M O D E R N / P O ST-WA R
ABSTRACT ADDICITIONS:
W I T H O U T P U N C T UAT I O N
MODERN/POST-WAR
VFA NYC TOWNHOUSE 222 EAST 49TH STREET N E W Y O R K , N Y 1 0 017 212 . 6 2 8 . 0 7 2 2 VFA STUDIO 66 ROUTE 343 M I L L B R O O K , N Y , 12 5 4 5
I N F O @ VA L L A R I N O F I N E A R T . C O M VA L L A R I N O F I N E A R T . C O M
26
ABSTRACT ADDICTIONS WITHOUT PUNCTUATION “Without Punctuation”…Is indeed an understatement and a very fitting subtitle for our annual catalogue. What has happened in the past ten months seems unimaginable, then again, it could be a blessing in disguise, a kind of wake-up call for all of us. Our global treatment of humanity, our planet’s environment, our economic systems, civil rights and politics have brought our society to a boiling point…..add a major war, unauthorized by our Congress, affecting the entire world’s economy and there you have it…..What’s Next…..Who Knows? One thing I know is art…..the art market has literally been around forever and has weathered centuries Vincent Vallarino, Principal
of wars, economic crashes and countless other global disasters and will continue to prevail…perhaps in new ways, as it inevitably reinvents itself. I believe a correction is taking place, as has happened in every market throughout history when strained by historic events. The traditional brick & mortar gallery model is becoming a thing of the past, while the current economic structure of art fairs could easily put a dealer who depends upon them out of business after a single unsuccessful fair. Over the past several years, we have seen many galleries close because their business models were simply not strong enough to survive these extreme times. In my opinion, the galleries that will prevail are the ones that have skin in the game, own what they sell and have weathered difficult times before. These are the individ-
Masha Stroganova, Director
uals who have spent their lives deeply immersed in….. and driven by their passion of art. I have been in the art business for the past fifty years and own everything we sell. We believe in our expertise grounded in knowledge, scholarship and taste, qualities reenforced by our experience and foresight. Twenty years ago, we became a private gallery because it became apparent that our audience was focused on what represented, allowing our business to be intimate and personal, unlike many larger galleries. We have a beautiful 3,000 square foot townhouse located at 222 East 49th Street next door to Kathryn Hepburn’s former residence.
Vanessa Vallarino, Creative Director 4
There, visitors experience art in-situ, surrounded by mid-century furnishings, much as they might in their own homes rather than in a traditional white-box gallery setting. VFA also has a 6,000 square foot studio in Millbrook, New York, eighty-five miles north of the New York City in the Hudson River Valley, which was originally part of Henry Flagler’s family’s estate. (shown in photos on right) Our two private destination locations provide the perfect settings for viewing our vast inventories of Post War and Modern Art in the most private and comfortable surroundings one could imagine. VFA’s annual catalogue is our signature statement that galleries and auction houses no longer produce. It presents the depth our inventory revealing our taste and vision. Once again, our goal is to create something uniquely our own, demonstrating how art has been an integral part of our lives over the past fifty years. For me, art is the purist addiction that exists. Over time I have come to realize that its eclectic relationship with color, form and space connect everything in mysterious and unexpected ways. Once again, we have put our heart and soul into what we believe is a complete statement for you to explore and appreciate. Hopefully, our passion and enthusiasm will fuel your own quest to absorb new ideas as the mystery of art continues to unfold around you. I continue to believe that the future is all about the past.
Vincent Vallarino, 2026
Millbrook, New York
5
01
ACQUISITION OVERVIEW
MARY ABBOTT
ROGER BROWN GIORGIO CAVALLON ARTHUR B. CARLES BRUCE COHEN GENE DAVIS CAIO FONSECA MAURICE GOLUBOV ROBERT GOODNOUGH SUSAN HERTEL CARL HOLTY STANTON MACDONALD-WRIGHT GEORGE MCNEIL HENRY MOORE HUGO ROBUS THEODOROS STAMOS ESTEBAN VICENTE 6
CHARLES G R E E N S H AW A M E R I C A N , 1892 - 1974
R I V E R’S E N D, C . 1 95 5 AC RY L I C O N C A N VA S 24 × 3 6 I N C H E S S I G N E D LOW E R L E F T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , M A
7
D O R OT H Y H O O D A M E R I C A N , 1918 - 20 0 0
ST I L L P O I N T O F T H E M I N D ’S E Y E , 1 970 S O I L O N C A N VA S 9 0 × 70 I N C H E S 91 × 71 I N C H E S F R A M E D SIGNED UPPER LEFT
P ROV E N A N C E : COLLECTION OF BEN ADAMS S A N A N TO N I O , T E X A S
8
9
STA N TO N M AC D O N A L D -W R I G H T A M E R I C A N , 189 0 - 1973
C U B I S T S T I L L L I F E , 19 4 5 O I L O N C A N VA S 3 6 × 24 I N C H E S 4 4 × 33 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R L E F T
P ROV E N A N C E : T H E A R T I ST TO D R . V E R N O L I V E R K N U D S E N LO S A N G E L E S , C A L I F O R N I A G I F T F R O M T H E A B OV E , 195 9 - 6 0
10
11
HUGO ROBUS A M E R I C A N , 18 85 - 196 4
THE WINCH, C. 1915–17 O I L O N C A N VA S 28 × 34 I N C H E S 34 × 4 0 I N C H E S F R A M E D
P ROV E N A N C E : F O R U M G A L L E RY, N E W YO R K N AT I O N A L C O L L E C T I O N O F F I N E A R TS S M I T H S O N I A N I N ST I T U T I O N , WA S H I N G TO N , D . C . B A R B A R A M AT H E S G A L L E RY, N E W YO R K P R I VAT E C O L L E C T I O N , N E W YO R K
12
13
14
GIORGIO C AVA L LO N A M E R I C A N , 19 04 - 1989
U N T I T L E D , 197 7 O I L O N C A N VA S 72 × 6 0 I N C H E S 74 × 62 1 / 2 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R L E F T
PROVENANCE: G R U E N E B A U M G A L L E RY, L T D . N E W YO R K (LABEL VERSO) B R E T T M I TC H E L L C O L L E C T I O N , C L E V E L A N D , O H I O (LABEL VERSO) P R I VAT E C O L L E C T I O N , C L E V E L A N D , O H I O
15
C A R L H O LT Y A M E R I C A N , 19 0 0 - 1973
C I RC U S F O R M S , 19 3 8 O I L O N G E SS O E D M A S O N I T E 60 × 40 INCHES 62 × 42 I N C H E S F R A M E D
P ROV E N A N C E : T H E A R T I ST. M A R I A N D J A M E S A . M I C H E N E R , A U ST I N , T E X A S G I F T F R O M T H E A B OV E , 196 6 . G I F T TO T H E P R E S E N T OW N E R F R O M T H E A B OV E , 196 8 .
L I T E R AT U R E : S . M . KO OT Z , N E W F R O N T I E R S I N A M E R I C A N PA I N T I N G , N E W YO R K , 194 3, P. X V I , N O . 4 3. E . A . P OW E L L I I I , T H E J A M E S A . M I C H E N E R C O L L E C T I O N : T W E N T I E T H C E N T U RY A M E R I C A N PA I N T I N G , A U ST I N , T E X A S , 1977, P. 16 3, I L L U ST R AT E D . A . D . C A R LO Z Z I , K . B A U M , E D S . , B L A N TO N M U S E U M O F A R T: A M E R I C A N A R T S I N C E 19 0 0 , A U ST I N , T E X A S , 20 0 6 , P. 3 6 4 , F I G . 5, I L L U ST R AT E D .
E X H I B I T E D: A L L E N TOW N , P E N N SY LVA N I A , A L L E N TOW N A R T M U S E U M , C A R L H O L T Y, S E P T E M B E R 1 - 3 0 , 1967. C O L U M B U S , G E O R G I A , M U S E U M O F A R TS A N D C R A F TS ; AT H E N S , G E O R G I A , U N I V E R S I T Y O F G E O R G I A , H O L T Y ’S H E G I R A , N OV E M B E R 1, 196 8 - F E B R U A RY 8 , 196 9. B E A U M O N T, T E X A S , W I L S O N M E M O R I A L A R T C E N T E R , S E L E C T I O N S F R O M T H E M I C H E N E R C O L L E C T I O N , T H E U N I V E R S I T Y O F T E X A S AT A U ST I N , J U LY 6 - A G U ST 8 , 1970 . A U ST I N , T E X A S , U N I V E R S I T Y O F T E X A S AT A U ST I N , T H E M I C H E N E R C O L L E C T I O N : A M E R I C A N PA I N T I N G S O F T H E T W E N T I E T H C E N T U RY, N OV E M B E R 22 , 1972 - M A R C H 1, 1973. A U ST I N , T E X A S , U N I V E R S I T Y O F T E X A S AT A U ST I N , C A R L H O L T Y ( 19 0 0 - 1973 ) : A M E M O R I A L E X H I B I T I O N F R O M T H E M I C H E N E R C O L L E C T I O N , J U N E 21,1973 - J A N A U RY 12 , 1975. A U ST I N , T E X A S , U N I V E R S I T Y O F T E X A S AT A U ST I N , G O R K Y ’S C O N T E M P O R A R I E S , O C TO B E R 12 - N OV E M B E R 23, 1975. M I LWA U K E E , W I S C O N S I N , M I LWA U K E E A R T C E N T E R , C A R L H O L T Y: T H E W O R L D S E E N & S E N S E D , D E C E M B E R 11, 198 0 - F E B R U A RY 1, 1981, N . P. , N O . 6 . P I T TS B U R G H , P E N N SY LVA N I A , C A R N E G I E I N ST I T U T E , M U S E U M O F A R T; S A N F R A N C I S C O , C A L I F O R N I A , S A N F R A N C I S C O M U S E U M O F M O D E R N A R T; M I N N E A P O L I S , M I N N E S OTA , M I N N E A P O L I S M U S E U M O F A R T; N E W YO R K , W H I T N E Y M U S E U M O F A M E R I C A N A R T, A B ST R AC T PA I N T I N G A N D S C U L P T U R E I N A M E R I C A , 1927 194 4 , N OV E M B E R 5, 198 3 - S E P T E M B E R 9, 1984 . A U ST I N , T E X A S , U N I V E R S I T Y O F T E X A S AT A U ST I N , B L A N TO N M U S E U M O F A R T, R O U T E S TOWA R D M O D E R N I S M : A M E R I C A N PA I N T I N G 1870 - 195 0 , S E P T E M B E R 13 - D E C E M B E R 29, 20 0 2
16
17
M A RY A B B OT T A M E R I C A N , 1921 - 2019
U N T I T L E D, C . 1 957 O I L O N C A N VA S 49 × 4 5 I N C H E S 51 × 47 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , S O U T H A M P TO N , N Y
18
AC Q U I R E D D I R E C T LY F R O M T H E A R T I ST
19
20
M A RY A B B OT T A M E R I C A N , 1921 - 2019
U N T I T L E D, C . 1 957
P ROV E N A N C E :
M I X E D M E D I A O N ST R AT H M O R E PA P E R
T H E E STAT E O F T H E A R T I ST
29 × 23 I N C H E S 32 1 / 2 × 26 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T E STAT E STA M P E D V E R S O
21
THEODOROS STA M O S G R E E K / A M E R I C A N , 1922 - 19 97
G R E E K RU G MO U N TA I N L AU R E L , 1 953 O I L O N C A N VA S 37 × 4 8 I N C H E S 38 1/2 × 50 INCHES FRAMED S I G N E D LOW E R L E F T
P ROV E N A N C E : KO U R O S G A L L E RY, N E W YO R K P R I VAT E C O L L E C T I O N , N E W YO R K
I L LU S T R AT E D : “A M E R I C A N A B ST R AC T E X P R E S S I O N I S M O F T H E 195 0 S : A N I L L U ST R AT E D S U R V E Y ” ( ( 20 0 3 ) B Y M A R I K A H E R S KOV I C , P. 319
22
23
E ST E B A N V I C E N T E S PA N I S H / A M E R I C A N , 19 0 3 - 20 01
C O L L AG E N U M B E R 11, 19 5 9 MIXED MEDIA WITH COLLAGE 10 × 8 1 / 2 I N C H E S 17 3 / 4 × 16 1 / 4 I N C H E S F R A M E D S I G N E D LO W E R L E F T
P ROV E N A N C E : A N D R E E M M E R I C H G A L L E RY, N E W YO R K (LABEL VERSO) T H E J A N E STA N TO N H I TC H C O C K C O L L E C T I O N
24
M A U R I C E G O L U B OV
N I G H T A N D DAY I I , 1 974
R U SS I A N / A M E R I C A N , 19 0 5 - 1987
3 6 × 25 I N C H E S
O I L O N C A N VA S
42 × 31 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
25
26
SUSAN HERTEL A M E R I C A N , 193 0 - 19 93
D I N N E R TA B L E , 1 9 8 3 O I L O N C A N VA S 5 0 × 54 I N C H E S 56 × 60 INCHES FRAMED SIGNED UPPER LEFT
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , STA N F O R D , C A L I F O R N I A AC Q U I R E D D I R E C T LY F R O M T H E A R T I ST I N 198 3 AC C O M PA N I E D B Y L E T T E R S A N D A D R AW I N G F R O M T H E A R T I ST TO T H E OW N E R
27
28
R O G E R B R OW N A M E R I C A N , 1941 - 19 97
JAC K A N D T H E B E A N STA L K , 1 9 82 O I L O N C A N VA S 96 × 72 I N C H E S 97 1 / 2 × 73 1 / 2 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : J O H N B E R G G R U E N G A L L E RY, S A N F R A N C I S C O AC Q U I R E D F R O M A B OV E B Y T H E P R E S E N T OW N E R , 198 3 P R O P E R T Y F R O M T H E P H Y L L I S S E L T Z E R T R U ST, C L E V E L A N D , O H I O EXHIBITED: CLEVELAND, OHIO, CLEVELAND CENTER FOR C O N T E M P O R A RY A R T, C O N T E M P O R A RY A R T F R O M C L E V E L A N D C O L L E C T I O N S S E L E C T E D W O R KS F R O M T H E PA ST D E C A D E F E B R U A RY 24 - M A R C H 26 , 198 8
29
H E N RY M O O R E E N G L I S H , 1898 - 198 6
30
R E C L I N I N G F I G U R E W I T H A RC H I T E C T U R A L BAC KG RO U N D, 1 9 8 0
P ROV E N A N C E : P R I VAT E E STAT E , M I SS I O N H I L L S , K A N S A S
E TC H I N G , A Q U AT I N T A N D D RY P O I N T I N D E E P LY
P R I N T E D B Y 2 R C E D I Z I O N I D ’A R T E , R O M E ;
S AT U R AT E D B L AC K I N K O N M A G N A N I PA P E R
P U B L I S H E D B Y R AYM O N D S P E N C E R C O M PA N Y L T D
3 8 × 72 I N C H E S
F O R T H E H E N RY M O O R E F O U N D AT I O N . C R A M E R N U M B E R 5 6 8 .
5 0 × 84 I N C H E S F R A M E D S I G N E D & D AT E D 198 0 I N P E N C I L LOW E R R I G H T; E D I T I O N O F 10
31
32
GEORGE MCNEIL A M E R I C A N , 19 0 8 - 19 95
C YM B E L I N E , 1 9 62 O I L O N PA N E L
E X H I B I T E D : T H E M O N TC L A I R A R T M U S E U M , N E W J E R S E Y
48 × 48 INCHES
“ T H E R E C E N T Y E A R S E X H I B I T I O N , 1970 ”
49 1 / 2 × 49 1 / 2 I N C H E S F R A M E D
F O R T L A U D E R D A L E M U S E U M O F A R T, F LO R I D A
S I G N E D & D AT E D LOW E R R I G H T
D E C E M B E R 6 - 31, 1982 ( L A B E L V E R S O )
P ROV E N A N C E : G R U E N E B A U M G A L L E RY, N E W YO R K (LABEL VERSO) VA N D E R W O U D E TA N A N B A U M G A L L E RY, N Y
H P U B L I C AT I O N : “ G E O R G E M C N E I L : T H E PA ST T W E N T Y Y E A R S , ” M U S E U M O F A R T F O R T L A U D E R D A L E , F LO R I D A , I L L . I N C O LO R , P G . 13.
(LABEL VERSO)
33
34
ARTHUR B. CARLES A M E R I C A N , 18 82 - 1952
ST I L L L I F E W I T H F LOW E R S, C . 1 9 2 0 S O I L O N C A N VA S 4 0 × 33 1 / 2 I N C H E S 47 × 42 3 / 8 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E A R T I ST TO P R I VAT E C O L L E C T I O N C H E ST N U T H I L L , P E N N SY LVA N I A T H E N C E B Y D E S C E N T I N FA M I LY
35
ROBERT GOODNOUGH A M E R I C A N , 1917 - 2010
36
C O LO R S O N O R A N G E , 1 975 AC RY L I C A N D O I L O N C A N VA S 5 8 × 62 I N C H E S 59 × 63 INCHES FRAMED S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : T I B O R D E N A G Y G A L L E RY, H O U STO N AC Q U I R E D F R O M T H E A B OV E B Y T H E P R E S E N T OW N E R
37
CAIO FONSECA A M E R I C A N , B . 195 9
F I F T H ST R E E T PA I N T I N G C 03 . 3, 2 0 03 M I X E D M E D I A O N C A N VA S 51 × 71 I N C H E S UNFRAMED S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : AC Q U I R E D D I R E C T LY F R O M T H E A R T I ST, C I R C A 20 0 8 B Y T H E P R E S E N T OW N E R , N E W YO R K
38
39
G E N E D AV I S A M E R I C A N , 1920 - 1985
40
HONEY GUN, 1980
P ROV E N A N C E :
AC RY L I C O N C A N VA S
H O K I N G A L L E RY, I N C . , PA L M B E A C H , F L
4 8 × 70 I N C H E S
(LABEL VERSO)
49 × 71 I N C H E S F R A M E D
D O R OT H Y B L A U G A L L E RY I N C . ,
S I G N E D T I T L E D & D AT E D V E R S O
B AY H A R B O R I S L A N D S , F L ( L A B E L V E R S O ) P R I VAT E C O L L E C T I O N , F L
41
42
R O G E R B R OW N A M E R I C A N , 1941 - 19 97
B LU E F L AG A N D G O L D S K Y, C . 1 9 8 1 O I L O N C A N VA S 4 8 × 72 I N C H E S 5 0 × 74 I N C H E S F R A M E D TITLED VERSO
P ROV E N A N C E : PAC E W I L D E N ST E I N , N E W YO R K | P R I VAT E C O L L E C T I O N , N E W YO R K
43
BRUCE COHEN A M E R I C A N , B . 195 3
U N T I T L E D, 1 9 8 7 O I L O N C A N VA S 66 × 48 INCHES 68 × 50 INCHES FRAMED S I G N E D & D AT E D V E R S O
P ROV E N A N C E : C H R I STO P H E R - C L A R K F I N E A R T, S A N F R A N C I S C O P R I VAT E C O L L E C T I O N , LO S A N G E L E S , C A
44
45
02 TA RG E T F LOW E R , 1 9 6 9 G O U AC H E A N D I N K O N PA P E R 4 3 × 29 1 / 4 I N C H E S 54 × 42 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : G I F T O F T H E A R T I ST TO M O M A : T H E M U S E U M O F M O D E R N A R T, N E W YO R K C I T Y, 196 9 ; P E R L S G A L L E R I E S , N Y, 198 0 P R I VAT E C O L L E C T I O N , C A L I F O R N I A ; S U S A N S E I D E L I N C , N Y. ; AVA N T I G A L L E R I E S , N Y, 19 97. P R O P E R T Y O F A M A N H AT TA N , N YC C O L L E C T I O N . EXHIBITION: MOMA: THE MUSEUM OF M O D E R N A R T, N E W YO R K C I T Y, A S A L U T E TO A L E X A N D E R C A L D E R ” . 22 D E C E M B E R 196 9 - 15 F E B R U A RY 1970 . C H E C K L I ST O N PA G E 29. N OT E : T H I S W O R K I S R E G I ST E R E D I N T H E A R C H I V E S O F T H E C A L D E R F O U N D AT I O N , N E W YO R K , U N D E R A P P L I C AT I O N N U M B E R A 07277.
46
ALEXANDER CALDER A M E R I C A N , 18 9 8 - 19 7 6
47
48
T H E Y E L LOW S H O C K A BS O R B E R , 1 9 6 9 G O U AC H E & WAT E R C O LO R O N PA P E R 30 × 43 INCHES 43 × 55 INCHES FRAMED S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : P E R L S G A L L E RY, N E W YO R K M R . A N D M R S . PAT R I C K J . K E L L E H E R P R I N C E TO N , N J M I TC H E L L - I N N E S & N A S H , N E W YO R K P R I VAT E C O L L E C T I O N , E N G L A N D T H E W O R K I S L I ST E D W I T H T H E C A L D E R F O U N D AT I O N , N E W YO R K U N D E R N O . A 0 6262
49
50
B E AU C O U P D E TAC H E S N O I R E S, 1 9 62
P ROV E N A N C E :
G O U AC H E O N PA P E R
AC Q U I R E D F R O M A R T I ST
3 0 × 41 1 / 2 I N C H E S
N I C H O A S G U P P Y, LO N D O N
S I G N E D & D AT E D LOW E R R I G H T
H E R B E R T PA L M E R G A L L E RY, LO S A N G E L E S G A L E R I E Q U I N T E SS E N S , U T R E C H T N E ST L E N E D E R L A N D A R T C O L L E C T I O N , A M ST E R D A M , N E T H E R L A N D S P R I VAT E C O L L E C T I O N , N E T H E R L A N D S P R I VAT E C O L L E C T I O N , Z U R I C H , G E R M A N Y T H I S W O R K I S A R C H I V E D AT T H E C A L D E R F O U N D AT I O N , N O . A 0 95 84
51
U N T I T L E D, 1 9 62 G O U AC H E A N D I N K O N PA P E R 29 1 / 4 × 41 1 / 2 I N C H E S 42 1 / 2 × 54 1 / 2 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : I N T E R N AT I O N A L G A L L E R I E S , C H I C A G O (LABEL VERSO) P R I VAT E C O L L E C T I O N , C H I C A G O A N D B E V E R LY H I L L S , AC Q U I R E D C . 1962 T H I S W O R K I S R E G I ST E R E D I N T H E A R C H I V E S O F T H E C A L D E R F O U N D AT I O N , N E W YO R K , U N D E R A P P L I C AT I O N N U M B E R A 13325.
52
53
U N T I T L E D, 1 9 6 9 I N K O N PA P E R 29 1 / 2 × 4 3 I N C H E S 44 × 59 INCHES FRAMED S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST PA C E W I L D E N ST E I N , N E W YO R K P R I VAT E C O L L E C T I O N , N Y, 20 0 3 T H I S W O R K I S R E G I ST E R E D I N T H E A R C H I V E S O F T H E C A L D E R F O U N D AT I O N A P P L I C AT I O N N U M B E R A 19873.
54
55
03
COLORFIELD
STANLEY BOXER GENE DAVIS CLEVE GRAY CARL HOLTY PAUL JENKINS ROBERT NATKIN RAY PARKER JACK ROTH VIVIAN SPRINGFORD ESTEBAN VICENTE
56
PA U L J E N K I N S A M E R I C A N , 1923 - 2012
PHENOMENA CORIOLIS WEDGE, 1979 AC RY L I C O N C A N VA S 6 6 × 77 I N C H E S 67 × 78 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , G R E E N W I C H , C T
57
58
E ST E B A N V I C E N T E S PA N I S H / A M E R I C A N , 19 0 3 - 20 01
S O N I D OS D E I N V I E R N O, 1 9 8 3 O I L O N C A N VA S 44 × 66 INCHES 46 1/2 × 68 1/2 INCHES FRAMED S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : T H E E STAT E O F H A R R I E T P E T E R S T H E C O L L E C T I O N O F R O B E R T WA R S AW, N Y P R I VAT E C O L L E C T I O N , N Y ( 20 0 8 )
59
C L E V E G R AY A M E R I C A N , 1918 - 20 04
U N T I T L E D, 1 976 O I L O N C A N VA S 24 × 3 0 I N C H E S 25 × 31 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W J E R S E Y
60
61
62
E ST E B A N V I C E N T E S PA N I S H / A M E R I C A N , 19 0 3 - 20 01
U N T I T L E D, 1 972
P ROV E N A N C E :
O I L O N C A N VA S
V E R E D G A L L E RY, E A ST H A M P TO N
32 × 24 I N C H E S
P R I VAT E C O L L E C T I O N , PA L M B E A C H
39 × 31 I N C H E S F R A M E D
P R I VAT E C O L L E C T I O N , N E W YO R K
S I G N E D & D AT E D V E R S O
63
64
PA U L J E N K I N S A M E R I C A N , 1923 - 2012
P H E N O M E N A WAT E R I N G P L A C E , 1 9 8 0 AC RY L I C O N C A N VA S 24 × 4 8 I N C H E S 26 × 5 0 I N C H E S F R A M E D SIGNED CENTER MIDDLE
P ROV E N A N C E : T H E A R T I ST TO M A R K G O L D E N O F G O L D E N A R T I ST C O LO R S ( 19 9 0 ) P R I VAT E C O L L E C T I O N , N E W YO R K
NOTE:
G O L D E N A R T C O LO R S . S A M G O L D E N A N D LEONARD BOCOUR PRODUCED HAND-GROUND O I L PA I N TS F O R A R T I STS F R O M T H E I R S H O P O N 15 T H ST R E E T I N N E W YO R K C I T Y F R O M T H E 193 0 S T H R O U G H T H E 195 0 S . T H E S H O P B E C A M E A N I M P O R TA N T G AT H E R I N G P L AC E F O R A R T I STS , I N C L U D I N G B A R N E T T N E W M A N , W I L L E M D E KO O N I N G , J AC KS O N P O L LO C K , HELEN FRANKENTHALER, AND MANY OF THEIR C O N T E M P O R A R I E S , W H O W O U L D G AT H E R TO D I S C U SS C O LO R , M AT E R I A L S , A N D N E W D E V E LO P M E N TS I N PA I N T — I N C L U D I N G G O L D E N ’S I N V E N T I O N O F M A G N A , O N E O F T H E F I R ST AC RY L I C PA I N TS . M A N Y O F T H E S E A R T I STS P U R C H A S E D T H E I R PA I N TS D I R E C T LY F R O M GOLDEN.
T H E PA I N T I N G A B OV E WA S OW N E D B Y S A M G O L D E N ’S S O N , M A R K G O L D E N , F O R W H O M PA U L J E N K I N S PA I N T E D T H E W O R K .
65
J AC K R OT H A M E R I C A N , 1927 - 20 04
66
THE RICH PERFUME OF
P ROV E N A N C E :
F O RG E T F U L N E SS, 1 9 8 0
T H E E STAT E O F T H E A R T I ST
AC RY L I C O N C A N VA S 67 × 81 I N C H E S 6 9 1 / 2 × 84 I N C H E S F R A M E D S I G N E D , T I T L E D & D AT E D V E R S O
67
VIVIAN SPRINGFORD A M E R I C A N , 1914 - 20 0 3
B U R ST B LU E A N D P U R P L E , C . 1 972 AC RY L I C O N C A N VA S 52 × 5 0 I N C H E S 54 × 52 I N C H E S F R A M E D E STAT E STA M P E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
68
69
P H E N O M E N A S E C R E T W H I S P E R , 19 9 3
AC RY L I C O N C A N VA S 39 × 39 I N C H E S S I G N E D LO W E R C E N T E R PROVENANCE:
P R I VAT E C O L L E C T I O N , N E W YO R K
PA U L J E N K I N S A M E R I C A N , 1923 - 2012
PHENOMENA SECRET WHISPER, 1993 A C RY L I C O N C A N VA S 39 × 39 I N C H E S 47 × 47 I N C H E S F R A M E D S I G N E D LO W E R C E N T E R
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
70
71
R AY PA R K E R
U N T I T L E D ( A B S T R AC T ) , 19 6 0
A M E R I C A N , 1922 - 19 9 0
31 × 31 I N C H E S
O I L O N C A N VA S
36 × 36 INCHES FRAMED S I G N E D & D AT E D V E R S O
P ROV E N A N C E : G A L L E R I A D E L L’A R I E T E , M I L A N O ( L A B E L V E R S O ) P R I VAT E C O L L E C T I O N , R O C K V I L L E , M D
72
U N T I T L E D , 19 76 O I L O N C A N VA S 24 × 3 0 I N C H E S 25 × 31 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
PROVENANCE:
P R I VAT E C O L L E C T I O N , N E W J E R S E Y
73
G E N E D AV I S A M E R I C A N , 1920 - 1985
SUN BALL, 1960 M A G N A AC RY L I C O N C A N VA S 8 8 × 94 I N C H E S 9 0 × 96 I N C H E S F R A M E D
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST SMITHSONIAN AMERICAN ART MUSEUM R I VA YA R E S G A L L E RY S C OT TS D A L E , A Z ( L A B E L V E R S O ) M A R S H A M AT E Y K A G A L L E RY WA S H I N G TO N , D C ( L A B E L V E R S O ) C H A R L E S C OW L E S G A L L E RY N E W YO R K , N Y ( L A B E L V E R S O )
74
75
E ST E B A N V I C E N T E S PA N I S H / A M E R I C A N , 19 0 3 - 20 01
R A D I A N C E , 1 9 94 O I L O N C A N VA S 5 0 × 42 I N C H E S 51 3 / 4 × 4 3 3 / 8 I N C H E S F R A M E D S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : A M E R I N G E R YO H E F I N E A R T (LABEL VERSO)
76
77
VIVIAN SPRINGFORD A M E R I C A N , 1914 - 20 0 3
MU LT I - C O LO R E D B U R ST, C . 1 978 A C RY L I C O N C A N VA S 72 × 72 I N C H E S 74 × 74 I N C H E S F R A M E D E STAT E STA M P E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
78
79
STA N L E Y B OX E R A M E R I C A N , 1926 - 20 0 0
VA H M O O N D U S T , 1 9 7 1 O I L O N C A N VA S 72 × 5 0 I N C H E S 73 × 51 I N C H E S F R A M E D
P ROV E N A N C E : T I B O R D E N A G Y G A L L E RY, N E W YO R K AC Q U I R E D F R O M T H E A B OV E
80
81
82
G E N E D AV I S A M E R I C A N , 1920 - 1985
D E V I L’S F O R K , 1 9 8 0 AC RY L I C O N U N P R I M E D C A N VA S 34 × 29 I N C H E S 3 6 × 31 I N C H E S F R A M E D S I G N E D , D AT E D & T I T L E D V E R S O
P ROV E N A N C E : H O K I N G A L L E RY I N C . , PA L M B E AC H , F L (LABEL VERSO) P R I VAT E C O L L E C T I O N . , PA L M B E AC H , F L
83
CARL H O LT Y A M E R I C A N , 19 0 0 - 1973
R E D G O L D, 1 95 8 O I L O N C A N VA S 5 6 × 42 I N C H E S 59 1/4 × 45 INCHES FRAMED S I G N E D LOW E R R I G H T
P ROV E N A N C E : G R A H A M G A L L E RY, N YC ( L A B E L V E R S O ) A R T I ST R OY M E D D E R S . M A R T I N D I A M O N D NEW ROCHELLE, NY
EXHIBITED: 195 8 S O LO S H OW AT G R A H A M G A L L E RY, N YC
84
R O B E R T N AT K I N
U N T I T L E D, C . E A R LY 1 970 S
P ROV E N A N C E :
AC RY L I C O N C A N VA S
P R I VAT E C O L L E C T I O N , N E W YO R K , N Y
A M E R I C A N , 193 0 - 2010
50 × 64 1/4 INCHES 51 × 6 5 1 / 4 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
85
04
THE AVERY FAMILY
MILTON AVERY
A M E R I C A N , 18 8 5 - 19 6 5
SALLY MICHEL AVERY A M E R I C A N , 19 0 2 - 2 0 0 3
MARCH AVERY A M E R I C A N , B . 19 3 2
S A L LY M I C H E L AV E RY A M E R I C A N , 19 0 2 - 20 0 3
C AT S I T T E R , 1 9 9 2 O I L O N C A N VA S B O A R D 12 × 9 I N C H E S 22 × 18 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K , N Y
86
87
88
M I LTO N AV E RY A M E R I C A N , 18 85 - 196 5
S P R I N G L A N D S C A P E , 19 5 3 WAT E R C O LO R O N PA P E R 22 1 / 2 × 3 0 1 / 2 I N C H E S 34 × 42 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : M A R I O N F. A N D N O R M A N W. G O L D I N PA L M S P R I N G S , C A & WA S H I N G TO N , D . C .
89
90
M I LTO N AV E RY A M E R I C A N , 18 85 - 196 5
C O N E Y I S L A N D, 1 93 0 WAT E R C O LO R , P E N C I L A N D C H A R C O A L O N PA P E R 15 3 / 8 × 22 5 / 8 I N C H E S S I G N E D LO W E R L E F T
P ROV E N A N C E : H A R M O N - M E E K G A L L E RY, N A P L E S , F L P R I VAT E C O L L E C T I O N , N A P L E S , F L T H I S W O R K I S I D E N T I F I E D A S N U M B E R A 62226 B Y T H E M I L TO N A N D S A L LY AV E RY A R TS F O U N D AT I O N , I N C .
91
M I LTO N AV E RY A M E R I C A N , 18 85 - 196 5
92
R E L A X E R BY T H E S E A , 1 94 4
P ROV E N A N C E :
WAT E R C O LO R A N D P E N C I L O N PA P E R
W I L L I A M Z I E R L E R , I N C . , N E W YO R K ( L A B E L V E R S O )
22 1 / 2 × 31 I N C H E S
P R I VAT E C O L L E C T I O N , N E W YO R K
37 × 4 5 I N C H E S F R A M E D
T H I S W O R K I S AC C O M PA N I E D B Y A L E T T E R O F
S I G N E D & D AT E D C E N T E R R I G H T
O P I N I O N F R O M T H E M I L TO N & S A L LY AV E RY A R TS F O U N D AT I O N
93
94
M A R C H AV E RY A M E R I C A N , B . 1932
A M A N DA & SA L LY, 1 9 9 2 WAT E R C O LO R O N A R C H E S PA P E R 22 × 3 0 I N C H E S 29 × 37 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : P R I VAT E M A SS AC H U S E T TS C O L L E C T I O N
95
M A R C H AV E RY A M E R I C A N , B . 1932
UNTITLED (TREES), 1963 O I L O N C A N VA S 42 × 4 8 I N C H E S 44 × 50 INCHES FRAMED S I G N E D & D AT E D U P P E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
96
97
M I LTO N AV E RY A M E R I C A N , 18 85 - 196 5
U N T I T L E D ( W I N T E R L A N DS C A P E ) , C . 1 95 0 S WAT E R C O LO R & C H A R C O A L O N PA P E R 22 × 3 0 I N C H E S 33 × 39 I N C H E S F R A M E D S I G N E D LO W E R L E F T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
98
99
M I LTO N AV E RY A M E R I C A N , 18 85 - 196 5
U N T I T L E D , 19 4 6 WAT E R C O LO R O N PA P E R 22 1 / 2 × 31 I N C H E S 33 × 41 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , H O U STO N , T X
100
101
05
THE AMERICAN ABSTRACT ARTISTS GROUP
HERBERT BAYER ILYA BOLOTOWSKY BYRON BROWNE ALEXANDER CORAZZO WERNER DREWES MAURICE GOLUBOV CARL HOLTY CHARLES HOWARD CHARLES GREEN SHAW
102
C A R L H O LT Y A M E R I C A N , 19 0 0 - 1973
G E OM E T R I C I , C . 1 942 OIL ON MASONITE 62 3 / 4 × 4 8 I N C H E S
P ROV E N A N C E : LO U I S E A N D J O E W I SS E R T, LO S A N G E L E S , C A L I F O R N I A . 511 G A L L E RY, N E W YO R K AC Q U I R E D B Y T H E P R E S E N T OW N E R F R O M T H E A B OV E , 20 0 5
E X H I B I T E D: M I LWA U K E E , W I S C O N S I N , M I LWA U K E E A R T C E N T E R
103
104
WERNER DREWES A M E R I C A N , 189 9 - 1985
U N T I T L E D, 1 939 O I L O N C A N VA S 35 × 5 0 I N C H E S 43 X 58 INCHES FRAMED S I G N E D & D AT E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST | C O L L E C T I O N O F D R . A N D M R S . A L B E R T A N D C A R O L R O S E N T H A L | E STAT E O F C A R O L R O S E N T H A L N O T E : C O M E S W I T H A P R E L I M I N A RY S K E TC H O F T H E S U B J E C T
A N D A N A D D I T I O N A L S K E TC H . D AT E D A N D I N S C R I B E D TO LOW E R E D G E O F P R E L I M I N A RY S K E TC H ‘ C O M P 198 C O L L . O F D . A . R O S E N T H A L , T R E N TO N , N J 39 ’. S I G N E D , D AT E D A N D I N S C R I B E D TO LOW E R E D G E O F A D D I T I O N A L S K E TC H ‘ # 195 TO A L A N D C A R O L , B E ST W I S H E S F O R 1979 W E R N E R A N D M A R T H A 38-9’
105
C H A R L E S H OWA R D A M E R I C A N , 189 9 - 1978
DOUG ARGUE A M E R I C A N , B . 1962
U N T I T L E D , 2 019 O I L O N C A N VA S 72 × 70 I N C H E S SIGNED VERSO PROVENANCE:
C O M M I SS I O N F R O M T H E A R T I ST EXHIBITED:
“ D O U G A R G U E : L E T T E R S TO T H E F U T U R E ” WEISMAN ART MUSEUM U N I V E R S I T Y O F M I N N E S OTA J U N E 16 T H - S E P T E M B E R 10 T H , 20 23
106
PA I N T I N G 1 9 6 3 ( I I ) , 1 9 6 3 O I L O N C A N VA S 33 × 4 5 3 / 4 I N C H E S 4 0 1 / 2 × 52 7 / 8 I N C H E S F R A M E D S I G N E D W I T H I N I T I A L S & D AT E D ‘ C H / 6 3 ’
P ROV E N A N C E : M C R O B E R TS & T U N N A R D L I M I T E D , LO N D O N COLLECTION OF ELIZABETH BROOKE BLAKE
107
I LYA B O LOTOW S KY R U S S I A N / A M E R I C A N , 19 07 - 1981
U N T I T L E D, C . 1 9 6 5 A C RY L I C O N W O O D 13 3 / 4 × 2 × 2 I N C H E S SIGNED
P ROV E N A N C E : A L B E R T G O L D M A N G A L L E RY, F LO R I D A E R I C C O L L I N S , D E L AWA R E B E T H U R D A N G F I N E A R T, C H I C A G O
C O LUM N # 1 1 , 1 9 6 3 AC RY L I C O N W O O D 18 × 3 × 3 I N C H E S S I G N E D & D AT E D B OT TO M R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , C O LO R A D O AC Q U I R E D D I R E C T LY F R O M T H E A R T I ST I N 19 91
108
C A R L H O LT Y A M E R I C A N , 19 0 0 - 1973
B LU E P RO G R E SS I O N , C . 1 941 OIL ON MASONITE 48 × 36 INCHES 54 × 42 I N C H E S F R A M E D SIGNED & INSCRIBED VERSO
P ROV E N A N C E : T H E A R T I ST BILLIE IRVING, (AS INSCRIBED) P R I VAT E C O L L E C T I O N , N Y
109
110
H E R B E R T B AY E R A U ST R I A N / A M E R I C A N , 19 0 0 - 1985
R E V E R S E D I N R E D, 1 9 6 5 O I L O N C A N VA S 32 × 4 0 I N C H E S 35 3 / 4 × 4 3 3 / 4 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K , C . 1970
111
WERNER DREWES A M E R I C A N , 1916 - 20 0 2
C O U N T E R BA L A N C E , 1 937 O I L O N C A N VA S 20 × 28 I N C H E S 27 × 35 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R C E N T E R
P ROV E N A N C E : M A R T I N S C H W E I G G A L L E RY, S A I N T LO U I S , M O ( 196 4 E X H I B I T I O N L A B E L V E R S O ) P R I VAT E C O L L E C T I O N , S A I N T LO U I S , M O
112
ALEXANDER C O R A Z ZO A M E R I C A N , 189 9 - 1985
U N T I T L E D, C . 1 94 5 O I L O N C A N VA S 24 × 18 I N C H E S 3 0 × 24 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , K A N S A S C I T Y, M O
113
114
CHARLES G R E E N S H AW A M E R I C A N , 1892 – 1974
U N T I T L E D, C . 1 93 4 O I L A N D S A N D O N C A N VA S 18 × 15 I N C H E S 24 × 21 ¼ I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST M I C H A E L R O S E N F E L D G A L L E RY P R I VAT E C O L L E C T I O N , O H I O
115
M A U R I C E G O L U B OV R U S S I A N / A M E R I C A N , 19 0 5 - 1987
P L A N E TA RY F O R M AT I O N , 1 9 7 8 O I L O N C A N VA S 42 × 5 0 I N C H E S 4 3 1 / 2 × 51 1 / 2 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T E STAT E STA M P E D V E R S O
P ROV E N A N C E :
116
T H E E STAT E O F T H E A R T I ST
M A U R I C E G O L U B OV R U SS I A N / A M E R I C A N , 19 0 5 - 1987
U N T I T L E D , 1 9 74 O I L O N C A N VA S 26 × 34 I N C H E S 29 3 / 4 × 37 3 / 4 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
117
WERNER DREWES A M E R I C A N , 189 9 - 1985
C OM P 1 3 4 , R E D I N R E D, 1 93 6
P ROV E N A N C E :
O I L O N C A N VA S
T H E E STAT E O F P R O F E SS O R C O R N E L I U S
24 × 32 I N C H E S
OSGOOD AND SOO SUI-LING OSGOOD
33 1 / 2 × 41 1 / 2 I N C H E S F R A M E D D AT E D & I N S C R I B E D A R T I ST ’S SYM B O L LOW E R R I G H T
118
BY R O N B R OW N E A M E R I C A N , 19 07 - 1961
WOM A N W I T H B R A N C H E S
( H OM AG E TO E L G R E C O ) , C . 1 95 0 O I L O N C A N VA S 48 × 36 INCHES 55 1/2 × 44 INCHES FRAMED S I G N E D LOW E R L E F T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
BY R O N B R OW N E A M E R I C A N , 19 07 - 1961
H O M AG E T O E L G R E C O , 19 5 6 O I L O N C A N VA S 48 × 36 INCHES 55 1/2 × 44 INCHES FRAMED S I G N E D LOW E R R I G H T S I G N E D T I T L E D & D AT E D O N V E R S O PROVENANCE:
P R I VAT E C O L L E C T I O N , N E W YO R K
119
06
THE NEW YORK SCHOOL
NORMAN BLUHM JAMES BROOKS
NORMAN CARTON EDWARD DUGMORE NATALIA DUMITRESCO ROBERT GOODNOUGH NANNO DE GROOT IBRAM LASSAW JOHN LEVEE JOHN LITTLE SAM MIDDLETON ROBERT MOTHERWELL MILTON RESNICK WALLACE TING 120
N A N N O D E G R O OT D U TC H / A M E R I C A N , 1913 - 196 3
F I G U R E FA N TA SY, C . 1 95 1
P ROV E N A N C E :
O I L O N C A N VA S
AC M E F I N E A R T, B O STO N
44 × 44 INCHES
P R I VAT E C O L L E C T I O N , N Y
46 1/2 × 46 1/2 INCHES FRAMED S I G N E D B Y T H E A R T I ST ’S W I F E O N L A B E L
EXHIBITED:
TO V E R S O
N A N N O D E G R O OT:
PAT D E G R O OT ‘ 04 ’
T H E N E W YO R K Y E A R S S E P T E M B E R - O C TO B E R 20 04 AC M E F I N E A R T, B O STO N
121
J A M E S B R O O KS A M E R I C A N , 19 0 6 - 19 92
R E N E E L , 1 9 67 AC RY L I C O N C A N VA S 6 0 × 72 I N C H E S 61 × 73 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : G R U E N E B A U M G A L L E RY, N E W YO R K (LABEL VERSO) P R I VAT E C O L L E C T I O N LO S A N G E L E S , C A
122
123
E D WA R D D U G M O R E A M E R I C A N , 1915 - 19 96
124
R E D - G R E E N , 1 9 62 O I L O N C A N VA S 92 1 / 2 × 97 I N C H E S 93 1 / 2 × 98 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : T H E E STAT E O F B A R RY TA R LOW, LO S A N G E L E S M A N N Y S I LV E R M A N , W E ST H O L LY W O O D
125
126
R O B E R T M OT H E R W E L L A M E R I C A N , 1915 - 19 91
P ROV E N A N C E : PA U L K A N TO R G A L L E RY, LO S A N G E L E S . L E O P O L D S . T U C H M A N C O L L E C T I O N , LO S A N G E L E S ( AC Q U I R E D F R O M T H E A B OV E ) . T H E N C E B Y D E S C E N T TO T H E P R E S E N T O W N E R
C A P R I C C I O, 1 95 0
T H I S W O R K I S I N C L U D E D I N T H E O N G O I N G D I G I TA L
G R A P H I T E O N PA P E R
S U P P L E M E N T R O B E R T M OT H E R W E L L D R AW I N G S :
11 3 / 8 × 14 1 / 2 I N C H E S
A C ATA LO G U E R A I S O N N É , C U R R E N T LY B E I N G
24 × 27 I N C H E S F R A M E D
P R E PA R E D U N D E R T H E S P O N S O R S H I P O F T H E D E D A L U S
SIGNED UPPER LEFT
F O U N D AT I O N , N E W YO R K , U N D E R R E G I ST R AT I O N N U M B E R S D 11.
127
128
NORMAN BLUHM
G O L D E N YO K E , 19 6 2
A M E R I C A N , 1921 - 19 9 9
80 1/4 × 66 1/2 INCHES
O I L O N C A N VA S
82 × 6 8 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R L E F T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
129
ROBERT GOODNOUGH A M E R I C A N , 1917 - 2010
H O R S E A N D R I D E R , 1 9 61 O I L O N C A N VA S 68 × 68 INCHES 69 × 69 INCHES FRAMED S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : F R E D E R I C P. N O R TO N , B U F FA LO , N Y
130
131
M I LTO N R E S N I C K A M E R I C A N , 1917 - 20 04
U N T I T L E D, 1 957 O I L O N PA P E R 19 1 / 2 × 18 3 / 4 I N C H E S 27 1 / 2 × 26 1 / 2 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R L E F T
P ROV E N A N C E : B . C . H O L L A N D G A L L E RY, C H I C A G O LABEL VERSO
EXHIBITED: S U I TC A S E PA I N T I N G S : S M A L L S C A L E A B ST R A C T E X P R E SS I O N I S M , G E O R G I A M U S E U M O F A R T, G A ; U TA H M U S E U M O F F I N E A R T, U T; SY D N E Y M I S H K I N G A L L E RY B A R U C H C O L L E G E , N Y; G R E E N V I L L E C O U N T Y M U S E U M O F A R T, S C ; LOYO L A U N I V E R S I T Y M U S E U M O F A R T, C H I C A G O , I L , J U LY 20 07 - O C TO B E R 20 0 8 (LABELS VERSO)
132
JOHN LITTLE A M E R I C A N , 19 07 - 1984
B R I G H T A N D S LOW, 1 973 O I L O N C A N VA S 72 × 62 I N C H E S 73 × 6 3 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
133
S A M M I D D L E TO N A M E R I C A N , 1927 - 2015
N U M B E R 13 , 19 57 OIL ON MASONITE 48 × 48 INCHES 50 × 50 INCHES FRAMED S I G N E D & D AT E D LOW E R L E F T
PROVENANCE: P R I VAT E C O L L E C T I O N , N E T H E R L A N D S
134
JOHN LEVEE A M E R I C A N , 1924 - 2017
AU G UST V, 1 957
P ROV E N A N C E :
O I L O N C A N VA S
P R I VAT E C O L L E C T I O N , N E W YO R K
39 × 39 I N C H E S
A N D R E E M M E R I C H , N E W YO R K
41 1 / 2 × 41 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T T I T L E D & D AT E D V E R S O
135
NORMAN C A R TO N A M E R I C A N , 19 0 8 - 198 0
E D G E O F DA R K N E SS, 1 9 62
P ROV E N A N C E :
84 × 6 0 I N C H E S
G A L L E RY K , WA S H I N G TO N , D . C .
85 X 61 I N C H E S F R A M E D
C O L L E C T I O N O F D R . J U L I E TA J A R D I D E M O R A L E S M A C E D O &
SIGNED VERSO
D R . F E R N A N D O M O R A L E S M AC E D O WA S H I N G TO N , D . C . & M O N T E V I D E O , U R U G U AY AC Q U I R E D I N 1977 F R O M T H E A B OV E
136
R E N E E L , 19 67 AC RY L I C O N C A N VA S 6 0 × 72 I N C H E S 61 × 73 I N C H E S F R A M E D S I G N E D LOW E R L E F T SIGNED & TITLED VERSO PROVENANCE:
G R U E N E B A U M G A L L E RY, N E W YO R K ( L A B E L V E R S O ) P R I VAT E C O L L E C T I O N , LO S A N G E L E S , C A
I B R A M L ASS AW
GW I D I O N , 19 8 0
A M E R I C A N , 1913 - 20 0 3
17 × 21 I N C H E S
N I C K E L - S I LV E R , B R A SS & S I L I C O N - B R O N Z E
S I G N E D , T I T L E D & D AT E D
P ROV E N A N C E : AC Q U I R E D D I R E C T LY F R O M T H E A R T I ST P R I VAT E C O L L E C T I O N , M O N T R E A L
137
07
138
WOLF KAHN A M E R I C A N , 19 2 7 - 2 0 2 0
U N T I T L E D, 1 9 9 0 S PA ST E L O N PA P E R 30 × 44 INCHES 3 6 × 49 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
139
U N T I T L E D, C . 1 9 9 0 S PA ST E L O N PA P E R 30 × 44 INCHES 3 6 × 49 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
140
PA L I SA D E S , C . 19 9 0 S PA ST E L O N PA P E R 30 × 44 INCHES 3 6 × 49 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
141
142
U N T I T L E D, C . 1 9 9 0 S PA ST E L O N PA P E R 28 × 3 8 I N C H E S 35 1 / 4 × 4 5 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
143
144
U N T I T L E D, C . 1 9 9 0 S PA ST E L O N PA P E R 30 × 44 INCHES 3 8 × 51 I N C H E S F R A M E D S I G N E D LOW E R C E N T E R
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
145
146
U N T I T L E D, 1 9 9 0 S PA ST E L O N PA P E R 22 × 3 0 I N C H E S 3 0 × 37 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
147
148
U N T I T L E D, 1 9 9 0 S PA ST E L O N PA P E R 30 × 44 INCHES 3 6 1 / 2 × 49 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
149
150
U N T I T L E D , 19 9 0 S PA ST E L O N PA P E R 30 × 44 INCHES 3 6 1 / 2 × 49 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E
151
08
WOMEN ARTISTS
MARY ABBOTT JAN BALTZELL
DEBORAH BUTTERFIELD NATALIA DUMITRESCO SUSAN HERTEL VALERIE JAUDON JANE PIPER VIVIAN SPRINGFORD
M A RY A B B OT T A M E R I C A N , 1921 - 2019
U N T I T L E D, 1 9 9 0 S PA ST E L O N PA P E R 22 × 3 0 I N C H E S 3 0 × 37 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E A R T I ST TO P R I VAT E C O L L E C T I O N N E W YO R K
152
153
154
DEBORAH BUTTERFIELD A M E R I C A N , B . 1949
METRICAL, 1986 ST E E L 8 0 × 4 4 × 89 I N C H E S
P ROV E N A N C E : E D WA R D T H O R P G A L L E RY, N E W YO R K AC Q U I R E D F R O M T H E A B OV E B Y T H E P R E S E N T OW N E R I N 19 97
E X H I B I T E D: E D WA R D T H O R P G A L L E RY D E B O R A H B U T T E R F I E L D , N E W YO R K , 19 97
155
SUSAN HERTEL A M E R I C A N , 193 0 - 19 93
WA K I N G U P, C . 1 9 8 6 O I L O N C A N VA S 5 0 × 77 1 / 2 I N C H E S 59 × 86 INCHES FRAMED SIGNED UPPER LEFT
P ROV E N A N C E : L E WA L L E N G A L L E RY, S A N TA F E , N M P R I VAT E C O L L E C T I O N , R A N C H O M I R A G E , C A
156
157
N ATA L I A DUMITRESCO F R E N C H / R O M A N I A N , 1915 - 19 97
158
C O M P O S I T I O N N O . 2 7, 19 5 8
P ROV E N A N C E :
O I L O N C A N VA S
S A I D E N B U R G G A L L E RY, N E W YO R K
29 × 35 I N C H E S
P R I VAT E C O L L E C T I O N , L A C R E S C E N TA
S I G N E D LOW E R L E F T
CALIFORNIA
159
VIVIAN SPRINGFORD A M E R I C A N , 1914 - 20 0 3
R E D , W H I T E B LU E ( VS F 6 0 0 ) , C . 19 7 0 S A C RY L I C O N C A N VA S 46 × 66 INCHES 47 X 67 I N C H E S F R A M E D SIGNED VERSO PROVENANCE:
T H E E STAT E O F T H E A R T I ST
160
161
162
SUSAN HERTEL A M E R I C A N , 193 0 - 19 93
O L D C O R R A L 1, C . 19 7 0 S O I L O N C A N VA S 52 × 75 1 / 2 I N C H E S 5 3 × 76 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T PROVENANCE:
E L A I N E H O R W I TC H G A L L E R I E S ( L A B E L )
163
VA L E R I E J A U D O N A M E R I C A N , B . 194 5
M E TC A L F, 1 9 8 1 O I L O N C A N VA S 40 × 36 INCHES 42 1 / 2 × 3 8 1 / 2 I N C H E S F R A M E D S I G N E D , T I T L E D A N D D AT E D V E R S O
P ROV E N A N C E : H O L LY S O LO M O N G A L L E RY N E W YO R K , N Y P R I VAT E C O L L E C T I O N , E U R O P E A C Q U I R E D F R O M T H E P R E V I O U S , 1981 N E W YO R K
164
165
J A N B A LT Z E L L
U N T I T L E D , 19 8 2
A M E R I C A N , B . 194 8
5 0 × 54 I N C H E S
O I L O N C A N VA S
5 0 1 / 2 × 54 1 / 2 I N C H E S F R A M E D S I G N E D & D AT E D V E R S O PROVENANCE:
T H E A R T I ST
166
JANE PIPER
L I G H T T H RO U G H A W I N D OW, 19 7 2
A M E R I C A N , 1916 - 19 91
48 × 48 INCHES
AC RY L I C O N C A N VA S
50 × 50 INCHES FRAMED S I G N E D & D AT E D LOW E R L E F T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
EXHIBITED: T H E W O O D M E R E A R T G A L L E RY, P H I L A D E L P H I A
167
VIVIAN SPRINGFORD A M E R I C A N , 1914 - 20 0 3
U N T I T L E D ( S C U BA S E R I E S ) , 19 8 4 WAT E R C O LO R O N PA P E R 22 × 3 0 I N C H E S 31 × 3 8 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T PROVENANCE:
T H E E STAT E O F T H E A R T I ST
168
169
09
ASIAN AMERICAN ARTISTS
HSIAO CHIN KEY SATO
KIKUO SAITO JAMES SUZUKI WALASSE TING TARO YAMAMOTO
J A M E S S UZ U K I A M E R I C A N , 1933 - 20 22
F I R E DA N C E , 1 9 6 0 O I L O N C A N VA S 6 3 1 / 2 × 47 I N C H E S 64 × 48 INCHES FRAMED S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST P R I VAT E C O L L E C T I O N , D A L L A S , T X
170
171
172
K E Y S ATO J A PA N E S E , 19 0 6 - 1978
A R AC H N É E R E , 1 959
P ROV E N A N C E :
O I L A N D M I X E D M E D I A O N C A N VA S
G A L E R I E J AC Q U E S M A SS O L , PA R I S
3 8 × 51 I N C H E S
(LABEL VERSO)
45 1/4 × 58 INCHES FRAMED
P R I VAT E C O L L E C T I O N , LO S A N G E L E S , C A
S I G N E D & D AT E D LOW E R R I G H T
173
174
K I KU O S A I TO J A PA N E S E / A M E R I C A N , 1939 - 2016
WHITE PINE, 1983 O I L O N C A N VA S 42 1 / 2 × 78 I N C H E S 45 × 80 1/4 INCHES FRAMED S I G N E D A N D D AT E D V E R S O
P ROV E N A N C E : S A L A N D E R O ’ R E I L LY G A L L E R I E S , N Y (LABEL VERSO) P R I VAT E C O L L E C T I O N , N E W YO R K
175
176
WA L ASS E T I N G C H I N E S E / A M E R I C A N , 1929 - 2010
MU C H MO R E R A I N , 1 9 6 8 AC RY L I C O N C A N VA S 6 0 × 35 1 / 2 I N C H E S 62 × 37 I N C H E S F R A M E D S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
177
178
K I KU O S A I TO J A PA N E S E / A M E R I C A N , 1939 - 2016
E VA’S J UM P, 1 975 AC RY L I C O N C A N VA S 50 × 40 INCHES 53 × 43 INCHES FRAMED S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : D AV I D D E I TC H E R G A L L E RY ( L A B E L V E R S O ) P R I VAT E C O L L E C T I O N , G E O R G I A
179
K I KU O
J A PA N E S E / A M E R I C A N
O T WAY, 19 7 8
O I L O N C A N VA S 36 × 48 INCHES
37 × 49 I N C H E S F R A M E
S I G N E D , T I T L E D & D AT E
PROVENANCE:
T H E A R T I ST | P R I VAT E B O STO N ACQUIRED FROM THE
BY THE PRESENT OWN
H S I AO C H I N TA I WA N E S E , 1935 - 20 23
R I C O R D O D I RO B E RTO S C U D E R I
( I N M E MO RY O F RO B E RTO S C U D E R I ) , 1 9 61
COLLECTION OF BERNICE MCILHENNY
O I L O N C A N VA S
W I N T E R ST E E N , P R E S I D E N T O F T H E
47 1 / 8 × 5 5 I N C H E S
P H I L A D E L P H I A M U S E U M O F A R T F R O M 196 4
50 × 58 INCHES FRAMED
TO 196 8 .
S I G N E D & D AT E D LO W E R R I G H T
180
P ROV E N A N C E :
P R I VAT E C O L L E C T I O N , S O U T H C A R O L I N A ( B Y FA M I LY D E S C E N T )
S A I TO
N , 1939 - 2016
ED
ED VERSO
COLLECTION,
P R E V I O U S I N 20 21
NER
EXHIBITED: “ T H E 1961 P I T TS B U R G H I N T E R N AT I O N A L E X H I B I T I O N O F C O N T E M P O R A RY PA I N T I N G A N D S C U L P T U R E , ” C A R N E G I E I N ST I T U T E , P I T TS B U R G H , P E N N SY LVA N I A , O C TO B E R 27,
“ P H I L A D E L P H I A C O L L E C TS 20 T H C E N T U RY, ” P H I L A D E L P H I A M U S E U M O F A R T, P H I L A D E L P H I A , P E N N SY LVA N I A , O C TO B E R 3 - N OV E M B E R 17, 196 3, I N T H E E X H I B I T I O N C ATA LO G U E , P. 19 ( N OT I L L U ST R AT E D ) .
1961 - J A N U A RY 7, 1962 , I N T H E E X H I B I T I O N C ATA LO G U E , N O . 16 8 ( N OT I L L U ST R AT E D ) .
181
TA R O YA M A M OTO A M E R I C A N , 1919 - 19 93
U N T I T L E D, 1 95 4 O I L O N C A N VA S 50 × 40 INCHES 52 × 42 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N CHICAGO, IL
182
TA R O YA M A M OTO A M E R I C A N , 1919 - 19 93
U N T I T L E D, 1 9 8 5 O I L O N C A N VA S 40 × 50 INCHES 42 × 52 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
183
K I KU O S A I TO J A PA N E S E / A M E R I C A N , 1939 - 2016
184
K I KU O S A I TO J A PA N E S E / A M E R I C A N , 1939 - 2016
O T W AY, 1 9 7 8 O I L O N C A N VA S 36 × 48 INCHES 37 × 49 I N C H E S F R A M E D S I G N E D , T I T L E D & D AT E D V E R S O
P ROV E N A N C E : T H E A R T I ST | P R I VAT E C O L L E C T I O N , B O STO N , M A AC Q U I R E D F R O M T H E A B OV E I N 20 21 B Y T H E P R E S E N T OW N E R
185
10
ALEXANDER LIBERMAN ESTATE
U K R A N I A N / A M E R I C A N 1912 - 19 9 9
186
TIME, 1952 OIL ON ENAMEL ON MASONITE 37 × 77 3 / 4 I N C H E S E STAT E STA M P E D V E R S O
PROVENANCE: T H E E STAT E O F T H E A R T I ST
187
188
A L P H A V I I , 1 9 61 AC RY L I C O N C A N VA S 8 0 × 10 0 I N C H E S S I G N E D & D AT E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
PROVENANCE:
T H E E STAT E O F T H E A R T I ST
189
ALEXANDER LIBERMAN U K R A N I A N / A M E R I C A N , 1912 - 19 9 9
190
U N T I T L E D, 1 9 61 AC RY L I C O N C A N VA S 80 INCH DIAMETER S I G N E D & D AT E D O N V E R S O
PROVENANCE: E D WA R D D OW N E J R . , N E W YO R K , N Y
191
U N T I T L E D, 1 949 O I L O N C A N VA S 40 × 40 INCHES 41 × 41 I N C H E S F R A M E D SIGNED VERSO
PROVENANCE: T H E E STAT E O F T H E A R T I ST
192
193
U N T I T L E D, 1 9 6 6 AC RY L I C O N C A N VA S 10 0 × 4 0 I N C H E S SIGNED VERSO
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
194
U N T I T L E D, 1 9 89 C H A R C O A L O N PA P E R 45 × 64 INCHES 4 8 × 67 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R L E F T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST A N D R É E M M E R I C H G A L L E RY, N E W YO R K P R I VAT E C O L L E C T I O N
E X H I B I T E D: A L E X A N D E R L I B E R M A N C H A R C O A L D R AW I N G S : T H E A L T YA L S E R I E S N OV. 11 - D E C . 12 , 1989 A N D R É E M M E R I C H , N E W YO R K
195
196
U N T I T L E D, 1 9 93 H AC RY L I C O N C A N VA S 84 × 96 I N C H E S 8 6 × 98 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
197
11
ECLECTIC SELECTIONS
RICHARD ANUSZKIEWICZ PABLO ATCHUGARRY WILL BARNET JOSE PEDRO COSTIGLIOLO ANDRE BRASILIER RALPH DELLA-VOPLE ROBERT GOODNOUGH ROBERT LEWIS LAHOTAN
WILL BARNET A M E R I C A N , 1911 - 2012
TOT E M , 1 979 O I L O N C A N VA S 6 4 1 / 2 × 24 I N C H E S
ROGER MUHL
76 1 / 2 × 3 6 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E :
CONSTANTIN PILIUTA HUNT SLONEM 198
I R V I N G G A L L E R I E S , PA L M B E AC H , F LO R I D A C O L L E C T I O N O F M Y R T L E K AT Z E N WA S H I N G TO N , D . C .
E X H I B I T E D: LO N G P O I N T G A L L E RY, P R OV I N C E TO W N , M A “ 75 : A C E L E B R AT I O N , ” 1989
199
PA B LO ATC H U G A R RY U R U G U AYA N , B . 1954
U N T I T L E D, C . 2 0 0 0 -2 0 1 0 WHITE CARRARA MARBLE ON GRANITE BASE 29 ¼ × 8 × 8 I N C H E S I N S C R I B E D W I T H T H E A R T I ST ’S S I G N AT U R E NEAR THE BASE
P ROV E N A N C E : P R I VAT E C O L L E C T I O N ( A C Q U I R E D D I R E C T LY F R O M T H E A R T I ST )
200
JOSE PEDRO C O ST I G L I O LO U R U G U AYA N , 19 0 2 - 1985
U N T I T L E D, 1 9 6 9 O I L O N C A N VA S 39 1 / 2 × 39 1 / 2 I N C H E S 41 × 41 I N C H E S F R A M E D S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : T H E B R UZ Z O N E G A L E R I A D E A R T E ( U R U G U AY ) C . 1970 S .
201
202
A N D R É B R AS I L I E R F R E N C H , B . 1929
L A RO B E É TO I L É E , 1 9 8 3 O I L O N C A N VA S 50 3/4 × 38 INCHES 58 × 45 INCHES FRAMED S I G N E D LO W E R R I G H T
PROVENANCE: P R I VAT E C O L L E C T I O N , TO KYO , J A PA N AC Q U I R E D F R O M T H E A B OV E I N 20 23
N O T E : ALEXIS BRASILIER HAS CONFIRMED THE A U T H E N T I C I T Y O F T H I S W O R K .9 9 0
203
J A N M AT U L K A C Z E C H / A M E R I C A N , 189 0 - 1972
A BST R AC T I O N , C . 1 94 0 S O I L O N C A N VA S 44 × 36 INCHES 49 × 41 I N C H E S F R A M E D E STAT E STA M P E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
204
M C C O R M I C K G A L L E RY, C H I C A G O
ROBERT GOODNOUGH A M E R I C A N , 1917 - 2010
R E C TA N G L E S W I T H R E D A N D B LU E , 1 9 6 5 O I L & G R A P H I T E O N C A N VA S 56 × 56 INCHES 58 × 58 INCHES FRAMED S I G N E D & D AT E D LOW E R R I G H T
P ROV E N A N C E : AC Q U I R E D D I R E C T LY F R O M T H E A R T I ST E STAT E O F F E R N S I M O N
205
206
ROGER MUHL F R E N C H , 1929 - 20 0 8
L A TA B L E , C . 1 9 6 0 S O I L O N C A N VA S 31 1 / 2 × 5 0 1 / 2 I N C H E S 39 1 / 2 × 5 8 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : D AV I D F I N D L AY G A L L E R I E S , N E W YO R K (LABEL VERSO) P R I VAT E C O L L E C T I O N , N E W YO R K
207
GEORGE ELMER B R OW N E A M E R I C A N , 1871 - 194 6
208
E D G E O F T H E G ROV E , C . 1 9 1 6
P ROV E N A N C E :
O I L O N C A N VA S
D E AC C E SS I O N E D TO B E N E F I T
38 1/2 × 38 1/2 INCHES
T H E TO L E D O M U S E U M O F A R T, O H
43 × 43 INCHES FRAMED S I G N E D LOW E R L E F T
209
R A L P H D E L L A -V O L P E A M E R I C A N , 1923 - 2017
F I G U R E I N P U R P L E STO C K I N GS, 1 959 - 6 0 O I L O N C A N VA S 54 × 5 0 I N C H E S 5 6 × 52 I N C H E S F R A M E D S I G N E D LOW E R L E F T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
210
PETER MAX A M E R I C A N , B . 1937
P O RT R A I T O F A WOM A N , C . 1 970 S AC RY L I C O N C A N VA S 24 × 20 I N C H E S 29 × 25 1 / 2 I N C H E S F R A M E D SIGNED UPPER RIGHT
P ROV E N A N C E : C O L L E C T I O N O F A N E W YO R K P H I L A N T H R O P I ST
211
H U N T S LO N E M A M E R I C A N , B . 1951
U N T I T L E D, 2 0 1 7 O I L O N C A N VA S 30 × 40 INCHES 38 1/2 × 48 1/2 INCHES FRAMED S I G N E D & D AT E D V E R S O
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , LO S A N G E L E S , C A
212
C O N STA N T I N P I L I U TA R O M A N I A N , 1929 - 20 0 3
U N T I T L E D, 1 9 8 0 O I L O N C A N VA S 22 × 28 I N C H E S 30 1/2 × 36 INCHES FRAMED S I G N E D , D AT E D & I N S C R I B E D TO R I G H T E D G E ‘ C . P I L I U TA 8 0 N . Y. ’
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , N E W YO R K
213
BERTHA WEGMANN D A N I S H , 1847 - 1926
RUM S I N T E R I O R , C . 1 8 8 0 O I L O N C A N VA S 3 6 × 24 1 / 2 I N C H E S 42 × 3 0 1 / 2 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : W I L L I A M S L AW R E N C E I N T E R I O R D E S I G N
214
KEES VA N D O N G E N
18 1 / 4 × 11 1 / 2 I N C H E S
D U TC H - F R E N C H , 1877 - 196 8
26 × 19 1 / 2 I N C H E S F R A M E D
F E M M E AV E C U N C H I E N M A RC H A N T S U R L A P L AG E , C . 1 9 2 5 – 3 0 WAT E R C O LO R A N D ST E N C I L O N B O A R D
S I G N E D LOW E R L E F T
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , F R A THIS WORK IS RECORDED IN THE C ATA LO G U E R A I S O N N E O F VA N D O N G E N
215
12
ESTATES
WALTER ALLNER FRANÇOIS AUBRUN QUITA BRODHEAD PAUL BURLIN ALEXANDER LIBERMAN JOHN LITTLE JANE PIPER JACK ROTH JOHN STEPHAN FRED TROLLER
216
WALTER ALLNER
FRANÇOIS AUBRUN
QUITA BRODHEAD
JOHN LITTLE
ALEXANDER LIBERMAN
JANE PIPER
JACK ROTH
JOHN STEPHAN
FRED TROLLER
217
J AC K R OT H A M E R I C A N , 1927 - 20 04
PA I N T I N G - 2 , 1 9 8 3 A C RY L I C , O I L A N D C O L L A G E O N C A N VA S 66 × 66 INCHES 67 × 67 I N C H E S F R A M E D S I G N E D & D AT E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
218
J AC K R OT H A M E R I C A N , 1927 - 20 04
M E TA F O U R I I , 1 9 8 0 - 8 4 AC RY L I C O N C A N VA S 57 × 54 I N C H E S 58 X 55 INCHES FRAMED SIGNED UPPER RIGHT
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
219
220
PA U L B U R L I N A M E R I C A N , 18 8 6 - 196 9
YO U T H , 1 9 6 3 O I L O N C A N VA S 8 0 × 70 I N C H E S 81 × 71 I N C H E S F R A M E D S I G N E D & D AT E D LO W E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
221
J O H N ST E P H A N A M E R I C A N , 19 0 6 - 19 95
U N T I T L E D, 1 9 62 O I L O N C A N VA S 72 × 72 I N C H E S 73 × 73 I N C H E S F R A M E D S I G N E D , D AT E & E STAT E STA M P E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
222
J O H N ST E P H A N A M E R I C A N , 19 0 6 - 19 95
D I S C # 1 5, 1 970 AC RY L I C O N C A N VA S 8 0 × 76 I N C H E S 81 × 77 I N C H E S F R A M E D S I G N E D & D AT E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
223
JOHN LITTLE A M E R I C A N , 19 07 - 1984
Y E L LOW C A S C A D E , 19 7 7 – 8 0 B LU E I M AG E , 1 973
( R I G H T PAG E ) O I L O N C A N VA S
AC RY L I C O N C A N VA S
62 × 52 I N C H E S
76 × 6 8 I N C H E S
63 × 53 INCHES FRAMED
77 X 6 9 I N C H E S F R A M E D
S I G N E D LOW E R L E F T
S I G N E D & D AT E D LOW E R L E F T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
226
RICHARD A N U S Z K I E W I CZ A M E R I C A N , 193 0 - 20 20
( L E F T ) U N T I T L E D, 1 97 7
UNTITLED II, 1968
AC RY L I C O N M A S O N I T E
AC RY L I C O N PA N E L
84 × 4 8 I N C H E S
16 5 / 8 × 16 5 / 8 I N C H E S
S I G N E D & D AT E D V E R S O
24 × 24 I N C H E S F R A M E D S I G N E D , D AT E D & D E D I C AT E D ‘ TO M AT T ’ V E R S O
P ROV E N A N C E :
P ROV E N A N C E :
AC Q U I R E D B Y T H E P R E S E N T OW N E R
P R I VAT E C O L L E C T I O N , C O N N E C T I C U T
C I R C A , 1985
P R I VAT E C O L L E C T I O N , O H I O
227
228
WA LT E R A L L N E R G E R M A N / A M E R I C A N , 19 0 9 - 20 0 6
U N T I T L E D, C . 1 95 0 S AC RY L I C O N B O A R D 40 × 40 INCHES S I G N E D LOW E R R I G H T
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
( L E F T ) U N T I T L E D, C . 1 9 6 0 S AC RY L I C O N B O A R D 36 × 48 INCHES 39 × 51 I N C H E S F R A M E D S I G N E D LOW E R R I G H T E STAT E STA M P E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
229
FRANÇOIS AUBRUN F R E N C H , 1934 - 20 0 9
B RUM E D E P I N S, 1 978 O I L O N C A N VA S 51 1 / 2 × 77 I N C H E S 5 3 × 78 I N C H E S F R A M E D SIGNED & TITLED VERSO
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
230
FRANÇOIS AUBRUN F R E N C H , 1934 - 20 0 9
U N T I T L E D, 1 970 O I L O N C A N VA S 19 3 / 4 × 19 3 / 4 I N C H E S 21 × 21 I N C H E S F R A M E D SIGNED VERSO
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
231
JANE PIPER
F R U I T & F LOW E R S , 19 61
A M E R I C A N , 1916 - 19 91
33 3 / 4 × 4 0 I N C H E S
O I L O N C A N VA S
40 × 46 INCHES FRAMED S I G N E D & E STAT E STA M P E D V E R S O
P ROV E N A N C E :
232
T H E E STAT E O F T H E A R T I ST
JANE PIPER A M E R I C A N , 1916 - 19 91
F U L L W H I T E , C . 19 7 0 O I L O N C A N VA S 5 5 × 49 I N C H E S 57 × 51 I N C H E S F R A M E D S I G N E D & E STAT E STA M P E D V E R S O
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
233
FRED TROLLER S W I S S / A M E R I C A N , 193 0 - 20 0 2
UNTITLED (MASK SERIES), 2000 PA ST E L O N PA P E R 4 0 × 26 I N C H E S 34 × 39 I N C H E S F R A M E D S I G N E D & D AT E D
P ROV E N A N C E : T H E E STAT E O F T H E A R T I ST
234
Q U I TA BRODHEAD A M E R I C A N , 19 01 - 20 0 2
B LU E C LOT H C OM P OS I T I O N , C . 1 9 6 0 O I L O N C A N VA S 25 × 3 0 I N C H E S 34 × 39 I N C H E S F R A M E D S I G N E D LOW E R R I G H T
P ROV E N A N C E : J E N S E N F I N E A R T, B R O O K L I N E , M A SS AC H U S E T TS ; P R I VAT E C O L L E C T I O N , C O N N E C T I C U T
235
IRVING PENN A M E R I C A N , 1917 - 20 0 9
B L AC K A N D W H I T E VO G U E C OV E R , J E A N
L I T E R AT U R E :
PATC H E T T, N E W YO R K , 1 95 0
T H E B L AC K A N D W H I T E I D E A , V O G U E , A P R I L 1, 195 0 , C OV E R ; I R V I N G
P L AT I N U M PA L L A D I U M P R I N T O N R I V E S PA P E R
P E N N , M O M E N TS P R E S E R V E D ( N E W YO R K , 196 0 ) , P. 15 9 ; PAT R I C K D E V L I N ,
H A N D - C O AT E D B Y T H E P H OTO G R A P H E R
V O G U E B O O K O F FA S H I O N P H OTO G R A P H Y, S I M O N A N D S C H U ST E R ,
16 1 / 2 × 13 1 / 2 I N C H E S
N E W YO R K , 1979, P. 9 0 ; J O H N S Z A R KOW S K I , I R V I N G P E N N ( N E W YO R K :
S I G N E D , T I T L E D , D AT E D , E D I T I O N 8 / 34 , A N D
T H E M U S E U M O F M O D E R N A R T, 1984 ) , P L . 4 8 ; A L E X A N D E R L I B E R M A N
A N N OTAT E D I N P E N C I L A N D STA M P E D P R I N T V E R S O ,
A N D N I C H O L A S C A L L AWAY, I R V I N G P E N N , PA SS A G E , A W O R K R E C O R D ,
P R I N T E D I N N OV E M B E R 1974
A L F R E D A . K N O P F, N E W YO R K , 19 91, P. 10 0 ; C O L I N W E ST E R B E C K , E D . ,
S I G N E D & D AT E D
I R V I N G P E N N : A C A R E E R I N P H OTO G R A P H Y ( T H E A R T I N ST I T U T E O F
P ROV E N A N C E : P R I VAT E C O L L E C T I O N , W I S C O N S I N
N OT E : T H E L E G E N D A RY I R V I N G P E N N P H OTO G R A P H E D AT V O G U E F O R
F R O M T H E S I R E L TO N J O H N C O L L E C T I O N ( AT L A N TA , 20 0 0 ) , P. 6 5 ; S A R A H G R E E N O U G H , I R V I N G P E N N : P L AT I N U M P R I N TS ( WA S H I N G TO N , D . C . : N AT I O N A L G A L L E RY O F A R T, 20 0 5 ) , P. 11 ; N O R B E R TO A N G E L E T T I A N D A L B E R TO O L I VA , I N V O G U E : T H E I L L U ST R AT E D H I STO RY O F T H E W O R L D ’S
S I X D E C A D E S C R E AT I N G A N U N P R E C E D E N T E D 16 5 C OV E R S . “ B L AC K A N D
M O ST FA M O U S FA S H I O N M A G A Z I N E ; ( N E W YO R K , 2012 ) , P. 129 ; C F.
W H I T E V O G U E C OV E R ( J E A N PATC H E T T ) G R AC E D T H E C OV E R O F T H E F I R ST
MARIA MORRIS HAMBOURG AND JEFF ROSENHEIM, IRVING PENN:
C OV E R O F A M E R I C A N V O G U E I N A P R I L 195 0 . I T WA S N OT O N LY H I S F I R ST
C E N T E N N I A L ( N E W YO R K : M E T R O P O L I TA N M U S E U M O F A R T, 2017 ) , P L . 3 8 .
C OV E R I N B L AC K A N D W H I T E B U T A L S O T H E M A G A Z I N E S F I R ST N O N C O LO R C OV E R S I N C E M AY 1932 . U N Q U E ST I O N A B LY O N E O F T H E T W O M O ST I M P O R TA N T FA S H I O N P H OTO G R A P H S E V E R TA K E N A LO N G W I T H R I C H A R D AV E D O N ’S “ D OV I M A A N D T H E E L E P H A N TS ” TA K E N I N 195 5
236
C H I C A G O , 19 97 ) , P L . 4 ; N E D R I F K I N , C H O R U S O F L I G H T: P H OTO G R A P H S
Abbott, Mary
16-17, 18-19, 151
Howard, Charles
104-105
Allner, Walter
226, 227
Jaudon, Valerie
162-163
Anuszkiewicz, Richard
224, 225
Jenkins, Paul
55, 62-63, 68-69
Atchugarry, Pablo
198
Aubrun, François
228, 229
Avery, March
92-93, 94-95
Jenkins, Paul 55, 62-63, 68-69
Avery, Sally Michel
84-85
Kahn, Wolf 136-149
Avery, Milton
86-87, 88-89, 90-91, 96-97, 98-99 Lassaw, Ibram 135
Barnet, Will
197
Levee, John 133
Baltzell, Jan
164
Liberman, Alexander
Bayer, Herbert
108-109
Bluhm, Norman
126-127
Little, John 131, 222, 223
Bolotowsky, Ilya
106
MacDonald-Wright, Stanton 8-9
Boxer, Stanley
78-79
Matulka, Jan 202
Brasilier, Andre
200-201
Max, Peter 209
Brodhead, Quita
233
McNeil, George 30-31
Brooks, James
120-121
Middleton, Sam 132
Brown, Roger
26-27, 40-41
Moore, Henry 28-29
Browne, Byron
117
Motherwell, Robert 124-125
Browne, George E.
206-207
Muhl, Roger 204-205
Burlin, Paul
218-219
Natkin, Robert 83
Butterfield, Deborah
152-153
Parker, Ray 70-71
Calder, Alexander
44-53
Penn, Irving 234
Carles, Jr., Arthur B.
32-33
Piliuta, Constantin 211
Carton, Norman
134
Piper, Jane 164, 165, 230, 231
Cavallon, Giorgio
12-13
Resnick, Milton 130
Chin, Hsiao
178-179
Robus, Hugo 10-11
Cohen, Bruce
42-43
Roth, Jack 64-65, 216, 217
Corazzo, Alexander
11
Saito, Kikuo 172-173, 176,
Costigliolo, Jose Pedro
199
Sato, Key 170-171
Davis, Gene
38-39, 72-73, 80-81
Shaw, Charles Green 4-5, 112-113
De Groot, Nanno
119
Slonem, Hunt 210
Della-Volpe, Ralph
208
Springford, Vivian 66-67, 76-77, 158-159, 166-167
Drewes, Werner
102-103, 110, 116
Stamos, Theodoros 20-21
Dugmore, Edward
122-123
Stephan, John 220, 221
Dumitresco, Natalia
156-157
Suzuki, James 169
Fonseca, Caio
36-37
Ting, Walasse 74-175
Golubov, Maurice
23, 114, 115
Troller, Fred 232
Goodnough, Robert
34-35, 128-129, 203
Van Dongen, Kees 213
Gray, Cleve
58-59
Vicente, Esteban 22, 56-57, 60-61, 74-75
Hertel, Susan
24-25, 154-155, 160-161
Wegmann, Bertha 212
Holty, Carl
14-15, 82, 100-101, 107
Yamamoto, Taro 180, 181
Hood, Dorothy
6-7
Kahn, Wolf 136-149 Jaudon, Valerie
ABSTRACT ADDICITIONS: W I T H O U T P U N C T UAT I O N
162-163
184-185, 186, 188, 190-191, 192
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