Matawan

BY DAN CAFFREY

OCTOBER 10-21, 2018

OSCAR G. BROCKETT THEATRE

MATAWAN

BY DAN CAFFREY OCTOBER 10-12, 16-20 AT 7:30 P.M. OCTOBER 14, 20-21 AT 2:00 P.M.

OSCAR G. BROCKETT THEATRE F. LOREN WINSHIP BUILDING

THEATREDANCE.UTEXAS.EDU

Zoe Andersen – Scenic Designer • Scott Bussey – Technical Director Laura Epperson – Community Engagement Coordinator • Stephanie Fisher – Costume Designer Helen Hetrick – Stage Manager • Isaac Iskra – Choreographer • Qi Jiajing – Lighting Designer Sam Lipman – Sound Designer and Composer • Adam Miller-Batteau – Fight and Intimacy Director Kristin Perkins – Dramaturg • Alice Stanley – Director • Mingxiang Ya – Projection Designer

POST-PERFORMANCE DISCUSSION There will be a post-performance discussion with members of the community engagement team on October 11 and 18 immediately following the performance in the Oscar G. Brockett Theatre.

The videotaping, photography or audio recording of this production is strictly prohibited.

The Department of Theatre and Dance is a world-class educational environment that serves as the ultimate creative incubator for the next generation of artists, thinkers and leaders in theatre and performance.

CAST (IN ORDER OF APPEARANCE) ( ). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guinevere Govea Dr. Eugene Vansant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christian Scheller Louisa Vansant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Juleeane Villarreal Charles Vansant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Devin Ramirez Old Blue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Garcia Robert Engle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sahil Bhutani Charles Bruder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jayla Ball Watson Stanley Fisher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brooks Laney Lester Stilwell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cat Palacios Captain Cottrell. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shane Colwell Luella Stilwell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grace Bohn Mary Anderson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Khali Sykes George Burlew. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kyle Cordova

ACTING ENSEMBLE Rebecca East Anapaula Guajardo Shannon Homan Morgan Riddle

MOVEMENT ENSEMBLE Alexandria Armbruster Kialond Bronson-Smith Kathleen Marie Guerrero Nick Saldivar

Paola Montserrat Santibanez Carlie Schoultz Tori Schulze Azari Sumbler

NOTE FROM THE PLAYWRIGHT

I have always said that the point of life is that it’s short, and so we should live it to the fullest. For me, that means always being in the moment; always being honest; always saying what I want; never letting my fear get the best of me. I’m at my happiest, calmest and most fulfilled when I can do all of these nobrainer things.

So why is it so hard to do them? I don’t have a good answer to that question. I suppose it’s all just part of being human.

Matawan doesn’t have an easy answer to that question, either. But I find that, in theatre, merely recognizing a shared flaw can (hopefully) make the audience feel better about having that flaw to begin with. The play also presents a creature who doesn’t suffer from the human condition. So often, we write off non-human animals as being savage, dumb and a nuisance (dare I say, threat?) to our existence. But I’ve always admired their singularity—their ability to go after what they want at all times with little hesitation. This is especially true of sharks.

NOTE FROM THE DIRECTOR I’m afraid of a lot of things.

Spiders, for one. They give that hot kind of fear that wakes me up in the middle of the night. Strangers, even though strangers have never done anything to me; it’s a more of a prickling anxiety. A broad pressing fear on my shoulders when I think about this world. And deeper, in my stomach, a fear about all the ways that I could or have failed.

When I only think about these fears and the myriad more that I know friends and neighbors have, I start to wonder how we even get around day-to-day. How does anyone ever leave their house? How do we reconcile our fears with our desires to connect with others; our need to find freedom and liberation; our spiritual calling to be our best selves?

Matawan is a play about people whose fear drives them and whose struggle for control in the face of the vast uncertainty and randomness of this world costs them everything. We shouldn’t follow the examples of the people in this play.

NOTE FROM THE DRAMATURG Matawan is the theatrical account of the actual and extraordinary series of shark attacks in New Jersey in 1916. Researching this play was a process of discovering exactly how much historical research had already been done. From the bulldog dying of heatstroke to the basket-making factory, Matawan leaps from the archives of newspaper accounts, census records and old maps under Dan Caffrey’s wry guidance.

In telling this story, we are making history. It has become a cliché now to note that the story of history is dependent on who is doing the writing. In the collaborative art of theatre, the story of this history is dependent on who is doing the writing, the acting, the directing, the choreography and, certainly, on who is doing the watching. In this theatre space, we collaboratively make history, folding the “then” into the “now.” Of course, we are not historians in any official capacity, we are artists. As artists, we’re allowed a little more freedom in answering the question, “whose history gets recorded?” In Matawan, we present a side to the story that never gets told. We hope you enjoy making history with us.

CREATIVE Dan Caffrey (Playwright) is a second-year M.F.A. in Playwriting candidate at The University of Texas at Austin Department of Theatre and Dance. Matawan was a 2013 finalist in the Eugene O’Neill Theater Center National Playwrights Conference and received its world premiere from Chicago’s The Ruckus in 2015.

His play The Tusk Hunters was a 2015 O’Neill semi-finalist. Prior to coming to Austin, he lived in Chicago for 11 years, where he founded and served as the artistic director for the Tympanic Theatre Company and worked with numerous other companies throughout the city. His short play Gospel Hour, co-written with his father, was recently published in the Smith and Kraus anthology When The Promise Was Broken: Short Plays Inspired By The Songs Of Bruce Springsteen. Caffrey also attended the Sewanee Writers’ Conference this past summer as an M.F.A. scholar, where he workshopped his play Sow and Suckling. In addition to work as a playwright, Caffrey is a pop-culture critic whose work has appeared on Consequence of Sound, The A.V. Club, Vox, Pitchfork and elsewhere. He’s a cohost on both The Losers’ Club: A Stephen King Podcast and Halloweenies: A Michael Myers Podcast, and records music with Maxwell J Shults under the name Methodist Hospital.

Zoe Andersen (Scenic Designer) is a third-year M.F.A. in Design and Technology candidate with a focus in scenic design. She has a great love for immersive environments, fairy tales, magic and myth which inform her personal creative investigations. As an undergraduate at the University of Michigan, she designed shadow puppets for the production Sun and Shadows and created a short shadow puppet film called The Little Luminary. In 2017, Andersen created and performed the puppets for the opera Cry Wolf, presented as part of The Cohen New Works Festival (2017). For the past two summers, she has worked on Halloween Horror Nights at Universal Studios Orlando. Her stage designs at Texas Theatre and Dance include The Crucible and UTNT (UT New Theatre).

Scott Bussey (Technical Director) graduated from the University of Wisconsin–Milwaukee with a B.F.A. in Technical Production for theatre. Bussey has been the technical director for the Ogunquit Playhouse, North Carolina Shakespeare Festival and Dallas Theater Company, among others. He has also served as the technical director for Texas Performing Arts at The University of Texas at Austin since September of 2000.

Laura Epperson (Community Engagement Coordinator) is an M.F.A. in Drama and Theatre for Youth and Communities candidate at The University of Texas at Austin. As a theatre-maker, she is drawn to collaborations that aim to intentionally engage with the community and expand who and how people are invited into the creative space.

Stephanie Fisher (Costume Designer) is a second-year M.F.A. in Design and Technology candidate with a focus in costume design. She earned her Bachelor of Arts in Theatre (Arts Management) from Baldwin Wallace University.

In the past year, Fisher has designed costumes for Dance Repertory Theatre’s Transcendence and Fall for Dance; Mammoth: A De-Extinction Love Story; Night at the Club (film, Department of Radio–Television–Film) and managed the costume shop at New York Stage and Film (Summer, 2018). Previously, she has worked as a costume technician for Washington National Opera, Signature Theatre (D.C.), Idaho Shakespeare Festival, Great Lakes Theater and spent two summers as a resident costume designer and costume shop manager for Peterborough Players (Peterborough, New Hampshire). Member, TCG. Helen Hetrick (Stage Manager) is a fourthyear UTeach Theatre major at The University of Texas at Austin Department of Theatre and Dance. She has served as the financial director for Round About Players during her time at the university, as well as working in film. Her recent work as a stage manager includes Grounded (Street Corner Arts), Field Guide (workshop,

CREATIVE Rude Mechs), Ears, Eyes + Feet (Texas Theatre and Dance), TITLE LOADING (The Cohen New Works Festival/Fusebox Festival, 2017) and Slumber Party (UTNT (UT New Theatre), 2017).

Isaac Iskra (Choreographer) is a fourth-year UTeach Dance major. He has performed for Chaddick Dance Theatre (Austin, Texas), in Charles O. Anderson’s (Re)current Unrest (Fusebox Festival, 2018) and with Dance Repertory Theatre in Transcendence (Texas Theatre and Dance, 2018). He has choreographed numerous works for Texas Theatre and Dance.

Qi Jiajing (Lighting Designer) is a third-year M.F.A. in Design and Technology candidate with a focus in lighting design at The University of Texas at Austin. His background is in television, special events, concerts and film.

Previous credits include serving as the lighting assistant on Cosí fan tutte (Butler Opera Center, 2017) and Little Women the Broadway Musical (Texas Theatre and Dance, 2016) as well as the lighting designer for Transcendence (Texas Theatre and Dance, 2018) and Falstaff (Butler Opera Center, 2018). He is an alumnus of the Stagecraft Institute of Las Vegas, 2017.

Sam Lipman (Sound Designer and Composer) received his M.Mus. in Composition from The University of Texas at Austin in 2016. He has recently composed works for the New Jersey Symphony Orchestra, Austin Symphony Orchestra and the Pittsburg New Music Ensemble. His most recent film scores include Crone which was

nominated for a 2017 Austin Critics Table Award Best Composition and Southwest of Salem which shortlisted for a 2016 Oscar© Best Original Song in a Movie. He is currently scoring Richard Linklater’s latest film, Where’d You Go Bernadette starring Cate Blanchett and Laurence Fishburne.

Adam Miller-Batteau (Fight and Intimacy Director) is a lecturer in the Department of Theatre and Dance at The University of Texas at Austin. He is a certified teacher with the Society of American Fight Directors and has choreographed fights for over a decade, staging violence in over 100 productions. Recently, MillerBatteau has begun expanding his fight direction to intimacy direction and choreography. Recent fight and intimacy credits with Texas Theatre and Dance include Loverboy, ENRON, The Crucible, Anon(ymous), Galactic Orphans, Gondal and Little Women the Broadway Musical; Trio and A Delicate Ship (Filagree Theater Company); Starmites, Animal Farm and Cyrano (McCallum Theater); and Richard III (Mosaic Youth Theater).

Selected directing credits: Greater Tuna, Peter and the Starcatcher and A Midsummer Night’s Dream (Georgetown Palace Theater); Twelfth Night, Macbeth, She Kills Monsters and Tartuffe (Stagedoor Manor).

Kristin Perkins (Dramaturg) is a M.A. in Performance as Public Practice student at The University of Texas at Austin. She has worked as an actor, director, playwright and dramaturg.

Recent dramaturgy credits include Telephone, Mammoth: A De-Extinction Love Story (PPP

CREATIVE Graduate Student Alliance) and The Crucible (Brigham Young University). Her scholarship focuses on representations of LGBTQ Mormons.

Alice Stanley (Director) is a director, playwright, filmmaker, producer and one of the founders of Cohesion Theatre Company in Baltimore, Maryland. Stanley has won Best Director from Baltimore City Paper’s Best of Baltimore 2016, The Bad Oracle and DC Metro Theatre Arts and received the Mayor’s Individual Artist Award.

They have had pieces produced by many theaters, including The Barter Theater, Kitchen Dog Theater, Cohesion Theatre Company, Fells Point Corner Theater, Interrobang Theatre Company,

Strand Theater, Baltimore Shakespeare Factory, Gadfly Theatre Production and Rapid Lemon Productions. They are an M.F.A. in Directing candidate at The University of Texas at Austin.

Mingxiang Ya (Projection Designer) is a second-year M.F.A in Design and Technology candidate with a focus in integrated media for live performance at The University of Texas at Austin. He comes from China and graduated from Shanghai Theatre Academy with a B.F.A in Digital Media Arts. Previous work includes The Riot of Spring, Mammoth: A De-Extinction Love Story, Re(Current) Unrest and Uncle Vanya.

For updates and behind the scenes access, follow us on

FACEBOOK /uttad

INSTAGRAM @uttadaustin

TWITTER @uttad

CAST

Guinevere Govea

Christian Scheller

Juleeane Villarreal

Devin Ramirez

Emily Garcia

Sahil Bhutani

Jayla Ball

Brooks Laney

Cat Palacios

Shane Colwell

Grace Bohn

Khali Sykes

Kyle Cordova

Rebecca East

Anapaula Guajardo

Shannon Homan

Morgan Riddle

Alexandria Armbruster

Kialond Bronson-Smith

Kathleen Marie Guerrero

Nick Saldivar

Paola Montserrat Santibanez

Carlie Schoultz

Tori Schulze

Azari Sumbler

CAST Guinevere Govea ( ( ) ) is a second-year B.A. in Theatre and Dance major at The University of Texas at Austin. She has recently been seen in Loverboy (UTNT (UT New Theatre), 2018) and has appeared in multiple film projects. Upon graduation, she plans to continue to pursue acting.

journalism. This is her first mainstage production with Texas Theatre and Dance. Last spring, she appeared in Eurydice (Round About Players).

She plans to continue her training in dance, singing and acting at The University of Texas at Austin before taking her skills to Los Angeles.

Christian Scheller (Dr. Eugene Vansant) is a third-year UTeach Theatre major. This is his first appearance with Texas Theatre and Dance, but he has appeared in multiple student productions, including the role of “Bottom” in A Midsummer Night's Dream (Alpha Psi Omega).

Brooks Laney (Watson Stanley Fisher) is a B.F.A. in Acting major at The University of Texas at Austin. He has also received acting training at the William Esper Studio in New York City. He has recently been seen in Seminar by Theresa Rebeck, Bad Jews by Joshua Harmon, Telephone by Ariana Reines and In the Red and Brown Water by Tarell Alvin McCraney.

Juleeane Villarreal (Louisa Vansant) is a second-year B.A. in Theatre and Dance major with an emphasis in performer’s process at The University of Texas at Austin. She has recently been seen in ENRON, Loverboy (UTNT (UT New Theatre), 2018) and several projects with Round About Players and Alpha Psi Omega.

Devin Ramirez (Charles Vansant) is a third-year B.F.A. in Acting major originally from Rio Grande City, Texas. He was recently seen as a "Puppeteer" in MotherWitch (UTNT (UT New Theatre), 2018). Upon graduation, Ramirez plans to move to Los Angeles to further pursue the arts.

Emily Garcia (Old Blue) is a second-year B.A. in Theatre and Dance major with an emphasis in performer’s process. Garcia has recently been seen in Milton, MI (UTNT (UT New Theatre), 2018), as well as projects with Alpha Psi Omega.

Sahil Bhutani (Robert Engle) is a third-year B.A. in Theatre and Dance major with an emphasis in performer’s process also pursuing a B.B.A. in Marketing at The University of Texas at Austin. He is an actor, stand-up comedian, improviser and writer. He has recently been seen as a "Puppeteer" in MotherWitch (UTNT (UT New Theatre), 2018) and multiple projects as part of The Cohen New Works Festival (2017).

Jayla Ball (Charles Bruder) is a second-year B.A. in Theatre and Dance major with an emphasis in performer’s process also pursuing a degree in

Cat Palacios (Lester Stilwell) is a second-year dual B.A. in Theatre and Dance major with an emphasis in performer’s process and Radio–Television–Film major. She has been seen in Loverboy (UTNT (UT New Theatre), 2018), as well as Eurydice, The Not Knowing and The Last Ones Out (Round About Players).

Shane Colwell (Captain Cottrell) is a B.A. in Theatre and Dance major with emphases in playwriting and performer’s process also pursuing a certificate in creative writing. This is his first mainstage performance with Texas Theatre and Dance. Upon graduation, he plans to move to Los Angeles to focus on film work in either acting, writing, directing or music production.

Grace Bohn (Luella Stilwell)is a UTeach Theatre major at The University of Texas at Austin. She recently served as the director for Eurydice, the assistant stage manager for The Last Ones Out and as a “Daughter” in Loverboy (UTNT (UT New Theatre), 2018).

Khali Sykes (Mary Anderson) is a B.A. in Theatre and Dance major with an emphasis in performer’s process also pursuing a degree in sociology at The University of Texas at Austin.

She has extensive training in dance, singing, acting and writing. She has recently been seen in Disney’s Beauty and the Beast, A Christmas Carol and In the Heights (ZACH Theatre) as well as The

CAST Hijabi Monologues last spring. She is currently a collaborator in The Frank Wo/Men Collective in Austin, Texas. She made her debut with Texas Theatre and Dance in MotherWitch (UTNT (UT New Theatre), 2018).

Kyle Cordova (George Burlew) is a third-year B.A. in Theatre and Dance major with an emphasis in performer’s process at The University of Texas at Austin. Cordova has been involved across multiple disciplines during his time at Texas Theatre and Dance, doing everything from acting to directing and designing to producing. Most recently, he appeared as “Orcus” in She Kills Monsters, “Moss” in Boundary Layer and worked as a lighting intern at Seattle Children’s Theater.

Rebecca East (Acting Ensemble) is a UTeach Theatre major at The University of Texas at Austin.

She has an extensive background in acting and has been involved with Alpha Psi Omega, The Cohen New Works Festival and Gigglepants Improv.

Anapaula Guajardo (Acting Ensemble) is a second-year B.A. in Theatre and Dance with an emphasis in performer’s process also pursuing a B.S. in Radio–Television–Film. This is her first appearance with Texas Theatre and Dance. She was recently seen in Alison Lopez’s 3D film Death of a Nation which premiered at Babefest 2018 and screened at the FemBeat film festival. Additionally, she appeared as “Valentina” in Caitlin Ward’s thesis film Blackbird and as “Dulce” in the short film Bittersweet which premiered at the Austin School of Film SXSW showcase.

Shannon Homan (Acting Ensemble) is a thirdyear B.A. in Theatre and Dance major with an emphasis in performer’s process also pursuing a degree in government at The University of Texas at Austin. She has recently been seen in Mammoth: A De-Extinction Love Story and In the Glare.

Morgan Riddle (Acting Ensemble) is a UTeach Theatre major at The University of Texas at Austin and a student props assistant at Texas Performing Arts. She has recently been seen as “Orpheus” in Eurydice and as “Lady MacDuff” in Mac-

beth (Round About Players) as well as a “Daughter” in Loverboy (UTNT (UT New Theatre), 2018).

Alexandria Armbruster (Movement Ensemble) is a third-year B.A. in Theatre and Dance major with an emphasis in performer’s process. She was recently seen in Loverboy (UTNT (UT New Theatre), 2018), Macbeth and Eurydice (Round About Players).

Kialond Bronson-Smith (Movement Ensemble) is a B.A. in Theatre and Dance major with an emphasis in performer’s process and dance choreography with a minor in arts management and administration at The University of Texas at Austin. She is a self-taught dancer and actor and has recently been seen in Dance Action’s S.E.E.D. Kathleen Marie Guerrero (Movement Ensemble) is a second-year B.A. in Theatre and Dance major with emphases in performer’s process and theatre for youth and communities. She has an extensive background in dance, singing and acting.

Nick Saldivar (Movement Ensemble) is a firstyear B.A. in Theatre and Dance major with an emphasis in performer’s process. This is his first production with Texas Theatre and Dance.

Previous acting credits include Into the Woods, Sweeney Todd: The Demon Barber of Fleet Street, Rosenkrantz and Guildenstern are Dead, Night of the Living Dead and The Craving.

Paola Montserrat Santibanez (Movement Ensemble) is a B.A. in Theatre and Dance major with an emphasis in performer’s process at The University of Texas at Austin. She has an extensive background in dance and singing. Recent singing credits include Mindthrill, Walk into Emotions, Genius, Being Human and De Película as part of the Colegio Inglés Hidalgo ensembles.

She has also been seen in multiple dance projects as part of the Jazztroupe Academy.

Carlie Schoultz (Movement Ensemble) is a thirdyear UTeach Theatre major at The University of Texas at Austin. This is her first mainstage performance with Texas Theatre and Dance. She

CAST has an extensive theatre background and has worked with Alpha Psi Omega and Round About Players. Recently, she was seen as “Tilly” in She Kills Monsters and “Alya” in En Memoire, and served as the dramaturg for The Velvet Sky. Tori Schulze (Movement Ensemble) is a B.A. in Theatre and Dance major with an emphasis in performer’s process at The University of Texas at Austin. She was last seen as a “Witch” in Mac-

beth and “Lord of the Underworld” in Eurydice (Round About Players), as well as multiple short films produced by students on campus.

Azari Sumbler (Movement Ensemble) is a B.A. in Theatre and Dance major with an emphasis in performer’s process and dance choreography at The University of Texas at Austin. This is his first production with Texas Theatre and Dance

CREW ASSISTANT DIRECTOR ELISE PETERSON

MASTER CARPENTER HANK SCHWEMMER

PROP SHOP SUPERVISOR REBECCA SWITZER

ASSISTANT CHOREOGRAPHER SARAH JACK

ASSISTANT CHARGE SCENIC ARTIST ASHTON MURPHY

ASSISTANT STAGE MANAGERS CALLIE BLACKSTOCK ALEXIS WILLIAMS

GRADUATE PRODUCTION ASSISTANTS ZOE ANDERSEN JENNICA DOMBROWSKI

ASSISTANT PROP SHOP SUPERVISOR CAROLYN ALLINGHAM HARDIN

ASSISTANT SCENIC DESIGNER JENNICA DOMBROWSKI

ADMINISTRATIVE ASSISTANT ALY REDLAND

ASSISTANT COSTUME DESIGNERS LAURA GONZALEZ LINDSEY THURSTON

PRODUCTION LEADS NATASHA COSME BATISTA DAVID HERNANDEZ JARED HORN TAYLOR JONES CHRISTIAN SCHELLER GOBI VONAN HENRY WHEATLEY-RUTNER

ASSISTANT LIGHTING DESIGNERS AUSTIN SHIRLEY NOAH TUCKER ASSISTANT SOUND DESIGNER MALYSSA QUILES ASSISTANT PROJECTION DESIGNER LOGAN SMITH SCENIC STUDIO SUPERVISOR J.E. JOHNSON SCENIC ART SUPERVISOR KAREN MANESS ASSOCIATE SCENIC STUDIO SUPERVISOR JASON HUERTA

PRODUCTION ASSISTANTS SULTAN ABBOUSHI VIVIAN GONZALEZ JULIO MUÑOZ KELYN PERRY ROHIT SWAMINATHAN CHRISTIANA THOMAS CONSULATE WILSON GUSTAVO ZAMARRIPA FALL 2018 SCENIC ART CLASS CHUN KANG CHEN IMAN CORBANI JENNICA DOMBROWSKI OSCAR DE LA GARZA ROXY MOJICA DIANA SCHWARTZ KENDRA WILEY

PROP MASTER R. SWITZER PROP SHOP GRADUATE ASSISTANT ZOE ANDERSEN PROP ARTISANS MADELEINE HAYES DIAMANTE MARTINEZ MORGAN RIDDLE TAYLOR TRAVIS PROP SHOP ADMINISTRATIVE ASSISTANT & STOCK MANAGER SKYLER TATEN PROPS CONSTRUCTION CREW AVERY ARNOLD SCENERY/PROPS CREW AYLA AZIZOGLU HAYDEN DANIEL COXNYA GARNER HAZEL KENT BEN RUSSELL COSTUME PRODUCTION DIRECTOR NANETTE ACOSTA COSTUME SHOP ASSOCIATE MANAGER DARCY WEBERG

DRAPERS SARAH ALDRIDGE POUA YANG FIRST HANDS HSIAO-WEI CHEN SAMANTHA COLE STEPHANIE FISHER JOSEPH HARRINGTON AARON KUBACAK VANESSA LOPEZ STITCHERS ALANA ANTHONY MIA BARRERA LAURA GONZALEZ COSTUME PROJECT MANAGER DARCY WEBERG ADVANCED COSTUME PRODUCTION TECHNIQUES TEACHING ASSISTANT SAMANTHA GASHETTE COSTUME PRODUCTION CREW JAYLA BALL ANDREW JAMES AUDREY LOOMIS MIREYA LUNA AARON MOORE CATHERINE PALACIOS HAILEY ROBERTS MEGAN TODD WIG MASTER TARA COOPER WARDROBE SUPERVISOR ROXANNE ROHMANN WARDROBE CREW CHIEFS JENIFER MARGOS LINDSEY THURSTON

CREW (CONTINUED) WARDROBE CREW MAHAGANY ADAIR BRIANNA BISHOP DAVID J. DE LA BARENA KATRINA GAEDCKE FRANCES GARNETT KENDEL JONES COSTUME CRAFTS ARTISAN TANYA OLALDE COSTUME CRAFTS ASSISTANT ALEXANDER GREER ANNIE ULRICH COSTUME SHOP OFFICE ASSISTANTS ALFY LINDSEY JESSE ROSE COSTUME STOCK SUPERVISOR DESIREE HUMPHRIES COSTUME STOCK ASSISTANTS AUSTIN ALVAREZ CECELIA IBARRA 324P LIGHTING FACULTY SUPERVISOR ANN G. WRIGHTSON TEXAS PERFORMING ARTS SUPERVISING ELECTRICIAN SEB BOONE TEXAS PERFORMING ARTS LIGHTING SUPERVISOR JEFF ELLINGER

SENIOR LIGHTING TECHNICIANS AARON CURRY QI JIAJING WILLIAM RIOS AUSTIN SHIRLEY AMBER WHATLEY KENDRA WILEY TEXAS THEATRE AND DANCE LIGHTING CREW JUAN CORK SARA CHANEY ALYSSA FINGER JONATHAN KIM MICHAEL MCCASLIN MEAGAN MCCRARY KHALI SYKES NOAH TUCKER TEXAS PERFORMING ARTS LIGHTING CREW JAKE BRINKS BEN GALVAN ALEX JEREB ADRIANA LARA BRISA SHAW GEORGE VELASQUEZ LIGHT BOARD OPERATOR SYDNIE BROWN SPOT LIGHT OPERATORS AMAYA ANANDA ABALOS JOSHUA MAGEE RICKY MILLER SOUND ENGINEER JAKE STEIN AUDIO SUPERVISOR MICHAEL MALAK ASSOCIATE AUDIO SUPERVISOR KENNY KUYKENDALL

AUDIO PRODUCTION STUDENT CREW MIKELA KELAREK MALYSSA QUILES JESSICA SELL JAKE STEIN

COSTUME DESIGN ADVISOR SUSAN MICKEY

TEXAS PERFORMING ARTS AUDIO CREW MIKELA KELAREK WYATT LASTER MILA LUNA MALYSSA QUILES JESSICA SELL

LIGHTING DESIGN ADVISOR MICHELLE HABECK

SOUND BOARD OPERATOR ANNA LEHNHOFF INTERIM MEDIA SUPERVISOR DAVID TOLIN MEDIA GRADUATE ASSISTANTS KAIWEN FA ALEX GENDAL LOGAN SMITH MINGXIANG YA MEDIA SHOP CREW ALEX ARMBRUSTER KIALOND BRONSON-SMITH ERIK MARTINEZ RACHAEL NSEK AARON PITMAN MILLY RANGEL MCKENNA RICHARDS MEDIA BOARD OPERATOR SOPHIE MILLER STAGE MANAGEMENT ADVISOR RUSTY CLOYES DIRECTING ADVISOR KJ SANCHEZ

COSTUME TECHNOLOGY ADVISOR JAMES GLAVAN

INTEGRATED MEDIA DESIGN ADVISOR SVEN ORTEL SCENIC DESIGN ADVISOR WILLIAM BLOODGOOD SOUND DESIGN ADVISOR CAROLINA PEREZ BEN TRUPPIN-BROWN DRAMATURGY/COMMUNITY ENGAGEMENT ADVISORS MEGAN ALRUTZ ANDREW CARLSON LIZ ENGELMAN ACADEMIC PRODUCTION MANAGER JEFF GRAPKO PHOTOGRAPHER LAWRENCE PEART GRAPHIC DESIGNER JEFF GRAY SPECIAL THANKS CHRISTIN DAVIS MARGARET JUMONVILLE ROBERT RAMIREZ ST. EDWARD'S UNIVERSITY TEXAS STATE UNIVERSITY