CCFA Voices : Spring 2016

THE MAGAZINE OF THE COLLEGE OF COMMUNICATION AND FINE ARTS AT THE UNIVERSITY OF MEMPHIS SPRING 2016

THE FIRST FILM

A DOCUMENTARY WITH DRAMA LaNita Smith

LISTENS TO HER HEARTBEAT

Ranta the era of

T HE DE A N R E T IR EMEN T ISSUE

2 Dean’s Message 4 Around CCFA

Dean Dr. Richard R. Ranta

Overview of the latest college happenings

8

The Era of Ranta

Friends and colleagues say farewell

17

Faculty Spotlight

Communication professor, Katherine Grace Hendrix, PhD, nationally recognized with Outstanding Teacher Award

18

Alumni Spotlight

LaNita Smith listens to her heartbeat

18

The First Film

A documentary with drama

24

In the Community

Off-campus involvement of students, faculty and staff

28

Storytelling and Life

It’s more than a class

30

News & Notes

Brief updates from students, faculty, staff and alumni

32 36

In Memoriam Upcoming Events Calendar of concerts, productions, and shows

Executive Editor Kimberly Rogers Associate Editor Susan Prater Contributing Writers Kitaen Jones and Leslie Leubbers Graphic Design LaHenrya Boyd, Leigh Ann Dye and Zoe Vu Photography Justin Fox Burks, Rhonda Cosentino and Leigh Ann Dye Published by University of Memphis College of Communication and Fine Arts 232 CFA Building Memphis, TN 38152 901.678.2350 memphis.edu/ccfa

To submit story ideas, alumni updates, or other CCFA-related inquiries, please contact Executive Editor Kimberly Rogers at krogers@memphis.edu.

The University of Memphis does not discriminate against students, employees, or applicants for admission or employment on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs and activities sponsored by the University of Memphis. The following person has been designated to handle inquiries regarding nondiscrimination policies: Michael Washington, Director for Institutional Equity, mswshng1@ memphis.edu, 156 Administration Building, 901.678.2799. The University of Memphis policy on nondiscrimination can be found at http://policies.memphis.edu/UM1381.htm.

UOM414-FY1516/1M5C Peerless Printing

DEAN’S MESSAGE

F

orty years ago, discussions began regarding moving

our students, faculty and alums as well as the generosity of our

departments from the College of Arts and Sciences

friends. Please see the special Thank You section at the end of

(CAS) to form a new college, which in the summer that

my message for some who have particularly aided us.

Elvis left us became the College of Communication

You can also see evidence of CCFA’s achievements in the

and Fine Arts (CCFA) composed of the Departments of Art,

changes since its founding. Perhaps the most obvious change

Journalism, Music and Speech and Drama. While I was serving as

is the existence of the Department of Architecture, which was

Assistant Vice President for Academic Affairs under a wonderful

made possible through the leadership of Professor Sherry Bryan

mentor, Vice President Jerry Boone, I was chosen to be CCFA’s

and Chair Michael Hagge and the great help of the members

founding dean. As I am about to enter into the ranks of dean and

of Memphis Chapter of American Institute of Architecture.

professor emeritus, as the only person still present in 1977. I look

Architecture is also home to the Interior Design area and major as

back at those days as a time of known and unknown challenges

well as the annual William R. Eubanks lecture.

and opportunities. I also remember with great admiration and

Or you might look at the changes in the Department of Art,

gratitude the numerous faculty, staff, students, alumni and friends

which now shares space in the 1981 “new” CFA building and

who made the idea of CCFA not only come to life, but also to

the former law building, now Art and Communication Building

prosper in what has been often challenging times. For those that

(ACB). Art has several galleries, including the beautiful Martha

have made CCFA’s goals theirs, I offer my deepest thanks.

and Robert Fogelman Galleries of Contemporary Art, the Dorothy

Although it is impossible to thank all who have been part of

Kaiser Hohenberg Chair of Excellence in Art History and the

my CCFA journey, I want to mention a few who were there at the

Institute for Egyptian Art and Archeology, a Tennessee Center

beginning. Dr. John Bakke and his wife Becky and Drs. Michael

of Excellence, and its impressive library. The few Egyptian

and Susie Osborn were responsible for my being at Memphis

antiquities that the Art Department held in 1977 have grown

and were keys to the doors of CCFA’s beginning and my part in

to around 1,500 and are housed in the Art Museum of the

it. Dr. Nancy Simco, a philosopher, served CCFA and Arts and

University of Memphis, which was born in the CFA building. The

Sciences as Graduate Director and who was a close advisor to

Art Museum is home to other collections such as African art,

Dr. Ray Lynch, the first Associate Dean, Graduate Director, budget

numerous prints from world famous artists and the Samuel H.

master and co-builder of CCFA. Ms. Marilyn “Momma” Carleton

Crone Gallery and collection. It has become a significant exhibitor

was the first college undergraduate advisor, graduate analyst, and

of contemporary art.

undergraduate curriculum “go to” person. Ms. Sandy Hart was

The Communication Department, in 1977 part of Speech

the first of a wonderful line of Administrative Assistants who kept

and Drama, is not only an independent unit housed mainly

us all straight and who ran my crazy university and arts world

in the ACB with new lecture and meeting rooms, a TV studio

connected life.

and editing suites, but one that has also grown its nationally

You can see evidence of the success in the pages of this

recognized master’s program into a nationally recognized PhD

publication highlighting some of the outstanding achievements of

granting program with award winning faculty. The department

ccfa.memphis.edu VOICES 1

DEAN’S MESSAGE

holds several endowments, including the Osborn and Bakke

students who can be found in professional films and theatre. Now

endowments, and hosts annual lectures by leading national

the department produces stellar graduates not only in the areas

scholars. Award winning is almost an understatement when the

of acting, directing, dance and design, but also in the relatively

accomplishments of the film and video professors are considered

new, very popular area of Musical Theatre.

as they have won almost every award that can be given to film

One of Theatre and Dance’s dance professors, Moira Logan,

and video professionals. The radio station, WUMR-FM, which was

our current Associate Dean is to become interim dean upon

created in the 80s, has become the voice of Jazz in the Mid-

my retirement at the end of June. University College Dean, Dan

South. It is financially supported largely by its listening audience,

Lattimore, CCFA’s second Associate Dean, is heading the search

which, thanks to audio streaming, extends its 25,000 watt signal

for my replacement. Moira has been a great CCFA partner for a

around the world.

dozen years now, leading the graduate programs of the college

The Department of Journalism is now the Department

and working very closely with me on the developments

of Journalism and Strategic Media (JSM). It has added majors

of the last decade. She has a great dean’s office staff to help

in Public Relations and Advertising with another in Creative

guide CCFA through the coming year of the search for a new

Mass Media soon to be born. The Department is one of only a

dean. I look forward to seeing what the new leadership will bring

few more than a couple of dozen in the nation to not only be

to this partnership of dedicated, bright and talented faculty, staff

accredited in Journalism and Mass Communication, but also

and students.

certified by the Public Relations Society of America. Through

Before closing, as I have for all these years, I want to

its Linder Center and the endowed Hardin Chair of Journalism,

acknowledge those who have left us for good since the last

JSM provides leadership in the field and outreach to the city

writing and one who is retiring with me. We only recently learned

and region. JSM also provides supervision for the university’s

that Art Professor Bonnie Beaver, who retired in 2003, passed in

newspaper, The Daily Helmsman, and is home to the national

the late fall. She was a dedicated teacher for 35 years. We also

“Newspaper Research Journal.”

lost a person who was there at the beginning when Journalism

The name, Rudi E. Scheidt School of Music, speaks volumes

Professor Ron Spielberger passed suddenly over the holidays. He

about the change in the Music Department. Music boasts now

was not only an award winning advertising professor, but was for

not only the new DMA degree that came into being at about the

years the Executive Director of the College Media Advisors (see

same time as CCFA, but also a PhD in musicology and education.

page 34). Dr. Frank Schaffer, professor in the Scheidt School of

The Scheidt School has benefited greatly from the generosity

Music and the Memphis Symphony Orchestra percussionist, will

of Honey and Rudi Scheidt, especially in the development of its

retire at the end of spring semester. Frank has had his studio

exceptional, national award winning opera program which has had

in the CFA building since we moved in. I am not sure I can go

numerous first place finishes in the national opera competition.

through the days without thinking of him and his students playing

The Scheidt School has also answered, with great assistance from

the drums in the background of my hearing and thoughts.

members of the Memphis Recording Academy such as the late

In closing, I want to thank again all of the great faculty

John Fry, the need in Memphis and the region for a degree in

members, staff, students, alums, friends and administrators, over

music industry. It also provides its students real world recording

the years and now, who have been so responsible for the growth

experiences with its studios, High Water and Blue Note recording

and success of CCFA. I also want to thank especially Carol for

labels. As I write this column, we are now in the final phase of

putting up with all my special events and schedule.

fundraising for a new Music Center to be located across Central Avenue from the Music Building.

Sincerely,

Of course, what was the drama half of Speech and Drama is now Theatre, joined by Dance, which we began to offer in the 80s and is about to become again a concentration in the BFA Theatre degree. Theatre is an award winning machine in the city Theatre Awards and continues to turn out great productions and

2 VOICES Spring 2016

Richard R. Ranta

Thank You! Dean Ranta wishes to express his personal gratitude to everyone who has supported his leadership and the college over the years.

He would especially like to recognize the following: Advisory Board Members (past and present)

Ms. Delores Kinsolving Mr. George Klein

John and Rebecca Bakke

Marjean and Richard Kremer

Circle Music Center

Malco Theatres Incorporated

Mr. William R. Eubanks

Mr. Mickey Robinson and Ms. Catherine Ladnier Mr. and Mrs. Rudi E. Scheidt Sr. Scripps Howard Foundation Mr. and Mrs. W. Hamilton Smythe III

Martha and Robert Fogelman

Dr. Barbara D. and Mr. William E. Mashburn

Graceland Enterprises

Bill and Jane Matthews

SunTrust Banks, Inc.

The Greaney Family

Mr. J. W. McAllister

Ms. Pat Kerr Tigrett

Jabie and Helen Hardin Charitable Trust

Mr. James E. McGehee Jr.

Mr. and Mrs. T. G. Traicoff

Memphis Advertising Federation

Lynne and Henry Turley

Mr. and Mrs. Olin F. Morris

Dr. Russel L. Wiener+ and Mrs. Joy B. Wiener

Charlotte and Fred Hodges The Hohenberg Family

The Norton Family

Dr. and Mrs. Charles H. Hubbert Mr. William S. Huff

Drs. Suzanne and Michael Osborn

Ms. Jocelyn D. Wurzburg

Mr. Knox Phillips

The Jazz Foundation of Memphis

Sally Wilburn WREG News Channel 3

Ms. Tommie Pardue

Mr. James R. Humphreys

Leighanne and Jack Soden

Mr. and Mrs. H. Frank Ricks Jr.

Robert W. Yates +

The Jeniam Foundation

deceased

ADVISORY BOARD MEMBERS Ward Archer

Dana McKelvy

Knox Phillips

Jack Soden

Rikki Boyce

Charlotte Neal

David Porter

Jimmy Tashie

Dean Deyo

Michael Osborn

Frank Ricks

Ron Walter

Art Gilliam

Steve Pacheco

Mickey Robinson

Herman Markell

Mike Palazola

Rudi E. Scheidt

Judy McCown (Emeritae)

Chris Peck

Linn Sitler

OFFICE OF THE DEAN STAFF MEMBERS Moira Logan Associate Dean

Katherine Goliver Director of Development

Latoya Boyland Assistant to the Advisor and Graduation Analyst

Rika Hudson Graduation Analyst Mary Mansour Business Analyst

Becky McCoy Administrative Assistant to the Dean Kayron Newman Assistant to the Associate Dean

Kimberly Rogers College Media Coordinator Laurie Snyder Assistant to the Dean for Undergraduate Studies

AROUND CCFA

IEAA Hosted 10th Annual Murnane Lecture

T

he Institute of Egyptian Art &

Dr. Thomas Schneider, (photo right),

professorships

Archaeology and the History

professor of Egyptology and Near

and research

Department of the University

Eastern Studies at the University of

positions

of Memphis, in association with

British Columbia.

at the

the Tennessee Chapter of the American

Professor Schneider spoke on the

University of

Research Center in Egypt, co-hosted the

reception of Egyptology under the Third

Vienna; University

10th Annual William J. Murnane Memorial

Reich, as an example of how tenets of

of Heidelberg; New York University; the

Lecture. The event featured speaker

academic and professional integrity might

University of California, Berkeley; the

succumb to political pressure. His lecture

University of Basel; and the University of

provided an overview of Egyptologists

Wales, Swansea, where he also served

working in Germany through the end of

as Chair in Egyptology. He has published

the Second World War. This biographical

widely in his main areas of research—

survey included persecuted emigrants

Egyptian interconnections with the Levant

as well as scholars who actively aligned

and the Near East, and ancient Egyptian

themselves with the new regime and

history and chronology—and is currently

attempted to subvert Egyptology to the

completing a monograph on the history of

doctrines of National Socialism.

Egyptology in Nazi Germany.

Schneider earned his Master’s degree and Doctorate in Egyptology at the University of Basel, Switzerland. An

For more information, call IEAA at 901.678.2555.

internationally known scholar, he has held

Department of Architecture Forms New Partnerships

T

he department has two

faculty in the Department of Architecture,

Architects (AIA) Design & Health Research

major grant and partnership

and Charles Santo, assistant professor of

Consortium has been approved.

activities in process. The first

City and Regional Planning at the UofM,

is a partnership between the

are key team members on the project.

UMDC and the Memphis Chapter of the

Architecture is also involved in a

They join 16 other universities with architecture and health-related schools in this partnership. Among these are

Urban Land Institute (ULI). ULI was invited

partnership with the Technical Assistance

Columbia University, Drexel University,

by the Hyde Family Foundations to submit

to Brownfield Communities program at

Texas A&M University, University of Illinois,

an application for funds to implement

Kansas State University. The two parties

University of Minnesota, University of

a series of programs and activities to

will enter into consulting contracts to

Oregon, University of Virginia, University

promote good design and planning

perform a variety of sustainability-related

of Washington and Washington University

within the region. The budget was about

activities and particularly Brownfield

in St. Louis.

$525,000 divided over a three-year

redevelopment. The grant is funded by

period. The proposal was submitted in

the US Environmental Protection Agency.

Architecture, Planning, and the School

December. Currently, Michael Hagge and

Hagge, Bryan, Thompson and Kitsinger are

of Public Health. At present, our faculty

Andy Kitsinger are involved in this project.

involved in this project.

involved are Andy Kitsinger and Michael

Other faculty members, such as Sherry

The Department of Architecture’s

Brian, Jennifer Barker, Jenna Thompson

application through the University of

and Pam Hurley, will become involved in

Memphis Design Collaborative to become

the future. Frank Ricks (BSAT ’77), adjunct

a member of The American Institute of

4 VOICES Spring 2016

The UofM partnership includes

Hagge, but more are expected to get involved.

AMUM Presents do it

By Leslie Leubbers, AMUM director

Doodle.

Uri Aran (2012)

French artists Bertrand Lavier and Christian

organized by Independent Curators (ICI),

Boltanski. In the spirit of conceptual art,

New York. do it and the accompanying

When you are walking, stop and smile at a stranger.

Louise Bourgeois (2001)

the artists’ instructions are meant to

publication: do it: the compendium, were

be freely interpreted, thus always the

made possible, in part, by grants from the

same and never the same. On its 20th

Elizabeth Firestone Graham Foundation,

anniversary in 2013, Obrist expanded the

the Robert Sterling Clark Foundation, and

project with new artists’ instructions.

with the generous support from Project

Get 180 lbs. of a local wrapped candy and drop it in a corner.

Felix Gonzalez-Torres (1994) Make a wish. Write it down on a piece of paper. Fold it and tie it around a branch of a Wish Tree. Ask your friends to do the same. Keep wishing. Until the branches are covered with wishes.

Yoko Ono (1996) © do it: the compendium Instructions like the ones above are the core of do it, an endless global traveling exhibition that has been exhibited in 50 sites from Memphis to Moscow to Guatemala City. The project was conceived in 1993 over drinks in a Paris café by curator Hans Ulrich Obrist and

Working with guest curators Hamlett Dobbins (BFA ’93) on the UofM main campus and Lendon Noe on the Lambuth

Perpetual and ICI’s International Forum and Board of Trustees.

Sponsored locally by the University of

campus in Jackson, the Art Museum

Memphis Student Activity Fee Fund, the

at the University of Memphis AMUM

exhibition can be viewed at Crosstown

is preparing to “do it.” Since March 1,

Arts March 4–April 2, University of

teams of students, artists, actors and

Memphis Lambuth March 17, and AMUM

other community participants will present

April 9–May 7.

their interpretations selected from 250 international artists’ instructions in Hans Ulrich Obrist’s do it Compendium. do it is an exhibition conceived and curated by Hans Ulrich Obrist and

Having been closed for HVAC work, AMUM will reopen April 9 with do it. For more information, call AMUM at 901.678.2224.

ccfa.memphis.edu VOICES 5

AROUND CCFA

2015 Outstanding Journalism Alumni Awards Banquet Held

D

r. Sandra Utt, advertising

concentration and also serves as assistant

created in the College of Communication

professor in the Department

chair of the department, advising students

and Fine Arts. The Pennington family and

of Journalism, received the

entering the department often before

friends established this unique tribute to

first D. Mike Pennington

they select a concentration. In addition to

Pennington to honor his dedication to

Award for Outstanding Mentoring during

receiving a plaque, Utt was presented a

helping others and his loyalty to his alma

the University of Memphis Journalism

$2,000 check.

mater. The award will annually recognize a

Alumni Club’s 2015 Outstanding

Created in 2015, the D. Mike

Journalism Alumni Awards this fall.

She is the head of the advertising

Journalism faculty member who has been

Pennington Award for Outstanding

an exemplary guide to students during

Mentoring is the first mentoring award

their learning experience.

OTHER AWARDS PRESENTED AT THE BANQUET Mike Pennington (BA ‘72)

Otis Sanford, Helen

Amanda Mauck (BA ’04)

James Overstreet (BA ’92)

(posthumously)

and Jabie Hardin Chair of

Young Alumni Award

Charles E. Thornton Award for

Charles E. Thornton

Economics/Managerial

Aidan Porter (BA ’15)

Outstanding Alumni

Award for Outstanding Alumni

Journalism.

Emerging Journalism Award

Art History Lecture Focused on Chinese Art

D

uring a special fall lecture, Dr. Elizabeth

installed in 2011 at the historic Pulitzer Fountain at the

Childs-Johnson, 2015-16 Dorothy Kayser

Grand Army Plaza in front of the Plaza Hotel in New York.

Hohenberg Chair of Excellence in Art History, spoke about the significance of ancient

She earned her MA and PhD degrees in Near Eastern art and archaeology and Chinese archaeology and art history

Chinese art of the zodiac in light of artist Ai Weiwei’s

at the Institute of Fine Arts at New York University. An

creation of “Circle of Animals/Zociac Heads,” which was

internationally known scholar, she is the senior editor of The

6 VOICES Spring 2016

Two UofM Exhibitions Celebrated Contemporary Folk Art

T

his fall, The Martha and

from Reverend Howard Finster, perhaps

Robert Fogelman Galleries of

the South’s most famous contemporary

Contemporary Art featured

folk artist, to the little-known Memphian,

two folk art exhibitions—“The

Floyd “Pussum” Glover. Highlighted are

True Gospel Preached Here: Photographs

the unconventional materials used by these

by Bruce West” and “Memphis Collects

artists and the common interests they

Contemporary Folk Art.”

share in religion, social issues and popular

“The True Gospel Preached Here: Photographs by Bruce West” featured a

culture.

“Memphis Collects Contemporary

selection of photographs by Bruce West

Folk Art” was curated by Dr. Carol Crown,

documenting the spiritual and creative work

professor emerita in Art History at the

of the Reverend H. D. Dennis (1916-2012),

UofM. Crown is author of numerous

a self-proclaimed preacher, artist, architect,

publications including “Coming Home!

who had promised his wife Margaret (1916-

Self-Taught Artists,” “the Bible, and the

2009) he would transform her grocery

American South” (2004, University Press

store into an attraction near Vicksburg,

of Mississippi) and “The New Encyclopedia

Mississippi, where he would share God’s

of Southern Culture Volume 23: Folk Art”

word. West’s vibrant photographs explore

(2013, The University of North Carolina

the fantastic world of the couple who

Press).

devoted more than 20 years of their lives

For more information, contact Patricia Lee Daigle at pldaigle@memphis.edu or 901.678.3052.

Reverend H. D. Dennis Sits in Judgment, 2003 Archival inkjet print, 24 x 30 in., Courtesy of the artist

The Martha and Robert Fogelman

to converting Margaret’s grocery store into

Galleries of Contemporary Art is

an eclectic nondenominational church. He

located in 230 and 240 of the Art and

put a collection of his images into a book

Communication Building, 3715 Central

called “The True Gospel Preached Here:

Ave. It serves as a valuable educational

Photographs By Bruce West.”

experience for our students, the

Showcasing standout works from

community and the Mid-South, bringing

several local private collections, “Memphis

contemporary working artists to campus

Collects Contemporary Folk Art” featured

to enrich the curriculum and broaden our

the paintings, drawings, and sculptures of

understanding of today’s art world within

more than 25 self-taught artists, ranging

the national and international context.

Reverend Howard Finster (1916-2001) Visions of Daniel Boone, ca. 1982, #2000 and 614, Paint on wooden panel with artist decorated wood burned frame, 48 x 48 in., Collection of John and Susan Jerit

Oxford Handbook on Early China and has held professorships

of California Santa Barbara; and the National Gallery of Art,

and research positions in the U.S. and in China at the East

Washington, DC. She has published extensively in her main

Asian Studies Institute, Old Dominion University; Fordham

areas of research—Jade Age China and how ancient scripts

University; New York University; Columbia University; Institute

reveal ancient belief systems in Bronze Age art—and is currently

of Ancient History CASS Beijing; International LIangzhu Culture

finalizing a monograph on Shang ritual art and religion.

Studies Center, Yuhang, Zhejiang; Hamilton College; University

For more information, call the Department of Art at 901.678.2216.

ccfa.memphis.edu VOICES 7

Since 1977, he has tirelessly worked to build an arts and communication focused college that rivals those around the country. Starting with the departments of Art, Journalism, Music and Speech and Drama, the College grew and now contains the departments of Architecture, Art, Communication, Journalism and Theatre & Dance, as well as the Rudi E. Scheidt School of Music, the Institute for Egyptian Art and Archaeology, the Center for Sustainable Design and the Art Museum of the University of Memphis.

Touching the lives of many, Ranta has a lasting legacy that will carry on long after his retirement. Read the expressions of love and outpouring of memories from a few of the people whose lives he has impacted, written in their words.

the era of 8 VOICES Spring 2016

Ra

As a University, we cannot thank Dean Ranta enough for his immeasurable contributions

The University of Memphis and larger

to our campus, the community and the arts. As the founding dean of the College of

community celebrate the extraordinary

Communication and Fine Arts, he has overseen its growth to include the only doctoral-

accomplishments and international

granting music school in Tennessee, a collection of more than 1,400 ancient Egyptian

recognition that Dr. Richard Ranta has

antiquities, and a national reputation for excellence. During that time, he has guided

brought to the College of Communication

a generation of talented artists, actors, musicians, journalists, writers and filmmakers.

and Fine Arts! As Founding Dean,

Their contributions are his true legacy, and it is a remarkable one.

Dr. Ranta has dutifully served the university

Dr. M. David Rudd | President, University of Memphis

for decades and his legacy of loyalty, commitment to excellence in scholarly/ creative activities, and sharing his talents and skills with affiliated local, regional,

Richard Ranta has been part of the production team for the annual GRAMMY Awards Telecast on CBS since 1983. I’ve been attending the GRAMMY Awards every year since 1995.

I always seek out Richard in the post party to see if he has any interesting behind the scenes stories to share.

Jon Hornyak Senior Executive Director, The Recording Academy Memphis Chapter

national and international organizations is unparalleled. Additionally, Dick has championed diversity and equity and paved the way for scores of students and faculty from all walks of life to become active scholars in the College of Communication and Fine Arts. From judging the local “Knowledge Bowl” for high school students to his production role for the Grammys and Latin Grammys for television, Dean Richard Ranta has left an indelible mark in all areas of communication and fine arts, and I am pleased to have had the privilege of working with him throughout my tenure at the university. We will continue to build on our successes achieved through the

Thank you for the more than 30 years of partnership and friendship. It has been a pleasure.

Honey and Rudi Scheidt

contributions of dedicated employees like Dean Ranta.

Karen Weddle-West | Provost, University of Memphis

[I was in the Speech/Drama Department from 1969, before Richard got his PhD in 1974.] Dean Ranta was one of the best bosses I ever had. He was always most concerned about what

nta

was best for the students, even when pushed by administration to make deep cuts. He would always listen to my point of view and often changed his mind. Unlike many senior administrators, he liked to hear differing opinions and dissenting points of view. He was very good at bringing people together to build consensus despite college-unit varying perspectives. He always, always, put what was best for the College of Communication and Fine Arts first. He would have made an outstanding university president. It is unfortunate that he didn’t get that opportunity. I consider it one of the privileges of my life to have worked with him.

James “Jim” Redmond | Emeritus Professor of Journalism and Former Chair

ccfa.memphis.edu VOICES 9

milestones

Dick Ranta’s dissertation was on the role of communication in...”a case study of the 19261927 Nicaraguan Crisis.” Six years before, I studied

1977

broadcasting from 1921-1927. The 1920’s were

The College of Communication and Fine Arts (CCFA) is established, consisting of the departments of Art, Journalism, Music, and Speech and Drama.

not our only connection. As a colleague from the time he joined Memphis State, and then my Dean, those years were exciting. I waited for Richard to become president of the University of

1979

Memphis or another school. His determination

Ground is broken for the new Communication and Fine Arts Building.

and loyalty grew a School of Communication of which I was honored to be a part.

Marvin R. Bensman | Emeritus Professor of Communication

A new radio station came to campus, when WSMS-FM 92 became part of the College. The station is now known as The Jazz Lover, WUMR-FM 91.7.

Within months of Elvis’ death in 1977, Dick Ranta had begun thinking about what became the first symposium

The memory of Elvis Presley is celebrated with the first Distinguished Achievement Award for the Creative and Performing outstanding job building a Arts given to Sam Phillips, record executive and music producer. college with six outstanding

Dick Ranta has done an

departments that receive national and international recognition for

dedicated to a serious look at the cultural impact of the life and career of Elvis Presley. That tradition grew and endured over decades, and to this day the strength of the Elvis Legacy owes a debt to Dean Richard

1980

their work. He has also represented the University very effectively in the community and played a key role in

R. Ranta and his dedication to the University, to

Mississippi River Music Publishing Company, Music River Publishing Company and High Water Recording Company were established to preserve Memphis’ musical heritage.

making the University of Memphis a leading contributor to the arts in Memphis and the Mid-

Memphis and its music heritage!

Jack Soden | CEO, Elvis Presley Enterprises, Inc.

1981

South. He will be missed, but he leaves behind a lasting legacy for our university and our community.

The Art Museum of the University of Memphis (AMUM), then known as University Gallery, opened.

Thomas Nenon | Dean, College of Arts and Sciences, Professor of Philosophy

1984

Jehan Sadat, wife of the late Egyptian President Anwar Sadat, came to celebrate To my friend and colleague, I extend to you best wishes the opening of CCFA’s Institute of Egyptian Art and Archaeology (IEAA), under the and many years of love, fun and relaxation. You have done leadership of Carol Crown who also a great job in your mission of upgrading our university and brought the Divine Tour of Ancient Egypt to the recently established Art Museum. improving our city in general. You certainly were the sunshine in

my life as you encouraged me in two of my special projects during my tenure there, “Snack-n-Rap” and “Evening of Soul.” I am grateful to you and will always cherish our friendship. God bless you.

Dr. Erma L. Clanton | Emeritus Professor of Theatre & Communication Arts

Filmmaker Craig Brewer received the 2009 Distinguished Achievement Award in the Creative and Performing Arts.

1985

IEAA becomes a Tennessee Center of Excellence, one of five such Centers at the University of Memphis.

1995

I came to Memphis in 1979 and quickly met Dick Ranta. In each of my careers here — Time Warner, Memphis Music Foundation and Beale Street Walk of Fame — I worked closely with him. I always knew that he was

Helen and Jabie Hardin Chair of Economics/Managerial Journalism is established, which is awarded to a distinguished journalism scholar or practitioner.

someone I could count on for his support, for his advice and counsel and, most importantly for his friendship. We worked on dozens of projects together, and it was often because of Dick that we had such great success. It is hard to imagine the University without him, and Memphis Music will have a hard time finding another friend like Dick Ranta.

Dean Deyo | Chairman, Beale Street Walk of Fame 10 VOICES Spring 2016

The Department of Theatre and Communication Arts separated into the Departments of Theatre & Dance and Communication.

When we hired Dick as an Assistant Professor I had no idea that soon I’d be working for him. What a break that turned out to be! I don’t know of anything 2000 good in the College that happened The Department of Music became the Rudi E. Scheidt School of Music thanks to a without Ranta’s hand somewhere in multimillion-dollar gift from Rudi E. Scheidt and his wife Honey Hohenberg Scheidt.

Dick and I have been the mix. Dick made everything he buddies since he came got involved in—the college, the 2001 to Memphis in 1972, The Union Planters Bank/Benjamin W. community, the national scene and we discovered that we Rawlins Jr. Meritorious Professorship Recognition Award Program was not only shared professional —a whole lot better. established in CCFA in honor of the

1997

The Department of Journalism together with Memphis City Schools and The Commercial Appeal started the Teen Appeal, the first citywide high school newspaper.

fishing. In the early years, before he

late Union Planters chairman and chief executive officer.

developed such a complex network of obligations, it was common for us

John Bakke Emeritus Professor of Communication

2005

to spend Sunday afternoons together on some nearby lake. Those are now treasured memories.

The Egyptian Supreme Council of Antiquities (SCA) announced that an expedition sponsored by IEAA had discovered a new chamber in the Valley of the Kings, dating to the 18th Dynasty.

One of these memories, though, does not involve fishing but rather a trip we took together to

Photo credit: Memphis Pink Palace Museum

interests but also a passion for

2008

Mexico City. We visited a number of great cathedrals, fine restaurants, great art works (especially the splendid murals of Diego Rivera in the Palacio Nacional

The Department of Architecture was established as an independent unit, having joined CCFA as a program in the Department of Art in 2000.

de Mexico) and of course the pyramids at Teotihuacan.

This story involves the Pyramid of the Moon, and reveals

2011

Receiving the Tennessee Museum The anthropoid coffin of priest Pa-diAssociation’s “Award of Merit” were Atum (ca. 712–332 BCE) was transferred Richard Ranta, Rita Freed, curator of Ranta the prankster. Ranta of course wanted to climb to the to the University of Memphis from the the Egyptian exhibit which won the award, and Carol Crown, project top of the Pyramid and so we did, stepping from one great stone Museum of Discovery in Little Rock, director and chairman of the Ark., with funds provided by The Scheidt Art Department. to the next following the route of ancient ceremonial processions Family Foundation. New exhibition preparing for human sacrifice. By the time we made it to the top, cases, generously funded by The Knapp Foundation and Lucite International, were Ranta energized and me exhausted, just about ready for sacrifice, he installed in the Egyptian Gallery.

asked me to take his picture profiled against the Avenue of the Dead

which stretched out below. I did not know much about cameras and had never used his, but was happy to oblige. Later we discovered that I had gotten the picture exactly backwards, and instead of his face, I had taken a close up of my own ear. Ranta of course was a merciless and unforgiving tease when we

The Department of Theatre & Dance welcomed the first class of 15 undergraduate students to its newly established Musical Theatre Program.

discovered this the next day.

To top the story, when we returned to Memphis we had a special program in our

2012

department soon after, and Ranta came to visit, escorting the university president (I believe it was President Billy Mac Jones). I joined the visitation group as host chair of the department. When we came to the large announcements board outside the department

The statute of Ramesses the Great, which stood in front of the Pyramid downtown for 20 years, was placed on the walkway between the Theatre Building and the Music Building on Central Avenue.

office, what should we find there but an enlarged photo of my ear! Beneath it was printed, “Studies of the Sensitive Self. To purchase, inquire within.” President Jones had a strange look on his face, and I knew Ranta was smirking at me. So I decided not to look at him.

As he enters retirement, I look forward to renewed Sunday afternoons together on nearby lakes.

But damned if I will climb any more pyramids!

Michael “Mike” Osborn | Emeritus Professor of Communication CCFA Advisory Board Member

2013

The Martha and Robert Fogelman Galleries of Contemporary Art opened.

2017

CCFA to break ground on new Music Center for the Rudi E. S cheidt School of Music. ccfa.memphis.edu VOICES 11

Dean Ranta often kidded me about my ‘vocal’ presence at Tiger basketball games, but I distinctly recall the first time I sat near him at a football game. I didn’t know the difference between a tackle, a wide receiver and a safety, much less what ‘drop back and punt’ meant. He taught me, near-by fans, side line officials and referees within hearing range a great deal about unnecessary penalties and bad ref calls.

35

I had to drop back and punt a few times as CCFA’s development officer, and his leadership served as my guide during those times as well as many others. He is and will remain the best boss I ever had and the face of the University of Memphis for thousands of students, alumni, community friends and fans.

years of membership

Patty Bladon | Former Director of Development, CCFA

Dr. Ranta is a Lifetime Member of The Recording Academy, a former chapter President and Trustee of the Memphis Chapter of The Recording Academy, co-founder of the National Education Committee, and he’s been part of the production team producing the GRAMMY Awards Telecast on CBS since 1983.

Dick was incredibly supportive of our efforts to move Architecture into CCFA from Engineering. Not only did he travel hundreds of miles with us to better understand how an architecture school works but he also asked

1972

Ranta joined faculty

us to give him the ‘Architecture 101” course. He learned quickly and thoroughly, leading us through the establishment of the professional Master of Architecture degree and its accreditation a few years later!

Michael Hagge | Chair, Department of Architecture

Having known Dick Ranta for more than 25 years has given me the opportunity to see first-hand leadership working for the total good of the community. He is a man who has never wavered from that purpose. He also has been my friend.

David Porter Hall of Fame Songwriter, Producer and Musician CCFA Advisory Board Member

I arrived in Memphis for the birth of the college and Dick Ranta was everywhere. He’d not only show up for film shoots, he’d roll up his He has held a variety of administrative positions, including director of Communication Studies, interim dean of the University College and assistant vice president of Academic Affairs.

2 2005

film appearances

Ranta has acted in two films, “The Firm” and “I Was a Zombie for the F.B.I.”

Recieved the Tennessee Governor’s Award.

trustee, vice president & education chair Ranta has been

for the National Academy of Recording Arts and Sciences, headquartered in Santa Monica, California.

12 VOICES Spring 2016

sleeves and help out. I soon learned that, while he did love film production, he was just as active supporting what was happening throughout the CCFA and the Memphis community. He hasn’t let up a bit over the years. If there’s a film screening, he’s

He is listed in

Who’s Who in America.

Ranta is seen weekly on WREG-TV’s Knowledge Bowl.

there. A concert, show, performance, party…he’s there.

His radar misses nothing. I totaled my car my first year here, and as I stood at the curb on Poplar, who get’s out of his car to assist? Ranta!

Getting films made within the state procurement system has posed some unique problems, but whenever I’ve needed help and support, Dick Ranta has been there to offer it. It’s not just his job, it’s who he is, and I can’t imagine this college without him watching over it.

David Appleby | Professor, Department of Communication Top Left: Ranta poses with faculty and staff in the late 80s or early 90s.

Bottom Left: Writer and judge since 1987, Ranta can be seen weekly on WREG’s “The Knowledge Bowl.”

I shall be forever grateful to Dean Ranta for mentoring me on how to function as a Chair during the 15 years I served in that role in Theatre & Dance. This required more than a little patience on his part. He was both a model to inspire how to be a good administrator but also a gifted teacher who always had time to instruct me what to do or be there as a safety net when I messed up.

And when I was having a miserable Christmas vacation nursing a favorite cat whose health was rapidly failing, Dick and Carol welcomed me for Christmas dinner and to share the warmth of their home and family. I shall never forget that kindness. And I know I am only one of so many who have been welcomed into their home in friendship.

There were many experiences we shared which are vivid in my memories: wearing “Phantom of the Opera” white masks for a press conference in a packed theatre to announce our upcoming production, working to persuade The Jeniam Foundation to build us a design computer lab, the joy of watching talented students audition for the Dean’s Creative Achievement Award only to be followed by the agony of having to choose one winner from among truly gifted students. But there is a special memory reserved for the time a visiting celebrity who was performing as part of a scholarship benefit unexpectedly mentioned that before she did an encore she expected a couple dozen roses to be presented to her onstage. Dick and I looked at each other wondering where these flowers could be found after 6:00 p.m. on a weekend, but they were obtained and the Dean made the presentation. The celebrity graciously received them, dropped them on a stool behind her, sang the encore and left the stage with the bouquet still there. All that for ten seconds notice! And the Dean was a gracious host and gentleman, as was his usual way.

Robert Hetherington | Professor, Department of Theatre & Dance RRR is the one person most responsible for my having a second career as a professor, and his creative energy has been a crucial influence for me on the job. I will sorely miss the laugh, the blue blazer, the Buick, the whole steady presence.

Craig Leake | Professor, Department of Communication

The Sumerian term that came to mean king, lugal, literally meant, “man, big,” because the leader was considered to be one among equals yet, somehow, elevated among them.

When I think of that term I understand it to mean someone like Eannatum, ruler of Lagash (although he was, strictly speaking, an ensi) who, larger than life, charged into battle at the forefront of his soldiers. I think of someone who is in charge but who wouldn’t ask any of his people to do anything more than he himself was willing to do. In 1990, when I first came to the University of Memphis, I was told that the dean of my college was a real “hands-on” kind of guy. I didn’t realize how true that was until one fall day I was driving down Southern and I saw a figure that looked a lot like Dean Ranta standing in the middle of the road waving an orange baton. As I got closer I confirmed that indeed that was my dean, directing traffic for the annual Arts in the Park celebration. Twenty-five years later, Dick doesn’t direct traffic anymore, but he still wouldn’t ask anyone to do anything

Top: Former dean’s office staff gathered for a staff photo. (Front row, from left) Ray Lynch, Dean Richard R. Ranta and Dionne Chalmers. (Back row, from left) Marilyn Godwin, Katheryn Brinson and Laurie Snyder.

Middle: Helen and Jabie Hardin Chair of Economics/Managerial Journalism Otis Sanford presented Dean Richard R. Ranta the 2013 Distinguished Achievement Award in the Creative and Performing Arts.

Bottom: Actress Dixie Carter, 1993 recipient of the Distinguished Achievement Award in the Creative and Performing Arts gave her acceptance speech as Dean Richard R. Ranta and President V. Lane Rawlins look on.

that, need be, he wasn’t willing to do himself. When Dick Ranta retires, the University of Memphis will lose more than a dean, they will lose an inspirational role model, a true leader, a big man.

Lorelei H. Corcoran, PhD | Professor and Director, Institute of Egyptian Art & Archaeology ccfa.memphis.edu VOICES 13

To honor the legacy of the founding Dean of the College of Communication and Fine Arts, the University of Memphis is establishing the Dean Richard R. Ranta Professorship in Communication or Fine Arts. To make a gift in honor of Dean Ranta’s retirement, see magazine insert. Or donate online at memphis.edu/give and select “I would like to give to a fund not listed here” and type in “Ranta Professorship.”

When you go to see the Dean, you better be well-prepared and have

In the mid-1970s, a group of us, including Dick, Mike Osborne, John

a list since he calls out “Next” as soon as the first issue is solved…

Bakke, Roxie Gee, Ken Rees and me as its core, used to gather 3-4

never wasting a minute. In casual conversation, questions come up

nights a week at a spot in Overton Square. The conversation ran the

that you never thought about: “What is the depth of the Caspian

gamut from projects we each were working on to politics, sports,

Sea?” immediately finding myself reading all about it in case he asks

arts, academics, current events, and humor. Whatever the topic,

me the next time. Not only is he a genuine, cultured, fair, intelligent,

the discussions were always lively and stimulating. It was as if the

wise, and open-minded man, the Dean has a knack for diagnosing

Algonquin Roundtable had been reborn in Memphis with Dick Ranta

my health as soon as he sees me: ”you look pale” after which I go

as its Thurber. I miss those days.

straight to the doctor for a blood test only to find out I am anemic.

When I retired after a 50-year career in television and radio, Dick

An extremely supportive and caring man, he immediately took up

encouraged me to return to school and finish the bachelor’s degree I

the role of advisor and helped me with my contract for my first CD:

had started years before. He guided me through the process, pushed

”24 Caprichos de Goya”, and later threw me a CD release party

me at times and always supported what I was doing. One of the great

at his house. Dean Ranta, I will always cherish the guitar painting

feelings of my life was when, in fall 2013, I crossed the stage and saw

you picked up at an auction and to my amazement brought to my

the big grin on his face when he handed me my diploma. I started

office: “I thought of you when I saw this.” The multitude of colors

graduate school six weeks later and finished my master’s degree this

coming out of the guitar inspire me daily. Dean Ranta, you are the

year (2015). Now I have a new career teaching communications at

greatest and I am so honored to have had the privilege of knowing

Austin Peay State University, and I absolutely love doing it. Dick Ranta

you during my tenure in Memphis. I have always counted on your

is the primary reason I’m now a teacher.

strength and understanding in all my endeavors, both national and international. For the last 26 years, seeing your car parked (from a strategic point in the music school), gives me assurance and strength that everything will be all right because you are there as a true friend. I hope someday I can personally show you the Caspian Sea and return all your kindness. I now know it has a maximum depth of 3,363 feet. Next?

Lily Afshar | Professor, Rudi E. Scheidt School of Music

14 VOICES Spring 2016

More than all of his academic achievements and more than the leadership he has provided for the communications industry, I value Dick’s friendship above it all. He is as loyal and dedicated to his many friends as he is to any of his public endeavors. This says more about him than any public accolades he will ever receive.

Dick surrounds himself with good people and brings out the best in them.

Bryan Cottingham | Adjunct, Department of Communication, Austin Peay State University

My husband and I used to suspect that RRR had an identical twin brother because nothing else could explain how he managed to be everywhere, always in top form, from university to civic responsibilities. We now know that he is possessed of an extraordinary gift for hard work, creativity and leadership. In the decades we have known him, his enthusiasm and grace have remained as strong and steady as he is.

Dana L. McKelvy CCFA Advisory Board Member

I wouldn’t be at the University of Memphis if it weren’t for Dick Ranta. I was being recruited to come to the University as chair of the Department of Journalism, but I was not planning to make the move until I met with Dick. I could tell immediately that he would be a great person to work for so I left Colorado State after 17 years to come to Memphis. I was not disappointed. I worked for Dick for 12 years as chair and then associate dean. He was fair in how he dealt with all the departments and people in the college. I always felt if I could present a good case for whatever project or issue, he would listen. Later after I moved into other administrative roles at the University, he and I always were able to collaborate on projects or issues that were important to our mutual interest.

I have always been amazed at the genuine interest he had in each area of the college from art, music and theatre to communication and journalism. He has been involved in community activities in all these areas at a significant level. His leadership in the arts and communication community will be tough to ever equal.

The only thing is I was supposed to retire before him!

Dan Lattimore | Dean, University College ccfa.memphis.edu VOICES 15

Take Your Seat Campaign We invite you to become a permanent part of the new Music Center at the Rudi E. Scheidt School of Music by naming a seat for yourself or someone you wish to honor. The $40 million, 40,000 square foot building will be located on Central Avenue near the UofM Holiday Inn and more than double the space of the current 50-year-old building.

Select a Naming Opportunity Level Nameplate Examples

$2,500 Level

Includes a nameplate on a seat in orchestra or other premium section of the performance hall. Donor’s name will also be included on a special Donor Wall Recognition plaque which will be prominently displayed in the new facility.

1

Given by the family of Jane and John Smith

2

In Memory of Mr. John E. Smith

3

In Honor of Dr. Jane Smith Class of 1975

$1,000 Level

Includes a nameplate on a seat in the performance hall.

All seats will be assigned based on the order in which the gifts are received.

Seat plaques may be purchased using an installment plan of up to four years.

Gifts made to the New Music Center Seat Campaign are tax deductible.

Gift disclosures: Seat name recognition does not guarantee reservation of particular seat for future performances. A five percent fee is assessed on gifts to support university administrative costs.

If you are interested in other naming opportunities, such as student practice rooms, please contact Katherine Goliver at 901.678.4372.

Ways to give

ONLINE

PHONE

To make your gift online, simply visit our secure site: memphis.edu/musiccenter/takeyourseat.php

Call 901.678.3953 with your credit or debit card information to create an installment plan to pay over four years.

memphis.edu/musiccenter

FACULTY SPOTLIGHT

Communication Professor Nationally Recognized with Outstanding Teacher Award

C

ongratulations to

(MELI) from its inception until 2013.

Dr. Katherine Hendrix,

She is dedicated to the scholarship

professor in the Department

of teaching and studies professor

of Communication, for

and graduate teaching assistant

receiving The Donald H. Ecroyd Award for

(GTA) communication contributing

Outstanding Teaching in Higher Education,

to their classroom credibility. Dr.

which honors a National Communication

Hendrix has a particular interest in

Association (NCA) member who

the pedagogical contributions of and

exemplifies superlative teaching in

challenges faced by professors and

higher education.

GTAs of color—including international

Nominees must have a master’s

graduate teaching assistants with

degree or higher in the communication

English as a Second Language who

discipline, a full-time teaching assignment

teach oral performance courses.

at an institute of higher education at the

She also employs a critical approach

time of nomination and a superlative

to investigating implicit rules and issues

teaching record. Dedicated to fostering

of power associated with epistemology,

and promoting free and ethical

axiology and ontology coupled with

communication, NCA promotes the

the academic research process.

Katherine Grace Hendrix, PhD Professor, Department of Communication

her the 2002 John I. Sisco Excellence in Teaching Award and 2006 Rose B. Johnson Southern Communication Journal Best Article Award. She is the only person within her associations to win all three awards.

widespread appreciation of the importance of communication in public and private life, the application of competent communication to improve the quality of human life and relationships and the use of knowledge about communication to

In 2011, she received the

She is dedicated to the scholarship of teaching and studies professor and graduate teaching assistant (GTA) communication contributing to their classroom credibility.

and Fine Arts Dean’s Research Award at the UofM. Lastly, the International and Intercultural Division of NCA acknowledged one of her publications as the 2006 Outstanding Journal Article for that division.

solve human problems.

Dr. Hendrix is an instructional

College of Communication

In addition to the NCA award, she

communication scholar with a broad

received the University of Memphis

teaching range including argumentation,

Alumni Association Award for Excellence

interpersonal and intercultural

in Research in the Humanities in 2013,

communication and qualitative research

the 2012 Southern States Communication

methods. Her teaching extends to the

Association (SSCA) Michael Osborn

community in a partnership between

Teacher/Scholar Award, and her merit

the University of Memphis and the

in teaching was acknowledged on the

Methodist Le Bonheur Healthcare where

Excellent Teachers on Teaching panel

she served as the communication expert

sponsored by the NCA at its 2012 annual

for the Maurice Elliot Leadership Institute

conference. The SSCA also awarded

Dr. Hendrix is married with two adult children and a chocolate Labrador Retriever/American Staffordshire (pit bull) and has been a resident of Memphis for the past 21 years but still refers to herself as a “West Coast baby.” She is a dedicated rosarian, communion stewardess in the Christian Methodist Episcopal (CME) Church and loves photography. She wants to be a wedding photographer when she grows up.

ccfa.memphis.edu VOICES 17

ALUMNI SPOTLIGHT

CCFA Alum Listens to Her Heartbeat: LaNita Smith

L

aNita Smith (BM ’13) released “I Love You,” the first single off her upcoming EP “Listen to Your Heartbeat.” The track is produced by Don Was, musician and legendary music producer. Her EP will be released early 2016.

Smith is also a graduate of Overton High School, one of the College of

Communication and Fine Arts adopted schools.

Some people are just born to do what they do. LaNita Smith is one of those people. When she was five, she learned to play the piano. By the age of eight, she was writing and playing with her own melodies, trying them out at church.

“I grew up around music all my life,” Smith said, in a phone interview.

“My first songs were gospel. I played piano as a child and I sang. It became a passion so I continued to do it.”

As she got older, she started listening to other genres, giving more variety to her repertoire. She began to add other instruments to her resume, as well. She was formally trained in violin and received formal percussion training at the STAX Academy. She also plays the saxophone and the guitar, although she admits that is her weakest area, but she said she can play just about any instrument in which she has an interest.

After high school, she studied briefly at the Berklee College of Music in Boston, Massachusetts, but chose to come back home and go to the Rudi E. Scheidt School of Music to be near her mother.

“I wanted to be close to my mother,” she said. “My mom was so sick, I just wanted to be close to her.”

Switching gears turned out to be a great decision for her.

“In the end, it worked out,” Smith said. “Meeting people like Dr. Larry Edwards and Jon Frazer – life changing. It was very much needed at that time in my life.”

She credits professors Dr. Edwards and Frazer, directors of Sound Fuzion, with helping her grow as an artist, understanding that in addition to having an entrepreneurial mindset she also needed basic skills to learn the importance of hard work to make it in the music business.

“Never in a million years did I imagine I was going to learn everything I did,” she said. “I was in Sound Fuzion and I was able to travel around. We learned how to manage our travel and be our own roadie. I gained real-world experience.”

One thing that she was immensely glad she learned…how to read music.

“Dr. Edwards taught me. I went so many years without learning to read music,” Smith said.

“In the beginning, I was mad because he was so

18 VOICES Spring 2016

LaNita Smith’s recent album

hard on me to learn. Now I’m grateful.”

LaNita Smith inspires students during a special guest lecture in Ben Yonas’ music business class.

the Los Angeles area. She got the job. In

This has been a journey. I’m grateful for

addition to teaching, Smith performed

it. I went into it, LaNita Smith, then my

away while she was stIll a student. It was

whenever she could get an opportunity.

students were saying ‘Mrs. Smith do you

devastating for her.

Then, she heard she was a finalist for the

know we can Google you,’” she said with

Guitar Center Singer-Songwriter Artist’s

a laugh.

In 2011, Smith’s mother passed

“She was the person who pushed me and my biggest supporter in school as

Discovery Program. She’d applied for the

well. She told me to finish my degree and

competition while still in Memphis.

everything else will fall in line. She told me to pursue my dreams.”

Smith graduated in 2013 and went to work teaching at a local middle school.

“I didn’t think I had a chance to win.

it for Smith.

“I sacrifice time. Things change in the

I’d entered two weeks before the deadline,

spur of the moment. My family tells me all

but then I made it into the top five.”

the time ‘you’re here, then you get

To determine the winner, the finalists

She was working with the students but

competed in a performance battle at the

there was something missing.

Troubadour in West Hollywood. She won.

“I was unhappy. I wanted to give

The path wasn’t easy, but it was worth

As the winner, she received

called away.’”

She said she tells anyone interested in a music career that it takes a lot of time and effort. It takes a tremendous amount

back, so I taught. But, I wanted to follow

$25,000, new musical equipment, an

of focus, dedication and strength to

my dreams. I was teaching, but it was

appearance on ”Jimmy Kimmel Live” and

break through.

my fallback.”

the opportunity to record a four-song

She remembered the encouragement

“Not everyone makes it, you have

EP with legendary music producer Don

to put the time into it. It’s constant…a

she’d received from Dr. Edwards. “He told

Was, assisted by Grammy winning singer-

constant hustle. You are your own

me I have real, natural talent. You are a

songwriter Colbie Caillat.

entrepreneur, and not everyone

special singer.”

In July 2014, she decided to quit her job, hop on a plane and go to California.

“It was a long flight,” Smith said.

In an interview with American Songwriter about Smith’s win, Caillat said

believe in yourself and go beyond what

“her voice is absolutely effortless. She

the next person is doing to get what you

sounds like a soul singer who has done

want. You have to go after it.”

“Wow, I couldn’t believe it. I’m really

this for a lifetime. Those vocals are so

leaving it all behind. I quit my job, left my

smooth, so confident.”

apartment. I didn’t have a plan A or B.” As luck would have it, one of her high school teachers recommended her for a teaching position at a middle school in

understands your vision. You have to

Winning the competition was huge for Smith.

“Doors to venues are opening more easily after winning the competition.

When it’s all said and done, how would Smith like people to remember her?

“She’s authentic. She’s real. She’s not trying to be anyone else. When people hear my music, that’s what I want them to hear. I’m not trying to be anyone else.” ccfa.memphis.edu VOICES 19

the first film A DOCUMENTARY WITH DRAMA

20 VOICES Spring 2016

I

t has the makings of an awesome Hollywood drama. A man on his way to prove his discovery disappears at a busy train station. But for Laurie Snyder, assistant to the Dean for Undergraduate Programs in the College of Communication and Fine Arts, this is a story she’s heard about all her life...

ccfa.memphis.edu VOICES 21

the first film Louis Le Prince, Snyder’s great-

pioneer of the motion picture camera.

studied chemistry and physics in college

great grandfather, is the subject of a

The film was his 33-year effort to prove

and worked as a photographer and painter

documentary that suggests he is father

the film industry began in Leeds.

before taking a job in an engineering

of the motion picture camera — not

According to Wilkinson, Le Prince

firm in Leeds. He fell in love with the

Thomas Edison or Auguste and Louis

gathered his family and friends in the

owner’s daughter, Elizabeth, and married

Lumiere. He takes his schematics to

garden in Roundhay, a suburb of Leeds,

her three years after starting his job.

board a train, then vanishes, seemingly,

England, asking them to walk in a circle

from the face of the earth.

while he pointed a mahogany box in

as well as a love match. Both Le Prince

their direction. Shot in October 1888,

and Lizzie were accomplished artists.

Le Prince had been working in Leeds

This was a true marriage partnership

perfecting his camera and was about to travel back to New York where his family was living at the time. He had arranged to meet his brother in Dijon to collect an inheritance

Lizzie had trained under

He takes his schematics to board a train, then vanishes, seemingly, from the face of the earth.

that would enable him to

Albert-Ernest Carrier Belleuse, and Le Prince had studied photography with Louis Daguerre who was a close family friend. She was able to help support him and his

continue perfecting his camera. His family

the camera captured a short, silent

experiments by teaching ceramics at the

was expecting him to return to New York on

film—several years before Edison and the

Technical School for the Deaf in New York.

or about a certain date and when he didn’t,

Lumieres inventions were discovered.

they made inquiries that made them realize that he had disappeared.

We are able to definitively date

Photography was gaining popularity at this time, and Le Prince began to

the film because Sarah Robinson

experiment with moving pictures.

Whitley, Le Prince’s mother-in-law

By the 1880s, he and several other

filmmaker David Wilkinson, explores

appears in the film. She died a few

inventors—William Friese-Greene and

this mysterious disappearance and

days after the film was completed.

Wordsworth Donisthorpe in Britain,

“The First Film,” documentary by

suggests that Le Prince was the true

Born in Metz, France, Le Prince

Eadweard Muybridge in the United

Laurie Snyder looks at the single lens camera Louis Le Prince created. The camera is located at National Media Museum in Bradford, England.

Laurie Snyder donates filmstrip to Clare Hampton, National Media Museum in Bradford, England, while filmmaker David Wilkinson looks on.

22 VOICES Spring 2016

A telegram showing that Louis Le Prince knew he was to receive an inheritance, debunking the myth that he committed suicide or disappeared because of financial problems.

States, Etienne-Jules Marey in France

bankrupt. Another theory was that his

and Max and Emil Skladenowsky in

brother Albert killed him over a fight

Germany—were attempting to be the first

about his mother’s will. Lastly, there

to master this new and exciting medium.

was the thought that he was gay and

In 1878, Muybridge lined up 12

he was asked to leave by his family.

cameras, taking successive pictures of

To this day, many of his descendants

a racehorse in motion. Later, he copied

are split over the “Edison did it” or “he

them onto them onto a rotating disc

ran away” theories. Snyder has her own.

to make it look as if the horse were

“Since he took a later than expected

moving. Although it gave the feeling

train to Paris, the people who were to

of movement, his invention wasn’t

meet him in Paris left for England when he

actually capturing movement.

didn’t arrive at the time they thought he

Le Prince’s first stab at the invention

would,” she said. “According to his wife’s

was similar to Muybridge’s—a 16-lens

memoirs, he reached Paris about 11 p.m.

creation that took sequential photos. His

and being such a late hour, he probably

next attempt was a single-lens camera

took a cab. It’s possible that a thief posing

shooting from a single point of view,

as a cab driver could have killed him. Or it

which is exactly the definition of film and what he used to shoot the Roundhay Garden Scene. He also

could have been a

…she believes Edison was ruthless and capable of murder…

used the camera

random stranger. I really think it was just wrong place, wrong time.”

There were articles from

to shoot a short film sequence of

around the time of his disappearance

people and carriages on Leeds Bridge

that mentioned thieves targeting long

and his son Adolphe playing the

travelers. She said there was even

accordion. His camera and film he

a photograph of a drowned man

created are kept in the National Media

found in the area bearing a strong

Museum in Bradford, England.

resemblance to Le Prince that Snyder

He had successfully captured movement, so Le Prince began

thinks could have been her ancestor.

She said the other theories

working on ways to display his silent

don’t make sense. He would never

film. He planned to have a public

abandon his family or commit suicide.

screening in New York in 1890.

He had his new invention and was

But, in September 1890, after

excited about the future, which was

visiting his brother Albert and friends,

clear in all his correspondence. He

he boarded a train from Dijon,

had too much for which to live.

France, to Paris and disappeared.

There have been many theories to

“It was impossible that his brother murdered him,” Snyder said. “They

explain his disappearance. His widow

were very close. There was proof

thought that Edison, rival inventor,

written throughout Lizzie’s memoirs.”

had him killed. Some think Le Prince

She said she believes Edison was

committed suicide or disappeared to

ruthless and capable of murder, but that

begin a new life because he was virtually

he had bigger fish to fry than Le Prince.

Front and back of a still image from Louis Le Prince’s short silent film shot in Roundhay, a suburb of Leeds.

The family spent a lot of time and money trying to find him, which they wouldn’t have done if they sent him away.

In July, Snyder was invited to attend the world premiere of “The First Film” in Leeds, England. During her stay, she donated her Louis Le Prince archive to the National Media Museum in Bradford, England.

“It was such an incredible experience.

The city of Leeds was so interested in the Le Prince story. I was treated as a celebrity the entire time and gave several television and radio interviews. David Wilkinson and his crew worked so hard on this project, and the film has been very well received. It has gone on to be featured in several highly regarded European film festivals and has been nominated several times for Best Documentary. I am so grateful to David and everyone associated with producing this film for getting the true story out there.”

ccfa.memphis.edu VOICES 23

IN THE COMMUNITY

Alumni Give Teen Appeal a Strong Legacy

A

By Elle Perry, Teen Appeal Coordinator

fter graduating from

Angela Basset and Samuel L. Jackson

Morehouse College with a

when it debuted on Broadway.

degree in English, Ben Cory Jones spent three years

What do these two have in common,

the Teen Appeal office is located.

Over the years, the Teen Appeal has provided students their first chance

besides being Memphis-natives making

to have their writing and photography

as a corporate spokesman and speech

their mark in the entertainment industry?

published for a wide audience, sharpen

writer on Wall Street for Bank of America.

Both got their start at the Teen Appeal

their communication skills, as well as

(Jones at Central and Hall at Craigmont)

strengthen their critical thinking and

the Disney ABC/TV Writing Program.

and used the program to ignite a career

analytical skills. It also gave some their first

After completing the program, he

in writing. During its nearly 20 years

introduction to a college campus.

served as a staff writer for the ABC

of existence, the Teen Appeal has

Family series “Chasing Life.”

attracted talented students who later

Appeal had to close its doors at the end of

achieved noteworthy accomplishments

Fall 2015 because of lack of funding.

In 2013, Jones was selected for

In mid-November, Variety announced that Jones, along with “Straight Outta

whether or not they pursued careers in

Compton” producer Matt Alvarez, writer

journalism and mass communications.

and actress Lena Waithe (from Netflix’s

These goals were pursued at a

“Master of None”), are producers for

variety of institutions across the country,

“Aint No Steppin’,” a film in development

such as Bowdoin College in Maine;

from “Drumline” director Charles Stone

Howard University in Washington, DC;

III. Jones currently serves as a staff writer

Hampton University in Virginia; St.

on the Amazon Prime series “Hand of

John’s University in New York; University

God” and has a half-hour cable series

of Virginia; University of Southern

“Bros” in development at HBO.

California; University of California-Berkley;

A graduate of Columbia University,

After almost two decades, The Teen

Amherst College in Massachusetts;

the A.R.T. program at Harvard University

University of Pennsylvania; Northwestern

and the Julliard School, Katori Hall has

University; University of North Carolina;

a short film called “Arkabutla” currently

University of Notre Dame; Vanderbilt

in production. Her best known play,

University; Washington University in

“The Mountaintop,” received the 2010

St. Louis; Georgetown University and

Olivier Award for Best Play and starred

the University of Memphis, where

In 2007, two Middle College High School students take notes during Teen Appeal camp at the University of Memphis. Folasade Omogun (left) received a BA in English and History from Clark Atlanta University and is currently a law student at the University of Tennessee in Knoxville, scheduled to graduate in 2016. She has studied abroad at Edge Hill University in London and the University of West Indies in Kingston, Jamaica. Branden Asemah (right) graduated from Bowdoin College in Maine with a BA in Gender and Women’s Studies/Africana Studies with a minor in Education Studies. He now works as an associate producer for Bloomberg Television in New York and previously studied abroad in New Delhi, India.”

24 VOICES Spring 2016

Bluff City Soul Collective

This is Memphis Concert at Levitt Shell Featured Student Talent

L

ast October, Rudi E. Scheidt

Mary Owens, has been labeled

School of Music’s Blue TOM

an “emerging star” from David Porter’s

records, the University of

Consortium MMT, a nonprofit organization

Memphis’ student-run label,

dedicated to developing a viable music

presented their annual Fall music festival,

industry in Memphis for the future. She

“This Is Memphis,” to about 2,000 music

serenaded the crowd with songs from

lovers at the Levitt Shell. The free concert

her recently released album “Sweet

featured just a few of the talented artists

Soul.” According to a local review,

who attend the university, including

Owens has “a voice that hovers over the

Drew Erwin, Ben Callicott, Mary Owens

chords until it strikes like lightning.”

and the Bluff City Soul Collective.

A native of Arlington, Drew Erwin was

SUNDAY, APRIL 17, 2016 DOORS OPEN AT 7 P.M. SHOW AT 8 P.M.

TICKETS: $5 IN ADVANCE, $7 AT THE DOOR, $15 VIP HEAR 901, BLUE TOM RECORDS SPRING FESTIVAL, WILL SPOTLIGHT THE AMAZING TALENTS OF MUSIC FROM VARIOUS ACTS BASED IN MEMPHIS.

assembled band formed by students from the Scheidt School of Music. The

at the age of 16. In September, he opened

twelve-piece super group consists of

for Kelly Clarkson at a concert in Little

five top vocalists, a three-piece horn

Rock, Ark. Because of his overwhelming

section, and a rhythm section. Although

love for music, Erwin turned down

it is their first year playing together

scholarships to play football to pursue his

under Bluff City, individually each

singer/songwriter aspirations at the UofM.

member has years of musical experience

For his “This Is Memphis” performance,

that, combined, create an energetic

he performed with his close friends and

fusion of raw, unparalleled talent.

For more information about Blue TOM, contact Ben Yonas, assistant professor in Music Business, at 901.678.2567 or bgyonas@memphis.edu.

Blue TOM, a division of the UofM’s

of styles because of his vocal ability. He

blues label Highwater Records, was

is also a brilliant guitarist and pianist.

founded in spring 2005 by Music

With influences from classic soul

NEW DAISY THEATRE, 330 BEALE STREET

Bluff City Soul Collective is a newly

a finalist on America’s Got Talent in 2012

UofM classmates. He conquers a range

HEAR 901 FESTIVAL

Industry majors enrolled in the Rudi

to today’s modern Indie, Ben Callicott

E. Scheidt School of Music’s Record

brought his versatile mix to the stage. His

Company Operations class. Students

easygoing, bluesy style can be compared

are responsible for every aspect of

to John Mayer and Jack Johnson, but with

the company’s operation, including

his own, Memphis-infused style that can’t

A&R, recording, production, marketing,

be copied. His close-knit band will give

artwork, manufacturing, distribution,

you the kind of mellow grooves that you’re

retail, press and radio promotion.

For more information about the Music Industry Program at the UofM, contact Jeff Cline at jwcline@memphis.edu or go to memphis.edu/music/ academics/musind.php.

looking for from a night at the Levitt Shell. ccfa.memphis.edu VOICES 25

IN THE COMMUNITY

Art Professor Paints Mural in Business Building

T

his fall, the Fogelman College

engagement, commissioned Nordbye

of artists (several of whom are UofM

of Business and Economics

to begin developing three artworks

students) created the first work, “The

unveiled a mural created

titled, “The Genealogy of Kindness,”

Accumulation of Droplets” last summer.

by University of Memphis

on the theme of sustainability.

Professor of Art Cedar Lorca Nordbye. This

The three mural-centered artworks

This work uses water as a theme to illustrate both the importance of caring

new and intense artwork combines a top

will showcase how key environmental

for our natural resources and to function

business school, dynamic visual art and

and social visionaries and pioneers of

as a metaphor for the ability of small

issues of environmental sustainability.

the business community have applied

unassuming things to add up to large

their creativity and compassion to the

powerful forces. The artwork features

artworks in three monumental stairwells

mission of keeping the ecology of the

imagery of local bodies of water, such as

of the Fogelman Buildings at the UofM.

earth and human communities healthy for

the Wolf River, The Mississippi River, the

Last spring, the Fogelman College’s Dean

centuries to come. Managed by Annette

Memphis Aquifer and Rush Creek.

Rajiv Grover, demonstrating innovative

Webb McNeil, administrative assistant

thinking and devotion to ethics and civic

to Dean Grover, Nordbye and a team

The unveiling is the first of three major

Professor Cedar Nordbye works in a stairwell of Fogelman College of Business and Economics during installation.

26 VOICES Spring 2016

David Couter performs in ‘The Physicists.’

32nd Annual Ostrander Awards

D

uring the 32nd Annual Ostrander Awards, the University of Memphis Department of Theatre &

Dance students, faculty and alumni were highly represented on the list of winners.

“The Physicists” led the way with eight wins.

OSTRANDER COLLEGE AWARD CATEGORY Best Production “The Physicists” UofM Direction Bob Hetherington, professor “The Physicists” Leading Actress in a Drama Sarah Brown, associate professor “The Physicists” Leading Actor in a Drama David Couter, student “The Physicists” Supporting Actress in a Drama Katie Sloan, student “The Physicists” Supporting Actor in a Drama James Kevin Cochran, student “The Physicists” Leading Actress in a Musical Audrey Smith (BFA ’15) “The Wedding Singer” Leading Actor in a Musical Sterling Church, student “The Wedding Singer”

Supporting Actress in a Musical Casey Greer, student “The Wedding Singer” Supporting Actor in a Musical Bradley Karel, student “The Wedding Singer” Music Direction Zach Williams, student “The Good Woman of Setzuan” McCoy Theatre at Rhodes College Choreography/Fight Choreography Jill Guyton Nee, director of Dance “The Wedding Singer” Set Design Brian Ruggaber, assistant professor of Scenic Design “The Physicists” Lighting James Vitale, (MFA ’15) “The Tragedy of Macbeth” Hair/Wig/Makeup Janice Benning Lacek, associate professor of Costume Design & Technology “The Wedding Singer” John McFadden, retired professor “The Physicists” Large Ensemble “The Good Woman of Setzuan” Directed by Leslie Barker (MFA ’09) McCoy Theater at Rhodes College Featured Role/Cameo Drake Bailey and Marlon Finnie, Theatre students “The Tragedy of Macbeth” UofM

Special Awards The Witch Ensemble “The Tragedy of Macbeth” UofM OSTRANDER COMMUNITY AWARD CATEGORY Supporting Actor in a Musical John M. Hemphill, undecided, and John Maness, Theatre student “Kiss Me, Kate” Playhouse on the Square Supporting Actress in a Drama Cecelia Wingate, studied at UofM “Distance” Voices of the South Best Original Script “Mountain View” Directed by Ken Zimmerman (MA ’71, BS ’68) POTS@TheWorks Best Production of an Original Script “Distance” (written by alum, directed by alum company) Voices of the South Special Award Ed Finney, Isaac Middleton, and McCheyne Post — Original Music & Musicians — “Mountain View” Directed by Ken Zimmerman (MA ’71, BS ’68) POTS@TheWorks

ccfa.memphis.edu VOICES 27

By Kitaen Jones (BA ‘15), CCFA intern

A

n intern with the College of

I’d never seen Shadyac before and

Shadyac altered my views on life

Communication and Fine Arts,

was oblivious to his extensive resume.

and he did it the best possible way

Jones gives a first person account

I’d never even heard of him except

– by simply showing a movie.

of one student’s experience in

for his work with “Bruce Almighty.”

The first movie we watched was

I was expecting a tall man in a

“Big.” It’s about a young boy wishing

Tom Shadyac’s Storytelling and Life Class in the Department of Communication.

suit, with an expensive haircut and an

to be an adult. When he wakes up

When the semester began, the room

uppity attitude. Shadyac is shorter than I

the next morning, he finds out that he

would be full of people. In many classes,

expected, has long wavy hair and always

now has an adult body, but is still the

attendance is something that wanes

wore a regular tee shirt and jeans. He

same 12-year-old boy. Over time, he

off and on throughout the duration of

was nice, approachable and interested in

realizes he made a mistake and he’d

the semester. In Tom Shadyac’s class,

learning—both his and ours. It seemed

much rather be a child again. Simple.

not only did everyone consistently

like he hugged more than 50 people

show, but they more often than not

before he even introduced himself, but

been living my life all wrong before this

were there early and stayed late.

when he did he said, “I’m Tom Shadyac,

movie. Instead of living in the present

and this class will change your life.”

and appreciating what I have right now,

Regardless of background, black, white, old, young, politically

I thought this claim was a bit

left or right, students flocked to

exaggerated, but he delivered on his

the class—Storytelling and Life.

claim. For three hours every Monday,

28 VOICES Spring 2016

What did this movie teach me? I had

I would be thinking about the intangible and unforeseen things in my future.

Shadyac made me realize that I

was wrong. He then goes on a journey

to determine what holds them back

was programmed.

discovering new meanings of life and

from stepping outside of their comfort

the beauty it has to offer. When the

zones, to documentaries as heartbreaking

Programmed to work more hours which

prisoner returns to the cave to enlighten

as “King: A Filmed Record,” after

leads to less time with loved ones.

the others, they do not believe him.

which we were encouraged through

Programmed to go to college.

He compared us programmed

Like the prisoners, students often

introspection to determine if we were

students to Plato’s Allegory of the Cave.

believe the only real perspective is the

fulfilling Martin Luther King’s dream

In this allegory, three prisoners have

one passed down from their parents

or conclude he had died in vain.

been in a cave since they were born

and teachers. They often remain in their

and have never seen the outside. These

comfort zone by only communicating with

about love. Not just love for myself,

prisoners can only look at what’s in front

people that look like them, practice the

but love for my peers and the city of

of them and not in any other direction.

same religion, or have similar upbringings.

Memphis. Shadyac gave me hope and

Every day, people and animals walk in

On the first day, I learned that I

front of the cave and a shadow is cast

was programmed, but I also learned

in front of the prisoners. The prisoners

that I have the power to change it.

believe these shadows are reality.

One day, a prisoner escapes and learns his previous perspective of reality

Overall, this class taught me

renewed my self-pride. My life has definitely been changed forever.

As the semester progressed, we watched movies as humorous as “Roxanne,” which encouraged everyone ccfa.memphis.edu VOICES 29

NEWS & NOTES FACULTY Department of Art Chair Richard Lou’s essay on the Border Door was published in “Born of Resistance: Cara a Cara Encounters with Chicana/o Visual Culture,” a collection of essays from about 13 artists that “best” exemplifies strategies of resistance. Richard was one of two artists selected to write about the Border Door.

ARCHITECTURE The Department of Architecture created a partnership with the Department of City & Regional Planning called the University of Memphis Design Collaborative. It is an outreach arm of the University, focused on critical community challenges in urban design and community development. In December, they held a Workforce to Work Transportation Summit to discuss mobility in Memphis and what it could become in the future.

ALUMNI Colby Mitchell’s (BFA ’11, MA ’13) article “Psyche of Click: Pen + Mouse” was featured in the October issue of Indian Architect and Builder Magazine.

It was printed in the 29th anniversary issue themed “Power of the Hand.” Indian Architect and Builder is one of the oldest architecture and design magazines in India.

ART Animation Career Review ranked the Graphic Design program #8 on its list of top 10 graphic design schools in the South and #24 on the list of top 25 public graphic design schools in the nation.

Animation Career Review is the source for aspiring animation, design and gaming professionals seeking information on training programs, schools and colleges.

30 VOICES Spring 2016

Bryna Bobick, professor in Art Education, presented a paper at 2015 Southeastern Conference for Public Administrators. The paper focused on policy, planning and program evaluation for a museum education program.

ALUMNI Lawrence Matthews III (BFA ’14) had a show at the Crosstown Arts Gallery last fall. “In a Violent Way,” was a multimedia installation that incorporated a wide array of visual and audio elements. Lawrence’s “The Marketing of Perception” was on display at The Martha and Robert Fogelman Galleries of Contemporary Art last spring.

He was featured in The New Southern’s artist spotlight series in August 2015. The New Southern is Memphis’ independently owned, online only magazine.

Julie Caswell (BFA ’76) and her sister Jan were featured artists in Arkansas’ Fairfield Bay News in November. Julie taught Art for K–12 and finished her career as a K–12 guidance counselor in various Memphis area schools.

LaHenrya Boyd (BFA ‘07), Leigh Ann Dye (BFA ‘79) and Zoe Vu (BFA ‘15) joined the UofM staff as graphic designers in the Marketing and Communication Department.

Brit McDaniel (BFA ’13) was runner-up in Garden & Gun magazine’s “Made in the South Awards” for Paper & Clay, her ceramics business. She was one of 30 people chosen from 5,000 applicants for Etsy Wholesale Open call, which highlights the best of the e-commerce website’s sellers.

COMMUNICATION STUDENTS The Michael Osborn Speech Competition was held this fall. Winners were: Rachel Moore, first place; Meredith Adams, second place and Alisha Milam, third place. The three finalists were chosen

by Patrick Dillon, professor, and Bill Schraufnagel, graduate assistant.

Film & Video senior Kevin Brooks was chosen for the Ignite Fellows Program at the Sundance Film Festival. As a fellow, he went to the five-day festival, where he attended screenings and had exclusive access to experienced filmmakers discussing their creative processes. It was the beginning of a year-long mentorship in which each fellow is assigned a Sundance alum to provide feedback on fellows’ scripts and productions and guidance on their careers.

JOURNALISM ALUMNI David Goodman (MA ’13) accepted a teaching job at the University of Alabama in Huntsville.

STUDENTS Jonathan Capriel, editor of The Daily Helmsman, received the Betty Gage Holland Award for excellence in college journalism, a national reporting award given by the University of Georgia. James M. Cox Jr., Georgia’s Institute for Journalism Innovation, Management and Leadership, and the Student Press Law Center honored him during a meeting of the Management Seminar for College News Editors. The Holland Award recognizes campus journalists and their publications for distinguished service to honor and protect the integrity of public dialogue on America’s college campuses. Jonathan and The Daily Helmsman each received a $1,000 check.

Aromi Park (Artist Diploma in Music ’14) joined the Santa Rosa Symphony in California. He is first violin and one of three new positions added to the symphony. He joined the Department of Music at the University of Arkansas as assistant professor.

Helmsman Managing Editor Patrick Lantrip interned at the Commercial Appeal. He published 50 articles during his ten weeks with the publication.

Meeman 901 Strategies, a studentrun public relations firm, worked with a variety of clients last year including Baptist Memorial Health Care, Methodist Le Bonheur Healthcare, Saint Francis Hospital, International Paper, Chucalissa Museum and the Crews Center for Entrepreneurship.

THEATRE & DANCE ALUMNI

FACULTY Online Journalism Professor Darrin Devault participated in a panel presentation at the PRSA Educators Academy Super Saturday program during the Public Relations Society of America’s 2015 International Conference in Atlanta this past fall. The presentation was titled “Successfully Mediating Our Way Across the Online Classroom—One Keystroke at a Time: Sharing Best Practices for Public Relations Education.” Darrin shared best practices for online academic advising.

Helen and Jabie Hardin Chair of Economics Managerial Journalism Otis Sanford received the Pearl BBG’s 2015 Daniel Pearl Legacy Award during the Harmon for Humanity Concert this fall. The award is in honor of the life and legacy of Daniel Pearl, The Wall Street Journal reporter, musician and humanist who was brutally murdered by terrorists in 2002. Otis was chosen for the award because of his career as a journalist, teacher, TV commentator and columnist.

If you have an alumni news item or update that you would like to see featured in this section of Voices, please send it to the Executive Editor, Kimberly Rogers at krogers@memphis.edu.

MUSIC FACULTY Jeff Cline, associate professor in Music Industry, celebrated the album release of “Asumani: New Chamber Works by Kamran Ince.” As recording engineer Mr. Cline had the pleasure of collaborating with Ince, and artists including LA Opera Mezzo Soprano Peabody Southwell and the PRIZM Ensemble. The album was released on the Albany Records label.

Lily Afshar, professor of Guitar, was featured in an interview with Soundboard Magazine, the official quarterly magazine of the Guitar Foundation of America. The Q&A-formatted article shared information about her life and career.

ALUMNI Jeffery Murdock (PhD ’15), former adjunct professor of Music, conducted the Millington Chorale at Carnegie Hall and has had performances with Memphis Symphony Orchestra. Murdock has a bachelor’s degree in music education, a master of music in choral conducting and a doctorate in music education. Murdock has since joined the faculty as assistant professor in the Department of Music at the University of Arkansas.

Jerre Dye’s (BFA ’93) “Short Stories,” a collection of small pieces, was performed on stage at TheatreSouth in Memphis.

A member of Voices of the South, Jerre wrote and directed the show that explored an array of themes including southern identity, family, faith and the mystery of human connection. The show also featured other UofM connections in Alice Berry (BFA ’94, MFA ’12);David Couter, senior Theatre student; Anne Marie Caskey (MFA ’90); Jenna Newman, junior Theatre student; Landon Ricker, sophomore Theatre student and Steve Swift (BFA ’94).

Daniel Mueller (MFA ’11) was associate projection designer for Darrel Maloney for “Allegiance” on Broadway. The production starred Lea Salonga and George Takei and was based on Takei’s experience in the Japanese internment camps in America during World War II. This was his first Broadway associate credit allowing him to earn a United Scenic Artists union membership as a projection designer.

Also, he was hired for his first associate scenic design position on Broadway for “Hughie,” an upcoming production starring Forest Whitaker in his Broadway debut at the Booth Theatre. This will allow him to add scenic design to his union credentials.

Rachel Knox (BFA ’11) was named to the Memphis Flyer’s 2016 Top 20 Under 30 list.

ccfa.memphis.edu VOICES 31

IN MEMORIAM W. Andrew Macbeth Clarkson Andrew Clarkson passed away December 2015 at the age of 78. Born in Scotland, he served in the British Army and graduated from Oxford University in 1960. In 1966, he earned an MBA in Finance from Harvard Business School. He was very active with many Memphis not-for-profits including ArtsMemphis, Playhouse on the Square, Theatre Memphis, Brooks Museum, Hattiloo Theatre and TheatreWorks and received Memphis’ Outstanding Philanthropist Award in 2004. In 1992, Andrew founded The Jeniam Foundation, named for his children, and remained lead trustee until his death. In gratitude for his many years of support, the UofM is dedicating a theatre seat to Andrew, who will always have a seat in our house.

Andrew Clarkson of the Jeniam

and to share with the community. He was

design capabilities that are becoming

Foundation had a personal philosophy

the best kind of supporter—a true partner

essential to theatre design.

of “Learn, Earn and Return”. This was

invested in the success of the organization.

exemplified in his dedication to the arts

Andrew Clarkson was fascinated

Although he will be deeply missed, Andrew Clarkson’s vision, commitment

in Memphis. Although Memphis was

by the technical aspect of theatre. His

and personal investment in the Theatre

not his home for very long, Andrew saw

investments in our strong Design/

& Dance Department and the Memphis

great potential in the arts community

Technical program have led to significant

community will continue to have

and dedicated himself to helping that

growth in the sophistication of our

enormous impact. Our students go out

vision become a reality. The Memphis

facilities. One prime example is the state-

into the world as better theatre artists

Theatre scene is rich and diverse due in

of-the-art Jeniam Theatre & Dance Design

because of him. They will make good

large part to his financial support and his

Lab which gives students and faculty

theatre and in turn inspire others to do the

hands-on mentorship. Andrew Clarkson

access to the most up-to-date programs

same. His legacy lives on.

was not a remote philanthropist. He took

and processes in the ever-changing world

a deep interest in the Theatre & Dance

of technical theatre. Thanks to Andrew’s

Department and challenged us to push

generosity, we are right now in the process

further, do excellent and sustainable work

of developing multi-media and video

Susan Fulmer Austin, 82, passed away August 2015. She was a friend to the College of Communication and Fine Arts.

She was a consummate artist and had a flair and energy for every kind of art. She had a thirst for knowledge and was a voracious reader of art, architecture, history and science, auditing many classes at the UofM.

accomplished saxophonist and composer who released four original CDs and wrote a widely used instructional book called “Intermediate Jazz Improvisation.”

Bonnie Beaver (former professor) passed away October 2015. A very dedicated teacher, she was on the faculty of the Department of Art for 35 years.

George Bouchard (MMU ’71), 71, passed away August 2015. He was a jazz musician and long-time music professor at Nassau Community College. He was an 32 VOICES Spring 2016

Ann Lindsey Burgess, 83, passed away July 2015. She retired from the University of Memphis after 35 years of faithful service, where she was honored for her work with students for whom she provided vocational placement and guidance.

Dr. Fred W. Dauser (BS ’58), 79, passed away July 2015. He retired as professor of Social Work at Alabama State University in 2003. During his time at ASU, he served as professor of Social Work and Interim Dean, School of Graduate Studies.

Thank you Andrew Clarkson.

Holly Lau Chair, Department of Theatre and Dance

He also worked for the State of Alabama as health administrator for Talladega, Clay and Coosa Counties. He worked with Tuscaloosa County Sheriff’s Department as a mental health consultant.

Terry Higgins (BS ’68), 69, passed away August 2015. He was in the United States Air Force ROTC in college, where he was commissioned 2nd Lieutenant upon graduating with a degree in Journalism. His military career spanned 20 years, during which he was stationed at Malmstrom Air Force Base in Montana and Minot Air Force Base in North Dakota.

Viola Elizabeth Johnson (BA ’83), 55, passed away October 2015.

The long relationship between the

theatres will she design for?” or totally

Theatre & Dance Department with The

equipping a computer design lab for the

Jeniam Foundation (Andrew Clarkson and

Theatre & Dance Department. “How will

Charlotte King) changed the profile of

this help others?”

what we could accomplish at UofM, and

If you have never been on the

grew into a treasured friendship for me

receiving end of this pointed question and

personally. Andrew’s passing last month is

think you are now off the hook—I warn

a loss that will be felt in every corner of the

you that one day when you hope to be

arts in Memphis.

meeting St. Peter at the gates of Heaven

I always looked forward to any meeting

and encounter instead Andrew Clarkson

with Andrew Clarkson but could never

aggressively guarding them — get ready for

get past the feeling that it was like being

his “How will letting you into Heaven help

called into the principal’s office. I never got

anyone else?” You had better have a great

over that impression no matter how often

answer or you should just walk away!

we met, nor how gracious he was with

It is impossible to imagine what

me. He was a tough questioner, and as

the arts in Memphis would look like

anyone who was a recipient of the Jeniam

without Andrew Clarkson and the Jeniam

Foundation’s generosity well knows. Many

Foundation. Thanks to his generosity

of us have our own memories of those

we do not have to. It is a legacy that will

comprehensive exams. For me it was

survive for generations. Few of us will

always centered around “how will I help

ever have his resources, but we can all

other arts organizations in Memphis by

take away from him a challenge to do

helping you?” This was true before he

something that will make the arts better for

purchased any piece of equipment for the

others in Memphis. Do something today

University of Memphis —“How will others

the future will thank you for.

be able to share it?”— or funding a lighting

Thank you, Andrew.

design graduate student “What other

Bob Hetherington Professor, Department of Theatre and Dance

If you would like to give in honor of an alum, student or faculty member, please call 901.678.3953 or go to memphis.edu/give

George Robert King III, 82, passed away July 2015. He studied music and theory at Memphis State University and was a member of Lambda Chi Alpha fraternity. Teaching piano, classical and folk guitar and working with and writing music for children were his greatest loves. There are many Memphians who probably remember learning to sing his best-known composition, “Be a Good Habit Rabbit.” He also wrote ads for political campaigns and television, including Double Mint chewing gum and the University of Memphis. George also enjoyed participating in musical performances and theatre productions.

Raymond Eugene Knapp (BS ’66), 71, passed away January 2016. He received a four-year music scholarship to attend Memphis State University, where he played saxophone in the marching band.

It was in the band his freshman year that he met his wife, Ann Teague, who agreed to go on a date with him after six months of asking. Toward the completion of his bachelor’s degree in Music, he realized that he might not be able to help support his family as a saxophone player, so he concentrated on Music Education. He completed a master’s degree in Education at MSU then became a junior high and high school band director for several years. continued on page 34 ccfa.memphis.edu VOICES 33

IN MEMORIAM

Professor Ronald “Ron” Edward Spielberger Journalism Associate Professor Ron Spielberger (74) passed away December 2015. A staple of the Department of Journalism, he will be greatly missed by students, staff and faculty. The family of Ron Spielberger wishes to establish the Professor Ron Spielberger Memorial Journalism Scholarship. To donate, go to memphis.edu/give and designate the gift to the Professor Ron Spielberger Memorial Journalism Scholarship Fund..

IN LOVING MEMORY OF RON SPIELBERGER It was the start of Spring semester 1980. I had been summoned back to Memphis after two and a half years of “finding myself” at a couple of different schools. I mostly found myself with bad grades, bad mistakes and a bad attitude. Dad said I had to come home and get a job. He had taken the liberty of enrolling me at Memphis State. (I guess he was tired of footing the bills with no measurable return on his investment in me and not completely on board with this whole “a different school for each semester thing”).

So there I was. At Memphis State. Wandering around the Meeman Journalism Building. Looking for a Ron Spielberger, who they had assigned as my “Advisor” (I considered him my “Adult Supervision”). I found him on the 2nd floor, in a messy office full of magazines and newspapers and college catalogs.

My first impression was…hey, he’s not that old. He seems likable enough. And he’s smart. And he knows his way around this place. He might actually help me out here.

You see, I was not that happy about being there. And I was carrying around a giant chip on my shoulder about being called back home. Why am I here? What am I going to do at Memphis State? Can I get this whole college thing back on track?

Ron saw all that. He heard me out. He quickly assessed what I was all about. And then he did the most remarkable thing.

He gave me great counsel.

Told me to just ease in and take it one day at a time. He quickly assessed that I was cocky and impatient and a little too sure of myself. (And in no real position to be any of those things). But he still agreed to help me. (I may have been his favorite charity case).

He was everything that I was not. He was very comfortable in his own skin. He was wise beyond his years. He was kind. He was genuine. And most importantly to me at that point in time…he was patient with me.

He plotted out all of my classes. He told me what to read and

continued from page 33

Kathryn Lloyd (MFA ’88), 63, passed away October 2015. She was an enthusiastic and dedicated artist who expressed her talent primarily in sculpture, pottery and, in later years, glass.

Susan Elaine McDonald (BA ’84), 54, passed away August 2015. After graduating from Memphis State University, she went to work for WREG-TV as a camera operator. While there, she started volunteer work for the Muscular Dystrophy Association and would always work the MDA Telethons over Labor Day weekend.

In 1988, she moved to New York City and worked as a camera operator for CBS. She was behind the camera for CBS’s 60 34 VOICES Spring 2016

Minutes through the early 90s. She also performed camera duties for ESPN, MTV and Madison Square Garden filming the New York Knicks.

Carma Rose Porter Potter (BFA ’84), 67, passed away November 2015. A native Memphian, she was a retired interior designer of Design Elements.

Mary Louise Oakley Merrill (MA ’55), 86, passed away August 2015. She received her bachelor’s degree from Blue Mountain College in Blue Mountain, Mississippi, before going on to get her master’s from what was then Memphis State College.

Judith Beavers Potter (BFA ’67), 71, passed away November 2015. A native of Gulfport, Louisiana., she served in the Peace Corps in Tongo, South Pacific and has been an artist, teacher and student throughout her life. Most recently she studied and practiced herbal medicine and Asian healing arts.

Darrell Keith Perkins (BA ’96), 51, died August 2015. He was a proud member of Omega Psi Phi— Chapter Magnificent Xi Zeta.

Mary Jane Bullock Price (BS ’63), 98, passed away January 2016. She retired from the Memphis City Schools as an art teacher after 26 years of service.

Ron Spielberger has been a guiding force in advertising education for nearly 50 years, in which he has served the University of Memphis and the community with grace, passion and wit. Ron touched the lives of generations of advertising professionals here in Memphis and beyond. A national leader in college media, Ron served for nearly 30 years as executive director of College Media Advisers. We will miss his insightful teaching, his institutional memory and his kind presence in the Department of Journalism.

Dr. David Arant Chair, Department of Journalism

what to focus on. He showed me around and introduced me to other professors and students. He put me to work selling ads for The Helmsman.

And somehow it all worked out. I graduated in 1983 with a BFA degree in Advertising. I got an Internship with The Commercial Appeal that turned in to a career. I became the youngest President ever at AAF Memphis. They even brought me back later and gave me the Charles E. Thornton Distinguished Alumni Award. And all along the way I kept in touch with Ron. I saw him at the AAF Meetings and around school when I would come back and speak at Career Days.

And every time I saw him, he had a big smile, and seemed genuinely interested in what I was working on. He wanted to know what was going on in my world.

And while I don’t claim to know everything — I do know one truth that I’ve figured out over the years…I believe that someone’s

Dr. Leon Richard (DMA ’84), 61, passed away June 2015. Leon was a longtime professor of Music at Kentucky State University. He led KSU’s awardwinning Gospel Ensemble for many years.

Under his leadership, the group performed before numerous audiences, including at Kentucky gubernatorial inaugurations and legislative events.

Margaret Ann “Meg” Seigenthaler (MA ’01), 44, passed away December 2015. Following her work at WHBQ-TV, Memphis, she devoted her wit, wisdom and love for children to art education as an innovative teacher for all grades, kindergarten through grade 5, at Cromwell Elementary School in Memphis.

true character comes through when they deal with someone at their most vulnerable. It occurs to me that Ron probably never fully realized what a hand he had in my development and maturation.

And I just realized that I never thanked Ron enough for the impact he had in my life. For getting me back on track when I was vulnerable and unsure and unsteady and unstable.

For seeing the potential in me that I couldn’t even see myself.

I guess it’s really true what they say, a teacher never realizes the impact they have on their students.

Ron was so much more than a professor, or an advisor, or a trusted resource. He made a major impact on my personal and professional life, and for that I am grateful and thankful, and I am really sad to lose him.

Steve Pacheco (BA ’83) Director of Advertising & Sponsorship FedEx Services Marketing

Winifred R. Skaare (BS ’64), 72, passed away July 2015. Her greatest joys in life were her children, grandchildren and great-grandchildren. She tirelessly supported her husband Jerry’s Navy career, which eventually landed them in Oak Harbor, Washington, for 18 years.

Mary Hall Uhlmann (BA ’71), 65, passed away August 2015. She began her long career in journalism and public relations by editing trade magazines, then switched to the financial services industry, where she worked for two Memphis banks and a Nashville securities brokerage.

Mimi was a 1989 graduate of Leadership Memphis and served on the boards of the

Mid-South Food Bank; Catholic Charities of West Tennessee; Girls, Inc.; Birthright of Memphis; the Shelby Farms Advisory panel and the University of Memphis Journalism Alumni Association.

Dr. Katie Whitlock (MFA ’96), 45, passed away December 2015. Dr. Katie Whitlock was a deeply loved mentor and professor at California State University in Chico, California.

ccfa.memphis.edu VOICES 35

UPCOMING EVENTS

do it

William R. Eubanks, far right

AMUM

ARCHITECTURE

The Art Museum of the University of Memphis is located off the lobby of the Communication and Fine Arts Building.

Hours are Monday through Saturday, 9 a.m. to 5 p.m. except University holidays and between temporary exhibits. Admission is free. Visit amum. memphis.edu for more information or call 901.678.2224.

William R. Eubanks Distinguished Lecture Series

do it

Professor Deborah Schneiderman is a registered architect and the principal and founder of deSc: architecture/design/ research, a Brooklyn-based research practice. Schneiderman’s scholarship and teaching explore the emerging fabricated interior environment and its materiality.

Reception: Friday April 8, 2016 4:30–7:30 p.m.

Exhibit Open: April 9–May 7, 2016 do it is an exhibition conceived and curated by Hans Ulrich Obrist, and organized by Independent Curators International (ICI), New York. do it and the accompanying publication, do it: the compendium, were made possible, in part, by grants from the Elizabeth Firestone Graham Foundation, the Robert Sterling Clark Foundation, and with the generous support from Project Perpetual and ICI’s International Forum and Board of Trustees.

36 VOICES Spring 2016

Featuring: Deborah Schneiderman, professor of Interior Design at Pratt Institute April 7, 2016 at 6 p.m.

Reception and exhibition of student work to follow lecture 123 Fogelman Executive Center

Dean Ranta in the Fogelman Gallery

THE MARTHA AND ROBERT FOGELMAN GALLERIES OF CONTEMPORARY ART Open regular UofM business hours in rooms 230 and 240 of the Art and Communication Building, 3715 Central Ave., across from the Holiday Inn. For more information, go to memphis. edu/art/about/fogelmangalleries. php or call the Department of Art at 901.678.2216. Find us on Facebook at /fogelmancontemporary.

MFA Exhibition Galleries A & B April 11–29, 2016 Opening Reception: Friday, April 15 from 5–8 p.m.

BFA Graphic Design Gallery A May 5, 2016 (One-day show) Opening Reception: Thursday, May 5 from 5–8 p.m.

RUDI E. SCHEIDT SCHOOL OF MUSIC All concerts are at Harris Concert Hall and admission is free unless otherwise noted. Visit memphis.edu/music for a complete list of performances. Call 901.648.2541 for more information.

Sound Fuzion April 7, 2016 at 7:30 p.m. $15 General Admission; $10 Seniors; free to Students, Faculty and Staff with ID Get ready to roll at another performance by the exciting pop/rock band.

New Sounds April 8, 2016 at 7:30 p.m.

Hear 901 Festival New Daisy Theatre 330 Beale Street Sunday, April 17, 2016 Doors open at 7 p.m.

Show at 8 p.m.

Tickets: $5 in advance; $7 at the door; $15 VIP Hear 901, Blue TOM Records spring festival, will spotlight the amazing talents of music from various acts based in Memphis.

UofM Opera – The Merry Wives of Windsor

Works by student composers.

April 21, 2016 at 7:30 p.m.

April 23, 2016 at 3 p.m.

North Texas Euphonium Quartet

$20 General Admission; $15 Seniors; free to Students, Faculty and Staff with ID

April 11, 2016 at 7 p.m.

University Center Theatre Since its formation in 2012, the North Texas Euphonium Quartet has emerged as the leader among a formidable new crop of euphonium quartets from all across the globe. It is the only quartet whose members have all been finalists in the world renowned Leonard Falcone International Euphonium Competition.

UofM Wind Ensemble and Tiger Youth Wind Ensemble April 17, 2016 at 3 p.m.

Michael D. Rose Theatre The UofM Wind Ensemble performs alone and alongside the Tiger Youth Wind Ensemble.

“The Merry Wives of Windsor” by Otto Nicolai (Sung in German with dialogue in English) For the corpulent nobleman, Sir John Falstaff, the inn in the small English town of Windsor is the best of all places.

Here he can indulge in excessive dining and intemperate drinking, as well as swagger and boast about his adventures, particularly those of an amorous nature.

Southern Comfort Jazz Orchestra April 26, 2016 at 7:30 p.m. $15 General Admission; $10 Seniors; free to Students, Faculty and Staff with ID Hear the big band sound of the University’s top jazz ensemble.

THEATRE & DANCE Productions are held Mainstage in the Theatre Building, 3745 Central Ave., unless otherwise noted. Purchase tickets at the Box Office. For ticket information, call 901.678.2576.

Momentum Dance Concert April 8 and 9, 2016 at 7:30 p.m.

April 10, 2016 at 2 p.m.

Michael D. Rose Theatre

A Flea In Her Ear

By Georges Feydeau Adapted by David Ives April 14–16; 21–23, 2016 Mainstage Theatre Directed by Meredith Melville One of the greatest of French farces, perhaps the greatest farce ever written —“A Flea In Her Ear” hilariously stumbles upon cases of mis-identity, which lead to sexual tromps, drunken bellboys, and a gun wielding Spaniard; all centered around The Frisky Puss Hotel. Come see what it takes to watch the Chandebise’s unravel and re-piece together this ridiculous and fun plot! Winner for best adaptation, “Ives’ adaptation maintains the original’s dazzling plot while communicating Feydeau’s playful use of language to an American audience.”

For an updated list of CCFA related events, go to memphis.edu/ccfa

ccfa.memphis.edu VOICES 37

232 CFA Building Memphis, Tennessee 38152

Non-Profit Org. U.S. Postage

PAID

Memphis, TN Permit No. 207

#8

on the list of top 10 graphic design schools in the South

MEMPHIS GRAPHIC DESIGN

#24

on the list of top 25 public schools in the nation

CONGRATULATIONS TO THE GRAPHIC DESIGN PROGRAM IN THE DEPARTMENT OF ART FOR ITS DESIGNATION AS A TOP GRAPHIC DESIGN SCHOOL

BY ANIMATION CAREER REVIEW.

Animation Career Review is the source for aspiring animation, design and gaming professionals seeking information on training programs, schools and colleges. — animationcareerreview.com

art@memphis.edu memphis.edu/art