1. Dried flowers in my biology book - print design & CLO3D

PROJECT PRINT DESIGN - Autumn winter - Texture derivations - Studying motif placements

DRIED WILD ROSE “Lets dance in the sun while wearing wild flowers” Every flowers is a soul blossoming in nature.

MOOD BOARD Stains & watercolour patches DRIED FLOWERS IN MY BOOK

vintage

Textures

Their fragrance gone, they lie at rest. scaling variations

Playing with opacity

Perhaps losing your scent you will gain eternal life, I whisper as I stroke toughened skins.

Little contrast elements

Acorns that dropped on my head last autumn Line up evenly on paper.

When I rattle them a distant bell tolls.

The dried wild rose is still red, losing your scent you will gain eternal life. https://muse.jhu.edu/article/2580 98/pdf

Line drawings

Texts

FORM DERIVATIONS

Nature is full of several types of patterns that are naturally occurring, non-random organized sequences.

I’ve tried to derive and break down forms from live study

FORM DERIVATIONS

WILD ROSE

MUSHROOMS

Here wild rose is to be kept as a base form. Texture derivation from forms can be used as a main component and also as fillers or accents.

Broken forms

filler forms

Organic forms

angles

Scaling exploration

FORM ITERATIONS

Studying fall of forms

textures

Stroke balance Connecting forms

BRUSH TEXTURE EXPLORATION

Opacity and shades

scaling and sizing

Maximum minimum

COMPOSITIONS

Developing compositions out of things picked up on my way to office.

fall and placements

Scattered textures

Studying shadows, fall, placements, opacity and combinations

Shadow and placements

Glow diffused

Negative space

Background play

Reflection Its not about getting 100 compositions right, but exploring 100 compositions and getting few right Identifying what to take from the composition, what aligns with.

Watercolour fill

Combining forms

Texture derivations

Form exploration

Breaking down forms

Balancing negative spaces

Vintage drawings

Connecting elements

Placement and scaling

Combined forms

Balancing spaces

shadows

Repeated forms

Texture derivations

fillers

SECONDARY FORM COMPOSITIONS

Wild rose Connecting creepers Mushroom line scales Watercolour leaves

Wild rose Mushroom buds Watercolour leaf Cone texture

Wild rose Mushroom buds Watercolour leaves Cone texture Mushroom scales Pine texture line

Pine texture Mushroom line scales Watercolour leaves Mushroom buds

Leaf texture Mushroom buds Watercolour leaf scales

Wild rose Mushroom buds Watercolour leaves Cone texture Mushroom texture Connecting leaves

Print exploration 1 Exploring backgrounds, Shadows, colours, placements, repeats, brushes, textures, accents.

Print exploration 2 Exploring backgrounds, Shadows, colours, placements, repeats, brushes, textures, accents.

Print exploration 3 Exploring backgrounds, Shadows, colours, placements, repeats, brushes, textures, accents.

Print explorations Exploring backgrounds, Shadows, colours, placements, repeats, brushes, textures, accents in vintage theme.

FINALPRINT AND REPEATS

FINAL PRINT 1 :

REPEAT

FINAL PRINT 1 Elements : Wild rose Leaves and buds Watercolour leaves Cone texture Pine texture Filled and line drawn creepers

Balancing : negative space Connecting elements Shadows Accent colours

Print : All over repeat

FINAL PRINT 1 : All over repeat Patterns are made in clo3d to get the final look before production.

Print is calculatedly placed in each pattern aligning with the seams.

FINAL PRINT 1 :

PRINT

FINAL PRINT 2 Elements : Wild rose Leaves and buds Watercolour leaves Cone texture Pine texture Filled and line drawn creepers Leaf skeleton

Balancing : negative space Connecting elements Shadows Accent colours

Print :Placement print

FINAL PRINT 2 : Placement print Patterns are made in clo3d to get the final look before production.

Print is calculatedly placed in each pattern.

THANK YOU

UTHARA RADHAKRISHNAN TEXTILE DESIGN 2018- 2022 Graduation project