SYMPHONIC WINDS
TUESDAY, FEBRUARY 25TH, 7 PM
UTRGV PERFORMING ARTS COMPLEX
EDINBURG, TX
PROGRAM
Edinburg Symphonic Winds Program
Prof. Jerianne Larson, conductor
Shimmering Sunshine (2019) Kevin Day (1996)
Prof. Daniel Soto, Guest Conductor
Fields of Gold (2024) Julie Giroux (b. 1961)
First Suite in E-flat (1909/1922/1984) Gustav Holst (1875-1934)/ed. Collin Matthews
Bobby Salazar, Master’s Conducting Associate
The Sea of Mountains (2022) Matthew Jackfert (b. 1988)
Bobby Salazar, Master’s Conducting Associate
Children’s March: Percy Grainer (1882-1961)/ “Over the Hills and Far Away” ed. Mark Rogers (1919/1995)
Featuring the Chamber Choir, under the direction of Dr. Matt Coffey
P R O G R A M N O T E S
KevinDay(b.1996),anAmericanwhosemusichasbeen characterizedby"propulsive,syncopatedrhythms,colorful orchestration,andinstrumentalvirtuosity,"(RobertKirzinger, BostonSymphony)ComposerKevinDayhasquicklyemergedas oneoftheleadingyoungvoicesintheworldofmusiccomposition today,whosemusicrangesfrompowerfulintrospectiontojoyous exuberance.KevinDayisaninternationallyacclaimedcomposer, conductor,andpianist,whosemusicoftenintersectsbetweenthe worldsofjazz,minimalism,Latinmusic,fusion,andcontemporary classicalidioms.DayservesastheVicePresidentoftheMillennium ComposersInitiative,acollectiveofmorethan120composers fromseveralcountriesaroundtheworld.
AwinneroftheBMIStudentComposerAward,athree-timefinalist fortheASCAPMortonGouldYoungComposerAwardand consideredforthe2022PulitzerPrizeforhisConcertoforWind Ensemble,Dayhascomposedover200works,andhashad numerousperformancesthroughouttheUnitedStates,Russia, Austria,Australia,Taiwan,SouthAfrica,andJapan.
DayiscurrentlyAssistantProfessorofCompositionatWilfrid LaurierUniversityinWaterloo,Ontario,Canada.Heispursuinghis DMAinCompositionfromtheUniversityofMiamiFrostSchoolof Music,wherehestudieswithCharlesNormanMason,Dorothy Hindman,andLansingMcCloskey.HeholdsaMMinComposition fromtheUniversityofGeorgia,andBMinPerformancefrom TexasChristianUniversity(TCU).HeisalumnusofKappaKappa PsiNationalHonoraryBandFraternityandPhiMuAlphaSinfonia FraternityofAmerica.
DaysharesthefollowingonShimmeringSunshine(2019):
P R O G R A M N O T E S
ShimmeringSunshineisacompositionthatdepictsthesun wheneveritispositionedathighnoon,atitsbrightestpointduring theday.Throughoutthepiece,therearedifferent"shimmers"of brightlightthatbouncearoundfrominstrumenttoinstrument, depictingmomentsofsunshinebothbeautifuland,atthesame time,powerful.
ThisworkwaswritteninconjunctionwiththeM.O.T.I.Ftriptych consortium,includingAcrossaGoldenSkybyQuinnMasonand MidnightSkylinebyJoshTrentadue.
JulieGiroux(b.1961)isanalumnusofLouisianaStateUniversity andBostonUniversity,andstudiedcompositionwithJohnWilliams, BillConti,andJerryGoldsmith.Shebeganhercompositional careerin1985writing,arranging,andconductingmusicfor televisionandfilm,includingfortheEmmyAwardwinningminiseriesNorthandSouth,Dynasty,TheColbys,KarateKidII,White MenCan’tJump,andBroadcastNews.Girouxholdsover100film, television,andvideogamecreditstohername.Sincebeginningher bandcompositioncareerin1983,muchofhermusichasbecomea stapleinensemblesworldwide.
Girouxprovidesthefollowingprogramnotes:
ThisisthestoryofanalienchildsenttoEarth,thelast survivorofadoomedplanetandcivilization.Itisastorythat hasbeencapturingtheimaginationsofearthlingssinceits firstpublishinginActionComics#1,June1938.Raisedby farmerswithlove,taughttobefair,humble,hard-working andtonevertellalie,thechildgrowsintothesontheycould neverhaveandthesuperheroeveryonecanadmire. JonathanandMarthaKentweren'tjusthisparents.They werehismentors,likerealmentorstheworldover,silently contributingtotheworldinaremarkable,Earth-defining way.
P R O G R A M N O T E S
FieldsofGold(2019)tellstheearlystoryofSuperman. Thepiecestartsoutwithachild'sjourneyfromKryptonto Earth.ThenwemeettheKentsandruralAmerica.Then twotimeseventshappeninhisyounglife:whenSuperman useshispowersforgoodandwhenhecomestoterms withwhoheis,whoheistobecome.Therearescenes fromSupermanmoviesthatalwaysstrikehomewithme-whenSupermanisstandingalone,surroundedbyfieldsof goldasafarmer,asonandanhonestmanofqualityandj justworth.ThatishowIwillalwaysthinkofhim,howIwill alwaysthinkofSuperman.
GustavHolst(1874–1934)wasbornintoamusicalfamilyin Cheltenham,England.Hisfatherconductedthetown’schamber orchestraandtheyoungHolst’sfirstexperiencewithorchestration camefromwritingincuesfortheorchestra.Duringthe1890s,he studiedcompositionwithRobertBridesandCharlesVilliers StanfordattheRoyalCollegeofMusicwherehemetfellow studentRalphVaughanWilliams,whowouldremainaclosefriend forlife.OneofEngland’smostprominentcomposers,Holstwasa teacherofcompositionandorgan,aswellasaprofessional trombonist.Itwashisexperienceasatrombonistthatmadehim awareoftheexpressivequalitiesofthebrasschoirandpotentialof themilitarybandasaseriousartisticmedium.Hismusicincludes operas,ballets,symphonies,chambermusic,andsongs.Hismost popularworkistheorchestralsuiteThePlanets(1916),which musicallyportraystheplanetsasastrologicalsymbols.Hisband works,SuiteNo.1inE-flat,Opus28(1909)andSuiteNo.2inF,Op 28(1911)areuniversallyacknowledgedasthefoundationofthe seriousbandrepertoire.Theseworks,coupledwithHammersmith: PreludeandScherzo(1930),areconsideredamongtheband’s standardrepertoire.
P R O G R A M N O T E S
FirstSuiteinE-flat(1909/1920)hadmorethanadecade betweenitswritinganditspremiere.Themasterworkdidnot receiveapublicperformanceuntilJune1920,bya165-piece ensembleattheRoyalMilitarySchoolofMusicatKnellerHallin London.Servingasamodelforthemodernconcertbandand comprisedofthreemovements,Chaconne,Intermezzo,and March,FirstSuiteinE-flatwasoneofthefirstsignificantoriginal workswrittenforthewindbandmedium.Holstwritesthefollowing, “Aseachmovementisfoundedonthesamephrase,itisrequested thatthesuitebeplayedrightthroughwithoutabreak”.Thefirst threepitchesthatbeginthework,E-flat,F,andB-flat,serveasthe connectorastheprimarythemeineachmovementbeginswith theexactsamesequence.Throughoutthework,thethemeis repeatedandinvertedtocreateanoriginalandconnectedwork.
MatthewJackfert(b.1988)isanAmericancomposerwhowrites forwindband,radio,TV,film,andvideogames.Inadditiontohis compositionalwork,heisaradiohostwithWestVirginiaPublic Broadcastingandperforms,writes,andarrangesforthe Appalachianrockgroup,TheCompanyStores.Hismusichasbeen performedbyensemblesincludingtheNationalSymphony Orchestra,theClevelandOrchestra,theDallasSymphony Orchestra,andseveralotherrecognizedensembles.Hiswork,On theShoresofQingdao,wasafinalistfortheMortonGouldYoung ComposersAward,andhehasreceivedtheCommissioned ComposerAwardfromtheWVMTA.Jackferthasbeenfeatured onNPR’s“MorningEdition”aswellasthenationalradioprogram “PerformanceToday”.Hereceivedhisundergraduatedegreein compositionfromWestVirginiaUniversityandhisMaster’sin CompositionfromtheUniversityofTexasatAustin.
P R O G R A M N O T E S
Commissionedbyandinhonorofthe75thAnniversary PennsylvaniaCollegiateBandmastersAssociationIntercollegiate Band,TheSeaofMountains(2022)describesthebeautyand aweoftheAppalachianMountains.Thecomposerwrites:
TheSeaofMountainsreferstoanexperienceIhadflying overtheAppalachians.Itwasn’tthefirstflightI’vetakenover them,orevenaparticularlyinterestingone,butitwasthe firsttimeInoticedthemountainslookinglikewavesofan oceanformingthroughtimeontheslowestofscales.A waveformthat’salmostfrozeninplacebuiltonamassive canvas,movingataglacialpace.Inthispiece,you’llhearthe experiencesoftheflightoverthebroodingancient mountains,theebbingandflowingoftheripplesinthehills, andthespectacularviewsthey’vecreated.
PercyGrainger(1882–1961)wasanativeofBrighton,Australia.He firststudiedpianowithhismother,aprofessionalteacher,andlater withLouisPabstinMelbourne.Attheageoften,Graingergavea seriesofpianorecitalswhichfinancedhisstudiesinGermany.In 1900,hebeganhiscareerasaconcertpianist,receivingsensational successesinsuchwidelyseparatedplacesasEngland,Australia, andSouthAfrica.GraingerandhismothermovedtoAmericain 1915,settlinginWhitePlains,NewYork.AttheoutbreakofWorld WarIheenlistedasanarmybandsman,soonbeingpromotedto theArmyMusicSchool.HebecameaUnitedStatescitizenin1919 andagainmademanyworldwideconcerttours,andforsometime hewasprofessorandheadofthemusicdepartmentatNewYork University.Asacomposer,Graingerwasaremarkableinnovator, usingirregularrhythmsbeforeStravinsky,pioneeringinfolkmusic collectingatthesametimeasBartók,writingrandommusicin1905, andpredatingVarèseinexperimentswithelectronicmusic.
P R O G R A M N O T E S
Children’sMarch:“OvertheHillsandFarAway”(1919)was Grainger’sfirstoriginalworkforwindband.Writtenbetween1916 and1918,thecompletedorchestrationwaspremieredbythe GoldmanBandin1919andwasrecordedbythesamebandwith Graingeratthepiano.Itwasthecomposer’sbeliefthatthe greatestexpressivitycouldbedrawnfromlow-voicedinstruments oftheband.Consequently,Graingerassignedamoreliberaland specializedroleforinstruments suchasthebassoonandbaritone saxophone—thanwhatwasconsideredstandardcompositional practiceformilitarybandsatthetime.Theresultisacharming piecewithbrightmelodies,filledwithharmonicandrhythmic surprises.
A
U
P r o f . J e r i a n n e L a r s o n s e r v e s a s
D i r e c t o r o f B a n d s a t T h e
U n i v e r s i t y o f T e x a s R i o
G r a n d e V a l l e y w h e r e s h e
c o n d u c t s t h e W i n d O r c h e s t r a a n d
S y m p h o n i c W i n d s ( E d i n b u r g ) a n d
t e a c h e s c o u r s e s i n c o n d u c t i n g a s
w e l l a s t h e h i s t o r y a n d r e p e r t o i r e
o f t h e w i n d b a n d .
P r i o r t o t h i s a p p o i n t m e n t , L a r s o n
s e r v e d a s a g r a d u a t e t e a c h i n g
f e l l o w f o r t h e W i n d S t u d i e s
d e p a r t m e n t a t T h e U n i v e r s i t y o f
N o r t h T e x a s w h e r e s h e c o n d u c t e d
t h e C o n c e r t B a n d , g u e s t c o n d u c t e d t h e N o r t h T e x a s
W i n d S y m p h o n y , t h e N o r t h T e x a s W i n d O r c h e s t r a , a n d
t h e N o r t h T e x a s W i n d E n s e m b l e , a s s i s t e d w i t h t h e G r e e n
B r i g a d e M a r c h i n g B a n d , a n d t a u g h t c o u r s e s i n
c o n d u c t i n g . S h e a l s o s e r v e d a s t h e g r a d u a t e c o n d u c t i n g
s t u d i o c o o r d i n a t o r a n d W i n d S t u d i e s l i b r a r i a n . D u r i n g
t h i s t i m e , s h e w a s a l s o i n v o l v e d w i t h t h e L o n e S t a r W i n d
O r c h e s t r a a s r e h e a r s a l a s s i s t a n t a n d g u e s t c o n d u c t o r .
L a r s o n i s a n a c t i v e g u e s t c o n d u c t o r a n d c l i n i c i a n a n d
h o l d s p r o f e s s i o n a l a n d h o n o r a r y m e m b e r s h i p s i n a
v a r i e t y o f m u s i c o r g a n i z a t i o n s a t t h e s t a t e , n a t i o n a l , a n d i n t e r n a t i o n a l l e v e l s i n c l u d i n g T M E A , C B D N A , P M E A , N A f M E , T B A , N B A , W A S B E , W B D I , P i K a p p a L a m b d a , a n d
M u P h i E p s i l o n L a r s o n h a s b e e n i n v i t e d t o p r e s e n t a t
s e v e r a l c o n f e r e n c e s i n c l u d i n g t h e 2 0 2 2 P M E A
C o n f e r e n c e , t h e 2 0 2 3 M i d w e s t B a n d a n d O r c h e s t r a
C l i n i c , a d t h e 2 0 2 5 T M E A C o n f e r e n c e w h e r e h e r
p r e s e n t a t i o n , " E m p o w e r i n g a n d M e n t o r i n g t h e N e x t
G e n e r a t i o n o f F e m a l e B a n d D i r e c t o r s , " d i s c u s s e s t h e
e v e r c h a n g i n g m u s i c e d u c a t i o n l a n d s c a p e a n d t h e b e s t
w a y s t o n a v i g a t e m e n t o r i n g t h e u p c o m i n g g e n e r a t i o n o f b a n d d i r e c t o r s .
S h e h a s a l s o b e e n f e a t u r e d o n t h e p o d c a s t , M u s i c E d
I n s i g h t s , d i s c u s s i n g s i m i l a r t o p i c m a t e r i a l s . L a r s o n h a d
t h e d i s t i n c t h o n o r o f b e i n g s e l e c t e d i n t o t h e p r e s t i g i o u s
U . S . A r m y B a n d “ P e r s h i n g ’ s O w n ” C o n d u c t o r s W o r k s h o p .
I n a d d i t i o n t o r e h e a r s i n g t h e e n s e m b l e , L a r s o n
c o n d u c t e d t h e b a n d i n c o n c e r t a t t h e S c h l e s i n g e r
C o n c e r t H a l l i n A l e x a n d r i a , V A .
A n a t i v e o f P e n n s y l v a n i a , L a r s o n i s c u r r e n t l y p u r s u i n g a
d o c t o r o f m u s i c a l a r t s d e g r e e i n w i n d c o n d u c t i n g f r o m
T h e U n i v e r s i t y o f N o r t h T e x a s , w h e r e s h e i s A B D , a n d
s t u d i e d w i t h E u g e n e M i g l i a r o C o p r o r o n a n d D r . A n d r e w
T r a c h s e l . S h e r e c e i v e d a m a s t e r o f m u s i c d e g r e e i n w i n d
c o n d u c t i n g f r o m M e s s i a h U n i v e r s i t y , s t u d y i n g u n d e r D r .
B r a d l e y G e n e v r o , a n d a b a c h e l o r o f m u s i c e d u c a t i o n
d e g r e e f r o m W e s t m i n s t e r C o l l e g e ( P A ) w h e r e s h e
s t u d i e d w i t h D r . R . T a d . G r e i g . L a r s o n s e r v e d f o r n i n e
y e a r s a s a p u b l i c h i g h s c h o o l b a n d d i r e c t o r i n w e s t e r n
P e n n s y l v a n i a a n d h e r e n s e m b l e s c o n s i s t e n t l y e a r n e d
S u p e r i o r r a t i n g s a t a s s e s s m e n t a n d e a r n e d a s p e c i a l
i n v i t a t i o n t o p e r f o r m a t t h e s t a t e c a p i t o l .
A B O U T T H E C O N D U C T O R
D a n i e l S o t o s e r v e s a s A s s i s t a n t
D i r e c t o r o f A t h l e t i c B a n d s a t
t h e U n i v e r s i t y o f T e x a s R i o
G r a n d e V a l l e y . I n h i s d u t i e s a t
U T R G V , S o t o i s r e s p o n s i b l e f o r
a s s i s t i n g w i t h d i r e c t i n g a n d
a d m i n i s t r a t i n g a l l U T R G V
A t h l e t i c B a n d s , i n c l u d i n g t h e
V a q u e r o M a r c h i n g B a n d ,
v o l l e y b a l l a n d b a s k e t b a l l p e p
b a n d s , a n d m a i n t a i n s c l o s e
c o l l a b o r a t i o n w i t h U T R G V
A t h l e t i c s . A l o n g w i t h a t h l e t i c
b a n d r e s p o n s i b i l i t i e s , h e t e a c h e s a M a r c h i n g B a n d
M e t h o d s c o u r s e , A p p l i e d S a x o p h o n e , a n d d i r e c t s t h e
B r o w n s v i l l e S y m p h o n i c W i n d s P r i o r t o h i s a p p o i n t m e n t
a t U T R G V , h e s e r v e d a s a G r a d u a t e T e a c h i n g A s s i s t a n t
a t t h e U n i v e r s i t y o f T e x a s a t E l P a s o a n d a t O k l a h o m a
S t a t e U n i v e r s i t y , w h e r e h e e a r n e d h i s M a s t e r o f M u s i c
i n W i n d C o n d u c t i n g d e g r e e u n d e r t h e t u t e l a g e o f D r .
B r a d G e n e v r o .
S o t o i s a n a t i v e o f E l P a s o , T e x a s , w h e r e h e c o m p l e t e d
a b a c h e l o r ' s d e g r e e i n m u s i c e d u c a t i o n f r o m t h e
U n i v e r s i t y o f T e x a s a t E l P a s o . D u r i n g h i s t i m e i n E l
P a s o , h e t a u g h t s a x o p h o n e l e s s o n s t o s t u d e n t s o f a l l
l e v e l s , w o r k e d w i t h v a r i o u s m a r c h i n g b a n d p r o g r a m s ,
a d j u d i c a t e d f o r T M E A ’ s r e g i o n 2 2 , a n d p e r f o r m e d w i t h
t h e l o c a l c i v i c w i n d b a n d – T h e E l P a s o W i n d s W h i l e a t
U T E P , S o t o w o r k e d w i t h t h e M a r c h i n g M i n e r s a n d U T E P
P e p B a n d s a r r a n g i n g m u s i c , a n d t e a c h i n g d r i l l . H e a l s o
w o r k e d w i t h t h e U T E P W i n d E n s e m b l e , S y m p h o n i c B a n d , a n d C o n c e r t B a n d . W h i l e a t O k l a h o m a S t a t e , h e s e r v e d a s a G r a d u a t e T e a c h i n g A s s i s t a n t f o r t h e C o w b o y
M a r c h i n g B a n d , O S U S p i r i t B a n d , a l l u n i v e r s i t y c o n c e r t b a n d s , a n d t h e A d v a n c e d C o n d u c t i n g C l a s s .
)
I n h i s m u l t i - f a c e t e d r o l e a t O S U , S o t o s e r v e d a s a
G r a d u a t e C o n d u c t i n g A s s o c i a t e f o r t h e O S U W i n d
E n s e m b l
o f t h e U n i v e r s i t y B a n d a n d t h e O S U S a x o p h o n e
E n s e m b l e – w h e r e h e c o m m i s s i o n e d , a r r a n g e d a n d
p r e m i e r e d n e w w o r k s f o r s
2 0 2 4 N o r t h A m e r i c a n S a x o p h o n e A l l i a n c e b i e n n i a l
c o n f e r e n c e . A t b o t h U T E P a n d O S U , h e w a s a n a c t i v e
p e r f o r m e r w i t h a l l u n i v e r s i t y e n s e m b l e s a n d h a s t a k e n
p a r t i n a v a r i e t y o f r e c o r d i n g p r o j e c t s , w i t h r e c o r d i n g s
b e i n g r e l e a s e d o n t h e M a r k R e c o r d s a n d K l a v i e r
R e c o r d s l a b e l s .
S o t o h o l d s p r o f e s s i o n a l a n d h o n o r a r y m e m b e r s h i p s
w i t h T e x a s M u s i c E d u c a t o r s A s s o c i a t i o n , T e x a s
B a n d m a s t e r s A s s o c i a t i o n , N a t i o n a l A s s o c i a t i o n f o r
M u s i c E d u c a t i o n , N a t i o n a l B a n d A s s o c i a t i o n , C o l l e g e
B a n d D i r e c t o r s N a t i o n a l A s s o c i a t i o n , N o r t h A m e r i c a n
S a x o p h o n e A l l i a n c e , a n d K a p p a K a p p a P s i H o n o r a r y
B a n d F r a t e r n i t y .
A B O U T T H E C O N D U C
( c o n t ’ d )
B o b b y S a l a z a r i s a d e d i c a t e d m u s i c e d u c a t o r a n d
c o n d u c t o r , c u r r e n t l y s e r v i n g a s a G r a d u a t e A s s i s t a n t
w i t h t h e a t h l e t i c b a n d s a t T h e U n i v e r s i t y o f T e x a s R i o
G r a n d e V a l l e y ( U T R G V ) . I n t h i s r o l e , h e c o n t r i b u t e s t o t h e U T R G V M a r c h i n g B a n d a n d P e
b o t h c o n d u c t i n g a n d i n s t r u c t i o n a l d u t i e s w h i l e p u r s u i n g
a M a s t e r ’ s d e g r e e i n W i n d C o n d u c t i n g .
W i t h o v e r e l e v e n y e a r s o f e x p e r i e n c e i n m u s i c
e d u c a t i o n , M r . S a l a z a r h a s m a d e a l a s t i n g i m p a c t
t h r o u g h o u t t h e R i o G r a n d e V a l l e y . H e h a s s e r v e d a s t h e
a s s i s t a n t b a n d d i r e c t o r f o r t h e M c A l l e n W i n d E n s e m b l e ,
c o l l a b o r a t i n g w i t h o n e o f t h e r e g i o n ’ s p r e m i e r
c o m m u n i t y e n s e m b l e s . H i s v e r s a t i l i t y e x t e n d s t o j a z z ,
h a v i n g w o r k e d e x t e n s i v e l y w i t h t h e S w i n g S t r e e t B i g
B a n d , a n d v a r i o u s d r u m c o r p s , w h e r e h e h a s b e e n i n v o l v e d i n s h a p i n g h i g h - l e v e l p e r f o r m a n c e s .
B o b b y ’ s t e a c h i n g p h i l o s o p h y c e n t e r s o n b u i l d i n g
m u s i c i a n s h i p , l e a d e r s h i p , a n d a l i f e l o n g l o v e o f m u s i c i n
h i s s t u d e n t s .
A T e x a s n a t i v e , M r . S a l a z a r e a r n e d h i s B a c h e l o r o f
M u s i c d e g r e e f r o m T e x a s A & M U n i v e r s i t y i n K i n g s v i l l e
a n d i s n o w p u r s u i n g h i s M a s t e r o f M u s i c d e g r e e i n W i n d
C o n d u c t i n g a t U T R G V . H e i s s u p p o r t e d i n h i s m u s i c a l
j o u r n e y b y h i s w i f e , A n g e l a , a n d t h e i r t w o s o n s , N i k o
a n d M i c h a e l .
Flute
Josh De Leon
Isabelle Espinosa
Minah Garces
Jazmin Guarjardo
Diana Macias
Ashley Tapia
Jaylin Vela
Nadia Villanueva
Evelyn Villalon-Sanchez
Oboe
Khalil El-Jirby
Bassoon
Orlando Castaño
Clarinet
Jurguen Arellano
Yohvanna Guerrero
Lizette Hernandez
Kairi Olivarez
Ari Perez Horn
Juan Benitez
Samantha Mendez
Ashley Navas Rocha
Noah Lozano
Amanda Quintanilla
Juan Sanchez
Joshua Torres
Saxophone
Saul Araiza
Matthew Ayala
Genaro Benitez
Hector Cabrera
Diego Dominguez
Sherlyn Farias
Nahomi Gandarilla
Chris Garcia
Paz Guerrero
Roque Martinez
Ethan Mowers
Jay Rodriguez
Jordan Saldaña
Christian Tijerina
Jesus Trigo
Oswaldo Vazquez
Luis Villarreal
Trumpet
Jesus Flores
Vicente Flores
Emmanuel Jaurez
Johnny Ledezma
Michael Morales
Marko Munoz
Juan Perez
Cesar Tovar
Angel Trujillo
Tenor Trombone
Nathan Limas
Daniel Lozano
Bernabe Martinez
Sophia Rosas
E D I N B U R G S Y M P H O N I C W I N D S
P E R S O N N E L
Bass Trombone
Miguel Cortes
Efren Zapata
Euphonium
Megan Aguilar
Jorge Ayala
Gilbert Moya
Steven Vallejo
Tuba
Jaden Flores
Raphael Gonzalez
Jordi Guerra
Ben Ramirez
Jaime Ramirez
Percussion
Iram Del Angel
Marco Guerra
Alexa Jolet
Paul Layton
Angel Lopez
Caleb Martinez
Oscar Mendez
Michelle Molina
Philip True Piano
Lyra Resendez
Trey Tamez
BECOME A PATRON
p
V a l l e y a r t i s t s .
W e a r e a b l e t o b r i n g t h e s e a m a z i n g p e r f o r m e r s a n d
f e a t u r e o u r o w n U T R G V f a c u l t y a n d s t u d e n t s b e c a u s e
o f g e n e r o u s d o n o r s l i k e y o u . B y d o n a t i n g a s l i t t l e a s
$ 1 0 . 0 0 p e r m o n t h , y o u w i l l b e c o m e a m e m b e r o f t h e
P a t r o n o f t h e A r t s , o u r p r e m i e r e c i r c l e o f s u p p o r t e r s
o f U T R G V A R T S . W i t h t h i s m e
r
c e i v e
o r e y o
t o b e c o m e a P a t r o n o f t h e A r t s .
I G N I T E T H E A R T S ! J O I N T O D A Y
5 0 % o f f e v e n t s
6 0 % o f f e v e n t s
7 0 % o f f e v e n t s
8 0 % o f f e v e n t s
9 0 % o f f e v e n t s
$ 1 0 / m o n t h
$ 2 5 / m o n t h $ 5 0 / m o n t h $ 6 0 / m o n t h $ 7 0 / m o n t h
E d i n b u r g : ( 9 5 6 ) 6 6 5 - 3 8 8 1 B r o w n s v i l l e : ( 9 5 6 ) 8 8 2 - 7 0 2 5
