Atelier No_05

A TELIER An Autumn Mood

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Embrace the change Embrace Autumn!

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he change and transformation which fills the air as the leaves change colours and fall to the ground are the first signs that the autumn season is back. The red and orange foliage is there to remind us that change can be scary but it is also a beautiful thing.

Autumn represents a time for transformations both personal and environmental. The temperatures drop, leaves fall and our wardrobes are dominated by clothing that will keep us warm. It is the favourite season for those that love cooler weather, boots and Halloween. A season drenched in tradition, autumn is the perfect time to reflect and embrace change. We leave the summer heat behind and the blooming flowers are replaced by crisp leaves.

The meaning of Autumn is different to everyone. Some find a spiritual connection with the season while others get nostalgic over the memories. For others, it is the season that allows them to be whoever they want to be and eat whatever they want. Autumn is almost the perfect season because it has everything we want and need to end happily and begin again.

This Atelier Autumn Issue seeks to look at this amazing season through the eyes of leading local and foreign personalities who share with us how autumn effects their moods, their creativity, their personality and their habits.

Editor: Omar Vella - atelier@unionprint.com.mt Proof Reading:

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Design & Architecture 14 24

Pippa Toledo Marcel Wanders

Society 40 46

The Travellers Victor Borg

Fashion 70 76 82 90 96

Krystle Penza Andrea Buccellati Stéphanie Sivrière Carla Grima Josef Gauci

Beauty 108 114

Sue Rossi Natasha Polidano

Photography 122 128

Darren Agius Rebekah Kamsky

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Bernard Polidano

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If a building becomes architecture, then it is art.

Arne Jacobsen 12

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DESIGN

ARCHITECTURE

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credit: Darren Agius

The Creative Element Interview with Pippa Toledo

by Claudio Coleiro

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B

old, smart, sophisticated, different, colourful and packed with ideas that seek to constantly think out of the box or without the box. That would be a fair way to describe Pippa Toledo. Her work is a statement which makes every project she is entrusted with stand out of the crowd. It is by no coincidence that Pippa is considered by many critics as one of the best talents Malta has ever produced in the design industry. Pippa shared with Atelier what attracted her to interior design, her philosophy and her plans for the future. credit: Majda Toumi

credit: Brian Grech

What attracted you to the world of interior design?

I’ve been working in the interior design industry for the past thirty-five years and have learnt that interior design is a natural instinct which you are born with.

You will not learn to love or grow an interest in interior design. It is in you from the onset. Indeed, when I look back to how it all started, I do realise that my interest for interior design developed from a very tender age in a furniture manufacturing company in which my father was a shareholder. It was there where the idea of delving into the world of interior design crossed my mind and gradually developed into my career path. I always considered myself a rule breaker and never felt I could fit into strait jackets. I always saw interior design as a way to think out of the box and an opportunity to turn the conventional into unconventional. Classrooms were never a source of motivation to me. It was there, in the world of interior design where I felt at ease and happy to experiment with different concepts. However, I must say that my time at the Sacred Heart School served as a perfect launchpad for my talent. Focus was primarily given on the skills of a student. They really offered me the opportunity to develop into the person I am today.

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credit: Alan Carville

What does interior design mean to you?

I strongly believe that interior design is all about creativity. Indeed, it is that sense of creating which constantly makes me fall in love with the profession.

It stimulates my mind, it triggers my creativity and it brings out my very own character in any project I work on. I consider myself to be very lucky to work in such an amazing industry. It gives you the opportunity to create beautiful things irrespective of whether it is a bare corner in a home or a more elaborate project. The profession is so rewarding especially when you see that smile on a client's face.

It gives you that feeling you have made a difference in the life of others.

You've created quite the career for yourself. I imagine you've "developed" your own personal philosophy...

My style is a conglomeration of different styles which I came across during my years in the industry. This has offered me the opportunity to develop a very eclectic approach which varies according to the project in question.

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Albert Hadley once noted: “The essence of interior design will always be about people and how they live. Its about the realities of what makes for an attractive, civilized, meaningful environment, not about fashion or what’s in or what’s out. This is not an easy job.” To what extent do you agree?

I fully agree! You are creating a concept around people. The plumbing, the furniture, the cushions and other accessories are all in line with the character, the moods and the requirements of the people who will live in that specific environment.

If the design and the people are not in sync then interior design is not fulfilling its role.

How do you combine beauty and function?

It is all about good planning. Priority to any house or the project you are working on should be given to functionality. Beauty comes in at the end. They both go hand in hand yet you have to be clever enough to find the correct balance.

A TELIER What inspires you?

I am inspired by many things. My muse can be exalted by a work of art, a fabric, or the people that surround me. I am also inspired by the challenge of turning something that is not so beautiful turn into beautiful which could be a simple cushion, or a room or something more complex such as a home.

Tell us about your jewellery collections.

My interest in jewellery developed at a very young age. I used to create pieces for myself and for my friends. However, the idea of creating jewellery collections for commercial purposes developed fifteen years ago. The idea was well received by the market and today, I continue to create pieces with my daughter, Ninnia. We both have our own ideas yet together we create such an interesting mix which is visible in the collections we create.

I consider myself to be very lucky to work in such an amazing industry.

Pippa Toledo credit: Brian Grech

What do you see for the future of design?

I am a strong believer in the need to avoid the "copy and paste" approach. A house, a home or any empty space should have that clear unique imprint which makes it stand out of the crowd.

I believe this principle was, is and will remain a fundamental principle in interior design. From a local perspective, I feel the presence of antique furniture in any home is there to stay and should not be effected by time. As Charlotte Moss once noted, "There are two things that make a room timeless: a sense of history and a piece of the future." Indeed it is. We are blessed with some beautiful Maltese pieces of furniture which give that touch of class to any home.

In what way does autumn inspire your creative mood?

We are quite unfazed by the change in seasons as our studio is busy all year round. However, experience has taught us that autumn is that time during which the interior design industry comes back to life after the hot summer season. Indeed, during the autumn season, our studio is a meeting point between the numerous interior design requests and ideas which seek to offer every project something innovative and different.

What's next for Pippa Toledo?

We’ve just opened our kiosk which is a showcase and retail point for our jewellery at Tigné Point which I consider to be quite an achievement. It’s another step forward towards our goal to open other similar concepts in Malta and possibly abroad. I am also currently working on a private prestigious residence overseas which is such a great experience.

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A TELIER

MAGIC

LANTERNS

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he nights are drawing in and temperatures are dipping as we bid farewell to another hot summer. As the cooler months return, our habits change and we tend to spend more time indoors with family and friends. It’s a time to get cosy and create that feeling of warmth… something found in a wide range of stylish candlelit handmade lanterns made here by Mdina Glass. We spoke to Olivia Said, Head of Product Design and Production at Mdina Glass to find out more.

What was the inspiration behind your lanterns?

Personally, I have always enjoyed the light from candlelit lanterns (even though our lanterns also work well with LED fairy lights, too). I wanted to create our own lanterns and I wanted to mix materials, in this case, glass, metal and leather, to create a distinct product.

Was that a tricky process?

There was a period of development to find the right components that worked together, how to achieve the desired effects of the glass bellowing through the metal and finding the right blend and patterning of the colours. I wanted the glow and the reflections to provide a magical feel, which is the main thing I’ve always been drawn to with lanterns.

There’s often a lot of trial and error involved in what we do because we try to push ourselves and innovate. Glass can be a difficult medium to predict.

It has a life of its own. We have a lot of experience to draw upon though and it’s a challenge I enjoy.

How were the lanterns received on the market?

I was delighted with the response. They were

Olivia Said,

Head of Product Design and Production

very popular right from the start with the local market, tourists and overseas through our online shop. They have proved popular as gifts, as well.

With Christmas on the way we make sure we produce extra quantities.

I noticed various styles are now being produced.

Yes, the success of the original ‘straight metal’ design did very well and it prompted us to look at other designs to offer a greater choice. We introduced a ‘lattice’ metal cage collection, a round version with a metal collar and we introduced new colour combinations.

I have been at events and seen your lanterns. Is that something you still do?

Absolutely. We have created displays with them at events like Notte Bianca and Birgu Fest. We also rent them out for wedding receptions and other events. I must admit they look impressive when displayed in their numbers and can really fill a place.

You can see the lanterns at Mdina Glass outlets or online at mdinaglass.com.mt

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A touch

of class Rosselli AX Privilege

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A TELIER

Credits: Brian Grech

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LEKTRA LTD along with Forward

Architects had the opportunity to work on the prestigious Rosselli AX Privilege – a unique 5-star luxury hotel in the heart of Valletta.

A unique gem in the historic Baroque city from the by-gone days of the 17th century. The Casa Rosselli-Massa was lately revamped into a serene, designer, exclusive and indulgent hotel.

Elektra Ltd together with the distinguished Forward Architects were entrusted with the careful lighting selection. The sensational project was supplied with architectural and designer lighting as well as an automation system by i-Light. This brought the palazzo Casa Rosselli-Massa back to life with a whole new beating heart.

The lights from Elektra’s extensive Brand Portfolio revamped the entire palazzo to match with its timeless elegance and uniqueness. FLOS was carefully selected to inspire and enchant those who walk through the hotel Lounge Area. Looking up towards the skylight the String of Lights by FLOS will transport you on a journey of sweet twinkle.

The soft furnishings are brought to life by the magnificent diffused light by IC Lights floor lamps.

The brass finished lamps give that extra touch to the marble mosaic flooring and velvet textures. IC Light wall lights are featured on three different levels to maintain that look and feel of elegant touch throughout.

The luxurious restored historical suites blend between traditional and contemporary. Kelvin Edge Wall Support by Flos was selected as it is an adjustable table lamp providing direct light.

Kelvin worked very well as a bedside lamp as the optical switch sensor placed on the head provides a 3-step dimming function and colour temperature adjustment. All this detail gives the suites at Rosselli a touch of class.

On the other hand, Button by Flos was selected as an indoor wall light to provide diffused light in the staircase. This type of lighting gives prominence and

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A TELIER

driven made-to-measure profile. This profile is distinct from any other profile as its installation is different with 60cm profile.

Timeless design was accentuated with Want-It by Delta Light which is a new range of wall luminaires.

They have slightly curved edges which provide a

creates a functional and an aesthetically captivating solution for a practical and safe way.

Flos also illuminated the bathrooms with the Glo Ball wall light an ideal solution for many functions, from grooming to relaxing. This type of bathroom lighting is both task oriented and alluring at the same time.

The staircase is lit up with Delta Light, a staple brand known for integrating light into smalland large-scale projects. The Vizir Flemish gold luminaires add refinement, finesse and colour, a design element that not only catches the eye but also adds life to the space. Finnline profiles by Delta Light were used as they are excellent to form indirect clean light accents to emphasize the borders since it is softer to eliminate the glare. For accent lighting the team carefully planned to use the Spy family from Delta light as it is minimal, functional and versatile. This type of design meets multiple lighting requirements as it was a perfect fit for Rosselli.

The Streamliner 70L Flemish gold profiles were used in one of the hotel’s corridors, it is performance

subtle twist to the design, while also creating a nicely delineated light pattern on the wall.

Don Pietro, one of the Executive Rooms offers inspirational design showcasing the Superloop by Delta Light. The Flemish gold Superloop is both functional as well as decorative with the ability to diffuse light all around the room.

Ultimately, Davide Groppi as a brand helps to bring out inspiration while it seduces and excites those who experience its light. Davide Groppi Infinito lights were used in the bespoke Grain restaurant within the hotel to accentuate the food experience while dining. Infinito indirect lighting as a system helps to dematerialise the idea of the lamp and turns everything into something else as it only leaves a trace, a line, a light and ultimately, creates a spatial concept. The Infinito system was also used in the hotels corridors and the luxury room Sixteen 34 Suite. Sampei by Davide Groppi was also carefully placed on one of the floors to illuminate a set of armchairs while contributing to the touch of design.

Duralamp, Ivela and other selected brands where chosen to furnish the rest of the rooms. The i-Light automation system was selected to control the lights of the lobby and lounge area, the bar and restaurant as well as the façade of this exclusive hotel. This automation system controls the lights that are preprogrammed or timed and to create and cater for the perfect ambient lighting in hotels and restaurant environments.

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A creative Mind Interview with Marcel Wanders

I am always a magician and most days, even a designer!

Credits: Knotted Chair by Marcel Wanders, 1996 Courtesy of Marcel Wanders

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A TELIER A genius, a rebel and a titan of international design, Marcel Wanders is revered for his prolific career spanning product and interior design, as well as being the founder of his own eponymous design studio and the co-owner and art director of Dutch design house Moooi, where he has helped launch the careers of countless emergent designers since the label begun in 2000. A craftsman, an artist, a rebel and a true innovator, he is considered by many critics as one of the prominent influencers of modern design.

Credited with over 1900+ projects, Wanders’ work has cemented him as a ubiquitous figure in contemporary design, having collaborated with leading design manufacturers and design brands including B&B Italia, Alessi, Flos, Louis Vuitton and Poliform. Marcel Wanders shared with Atelier his passion for design, his sources of inspiration and his most famous designs.

It seems your interest in design started with a bike which you altered to move forward by pedaling backward. What happened after that?

Building the bike inspired me to create more and more mechanical working things. I was drawn to how the human body and more importantly the human spirit, was affected by design and how certain objects made people’s lives better. I began to notice that people’s reactions to design influenced my passion. It wasn’t until later that I realised this is what I wanted to do for the rest of my life.

However, it was only at the age of 17 or 18 when you really understood what design entailed, right?

Around that age, I came to see myself as a creator.

It was no longer something I enjoyed doing, but who I was as a person. I came to love the reaction, the surprise people would show. I loved mixing and matching things that were completely opposite yet somehow went together. I still do today. I think that was the age where I felt design played a larger role in our world and I wanted to be a part of changing it all for the better.

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A TELIER

The New York Times described you as the Lady Gaga of the design world. To what extent do you agree?

Yes, that is one name of many that I have been given.

I have collected them for fun.

In a recent interview, you noted that inspiration; "comes from inside. It sits inside of you." Can you elaborate?

I am constantly inspired because my passion is ignited from within. I have a drive and a mission to create beautiful objects and surround people in holistic sensory settings. I have a desire to push myself and my craft with every new project. One moment, I am a poet, another an engineer. I am always a magician and most days, even a designer!

Really though, I love what I do too much to not find it within myself to be inspired to create, imagine, wonder and dream.

You often noted that functionality doesn’t tick all the boxes when it comes to design. Why? To speak of just function or just form really draws our focus away from my design's true purpose of meaningful connection. Things have to work for people, of course. But if it was just about something working, where is the emotional tie to something special, something personal or unique. The difference isn’t that you can use something like anyone else, but that your reason for doing so is different from everyone else’s. The discussion should be about what is driving the future of our craft and what our contribution to the world might be. How we will lead design and change the world in front of us is much more relevant and worthy of discussion.

Tell us about your famous knotted chair?

In 1995, Droog began organising projects that focused on a theme, for instance, specific materials or types of objects. I took part in many of these projects. During this time, we collaborated with the Aerospace Engineering Faculty of Delft University of Technology that was exploring the application of ultralight composites. At the same time, I was desiring to make a product that wouldn’t look industrial, a design that would show that it is lovingly made especially for someone, with the same kind of aura as an old worn-down wooden cupboard.

Craftsmanship has always been important to me and knotting is a technique with which you can achieve this artisan atmosphere. To be sure, The Knotted Chair garnered me attention, but more important to me was what I learned from the experience. From this one project, I realised that my purpose as a designer is to give people the feeling that they can connect with the past to create a sustainable future.

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A TELIER

You have recently launched your online boutique.

What is it worth to pay a visit?

The reason for creating the Boutique of Marcel Wanders was to express true one-of-a-kind designs that reflect our desire to live with passion and make our most exciting dreams come true. The boutique is an outlet for sharing specialty items that can now travel from the heart of Amsterdam to the rest of the world. It is a place to lose yourself and find yourself at the same time. A place where your deepest desires are met.

You define the items available on the online boutique as 'treasures'. Why? Treasures to be discovered. In the Boutique of Marcel Wanders you will find personal editions, publications, rare gifts and the most wonderful secrets. We want to make special things and this intimate assortment of artisanal, alluring, surprising and fantastical items are strictly exclusive to this boutique. Our purpose with the Boutique is to offer a selection of the most luxurious pieces of design.

There is a uniqueness to each item discovered there.

We would never choose to design and sell something that is ubiquitous in the world such as a leather wallet or mouse pad. We choose to not do anything that is mass produced and mass consumed.

Which item available in your online boutique are you most fond of?

It sounds quite obvious to say, but really, I love them all because of how rare and special they are. Thinking of each reminds me of the time and collaboration that went into crafting them.

Any new projects in the pipeline?

Our projects are mostly kept confidential, but whatever it is it will be surprising and crafted to uplift the human spirit.

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OFFICIAL DESTINATION PARTNER

MALTA SEALS DEAL TO BE THE GLOBAL DESTINATION PARTNER OF MANCHESTER UNITED

The Government of Malta and Manchester United Football Club, the world’s biggest and most supported football club, have sealed a multi-year agreement which sees Malta becoming the global destination partner of the club.

The agreement was announced at an event at the AON Training Complex, Manchester United’s training ground, in the presence of Tourism Minister Dr Konrad Mizzi, Malta Tourism Authority Executive Chairman Dr Gavin Gulia and Mr Sean Jefferson, Director of Partnerships at Manchester United.

The event was attended by Manchester United players Juan Mata, Andreas Pereira and Phil Jones and Manchester United legend Bryan Robson.

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This unprecedented partnership in Maltese history will see visitmalta.com’s logo being displayed prominently in and around the club’s historic Old Trafford ground during match days, as well as displayed on the club’s TV station, website and mobile application. Malta will also be featured on Inside United and United Review, the club’s two major publications.

This agreement seeks to harness Manchester United’s gigantic following around the world. In fact, more than 1.1 billion people support or follow the club.

Mr Sean Jefferson commented that the club is proud of its association with the country and that Manchester United looks forward to working with the Maltese government to highlight Malta’s great qualities to the club’s international fan base.

Malta Tourism Authority Executive Chairman Dr Gavin Gulia stated that this partnership cements the ties between the Club and Malta. Apart from the opportunities in the travel and tourism sectors, the partnership will also bring the club closer to the Maltese people.

Ministry for Tourism Permanent Secretary Ronald Mizzi said that just like the Theatre of Dreams, Malta is indeed a dream destination and through this exciting and innovative partnership Malta can push boundaries, reach out to new territories and furthermore establish Malta on the map as the number one destination to visit.

Tourism Minister Konrad Mizzi expressed his satisfaction at this landmark deal by saying that this agreement greatly complements the tourism strategy that government is pursuing to consolidate traditional markets such as the UK, whilst targeting new and non-traditional markets from the Eurasia region, where Man Utd holds very strong following.

The agreement was sealed in the year of a historic anniversary for Malta-Manchester United relations. 2019 marks the 60th anniversary since the Manchester United Supporters’ Club Malta was formed, the oldest Manchester United supporters’ club in the world.

During his visit, Tourism Minister Konrad Mizzi was accompanied by Mr Ronald Mizzi, Dr Gavin Gulia and Mr Alex Cutajar, along with other officials.

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Living in a condominium has numerous advantages, yet for each home owner to make the most of it, communal areas need to be taken care of.

Condominiums offer a sense of community, but they come with more responsibilities than your average home. For that reason, we have combined our customer-first ethos and our years of experience in managing condominiums in Malta and Gozo to ensure your community is looked after properly.

financial planning and building envelope advice. As a result, OZO has assembled a team of experience management in order to provide both present and future clients the best possible results in an ever changing, growing and challenging industry

Ozo Properties has been exclusively servicing management needs for Condominiums in Malta, and as a respected management service provider in the Condominium Management field, Ozo Properties has developed and maintained an excellent reputation for its integrity, quality of service and stable portfolio of clients coveted throughout the industry.

award-winning group of companies, Ozo Group that specialises in the services industries employing over 1,800 employees across the board.

Ozo Properties forms part of the

Ozo Properties understands the importance of providing quality customer service, competent

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In the 23 years since we first began our journey we have added numerous services to our list including outsourcing personnel to the hospitality, care, manufacturing and security industries, and specialised cleaning services for aircraft and hospitals, among others.

Even so, our passion, commitment and reliability remain at the heart of

everything we do.

In 2016 The group has been identified in a landmark research conducted by the London Stock Exchange as one of one thousand companies to inspire Europe. Since November 2018, OZO Group has been a full member of the London Stock Exchange Group’s ELITE programme. We are the first and only Maltese business to achieve this coveted certification.

The Group has also been named national champions for three years running by The European Business Awards, whilst also very proud to be given the Equality Mark a certification based on evidence of a true commitment by OzoGroup, to implement relevant policies and practices that concern gender equality and family friendly measures at the place of work.

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Outsourcing Excellence Your Reliable HR Partner

Founded in 1996, OZO Group is an award-winning group of companies that specialises in the cleaning and outsourcing industries employing over 2,000 across the board. The group has grown exponentially since its early humble beginnings, but its commitment to clients, employees and society remains unchanged, remaining loyal to the family values that have made it successful.

In the 23 years since we first began our journey we have added numerous services to our list including outsourcing personnel to the hospitality, care, manufacturing and security industries, and specialised cleaning services for aircraft and hospitals, among others. Even so, our passion, commitment and reliability remain at the heart of everything we do.

OZO GROUP H/O Triq Il-Mastrudaxxa, Qormi, Malta t. 2247 1400

Every human society has its lights and its shadows. That's the reality of existence.

Sebastian Lelio

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SOCIETY 39

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Music in their Veins Interview with The Travellers

W

hat brings together a graphic designer, a drummer, a restoration and conservation specialist, a medical student, a physics teacher and an EU agency employee?

The answer has to be music. As once noted by the American singer, songwriter, activist, and humanitarian John Denver; “Music does bring people together. It allows us to experience the same emotions. People everywhere are the same in heart and spirit. No matter what language we speak, what colour we are, the form of our politics or the expression of our love and our faith, music proves: We are the same.” This happens to be the underlying foundations of the leading local band, The Travellers. Indeed, all members of the Gozitan band have a passion for music. Yet that is not all.

They all share a common goal of trying to create something different in an already diversified local music scene.

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We met up with The Travellers on a windy Monday evening in their studios which are situated in the very heart of Il-Handaq Industrial Estate.

After walking by several dark and gloomy garages of sprayers, panel beaters and mechanics, we came across a door beyond which we were greeted by several members of the band. They were not all present. Some were absent due to studies, whilst others were still stuck at work. For many members of the band, music is not their full time job but rather a passion to which they have committed notwithstanding the hours and other personal constraints. One of which is the frequent travelling to and from Gozo to Malta. Their regular travelling has been a source of inspiration to their name, The Travellers.

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They got together in 2013. Bassist Clayton, trumpeter Joseph, main vocalist Chris and guitarist Andrew have been in the music scene from a very young age. Saxophonist Sylvano and drummer Michael joined the rest of the band later in 2013 and thus The Travellers was born.

Over the past years, the band has been working on a mix of contemporary music incorporating brass and Maltese lyrics, with the band experimenting on how the melody would sound when combined with the Maltese language on contemporary rhythms.

Their debut single "Sempliċità" was a success and was followed by other singles which topped the local charts, Dak li Int, Xemx u Xita and Ħafi Paċi Kuluri.

The band also issued two albums; Xemx U Xita (EP) in 2016 and Iljuni Fis-Silġ (Full Album) in 2018.

A TELIER

The Travellers’s decision to produce songs in Maltese has sparked a debate in Malta on the lack of songs in Maltese. Over the past few years, commercially-successful songs have mostly been in English, with very few songs in Maltese making it to local airwaves and even fewer actually topping the charts. We ask the band what encouraged them to opt for their mother tongue. "While working on new material for our EP, we often found ourselves shifting to writing in Maltese and after some deliberation, we decided to focus solely on writing Maltese songs." They clarify that, “We just wanted to produce something different in an already-diverse music scene, although at the time we had no idea we would end up producing songs in Maltese. Our niche turned out to be in our mother language!” Andrew adds, “We believe that feelings are transmitted better when you hear songs in your native tongue.”

Writing songs in Maltese does not come without any challenges. Andrew points out, "The hardest aspect about writing lyrics in Maltese is finding a way to make the lyrics sound fresh. Yet, what comes without a challenge?"

The language is not the only hurdle the band has to face on day to day basis. There are also financial, personal and operational challenges. Their friends and loved ones have at times also questioned whether their efforts are worth the time. Yet, their bond is stronger than the challenges they face and in hindsight, their efforts are slowly giving the desired

results. They note, "its a question of perseverance, good time management and being target oriented. If your goals are clear and the foundations are based on a strong friendship, any challenge can be overcome.

At times it turns frustrating and you question whether it will work in the long term but today we feel our efforts pay."

They point out that one of the major challenges are financial constraints. Yet, they insist that luckily today there are government funds available which ease the financial pressure. They refer to the newlyredesigned Malta Arts Fund which offers research support, project support and and also a MultiAnnual Grant. Such funds have been very helpful.

They clarify that funds are there to be used. It all depends on the individual or entity to look for them and benefit from them.

We also ask the band whether they feel there is a better appreciation towards local bands. They note that it is a fact that Maltese people listen more to foreign music. Yet, the fact that today their songs are being heard on all radio stations is certainly a break through. "Is that enough? Certainly not, but it is a good start which lays a stable foundation on which we can develop further." One clear action they point at is the need to create a culture which appreciates local music. They insist that this culture has to start at school level where children should be exposed to pop music and other genres. "We should present music not as a boring subject but rather as fun and in line with what contemporary music offers. They admit that progress has been made and the fact that several schools have contacted them to use their work including a school in Sicily is certainly a sign that things are changing.

It is time for us to conclude our interview with The Travellers and return back into the cold, yet before calling it a day, we ask the band a final question on what we should expect from them in the months to come. "We have come a long way at a pace we never expected. We have certainly laid a solid foundation on which we plan to grow further. We are working on several projects which will be launched later on this year. As Frank Sinatra once noted, 'the best is yet to come'."

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BMW PHEV

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riving a car from the BMW Plug-in Hybrid range means that you will be driving with intelligence. The range takes the best of BMW’s combustion engines and combine it with the modern battery technology and an electric motor. This results to a BWM with two power sources. Moreover, it is a totally responsive drive, with zero emissions at the point of use. Put differently, any emissions created in generating the electricity to be used for charging the battery is not included.

The BMW Plug-in Hybrid vehicles are driven by two power sources. This is achieved by the use of a small electric engine working concurrently with a petrol engine. The advantage to Hybrid cars over conventional

cars is that the same level of performance is delivered with lower running costs and reduced emissions. At the same time, hybrid cars offer the same excellent range and convenience of a model with a traditional engine.

BMW’s lithium-ion battery life differ depending on the nature and driving style of the driver. However, with BMW Efficient Dynamics and different driving models, such as eDrive, you will always get the optimum combination of responsiveness and fuel consumption.

On short trips up to 66 kilometers, the BMW Plug-in Hybrid are powered completely by their electric engines on longer trips, fuel consumption varies depending on the model type and total distance travelled.

The BMW Plug-in Hybrid range represents a leap in modern mobility and delivers tomorrow’s driving experience, today.

Visit Muscats Motors to discover all PHEV models or give us a call on 2326 4509.

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DINING AT THE

G RA I N Interview with Victor Borg, Chef at Grain

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alking down Merchants Street in Valletta, a few doors down from Is-Suq tal-Belt you will come across the first 5 star luxury hotel in Valletta, Rosselli. The hotel is amazing and is certainly a new feather in the hat of the AX Group.

Built in the first decades of the 1600’s Casa Rosselli-Massa is a clear example of a transitional building, incorporating the classical lines of Renaissance architecture and the more florid early Baroque styles.

Moreover, Rosselli today hosts one of Malta’s best examples of local food excellence, Grain.

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Credits: Brian Grech

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Grain is a conglomeration of four concepts namely; Street, Over, Under and Private. Although different, all concepts concur in their sense of good food set in an environment which immediately gives you that feel of class and lavishness with a deep attention to detail which you will only come across in leading eateries across the globe such as Eleven Radisson Park, Mugaritz or Maison Troisgros. Every concept is a statement where gastronomy is taken to a different dimension.

Steet Grain offers a casual dining experience with small plates to share and with no set rules. Indeed, at Street Grain, there are no set starters or main courses so as to encourage guests to try and share different dishes without giving too much importance to a specific sequence. The menu offers an interesting selection of options which include snacks such as chicken and ham hock fritter, mustard and tarragon mayo or Cantabrian anchovies, ricotta with extra virgin olive oil. The menu also offers a selection of share or not to share items such as veal tonnato, bottarga and beef yakitori, satay glaze, onion garni.

All dishes can be accompanied by a good selection of sides. The dessert menu is not to be taken lightly at all. The range includes the classic tiramisu up to more intricate options such as their red plum frangipane tart, crème fraiche.

Food is accompanied by an impressive selection of wines all available by the glass. This is one major strength of the outlet which makes it stand out of the crowd. Indeed, it offers the outlet the possibility to be more creative with food and wine pairings. It also offers the unique possibility to compare and contrast different wines. It also gives guests the opportunity to be more adventurous in the way they approach lunch or dinner at Grain.

On the other hand Under Grain is a less casual experience than the one offered by its upstairs sister, Street Grain. To put it in in Ramona Depares’ words, Under Grain is, “the kind of place where you can say you will enjoy an elevated level of cuisine, but without the approach being too stuffy. The place is efficient, and paving the way for me to have some

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Gastronomy is my occupation, my passion and my hobby all rolled into one.

fun and unleash my inner Picasso on a probably bemused kitchen brigade.” The menu includes very interesting combinations which entice the taste buds of any food enthusiast such as Acquerello risotto, smoked eel, snails and persillade to start with and Confit wild sea bass, sweet and sour pork crust, cauliflower miso purée, soya emulsion or BBQ rump of milk-fed veal, pickled clams, courgette purée, bagna cauda and vin jaune to follow. For all those who wish to finish off the meal with a pleasant sweet taste, they are spoilt for choice by an impressive selection of desserts such as Yoghurt Bavarois juniper berry meringue, warm pistachio and extra virgin olive oil cake or Warm chocolate mousse, ginger ice cream, honeycomb. Defining this menu as exquisite and divine is simply an understatement!

With a breathtaking view and a relaxed, informal atmosphere, our rooftop is an ideal space for various events and functions that want to be held in Valletta.

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Over Grain offers endless possibilities to entertain guests in a variety of ways, yet remaining unique due to its location and setup.

The author of this amazing celebration of food is Chef Victor Borg. Chef Borg is no stranger to the local food scene. He is a pure example of local food excellence. His vanguard approach and undisputed flair has amazed all those who had the opportunity to taste his food. His curriculum is impressive with stints in leading local eateries as well as top Michelin-rated restaurants in Europe.

His work is a game of precision where every ingredient has a specific role and contributes to

an impressive final product. Every dish spells out his depth in the industry and his undisputed talent. Curious, romantic and with a deep desire to constantly celebrate food. Innovate and an undisputed skill to surprise his guests. A leader in the kitchen and impressively creative audacious, a craftsman, and a real artist. His work is simply playful, illogical, audacious yet never at the cost of ensuring that sense of simplicity which has often been forgotten in time.

Indeed, food means so much to him. Victor proudly notes that his motto is; “Food glorious food!

What is there more handsome?” At work and in his spare time, Victor celebrates food. “My favourite

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Both entities are regulated by the MFSA.

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holiday destination is London and any Michelinrated restaurant around the world. Gastronomy is my occupation, my passion and my hobby all rolled into one. Whenever I’m away, you can rest assured that I will be having lunch and dinner at top restaurants. This serves as my pleasure and amusement as well as inspiration.”

The person he admires most is Gordon Ramsay, the world renowned chef famous for his culinary genius and bad temper. A chance meeting with Gordon Ramsay ended up with Victor working in Gordon’s Aubergine Restaurant when it already enjoyed a one Michelin star.

During his stay there, it was awarded its second.

“This experience was to mark me in my quest for professional fulfilment.”

Victor now impresses clients with his magical hands at the Grain. Every idea, every concept, every dish there at Grain is a reflection of his amazing culinary skills.

Grain is certainly worth a try. The place is indeed a clear proof of Malta’s gastronomic excellence.

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A National Vision Atelier sat down with recently reinstated Artistic Director of Teatru Malta, producer and director Sean Buhagiar to find out a little more about his vision as the next chapter of Malta’s National Theatre company unfolds!

This is your second term as Artistic Director of Teatru Malta. Looking back, would you have done anything differently over the course of the first three years?

Of course I would have. We always said that we wanted to take risks, we wanted to make groundbreaking theatre, work which was not being produced on the island. That is risky, and when you take risks, you are bound to make mistakes too. As Bernard Shaw put it, success does not consist in never making mistakes but in never making the same mistake a second time. Evaluating the choices we make is necessary and we owe it to our public. The mistakes we made will inform future decisions. But we will also keep making new mistakes. We cannot play safe, we are the ones who need to take risks, we owe it to our sector.

What I would not change is the vision. It takes more than three years to provoke a cultural shift and we are really very proud of what we have achieved in only three years. Teatru Malta has built a solid

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reputation, but it would be very arrogant to say we had a perfect run. We have had very successful productions and less successful ones, but we have always produced work with integrity and with the sole objective of bringing quality theatre to our public. Rome wasn’t built in a day. Judging from our first three years, I think we will get better at it.

Describe a typical day in the life of AD of one of Malta's youngest PCOs Oh boy. (Beatles fans will get this). Well, no day is really a typical day. It very much depends on the production. We could be brainstorming ideas on our new poster because we just scrapped the last version, we could be trying to see how over 100 school kids are doing running around rehearsal rooms for the first time, picking up and smelling a publication of new classic theatre plays in translation, consoling artists doing an outdoor theatre piece who just got to know it might be too windy. I don’t think we have typical days, It’s the unscripted part of making

theatre that is typical of our days. I could also say that everyday is a new opportunity and all that, but sometimes it’s also just another rehearsal.

What would you say is Teatru Malta's principal responsibility within the cultural sector?

We were established in 2017 as a project under the Arts Council Malta’s umbrella, a project which was meant to form a national theatre company. We decided that we would not be based in one venue, but would have a no-walls approach, and would produce different styles of theatre.

Now, there is a risk that questions like this get a lot of buzzwords as answers. I will try and avoid that. I believe we are responsible for making theatre part of the population’s wellbeing. We need to be a national theatre company which produces meaningful theatre which can have a significant impact on our audiences. This can be done in various ways.

Who is the Teatru Malta audience member?

Well, if we are the national theatre company, my answer should be “everyone on the island”. This, to me, is an important part of my vision. I believe being national is a great responsibility, it means we are also a symbol in some ways. In simpler terms, we represent the country and I believe we need to engage the broadest possible audience. Or rather, audiences because I believe there are many different audiences out there. Just like our culinary and musical tastes vary, so will our theatrical ones. That is why our programme is so varied and that is why we produce a number of shows a year.

What can audiences expect to see from Teatru Malta in 2020?

For the sake of a dramatic ending, I would say expect the unexpected. But in reality it’s a leap year, so we should all just expect an extra rehearsal day.

For more information on teatrumalta visit teatrumalta.org.mt

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Travel Tips for South of France

by Sarah Zerafa Lewis

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ne of the things we love most is to travel and explore new places. Experiencing the unknown and filling our minds with the best memories - travelling is indeed the elixir of life.

There is nothing better than beating our daily routine and immersing ourselves in our wanderlust.

Last May we headed to the South of France for the first time and there is no word that can truly capture the beauty of this place.

We landed in Marseille immersing ourself in a road trip from the Cote d’Azur, where we stayed for a couple of days and later in the charming Provence in the Luberon Valley. Here are a couple of travel tips for the French charm hunters.

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Stay in Auberge de Tourrettes in Tourrettes-sur-Loup This quaint and chic hotel in the beautiful artisan village of Tourrettessur-Loup, with killer views of the Côte d'Azur, is a perfect base to spend a couple of days touring the French coast and the stunning towns near the sea. This place has an eye for detail and the food is impeccable definitely stay for dinner at their superb restaurant.

Take a Day Trip to Nice The unbeatable and majestic coastal town of Nice should be on your travel bucket list. Get lost in the cobbled streets and picturesque colourful French houses and don’t forget to have a French coffee near the sea.

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Visit the Hidden Gem of Eze

Eat Dinner at La Cave in Tourrettes-sur-Loup

Eze is a small hidden town in the French Riviera. Although not so popular like the sister Nice, it offers mesmerising views and a peaceful afternoon for the explorers. There are small shops for some shopping as well as perfect spots for the Instagrammers.

The food scene in South of France gets your attention immediately. The hotel owner recommended this place when the restaurant of the hotel was closed on certain days of the week.

This place stands out in this area and definitely a must-visit for the food lovers. The menu changes every day or two so be prepared to immerse your taste buds in the French cuisine.

Explore the Amazing French Market at Lourmarin South of France boasts some of the most picturesque markets in the world. They are normally set in small villages surrounded by coloured French houses and tall trees. One of the best is the Lourmarin market on Friday morning.

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love Gozo love food enjoy Country Terrace

Country Terrace Lounge Bar & Restaurant Zewwieqa Street, Mgarr - Gozo T:+356 2155 0248 M:+356 9944 6833 E: info@country-terrace.com

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Cross over to the Luberon Valley passing through the Gorge du Verdon A road trip is perfection in the South of France and a couple of hours from Tourrettes-sur-Loup one can end up in the beautiful wine valley of Luberon.

Remember that you must take the special route through the breathtaking Gorge du Verdon for one of the best car experiences in Europe.

Have dessert at the famous Le Petit Cafè in the old part of Oppède

Visit Roussillon by day and Gordes at sunset The exceptional charm of these two hill-top villages will lure you into the this part of France. There is no better days than spending a day visiting the mesmerising red-walled village of Roussillon. The village of Gordes, on the other hand, is incredibly beautiful at sunset where due to its privileged position in the valley the sunlight will hit the walls of the village right where they should. You need to go there to actually experience this beauty.

Day Shopping at Aix-en-Provence There is no better location to have dinner or just dessert at Le Petit Cafè situated in the most beautiful hill-top village of Oppède. The old part of the village enjoys breathtaking views of the valley where quietness and privacy are at its best.

The coolest and most vibrant place in South of France is the city of Aix-en-Provence where it boasts around 40 fountains and beautiful architecture in every corner. This city also offers a wide selection of places to shop and cafes to chill after a long day on your feet.

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Breast Care at

St Thomas Hospital Thinking about having your first mammogram?

Pink October is synonymous with raising awareness about the importance of early screening for breast cancer. But what does screening mean to you? Is it having a mammogram or an ultrasound? What options are out there? Is it scary? Knowing that the idea of having your first mammogram might be daunting, we compiled the most frequently asked questions by woman who are having their first scan in order to inform and to dispel frequently unfounded fears.

What does screening mean?

Screening for breast cancer is effectively standardised methods of checking for breast lesions by professionals. These methods consist of mammograms, ultrasounds, MRIs but also selfchecks and check-ups by breast specialists. When carried out regularly these programs can detect changes in the breast in the early stages although none are associated with preventing breast cancer.

Rather they are methods of early detection.

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What does a mammogram do ?

Mammograms save lives! They are the best tool we currently have in detecting most types of breast cancers. These machines use X-rays which can detect even very small tumours in the breast and microcalcifications, the most common feature of tissue around a tumour, long before they can be felt with the hand or diagnosed as a result of other symptoms. In newer digital mammography systems the resolution of the scan is very high, showing extremely small details to the radiologist.

How is a mammogram done?

During your mammogram your breast to be placed on the machine and plastic plate will be lowered onto it to gently flatten it. This will help get clear images, two of each breast, one from the top and another one from the side. Additional images may be ordered by the attending radiologist in case further details are needed.

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Is a digital mammogram better than a film based mammogram?

Studies have shown that the detection rate of digital mammograms is superior when compared to previous generation film based systems, especially when screening dense breasts. Thus when getting a mammogram, it is important to choose the best quality you can. In recent years there has been a further advancement in mammography called Tomosynthesis.

What is digital breast Tomosynthesis?

Tomosynthesis (also known as 3D mammography) is a state of the art breast care technology that has revolutionised the way doctors screen and diagnose breast cancer. It allows doctors to see the breast beyond the capabilities of traditional mammography and greatly improves the early detection of breast cancer.

Why is it different to a normal mammogram?

While in traditional mammography the breast is viewed using just one single image, in digital 3D Tomosynthesis, the machine sweeps over the breast and acquires up to 70 images from different angles allowing doctors to see breast tissue from multiple perspectives using clearer images.

Are mammograms and tomosynthesis painful?

Mammography technicians are highly trained in making the process as quick and as painless as possible. In fact, most people report discomfort rather than pain, while others may feel some pain.

The whole process of taking the pictures only takes minutes, minimising the discomfort as much as possible.

Is it safe?

Mammograms use X-Rays to produce images Although frequent exposure to x-rays poses a serious health risk, in modern digital mammography systems this exposure to radiation is so small that the benefits of having a mammogram each year greatly outweigh the risks of radiation exposure.

What if I need an ultrasound after my mammogram?

Needing an ultrasound after a mammogram is fairly common and does not mean that you got a bad result. Ultrasounds are used to look at a particular area more closely and determine whether the abnormality is a benign, a malignant lesion, or a simple fluid filled cyst. An ultrasound can also help define a mass in the breast that you feel yourself, even if it does not show up on a mammogram.

At what age should I get my first mammogram?

If you’re 40 years old or older you can voluntarily submit yourself to a mammogram examination.

However, the indicated age to start having regular yearly mammograms is at age 45 if you are at an average risk of having breast cancer.

Should I get a mammogram if I’m under the age of 40?

Regular mammograms are not recommended for women under the age of 40. Experts believe that the risk of getting breast cancer at a young age is too small to justify the low level radiation administered during a mammogram. However certain women are at a risk which is higher than the average. A woman which doesn’t have a family history of breast cancer, history of radiation therapy or specific mutations in genes called BRCA1/BRCA2, and other factors, is said to be at an average risk of having breast cancer. If any one of these criteria is satisfied then a mammogram may be recommended, even if under the age of 40.

For more information regarding our breast care services, call St Thomas Hospital on 21 482 482. We’d be delighted to to answer any of your questions !

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Clayton Saliba - Isma' Ftit Founder Photo by Bernard Polidano

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The Power of Words “Happiness is a perfume you cannot pour on others without getting some on yourself ” - Ralph Waldo Emerson Quotes have become part of our daily feeds on social media, newspapers or magazines. They rarely go unnoticed especially when quotes reflect part of our achievements, situations or struggles. Daily reflections touch hearts and offer inspirations whenever one feels blocked or in a difficult situation. Some use daily quotes for their own motivation, some share them with friends or family as a way of spreading positivity or as a form of empowerment.

When created for the sole purpose of enlightenment and motivation, quotes touch the heart of our inner spirit. Various authors and important figures globally shared thoughts, beliefs and life suggestions during their lifetime by using their own challenges and experiences as an example. How wonderful does it feel to have these daily reflections from various figures anointed by wisdom during their lifetime?

Reading motivational quotes is a simple daily reminder to appreciate the simple things in life, to think, to reflect, to guide ourselves and to find inner peace. A guidance that takes its process but a process that is worth its time!

Isma’ Ftit is a source of such motivational and empowering reflections that are translated, written, edited and posted on a daily bases to reach out to its community. A page that is handcrafted purposely to spread positivity and daily reflections

in a Maltese context giving prominence to the Maltese language, culture and traditions while engaging with people to share their reflections and thoughts connecting each other’s opinions and perspectives for the ultimate purpose of helping one another with a message of gratitude, hope, forgiveness, freedom and the pursuit of happiness.

“The greatest discovery of all time is that a person can change his future by merely changing his attitude.” - Oprah Winfrey Being positive is not always easy especially when encountered with difficulties in your life, however, positive thinking gives you the necessary courage to deal with difficult situations. Even hearing the word ‘positivity’ gives you hope. Considering the fact that positivity and negativity create vibrations and are easily spread, it is up to us to choose the ship we want to embark on.

For instance, negative thoughts translate to negative speech that affect us by shaking our internal peace and of those around us. With the same formula, positive thoughts are reflected in our attitude towards life situations, the words we choose and the feel good factor we leave on our loved ones.

If you’re provoked to embrace positivity in your life or you’re moved to tell us what are some of your favourite quotes or even share your own thoughts and reflections, visit our facebook page facebook.com/ismaftit or register to our website www.ismaftit.com

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IGNÉ POINT BACHELORS GERARD JAMES BORG latest publication

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t’s sexy, indulgent, suspenseful and mindblowing! Gerard James Borg is back with a compulsive psychological thriller that challenges new borders and is set to keep you up all night! After the trailblazing success of “Sliema Wives”, “Madliena Married Men”, and “Bormla Babes”, it’s time for some forbidden temptation in the form of “Tigné Point Bachelors.”

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Il-Kunsill Nazzjonali tal-Ktieb jipprezenta

6–10 ta’ Novembru Centru tal-Konferenzi, Dar il-Mediterran, Il-Belt Valletta

2019

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ktieb.org.mt

Gerard’s new book was released on October 9. This time we should expect something darker and sexier with alternating narrators and a hefty dose of infidelity in the playground of the rich and beautiful. With the first few chapter titles inspired by the book of Genesis like “Forbidden Fruit” and “Original sin”, all the way to “Sushi and sex”, “Private act”, and “Dangerous minds”, it promises some delightful surprises and a compulsive read.

The story revolves around an attractive lawyer who slips into an intoxicating affair with his best friend’s fiancée…

An erotically-charged temptress who turns out to be an obsessive stalker… and a handsome psychiatrist, master-seducer and manipulator pursuing the object of his desire…

Like all of Gerard’s books, the story is set in Malta around luxurious surroundings, giving the reader an amazingly detailed account of the sex, drama and intrigue that go on behind closed doors…

Tigné Point Bachelors is available from all leading bookshops.

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FA S H I O N

Fashion is the armor to survive the reality of everyday life.

Bill Cunningham

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Credits: Matthew J Spiteri

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Credit: Kris Micallef

The story behinD the name Interview with Krystle Penza, owner of Mvintage

T

he local fashion industry has another feather in its cap thanks to the amazing talent of Krystle Penza. Her handcrafted jewellery under the brand Mvintage is bold, fresh, compelling with a focus on timeless beauty. Irrespective of the jewellery's theme, each of Krystle's creations emphasize her desire to “make something interesting and innovative. Since the launch of her very first pieces, Krystle's work has literally taken the market by storm with interest also from the international market. Atelier recently met up with Krystle to discuss the ethos behind the Mvintage brand, her source of inspiration for her collections and her secret to juggle a successful business and a personal life.

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How did it all start?

Mvintage started as a pipe dream. I’ve always been surrounded by strong women pushing me to achieve my dreams and reach my potential. My daughter’s birth spurred me on to set an example for her. By applying willpower and determination I wanted to show her that anyone’s dreams could transpire. As a result, Mvintage was started on the basis of honouring the women in my life, which in turn transformed into a community dedicated to celebrating and empowering women from all walks of life.

Tell us about Mvintage Mvintage is shaped by 3 core values; Women, Family and Fashion. We are a fashion brand dedicated to inspiring confidence in women through meaningful designs that celebrate individual stories. As values, Women and Family are inextricably linked; my own upbringing by a strong mother instilled a vigour in me to pass on that same strength to my daughter.

As a result of this I wanted to create a community she could look up to; illustrating a foundation of success and determination fortified by the might of women. Mvintage was inspired by my family and has become a family within its own right. Fashion comes into play by balancing the wearability of a piece with its significance. Our designs are sleek and dainty making for timeless pieces that will maintain their trendiness as well as their meaning.

Why jewellery?

Because the power of jewellery is underestimated.

It is transformative, with the ability to change your disposition and alter your confidence. Regardless of whether you’re wearing a basic t-shirt or an elegant outfit, throwing on a few key pieces has the power to elevate your spirit as well as your look. Jewellery is a reflection of who you are; the pieces you choose and the way you wear them gives a little insight into your story. Mvintage jewellery is more than just metal and stone; I use my designs as a means of telling a story and in doing so aspire to give women the ability to express themselves and exude confidence. Our pieces are infused with symbolism so that each woman can create her own little narrative with her jewellery.

What does running an international brand entail?

Exporting Mvintage has been challenging to say the least. You need to take calculated risks and adopt the mantra that there are no mistakes only stepping stones. Determination and ambition are a must. Apart from a strong will, penetrating the international market demands thoughtful analysis of the brand and it’s ability to succeed. One needs to ensure the brand has the optimal marketing effort; from the product to the price, the location and promotion. With the market being saturated international competition is intense, therefore we need to guarantee Mvintage’s ability to stand by established brands and be a competitor within its own right.

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I like for jewelry to tell a story and to be able to talk about what I'm wearing. That's more important to me than a name, brand, or label.

Nikki Reed

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Milù by mimi, Mdina Road, Attard. Tel:2143 5412 Monday to Friday: 9.00hrs - 13.00hrs & 16.00hrs - 19.30hrs, Saturday from 9.30hrs - 13.00hrs Online gallery:

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facebook.com/Milubymimi @Milubymimi

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You are a wife, a mum and an entrepreneur. How do you create a perfect balance between them?

It’s difficult to maintain a balance and I don’t always manage to do so. My personal life and work are intertwined and often overlap; my husband works alongside me and my daughter is a very active presence at the office. In this sense our core value of Family becomes quite literal with my own family being such a significant part of Mvintage. I appreciate the fact that my family is by my side through my journey with the brand; my daughter has grown up seeing my dreams come true every day and I am truly grateful to be able to illustrate the effects of a determined spirit to her. That being said everyone requires time to unwind. I make it a point to strike a balance when possible by taking time away from Mvintage and spending it with my family; whether its at home, out and about or on a holiday, their time is precious and I make sure to direct the attention required.

Whats next on your agenda?

I don’t want to reveal too much but there are exciting things on the horizon. Our first step is to set up the official Mvintage HQ this year; an overdue dream in the making. Consequently we shall be opening more stores locally and franchising overseas. After this we’re looking to set up operations internationally and keep improving our online efficiency, with new markets in mind.

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100 YEAR LEGACY 76

A TELIER Interview with Andrea Buccellati, Honorary President and Creative Director at Buccellati

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fter a hundred years, the impregnable Italian jewellery house of Buccellati still stands stoically out of the crowd, immersed in a rich history.The brand – founded in 1919 by Mario Buccellati, and now run by Andrea Buccellati, the son of Gianmaria, and his daughter Lucrezia Buccellati – is now almost 100 years old, and while competition comes and goes, it has successfully managed to hold its sway through the ages with a global high-end clientele who consistently turn to the brand for its unique, hand-made designs, still carefully crafted by artisans till this day.

Over 200 craftsmen still working by hand, using the techniques of the past, and repeating and perfecting the style of the product that Buccellati has become famous for. The brand also still keeps loyal to quality and ‘savoir faire’, which is what sets it apart from the rest and ensures its consistent growth.

Whilst celebrating its first centenary, Buccellati continues to keep its eye on expansion by focussing its attention on new niche segments including the younger generations.

Andrea Buccellati, Honorary President and Creative Director shared with Atelier the story that lies behind Buccellati and what continues to make the brand so sought after on the international market.

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What does a hundred years mean to Buccellati?

It is a milestone for us. One hundred years of Buccellati means one century of commitment to bring forward our goldsmithing traditions and passion from generation to generation, starting from my grandfather Mario, then through my father Gianmaria and today with me and my daughter Lucrezia.

How would you describe the Buccellati style?

It is a very unique and recognizable style, very much rooted in the Renaissance artistic canons, but also inspired by nature, architecture and beauty in general.

It is only thanks to the uniqueness of our artisanal work that we can achieve this style.

Every collection and every one-of-a-kind piece have a history to be told, and this fascinates our clients a lot.

Andrea Buccellati

Tell us about the Buccellati business and what sets it apart from others in the crowded luxury jewellery market?

In a hundred years Buccellati has grown and developed based on the main concept to be a family company with a long-term growth expectation.

Because of this, it has always been very important for us to preserve our style, our design, the quality of the jewels and the artisanal skills which are all in our DNA.

Who is an ideal customer for Buccellati?

We do not have ideal customers, but I can tell you what kind of customers we have. Generally, we serve men and women who are culturally sensitive and who like to discover the history behind the Buccellati style.

Every collection and every one-of-a-kind piece have a history to be told and this fascinates our clients a lot.

Moreover, we know our clients look for classic and pure lines and they do not like to show off.

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A TELIER

In what way would you describe Buccellati as a timeless product?

Our jewels are timeless because Buccellati sets its own trend, its own style, rather than following fashions.

In this way, a Buccellati jewel can be passed down from generation to generation, from mother to daughter, without never being outdated.

What are your key markets – both generationally and geographically?

We work a lot with the US, but Mainland China is getting more and more important thanks to the investments we have made in the last couple of years. Europe is more like home and we have some important markets in some key European countries.

Anyway, today we live in a globalized world, where people travel a lot and there are no more boundaries. Our clients very often

move from country to country, therefore it is probably a limit to talk about key markets for a luxury company like we are.

What role do millennials play in your future strategy?

Millennials are very important and we must keep an eye on them constantly.

In recent years, we have focused on some iconic collections and we have broadened them by adding some more jewels. We have found that they were successful with the Millennials.

What's next for Buccellati?

Our goal will always be to preserve our traditions and our style, our artisanal style. Of course, we are planning to expand our markets and to facilitate Buccellati fans to find our stores worldwide, with a more widespread presence.

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Timeless Elegance

B

uilding on more than 140 years of history, Swiss jewellery brand and watchmaker Piaget creates pieces for strong women who love elegant, playful designs.

Rings, necklaces, earrings, pendant and bracelets: Piaget high jewellery harbours marvels of creativity, to the complement of whoever wears it. Since 1874, Piaget has been crafting luxury watches and luxury jewellery treasures by blending a jeweller’s refinement with its watchmaking sophistication.

Within this unique savoir-faire resides the Piaget secret to fine jewellery making. Filled with emotion, Piaget high-end jewellery is a source of joy for all those who wear it. Stéphanie Sivrière, Director of the Piaget Jewellery and Watchmaking Design Studio, shared with Atelier the story behind the luxury brand of Piaget.

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Interview with

Stéphanie Sivrière, Director of the Piaget Jewellery and Watchmaking Design Studio

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It is often noted that Piaget has a clear brand ethos that focuses on happiness and a positive outlook on life. What lies beneath such philosophy?

Behind our philosophy lies “The Sunny Side of Life”. It represents the shared joy of bringing people together and living life to the fullest. Piaget has a vision of positive attitude and a sunny allure. The solar element is a recurrent symbol in Piaget’s creations. Its energy and radiance inspire and shine through the jewellery and watch collections. It is also represented by the warmth of the gold, one of the signature of Piaget.

Piaget is recognised as one of the most interesting watchmakers but today the company has accelerated the development of jewellery. What strategy has the company adopted to strengthen its jewellery line?

Jewellery has always been part of the Maison's DNA. In the 50’s, Piaget opened its first salon in Geneva, where jewellery creations were presented. Those creations showcased the work of gold as well as precious and ornamental stones which are still part of Piaget’s DNA today. In the 90s, Piaget created the Possession collection to celebrate life. Others followed the Piaget Rose - a tribute to Mr. Yves Piaget's passion for roses, including the one bearing his name - and our brand new collection inspired by the sun, Sunlight. Jewellery has an important place at the heart of the Maison, but we do not forget our watchmaking expertise of more than 140 years!

It is often said that the devil is in the details. What makes the quality and craftsmanship behind each Piaget creation so sought after?

Passion. Passion for what we do and do it well. Piaget motto is “Always do better than necessary”, it is a philosophy of self-surpassing, a permanent invitation to excel. It also confirms the path traced by GeorgesEdouard Piaget who decided from the beginning that he would only offer creations of exceptional quality.

This motto has always guided the Maison throughout its history.

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Piaget is aiming to excel both in the design and the craftsmanship. The quality behind the Maison’s creation lies beneath our precious goldsmithing and gem-setting skills. They have been preserved, enriched, and perpetuated by the Maison for more than 60 years in “Les Ateliers de l’Extraordinaire”, located in Geneva.

Quality also lies in details, which are never neglected. As an exemple, Piaget gold bracelets are crafted with an extreme precision meticulously.

Along with ultra-thin and jewellery watches, they have been one of the signatures of the Maison since the sixties. Engraved or stamped motifs echo the patterns in nature: leather, wood bark, frost as well as geometric patterns. For instance, the Palace Decor is hand-graved on the gold bracelets and one of the most iconic motifs of Piaget.

In addition, working on ultra-thin jewellery watches allows Piaget to always push the limits and deliver exceptional creations. The Maison has one of the biggest in-house savoir faire in term of gem-setting. Piaget gem setters know how to set a diamond of 0.5mm when usually the standard size is over 1mm. In our ateliers, the youngest gem-setter has ten years of experience and the oldest 40 years.

Why does Piaget consider creativity as essential as precious metal?

The Maison has always encouraged creativity and expertise among its designers and craftsmen.

Creativity is one of our core value. Throughout its history, Piaget’s craftsmanship has always been at the forefront of our creative process. Designers innovate and think differently and freely, creating Piaget’s unique style, which is bold and inimitable. Gold, colours, hard stones and diamonds are associated in a never seen way. As mentioned before, work of gold is one way to express creativity at Piaget. In our Ateliers de l’Extraordinaire in Geneva, our gold workshop allows us complete freedom and Piaget’s creative designs become reality. The extremely skilled artisans can fully express themselves by shaping gold to fulfil any demand, sculpting it, giving it suppleness or making it flow as a silky tissue, nothing is impossible.

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How does Piaget create moments of radiance?

More than exceptional and radiant creations expressing the joy of life, Piaget is also a family: the Piaget Society. It is still very important for the Maison as it represents the Sunny Side of Life, the shared joy of bringing people together and living life to the fullest. It was born in the sixties. Founding family member Yves Piaget gathered personalities from around the world to share their passion and vision about beauty and art. Over the years, Yves Piaget established sincere friendship with many artists he admired and who admired Piaget. The Piaget Society was united by the taste for the fine things in life and a great sense of shared joy and friendship.

Piaget Society is brought together to share precious and unique moments around special occasions. The spirit of Piaget is always the base and the heart of these moments and these values are still very true to the Maison.

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In what way does Piaget find the right compromise in its collections between market demands and the company's own values?

Piaget is asserting its unique identity by always staying true to its DNA and heritage. We are not looking into creating something fashionable, but something which is Piaget. Our creations don’t belong to a period of time. The Maison’s creations travel across time and access the world. High Jewellery, Jewellery and watches collections showcase the authentic craftsmanship of the Maison’s artisan and embody Piaget stylistic codes: asymmetry, gold craftsmanship, radiance, colour, nature, purity and elegance.

What story does Piaget tell with its 2019 jewellery collections?

In our Golden Oasis collection, the Maison was inspired by the mysterious curves of a breath-taking desert landscape. The collection captures the vivid light and intense hues from dusk till dawn. It invites a captivating journey across a vast desert.

Piaget always celebrates Nature, which inspired the 3 chapters of Golden Oasis: Play of Lights, Desert Minerals and Native Bloom.

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Is there any particular collection one should look out for this year?

First of all, one should look out for our 2019 High Jewellery collection, Golden Oasis, as mentioned above.

Piaget also launched a new jewellery collection this year : Piaget Sunlight.

As mentioned, the sun is one of the most important motifs and sources of inspiration for the Maison. Symbol of a life of brilliance and joy, it embodies the optimism and fun-loving spirit of Piaget.

What makes millennials an interesting market for Piaget?

The new consumer’s generation has already taken social media as part of their daily lives. For them

luxury is about enjoying life and self-reward. More and more young consumers are looking for creativity, innovation authentic know-how and craftsmanship.

Piaget embodies all of these values through its creations and its “Ateliers de l’Extraordinaire”. For example, the Possession collection takes advantage of an array of new tones and interchangeable bracelets to express one's personality and creativity while the Altiplano collection always innovates and pushes the limit of the ultra-thin while always keeping it elegant.

What's next for Piaget jewellery?

Piaget will continue to cultivate its craftsmanship, develop its creativity and innovate through its future jewellery and High-Jewellery creations. The Maison always aims to create surprising and elegant pieces while staying true to its DNA.

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photos: Bernard Polidano makeup: Natasha Polidano hair: Clayton Balzan Fiamminage outfits: Natasha Polidano Filigree jewellery: Kevin Attard model: Christina Bartoli - Models M Photoshoot for Venere produced by Motion blur and Unique Promotions - Malta in Valletta Malta

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A Matter of Colour Interview with Carla Grima

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It's quite a natural source of inspiration since it's what I am surrounded with everyday.

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arla Grima grew up in a creative family, and like her ceramic artist dad, surrounded herself with bright colours.

Despite not being interested in ceramics, Carla was always obsessed with textiles and photography. She’d make paintings out of textiles, play around with fabrics and capture moments. The logical next step was fashion, and her vision, which is to capture natures' luxury through high quality silks, cotton and wool fibers, was born.

Her work is indeed a true reflection of her colourful happy self.

What lies behind your interest in the world of design?

Shapes, in any form or size. The exploration of fitting different shapes within each other - whether it's negative spaces in architecture, nested shapes in product design or sewing geometric shapes together in fluid fabrics... all of these elements constantly keep me excited about all the different forms of design.

How has your creative family background influenced your career path?

It was only a couple of years ago that I really acknowledged how my creative family background really influenced my current obsession with Mediterranean design. Being brought up within the family's ceramic business and always chatting about design, colour and new ideas at home has helped me form my passion for design. It made me feel that taking the plunge to work in the fashion industry should be looked at like any other job and nothing less just because it's 'creative'.

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Your style has been described as "comfortably elegant with a chic, ethnic twist." To what extent do you agree?

For me it's all about selecting the right luxurious fabrics and combining this with a fluid, loose fitting cut. I think the simplicity in this guarantees comfort.

Being comfortable, enjoying what you are wearing, instantly makes you look more relaxed and elegant.

In what way does travel inspire you?

So many different ways! Sometimes just from packing my suitcase and thinking about practical items that I might not own but that would be perfect for a trip. Other times it might just be an unfamiliar climate that inspires me to research a new fabric composition. However, most times it's the fresh mix of colour, like walking through a Sardinian alley with terracotta walls against contrasting painted doors.

In a recent interview, you noted; "summer in the Med is always at the top of my inspiration list."

Can you elaborate?

My summer wear , Resort Wear, is heavily inspired by the seasonal summer fruit that we see in bloom, the Mediterranean weather, the colour of the Mediterranean sea, the way people who live around the Mediterranean come to life in the summer season... I can paint a very clear picture in my head of the overall ambience that inspires me during this time. It's quite a natural source of inspiration since it's what I am surrounded with everyday. I like to think of my brand as a lifestyle brand since it's my lifestyle that inspires what I create.

It seems that learning how business works was the hardest challenge in your entrepreneurial journey.

I think you enter a project with either a strong creative vision or a confident business plan. For me the business side was where I lacked confidence.

I continuously get help with this by going to networking events or chatting to friends and family that have been through similar challenges.

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How does a designer juggle a family, a business and her own me time?

At the moment my days aren't as routined and scheduled as they used to be... so I'm still getting the hang of juggling all the things that I enjoy doing.

My usual reply would be having a routine! Keeping set timings daily for family, work and some laid back or exercise time. Now I try to juggle it all, but sometimes I need longer days in the studio, other times I just want to enjoy the day with my daughter or go on an adventure as a family. Maybe ask me this in a few months time and I'll have a clearer answer.

I read you never leave the house without your amazingly coloured Christian Lacroix diary. Why? Hahah that was a while ago I guess. Since then I have collaborated with an incredible local book binder and together we make diaries out of my silk offcuts.

My diary is always in my bag/ baby bag as I've got all my current projects and future ideas in it. I find it so much easier to enjoy the time to write or sketch out an idea rather than type it out on my phone. It's also a great source of company when you're having a moment to enjoy a cup of coffee and planning out your day.

What should we expect from Carla Grima in the coming months?

Since opening our first collaborative shop - Salt&C we have committed to producing more capsule collections year round. So you could definitely expect a larger winter collection from us. We also have a second little shop opening up just in time for Christmas and lots more collaborations with local designers in the pipe lines.

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THE WEDDING DRESS Interview with Josef Gauci, owner of Ivory & Co.

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he Big Wedding Dress Search - equal parts exciting and daunting. For most of us, this is the first and only time we'll be shopping for a wedding dress, and as you can imagine it's not quite the same as picking out an outfit for work.

Finding the perfect wedding dress can be quite a long process and isn't always easy.

It is often said that a wedding dress is both an intimate and personal for a woman. Josef Gauci, owner of Ivory & Co. believes that one's personality and style play a huge factor in the decision making process. "When choosing your wedding gown, you must be comfortable and feel relaxed and not have to worry about the dress. My advice is to not let the dress wear you but for you to wear the dress."

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Josef also highlights the most important things a bride should consider when they are choosing their gown. The first commandment is certainly to keep in mind what works best for your body type and what is going to make you feel most beautiful whilst still remembering comfort. "There is no point looking fabulous if you cannot breathe or dance! Many brides now are choosing two gowns, with the second gown allowing them to have more freedom to dance, twirl and enjoy the celebration."

One key factor to keep in mind when choosing a wedding dress is certainly the colour. Pristine, white, fairy-tale wedding dresses, to be worn once and then tucked away, weren't the standard until relatively recently. Before then, coloured dresses were the norm for brides of all classes. Josef feels that the blushing bride in pure white is kind of a misconception on many levels. Firstly, a wedding dress is rarely ever pure white. Normally, a gown will be pale ivory, that will look and read as white but a pale ivory is kinder to one’s skin tone or complexion and will photograph better.

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Another key factor to keep in mind is the fabric. Josef believes that customers appreciate the value of a good fabric. "The beauty is not just in the look of the fabric but also the touch and how well the fabric will drape when turned into that special gown. Quality is obvious with fabrics."

Last but not least is the style. The digital age has changed how a bride will find inspiration for her dream day and her dream gown. Technology has really transformed the bridal industry with a bride often downloading a wedding planning app and having the ability to research styles and designs worldwide before even coming to try on her first dress. Gone is the day where a bride will come in with a pile of magazine cuttings. Today, our brides tend to be very informed on current trends.

When all elements are in place, a bride has to choose the dress of her dreams. Not an easy task, yet, with some good help and some logic, she will go for the right one!

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Gaia & Nina www.gaiaandnina.com Photography: Rebekah Kamsky

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FOR the

LOVE OF HAIR C

lose your eyes for a while. Add a dose of boldness, a pinch of ambition and an ounce of talent. Mix them together and add them to two incredibly good looking local hairstylists. Now open your eyes and you will quickly figure out why Lara and Ruth Steer are considered by many as two hot names in the industry. Do not feel intimidated by their wild looks. It is part of their package and what really makes them stand out of the crowd.

Their work is simply amazing and it is by no coincidence that they are considered as one of the best young local talents in the sector. At a relatively young age, Lara and Ruth have achieved so much in their career already and show no signs of letting up.

To the contrary, they have a hunger to learn more, to grow more and to achieve more. Moreover, they are blessed with bubbly characters hence it’s easy to see why their clients love them so much. Lara and Ruth are irresistibly infectious. They are smart, disarmingly honest, opinionated and loyal. What should you expect more from great hairstylists?

Situated at the heart of Ibraġ, their studio is a hub of colours, ideas and styles which make sure every woman that steps out of their outlet can be defined as cool, stylish and above all beautiful. Lara and Ruth have their specific areas of expertise which they focus on. Indeed, Lara is the creative stylist. Vidal Sassoon trained and three time Wella TrendVision

Award winner, Lara is the creative director for dsalon hair advertising campaigns, photoshoots and hair shows which are held yearly during Malta’s Fashion Week. Lara is also the bridal hairstylist and micro loop extensionist at dsalon. On the other hand, Ruth is the creative colour specialist with the special ability in shade selection and super balayage blending. Ruth is also the permanent smoothing technician at dsalon. Jane is the creative stylist.

She has focused on the needs of clients for over 35 years in the hair industry. Jane has always had an artistic flair for creating beautiful healthy hair. Ray is dsalon’s charming barista. He serves the best Cappuccino around!

There is no way you will be let down at dsalon.

Their skill, their creative mind and their experience are the perfect guarantee for a good cut. When driving by Ibraġ, do remember the name and stop for a cut you will never forget!

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photo: Bernard Polidano makeup: Natasha Polidano hair: Clayton Balzan Fiamminage outfits: Natasha Polidano filigree jewellery: Kevin Attard model: Christina Bartoli - Models M Photoshoot for Venere produced by Motion blur and Unique Promotions - Malta - ­­­in Valletta Malta

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B E AU T Y

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photos: Matthew Cutajar @icam studios outfits: charles & Ron

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sense of elegance Interview with Sue Rossi

A

ttractive, elegant, smart, sophisticated and one of those women who certainly knows what she wants from anything she sets her eyes on. Sue Rossi is a true icon of the local fashion industry.

Sadly, the word "icon" gets tossed around quite a bit these days, yet Sue certainly deserves such a label for the way she has changed the landscape for others and the way she left an indelible mark on local fashion. She is always perfectly dressed with hair, makeup, jewellery, shoes and clothes which are never too little or too much.

Everything she wears is a statement which highlights her class and beauty. Sue is blunt, very frank and always ready to offer an honest opinion on the industry and the people that surround it.

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I think that, yes, the older you get, you realise the most valuable commodity that we have is time.

Sue was a model back when models were considered the height of sophistication and untouchable, otherworldly beauty, and her very name is synonymous in the local fashion industry.

While her modeling career has been an illustrious one, it's what she's done after those glory days that has truly revealed her powerhouse nature.

Sue Rossi's work as a part-time salesgirl in a textile shop in Valletta was the stepping stone for her long-standing career. There, she had the greatest privilege to meet one of the best talents Malta has ever produced in the art and design industry, Ray Ashley. Her eyes glow whilst she shares with us the key role Ray played in her early steps in the industry. Sue defines him “as a true friend of mine who gave his personal touch to my outfits. Through his persistent encouragement I seriously pondered on taking up modelling with an agency run by Ms Anne Borg." She adds that photo shooting was another attractive activity that lured her toward the world of entertainment and art. A scholarship at the prestigious Model Nouveau School, Nottingham, paved the way for an exciting international experience. In the United Kingdom, she followed modelling lessons and instructor courses. Sue proudly notes, "I recall being very appreciative of the outcome especially on obtaining successful distinction results for the examinations held there”.

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Sue Rossi

On her return to the island, Sue witnessed the realisation of another dream by opening her own modelling agency together with an acquaintance of hers, Noel Falzon. Moreover, after a relatively short time back in Malta, an assignment with an international magazine, PIC (People in Camera) meant more than front page covers and ushered her in a hectic period of travelling to exotic destinations like Jamaica and beyond. The newly founded agency in Malta was prospering and holding modelling courses to a multitude of local students coming from all walks of life. The success she experienced, encouraged her to organise the first beauty contest under the title of Miss Maltese Beauty. Such was the success, that its popularity kept on growing annually for the past twenty-five years.

Today, Sue is busy juggling several projects and a personal life. I ask her what are her views on time.

"I think that, yes, the older you get, you realise the most valuable commodity that we have is time and, unfortunately, even though we try to fight it, we can’t buy it, right? So, for me, it’s definitely how do I choose to live my life."

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The famous American musician, Raheem DeVaughn once noted, "When it comes to beauty, women are nothing short of amazing. They come in variations of shapes, colours and sizes. Each part of their character and personality adds an element to their beauty." Sue believes that "the most important element in a model is his or her personality. Beauty is not enough. Beauty comes by itself with personality." She also emphasises on her deep belief in timeless beauty. "I’m trying to figure that out as we go along. I think timeless beauty, it’s not about fashion, it’s not about trend, if you look at someone like Audrey Hepburn, of course, she was undeniably, like, perfection and even as a mature woman, there was a beauty. And I think a lot of that has as much to do with who she was on the inside and what she was doing, and I saw it on her face, like her self-confidence."

She insists on the importance to groom prospective models to reach the level required on the international plane.

Sue points out that we are still lacking from a professional point of view. "Few models such as Claudia Calleja and Nirvana have really made the grade."

Nevertheless, she points out that there are a few promising talents today such as Francesca Mifsud and Katrina Pavia.

Atelier asks Sue for a word of advise to those pondering a career in the fashion industry to which she quickly points out, "You do not get into modelling to become a model.

Your focus should be to get the correct posture, to integrate with others, to develop you personality, to groom yourself, to learn how to properly approach an interview, to learn how to sit and hold your hands properly. The rest will come along once such basic elements are learnt."

It is time to conclude our conversation yet before further ado Atelier asks Sue whether she has any projects in the pipeline. "Miss World is my baby. It was something I always dreamt to do and will keep on promoting. The young generation keeps me going and strive to reach new heights with Miss World. Valentina is not really into Miss World for now but who knows what lies in the future? It is said that the past cannot be changed, but the future is yet in our power."

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model: Valentina Rossi make-up: Natasha Polidano photo: Bernard Polidano

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Making

Faces Interview with Natasha Polidano

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true artist and an obsession for detail and perfection.

That is a fair way to describe makeup artist, Natasha Polidano. She is incredibly talented with a natural ability to make clients not only look beautiful, but feel beautiful. A quick look at her impressive portfolio and client list highlights her staggering breadth of experience. Indeed, Natasha is considered by many, as one of the best talents in the local makeup industry.

Natasha shared with Atelier her journey in the makeup industry, her style and her definition of beauty.

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The definition of beauty changed drastically throughout the centuries, and in these past 50 years, it is changing at a much faster pace.

Natasha Polidano

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model: Julia Azzopardi make-up: Natasha Polidano photo: Bernard Polidano

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How did it all start?

It all started many years ago, when I was still at school, at around the age of 13. I loved drawing then. I was extremely shy and did not feel girly at all.

School used to organize periodical plays, which we used to perform in front of other classes. I offered to do makeup on the girls faces and mine with my drawing skills. There, I realized the power of makeup.

Makeup can be an ally to hide imperfections, to enhance the already existing features but most of all to empower the character, especially a shy one.

Where do you get your inspiration from?

When I am doing makeup I get my inspiration from the client's character, their style and likings, their facial feature and also from their vision of how they would like to look. If I am doing makeup for a fashion shoot or a more artistic project, I do look on more current runway or editorial trends.

What do you love most about make up?

The thing that I love about makeup is the power it has, and the power it gives. Makeup can be an ally to hide imperfections, to enhance the already existing features but most of all to empower the character, especially a shy one.

How would you define beauty?

The definition of beauty changed drastically throughout the centuries and in these past 50 years, it is changing at a much faster pace. Lately plastic surgery alongside huge amounts and layering of makeup is widely used in the perennial race to achieve beauty perfection, resulting in an army of barbie clones. We lost track of the definition of beauty, which for me in reality is a good character, good values, a nice smile and a pinch of makeup to enhance where beauty already exists.

The famous French entrepreneur, FranÇois Nars, once noted, "Makeup is about balance. When the eye makes a statement, the lips should be quiet."

To what extent do you agree?

I do agree that makeup is definitely about balance, but sticking to just the rule of heavy eyes and naked lips limits the makeup combinations. Balance can be achieved also with an all natural look, a minimal eye and emphasis on lips or even a bold all over look.

model: christinabartolli@modelsm

Does everyone look better with make-up?

Only with just the right amount and the correct method, yes everyone looks better with some makeup on. But wrong methods and incorrect use can lead to total disasters. So if someone is not sure of the right way of application, the rule of less is more applies.

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model: Valentina Rossi make up: Natasha Polidano hair: Flavia Borg Attard styling : Adriana Calleja photo: Bernard Polidano

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What three makeup items should no woman leave home without?

Every woman’s need differs from one another, so the 3 makeup items in their bags strongly depends on their daily routine and work and in which part of the globe they live in. I personally carry only a lip balm in my bag. The 3 items I would suggest keeping in a bag are, a same skin colour concealer (it hides imperfections and removes fatigue), a good, well hydrated tinted lip balm, that can also double up as a cheek colour and will give a natural glowy look and a mascara which is an eye opener.

How would you describe your signature look and what is it about your style that sets you apart from other makeup artists?

My signature look I would say is emphasise on the eyes, using my favourite colour… shades of plum.

I have a vast collection from this colour so I can compliment various skin tones. My experience in this field does help me a lot, but listening to clients and warping their desire into a makeup look that makes them feel beautiful for hours on end is what sets me apart.

What is the most important beauty advice that you can give to women?

An important beauty advise would be to follow a good cleansing routine in the evening, keeping the skin healthy is very important. But most important is... use makeup to make you strong and to make you feel better. Do not hide under a tonne of makeup just because society implies so. You are beautiful just the way you are.

Makeup was my first love, and so it will remain for long, but 2 years ago I was presented with the opportunity to attend a freshly introduced Fashion Course at MCAST and with my passion for fashion, I simply couldn’t look away. Fashion was also a dream of mine but 28 years ago there was no such opportunities. Today, I just started another 3 year journey, a B.A. in Fashion and Marketing. I hope that with the encouragement of my family and my experience in makeup, this will lead me to new places.

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PHOTOGRAPHY

Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.

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W. Eugene Smith

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Credit: Rebekah Kamsky

Catching the Moment Interview with Darren Agius

Young, cool and above all, incredibly talented, Darren Agius is certainly one of the rising stars in the local photographic industry. His work is amazing always emphasising a sense of clean, cool and modern touch, visible in any shot he takes. Darren is bold, ambitious and always striving to take his work beyond the boundaries which distinguish a normal photograph from an extraordinary one. Darren shared with Atelier his interest in photography, his style and his plans for the future.

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What attracted you to the world of photography?

Photography really fell into my lap in a time and age when I was lost between choosing different paths in my life. Like everyone today, I liked the look of the chunky DSLR but knowing no one in the photography world it was a huge step for me to spend thousands in equipment. It was actually another established photographer who pushed me to pursue photography after he had seen the

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composition of some of my photos I shot in the early days with my small point-and-shoot camera. I took a photography editing course and purchased my first full frame DSLR right away in 2011. After a number of years shooting as a hobbyist, submitting photos to international competitions and being awarded for 5 consecutive years, I decided it was time to take the leap and pursue photography professionally with a focus on architecture from day one.

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American photographer and modern art promoter.

Alfred Stieglitz, once noted; “In photography there is a reality so subtle that it becomes more real than reality.” To what extent do you agree?

Same as any other form of art, every piece of photographic art becomes the reality of the artist himself. Every artist goes into details that matter to his level of quality and style. Mood plays a huge role in art… the mood says everything about the artist, his character and his journey through life. Whether it’s meticulousness, vibrant, dark, desaturated or depressing, all these characteristics in a photo reflect the reality of the artist.

What captures the attention of your photographic lens?

For most photographers doing similar shoots and focusing on one or two categories improves quality, however only beautiful subjects elevate one’s quality.

Having an unexpected beautiful subject to shoot will stimulate the photographer and get the best of the image.

What does photography mean to you?

Photography is the art of balancing light between what the naked eye sees, and what the lenses capture, making shots appealing without over editing. As a freelance full time professional, photography is my bread and butter.

Some believe that a photograph must contain the humanity of the moment. Do you agree?

For portrait, sports and lifestyle photography it’s essential, however, I definitely don’t agree with this statement to be used for photography in general, as it depends on what the photographer is shooting and his category of specialisation. For architecture and interior photography it depends on what the customer needs, the target audience and the visual style of the photographer.

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How would you describe your approach to photography?

Since I’m camera-shy I always approach photography or a shoot trying to visualise the end product in advance. Unless I’m shooting for black and white or architecture and interiors, I feel that capturing real candid moments brings out the best in people and it is something clients look forward to see after the shoot. It’s ok to take posed shots, but that fraction of a moment (that sincere laugh or expression) is what people are interested in capturing, remembering and recommending you as a good photographer.

Does society give photography the importance it really merits?

This is a whole discussion by itself!

From a photographers’ perspective…

The way I see it is that a photographer who does not specialise in a certain category does not give photography the importance it really merits. I do not mean that a photographer should stick only to one category for life, but rather become versatile in other categories to gain and adapt knowledge from a different perspective.

I am a strong believer that a photographer should master one specialisation, put up a strong portfolio in that category, build the rates and then expand.

other people’s work, while also shooting and editing architecture and interior photos in a way that defies what is learnt from world renowned photographers in their specialisation.

To better explain with an example, such people give the impression that a basketball referee can also ref football, because it’s still sports! It’s very similar in photography… different category = different guidelines, audience, composition, technique, lighting, editing, rates and so on. Picasso and Michelangelo were both painters but their different style made them unique.

Therefore the fact that every person who is able to get his hands on a DSLR is shooting whatever people ask them to, just to make extra income on the side is considered running before learning how to walk properly. I guess it all boils down to the clients the photographer has access to.

The market is saturated with part-time photographers. To give photography the importance it really merits, budding photographers have to specialise in a category and work hard.

What does architecture mean to you?

Architecture is what makes the world around us.

Architects and architectural photographers come together through their work with geometry, lines, repetition, composition and perfection.

From a client perspective…

People who are just looking for the lowest price rather than the photographer’s portfolio see the photographer as the person who takes snapshots with a big camera and a big lens. What could go wrong, right? Anything could go wrong. Even if the equipment works well, backup equipment and experience are essential.

In what way does travel inspire your photographic muse?

Travel is my only break. But apart from that, being an architectural and interiors photographer, seeing new countries and cities really opens my eyes, makes me reflect and see things differently.

From another point of view…

Locally I have witnessed established wedding and fashion photographers wrongly criticising

Any projects in the pipeline?

For just a limited number per year, my next thing is to tap into wedding photography.

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From the moment I had picked up my first camera, it seemed like there was no stopping me….I was hooked.

Rebekah Kamsky

Gaia and Nina

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A Peep through the lens Interview with Rebekah Kamsky

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hey say, a picture is worth a thousand words. Indeed, it is, especially when you look at the work of Rebekah Kamsky (or as she is more commonly known, Becky). Her work is a story which impatiently waits to be discovered by those who purposely or coincidentally come across it. Each picture has a unique feature, each reflecting a story as ‘narrated’ by the photographer behind them, each driven by her passion and the reason she was drawn in the beautiful world of photography.

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Silk headscarf, jacket & bag by Saz Mifsud

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Planning and Stylist: Grace Events Malta

Was it love at first sight with photography?

As a child, I always remember trying to find ways to express myself creatively. I would sit at a table and turn the paper napkin into something unique, or find ways to create something out of a cereal box, and as such, I could never really sit still. Unfortunately at school I often felt out of place, and couldn’t express my creativity, as it was very focused on study and theory and had little creative opportunities, so when I discovered photography it was like something inside me had instantly clicked.

I had finally discovered an outlet to express my inner emotions.

I was able to be creative, expressive and every shoot was a thrill for me. I discovered my love for photography initially while on a travelling adventure, and later through a 365-day project which I had set out for myself. From the moment I had picked up my first camera, it seemed like there was no

stopping me... I was hooked. I’m so grateful I found photography, and have never looked back, so in essence yes, it probably was love at first sight.

What attracts your photographic lens?

In the fast-paced world we live in, photography is my means of standing still and capturing “a moment in time”. I’m addicted to light, nature, portraiture and storytelling. I like my photos to be real and honest, and I always hope that my photo will make you think beyond the image and make up your own story of what that might be. I love shooting portraits because it allows me to step into someone else’s world for a short while. I also love shooting film.

Over the last few years, I’ve also become extremely interested in underwater fine art photography. Shooting underwater is an incredible feeling. When I enter that space below the water, it is still and silent and the world feels and looks different.

I can’t describe it but it's one of those rare moments when I can drown out the noise from the outside world, even for just one fleeting moment, where it’s just me and my camera.

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Who were your early influences?

My early influences are still the photographers that inspire me today. They include Marta Bevacqua, Laura Zalenga, Lizzy Gadd, Oli Sansom, and Esperanza Moya.

What was your first break in photography?

I’m not exactly sure this would be called a break, but to me, it was a beautiful moment and a giant wake up call.

My photography has always brought me joy and I had decided I wanted to find a way to give back through my passion but didn't know how to make it happen. Three years ago, while living in Melbourne, I had discovered this beautiful foundation called OneGirl.org and found out it only cost $300 to educate a child in Africa for a whole year.

I then decided to do something with my two hands and my love of photography. I ran an exhibition which was way out of my comfort zone at the time, with the intention of selling each print equal to a child’s education. I was extremely nervous about it all but for once I felt like it was a tangible goal I could reach, even if I sold one print, it would be wonderful, I thought.

The exhibition turned out to be a huge success, and received a lot of attention in Melbourne. In the end we raised over $6000 which was enough to educate a whole classroom and majorly surpassed my expectations. This was a huge break for me as it was the first time I had shown my work to a wide audience and had realised the value of what my two hands could achieve if I put my mind to it.

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you took the time to think about the photo you were capturing when you shot on film. This is another reason I absolutely love shooting on film.

To what extent do you feel that skill in photography is acquired by practice and not by purchase?

I am self-taught so I sort of figured it out as I went along.

For me its always been about the practice and passion, and never about the purchase. In fact, you’ll always find me shying away from technical conversations about photography or equipment.

How do you get inspired? And what inspires you the most? Movies, books or magazines? Or is it just what’s around you?

Being out in nature is my biggest inspiration. I’m usually drawn into the places I visit and the landscapes. I’m also inspired by people and their stories.

Soundtracks of movies, books, old magazines and so many other things inspire me too.

How would you define your style?

Dreamy, expressive, real.

How would you describe your approach to photography?

Anyone who has worked with me will know that I take a very documentary-style approach but I am also adventurous and will always go the extra mile to document what I encounter. To me, photography has always been the opportunity to freeze a moment in time, so whether it's shooting a portrait, fashion shoot, wedding, family moments, or simply travelling or being out in nature, I will always shoot in a raw, documentarystyle and honest way.

The famous American photographer and environmentalist, Ansel Adams once noted; "you don't take a photograph. You make it." Do you agree?

To me every photo has a background story, and expresses something unique. So I would totally agree yes, you never take a photo for the sake of taking it, when it is something so important to you, you are totally engrossed in every shoot you do, and each image holds a new value to you. I suppose in Ansel Adams time this was ever more so because unlike with digital,

Any projects in the pipeline?

Yes, too many. I’m constantly setting myself high goals and reminding myself that I need to walk before I run.

I’m very excited to be working with many local brands and also have a lot of personal projects lined up in 2020, hopefully also including another exhibition here in Malta as well as many other exciting ventures both local and international.

Visit my website: www.rebekahkamsky.com or instagram - @rebekahkamsky

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To me every photo has a background story, and expresses something unique.

Rebekah Kamsky

@sarahteephotography MuA Jade Dang - Professional Makeup Artist

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Fashion through the Lens Interview with Bernard Polidano

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t is hard not to stop, look and say wow! the moment you come across a shot taken by Bernard Polidano. His work is truly amazing focusing on motion, colours, detail and the beauty in every model. It is by no coincidence that Bernard is considered by many local fashion critics as one of the best talents Malta has ever produced in the industry. Bernard shared with Atelier his love for photography, how the industry has changed over the past decades and his upcoming projects.

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zuza@sppmodels.com makeup: Natasha Polidano dress: Charles & Ron

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model: Dorianne Mamo make up: Natasha Polidano

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What attracted you to the world of photography?

What does photography mean to you?

It all started 30 years ago, as a joke while I was still studying to become a lab analyst. Me and a friend of mine out of boredom decided that we should take photos of the girls attending our course. At that time there weren’t any mobile phones or digital cameras so taking a photo of a girl required a bit more diplomacy. My friend had just bought a small compact film camera so we decided to give it a try, thus we faked a letter that we were doing an art and design course and as part of an assignment we had to take some portraits of girls. And since then, here I am still shooting girls so to speak.

Some feel photography is a way of feeling, of touching, of loving. Is it correct?

Photography for me is a means of communication, a way how to communicate with the people, a fun activity how to capture those special moments. Life is better when we have a purpose, something interesting to look forward to. Photography gives me that sense of purpose. Photography also gives me creative fulfilment. It helps me express myself artistically and that’s a wonderful thing. Creativity is a major part of my life. On a deeper level photography helps me see the beauty in the world.

When an image is captured, you are capturing also the memories, the feelings, the love, the anger, whatever the emotions are at that particular moment in time. This is what makes a photo special, it’s not the technique, it’s not the person behind the camera, it’s that particular moment in time, because apart from the image these memories are there forever too.

Years might pass by and every time you go back to that particular photo the aura that photo has in it will drift you back to the time it was taken, irrelevant whether its a photo of a loved one or just a place and what a photo might mean to me won't necessary mean the same to another person seeing the same photo.

You have a full time job, apart from photography and a family. How do you find a perfect compromise between all worlds?

It is a matter of prioritising things and getting things done straight away. I don’t like to keep on dragging things. I hate deadlines so I try to get things done straight away. Fashion and photography are sort of a family thing for us and we overlap each other in what we do. Natasha helps a lot in masterminding the whole concept of the shoot plus she helps me a lot with the editing which takes a big chunk of my time, and when Natasha cannot help then there is our son Adam who is also into photography and editing. So, as you can see, we pretty much rely on each other. I cannot but not mention our parents who play a vital role in our lives especially when it comes to take care of Jacob our youngest son. They are always a phone call away especially when it comes to pick up Jacob from school .

The famous Swiss photographer and documentary filmmaker, Robert Frank, once noted; “There is one thing the photograph must contain, the humanity of the moment. To what extent do you agree?

The human experience is wide and deep as the cosmos. Tragedy and comedy pass through our lens unfiltered, It’s what is in our heart that decide where to point the lens and when to press the shutter.

Are there any other areas apart from fashion which interest you?

Apart from fashion, which is the bulk of what I do every day, I am experimenting with portraits. Simple ones, no frills just a close up of the face. I love working with people. It’s a sort of a drug for me which I cannot escape whether they are at my studio or simply walking in the streets. I am fascinated by the human aspect, sometime I just stop and stare at someone unknowingly. I am intrigued by what people bring along for a shoot, the interaction created with the subject is a sort of a mythical thing.

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Are there any particular details you look out for during any photo session?

I am obsessed with the eyes. I always try to capture and guide the person I am photographing to give me eye contact. When I say eye contact, I want feelings, I want passion, I want anger. Whatever the session is I want the eyes to speak out what the words cannot. As they say, the eyes are the window to the soul.

You have been working in the industry for quite some time. How has it changed over the past years?

Definitely there has been quite a lot of improvements through the years.

When I started, the number of fashion photographers available was limited to just a few. Very few dared venture in such a specific sector.

On the contrary, today, fashion photography is so sought after with many big names in circulation. However, I still believe we have not yet understood this sector. Fashion photography is more than just shooting women.

We still have a long way to go. Once we learn what fashion photography is really about,we will realize that it is such an amazing world with so many sources of inspiration for our photographic lens.

Any upcoming projects to share with us?

Work on an exhibition plus I have a couple of international runways coming up. And also this year I started a Master in Fine Arts and in digital art at the University of Malta.

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A TELIER model: blanka@modelsm make up: Natasha Polidano dress: Natasha Polidano

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direzzjoni ta’ SEAN BUHAGIAR traduzzjoni ta’ WAYNE FLASK

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THE THREE PALACES FESTIVAL

VALLETTA - MDINA - NAXXAR

THE THREE PALACES Realising that our ordinary is actually extraordinary!

1-10 NOVEMBER 2019

Photo by Bernard Polidano

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