Jan Muller Antiques Winter Catalogue

Jan Muller / Antiques – 2016 Winter Catalogue

2016 – Winter Catalogue

Jan Muller / Antiques Burgstraat 24 9000 Gent, Belgium +32 (0)496 26 33 24 info@janmullerantiques.com

9 789090 295305

Winter Catalogue 2016

Jan Muller Antiques A third generation of antique dealers

Born within a family of antique dealers, it’s not much of a surprise that one day Jan Muller would follow this tradition. It were his grandparents, Julia and George Muller who initially started a little art shop in Lokeren. Spiced with ambition and hard work, it soon became a big success. They participated in the most important antique fairs of Flanders 1 establishing themselves a reputation within the art scene. His grandmother developed a passion for Delftware. 2 Jan's father, Lambert Muller, shared his parents passion for antiques and founded his own business in an old elementary school located in Lokeren-Zeveneken. Together with his wife, Monique, Lambert, for 17 years, worked seven days a week combining antiques with a job as a medical worker. During this time an incredible amount of antique furniture passed though their workshop.

Even grandfather Theofiel 4 and ‘meme’ both helped

to keep up with the work. In this period lots of rare pieces found their way to collectors.

A favourite part of their merchandise was Dutch delftware. An old family tradition. Many antique fairs were to follow 5 and Zeveneken became a popular meeting place for passionate antique collectors. Being the youngest of three children 3 it was Jan who, at a very early age, seemed to develop an interest in his parents profession. 6-7 After having obtained his degree in art science at the university of Ghent, he gradually participated in the family business, thus adding practice to knowledge. Under the supervision of his parents he soon matured and when a new location offered itself, he relocated his trade to Ghent. This is where he resides today with Nina and their two children.

His new gallery in the Burgstraat 24 houses a fine collection of both paintings, sculptures and delftware.

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5

Antwerp circa 1525

The Virgin and Child seated on a throne surrounded by Saint Katharina of Alexandrië and Saint Margarethe of Antiochië

w|h

83,5 x 67,2 cm work

Oil on panel provenance

Auktion Friedrich Muller, Amsterdam, 30 April 1907, Nr. 28 as Jacob Cornelisz van Oostsanen.

Private collection München. Kunsthandel Xaver Scheidwimmer 1994.

7

Literature

The Master of the Parrot Flemish early 16th century

The holy family

8

Instituto Diego Velázquez, Archivo Espagñol de Arte, Madrid,issue n° 227, 1984 p. 259, fig. 2. w|h

38,5 x 49 cm work

Oil on panel

provenance

Nachlass Dr. Samuel Schweizer 1903–1977 Galerie Koller 29/11/1985 Nr. 5060 We thank Miss Eva Busoni for endorsing this attribution.

The Master of the Parrot active in Antwerp in the second quarter of the 16th century

The Virgin and Child

w|h

25 x 20 cm

work

Oil on panel

9

Follower of Hieronymus Bosch 16th century

The hell

10

w|h

124 x 97,5 cm work

Oil on panel – RKD number 61220

provenance

private collection Alvares, Lissabon (according to a handwritten texte of Friedländer on the back of a picture in the Friedländer archives)

David Teniers the Younger provenance

M. Selle, 1761 Dowager Lady Stuart Her sale, Christie's, London, 15 May 1841, lot 67 (bt. Chaplin, 215 gns.)

Sale, Christie's, London, 16 February 1861, lot 112 Alfred de Rothschild Baron Koenigswarter, Vienna Sale, Schulte, Berlin, 20 November 1906, lot 89 Sale, Christie's, New York, 18 June 1982, lot 95 With Noortman & Brod, London, where purchased by the present owner's aunt

Antwerp 1610 – 1690 Brussels

Villagers merry-making

literature

J. A. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, London, 1831, vol. III, p. 287, no. 94 J. A. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, London, 1842, vol. IX (supplement), p. 470, no. 206 C. Davis, A description of the works of art forming the collection of Alfred de Rothschild, London, 1884, vol. 1, no. 31 Margret Klinge confirmed the attribution to David Teniers the Younger for the exhibition in 1982, and dated the work to the early 1670s.

w|h

35,2 x 24,5 cm work

Oil on panel Signed 'D. TENIERS: FEC' (lower right)

11

Frans Pourbus II Antwerp 1569 – Paris 1622

Portrait of Prince Philips William of Orange-Nassau (1554-1618) in a cuirass and with the Order of the Golden Fleece. circa 1599-1600

w|h

82 x 102 cm work

Oil on canvas RKD number 261980 collection

Collection of Thierry Guyot de Mishaegen de Beauffort (1898-1973), kasteel van Mishaegen, Brasschaat, Belgium

exhibitions

Laarne, Portraits du 15ième, au 18ième siècle (according to a label on the reverse).

Groeninge Museum, Bruges, La Toison d’Or: cinq siècles d’art et d’histoire, 1962 Literature

La Toison d’Or, cinq siècles d’art et d’histoire, ed. by H. Pauwels, exhibition catalogue, Groeninge Museum, Bruges, 1962. pp 217/18. cat.no. 182 History

Frans Pourbus the Younger was only 12 when his father died, he became a master of the Antwerp Guild of Saint Luke in 1591. In 1599 he was appointed court painter to the governors in Brussels. In 1600 Pourbus already had to leave Brussels when Vincent I Gonzaga called him to Mantua to be his court painter.

The present painting must therefore have been executed between 1599, when the Prince received the Order of the Golden Fleece, and 1600, when Pourbus departed for Mantua. Prins Philip William of Orange was the son of William the Silent and Anna of Egmont. He was brought to Spain in 1568 as a hostage.

He studied in spain and became a loyal friend of the Spanish king. After the murder of his father in 1584, his brother Maurice of Orange was appointed governor of the Netherlands instead of him, this causing considerable tensions between the two brothers. The prince only returned to the Netherlands in 1596.

He died in 1618, leaving behind no heirs from his marriage to Eléonore de Bourbon-Condé.

13

w|h

Studio of Jan Brueghel the Younger

114 x 75,5 cm

Antwerp 1601 – 1678

Oil on panel

The allegory of taste, the hunting castle of Tervuren in the background

14

work

provenance

the Castle of Mishagen in Brasschaat, private collection

Jan Brueghel the Elder and Peter Paul Rubens, Allegory of Taste, Prado Museum, Spain

15

Balthasar Courtois Antwerp before 1607 – after 1641

The battle on the field of the ‘Vughter Heide, 5 february 1600, between De Breauté and Leckerbeetjen in a winter landscape.

w|h

Ø 15,7 cm (original size) work

Oil on copper

16

Martin Ryckaert Antwerp 1587 – 1631

Christ calling out to Peter

w|h

Ø 16 cm ←

The only other known Balthasar Courtois 16,6 x 17,9 cm, painted on silver. signed and dated BvG 1614.

Private collection Holland. RKD 204477.

work

Oil on panel Certificate by Klaus Ertz 8/10/1986 provenance

Galerie d'A rt Saint-Honoré

17

w|h

Cornelius Lieffrinck II Leiden 1581 – 1652

A rocky coastel landscape with figures on the shore and a moored galley

18

18 x 15 cm work

Oil on copper M. Russell, paintings of coastal scenes by Hans and Cornelis Liefferinck of Leiden, The Burlington Magazine CXXXIV 1992, p. 177, nr 29

w|h

13 x 23,5 cm work

Oil on copper The attribution was done by Sir Fred Meyer (RKD)

The 'Pseudo' Van Kessel 17th century

Still-life with prunes, grapes, melons and hazelnuts on a table ledge

19

Jan Breughel & Hendrik van Balen Antwerp 1601 – 1678 / Antwerp 1575 – 1632

A rest during the flight into Egypt

w|h

30 x 23,5 cm work

Oil on copper literature

Apollo Magazine, April 1971, Inserat Richard Green Gallery, London (with picture reproduction) Klaus Ertz, Jan Brueghel die Altere, Die Gemälde mit kritischem Oevrekatalog, Köln 1979. s 540, Anm.908 und bei Kat.10 Klaus Ertz, Jan Brueghel der Jüngere, Flemish painters in the circle of the Great Masters, volume 1, Luca Verlag, Freren 1984, s 319 abb. 151. provenance

The Earl of Londesborough, London, Christies 7/7/1888, cat.nr 39 Richard Green Gallery, London (before 1972).

Dorotheum Vienna 21/3/1972 cat.nr. 16 Neumeister München, 2001, cat.nr. 491

20

Jacob Savery 1565 Courtrai – 1603 Amsterdam

The hunting game

w|h

19 x 13 cm work

Oil on copper literature

Jan Briels, Les peintres flamands en Hollande, Anvers 1987 p. 347, reprod. 442 provenance

Galerie Leegenhoek 1988 Collection Georges Bemberg

21

Circle of Adriaen Brouwer Oudenaarde 1605 – 1638 Antwerp

A game of ninepins, circa 1630

w|h

60 x 38,7 cm (the panel has not been reduced according to Dr. Ekkart) work

Oil on panel RKD number 225596 provenance

Private English collection; art dealer H. M. Clark, London; acquired by W.C. Escher before August 1919.

Private collection Wilhelm Caspar Escher, Zürich, 1919 - 1929 Private collection Zürich 2002 - ?

Literatuur

W. von Bode, ‘Kunsthistorischen Ausbeute aus dem deutschen Kunsthandel von heute. 4. Adriaen Brouwer’, in Repertorium für Kunstwissenschaft, 49, 1928, p. 6, as by Adriaen Brouwer Böhmer 1940, p. 22, 65-66, ill., as by Adriaen Brouwer Knuttel 1962 , p. 36, 80, as not by Adriaen Brouwer Ekkart 2002A, no. 4, as circle of Adriaen Brouwer, with provenance Exhibitions

On temporary loan to the kunsthaus in Zurich, 1943. number 30 Hidden Dutch and Flemish paintings of the 16th and the 17th century.

22

Marten van Cleve I Antwerp circa 1527 – Antwerp before 1571

A visit to the wet nurse

w|h

67 x 30,5 cm work

Oil on panel literature

K.Ertz; C. Nitze-Ertz, Marten van Cleve (1524-1581): Kritischen katalog der Gemälde und Zeichnungen, Luca Verlag, Lingen, 2014, p. 187, nr 111 (Illustrator) This painting was certified by Dr. Klaus Ertz (6/12/2012).

23

Sebastiaen Vrancx Antwerp 1573 – 1647

A cavalry attack

w|h

city mark of Antwerp (hands and castle) & the panel mark of Nicolaes Vrient

24

66 x 41 cm work

Oil on panel Signed with monogram

Sebastiaen Vrancx Antwerp 1573 – 1647

Spanish soldiers looting a farmhouse

w|h

75 x 55 cm work

Oil on panel To be dated between 1617/1620 On the back the panelmakers mark of Michiel Claessens, he only starts marking at the end of 1617.

25

Abraham Storck Amsterdam 1635 – 1710

Ships at sea

w|h

62 x 51 cm

26

work

Oil on canvas

Signed lower right on a piece of wood

Friedrich Brentel Lauingen 1580 – Strasbourg 1651

Diana and Callisto – The flight of Cloelia

w|h

11,5 x 14,5 cm

work

Signed left below F. Brentel and dated right below 1639 Gouache on paper laid on panel provenance

Collection of pharmacist Johannes Rink, Helsingor.

w|h

9,5 x 13,8 cm

w|h

Willem Key & Adriaen Thomas Key Breda 1515 – 1568 Antwerp / Antwerp 1544 – 1599

The holy family with Saint-Elisabeth

28

67 x 83 cm work

Oil on panel We are gratefull to Dr. Koenraad Jonckheere and Sir Gijs Key to confirm the authenticity of this painting. Late 1560's

Karel Breydel Antwerp 1678 – 1733

A cavalry attack

w|h

58 x 47,5 cm work

Oil on copper Signed left below C. Breydel

w|h

59 x 48 cm work

Oil on copper Signed right below C. Breydel

Frans Francken the younger Antwerp 1581 – 1642

The betrayal of Ananias

w|h

74 x 55 cm work

Oil on panel Signed left below Label on the backside: Kunstkabinet van den Heer JĂźngeling, 1936 Certificate by Dr. Erik Vandamme, KMSK, 15 June 1992

30

Frans Francken the younger Antwerp 1581 – 1642

Moses striking the rock

w|h

52 x 39 cm work

Oil on copper Signed and dated lower right 1634 literature

p. 240 - book by Ursula Härting “Frans Francken II” Editions Luca Verlag Freren 1989

31

Frans Francken the younger Antwerp 1581 – 1642

The feast of Herod, the beheading of Saint-John Baptist in the background

w|h

54 x 88 cm work

Oil on panel Signed lower right D.I. FFrancken et inventor and dated 1610 Certificate by Ursula Härting 2015 and approved by Dr. Natasja Peeters

32

w|h

27 x 22 cm work

Oil on panel Signed ‘Sorgh’ and dated 1669 left below

Hendrick Maartensz Sorgh Rotterdam 1611 – 1670

A man smoking and drinking in a tavern

33

Lucas van Helmont Flemish School, 17th century

The village feast, the city of Antwerp beyond

w|h

106 x 80 cm work

Oil on canvas We thank Dr. Jan De Maere for this attribution.

34

Willem Claes Heda Haarlem 1594 – circa 1680

A still life with ham and a roemer glass provenance

property of the late Mr. and Mrs. Allard-Barge, Geertruidenberg Christies Amsterdam, 1990. Robert Pintelon, 2006 Literature

Jan Briels, Vlaamse schilders en de dageraad van Hollandse Gouden Eeuw 1585-1630, ed. Mercatorfonds Antwerp, p. 80, number 456 illustrated in full color. With letter of authentification by Fred Meijer, RKD in 2006.

w|h

79 x 59,5 cm work

Oil on panel Mid 1640’s. (according to sir Fred Meijer, RKD)

35

Abraham Govaerts & Joseph van Bredael Antwerp 1589 – 1626 & Antwerp 1688 – 1739

Animated wooded landscapes, a river to the left side The first with a fisherman and his wife selling the catch of the day, the second with a caravan on the road

w|h

22 x 17,5 cm work

Oil on copper

Peeter Gijsels Antwerp 1621 – 1690

A village by a river with a sailing boat

w|h

16,6 x 22,6 cm work

Oil on copper certified by Dr. Walther Bernt in March 1978

A village by a river with fishermen

Willem Key

Attributed to

Breda 1515 – 1568 Antwerp

Portrait of a bearded man

w|h

38 x 48,5 cm work

Oil on panel

38

to be dated around 1550 (the first two numbers are visible on the panel to the middle right) We are gratefull to Dr. Koenraad Jonckheere confirming this attribution.

Pieter de Nijs Amsterdam 1624 – 1681

The rich table

provenance

w|h

73 x 104 cm work

Oil on panel

Collection Stummer von Tavarnok, Vienna literature

Erika Gemar-Koeltzsch, Holländische Stillebenmaler im 17 Jahrhundert.

Pag 744, foto reproduction 289/2.

39

w|h

Antwerp between 1530 – 1540

The lamentation

40

95 x 162,5 cm painted on panel

Gortzius Geldorp

Attributed to Leuven 1553 – 1619 Cologne

Portrait of a lady with lace collar

Frans Pourbus II

Attributed to

Antwerp 1569 – 1622 Paris

Portrait of a nobleman with lace collar

w|h

9 x 7,5 cm painted on copper

w|h

3,5 x 4,5 cm painted on copper

41

A still life with pots and pans w|h

19,5 x 14 cm work

Oil on copper private collection Belgium

Jan Van Kessel I

Antwerp 1626 – 1679

The birds house w|h

19,5 x 14 cm work

Oil on copper

w|h

77 x 42 cm work

David Vinckeboons Mechelen 1576 – 1632 Amsterdam

The village kermesse

Oil on panel provenance

Galerie de Jonckheere literature

K. Goosens, David Vinckeboons, Soert 1977, p. 140 cat. nr 34

w|h

62 x 76 cm

work

Joris Van Son Antwerp 1623 – 1667 Antwerp

A vanitas stillife with a skull, a partiture, a nautilus shelf, some fruits and a rich decorive cup

44

Oil on canvas Inscription ‘vanitas/vanitatis/Et-Omnia/vanitas’ and dated 1651 provenance

Private collection of captain Edward George Spencer Churchill, Northwick Park (Blockley) Private collection Belgium In the database of the RKD as number 49722 as by Joris van Son

provenance

With the Art Collector's Association, 1920; Anonymous sale, London, Christie's, 23 January 1920, lot 45 (as T. Borman), for ÂŁ52.10s., to W.S. Davis; Max Lindlar, London; By whose Executors sold, London, Christie's, 3 December 1948, lot 44 (as A. Bosschaert), for 40 Guineas, to Hulst[?]; Anonymous deceased sale (Sold by Order of the Trustees for the Beneficiaries of a Deceased Estate), London, Sotheby's, 12 December 1990, lot 85; With Peter H. Tillou, London (as Frans van Everbroeck); Anonymous sale, London, Christie's, 8 July 2005, lot 59 (as Johannes Borman).

Exhibitions

Veiled and in dark shadow, P H. Tillou, Maastricht, 1992-03. als F. van Everbroeck.

Johannes Borman The Hague 1620/25 – after 1695 Amsterdam

A roemer with walnuts and almonds in a niche surrounded by a garland of fruits, with wasps and ladybirds, and a canopy above

w|h

76,7 x 94,5 cm

work

Oil on panel Listed on the RKD database as number 51111

45

Hendrick Maertensz Sorgh Rotterdam 1609 – 1670

A busy market, probably in Rotterdam

46

w|h

66 x 55 cm Oil on panel

provenance

with Gebroeders Douwes Fine Art 1997, Amsterdam.

Jan Van Bijlert 1646, active in Den Hague around 1670

The Virgin and Child and a girl offering fruit

w|h

82 x 110 cm work

Oil on panel certified by Dr. Paul Huys Janssen, 12 November 2015

47

Nicolaes Maes Dordrecht 1634 – 1693 Amsterdam

Portrait of a young boy holding a bow and arrow, a dog left below.

48

w|h

48 x 57 cm work

Oil on canvas

Pieter Dubordieu Lille-Bouchard ca. 1610 – 1678 Amsterdam

A family portrait, a still-life on the table

w|h

111 x 125 cm work

Oil on canvas Signed and dated 1637 lower right (on the armchair) provenance

the property of Arthur M. Grenfell, 1914 Rudding Park, the Drawing Room North Yorkshire, the property of Captain Sir Everard Radcliff literature: RKD file number 1125831

49

Eugène Verboeckhoven Warneton 1799 – 1881 Brussels w|h

Louis-Pierre Verwee Courtrai 1807 – 1877 Schaerbeek

A shepherd with her flock

50

61 x 78 cm work

Oil on panel Signed left below L.P. Verwee figures Eugène Verboeckhoven

Eugène Verboeckhoven

Louis-Pierre Verwee

Warneton 1799 – 1881 Brussels

Courtrai 1807 – 1877 Schaerbeek

On the ice

w|h

80 x 59 cm work

Oil on panel Signed and dated lower left ‘1851᾿

51

w|h

57 x 76 cm

Eugène Verboeckhoven Warneton 1799 – 1881 Brussels

Sheap in the meadow

52

work

Signed right below and dated ‘1856’ Oil on panel provenance

the estate of Mary Anne Kirchschlager, Chicago

w|h

37 x 53 cm work

Oil on canvas Signed and dated lower left ‘1850’ Nagoya, Matsuzakaya, Art Museum Tokyo, 1996 literature

W. Secord, Dog paintings, The European breeds p. 270. pl 401

Eugène Verboeckhoven Warneton 1799 – 1881 Brussels

Bloodhound in a landscape

53

Eugène Verboeckhoven Warneton 1799 – 1881 Brussels

Panoramic landscape with shepherds and their flock

w|h

74 x 48 cm work

Oil on panel Signed central below and dated ‘1856’ provenance

Eugène Verboeckhoven en zijn medeschilders, 2006, p. 251

54

Theophile Lybaert Ghent 1848 – 1927

At the entrance of the mosque

w|h

39cm x 66 cm work

Oil on canvas Signed right below and dated 1879 Biennale des antiquaires 1990

55

Charles van den Eycken Brussels 1859 – 1923 Brussels

A striking image

56

w|h

55 x 66 cm work

Oil on canvas Signed right below

w|h

63 x 77 cm work

Oil on panel Signed right below

David de Noter Ghent 1852 – 1892 Brussels

The tastery

57

Emile Claus Sint-Eloois-Vijve 1849 – 1924 Astene

The Leie during winter time

w|h

115 x 83 cm work

Oil on canvas Signed and dated 1896

Valerius de Saedeleer 1867 Aalst – 1941 Leupegem

A winter landscape

provenance

w|h

60 x 70 cm work

Oil on panel Signed and dated 1938

Collection Notaris Jules Fobe, Hoogstraat 57, Drongen.

Collection Kickx who received the painting in Ostende on the 27/09/1980 by sir Fobe). exhibitions

Retrospectieve Valerius de Saedeleer 1867-1967, oud hospitaal Aalst, 7 oktober tot 29 oktober 1967.

Exhibition De Saedeleer Aalst

59

Malines, 17th century

A group representing Saint Gudule with a devil on her shoulder

Malines, circa 1500

PoupĂŠe de Malines

w|h|d

15 x 43 x 8 cm Sculpted in wood with original polychromy provenance

The castle of Villebon, Eure-et-Loire, en 1972

60

h

31 cm Sculpted in walnut with original polychromy

w|h

Valencia circa 1472 – 1538

Spanish altare Representing the death of the Virgin surrounded with the 12 apostels, underneath three panels representing the Adoration, the resurrection of Christ and Pentecost.

93 x 134 cm work

Tempera on panel Study present january 2016 made by Dr. Alvaro Pascual who attributes this altare to Pere Cabanes(called ArtĂŠs Master).

61

Pieter Verbruggen II 17th century

A pair of kneeling angles

62

w|h|d

54,5 x 74,5 x 43,5 cm

work

Sculpted in oak

Dutch delftware, circa 1760 / 1770

Two cisterns for alcoholic liquids

h

31 and 29 cm

63

Juan de Anchieta Azpeitia, Guipuzcoa circa 1533 - Pamplona 1588

Christ carrying the cross

64

w|h

91,5 x 116 cm

works

Sculpted in wood Certified by Dr. Alvaro Pascual

around 1400

The throne of mercy

h

72 cm works

Sculpted in wood

65

16th century

Saint Martin and the beggar

w|h

40 x 60 cm works

Sculpted in wood

66

South German (Franken or Schwaben), circa 1500

Pieta

w|h

104,5 cm work

Sculpted in limewood Labels collection Horn (inventary-number 111) and town museum Meissen on the back.

provenance

Sammlung Kommerzienrat Jacques M端hsam, Auktion Rudolf Lepkes Auktionshaus Berlin 1926, Kat.Nr. 128 Abb. Tafel 11 Collection Horn 1945 Stadsmuseum Meissen 1961/91 Albrechtsburg Meissen inv. Nr. 817/Ho 111

67

Antwerp, circa 1500

Two retabel-fragments representing ‘the kneeling Virgin under the cross’ and ‘Saint Maria Magdalena kneeling under the cross’

h

27 and 21 cm work

Sculpted in oak Marked with the hand of Antwerp (in the head of the Virgin)

68

South Bayern, early 16th century

A group representing Saint Anne, the Virgin and the Christ Child

German School, early 16th century

Saint George slaying the dragon

w|h|d

h

43 cm work

Sculpted in limewood with original polychrome layers

36 x 80 x 16 cm work

Sculpted in wood with original polychromy Galerie Georges Giroux, juin 1954, Bruxelles. lot 82

69

Middle-Rhein 14th century

A group representing a seated Virgin holding the Christ child

70

w|h|d

20 x 41 x 17 cm

work

Sculpted in wood with original polychrome layers

w|h|d

42 x 57 x 9 cm

work

Sculpted in walnut

Lombardy, 16th century

A group representing the calvary

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Jan Muller Antiques bvba Fine Art Paintings & Sculptures Š 2016 Jan Muller Antiques

Burgstraat 24 9000 Gent Belgium

Gallery visit by appointment only +32 (0)496 26 33 24

Published by Jan Muller Antiques January 2016

www.janmullerantiques.com

ISBN 9789090295305

Photography Peter Willems Design Sfumato.be Printed by Bema-Graphics

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Jan Muller / Antiques – 2016 Winter Catalogue

2016 – Winter Catalogue

Jan Muller / Antiques Burgstraat 24 9000 Gent, Belgium +32 (0)496 26 33 24 info@janmullerantiques.com

9 789090 295305