2

ex

Fierce winds of faith

ex

ff

Fierce winds of faith

4 4

4q

4 4

ex

4q

Wine Glass

Wine Glass II

Wine Glass III

f

3 2 3 2

Wine Glass: stroke rim with wet finger

3 2

Wine Glass: stroke rim with wet finger

4 4 4 4

4 4

Vn. II

f (div. a3) Va.

f unis. Vc.

4 4

3 2

4unis., whisper 4

ex

pp unis.

ex

3 2

4 4

whisper

ex

3 2

ex

pp

hale

hale

hale

hale (sounding 8ba)

3 2 f

4 4

whisper

pp

f Cb.

unis., whisper

3 2 pp

(div. a4)

hale

Wine Glass: stroke rim with wet finger

(div. a4) Vn. I

hale

regular whisper, not into instrument

3 2

Tuba

hale

regular whisper, not into instrument

3 2

B. Tbn.

hale

regular whisper, not into instrument

Fierce winds of faith ff

hale

regular whisper, not into instrument

Fierce winds of faith ff

hale

regular whisper, not into instrument

ex

4q

hale

regular whisper, not into instrument

3 2

C Tpt. 2

hale

regular whisper, not into instrument

3 2

C Tpt. 1

hale

regular whisper, not into instrument

3 2

Hn. 4

hale

regular whisper, not into instrument

3 2

Hn. 2

hale

4 4

4q

ff

hale

regular whisper, not into instrument

3 2

Fierce winds of faith

ff

ex

regular whisper, not into instrument

ex

Hn. 3

Fierce winds of faith

4 4

4q

ff

hale

regular whisper, not into instrument

3 2

Hn. 1

hale

regular whisper, not into instrument

pp

f

hale

regular whisper, not into instrument

3 2

Bn. 3

hale

regular whisper, not into instrument

3 2

Cl. 3

hale

regular whisper, not into instrument

3 2

Cl. 2

hale

regular whisper, not into instrument

3 2

Cl. 1

hale

regular whisper, not into instrument

3 2

pp

f

4 4

ex

E.H.

hale

regular whisper, not into instrument

3 2

pp

f

4 4

ex

Ob. 2

hale

regular whisper, not into instrument

3 2

Ob. 1

hale

regular whisper, not into instrument

3 2

Fl. 3

hale

regular whisper, not into instrument

4 4 pp

n

ord. pp

attacca

II. Tree

7

Inspired by Konstantin Dimopoulos’ “Blue Trees”

Fl. 1

1 With Roundness, No Hard Edges q = 66 ord. 4 4 ppp

mp

ppp

ppp

4 4

mp

ppp

mp

ord. ppp

1q

ppp

mp

3q

mp

ord., con sord., cup mute

4 4

ppp

ppp

mp

With Roundness, No Hard Edges q = 66

ord.

4 4

Va.

4q

1q

4 4

C Tpt. 1

ppp

use alt. fingerings for repeated enharmonic pitches

ord.

n

Bn. 1

mp

mp

ppp

Cl. 1

mp

ord.

4 4

Ob. 2

whisper nonsense syllables

ord.

4 4

Ob. 1

3q

1q

pp

4 4

Cb.

11

3q

1q

whisper nonsense syllables

Fl. 1

mp

ppp 3q

1q

ord.

whisper nonsense syllables

Fl. 2

ppp

pp

mp

Ob. 1

ppp

ppp

mp

mp

Ob. 2

mp

mp

ppp ord.

E.H.

ppp

mp

pp

use alt. fingerings for repeated enharmonic pitches

4q

1q Cl. 1

ppp

pp

mp use alt. fingerings for repeated enharmonic pitches

Bn. 1

1q

ppp

3q

mp

ord. Bn. 2

ppp

mp

ppp ord.

Bn. 3

mp

ppp

C Tpt. 1

ppp

mp div. a2 Va.

pp

8

17

whisper nonsense syllables

Fl. 1

1q

pp 3q

1q

pp

3q mf whisper nonsense syllables

Fl. 2

mf

pp

ord.

1q

Fl. 3

pp

mf

Ob. 1

pp

mf

Ob. 2

pp

mf

pp

E.H.

mf

pp

4q

1q

4q

1q

Cl. 1

pp

mf

mf 4q

1q

ord. Cl. 2

mf

pp ord.

4q

1q

Cl. 3

pp

mf

Bn. 1

1q

pp

3q

mf

Bn. 2

pp

mp Bn. 3

pp

ord. Hn. 2

ppp

mp

C Tpt. 1

mp

ppp

mp ord.

Vn. II

pp

div. a3 Va.

pp

21

whisper nonsense syllables

Fl. 1

1q

pp

3q

mf

whisper nonsense syllables Fl. 2

pp

1q

3q mf 3q whisper nonsense syllables Fl. 3

pp

1q

mf

Ob. 1

ppp

mf

pp

Ob. 2

mf

mf

pp

E.H.

mf

mf

pp

4q

1q Cl. 1

pp

mf use alt. fingerings for repeated enharmonic pitches

4q

1q Cl. 2

pp

mf 4q

1q Cl. 3

pp

mf

Bn. 1

1q

pp

3q

mf

pp

Bn. 2

pp

mf Bn. 3

mf

pp

ord.

Hn. 1

ppp

ord.

mp

Hn. 3

ppp

mp

Hn. 2

ppp

mp

Hn. 4

ppp

mp

C Tpt. 1

ord., con sord., cup mute

ppp

ppp

mp

C Tpt. 2

ppp

ppp ord., con sord., cup mute

mp

C Tpt. 3

ppp

ord. Tbn. 1

ppp div. a2 Vn. II

(div. a3) Va.

ord. Vc.

pp

pp

mp

9 25 ord. Fl. 1

1q

1q

pp

3q

mf

mf

ord. Fl. 2

1q

pp

3q

mf

1q

3q

mf

ord. Fl. 3

1q

pp

3q

3q

mf

Ob. 1

mf

pp

mf

Ob. 2

pp

mf

E.H.

pp

mf

pp

4q

1q Cl. 1

mf

pp

4q

1q Cl. 2

pp

pp

mf 4q

1q Cl. 3

pp

pp

mf

Bn. 1

1q

3q

mf

1q

pp

mf

Bn. 2

mf

pp

Bn. 3

pp

mf

mf

Hn. 1

mp

pp

Hn. 3

pp

mp

Hn. 2

mp

pp

pp

Hn. 4

pp

mp senza sord.

C Tpt. 1

pp

mp

senza sord. C Tpt. 2

mp

pp

1q 1q

senza sord.

3q

C Tpt. 3

mp

pp

mf

Tbn. 1

pp

mp

ord. Tbn. 2

pp

pp

mp

div., ord. Vn. I

1q

p (div.)

div. a3

div. a4

play freely, do not play together

Vn. II

pp

1q

(div. a3)

mp

pp

4q

div. a4

play freely, do not play together

Va.

pp

div.

div. a3

Vc.

pp

1q

mf

4q

10

29 Fl. 1

3q

p

Fl. 2

p

1q

Fl. 3

1q

p

mf

Ob. 1

p

Ob. 2

p

mf

E.H.

p

mf

Cl. 1

p

1q

4q

mf

Cl. 2

1q

4q

mf

use alt. fingerings for repeated enharmonic pitches

4q

1q Cl. 3

mf

Bn. 1

p

3q

Bn. 2

mf

p

Bn. 3

p

Hn. 1

p Hn. 3

p

Hn. 2

mf Hn. 4

p

C Tpt. 1

mf

p

C Tpt. 2

mf

p

3q

C Tpt. 3

p

Tbn. 1

mf

p

Tbn. 2

mf

B. Tbn.

mf

(div.) play freely, do not play together div. a3 Vn. I

mf

p

4q

(div. a4) Vn. II

1q

4q

mf

(div. a4) Va.

pp

(div. a3)

1q

div.

Vc.

pp

11 31 Fl. 1

1q

3q

mf

1q

p

3q

f

Fl. 2

3q

mf

1q

p

3q

mf

p

Fl. 3

3q

p

1q

3q

mf

p

Ob. 1

mf

p

Ob. 2

p

mf

p

E.H.

p

mf

f non dim.

Cl. 1

1q

p

4q

f non dim.

Cl. 2

1q

p

4q

mf

Cl. 3

p

1q

4q

mf

Bn. 1

1q

p

3q

mf

Bn. 2

p

mf

Bn. 3

mf

p

Hn. 1

1q

3q

mf

p

Hn. 3

1q

3q

mf

p

Hn. 2

p

1q

1q

3q

mf

3q

Hn. 4

pp

mf

C Tpt. 1

1q

3q

mf

p

C Tpt. 2

1q

p

3q

mf 3q

1q C Tpt. 3

p

mf

Tbn. 1

pp

mf non dim.

Tbn. 2

p

mf

B. Tbn.

Tuba

mf (div. a3)

Vn. I

div. a4 1q

4q

mf

1q

p

4q

mf non dim.

div. a4 Vn. II

pp

1q

4q

mf non dim.

(div. a4) Va.

p

4q

mf

1q

4q

mf non dim.

play freely, do not play together

(div.) Vc.

1q

mf

4q

p

Cb.

mf

1q

mf non dim.

4q

12 34 Fl. 1

1q

p

Fl. 2

1q

3q

f non dim.

3q

f non dim.

mf

Fl. 3

1q

3q

f non dim.

mf

Ob. 1

f non dim.

Ob. 2

mf

f non dim.

E.H.

p

Cl. 1

mf

Cl. 2

p

1q

f non dim.

Cl. 3

p

1q

f non dim.

4q

Bn. 1

1q

3q

f non dim.

Bn. 2

f non dim.

Bn. 3

f non dim.

f non dim.

Hn. 1

1q

3q

mf non dim.

Hn. 3

1q

3q

mf non dim.

Hn. 2

p

1q

mf non dim.

Hn. 4

1q

mf

3q

mf non dim.

C Tpt. 1

1q

3q

mf non dim.

C Tpt. 2

1q

3q

mf non dim.

C Tpt. 3

1q

3q

mf non dim.

Tbn. 1

1q Tbn. 2

p

mf non dim.

B. Tbn.

f Tuba

f

(div. a4) Vn. I

1q

p (div. a4) Vn. II

1q

p

mf

4q

(div. a4) Va.

p (div.) Vc.

1q

p

Cb.

f

mf

4q

13 36 Fl. 1

1q

mf

Fl. 2

1q

5 4

3q

f

Fl. 3

1q

5 4

3q

f

5 4

3q

f

5 4

Ob. 1

mf

f

5 4

Ob. 2

f

f

5 4

E.H.

f

Cl. 1

5 4

1q

f

4q

5 4

Cl. 2

4q

5 4

Cl. 3

5 4

Bn. 1

f

5 4

Bn. 2

f

5 4

Bn. 3

Hn. 1

1q

p

f

6

5 4 5 4

Hn. 3

f

5 4

Hn. 2

f

3q

5 4

Hn. 4

1q

3q

f

5 4

C Tpt. 1

p

f

C Tpt. 2

f

6

C Tpt. 3

f

6

5 4 5 4 5 4

Tbn. 1

1q

3q

f

f

3q

5 4

Tbn. 2

f

5 4

B. Tbn.

5 4

Tuba

(div. a4)

5 4

Vn. I

4q

mf (div. a4)

5 4

Vn. II

1q (div. a4)

4q

f

play freely, do not play together

5 4

Va.

1q

f

4q

(div.)

5 4

Vc.

1q

Cb.

f

4q

5 4

14

ritenuto poco Fl. 1

38 (2+3) 5 4

6

3

6 4

6

3

6 4

6

3

6 4

6

3

6 4

6

3

6 4

6

3

6

3

6

3

6

3

6

3

pp

Fl. 2

5 4 pp

Fl. 3

5 4 pp

Ob. 1

Ob. 2

E.H.

5 4

pp

5 4

pp

5 4

6 4 pp

Cl. 1

Cl. 2

Cl. 3

5 4

pp

5 4

pp

5 4 pp

Bn. 1

Bn. 2

5 4

pp

5 4

6 4 6 4 6 4 6 4 6 4

pp Bn. 3

5 4

6 4 pp

Hn. 1

5 4 pp

Hn. 3

Hn. 2

5 4

pp

C Tpt. 3

6 4

6

3

6 4

5 4 5 4

pp

5 4 pp

Tbn. 1

3

5 4

pp

C Tpt. 2

6

6 4

6 4

pp

C Tpt. 1

3

5 4 pp

Hn. 4

6

5 4

6

3

6

3

6

3

6

3

6

3

6

3

6 4 6 4 6 4 6 4

pp

Tbn. 2

5 4 pp

B. Tbn.

Tuba

5 4

6 4 6 4

pp

5 4

6 4 pp

Timp.

5 4

6 4 pp

ritenuto poco (2+3) Vn. I

Vn. II

(div. a4)

5 4

pp

6

3

6

3

(div. a4)

5 4

pp

6 4 6 4

(div. a4) Va.

5 4

6 4 pp

Vc.

3

(div.)

5 4

6 4 pp

Cb.

6

5 4

6

3

6 4 pp

15

a tempo 39 Fl. 1

6 4

fltg.: murmuring effect, rhythms not exact

ff

ff

5

4 4

5

5

5

fltg.: murmuring effect, rhythms not exact

Fl. 2

Fl. 3

Ob. 1

6 4

4 4

ff

6 4

ff

5

5

5

4 4

ff

fltg.: murmuring effect, rhythms not exact

6 4

4 4 ff

Ob. 2

5

ff

6 4

4 4 ff

E.H.

6 4

4 4 ff

Cl. 1

6 4

4 4 ff

Cl. 2

6 4

4 4 ff

Cl. 3

6 4

4 4 ff

Bn. 1

6 4

4 4 ff

Bn. 2

6 4

4 4 ff

Bn. 3

6 4

4 4 ff

Hn. 1

6 4

4 4 ff

Hn. 3

6 4

4 4 ff

Hn. 2

6 4

4 4 ff

Hn. 4

6 4

4 4 ff

C Tpt. 1

C Tpt. 2

6 4

4 4

ff

6 4

4 4 ff

C Tpt. 3

6 4

4 4 ff

Tbn. 1

Tbn. 2

B. Tbn.

6 4

4 4

ff

6 4

4 4

ff

6 4

4 4 ff

Tuba

Timp.

6 4

4 4 ff

6 4

4 4

ff

a tempo pitches are approx.; murmuring effect quasi gliss. unis.

Vn. I

6 4

6

6

6

6

6

6

6

6

6

6

6

6

4 4

6

6

6

6

6

6

6

6

6

6

4 4

ff pitches are approx.; murmuring effect quasi gliss. unis.

Vn. II

6 4

6

6

ff (div. a4)

Va.

6 4

4 4 ff

Vc.

Cb.

6 4 6 4

(div.)

ff

ff

4 4 4 4

16

40 Fl. 1

4 4 5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

6

6

6

6

6

5

5

5

5

4 4

Fl. 2

fltg.: murmuring effect, rhythms not exact

4 4

Fl. 3

6

ff

4 4

Ob. 1

4 4

Ob. 2

fltg.: murmuring effect, rhythms not exact

4 4

E.H.

ff fltg.: murmuring effect, rhythms not exact

4 4

Cl. 1

5

ff

5

5

5

5

5

5

fltg.: murmuring effect, rhythms not exact

4 4

Cl. 2

5

ff

4 4

Hn. 1

slow gl. f wailing

4 4

Hn. 3

4 4

Hn. 2

slow gl. f wailing

4 4

Hn. 4

4 4

Tbn. 1

4 4

Tbn. 2

Vn. I

Vn. II

4 4

6

6

6

6

6

6

6

6

4 4

6

6

6

6

6

6

6

6

41 Fl. 1

5

5

5

5

5

5

5

5

5

5

Fl. 2

6

6

6

6

Fl. 3

6

6

6

6

Ob. 1

fltg.: murmuring effect, rhythms not exact Ob. 2

ff

E.H.

5

5

5

5

5

5

5

5

5

5

5

5

5

5

Cl. 1

Cl. 2

5

5

Hn. 1

slow gl.

Hn. 3

f wailing Hn. 2

slow gl.

Hn. 4

f wailing slow gl.

Tbn. 1

f wailing Tbn. 2

f wailing

Vn. I

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Vn. II

unis., pitches are approx.; murmuring effect, quasi gliss.

6

Va.

ff

6

6

6

6

6

6

6

17 42

6

6

Fl. 3

Ob. 2

E.H.

f

Cl. 1

5

5

5

5

Cl. 2

f trills as fast as possible, blurring effect

Bn. 1

f slow gl.

Hn. 1

Hn. 3

Hn. 2

Hn. 4

Tbn. 1

slow gl.

Tbn. 2

slow gl. B. Tbn.

f wailing 6

6

Vn. I

6

6

6 6

6 6

6 6

6 6

6

6

6

6

6

6

Vn. II

6

6

6

6

Va.

6

6

43 Ob. 2

f fltg.: murmuring effect, rhythms not exact 6

6

6

6

6

6

6

6

Cl. 3

f

Bn. 1

trills as fast as possible, blurring effect Bn. 2

f trills as fast as possible, blurring effect Bn. 3

f

Hn. 1

slow gl.

Hn. 3

slow gl.

Hn. 2

slow gl.

Hn. 4

slow gl.

Tbn. 1

slow gl.

Tbn. 2

B. Tbn.

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Vn. I

Vn. II

Va.

start gliss. at beginning of note slow gl.

Vc.

f wailing slow gl.

Vc.(b)

f wailing

6

6

18 44

6

6

6

to Bass Clarinet

6

Cl. 3

3 4

4 4

5 4

3 4

4 4

5 4

4 4

5 4

mf

Bn. 2

mf

3 4

Bn. 3

to Cbn. mf

3 4

slow gl.

Hn. 1

mf

3 4

gliss.

Hn. 2

4 4 p

4 4

gliss. mp

mp

p

3 4

4 4

gliss. Tbn. 1

mf

mp

3 4

Tbn. 2

mf

mf 6

6

4 4

5 4

4 4

5 4

4 4

5 4

p

3 4

gliss.

5 4

gliss.

p

gliss.

mf

B. Tbn.

5 4

gliss.

mf

mf

5 4

gliss.

mp

mp

3 4

5 4 p

gliss.

mf Hn. 4

4 4

mp

mp

3 4

gliss.

p

gliss.

mf

5 4

gliss.

p

mp

mp

Hn. 3

4 4

gliss.

mp 6

6

6

6

3 4

6

6

Va.

mf

Vc.

3 4

gliss.

mf start gliss. at beginning of note Vc.(b)

gliss.

gliss.

gliss.

B. Cl.

Bn. 1

4 4

mp

mf

gliss.

5 4

gliss.

5 4

p

Earthy, With Intensity q = 80 (3+2)

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

Bb Bass Cl.

p

p Bn. 2

Cbn.

p

Cbn.

p

Hn. 1

5 4

4 4 pp

Hn. 2

5 4

4 4 pp

Tbn. 1

5 4 gliss.

4 4

5 4

4 4

5 4

4 4

pp

B. Tbn.

Tuba

p

p even rolls, wave–like

5 4 Pno.

4 4

pp

5 4

4 4

con

5 4 Hp.

5 4

4 4 pp 5

(3+2) Vc.

5 4

unis.

5

5

5

5

5

5

5

5

5

4 4

4 4

5 4

div.

p

pp Cb.

5

4 4 pp

5

5

5

5

unmeas.

mf unmeas.

p

5 4

p

start gliss. at beginning

48

4 4

mp

3of note 4

gliss.

p

gliss. mf

Cb.

4 4

mp

mf

3 4

gliss.

gliss.

gliss.

mf

5

5

5

19 50 E.H.

p

Cl. 1

p Cl. 2

p repeat note, rhythmically free

2

2

B. Cl.

mf

repeat note, rhythmically free 2

Bn. 1

2

mf

repeat note, rhythmically free 2

2

Bn. 2

mf

Cbn.

mf

repeat note, rhythmically free Hn. 1

p

repeat note - rhythmically free 2

Hn. 3

p repeat note - rhythmically free 2

2

Hn. 2

p

mf repeat note - rhythmically free 2

2

Hn. 4

p

mf repeat note - rhythmically free

Tbn. 1

2

p

2

mf

repeat note - rhythmically free 2

2

Tbn. 2

p

mf repeat note - rhythmically free 2

2

B. Tbn.

mf

Tuba

mf

unmeas. Mar.

mf

Pno.

Hp.

5

5

5

div. a3

5

5

5

5

5

5

5

5

5

5

5

5

unmeas.

Va.

p

p

mf unmeas.

(div.) Vc.

p

f unmeas.

Cb.

p

f

5

20

52

repeat note, rhythmically free

2

2

E.H.

p

mf repeat note, rhythmically free 2

Cl. 1

2 p

mf repeat note, rhythmically free 2

Cl. 2

2 p mf

repeat note, rhythmically free B. Cl.

p

repeat note, rhythmically free 2

Bn. 1

p repeat note, rhythmically free 2

Bn. 2

2

p

mf

Cbn.

p

mf

2

2

Hn. 1

p mf 2

Hn. 3

p

mf

Hn. 2

p

Hn. 4

p

Tbn. 1

p

Tbn. 2

p repeat note, rhythmically free B. Tbn.

p

Tuba

p

mf

unmeas.

unmeas.

Mar.

f

ff

Pno.

Hp.

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

unis. Vn. I

mp

f unis.

Vn. II

(div. a3)

unmeas.

mp

f

p

ff

Va.

f

unmeas.

(div.) Vc.

p

ff unmeas.

Cb.

p

ff

5

21

54

repeat note, rhythmically free 2

2

E.H.

mf repeat note, rhythmically free 2

2

Cl. 1

mf repeat note, rhythmically free 2

Cl. 2

2

mf 2

2

B. Cl.

f

mf

3

3

2

Bn. 1

f

mf 3 Bn. 2

3

3

f

Cbn.

f repeat note, rhythmically free 2

2

Hn. 1

mf repeat note, rhythmically free 2

2

Hn. 3

mf repeat note, rhythmically free 2

2

Hn. 2

mf repeat note, rhythmically free 2

2

Hn. 4

mf repeat note, rhythmically free Tbn. 1

2

2

mf

repeat note, rhythmically free 2

2

Tbn. 2

mf

2

B. Tbn.

2

mf

Tuba

Mar.

Pno.

Hp.

5

5

5

5 5

5

5 5

Vn. I

ff

mp

Vn. II

mp

ff unis., dig into strings

(div. a3)

3

Va.

f unis., dig into strings

(div.)

3

Vc.

f dig into strings Cb.

f

3

3

22

56 Fl. 1

ff

5

5

5

5

5

5

5

Fl. 2

ff Fl. 3

ff

Ob. 1

f

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 2

f 3

3

3

3

3 E.H.

f Cl. 1

f Cl. 2

f

f B. Cl.

f 3

3

3

3

3

3

Bn. 1

3

3

f 3

Bn. 2

3

3

3

f

3

3

3

Cbn.

f Hn. 1

mp

f

mp

f

mp

f

mp

f

Hn. 3

Hn. 2

Hn. 4

C Tpt. 1

mp

f

mp

f

C Tpt. 2

C Tpt. 3

mp

f

Tbn. 1

mp

f

Tbn. 2

mp

f

B. Tbn.

mp

f

mp

f

Tuba

Xylophone Xyl.

f

ff

5

Pno.

5

5

5

5

5

5

5

s. glis

DCB EFGA f

Hp.

s. glis

dig into strings

unmeas.

Vn. I

f dig into strings

3

unmeas.

3

Vn. II

f

3

dig into strings

unmeas.

3

3

3

Va.

f dig into strings

unmeas.

3

Vc.

f unmeas.

unmeas.

dig into strings 3

Cb.

f

3

23

(2+2+3)

59

e=e

3 4

Fl. 1

7 8

ff

Fl. 2

5

5

5

5

mf

6

6

mf

6

6

3

3

3

mf

6

6

3

3

3

5

3 4

7 8

3 4

7 8

ff

Fl. 3

ff 3 Ob. 1

f

3

3

3

3

3

3

3

3

3 Ob. 2

f

3

3

3

3 4

3

3

3

3 4 3 4 3 4

7 8

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

7 8

3 4

7 8

3 4

3 4

3

3

3

3

3

E.H.

3

f

3

3

3

3

Cl. 1

f Cl. 2

Cbn.

Hn. 1

mp

f

Hn. 3

mp

f

Hn. 2

mp

f

Hn. 4

mp

f

C Tpt. 1

mp

f

3 4

C Tpt. 2

mp

f

3 4

C Tpt. 3

mp

f

3 4

Tbn. 1

mp

7 8

3 4 mp

7 8 7 8

mp

slow gliss.

3 4

fp

f

Tuba

3 4

fp

3 4 mp

gliss.

slow

f

B. Tbn.

3 4

fp

f

Tbn. 2

slow gliss.

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

7 8

3 4

7 8

3 4

7 8

3 4

7 8

3 4

f

Timp.

Xyl.

f

3 4 Pno.

ff

3 4

gl iss .

ff

Hp.

3 4

ss. gli

3 4

(2+2+3) dig into strings Vn. I

dig into strings 3

f

Va.

unmeas. Vc.

Cb.

e=e

3 4

7 8

3

3 4 mf

3

Vn. II

f

unmeas.

unmeas.

3 4

7 8

3 4

7 8

3 4

3 4

7 8

3 4

3 4

7 8

3 4

mf

3

3

3

3 4

unmeas.

24 (2+3)

Fl. 1

(2+3) e=e 5

62 e=e 3 4

e=e

5 4

8

6

6

f

6

6

f

6

6

f

Fl. 2

Fl. 3

Ob. 1

3 4

5 8

3 4

5 8

3 4 mf

Ob. 2

3 4 mf

E.H.

5 4

6

6

6

6

6

6

3 4

5 4

5 8

5 4

5 8

5 4

3 4 ff

3 4 ff

3 4 ff

f

f

5 8

6

6

6

6

3 4

5 8 mf

Cl. 2

3 4

5 8 mf

B. Cl.

3 4

6

6

3

3

3

3

5 8

3

3

3 4

5 4

5 4 5 4

5 8

3 4

5 4

fp

Hn. 3

3 4 3 4

C Tpt. 2

C Tpt. 3

6

4 4 4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4 ff espr.

5 4

3 4

4 4 ff espr.

5 4

3 4

mfsf

4 4 ff espr.

3

3

5 8

5 4

3 4

4 4

3

3

5 8

5 4

3 4

4 4

3

3

5 8

5 4

3 4

4 4

5 8

5 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 3

3 4

ff

6

3

3 4 mf

5 4

5 8

slow gl.

mf

3 4

mfsf

3 4

ff

6

ff espr.

5 8

slow gl.

3 4

6

3 4

mfsf

fp

C Tpt. 1

5 4

5 8

slow gl.

fp

Hn. 4

6

mfsf

fp

Hn. 2

f

ff

mfsf

5 8

slow gl.

6

4 4

mfsf

fp

Hn. 1

4 4

6

mfsf

5 8

3 4

4 4

6

mfsf

fp

Cbn.

f

f

5 4

5 8

3 4

ff

ff

5 4

fp

Bn. 2

4 4

6

3 4

fp

Bn. 1

4 4

6

3 4

5 4 mf

Cl. 1

3 4

4 4

6

mf

Tbn. 1

3 4 mfsf

Tbn. 2

f espr.

3 4

5 8

5 4

mfsf

B. Tbn.

f espr.

3 4

5 8

5 4

mfsf

Tuba

f espr.

3 4

5 8

5 4 fp

Tamb.

3 4

e=e

Vn. II

3 4

5 8

5 4

3

3

3

mfsf

5 8 (2+3) e=e

3

3

3 4

(2+3) e=e

5 4

Tambourine roll

4 4

3 4

4 4

3 4

4 4

3 4

4 4

mf

Va.

3 4

5 8

molto vib.

5 4

mf

Vc.

3 4

ff espr. gliss.

ff

5 8

molto vib.

5 4

ff espr.

66 Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

E.H.

Cl. 1

Cl. 2

B. Cl.

25 4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

4 4 ff

Bn. 1

4 4 ff

Bn. 2

Cbn.

4 4 ff

4 4

ff

Hn. 1

Hn. 3

Hn. 2

Hn. 4

C Tpt. 1

C Tpt. 2

C Tpt. 3

4 4 4 4

ff

ff

4 4 ff

Tbn. 1

Tbn. 2

4 4

ff

4 4 ff

B. Tbn.

Tuba

4 4 4 4

ff

ff

Tamb.

4 4

3 4

sff Slapstick Slapstick

4 4

sff

sff

3 4

sff

Snare Drum - snares on S. D.

4 4

sff

3 4

sff

4 4 Pno.

4 4

ff

sff

sff

sff

sff

sff

sff

2 4 2 4 2 4

3 4

2 4

3 4

2 4

quasi-gliss., pitches not exact

Vn. I

4 4 ff

6

6

6

3

3 4

3

6

3

3

3

3

3

2 4

3

unis., quasi-gliss., pitches not exact

Vn. II

div.

4 4 ff

Va.

4 4

div.

6

6

6

6

3

unis., quasi-gliss., pitches not exact

3 4 6

Vc.

(div.)

3

2 4

3 3

6

6

6 6

3

3

2 4

3

unis., quasi-gliss., pitches not exact

4 4

3

3 4

3 4

6

6

3

3

2 4

6

Cb.

4 4

3 4 ff

2 4

26

68 Fl. 1

Fl. 2

Fl. 3

Ob. 1

2 4

3 4

4 4

2 4

3 4

4 4

3 4

4 4

3 4

4 4

to Picc.

2 4 2 4

staccatiss.

p

Ob. 2

2 4

3 4

2 4

3 4

3

3

3

staccatiss.

4 4

p

staccatiss. E.H.

3

4 4

3

3

3

3

3

3

p Cl. 1

2 4

3 4

4 4

2 4

3 4

4 4

staccatiss.

p Cl. 2

B. Cl.

Bn. 1

Bn. 2

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

staccatiss.

3

3

3

3

3

p staccatiss.3

3

3

3

p staccatiss.

staccatiss. 3

p 3

5

3

3

3

p Cbn.

staccatiss. p

Hn. 1

2 4

3 4

3

3

3

5

3

4 4

3

staccatiss.

3

p

Hn. 3

2 4

3 4

4 4

2 4

3 4

4 4

staccatiss. 3 p

Hn. 2

staccatiss.

3

3

p

Hn. 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

staccatiss.

3

3

p C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

staccatiss.

p

Tbn. 2

2 4

3 4

4 4

3

staccatiss. 3

3

3

3

3

5

3 3

p

B. Tbn.

Tuba

2 4

3 4

2 4

3 4

4 4 4 4

5

staccatiss. 3

p staccatiss. 3

3

3

3

3

p

Tamb.

S. D.

Pno.

2 4

3 4

4 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

sff

rim shot

2 4

mf

staccatiss. 3

3

p

Vn. I

Vn. Ib

2 4

3 4

2 4

3 4

staccatiss.

4 4

3

p staccatiss.

4 4

3

p Vn. II

Vn. IIb

Va.

Va.b

Vc.

2 4

6

6

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4 2 4

3 4 6

6

staccatiss.

p staccatiss.

staccatiss.

p staccatiss.

4 4

3

3

3

3

p 3

3

3

3

3 3

p staccatiss.

3 4

4 4

3 4

4 4

3

3

3

5

3

3

p Cb.

2 4

staccatiss.

p

3

3

3

5

3

3

27

73

staccatiss.

Fl. 1

p staccatiss.

3

p

3

5

3

3

5

3

3

cresc. poco a poco

Fl. 2

cresc. poco a poco

Piccolo staccatiss. Picc.

5

p Ob. 1

5

3

3

cresc. poco a poco 7

Ob. 2

5

3

3

5

3

3

3

3

5

3

3

3

3

3

3

7

3

3

7

3

3

7

7

cresc. poco a poco

7

E.H.

cresc. poco a poco 7

Cl. 1

5

3

3

5

3

3

5

3

3

cresc. poco a poco 6

Cl. 2

cresc. poco a poco 6

B. Cl.

cresc. poco a poco

Bn. 1

cresc. poco a poco 3

7

3

6

6

unmeas.

6

Bn. 2

cresc. poco a poco Cbn.

3

3

7 7

5

3 Hn. 1

3

5

3

7

5

3

6

cresc. poco a poco 7

Hn. 3

3

5 5

5

3

7

3

3

7

7

3

3

7

7

6

cresc. poco a poco

Hn. 2

cresc. poco a poco 5

5

6

6

6

6

6

6

Hn. 4

cresc. poco a poco staccatiss. C Tpt. 1

p

3

3

staccatiss.3

3

5

5

cresc. poco a poco

5

3

C Tpt. 2

p

cresc. poco a poco

staccatiss.3

3

5 5

3

3

5

C Tpt. 3

p Tbn. 1

3

5

3

7

cresc. poco a poco 6

7

6

6

6

6

cresc. poco a poco

7 Tbn. 2

3

5

6

3

7 5

3

3

3

3

3

3

3

3

cresc. poco a poco 7

B. Tbn.

cresc. poco a poco 5

7

Tuba

cresc. poco a poco Xylophone Xyl.

Marimba

5

p

if low D is not avail, repeat A

3

5

3

3

5

3

3

5

3

3

Mar.

f

Pno.

3

f

3

3

3 Vn. I

3 3

3

5

cresc. poco a poco

3

7

5

3

3

7

3

7

3

7

Vn. Ib

cresc. poco a poco 5

3

3

5

3

3

3

Vn. II

cresc. poco a poco 3

Vn. IIb

3

cresc. poco a poco

3

Va.

3

5 5

3

3

3 3

7

cresc. poco a poco

3

7

Va.b

cresc. poco a poco 3

3

7

6

6

9

6

Vc.

cresc. poco a poco unmeas. Cb.

3

3

7

6

cresc. poco a poco

6

9

28

76

unmeas.

(3+2)

5 4

Fl. 1

7

Fl. 2

5 4

6

7

5 4

3

7

unmeas. Ob. 1

6

6

6

6

p

unmeas.

ff

p

6

p

ff

5 4

E.H.

ff

6

6

unmeas.

5 4

6

6

p

ff

Ob. 2

6

6

5 4

6

unmeas.

6

6

6

6

ff

Picc.

3

ff

6

Cl. 1

6

6

9

9

6

6

9

9

Cl. 2

3 4 3 4 3 4 3 4 3 4

6

5 4 5 4

p

unmeas.

3 4

3 4

unmeas.

6

ff unmeas.

3 4

ff

B. Cl.

unmeas.

5 4

3 4

ff 6

6

unmeas.

Bn. 1

5 4

3 4

5 4

3 4

ff

Bn. 2

ff

5 4

Cbn.

ff

meas.

5 4

Hn. 1

6

6

meas.

meas.

3 4

ff

5 4

Hn. 3

6

3 4

6

5 4

Hn. 2

3 4 ff

3 4

ff meas.

5 4

Hn. 4

3 4

ff

5 4

C Tpt. 1

3

ff

7

7

5 4

C Tpt. 2

3

7

7 3

7

5 4

Tbn. 1

5 4

Tbn. 2

B. Tbn.

5 4

6 6

5 4

Tuba

3

7

7

5 4

Mar.

9

6

p

Pno.

6

6

6

3 4 3 4

ff

3 4

ff

3 4

ff

6

f

7

5 4

f

6

6

Vn. Ib

fff

3 4 unmeas.

5 4

Vn. II

9 6

5 4

6

ff

Vn. IIb

9

6

unmeas.

6

9

6 6

9

6 9

9

unmeas.

6

6

3 4 unmeas.

3 4

unmeas.

3 4 ff

9

unmeas.

5 4

Va.b

3 4

9

5 4 6

Vc.

unmeas.

6

ff Va.

3 4

9

ff

ff

5 4

p

3 4

5 4 6

3 4

3 4

(3+2)

6

9

3 4

5 4 5 4

Vn. I

9

fff unmeas.

7

6

3 4

ff

5 4

Xyl.

S. D.

6

3 4

ff

7

6

3 4

5 4

C Tpt. 3

3

6

ff

7

6

6

6

6

ff

5 4

3 4

9

3 4 ff

Cb.

5 4

3 4 ff

29

78 Glockenspiel

Glock.

3 4

2 4

f

Vn. I

Vn. Ib

Vn. II

Vn. IIb

Va.

Va.b

Vc.

Cb.

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4 leggiero

Tri.

Small Triangle

80 2 4

mf

(sounding 8va)

2 4 Hp.

Vn. I

4 4

f

2 4

4 4

2 4

4 4 mp

mf

Vn. Ib

Vn. II

Vn. IIb

2 4 2 4

4 4

mf

mp

4 4

mf

mp

2 4

4 4 mf

Va.

4 4

Cb.

mp

2 4

4 4 mf

Vc.

mp

2 4 mf

Va.b

4 4

mp

mp

2 4

4 4

2 4

4 4

30 83 Fl. 1

Fl. 2

Picc.

Ob. 1

Ob. 2

E.H.

Cl. 1

Cl. 2

B. Cl.

Bn. 1

Bn. 2

Cbn.

Hn. 1

Hn. 3

Hn. 2

Hn. 4

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Tuba

Timp.

q = 66 take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4 4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4 4 4

take paper, wave like a thunder sheet

take paper, wave like a thunder sheet

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4 4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4

take paper, wave like a thunder sheet

4 4 swirl tree leaves on B.D.

B. D.

4 4

p

f

Finger Cymbals F. Cym.

4 4

Plastic Maracas p

pp

Maracas

4 4 4 4

Hp.

4 4

Gourd Maracas p

Vn. I

f

DCB EFGA solo mf

ss. gli

retake gliss. if nec.

4 4

f

pp

q = 66

take paper, wave like a thunder sheet

unis.

take paper, wave like a thunder sheet Vn. II

Va.

4 4 4 4

unis.

take paper, wave like a thunder sheet

unis. pp

Vc.

Cb.

4 4 4 4

take paper, wave like a thunder sheet

take paper, wave like a thunder sheet

31

90

3q

Picc.

6

pp

mp

pp

6

cup mute C Tpt. 1

pp

mp

Vn. I

pp

Vn. Ib

pp

Vn. II

pp

Va.

Vc.

pp

96

4q

Picc.

mp

6

6

mp

pp

breathe into instrument Hn. 1

breathe into instrument Hn. 3

breathe into instrument Hn. 2

breathe into instrument Hn. 4

3q

breathe into instrument

C Tpt. 1

breathe into instrument C Tpt. 2

breathe into instrument C Tpt. 3

breathe into instrument Tbn. 1

breathe into instrument Tbn. 2

breathe into instrument B. Tbn.

breathe into instrument Tuba

Vn. I

3q

Vn. Ib

3q

Vn. II

3q

Va.

3q

Vc.

3q

III. Graffiti Mashup

32

Inspired by Os Gemeos’ “Giants”

q = 60

q = 66*

4 4

Ob. 1

mf sultry, expressive

p q = 60 Harp and Clarinet 1 are in a slower tempo than rest of orchestra

4 4

Cl. 1

Quotation of "Coraçao Vagabundo"

gliss. 4:3q

n

4:3q

f sultry and expressive

(Clarinet stands next to harp for solo passage, goes back to original position after solo)

4 4

Bn. 1

p q = 60 Harp and Clarinet 1 are in a slower tempo than rest of orchestra solo, col. Clarinet

4 4

4:3q

4:3q

Harp

4:3q

f

4 4

q = 66*

q = 60

4 4

Vn. I

4:3q

pp

4 4

Vn. II

pp

4 4

Va.

pp

4 4

Vc.

pp

4 4

Cb.

pp

8

gliss.

Ob. 1

6

port. Cl. 1

Eb Cl.

p

Bn. 1

3

3

mf sultry and expressive

4:3q

Harp

Start gliss. at beginning of each note

gliss.

Vn. I

p Start gliss. at beginning of each note

gliss.

gliss. Vn. II

p

Start gliss. at beginning of each note gliss.

div.

gliss.

Va.

p Start gliss. at beginning of each note gliss. Vc.

p

Cb.

*: Clarinet 1 and Harp are still at the opening tempo of q = 60 while rest of orchestra is at slightly faster tempo.

div.

gliss.

33 10 Fl. 1

6

6

mf sultry and expressive

Picc.

6

6

mf sultry and expressive

p

6

gliss. Ob. 1

6

3

6

gliss. E.H.

6

mf sultry and expressive

6

bend pitch Cl. 1

Eb Cl.

3

3

mf sultry and expressive

port. Bn. 1

6

div.

gliss.

gliss.

gliss.

gliss.

gliss.

Vn. I

div.

gliss.

gliss.

gliss.

gliss.

Vn. II

gliss.

gliss.

gliss.

Va.

gliss.

gliss.

gliss.

gliss.

Vc.

13

accel.

Fl. 1

6

Picc.

6

to Oboe

gliss.

E.H.

Eb Cl.

3

accel. unis., notes not exact, quasi-gliss. gliss.

gliss.

gliss.

Vn. I

pp gliss.

6

6

6

6

6

6

gliss.

gliss.

6

6

gliss.

Vn. II

notes not exact, quasi-gliss. unis.

6

6

6

6

6

Va.

pp

6

6

6

6

6

6

6

gliss.

6

6

6

6

6

6

6

6

gliss.

Vc.

15 q = 76 Vn. I

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

unis., notes not exact, quasi-gliss.

Vn. II

pp

6

6

6

6

6

6

Va.

6

6

6

6

6

6

6

6

notes not exact, quasi-gliss. 6

unis.

6

6

6

6

6

6

6

6

Vc.

pp

6

6

6

6

6

6

34

17

2 Cowbells

Cow.

p

Tenor Drum, snares off

T. D.

p 2 Wood Blocks W.B.

p

Vn. I

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Vn. II

6

6

6

6

6

6

Va.

6

6

6 6

6

6

6 6

Vc.

6

6

18

5 4

Fl. 1

p

6

6

6

5 4

Fl. 2

p

6

6

5 4

Ob. 1

p

5 4

Ob. 2

p 6

6

Eb Cl.

5 4

p accel. to presto - do not play together with other percussion

5 4

accel. to presto - do not play together with other percussion

5 4

Cow.

cresc. poco a poco T. D.

cresc. poco a poco accel. to presto - do not play together with other percussion

W.B.

5 4

cresc. poco a poco

Vn. I

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

cresc. poco a poco

6

6

6

6

6

6

5 4

Vn. II

6

6

6

6

6

cresc. poco a poco 6

6

6

6

6

6

6

5 4

Va.

6

6

6

6

6

6

6

6

6

6

cresc. poco a poco 6

6

6

6

6

6

6

6

6

6

6

6

6

6

Vc.

cresc. poco a poco

5 4

6

6

6

6

5 4

35

Fl. 1

20 (3+2) 5 4

4 4 6

Fl. 2

Ob. 1

5 4

6

4 4

6

5 4

4 4 f

Ob. 2

5 4

4 4 f Oboe

Ob. 3

5 4

4 4 p

Cl. 1

f

5 4

4 4 p

Eb Cl.

f 6

5 4 mp

B. Cl.

6

4 4 6

mf 6

5 4

f

6

mf

Bn. 1

6

6

Cbn.

Hn. 1

4 4

6

f

5 4

4 4 f

mf

Bn. 2

6

5 4

4 4

mf

f 3

5 4

f

3

3

3

3

4 4

3

5 4

4 4 f

Hn. 2

5 4

4 4 f

Hn. 3

5 4

4 4 f

Hn. 4

5 4

4 4 f

C Tpt. 1

f C Tpt. 2

3

fltg.

5 4

3

Tbn. 1

3

4 4 3

3

3

3

3

fltg.

5 4

4 4

f 3

C Tpt. 3

3

3

3

fltg.

5 4

4 4

f

5 4

4 4 mp

Tbn. 2

5 4

4 4 mp

B. Tbn.

5 4

4 4 mp

Tba.

5 4

4 4 mp

Cow.

T. D.

W.B.

5 4

ff

5 4 5 4

ff

4 4 4 4 4 4

ff

(3+2) loco

Vn. I

Vn. II

Va.

5 4

5 4

5 4

6

6

6

6

6

6

6

6

6

6

6

Vc.

6

6

6

6

6

4 4 6

6

6

6

6

6

6

6

6

6

4 4 6

6

6

6

6

4 4

6

6

6

6

6 6

6

5 4

6

6

4 4

36

Fl. 1

21 q = 80 4 4

With Solid and Steady Rhythm q = 100

accel. poco a poco (3+2+2) 7 4

4 4

fast grace notes before beat ff

Fl. 2

4 4

fast grace notes before beat

7 4

4 4 ff

Picc.

Ob. 1

4 4

fast grace notes before beat

7 4

4 4

4 4

Ob. 3

4 4

7 4

fast grace notes before beat

4 4

7 4

fast grace notes before beat

4 4

7 4

ff

4 4

4 4

7 4

4 4

7 4

4 4

fast grace notes before beat

Bn. 1

Bn. 2

Cbn.

4 4 4 4

ff

4 4

Hn. 2

Hn. 3

Hn. 4

4 4 4 4

ff

ff

ff

4 4

C Tpt. 2

C Tpt. 3

4 4 4 4

ff

7 4

4 4 ff

4 4

ff

4 4

ff

Tbn. 2

B. Tbn.

4 4 4 4 4 4

ff

ff

Tba.

Timp.

4 4

ff

T. D.

Vn. I

7 4

4 4

ff

7 4

4 4

ff

7 4

4 4

7 4

Va.

7 4

4 4

7 4

4 4

7 4

4 4

7 4

4 4

Vc.

ff

5 4

sfff

5 4

sfff

5 4 5 4

4 4

5 4

sfff

4 4 ff

accel. poco a poco (3+2+2) 7 4

4 4

5 4 sfff

5 4 5 4

sfff

5 4

With Solid and Steady Rhythm q = 100 4 4

5 4 f staccatissimo

7 4

non div., pizz., strum rapidly

sfff

5 4

4 4

4 4

5 4

sfff

4 4

5 4 f staccatissimo

7 4

4 4

5 4 f staccatissimo

7 4

4 4

5 4 f staccatissimo

ff

Cb.

5 4

4B.D. 4

7 4

4 4

sfff

sfff

4 4

ff

5 4

sfff

7 4

4 4

sfff

4 4

4 4

ff

5 4

sfff

ff

7 4

4 4

5 4

4 4

ff Vn. II

sfff

sfff

4 4

4 4

5 4

5 4

7 4

q = 80

sfff

4 4

7 4

ff dry and percussive

5 4

7 4

4 4

4 4

sfff

5 4

7 4

Harp

5 4

4 4

f

Pno.

5 4

7 4

4 4

4 4

f staccatissimo

5 4

mf

B. D.

5 4

sfff

ff

4 4

5 4

4 4

ff Tbn. 1

f staccatissimo

sfff

7 4

7 4 ff

f staccatissimo

sfff

ff C Tpt. 1

5 4

4 4

ff Hn. 1

sfff

5 4

sfff

7 4

7 4

4 4

f staccatissimo

4 4 ff

ff

f staccatissimo

4 4

fast grace notes before beat ff

B. Cl.

5 4

sfff

ff Eb Cl.

5 4 sfff

4 4

ff Cl. 1

sfff

sfff

ff Ob. 2

5 4

4 4 ff

fast grace notes before beat

7 4

5 4

sfff

7 4

4 4

div. a3

f dry and percussive

5 4

37

Fl. 1

Fl. 2

24 (3+2) 5 4

4 4

5 4

4 4

f

5

(3+2) 5 4

5

4 4

5

5 4

5

4 4

5

5 4

5

4 4

f

Picc.

Ob. 1

Ob. 2

Ob. 3

Cl. 1

Eb Cl.

C Tpt. 1

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

f

gliss.

5 4

gliss.

4 4

f staccatiss.

C Tpt. 2

5 4

4 4

gliss.

5 4

gliss.

4 4

gliss.

5 4

gliss.

4 4

f staccatiss.

C Tpt. 3

5 4

4 4 f staccatiss.

Xyl.

5 4

Xylophone

4 4

gliss.

5 4

gliss.

4 4

f

5 4

4 4

5 4

4 4

Harp

Vn. I

Vn. II

Va.

Vc.

Cb.

(3+2) 5 4

f dry and percussive

5 4

4 4

5 4

4 4

(3+2)

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

4 4

5 4

4 4

5 4

(div. a3)

38 Fl. 1

Fl. 2

Picc.

27

4 4

5

5

4 4

5

5

4 4

5

5

ff

ff

5

3 4

5

3 4

5

3 4

ff Ob. 1

Ob. 2

Ob. 3

Cl. 1

Eb Cl.

B. Cl.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3

f staccatiss. Bn. 1

4 4

Hn. 3

Hn. 4

C Tpt. 2

C Tpt. 3

Tbn. 1

Tbn. 2

3

Tba.

f staccatiss.

4 4

ff 3

f staccatiss.

4 4

Va.

Vc.

Cb.

3

4 4

3 4

3

3

3

f 3

3

3

f 3

3

3

ff

5

3

ff

5

f

3 4

ff

5

3 4

3

ff

3 4

3 4

3

f

ff 3

ff

5

3 4

gliss.

gliss.

4 4

gliss.

gliss.

3 4

4 4

gliss.

gliss.

3 4

4 4

f staccatiss.

3

4 4 4 4

4 4

3

ff

4 4 3

ff

3

3 3

3

3

3

3

3

3 4 f

3 4 f

3 4

3

ff

f

f staccatissimo 3

3

3

3 4

3

ff

hard mallets meas.

f

3

3

3

3

ff

3 4 f

4 4

ff 3

5

3 4

3

3

3

3 4

3

3

3

3 4

ff staccatiss. 3

4 4

Vn. II

3

3 4

ff

4 4

Pno.

Vn. I

3

3

4 4

Harp

3

3

f dry Xyl.

3

f

4 4

f staccatiss.

Timp.

3

3 4

ff

f staccatiss. B. Tbn.

3

f

ff

4 4

f staccatiss.

C Tpt. 1

3

f 3

f staccatiss. Hn. 2

3

3 4

ff

4 4

f staccatiss.

Hn. 1

3

f 3

f staccatiss. Cbn.

3

ff

f staccatiss. Bn. 2

3

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

(div. a3)

3 4

39

31 Fl. 1

Fl. 2

Picc.

(2+2+3)

3 4 3 4 3 4

2 4 2 4

f

f

2 4

7 8

5

ff

7 8

5

ff

7 8

5

f

Ob. 1

Ob. 2

Ob. 3

Cl. 1

Eb Cl.

B. Cl.

Cbn.

3

3

3

3

3

3

3

3

3

3

3

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

Tbn. 2

Tba.

Vc.

3

3

9 8

2 4

7 8

4 4

2 4

9 8

3 4

2 4

7 8

4 4

2 4

9 8

3 4

2 4

7 8

4 4

2 4

9 8

3 4

2 4

7 8

4 4

3 4

2 4

3 4

2 4

3 4

2 4

3

3

3

3

ff

3

3

7 8

3

3

7 8

2 4

7 8

3 4

2 4

7 8

3 4

2 4

7 8

3 4

2 4

f

f

3 4

2 4

gliss.

3 4

2 4

gliss.

3 4

2 4

gliss.

3 4

2 4

ff

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4 3 4

3 4 3 4 3 4 3 4 (div. a3)

3 4

5

4 4

5

2 4 2 4

5

3

3

3

3

9 8 9 8

2 4

3

3

9 8

2 4

3

3

9 8

3

3

3

3

3

3

3

3

3

3

3

3

3

4 4

2 4

4 4

2 4

4 4

2 4

ff

ff

3

4 4

2 4

7 8

4 4

2 4

7 8

4 4

2 4

3

7 8

4 4

2 4

3

7 8

ff

3

3

3

3

f

4 4

7 8

3

3

7 8

3

3

4 4 f

4 4

3

5:4x

5:4x

5:4x

5:4x

5:4x

ff

5

4 4

3

3

3

3

3

9 8

3

3

3

3

3

3

3

3

3

9 8 9 8

ff

ff

3

3

3

3

9 8 3

3

3

3

3

3

9 8

3

3

9 8

2 4

3

3

9 8

2 4

3

3

9 8

3

3

2 4

5

9 8

9 8

ff

f

7 8

5:4x

5:4x

3

ff

f

7 8

5:4x

3

2 4

ff 5:4x

f 3

ff

5:4x

3

9 8

ff

5:4x

3

3

ff

5:4x

3

9 8

ff

2 4

2 4

3 4

5:4x

4 4

7 8

3

ff

4 4

4 4

7 8

2 4

5:4x

5:4x

f

3 4

3 4

5:4x

ff

f

7 8

3

3

3

4 4

2 4 ff 5:4x

5:4x

3

3

3

3

9 8

3

3

7 8

4 4

3

3

7 8

4 4

2 4

7 8

4 4

2 4

9 8

2 4

7 8

4 4

2 4

9 8

4 4

2 4

9 8

4 4

2 4

9 8

4 4

2 4

9 8

4 4

2 4

9 8

4 4

2 4

fff

e=e

2 4

ff

2 4

7 8

7 8

2 4

ff

2 4

7 8

3

e=e

5

2 4

3

3

9 8

2 4

3

3

9 8

f

f

7 8 ff

fff

5:4x

f

7 8

2 4

5:4x

f

ff

Cb.

3

3 4

ff

Va.

3

9 8

9 8

(2+2+3)

Vn. II

3

2 4

Pno.

Vn. I

ff

3

4 4

ff

Harp

2 4

3

7 8

ff

Xyl.

4 4

3

9 8

2 4

ff Timp.

ff

3

3 4

ff B. Tbn.

2 4

3

9 8

ff Hn. 4

4 4

3

2 4

ff Hn. 3

ff

3

4 4

ff Hn. 2

2 4

7 8

ff Hn. 1

4 4

2 4

ff Bn. 2

ff

3

3 4

ff Bn. 1

e=e

e=e

f

ff

3

9 8

40

(2+2+2+3)

36 Fl. 1

Fl. 2

Picc.

e=e

e=e

9 8 9 8

f

f

9 8

5

3 4

5

2 4

4 4

5

3 4

5

2 4

4 4

5

3 4

5

2 4

4 4

f

Ob. 1

Ob. 2

Ob. 3

Cl. 1

Eb Cl.

B. Cl.

9 8

3 4

2 4

4 4

9 8

3 4

2 4

4 4

9 8

3 4

2 4

4 4

9 8

3 4

2 4

4 4

9 8

3 4

2 4

4 4

9 8

3 4 3

3

3

3

f

Bn. 1

9 8

3 4 f

Bn. 2

9 8

3

3 4

9 8

2 4

3

3

3

2 4

3

3

4 4

3

3

3

2 4

3

3

4 4

3

3

3

2 4

3

3

4 4

3

3

2 4

3

3

4 4

3

3

2 4

3

3

4 4

2 4

3

3

3

3

3

3

3

3

3

3

3

ff

f

Hn. 1

3

3

3

4 4

ff

f Cbn.

3

3

3

4 4

ff

3 4

9 8

2 4

3

ff

3 4

ff Hn. 2

9 8

3

3 4

ff Hn. 3

9 8

3 4

9 8

3 4

3

ff Hn. 4

3

3

3

3

4 4

ff C Tpt. 1

C Tpt. 2

C Tpt. 3

9 8 9 8

gliss.

3 4

gliss.

3 4

gliss.

3 4

f

f

9 8

2 4

4 4

gliss.

2 4

4 4

gliss.

2 4

4 4

gliss.

f Tbn. 1

9 8

3 4

3

3

3

3

f Tbn. 2

3 4

9 8

3 4

3

3

3

ff

3

3

3

3

3

3

Timp.

3

3

2 4

3

3

3

3

4 4

3

3

2 4 2 4

3

3

4 4 4 4

ff

9 8 9 8

3 3

f Tba.

3

ff

9 8 f

B. Tbn.

3

3 4 f

3

3

3

ff

3 4

3

2 4 2 4

4 4

3

3

4 4

ff

9 8

3

3 4

3

3

3

2 4

3

3

4 4 3

fff staccatiss.

Pno.

Harp

3

3

3

9 8

3 4

9 8

3 4

3

2 4

4 4

9 8

3 4

3

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

(2+2+2+3)

e=e Vn. I

e=e

9 8

ff

Vn. II

9 8 ff

Va.

9 8 ff

Vc.

9 8 ff (div. a3)

Cb.

9 8

3 4

3

3

3

3

2 4

3

4 4

41 40 Fl. 1

4 4 ff

Fl. 2

4 4 ff

Picc.

4 4 ff

Ob. 1

Ob. 2

Ob. 3

Cl. 1

Eb Cl.

B. Cl.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

5

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

4 4 4 4 4 4 5

4 4 4 4

5

5

5

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

5

5

5

3:2e

5

5

4 4

3:2e

3:2e

3:2e

5

4 4

3:2e

5

f

Cbn.

5

3

4 4

f

Bn. 2

5

4 4

f Bn. 1

3

3:2e

5

3:2e

3:2e

3:2e 3:2e

3:2e

3:2e

5

3:2e

3:2e 3

3

3:2e

3:2e

3

3

f

C Tpt. 1

4 4 ff

C Tpt. 2

4 4 ff

C Tpt. 3

4 4 ff

Tbn. 1

4 4 f

Tbn. 2

4 4 f

B. Tbn.

4 4

3

6

6

f

3

6

6

f

3

6

6

f

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

f

Tba.

4 4

5

5

5

f Timp.

4 4

5

3

3

f

Xyl.

4 4 ff

6

6 3:2e

4 4 Pno.

ff

4 4 4 4

Harp

Vn. I

Vn. II

Va.

Vc.

4 4

3:2e

3:2e

3:2e

3

3

3:2e

3

3

5

5

5

5

5

5

5

5

5

f

4 4 4 4 4 4 4 4 (div. a3)

Cb.

4 4 f

3:2e

3:2e

3:2e

42

(q = 100)*

43

Fl. 1

6

Fl. 2

6

Picc.

6

B. Cl.

mf

p

mf

p

ppp

Bn. 1

Bn. 2

p

mf Cbn.

mf

ppp

p

Only Horns in New Tempo q = 116

gliss.

gliss.

Hn. 1

f Only Horns in New Tempo q = 116

gliss.

Hn. 2

f

Only Horns in New Tempo q = 116

gliss.

Hn. 3

f Only Horns in New Tempo q = 116 gliss.

Hn. 4

f 3

3

3

3

C Tpt. 1

p

mf 3

3

3

3

3

3

C Tpt. 2

p

mf

3

3

3

3

3

3

3

3

C Tpt. 3

mf

p 3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

Tbn. 1

mf

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

p

3:2e

3:2e

Tbn. 2

p

mf 3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

3:2e

B. Tbn.

p

mf

3

3

3

3

Tba.

p

mf

Timp.

pppp

p

mf 3

3

3

3

p

mf

Harp

3

3

3

3

(q = 100)* 6

6

6

6

6

Vn. I

6

f

6

p 6

6

6

6

6

Vn. II

6

f

6

p 6

6

6

Va.

6

f 6

6

6

6

6

6

6

Vc.

6

6

6

6

p (div. a3)

3

3

unis.

Cb.

f

p

*: Only French Horns are in new tempo q = 116; not necessary to be completely together.

p

43 47 Crude and a bit “In Your Face” Hiphop q = 116 gliss.

gliss.

gliss.

gliss.

gliss.

Hn. 1

Hn. 2

Hn. 3

gliss.

Hn. 4

gliss.

gliss.

gliss.

Pno.

fff

Harp

fff

Crude and a bit “In Your Face” Hiphop q = 116

arco

Cb.

start gliss. at beginning of note gliss.

gliss.

ff

51

begin bend immediately

B. Cl.

gliss.

ff fake pitch bend with embouchure Bn. 1

gliss.

ff

fake pitch bend with embouchure

Bn. 2

gliss. ff Cbn.

ff

gliss.

gliss.

Hn. 1

gliss. Hn. 2

gliss.

Hn. 3

gliss.

gliss.

Hn. 4

gliss.

gliss.

Pno.

Harp

non div.

start gliss. at beginning of note

Vc.

gliss.

ff Cb.

gliss.

44

53

Fl. 1

p

Fl. 2

3

6

3

6

6

6

p

f

p

f

p

3

6

6

3

6

6

fltg.

f

f

fltg.

Picc.

f

p

f

f

p

f

f

p

f

f

p

f

f

p

f

f

p

f

p

f

f

p

f

p

f

f

p

f

Ob. 1

Ob. 2

Ob. 3

f

Cl. 1

f

Eb Cl.

3

6

6

B. Cl.

3

f

p

6

6

f

p

gliss.

gliss.

gliss.

gliss.

f

mf

Bn. 1

gliss.

gliss.

gliss.

gliss.

f

mf

Bn. 2

gliss.

gliss.

gliss.

gliss.

f

mf

Cbn.

f

gliss.

Hn. 1

f

gliss. Hn. 2

f gliss.

Hn. 3

f gliss.

Hn. 4

f gliss. C Tpt. 1

f

gliss. C Tpt. 2

f gliss.

C Tpt. 3

f

semi-gliss. Tbn. 1

semi-gliss.

mf

2q

f

2q

mf

Tbn. 2

mf semi-gliss.

2q

mf

f

2q

2q 2q

B. Tbn.

mf

mf

f

Tba.

f hard mallets

f

f

Mar.

ff

Plastic Maracas

Mrcs.

f dry Db C Bb Eb F Gb Ab

gliss .

Harp

ff

ff

gliss.

div.

glis s.

gliss.

gliss.

gliss.

start gliss. at beginning of note unis. gliss.

div.

start gliss. at beginning of note unis. gliss.

Vn. I

p

p

f start gliss. at beginning of note

div.

unis.

f start gliss. at beginning of note

div.

gliss.

unis.

gliss.

Vn. Ib

p div.

p

f start gliss. at beginning of note unis. gliss.

div.

f

div. unis.

gliss.

div. unis.

gliss.

unis. gliss.

Vn. II

f

div. unis.

Va.

f

unis.

gliss.

f

mp

Vc.

f

f

mp

div.

mp

mp

f

f

mp

f

mp

f

mp

gliss.

f

mp

gliss.

gliss.

Cb.

f

mp unis.

gliss.

mp

gliss. f

f div.

unis.

gliss.

mp

gliss.

f

mp

div.

gliss.

gliss.

f

mp

gliss.

gliss. f

mp

45

57 Fl. 1

ff Fl. 2

mf leggiero

Picc.

ff Ob. 1

mf

p

mf

mf

p

mf

mf

p

mf

mf

p

mf

3

mf leggiero

3

3

Ob. 2

3

mf leggiero

3

3

3

mf leggiero

Ob. 3

3

3

3

3

3

3

Cl. 1

mf leggiero

Eb Cl.

ff B. Cl.

gliss.

gliss.

gliss.

Bn. 1

gliss.

gliss.

gliss.

Bn. 2

gliss.

gliss.

gliss.

Cbn.

mf gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

Hn. 1

Hn. 2

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

Hn. 3

Hn. 4

gliss.

gliss.

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

2q

mf

f

f

2q

mf

2q

mf

f

Tbn. 2

2q

mf

f

f

mf

2q

2q

2q

mf

f

2q

2q

B. Tbn.

f

f

mf

f

mf

mf

Tba.

mf Timp.

mf Mar.

mf Mrcs.

mf

Pno.

mf

gliss.

f

f

Harp

gliss.

gliss.

gliss.

gliss.

gliss.

f

gliss.

gliss.

gliss.

Vn. I

ff

espressivo gliss.

gliss.

gliss.

Vn. Ib

ff

espressivo

div.

unis.

div. unis.

gliss.

Vn. II

3

mf div.

mp unis.

Va.

mf

Vc.

gliss.

mf div.

3

mf

gliss.

3

3

3

unis.

gliss.

mp

3

mf leggiero

mf leggiero

gliss.

3

3

gliss.

mf

gliss.

Cb.

mf

gliss.

gliss.

46

60

Fl. 1

5

3

5

5

3

5

Fl. 2

Picc.

Ob. 1

3

Ob. 2

3

3

Ob. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cl. 1

Eb Cl.

5

B. Cl.

f

3

3

3

3

3

3

3

3

3

3

ff

Bn. 1

f

ff

Bn. 2

f

ff

Cbn.

f

ff

Hn. 1

6

3

6

3

6

6

3

6

6

6

6

3

6

6

6

6

6

6

3

6

6

3

6

6

3

6

6

3

6

6

Hn. 2

Hn. 3

3

6

3

Hn. 4

6

3

6

6

6

3

6

6

6

3

6

6

6

3

6

6

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

5

f Tbn. 2

6

5

f

3

ff

6 5

3

3

ff

6

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

B. Tbn.

ff

f Tba.

f

ff

Timp.

ff Mar.

f

ff

Mrcs.

ff

f

Pno.

ff

gliss. f

Harp

ff

gliss.

gliss.

Vn. I

Vn. Ib

Vn. II

Va.

Vc.

Cb.

3

3

3

3

3

3

3

3

5

3

5

3

3 6

gliss.

gliss.

gliss.

5

3

3

3

gliss.

5

6

3

3

3 3

(2+2+3) e=e

62

3 2

4e=e 4

7 8

3 2

4 4

7 8

3 2

7 8

Fl. 1

Fl. 2

Picc.

47 e=e

(3+2) f

f

4 4

f

mf espressivo

7 8

Ob. 1

3 2

5

7

5 4

4 4

5

7

5 4

4 4

5

7

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

4 4

f

mp

Ob. 2

Ob. 3

7 8

3 2

7 8

3 2

7 8

Cl. 1

Eb Cl.

B. Cl.

Bn. 1

mf espressivo Bn. 2

Cbn.

3 2

4 4

mp

f

4 4

mp

f

4 4

mp

5

7

5 4

4 4

5

7

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

f

7 8

3 2

7 8

3 2

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

3

mf espressivo

3

3

4 4

f

4 4 f

f

f

f

Hn. 1

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

3

3

6

5 4

4 4

3

3

3

6

ss. gli

5 4

4 4

3

3

3

6

5 4

4 4

3

3

3

6

5 4

4 4

f

mf espressivo Hn. 2

3

f Hn. 3

f Hn. 4

C Tpt. 1

ss. gli

f

5 4

mf espressivo

C Tpt. 2

7 8

3 2

4 4

5 4

7 8

3 2

4 4

5 4

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

7 8

3 2

4 4

5 4

7 8

3 2

4 4

5 4

4 4

f

4 4 f

C Tpt. 3

f

fltg. Tbn. 1

Tbn. 2

f

B. Tbn.

f Tba.

5 4

4 4

5 4

4 4

fltg.

5 4

4 4

fltg.

5 4

4 4

fltg.

f

4 4

f Timp.

Mar.

ff

Pno.

(sounding 8va)

Harp

mf

3

3

3

4 4

7 8

3 2

4 4

7 8

3 2

4 4

Db C B Eb

7 8

3 2

4 4

5 4

7 8

Vn. II

3

3

3 2

e=e

Vn. Ib

3

3

ff

3 2

e=e

7 8

3 2

7 8

3 2

mp espressivo unis.

mp espressivo

start gliss. at beginning of note

4 4

4 4 p.d.l.t.

F# G Ab

. gliss gliss.

ff gliss. gliss.

5 4

gliss.

ff

5 4 start gliss. at beginning of note gliss.

4 4

3 2

start gliss. at beginning of note

4 4

gliss.

4 4 4 4

5 4

4 4 4 4

gliss.

4 4

5 4

4 4

5 4

4 4

5 4

4 4

ff start gliss. at beginning of note

7 8

3 2

4 4

arco gliss.

mf

Cb.

5 4

unis.

4 4

mp espressivo pizz.

4 4

ff

7 8

Vc.

4 4

(3+2)

unis.

e=e

4 4

5 4

5 4

mf espressivo

Va.

f

7 8

(2+2+3) Vn. I

3

unmeas. gliss.

ff

7 8

3 2

4 4

start gliss. at beginning of note

gliss.

ff

48 69 B. Cl.

4 4

bend tone down fake gliss.

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

f fast trills (double trills throughout)

4 4

Bn. 1

f

fast trills

4 4

Bn. 2

f

4 4

Cbn.

f

4 4

C Tpt. 1

con sord., straight mute

3 4

ff menacing

4 4

C Tpt. 2

3 4

4 4

con sord., straight mute

3 4

4 4

3 4

ff menacing

C Tpt. 3

Tba.

Timp.

Harp

4 4

3 4

4 4

3 4

4 4

4 4

3 4

4 4

3 4

4 4

4 4

3 4

4 4

3 4

4 4

4 4

3 4

4 4

3 4

4 4

4 4

3 4

4 4

3 4

4 4

gliss.

gliss.

4 4

Vn. I

4 4

Vn. II

4 4

Va.

4 4

Vc.

3 4

f

3 4

gliss. f gliss.

f gliss.

f

4 4

Cb.

con sord., straight mute

unmeas.

3 4

4 4

3 4

gliss.

gliss.

3 4

f

3 4 3 4

gliss.

3 4

gliss.

4 4

3 4

gliss.

4 4

gliss.

3 4

gliss.

4 4

3 4

gliss.

3 4

4 4

4 4

4 4

f unmeas.

4 4

gliss.

gliss.

3 4

gliss.

3 4

3 4

gliss.

4 4 gliss.

ff menacing

gliss.

gliss.

3 4

gliss.

3 4 3 4

gliss.

4 4

gliss.

3 4

gliss.

3 4

gliss.

f

74 Fl. 1

Fl. 2

B. Cl.

Bn. 1

Bn. 2

Cbn.

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

3 4 3 4 3 4

4 4

f

5

4 4

f

5

Vn. II

Va.

Vc.

Cb.

3

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

gliss.

f

gliss. f

gliss. f

gliss. Vn. I

3

3 4

gliss.

4 4

3 4

gliss.

4 4

gliss.

3 4

gliss.

4 4

gliss.

3 4

gliss.

4 4

gliss.

3 4

gliss.

4 4

gliss.

5

5

49 76 Fl. 1

Fl. 2

Picc.

f

Ob. 1

3

mf leggiero

3

3

Ob. 2

mf leggiero

3

mf leggiero

3

3

3

3

4 4