Utah Symphony: 2018-19 O.C. Tanner Company Masterworks Series

S E R I E S S P O N S O R : O.C. TANNER

MASTERWORKS

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PERFORMANCES

UTAH SYMPHONY S E A S O N

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ALEXANDRE THARAUD

PHILIPPE QUINT

BEETHOVEN’S “ODE TO JOY”

AN AMERICAN IN PARIS

TCHAIKOVSKY’S 4TH & THE RED VIOLIN

SEPTEMBER 21 (7:30) 22 (7:30) \ 2018

SEPTEMBER 28 (7:30) 29 (5:30) \ 2018

OCTOBER 26 (7:30) 27 (5:30) \ 2018 OCTOBER 26 (10 AM FINISHING TOUCHES OPEN REHEARSAL)

ARTISTS

ARTISTS

THIERRY FISCHER conductor JASON HARDINK piano JOÉLLE HARVEY soprano KIRSTIN CHÁVEZ mezzo-soprano ISSACHAH SAVAGE tenor

PATRICK CARFIZZI bass-baritone UTAH SYMPHONY CHORUS UNIVERSITY OF UTAH CHOIRS BARLOW BRADFORD chorus director

REPERTOIRE

ANDREW NORMAN Suspend a fantasy for piano and orchestra [COMPOSER-IN-ASSOCIATION] BEETHOVEN Symphony No. 9 “Choral”

Experience the brilliance of Andrew Norman, one of America’s most inventive young composers and the Utah Symphony’s new Composer-in-Association. His fantasy piano concerto Suspend will envelop you with its dream-like quality of improvisation. Then buckle up for Beethoven’s final symphonic utterance, the Ninth, bursting with power and energy and culminating with the famous “Ode to Joy.” You won’t want to miss this season-launching event, which is sure to delight all music lovers.

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THIERRY FISCHER conductor

ALEXANDRE THARAUD piano

ARTISTS

ANDREW LITTON conductor

PHILIPPE QUINT violin [ARTIST-IN-ASSOCIATION]

REPERTOIRE

GERSHWIN RAVEL SCHUBERT

An American in Paris Piano Concerto in G Symphony No. 9 “The Great C Major”

Grab your passport and travel to the streets of Paris in the jazz age, filled with blaring taxi horns and bustling crowds.

George Gershwin’s An American in Paris will delight you today just as it did audiences at its debut. From the same era, Ravel’s Piano Concerto in G is also deeply infused with jazz idioms and harmonies. The program concludes with Schubert’s majestic Symphony No. 9, nicknamed “The Great C Major.”

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REPERTOIRE

BERNSTEIN JOHN CORIGLIANO TCHAIKOVSKY

Three Dances from Fancy Free Violin Concerto “The Red Violin” Symphony No. 4

Tchaikovsky described the opening fanfare of his Symphony No. 4 as “fate waking us from mere daydreams.” Andrew Litton, “one of the most brilliant of American conductors” (American Record Guide), takes us on an emotional rollercoaster ride in what is sure to be a thrilling performance.

An all-American first half features Artist-in-Association Philippe Quint performing John Corigliano’s Violin Concerto, inspired by the Academy Award-winning film score from The Red Violin.

UTAHSYMPHONY.ORG /MASTERWORKS 801-533–NOTE (6683)

2018-19 SEASON FUNDRAISING SOIRÉE

Save the date!

BERNSTEIN’S CANDIDE NOVEMBER 9 (7:30) 10 (5:30) \ 2018 ARTISTS

THIERRY FISCHER conductor GARNETT BRUCE director JAMES SALE lighting designer BRENTON RYAN Candide LAUREN SNOUFFER Cunegonde

HUGH RUSSELL Dr. Pangloss VICTORIA LIVENGOOD Old Lady ALEKS ROMANO Paquette MARK DIAMOND Maximilian UTAH OPERA CHORUS

REPERTOIRE

BERNSTEIN

Candide

What better way to round off the celebrations of Leonard Bernstein’s 100th anniversary year than with his satirical, hilarious, and touching comic operetta, Candide! Produced in collaboration with Utah Opera, an impressive cast of vocalists, joined by the Utah Opera Chorus, tells the story of a young man’s journey from innocence to worldliness, from Europe to South America, in love and in death, and finally to a life of contentment and peace. Bernstein’s brilliant score includes such musical favorites as “Glitter and be gay” and “Make our garden grow.” You won’t want to miss this event of the season!

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The adventures of Candide continue after the Saturday, November 10th performance at a special fundraising event.

BACH & BOULEZ

THIERRY FISCHER

BAIBA SKRIDE

BACH’S BRANDENBURG CONCERTOS 1 & 2

BACH’S BRANDENBURG CONCERTOS 3 & 4

NOVEMBER 16 (7:30) 17 (7:30) \ 2018

DECEMBER 7 (7:30) 8 (7:30) \ 2018

ARTISTS

ARTISTS

THIERRY FISCHER conductor

REPERTOIRE

Two innovators from their own times.

Experience Bach’s six Brandenburg Concertos juxtaposed with iridescent miniatures of French composer Pierre Boulez.

J.S. BACH BOULEZ J.S. BACH COPLAND

THIERRY FISCHER conductor

BAIBA SKRIDE violin

REPERTOIRE

Brandenburg Concerto No. 1 Dérive 1 Brandenburg Concerto No. 2 Symphony No. 3

Thierry Fischer demonstrates that the chronological bookends of symphonic music have much to offer. In a season-long exploration, he introduces the full set of Bach’s celebrated Baroque Brandenburg Concertos, paired with a 20th-century miniature by the French iconoclast, Pierre Boulez. By contrast, the full forces of the Utah Symphony are unleashed in Aaron Copland’s majestic Symphony No. 3, written to celebrate the end of World War II. It carries an overall tone of heroism and dignity, culminating in the triumphant theme from Fanfare for the Common Man.

J.S. BACH BOULEZ J.S. BACH SIBELIUS GRIEG

Brandenburg Concerto No. 3 Mémoriale Brandenburg Concerto No. 4 Violin Concerto Selections from Peer Gynt

Two of Bach’s sparkling Brandenburg Concertos and Boulez’ crystalline Mémoriale, written as a tribute to the late Stravinsky, form an intriguing contrast to the rugged, Nordic music of Sibelius and Grieg. From the floating introduction of the violin solo, you will be drawn into the imaginative, mysterious world of Sibelius’ Violin Concerto performed by the virtuosic Latvian violinist Baiba Skride. The program will conclude in rousing fashion with selections from Grieg’s incidental music to the fairy-tale play Peer Gynt, including “In the Hall of the Mountain King,” “Morning Mood,” and other favorites.

INGRID FLITER

MADELINE ADKINS

AN EVENING IN SPAIN WITH BOLÉRO & CARMEN

JAN LISIECKI

A NEW YEAR’S CELEBRATION

DECEMBER 14 (7:30) 15 (5:30) \ 2018

JANUARY 4 (7:30) 5 (7:30) \ 2019

ARTISTS

ARTISTS

JUN MÄRKL conductor

INGRID FLITER piano

REPERTOIRE

CHABRIER FALLA BIZET RIMSKY-KORSAKOV RAVEL

XIAN ZHANG conductor

MADELINE ADKINS violin

CHOPIN’S PIANO CONCERTO NO. 1 JANUARY 11 (7:30) 12 (7:30) \ 2019 JANUARY 11 (10 AM FINISHING TOUCHES OPEN REHEARSAL) ARTISTS

PETER OUNDJIAN conductor

JAN LISIECKI piano

REPERTOIRE

España Nights in the Gardens of Spain Selections from Carmen Capriccio espagnol Boléro

From Carmen to Boléro, all of this evening’s music is inspired by the infectious flamenco rhythms and passionate spirit of Spain. Ravel’s one-movement orchestral showpiece introduces a repetitive, hypnotic rhythm that gradually builds to a shattering climax, bringing the piece to an exultant conclusion.

This evening of Spanish flair is not to be missed!

JOAN TOWER TCHAIKOVSKY SZYMANOWSKI J. STRAUSS JR. J. STRAUSS JR. R. STRAUSS

Fanfare for the Uncommon Woman No. 1 Suite from Sleeping Beauty Violin Concerto No. 1 Overture to The Gypsy Baron Bitte schön!

Suite from Der Rosenkavalier

Ring in the New Year with guest conductor Xian Zhang, whose “incisive gestures elicit vivid performances” (The New York Times), as she leads the orchestra in six dazzling pieces, including well-known melodies from Sleeping Beauty, Joan Tower’s Fanfare, and lively Viennese waltzes. The celebratory music is a clever juxtaposition to Szymanowski’s lush and mysterious Violin Concerto No. 1, performed by concertmaster Madeline Adkins. Let Utah Symphony launch you into 2019 with verve and vitality!

REPERTOIRE

VIVIAN FUNG CHOPIN DVOŘÁK

Dust Devils Piano Concerto No. 1 Symphony No. 7

Twenty-three-year-old Canadian piano sensation, Jan Lisiecki, “makes every note count” (The New York Times), bringing a vibrant, poetic touch to every performance. Here he showcases his talent in Chopin’s Piano Concerto No. 1, a work of incredible emotional range by the young composer.

Conductor Peter Oundjian concludes the program with Dvořák’s thrilling Symphony No. 7, a departure from his usual sunny, folk-themed melodies, and considered by many to be his finest symphony.

THIERRY FISCHER

PHILIPPE QUINT

STEFAN JACKIW

SYMPHONIE FANTASTIQUE

TCHAIKOVSKY’S “PATHÉTIQUE”

BRAHMS’ VIOLIN CONCERTO

FEBRUARY 1 (7:30) 2 (7:30) \ 2019

FEBRUARY 8 (7:30) 9 (7:30) \ 2019

FEBRUARY 22 (7:30) 23 (7:30) \ 2019

ARTISTS

ARTISTS

ARTISTS

THIERRY FISCHER conductor

REPERTOIRE

J.S. BACH BOULEZ J.S. BACH BERLIOZ

Brandenburg Concerto No. 5 Initiale Brandenburg Concerto No. 6 Symphonie fantastique

Catch a glimpse into composer Berlioz’ life through Symphonie fantastique, a five-part, semi-autobiographical musical journey that resounds of his unrequited love for a Shakespearean actress of the time. Composed just three years after Beethoven’s death, the Romantic era had truly begun as Berlioz’ orchestral brilliance took passion and drama to a whole new level. The program also showcases the completion of our cycle of Bach’s sublime Baroque masterpieces, the Brandenburg Concertos.

THIERRY FISCHER conductor PHILIPPE QUINT violin [ARTIST-IN-ASSOCIATION]

UTAH SYMPHONY CHORUS UNIVERSITY OF UTAH CHOIRS BARLOW BRADFORD chorus director

REPERTOIRE

WAGNER BERLIOZ BERLIOZ BERLIOZ TCHAIKOVSKY

Overture to Tannhäuser Sara la baigneuse La Mort d’Ophélie Rêverie et caprice Symphony No. 6 “Pathétique”

Three distinctive, intense musical voices – German, French, and Russian — epitomize the extraordinary richness of the 19th century Romantic era. Wagner’s medieval hero achieving redemption through love and Berlioz’ obsession with the Shakespearean actress he would later marry provide the set-up for the ultimate romantic, Tchaikovsky. His final symphony is dubbed “Pathétique,” a French mistranslation of Tchaikovsky’s original Russian title meaning “passionate.”

MARIO VENZAGO conductor

STEFAN JACKIW violin

REPERTOIRE

BEETHOVEN BRAHMS LISZT SIBELIUS VERDI

Leonore Overture No. 2 Violin Concerto Hungarian Rhapsody No. 4 “Valse triste” from Kuolema “Ballet for the Queen” from Don Carlos

Swiss conductor Mario Venzago leads a selection of light classical favorites — and while you may not recognize the titles, you will surely recognize the familiar tunes. At the heart of the program is a performance of Brahms’ great Violin Concerto, a pinnacle of the repertoire requiring an extraordinary artist such as violinist Stefan Jackiw, whose captivating performances have been heard with major orchestras around the world.

A L E X A N D E R G AV R Y LY U K

RACHMANINOFF’S PIANO CONCERTO NO. 2

UNWOUND: RACH 2

MARCH 22 (7:30) \ 2019

MARCH 23 (7:00) \ 2019

ARTISTS

ANDREW NORMAN

THIERRY FISCHER conductor

THIERRY FISCHER conductor ALEXANDER GAVRYLYUK piano

REPERTOIRE

One of America’s most talented and original young composers joins us as Composer-in-Association for performances of Suspend and Play and to work with young musicians and composers in our community.

RACHMANINOFF Piano Concerto No. 2 ANDREW NORMAN Play [COMPOSER-IN-ASSOCIATION] RACHMANINOFF Vocalise

It’s hard to believe that Rachmaninoff’s Piano Concerto No. 2 was the product of low self-esteem and writer’s block, but as Rachmaninoff confronted his problems the concerto became confident and lyrical. One of Rachmaninoff’s most enduringly popular works, it established his fame as a concerto composer. Also on the program is Andrew Norman’s epic, highly energetic Play, a cycle of pieces that explore ideas of choice, chance, free will, and control. Play won the prestigious 2016 Grawemeyer Award for Music Composition and Norman was named the Musical America’s 2017 Composer of the Year.

signature PERFORMANCE: NO SUBSCRIBER DISCOUNTS AVAILABLE

ANDREW NORMAN RACHMANINOFF

ALEXANDER GAVRYLYUK piano

Selection from Play Piano Concerto No. 2

Wind down at UNWOUND, our new casual concert experience. Come early for entertainment and food on the plaza, enjoy Rachmaninoff’s Piano Concerto No. 2 performed in a shorter, intermission-free concert, and stick around after the performance to mingle with friends and artists in the lobby. This performance will feature live program notes pushed to your mobile device during Rachmaninoff’s Piano Concerto No. 2.

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ALBAN GERHARDT

SIMON TRPČESKI

DVOŘÁK’S “NEW WORLD” SYMPHONY

RACHMANINOFF & SHOSTAKOVICH

MARCH 29 (7:30) 30 (7:30) \ 2019

APRIL 12 (7:30) 13 (5:30) \ 2019 APRIL 12 (10 AM FINISHING TOUCHES OPEN REHEARSAL)

ARTISTS

THIERRY FISCHER conductor

FINISHING TOUCHES OPEN REHEARSAL SERIES (FRIDAYS AT 10AM) TCHAIKOVSKY’S 4TH & THE RED VIOLIN OCTOBER 26, 2018 CHOPIN’S PIANO CONCERTO NO. 1 JANUARY 11, 2019 RACHMANINOFF & SHOSTAKOVICH APRIL 12, 2019 COPLAND’S APPALACHIAN SPRING & BILLY THE KID MAY 17, 2019

SERIES SUBSCRIPTION

$47 (GENERAL ADMISSION)

ALBAN GERHARDT cello

ARTISTS

VASSILY SINAISKY conductor

SIMON TRPČESKI piano

REPERTOIRE

ROSSINI Overture to William Tell DUTILLEUX Tout un monde lointain (A Whole Distant World) for Cello and Orchestra DVOŘÁK Symphony No. 9 “From the New World”

REPERTOIRE

When Neil Armstrong took the iconic first steps on the moon, he brought along a recording of Dvořák’s Symphony No. 9 “From the New World” to accompany him on his own new world journey. Inspired by his time in America, Dvořák drew upon Native American melodies and African American spirituals. The program also features Dutilleux’s shimmering cello concerto Tout un monde lointain, inspired by the poetry of French poet Charles Baudelaire.

The third time was the charm for Rachmaninoff’s Piano Concerto No. 4. After two unsuccessful premieres, Rachmaninoff revised and republished it in 1941, finally achieving public acceptance as a worthy addition to his first three concertos.

Shostakovich, forced into the Soviet Communist Party and expected to compose a work dedicated to Lenin’s memory, achieved the seemingly impossible in his Symphony No. 12 in D minor — writing music that pulses with the energy of a revolution, while maintaining his personal integrity through his uniquely subversive, sardonic voice.

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KODÁLY Dances of Galánta RACHMANINOFF Piano Concerto No. 4 SHOSTAKOVICH Symphony No. 12 “The Year 1917”

UTAHSYMPHONY.ORG /MASTERWORKS 801-533–NOTE (6683)

PA B L O S Á I N Z V I L L E G A S

JAMES EHNES

K AT H R Y N E B E R L E

VILLEGAS PLAYS CONCIERTO DE ARANJUEZ

COPLAND’S APPALACHIAN SPRING & BILLY THE KID

SEASON FINALE: MAHLER’S SYMPHONY NO. 1

APRIL 26 (7:30) 27 (7:30) \ 2019

MAY 17 (7:30) 18 (5:30) \ 2019 MAY 17 (10 AM FINISHING TOUCHES OPEN REHEARSAL)

MAY 24 (7:30) 25 (7:30) \ 2019

ARTISTS

RICHARD EGARR conductor

PABLO SÁINZ VILLEGAS guitar

ARTISTS ARTISTS

THIERRY FISCHER conductor

JAMES EHNES violin

THIERRY FISCHER conductor KATHRYN EBERLE violin

CLAUDE HALTER violin

REPERTOIRE

MOZART RODRIGO SCHUMANN

Symphony No. 31 “Paris” Concierto de Aranjuez Symphony No. 2

Praised as “the soul of the Spanish guitar,” Pablo Sáinz Villegas has become a worldwide sensation. With his “virtuosic playing characterized by irresistible exuberance” (The New York Times), Villegas will be in his element as he conjures up the passion and drama of his homeland’s rich musical heritage in the famous Concierto de Aranjuez by Joaquín Rodrigo. Conductor Richard Egarr makes a welcome return, framing the Concierto with Classical and early Romantic symphonic masterpieces. Definitely a night not to be missed.

REPERTOIRE

COPLAND Appalachian Spring BRUCH Violin Concerto No. 1 ZHOU TIAN New Work (commissioned to celebrate the 150th anniversary of the Golden Spike) COPLAND Suite from Billy the Kid

No composer has achieved a distinctive musical characterization of American themes in an expressive modern style better than Aaron Copland. Lose yourself in two of his most popular pieces — the suite from the ballet Billy the Kid and Pulitzer Prize-winning Appalachian Spring. The night also features a newly commissioned work from Chinese-American composer Zhou Tian as well as violinist James Ehnes, one of the most dynamic and exciting performers in classical music, performing Bruch’s beautiful Violin Concerto No. 1.

REPERTOIRE

HAYDN SCHNITTKE MAHLER

Symphony No. 9 Moz-Art à la Haydn Symphony No. 1 “Titan”

We conclude our Masterworks Season with the return of Mahler’s mighty “Titan,” the work that Thierry Fischer selected to launch the recent series of acclaimed Utah Symphony commercial recordings in 2014. Mahler’s love of nature shines through in this symphony, as does his love of folk culture. As with every symphony that followed, Mahler conjures up a complex world of moods and emotions, this one culminating in a triumphant finale. The program opens with Haydn’s Symphony No. 9 and a visually entertaining and satirical work by Alfred Schnittke, Moz-Art à la Haydn.

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E AC H S E R I E S AVA I L A B L E F R I DAY O R S AT U R DAY E V E N I N G

Full Season: 18 Concerts: A B C (about two concerts a month)

MASTERWORKS A BEETHOVEN’S “ODE TO JOY” SEPTEMBER 21 & 22, 2018 *

Partial Season: 9 Concerts: D or E (about one concert a month) 6 Concerts: A, B or C (about one concert a month) RACHMANINOFF & SHOSTAKOVICH APRIL 12 & 13, 2019 †

MASTERWORKS D

COPLAND’S APPALACHIAN SPRING & BILLY THE KID MAY 17 & 18, 2019 †

BEETHOVEN’S “ODE TO JOY” SEPTEMBER 21 & 22, 2018 *

BACH’S BRANDENBURG CONCERTOS 1 & 2 NOVEMBER 16 & 17, 2018

MASTERWORKS C

BACH’S BRANDENBURG CONCERTOS 1 & 2 NOVEMBER 16 & 17, 2018

CHOPIN’S PIANO CONCERTO NO. 1 JANUARY 11 & 12, 2019

BACH’S BRANDENBURG CONCERTOS 3 & 4 DECEMBER 7 & 8, 2018

CHOPIN’S PIANO CONCERTO NO. 1 JANUARY 11 & 12, 2019

SYMPHONIE FANTASTIQUE FEBRUARY 1 & 2, 2019

A NEW YEAR’S CELEBRATION JANUARY 4 & 5, 2019

SYMPHONIE FANTASTIQUE FEBRUARY 1 & 2, 2019

BRAHMS’ VIOLIN CONCERTO FEBRUARY 22 & 23, 2019

TCHAIKOVSKY’S “PATHÉTIQUE” FEBRUARY 8 & 9, 2019

BRAHMS’ VIOLIN CONCERTO FEBRUARY 22 & 23, 2019

VILLEGAS PLAYS CONCIERTO DE ARANJUEZ APRIL 26 & 27, 2019

RACHMANINOFF’S PIANO CONCERTO NO. 2 MARCH 22, 2019 * UNWOUND: RACH 2 MARCH 23, 2019 * ‡

RACHMANINOFF’S PIANO CONCERTO NO. 2 MARCH 22, 2019 * UNWOUND: RACH 2 MARCH 23, 2019 * ‡

DVOŘÁK’S “NEW WORLD” SYMPHONY MARCH 29 & 30, 2019

DVOŘÁK’S “NEW WORLD” SYMPHONY MARCH 29 & 30, 2019

SEASON FINALE: MAHLER’S SYMPHONY NO. 1 MAY 24 & 25, 2019

VILLEGAS PLAYS CONCIERTO DE ARANJUEZ APRIL 26 & 27, 2019

MASTERWORKS B AN AMERICAN IN PARIS SEPTEMBER 28 & 29, 2018 † TCHAIKOVSKY’S 4TH & THE RED VIOLIN OCTOBER 26 & 27, 2018 † BERNSTEIN’S CANDIDE NOVEMBER 9 & 10, 2018 * † AN EVENING IN SPAIN WITH BOLÉRO & CARMEN DECEMBER 14 & 15, 2018 †

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SEASON FINALE: MAHLER’S SYMPHONY NO. 1 MAY 24 & 25, 2019

UTAHSYMPHONY.ORG /MASTERWORKS 801-533–NOTE (6683)

NEW _ MASTERWORKS E AN AMERICAN IN PARIS SEPTEMBER 28 & 29, 2018 † TCHAIKOVSKY’S 4TH & THE RED VIOLIN OCTOBER 26 & 27, 2018 † BERNSTEIN’S CANDIDE NOVEMBER 9 & 10, 2018 * † BACH’S BRANDENBURG CONCERTOS 3 & 4 DECEMBER 7 & 8, 2018 AN EVENING IN SPAIN WITH BOLÉRO & CARMEN DECEMBER 14 & 15, 2018 † A NEW YEAR’S CELEBRATION JANUARY 4 & 5, 2019 TCHAIKOVSKY’S “PATHÉTIQUE” FEBRUARY 8 & 9, 2019 RACHMANINOFF & SHOSTAKOVICH APRIL 12 & 13, 2019 † COPLAND’S APPALACHIAN SPRING & BILLY THE KID MAY 17 & 18, 2019 † *

signature PERFORMANCE

5:30 PM start time for SIX SATURDAY CONCERTS _

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‡ UNWOUND, our new casual concert experience, Saturday concert starts at 7 PM

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