A Beautiful Day in November on the Banks of the Greatest of the Great Lakes

DIRECTED BY CALEY CHASE

OCTOBER 10 AT 7:30 P.M. (PREVIEW) OCTOBER 11-12, 16-18 AT 7:30 P.M. OCTOBER 13, 20 AT 2:00 P.M.

OSCAR G. BROCKETT THEATRE F. LOREN WINSHIP DRAMA BUILDING

THEATREDANCE.UTEXAS.EDU

Brittney Barton – Assistant Scenic Designer • Kate Benson – Playwright Caley Chase – Director • Alik B. Clay – Assistant Scenic Designer Violet Clemons – Costume Designer • Layla Crear – Assistant Costume Designer Michelle “Midge” Ferguson – Stage Manager Allison Normin Johnson – Assistant Costume Designer • Jacqueline Mai – Assistant Stage Manager Joshua Martin – Scenic and Projection Designer • Hannah Nelson – Dramaturg KP Pierce – Assistant Lighting Designer • Ellenor Riley-Condit – Movement Director Olivia Saldaña -Assistant Director • Cooper Smither – Sound and Foley Designer Laura Soares – Assistant Stage Manager • Gavin Strawnato – Lighting Designer David Tolin – Technical Director • Kyle Trehern – Assistant Sound Designer Desne P. Wharton – Assistant Projection Designer

The Department of Theatre and Dance is a world-class educational environment that serves as the ultimate creative incubator for the next generation of artists, thinkers and leaders in theatre and performance.

CAST (IN ORDER OF APPEARANCE) @ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Natalie Tran #. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jake Wilson Cheesecake . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emerson Hartman Cherry Pie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Esmeralda Treviño Trifle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Oyin Ojomo SnapDragon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carlise Rosa GrandDada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ellenor Riley-Condit Trainer/Trainer’s Partner/Smilesinger/The Twins/The Wives of the Twins . . . . . . . . . . . . . . . Mackenzie Mann Runnerman/Smilesinger’s Husband/The Twins/The Wives of the Twins/Republican . . . . . . . . . . Emilio Mejia Republican’s Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mia Hsiung Nguyen Fred/Ed/Ned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Flores Jr. Gumbo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Penny Lou Zimmerman Foley Performer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jax Schuck

The video or audio recording of this performance by any means is strictly prohibited.

A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES is presented through special arrangement with TRW PLAYS 1180 Avenue of the Americas, Suite 640, New York, NY 10036. | www.trwplays.com A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES was first produced in New York City by New Georges (Susan Bernfield, Producing Artistic Director; Jaynie Saunders Tiller, Managing Director; Sarah Cameron Sunde, Deputy Artistic Director) and WP Theater (Lisa McNulty, Producing Artistic Director, Michael Sag, Managing Director).

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WHAT’S ON STAGE

LOCATION, DIRECTIONS, PARKING

NOTE FROM THE DIRECTOR In working on this wild, wonderful play, I have been thinking a lot about the act of creating. How beautiful and daunting it can be. How we draw boundaries and create rules for ourselves to make the process slightly more penetrable. How we then push up against those boundaries, try to break those rules – in search of something that feels newer, funnier, more meaningful, provocative, right, true.

A Beautiful Day in November on the Banks of the Greatest of the Great Lakes gives us one day with SnapDragon, GrandDada and a family that may possibly resemble your own, on a holiday central to American mythology. Kate Benson’s script offers – in its bold omission of all stage directions – a play full of action. It is an athletic event wherein we witness the choreography of exhaustion and the pursuit of love and belonging.

I love plays like Great Lakes that imagine the impossible and dare you to pursue it. This play makes me think that it is perhaps through our own relationship to inherited tradition that we create ourselves.

Friction with these boundaries shows us who we are.

Though we get just one day at Wembly Stadium, we get much longer with each other in this complex and infinite world. Let us meet in joy and strangeness.

What a fine day to be together. Welcome, and thank you for being here!

NOTE FROM THE DRAMATURG

“Life is short. The day is long. There is so much to see and to do, and none of it bears repeating. Make it new.” - Kate Benson Today, you’ll witness a family stumbling through a day together – not even a whole day, merely some hours in each other’s company. This day is raucous and amusing and cringeworthy, full of the hallmarks that come with holidays and families. There is a cycle of family at work in this play: creation, nourishment and destruction. How much energy does it take to raise a child? How do our words and actions gnaw at each other? What legacies do we leave behind after we’re gone?

On stage today, I imagine you’ll see familiar narratives. They may reflect your own family and history, and maybe that will be funny! It might also be unsettling. As we sift through the narratives we hold surrounding family and belonging, there are often complex and difficult memories in tandem with joyful and meaningful ones. Sometimes the weight of tradition, memory and ritual can feel burdensome or constraining. My hope is that you’ll remember we make our own stories from the ones that came before us. We somehow, painstakingly and imaginatively, make our narratives new.

CREATIVE Brittney Barton (Assistant Scenic Designer) is a first-year graduate student studying scenic design. She enjoys being part of the design and building process as well as scenic painting. Barton has designed several shows for the University of West Florida in Pensacola including Emma, Blithe Spirit and Shakespeare in Love.

Kate Benson (Playwright) is a writer and actor living in Brooklyn. Her plays include A Beautiful Day in November on the Banks of the Greatest of the Great Lakes, produced by New Georges in 2014, [PORTO], Lee Miller and Radium Now. She is a member of the Jam at New Georges, and she is a graduate of the Brooklyn College M.F.A. Playwriting program. She has had readings and showings of her work at Dixon Place, 13th Street Repertory Theatre, Jimmy’s No. 43 and the Room at New Georges. As an actor, she has appeared at The Public Theater, New York Theatre Workshop, the Flea, Performance Space 122, the Incubator and La MaMa. Caley Chase (Director) has directed, developed and assisted work at The Huntington, Powerhouse Theater, American Repertory Theater, Trinity Repertory Company, Shakespeare & Company, Actors’ Shakespeare Project and Speakeasy Stage, among others. Recent credits: The Taming of the Shrew and Macbeth (Powerhouse Theater), The Mikvah Project by Josh Azouz (Texas Theatre and Dance Studio Series, 2022), Then We’ll Rest by Eliya Smith (The Cohen New Works Festival, 2023), Choreomaniac 1518

by Malena Pennycook (UTNT (UT New Theatre), 2024). She is a third-year M.F.A in Theatre (directing) candidate. caleychase.com (she/her) Alik B. Clay (Assistant Scenic Designer) is a firstyear graduate student at The University of Texas at Austin. They discovered theatrical design during their undergraduate studies at Flagler College, where they served as scenic designer for If/Then and Cinderella, media designer for If/ Then and lighting designer for Almost, Maine.

Violet Clemons (Costume Designer) is a second-year M.F.A. in Theatre (costume design)

candidate at The University of Texas at Austin.

She is a Chicago native and studied costume design at Ball State University (BSU), earning her B.A. in 2019. She has worked around the Chicagoland area in theatre and fashion. Her recent credits include Pretend it’s Pretend (UTNT (UT New Theatre), 2024), Points of Intersection (Texas Theatre and Dance, 2024) and A Year with Frog and Toad (Bay Area Children’s Theatre).

Layla Crear (Assistant Costume Designer) is a B.A. in Theatre and Dance major with an emphasis in design and technology at The University of Texas at Austin. She has an extensive background in costume design. She recently graduated from the theatre department at The High School for the Performing and Visual Arts and is in her first year at the University.

Her previous credits include The Wiz (The High School for the Performing and Visual Arts) and Put Your House in Order (Rec Room Arts).

Michelle “Midge” Ferguson (Stage Manager) is a third-year B.F.A. in Theatre Education and B.A. in Theatre and Dance double major with an emphasis in stage management. They have served as stage manager on various projects in the Austin area including The Little Mermaid (Summer Stock Austin), Blood at the Root (Texas Theatre and Dance Studio Series, 2024), Fishing for Stars and A Green Moment to Share (The Cohen New Works Festival, 2023). She also worked as a stagehand for two weeks at the 2024 Kerrville Folk Festival. (they/she) Allison Normin Johnson (Assistant Costume Designer) is a first-year M.F.A candidate at The University of Texas at Austin. Originally from Portland, Oregon, she earned her B.A. from Willamette University. Her work is shaped by a foundation in art history, sustainability and an international perspective from her experiences abroad. Johnson has collaborated with Oregon-based companies like CoHo Productions, Corrib Theatre, Milagro Theatre, Portland Center Stage and Artists Repertory Theatre. allisonjcreates.com (she/her)

CREATIVE Jacqueline Mai (Assistant Stage Manager) is a first-year B.A. in Theatre and Dance major with an emphasis in stage management. She has experience in many areas of backstage technical work and stage management. Her recent credits include stage managing the UIL OAP State finalist show Ghetto (Katy Theatre, 2024) and Bright Star: The Musical (Katy Theatre, 2024).

Joshua Martin (Scenic and Projection Designer) is a M.F.A. in Theatre (live design and production) candidate studying both scenic design and integrated media for live performance. His avid commitment to theatre for social change drives his current pursuits of democratizing theatrical interfacing and placemaking in emerging and unconventional spaces. Credits with Texas Theatre and Dance include Sanctuary City (Studio Series, 2024), Blood at the Root (Studio Series, 2024), Pretend it’s Pretend (UTNT (UT New Theatre), 2024), Romeo y Juliet (2024) and This is Our Youth (directing project, 2024). Josh-W-Martin.com Hannah Nelson (Dramaturg) is a fourth-year B.A. in Theatre and Dance major with an emphasis in playwriting and directing. She is interested in the intersections of theatre, collective memory and reconciliation. Recent credits with Texas Theatre and Dance include assistant direction for Choreomaniac 1518 (UTNT (UT New Theatre), 2024), performing in Our Town (Studio Series, 2022) and stage management for Hamlet (Studio Series, 2023).

KP Pierce (Assistant Lighting Designer) is a second-year M.F.A. in Theatre (lighting design) candidate. Most recently, they worked with Marjorie Lyons Playhouse as the lighting designer for productions of Antigone, The Glass Menagerie and The Zoo Story.

Ellenor Riley-Condit (Movement Director/ GrandDada) is a theatre maker working at the intersection of performance creation and liberatory praxis. She is the Faculty and Curriculum Director at Vassar's Powerhouse Theater Training Program, where she recently directed Marathon and The Trojan Women. Recent

credits with Texas Theatre and Dance include Oh, Buddy and Then We’ll Rest, presented as part of The Cohen New Works Festival (2023).

She is set to direct Once In A Hundred Years for UTNT (UT New Theatre) this spring. (she/her) Olivia Saldaña (Assistant Director) is a B.F.A. in Theatre Education major at The University of Texas at Austin. She has a background in directing, acting, costume design and set design. Recent credits with Texas Theatre and Dance include Romeo y Juliet (2024), Blood at the Root (Studio Series, 2024), Hamlet (Studio Series, 2023), Evil Dead and The Aardvark (The Cohen New Works Festival, 2023).

Cooper Smither (Sound and Foley Designer) is a third-year B.A. in Theatre and Dance major with an emphasis in performer's process at The University of Texas at Austin. Recent credits with Texas Theatre and Dance include assistant sound design on Hamlet (Studio Series, 2023), assistant sound design on Choreomaniac 1518 (UTNT (UT New Theatre, 2024) and sound design/ dramaturgy for Take the Wheel’s production of The Thing in This House Loves You (2024).

Laura Soares (Assistant Stage Manager) is a second-year B.A. in Theatre and Dance major with an emphasis in stage management. She has a background in various types of backstage work and stage management. Recent credits include assistant stage managment for Romeo y Juliet (Texas Theatre and Dance, 2024) and for the opera Tea: A Mirror of Soul (Butler Opera Center, 2024).

Gavin Strawnato (Lighting Designer) is a third-year M.F.A. in Theatre candidate studying lighting design in the Live Design and Production area at The University of Texas at Austin Department of Theatre and Dance. Previous credits include: Romeo y Juliet (Texas Theatre and Dance, 2024) and Tea: A Mirror of Soul (Butler Opera Center, 2024). (they/them) David Tolin (Technical Director) was born and raised in Casper, Wyoming. He received his B.A. in Theatre with a concentration in design/

CREATIVE technology from the University of Nevada, Las Vegas. He received his M.F.A. in Theatre from The University of Texas at Austin before teaching at Westlake High School for seven years. Tolin works at Texas Performing Arts’ Fabrication Studios as the Project Manager and as faculty in the UT Live Design and Production area.

Kyle Trehern (Assistant Sound Designer) is a B.A. in Theatre and Dance major with an emphasis in stage management. He has a background in both theatrical performance and dance performance.

Recent credits include to love and to be loved and everything in between (Texas Theatre and Dance Studio Series, 2024) and Ride the Cyclone (Texas Theatre and Dance, 2023), as well as multiple events at the Hogg Memorial Auditorium.

Desne P. Wharton (Assistant Projection Designer) is a first-year M.F.A. in Theatre (integrated media for live performance) candidate from Washington, D.C. As a multimedia designer, she has worked on projects for both live performance and television. Her design credits include The Colored Museum (The Center for Performing Arts at Prince George’s Community College) and fuckin loud (The Hollywood Fringe Festival). She will also serve as one of the projection designers for Dance Repertory Theatre’s CYPHERS later this fall.

CAST

Natalie Tran

Jake Wilson

Emerson Hartman

Esmeralda Treviño

Oyin Ojomo

Carlise Rosa

Ellenor Riley-Condit

Mackenzie Mann.

Emilio Mejia

Mia Hsiung Nguyen

Adam Flores Jr.

Penny Lou Zimmerman

CAST Natalie Tran (@) is a second-year B.F.A. in Acting major at The University of Texas at Austin with an extensive background in acting. Recent credits with Texas Theatre and Dance include “G” in Sanctuary City (Studio Series, 2024) and “Lexi/ Josie” in to love and to be loved and everything in between (Studio Series, 2024). Credits outside of UT Austin include works with Guthrie Theater, Ordway Center for the Performing Arts and the prestigious Children’s Theatre Company.

Jake Wilson (#) is a fourth-year B.F.A. in Acting student.

Emerson Hartman (Cheesecake) is a B.F.A. in Acting major at The University of Texas at Austin.

She is a second-year student, and this is her first production with Texas Theatre and Dance.

Esmeralda Treviño (Cherry Pie) is originally from Harlingen, Texas and is a third-year at The University of Texas at Austin in the B.F.A. in Acting program. Her recent credits include “Lady MacDuff” in Macbeth (Illinois Shakespeare Festival, 2024), “Nurse” in Romeo y Juliet (Texas Theatre and Dance, 2024) and “Chuyita” in Pray for the Notary (Teatro Vivo, 2024). (she/her) Oyin Ojomo (Trifle) is a second-year B.F.A. in Acting major. This is her first performance with Texas Theatre and Dance.

Carlise Rosa (Snapdragon) is a second-year B.F.A. in Acting major at The University of Texas at Austin. Recent credits with Texas Theatre and Dance include the role of "Frau Thera" in Choreomaniac 1518 (UTNT (UT New Theatre), 2024).

Mackenzie Mann (Trainer/Trainer’s Partner/ Smilesinger/The Twins/The Wives of the Twins) is a second-year B.F.A. in Acting student also pursuing an anthropological minor in language, culture, and communication. Their past credits with Texas Theatre and Dance include understudy, assistant director and “Choreomaniac” in Choreomaniac 1518 and

“Cake” in the reading of Taste Buds: The Adventures of Cake and Broccoli, both presented as part of UTNT (UT New Theatre) (2024).

Emilio Mejia (Runnerman/Smilesinger’s Husband/The Twins/The Wives of the Twins/ Republican) is a fourth-year B.A. in Theatre and Dance major with an emphasis in performer’s process. He is a Honduran actor who quickly adapted himself to the theatre scene in Mexico City, where he was raised. Recent credits include the role of “Mercutio” in Romeo y Juliet (Texas Theatre and Dance, 2024) and "Ralph" in his television series debut in Walker (The CW, 2024).

Mia Hsiung Nguyen (Republican’s Wife) is a fourth-year B.F.A. in Acting major. Recent credits with Texas Theatre and Dance include “Sevallia” in Choreomaniac 1518 (UTNT (UT New Theatre), 2024), “Ophelia” in Hamlet (Studio Series, 2023), “Penny” in Then We’ll Rest (The Cohen New Works Festiva, 2023) and “Emily Webb” in Our Town (Studio Series, 2023). She recently studied at Shakespeare & Company in Massachusetts and the Stella Adler Studio of Acting in New York City. Nguyen has performed with the Illinois Shakespeare Festival and starred in various Austin short films and music videos.

Adam Flores Jr. (Fred/Ed/Ned) is a third-year B.F.A. in Acting major at The University of Texas at Austin. He has an extensive background in acting.

Previous credits with Texas Theatre and Dance include “Marcus” in Choreomaniac 1518 (UTNT (UT New Theater), 2024). This past summer he played “Lysander” in A Midsummer Night’s Dream, “Peter Simple” in The Merry Wives of Windsor and “Duke” in Othello at Shakespeare at Winedale.

Penny Lou Zimmerman (Gumbo) is a secondyear B.F.A. in Acting major at The University of Texas at Austin. She is originally from Chicago, Illinois. Her previous credits with Texas Theatre and Dance include Pretend it’s Pretend by Emma Watkins (UTNT (UT New Theatre), 2024).

CAST TEXAS PERFORMING ARTS FABRICATION STUDIO ASSOCIATE DIRECTORS J.E. JOHNSON KAREN MANESS PROJECT MANAGER DAVID TOLIN OPERATIONS MANAGER JASON LEE HUERTA PROPERTIES MANAGER CAROLYN HARDIN LEAD FABRICATOR HANK SCHWEMMER PROJECT SPECIALIST ASHTON BENNETT MURPHY SENIOR TECHNICAL DIRECTOR SCOTT BUSSEY EMERGING ARTS PROFESSIONALS BRIDGETTE CLIFFORD DANIEL GELD GRADUATE PRODUCTION ASSISTANTS BRITTNEY BARTON DANIEL RUIZ BUSTOS ZACH YOUNG ADMINISTRATIVE ASSISTANT MADISON JACKSON PRODUCTION LEADS JUNO ADAIR LEAH AUSTIN ELIZABETH BANDA AYLIN CIBIK DANIEL COLCOCK VALERIA NUNEZ ESTRADA SARAH EWING ANA LARA CODIE LIGHTFOOT KRISTA MCLEOD GABRIEL GOMEZ REYES MONSE SANDOVALMALHERBE KARINA TREJO CASSIDY WEN JULIA YELVINGTON 324P FABRICATION PRODUCTION ASSISTANTS HAYLEY JAN CARBAJAL JORGE A. GONZALES SANDHYA IYER YASMYNNE S. KNOX DAIJHA MAINOR ERIC LEE RAMIREZ ERICK VARGAS ROJAS PRODUCTION PROPS MANAGER ASHTON BENNETT MURPHY

PROP STOCK MANAGERS EVELYN BECERRA KATELYN NGUYEN

WARDROBE RUNNING CREW CHIEF JAZ BURCHELL

ASSISTANT AUDIO VIDEO SUPERVISOR K. ELIOT HAYNES

CHARGE ARTIST ASHTON BENNETT MURPHY

WARDROBE CREW ELLA EAVENSON ISABELLA LIMPER VALERIA MORALES GEORGIA WILLIAMS

TEXAS PERFORMING ARTS AUDIO CREW GEORGIA BECKHAM THEARY LLOYD

SCENERY/PROPS CREW KYRA CARR HEAVYN CARTER ROMAN LOSA

COSTUME PRODUCTION AND FABRICATION STUDIO COSTUME PRODUCTION DIRECTOR NANETTE ACOSTA PRODUCTION ASSOCIATES DESIREÉ HUMPHRIES JONATHAN WATERS STAFF DRAPERS SARAH BARBOUR POUA YANG STAFF FIRST HANDS JENNIFER BALL WAYNE FOWKS STUDENT STITCHER MEGGIE HUNT COSTUME CRAFTS ARTISAN TANYA OLALDE COSTUME CRAFTS ASSISTANTS RACHEL GREEN MATTHEW SMITH

COSTUME STOCK SUPERVISOR DESIREÉ HUMPHRIES COSTUME STOCK ASSISTANTS KATIE CONCANNON ALLISON JOHNSON EMORY KENNEMORE

LIGHTING/SOUND/ MEDIA ACADEMIC PRODUCTION TECHNOLOGY MANAGER EARNEST MAZIQUE ASSISTANT LIGHTING SUPERVISOR MICHAEL SHANKS

AUDIO BOARD OPERATOR WILLIAM WONZY MEDIA GRADUATE ASSISTANTS A.J. HURTADO NITSAN SCHARF MEDIA SHOP CREW JOE ADKINS CHANTELL GONZALEZ AYESHA HUGHES MEDIA OPERATOR ELLIE HERR

PRODUCTION ADVISORS STAGE MANAGEMENT RUSTY CLOYES

ASSISTANT SUPERVISING ELECTRICIANS HUEMAK SANCHEZ MATTHEW SMITH

DIRECTING KJ SANCHEZ ALEXANDRA BASSIAKOU SHAW

SENIOR LIGHTING TECHNICIANS ALIK CLAY KP PIERCE

COSTUME DESIGN RAQUEL BARRETO

324P LIGHTING FACULTY SUPERVISOR SEB BOONE

COSTUME TECHNOLOGY DAVID AREVALO LIGHTING DESIGN MICHELLE HABECK

STUDIO ASSISTANTS LAYLA CREAR AVA SETTOON

324P THEATRE AND DANCE LIGHTING CREW ELICIA HARTZELL

INTEGRATED MEDIA FOR LIVE PERFORMANCE KATE FREER

WIG HAIR AND MAKEUP SPECIALIST STEPHANIE MILLER

TEXAS PERFORMING ARTS LIGHTING CREW JOSE CALVILLO ADAM CORONADO COBY HUGHES OLIVIA LONGORIA JOSE SALCIDO ETHAN SEBREE

SCENIC DESIGN JOSAFATH REYNOSO YVONNE BOUDREAUX

WIG HAIR AND MAKEUP ASSISTANT KAITLYN COMFORT STUDIO CREW SUPERVISORS KAITLYN COMFORT MATTHEW SMITH STUDIO CREW JAZ BURCHELL ALEXIS HUNT LOGAN MARQUEZ ANGELA MATA JAY SMITH COURTNEY TROWERS WARDROBE SUPERVISOR TANIA HERNANDEZ

LIGHT BOARD OPERATOR AUDEN BEAUVIOS LIGHTING CREW STUDENT VOLUNTEERS ANNA BLANCHARD REBECCA COUCH MIA HINDMAN BRADLEY JACINTO RILEY KNECHT CAROLINE PLUMB ZOE SALDANA RAIN SNYDER RYLIE WILSON KAROL YANEZ

SOUND DESIGN PHILLIP OWEN DRAMATURGY MADGE DARLINGTON ACTING CHRISTIN DAVIS RESIDENT INTIMACY DIRECTOR ANDY GRAPKO RUN CREW SUPERVISOR AUSTIN SHIRLEY

CREW

DIRECTOR OF PRODUCTION RUSTY CLOYES TEXAS PERFORMING ARTS DIRECTOR OF FABRICATION AND ACADEMIC PRODUCTION JEFF GRAPKO FRONT OF HOUSE MANAGEMENT AND TICKETING DANA MCLAUGHLIN PR/MARKETING MEGAN BOMMARITO SYDNEY PATTILLO PHOTOGRAPHER SARAH NAVARRETE GRAPHIC DESIGNER JEFF GRAY

SPECIAL THANKS Alexandra Bassiakou Shaw KJ Sanchez Christin Davis Hannah Read Hal Cosentino Birds Barbershop