Sandor Vass works

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balkan venus 1997, aquatint, burnt linoleum, 180 x 70cm

venus West 1997, aquatint, burnt linoleum, 180 x 70cm

botticelli remix 1997, aquatint, burnt linoleum, 180 x 70cm

botticelli remix II 2000, bread print, 90 x 180cm

childhood III 2000, aquatint, acrylic, collage, 60 x 200cm

childhood I 1996, aquatint, handmade paper, 20 x 30cm

childhood II 1996, aquatint, drypoint, burnt linoleum, 2 x 50 x 70cm

desk 1997, woodcraft, 70 x 100cm

fittnes 1996, litography, handmade paper 30 x 40cm

my body 1997, litography, 70 x 100cm

spine 1998, ink drawing, handmade paper 50 x 60cm

bosnian women 1999, ink drawing, 70 x 100cm

elemĂŠr 1997, aquaforte, collage, 70 x 110cm

self portrait 1996, ink drawing, 50 x 70cm

self portrait with cockroach 2001, ink drawing on handmade paper, 50 x 70cm

self portrait 2006, digital print, 150 x 150cm

you’ve got the hammer, find the nail 1999, multimedia installation, 60 x 50 x 120, 35 x 50 x 60cm

pine needles - zen 2009, land art, Szรกrhegy (Lazarea) Romania, approximately 2m x 2m

pilgrimage for peace A project of a pilgrimage done on over 54 km around Gongju town in August 2010.

The form of the route consists from a symbolic drawing, a depiction of a one heart double-headed twin.

The drawing is the redefinition of the environment and natural formations around Gongju town. The heart of these twins is the Yeonmisan mountain, they are watching each other but their hands are showing to North and South.

The question is if the heart (soul) or the brain is controlling the body?

I’ll do this route by walk with the help of a GPS (Geographic Positioning System) which can drag a virtual line on the way I walk and this-way I’ll create the drawing.