Atelier 19

Volume 19

Summer Hues

ARIA BY ZAHA HADID

| ESS Ltd., Triq San Gwakkin, Zone 4, Central Business District, Birkirkara contactus@ess.com.mt | +356 21255777 | www.ess.com.mt

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Publishing Editor Omar Vella

Design

Yorath Abela www.abelayorath.com

Printing & Publishing

It was predicted that 2025 would be the year of transformations in lifestyle trends primarily driven by changing consumer habits. Indeed, the first half of this year have confirmed such predictions. The recent Euromonitor International - Voice of the Consumer: Lifestyles Survey 2025 noted that the luxury landscape is rapidly evolving as consumers shift from seeing luxury as a mere investment to demanding lifestyle-enhancing qualities. This transformation offers growth potential for brands that diversify into homewares, wellness and beauty. Likewise, the lifestyle landscape is also changing in other areas including architecture and interior design with a clear evolution toward sustainability, digital transformation, and enhanced urban livability. And in this constantly evolving surrounding environment architects, interior designers, fashion designers and other pieces of the puzzle that form what we define as lifestyle continue to dream, continue to create and continue to adapt in order to leave their mark.

Union Print Co. Ltd. www.unionprint.com.mt

Proof Reading

Ramona Vella Cini FRONT AND EDITORIAL IMAGES Model: Marina Plotnikova Makeup: Lyanne Sawyer Hair: Mood&Co Clothing: Maison 123 Jewellery: La DoubleJ (at Zartera Gallery) Furniture & home accessories: Zartera Gallery Set design & styling: Brian Grech Photography: Brian Grech Disclaimer: Particular attention has been given to ensure that all the content of this magazine is correct and up to date as on date of issue. The views expressed in the articles, interviews and photographs are those of the authors and are not necessarily endorsed by the publisher. While every care has been taken during production, the publisher does not accept any liability for errors that may have occurred. Copyright© 2025.

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Model: Marina Plotnikova Makeup: Lyanne Sawyer Hair: Mood&Co Clothing: Maison 123 Jewellery: La DoubleJ (at Zartera Gallery)

Furniture & home accessories: Zartera Gallery Set design & styling: Brian Grech Photography: Brian Grech

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ODA

Interview with Eran Chen

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Eran Chen has quickly become a recognized name associated with creating buildings that are not only innovative but also ecologically responsible. ODA has participated in high profile projects in New York, Dubai, Taipei, Seoul, the Netherlands, Moscow, Mexico and many more places around the world.

Eran’s vision, his philosophy and work have not gone unnoticed and has received several prestigious awards in the past few years alone, including multiple awards from the American Institute of Architects (AIA) and NYCxDESIGN Awards in 2022. Eran shares with Atelier his architectural journey from his upbringing in Israel to his impactful presence in New York City.

In what way does ODA reconcile the conditions of vertical urban living to revitalize communities?

At ODA, we’ve always believed that vertical living is an opportunity to reinvent how people live together in cities. We design buildings that aren’t just stacked units, but ecosystems that foster interaction, carve out green space, light, and openness in places where they’re often lacking. By weaving the public realm into private development, we expand the envelope and create spaces where people can connect to one another and to the city itself.

How does the human-centric element fit into your work?

Left: Portrait - Ohad Kab Below: Green Utopia - Zhou Ji

We start with people, always. “Form follows experience” is a lens we use to shape our buildings.

In today’s world, functions are increasingly fluid, especially when it comes to working or shopping.

What matters is how a space feels and what kind of experience it enables. So, we design from the inside out, thinking about the daily moments and communal rituals that architecture can support. Ultimately, our goal is to design buildings that respond to and evolve with the human experience.

How did projects including 15 Union Square West, an old Tiffany’s building help ODA establish a reputation as innovative yet pragmatic thinkers?

15 Union Square West helped establish some of ODA’s fundamental ideas. Primarily, it gave us an amazing opportunity to creatively transform an old building –

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by doing some “urban archeology” and digging into its history and existing structure. This approach paved the way for not only one unique and innovative adaptive reuse project but laid the groundwork for how we still approach renovations and adaptive reuse today. Each building has a history, but also the potential for a second chance, to tell another story for years to come. The approach we established for 15 Union Square West became the precedent for our most recent adaptive reuse projects, like OLA Palermo in Buenos Aires and POST in Rotterdam.

15 Union Square West was also one of our first projects that explored the possibilities of expanding a building’s envelope within zoning codes and prioritized dedicated outdoor spaces.

We were able to design true private homes that still exist in the context of vertical, urban environments.

Left: Book Tower - Matthew Williams Below: Union Square West - Robert Granoff

In what way is architecture a privilege and a commitment?

Architecture gives shape to the future, so it’s both a responsibility and a rare privilege. We’re not just designing for today, we’re designing for how people will live, interact, and belong years from now. That kind of influence demands commitment and it’s our job to ensure we are designing buildings that strengthen communities.

How can a well-designed community be a formidable solution for city living?

A well-designed community redefines what urban life can be. Instead of isolating people or spaces, it weaves them into something larger, a network of shared spaces, mutual support, and daily interaction. It can create opportunities for connection in unexpected places, and at scale, these small interactions lead to a larger impact, fostering a sense of belonging that cities need today.

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How do you use nature in your architecture?

Nature isn’t an afterthought but rather a material, a collaborator, and a necessity. We bring nature into our buildings by blurring the boundary between indoors and out. Whether that’s through terraces, green roofs, or courtyards, we create spaces that allow light, air, and greenery to flow freely. Our goal is to restore organic rhythms even in dense urban environments, because connection to nature is essential to human well-being.

Why is the space between the buildings is as important as the buildings themselves?

Too often, architecture seems to focus only on the object, not the fabric it contributes to. We approach our work with the idea that buildings should give something back and by carving out public space within and around our buildings, we aim to create a richer, more porous urban environment.

What’s next?

We’re working on some exciting new projects, including the first ground-up ski resort in North America in the last 40 years in Deer Valley, Utah, and several ground-breaking projects across South America and in the Middle East. Our geographic footprint is expanding rapidly, and we can’t wait to see how these projects shape up.

Left: Book Tower - Matthew Williams

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T imeless Luxury 16

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Curated Vintage Finds at Lunara

L For the team at Lunara, choosing vintage is about more than style—it’s a quiet act of sustainability. By giving pre-loved luxury items a second life, Lunara is helping in sustainability through fashion while honouring the craftsmanship that stands the test of time.

This isn’t a venture but it’s a passion project rooted in the love for beautiful things with a story. As a small family team, the Lunara team spends their free time seeking out timeless

Lunara

treasures, iconic designer handbags and rare pieces that deserve to be cherished once more.

Each item is thoughtfully selected and gently restored to highlight its original beauty, always with care and respect for its history. The team at Lunara personally researches and after authenticates through a service provider their collection, ensuring every piece is genuine and meaningful. Restoration is at the heart of what they do and after they sell their products. Many of the items are gently brought back to life cleaned, repaired and preserved so their original charm can shine again.

It’s a slow, thoughtful process rooted mainly in appreciation.

Whether you’re drawn to vintage for its elegance, its quality or its lower impact on the planet, the team at Lunara hopes you find something in their collection that feels like it was meant just for you.

You can find Lunara on Instagram: @lunara_malta_designer and on Facebook: Lunara Malta (facebook.com/share/ 14WtWdvDRp/?mib extid=wwXIfr)

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A Busy Year at

INFRASTRUCTURE MALTA This was indeed a busy year at Infrastructure Malta with the completion of over 300 infrastructural projects, including the rebuilding and maintenance of roads, and improvements to rural access. These projects, representing an investment of over €50 million, covered over 300,000 square meters of road surface.

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across the island to ensure safe travel while extending the life of our existing infrastructure

12 strategic projects with long-term strategic planning, contributing to improved traffic flow, reduced congestion, and better connectivity. A case in point is the Msida Creek project.

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which experienced infrastructural upgrade in collaboration with other government entities thus ensuring that underground services and essential utilities are modernised alongside road improvements.

12 rural roads

to ensure accessibility to agricultural and rural areas.

160 residential roads which have directly improved the daily lives of thousands of families in our towns and villages.

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The work also included the installation of new underground utility networks and irrigation systems. An investment which saw maintenance work done on impressive figures which confirms the government’s commitment to improve the island’s infrastructure and above all the quality of life of the current and the future generation.

Impressive figures which would not have been achieved without the unconditional commitment of a dedicated team of people at Infrastructure Malta who consider streets not as construction sites but as places where people spend most of their time, where people work and where they live. A dedicated team made up of engineers, architects and field officers are on site every day, ensuring that every detail meets our standards among residents, business owners, and local councils — listening, learning, and adjusting where needed. A dedicated team made up of

project managers and field officers are working behind the scenes to ensure everything runs smoothly and responsibly. A dedicated team of people that also extends to other government entities. Truly so, because the government’s infrastructural goals cannot be achieved without the collective effort of every entity or individual involved in the implementation of such projects. Above all, government’s infrastructural goals would not be achieved without people becoming part of the process and furthermore, part of the solution.

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The results achieved over the past year are not the end of our journey but rather serve as a springboard to where we want to go and to what we want to achieve in the coming years. We are laying the foundation — literally and figuratively — for a smarter, safer, and more sustainable Malta. A sustainable Malta much needed for our nation but also for the government to implement its ambitious goals as set forth in its Malta Vision 2050. A vision which will see the country consolidate key economic sectors but also delve into new niche sectors which will guarantee sustainable economic growth. And for the government to achieve such goals, Infrastructure Malta will continue to push boundaries, embrace innovation, and most importantly, achieve results that make a real difference in our everyday life.

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One of today’s dilemma is how to stretch your budget, look good, feel confident and not overspend. Advertising is everywhere and we’re constantly being bombarded, often subtly, with ‘deals’, must-haves and the latest trends. Where once it was TV, radio, or magazines, now it’s Instagram reels, TikToks, YouTube hauls, podcast mentions, and influencer content across every scrollable platform. The delivery has changed, but the message remains the same: buy more, buy now. The challenge? Staying financially smart while still enjoying what you love.

Impulse buying is a common trap. So common that we often don’t realise we’re doing it. That momentary reward can be hard to resist, and marketers know it. But, quick purchases add up. Fashion and lifestyle trends move fast. You blink, and they’re gone. A super habit to adopt? Pause and reflect before clicking Buy Now.

Budget Monthly for Non-essentials Set aside a specific monthly amount for fashion and lifestyle items. Love browsing homeware stores? Great, just budget for it. If a €30 candle or reed diffuser brings you joy and it’s part of your plan, enjoy it without guilt.

Save Towards a Goal Set small, realistic saving goals. If you have your eyes set on a branded handbag or quality coat, plan and save for it. Sometimes, it’s smarter, sustainable and more cost-effective to invest in one well-made item than buying several cheaper ones that won’t even last one summer.

Value over volume.

If budgeting has never been your strong suit, start small. Try a budgeting app to help you track your expenses hassle-free. With a little planning and intention you can enjoy lifestyle purchases without the financial stress.

FACEBOOK.COM /GEMMA.KNOW.PLAN.ACT

For free tips, tools, and resources on budgeting, saving, and smart spending, visit gemma.gov.mt.

LINKEDIN.COM/COMPANY /GEMMA-KNOW-PLAN-ACT

Follow ĠEMMA on social media for everyday money tips.

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Interview with Sarah Bajada

Indian novelist, Savi Sharma, once noted,

“Everyone has a story to tell.

Everyone is a writer, some are written in the books and some are confined to hearts.”

Maltese TV presenter, author and influencer, Sarah Bajada, has one hell of a story to share which is an eye opener and a true inspiration to many. Sarah Bajada spoke candidly with Atelier about her views, her values and what’s next for her.

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Who is Sarah Bajada today?

Today, I’m a mother first and foremost. I’m also a TV presenter, book author, and a marketing expert who has been in the field for over 14 years. I’m someone who’s learning how to live authentically, with purpose and peace. I’m focused on being present for my son, Sam, building my brand, and doing work that aligns with the values I now hold close which are freedom, honesty, and intentional living. I create charity projects in aid of Puttinu Cares Foundation that support families and children undergoing cancer treatment, and I also stand beside my partner Alex, who is a politician. I wear many hats, but at the core of it all, is a desire to help others and stay true to myself.

In what way has your openness and vulnerability made you an inspiring figure for many who are navigating their own postdivorce journeys?

I think it’s because I never pretended to have it all figured out. I’ve shared the messy parts, the breakdowns, the loneliness, the doubts and I think people relate to that. Especially women who feel they must “keep it together” all the time. When you share your truth, you give others permission to do the same.

And when I talk about rebuilding my life and raising Sam on my own at first, it reminds people that resilience doesn’t always look polished.

Sometimes, it looks like crying in the car and then showing up anyway.

You have recently pointed out, “No one actually speaks about the tough times. All you see on social media most of the time are happy families, you know, like everyone’s united.” Is it a matter of societal denial?

Yes, I believe so. It’s easier to digest pretty images and captions that suggest everything’s perfect. But that’s not life, and deep down, we all know that.

There’s this pressure to present the highlight reel, and it can be incredibly isolating when you’re going through something hard. When I opened up about

my struggles, difficulties, and rebuilding myself post-divorce, I got messages from so many people who were grateful someone finally said it. Denial creates distance. Vulnerability creates connection.

Are we living in a less empathic society?

In some ways, yes. We scroll past surface level content with no purpose. But at the same time, I believe there’s a growing hunger for realness. People are tired of surface-level everything. We need to listen more, judge less, and ask, “What don’t I know about what this person is going through?” I try to live that way both online and offline.

In what way was the process of raising your child alone an eye opener to how tough it is to navigate motherhood when life is this demanding?

It stripped me down. There’s no safety net when you’re on your own.

No one to rely on at 2 AM when your baby is crying and you haven’t slept well in months. And yet, I had to show up for Sam, even when I was depleted, healing from my own trauma while learning how to be a new mum. That’s what taught me strength. One of the biggest challenges was also carrying most of the financial responsibilities alone, while also making sure I was present and emotionally available for my son. Knowing I had to work to make ends meet, while also being the one who is present, comforts him, teaches him, and protects

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his peace, it was a constant balancing act which at times felt very scary because I was even afraid to take on new projects just to be with my son. It taught me just how overlooked single mothers often are. We do everything, silently. And the world expects us to carry it all without breaking. That experience grounded me and pushed me to rebuild a life where I can be both present and fulfilled, not perfectly, but honourably.

What does social media mean to you?

To be honest, nowadays we have the buzzword “influencer”, I don’t even like the term. Influence can go either way, positive or negative, and I’ve always felt that what you put out into the world should come from a place of purpose, not ego. Sadly, I think many are using social media more for attention rather than intention. For me, it’s a tool, a space where I try to show the real stuff, not just curated highlights.

Social media, as a creator, goes beyond just advertising. It’s about encouraging my community to try things like making a homemade cake for a child’s birthday, for example, rather than just pushing followers to opt for expensive parties. If I can use it to uplift, to share something meaningful, or to make someone feel seen, then I’ve used it right. I never wanted to be followed, I wanted to connect.

Tell us about your community involvement.

A lot of it happens quietly, but it’s always been close to my heart.

Whether it’s supporting other mums through messages, sharing resources like my toddler-friendly recipes, or collaborating with small businesses, I believe in lifting others as I grow. One of the projects I’m really proud of is the Puttinu Project. It’s twofold; on one hand, I’m helping mums by creating spaces where their children can enjoy and engage meaningfully, and on the other, we’re giving back to families in need. It’s a cycle of support: teaching kids, helping mothers, and contributing to something bigger than ourselves. I believe real community is built when we show up for each other in both small and big ways.

How does health and fitness fit into your life?

It’s my anchor. I’ve been in the fitness world for over a decade, and movement saved me during some of my darkest times. It keeps me sane, clear-headed, and confident. It’s not about how I look, it’s about how I feel. And I want Sam to grow up seeing that health isn’t about punishment, it’s about care.

What is your take on politics?

I share my life with someone whose life is immersed in it, so I see behind-the-scenes. I think politics should always be rooted in service.

Real people, real problems, less noise, more listening. I choose to stay mostly behind the curtain in that area, and let Alex do his job, but I do use my platform to speak about the importance of compassion and values.

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What’s next for you?

I want to bring more awareness, especially around how women are portrayed and valued in the media and society. Just recently, I came across a very degrading article that simply stated, “Alex has an attractive partner.” And I thought really? Is that all we are reduced to? There’s so much more to women than being “attractive.” We are creators, thinkers, leaders, mothers, fighters. So what’s next for me is continuing to use my voice and platform to empower more women throughout their journey and make everyone feel seen, no matter their background or beliefs. And I do this not to show off myself, but to help others. I want to create safe, real spaces online and offline where people feel valued for who they are, not just what they look like.

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Interview with Marion Zammit There is something particular about Marion Zammit. Probably, it is something connected to her flair, her style or better her eclectic and colourful imagination, inspired by everyday things, ordinary people and frequent travels. It also lies in her love to play with fashion, have fun and why not? at times, provoke. Irrespective to what her distinctiveness boils down to, what really stands out about Marion is her passion for both high-end and low-end styles, colourful clothing, and high contrasts. She recently shared with Atelier her views on fashion.

What is your style and the way you dress?

How did it develop throughout the years?

What motivates you to discover new directions?

I would describe my style as eclectic. This is the great thing about clothes, the fact that you can be a million different persons every time you choose your outfit. If I have a Board Meeting planned on the day, then I’m in a Corporate Power Dress, if I am going out with friends, I can get to be all girly with bows and frills, other times I want to bring a sexier version to the table. All I have to do, is step in my closet, and decide who I want to be.

Transformation is a key motivator. Most of all I am really curious about the way different styles make me feel and how people around me respond to them. Style is such a force, that very few people have learned to harness. I am always on the lookout at different sources of inspiration. Travel, music, movies are all great muses. Whenever I come back from travelling, I feel the urge to overhaul my wardrobe and introduce new elements in my style.

What I am today, is the result of an endless obsession with style ever since I was a young girl. I remember designing my own outfits from a very tender age. I used to leaf through my mum’s old ‘Burda’s’ and observe what people are wearing in the street and on TV. My aunt used to run a textiles’ shop in Valletta, so we would go to her shop, buy material and go to a seamstress who then had to understand my designs and sew up to my expectations. My mum always loved fashion, so guilty-as-charged, she did enable and fuel this passion of mine.

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Some fashion stylists refer to this era as one of self-creation when everything is acceptable, the boundaries between male and female fashion are blurred, and one becomes freer.

What are your thoughts about such view?

Back in my twenties, fashion used to be very clearly defined. Trends had a beginning and an end. A garment was masculine or feminine.

The fact that today design houses are producing between 5-6 collections annually, as well as the fact that creative directors have been playing musical chairs over the past few years has very much blurred the lines and mixed the score. This comes also with a rise in thrift stores and a growing market for vintage fashion, as well as the contrasting speed with which fast fashion giants turn their stocks.

Where does all this leave us? A new style independence where we can choose to wear whatever we want, which is amazing. What a few years back would have been deemed unacceptable, or a fashion faux pas, today is considered an outlet for self-expression. Whether you are a fashion maximalist or a minimalist, retro or modern, androgenous or dystopian, rock chic or boho, there is a place for everything and everyone.

Is beauty being redefined?

This one is hard to answer. We are living in a world of bipolar extremism. On the one side we are moving away from ‘Kardashian’ beauty standards in favour of authentic imperfection and on the other side SKIMS face shapewear was sold out on the same day it launched.

We have the Great Dissolving movement on one hand but also laud Anne Hathaway’s ‘pony tail lift’. We are embracing aging gracefully, coming to terms with greying hair and a few lines, but we are also in awe of Demi Moore looking at her best at the tender age of sixty-two.

Beauty is becoming more inclusive and more accessible, with products available for all skin colours and types. Make up is also becoming more inclusive and more sustainable. Rather than redefined, I think the parameters of what constitutes beauty have widened a lot and is more of a spectrum rather than a clearly defined scorecard.

How has the fashion industry evolved over the past decades from a local point of view?

Locally, the fashion industry has made giant leaps forward over the past years. Charles and Ron have pioneered this journey and paved the way for new and young talents, such as Isaac Fenech, Luke Azzopardi and Gabriel Fenech. We are also seeing some amazing, specialised work like Captain Cut‘s leather-making and Yana’s Jewellery. When it comes to fashion, like in many other niches, it is about honing on our strengths rather than thinking only about the resources we do not have. For instance, the use of Maltese lace in Captain Cut’s collection at this year’s Malta Fashion week was definitely a winner. Today, locals are exposed to incessant international media, they want to look like celebrities and willing to part with a lot of money to look at their best. All this creates demand, however, I also believe that we have to become a bit more intentional and selective when it comes to personal style.

It is often said that less is more. Does this principle apply in the fashion industry?

When it comes to my personal style this is certainly a mantra I live by, especially since I am petite and cannot carry too many statements. If I am wearing a choker or a statement necklace, I will pair up with stud earrings and so on. Usually, I like to have one piece running the show, and the rest serving as a supporting act. Nonetheless, there are people

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who can carry ‘more is more’. For instance one of my all time style crushes, Iris Apfel, was a total maximalist, and she carried it well for a whole century. Creative directors like Alessandro Michele, Vivienne Westwood and Anna Sui are all trendsetters in the maximalist fashion movement.

What trends do we expect to see for Autumn/Winter 2025?

The runways for Autumn/Winter embraced the ‘more is more’ with exaggerated silhouettes, oversized coats and sculptured hips and shoulders, as seen at Alaia and Uma Wang. We are also going to see a return to shaggy, furry textures and big slouchy and soft, unstructured bags. Preppy is also in, along with boho chic and rock punk elements. British Grandmacore or what is being dubbed as ‘high fashion frump’ is another trend we will see in on the high street. If you want to get this vibe, think the ‘before-Prada-version’ of Andy in her cerulean blue top and checked skirt in The Devil Wears Prada. When it comes to colours, mocha mousse, will consolidate its place at the top of the charts, with a return of not-quite-so-bratty bright green.

What’s next for you?

After launching Styled by Marion, earlier this year, life has been truly exciting. I am now collaborating with brands, on in-store events, and leading hands-on training workshops. Alongside this, I am developing new training programs for both personal development and corporate clients.

As we head into the Autumn/Winter season, many clients are thinking about updating their wardrobes— and I love helping them do just that. Guiding people to define their style and step out feeling confident and empowered is at the heart of what I do. marion@styledbymarion.com

Photography by Ruben Buhagiar

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The Mediterrane Film Festival has managed to grab all the headlines across the world from some of the most reputable and renowned names in international entertainment media.

The Hollywood Reporter, Variety, Screen Daily, Cineuropa and others have lavished praise on Malta’s thriving film servicing sector and the spectacular success of this year’s Mediterrane Film Festival.

Malta Gets Standin from the Biggest Names in Media All eyes on Malta The leading publications speak in glowing terms about both the festival and Malta as a location to make films, providing an incredible advertisement not just for the international production business in Malta, but for the country itself.

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The world’s most respected entertainment and film industry publications have not only highlighted the scale of Malta’s achievements but also the strategic foresight that has powered its rise.

The Hollywood Reporter featured an in-depth interview with Johann Grech, Malta’s Film Commissioner, calling attention to his data-driven, ambitious approach to making Malta a magnet for major international productions.

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The article detailed how Commissioner Grech’s work over the past seven years has transformed Malta into a global player through robust incentives, streamlined services, and an unwavering commitment to supporting productions that choose Malta as the place to invest.

The Numbers Don’t Lie The Hollywood Reporter led with the headline “Why Everyone Is Talking About Malta Right Now”, highlighting how Malta has firmly positioned itself on the radar of film productions from Hollywood and across the world.

As Commissioner Grech noted in the Hollywood Reporter “The numbers don’t lie”.

Writer Chris Gardner explained that this was a sentiment that resonated across the industry, as Malta’s yearon-year growth in film production speaks volumes about its success.

Similarly, Screen Daily ran multiple features praising Malta’s status as a major film production destination.

One feature showcased how Commissioner Grech and his team have kept Malta at the forefront of international shoots, with productions from the UK, the U.S., and beyond choosing the island for its unparalleled versatility in terms of locations, competitive incentives and reliable support.

Another Screen Daily article celebrated the closing gala of the Mediterrane Film Festival’s third edition, describing it as a “perfect showcase of Malta’s cinematic transformation,” complete with fireworks, arias, and the presence of leading stars like Russell Crowe as the Golden Bee awards were presented.

Screen Daily wrote: “Although the Maltese film industry remains light on private investment, public funding is paying dividends. Even local filmmakers, who’ve protested in the past about being ignored as the Malta Film Commission chased international business, appear to have been won over. They’re now receiving funding from Arts Council Malta’s new Screen Support Scheme.

Thanks to the huge volume of production, sustainable careers are opening up in the Maltese film business. As one local producer put it, “Everybody is working, nobody is complaining.””

Variety covered the festival’s high-profile moments, highlighting the participation of global stars such as Jared Harris and Russell Crowe.

The Golden Bees Awards night was attended by some leading names in the production business, and major studios such as Netflix, HBO and Paramount were among senior industry figures from around the world who were present.

In a moving speech that resonated with many in attendance, the star of the night, Russell Crowe, reflected on his connection to Malta dating back to Gladiator and how the values from that character still struck a chord with many today.

He urged the Government to keep investing in this sector because it was yielding results.

Barbie Ferreira, one of the leading young stars in Hollywood, was among the A-listers present, and she brought fresh LA glamour to the event. She was awarded a Golden Bee as a rising star in the film business.

Many articles highlighted Johann Grech’s hands-on approach to supporting foreign film productions, summed up in the philosophy that “no door is closed, no request is too much,” and praised his passionate promotion of Malta in a series of “tub thumping speeches.”

During the numerous networking events organised by the festival, this attitude has attracted praise from directors, studio executives, and producers, who credit the Malta Film Commission with creating a welcoming environment that keeps international productions returning time and again.

In these interviews, Commissioner Grech also emphasised the importance of building capacity, investing in local crew training, and supporting productions at every stage - a strategy that has transformed Malta from a picturesque backdrop into a full-service production hub.

Almost all the international articles hailed Malta’s transformation as a case study in how small countries can punch above their weight in the global film industry.

Cineuropa also weighed in, applauding the festival’s vision of combining

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Mediterranean identity with international ambition. The publication praised the festival’s programming, which celebrated both the island’s century-long contribution to cinema and its innovative, forward-looking initiatives that align with modern industry trends such as sustainability, diversity, and technological innovation.

Maltese productions Ciao Ciao and The Theft of the Caravaggio, along with a number of Maltese short films, featured in the festival’s programme and drew some of the largest audiences, with multiple sold-out screenings at the Embassy Cinemas.

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The incentives that changed the landscape The introduction of the 40% cash rebate was a turning point for Malta. The scheme was recently reviewed by the National Audit Office, and the Auditor General confirmed that all studies that showed a strong return on investment were accurate.

These reports, which have been presented in Parliament, show that for every euro that Malta invests through the cash rebate the country gets three euros back. A further report, also verified by the NAO, shows that Malta has generated hundreds of millions of euros in film business over the past years and sustained thousands of jobs.

The NAO has also confirmed the strong return on investment generated by Malta’s film incentive system. While productions like Sir Ridley Scott’s Gladiator II benefited from substantial rebates, the economic returns were just as remarkable, delivering significant value to the country. In fact, in 2023, the year when large parts of Gladiator II were filmed across Malta, the foreign film servicing sector contributed 18% of Malta’s overall economic growth.

VIBRANT NIGHTS OUT 35

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Marcel Wanders presents an exciting collaboration with Fischbacher 1819, the globally acclaimed Swiss brand specialising in furnishing fabrics, carpets, and wallcoverings.

The capsule textile collection, Ancient Memories, is a journey through time, exploring the archaeology of fabrics.

Working closely with textile artist Caterina Roppo, who specializes in creating narrative textiles, Marcel Wanders and Fischbacher 1819 have crafted fabrics that speak to the cultural and historical stories embedded within their fibres.

Materials become more than decorative— they hold a patina and a depth that narrates the passage of time, giving them an emotional and visual dimension.

The collection’s core focuses on hemp, an ancient and noble fibre, chosen for its durability, and Marcel Wanders’ and Fischbacher 1819’s shared respect for nature.

Hemp not only withstands the test of time but embraces it, extending the product’s lifespan and returning to the earth without a trace when its journey ends. Blending hemp with jute and wood-based fibers, the fabrics created by Marcel, Caterina, and Fischbacher 1819 tell a story of nature while staying intimately connected to it.

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Ancient Memories features eight distinct threads – Heritage Healing, Crafted Echoes, Marcel Wanders’ Heritage, Tales of Nature, Nature’s Dialogue, Infinite Patina, Pastoral Weave, and Timeless Traces – each with its own unique character, available as curtains, drapes, and cushions. The collection will debut at Salone 2025 in Milan, but you can catch an exclusive preview of the curtains before that.

During Salone 2025 Marcel Wanders together with Caterina Roppo and Fischbacher 1819 presented a next evolution of Ancient Memories. Among the newest additions to the collection are the Animalia Echo, Puffy Loom, and Animalia Traces rugs—where the fusion of natural and plantbased fibres creates rich, tactile surfaces in which imperfection becomes a virtue and the patina of time a defining trait. This experimental approach is not a return to the past, but a projection into the future— where ancient materials and techniques are reinterpreted to serve the rhythms and needs of contemporary life.

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I was struck by the first sentence in his book; “A Taste of Two Homes” -

“Some journeys don’t start with a suitcase. Mine began with a plate.”

That’s how Kamil Willinsky’s journey in the world of food started. Good food piqued his curiosity to know more about the gastronomic world. It triggered a want inside him to travel to learn about different tastes, different cultures and different approaches to what is commonly known as one of the things that people could find common ground on - food.

Kamil is a voyager but most of all a gastronaut driven by his curiosity, by his dreams but most of all by his deep interest in food wherever that may be. An interest that started in his native country, Poland and which later developed in London, Malta and Italy. A free spirit, with a distinct appeal, a pair of yellow glasses and an inquisitive mind that drives his appetite to know more and learn more. Bold, straight to the point with minimal tolerance for nonsense yet at the same time diplomatic, charismatic and with a savoir faire that helped him earn a name in such a cutthroat industry. Above all, analytical and always ready to offer a frank and honest opinion on what he is asked about.

To sum it up, what-you-see-is-what-you-get.

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Kamil Willinsky

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A CURIOUS

GASTRONAUT

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It all started at home and in the homes of family and friends. As he points out in his book, “we didn’t have much but there was always food and good atmosphere.” Yes, it was there in those long tables with familiar voices and plates passed around without needing to be asked. It was there that his passion for food developed.

It was there where his journey began.

Probably unaware that food would play such an important role in his life.

But his journey is not only about food, glorious food. It is also about people.

Something he learnt at the early stages of his journey. Truly so, because in those early steps he understood how people make you feel, how they teach and how they carried themselves. Most of all in those early steps he learnt the importance to remember the feeling of a moment and sensing the emotions behind it, the reasons people act the way they do, even when they can’t explain it themselves.

All these tools played a key role in his next steps in London and later in Malta. And in every place, he applied a simple concept - to do the best with what you have, wherever you are. And it was in this Mediterranean setting with warmer air, softer colours and where everything seems to move slower that he embarked on storytelling. As he points out in his book, “Malta became the perfect stage to begin something meaningful.” It was here in the island of sea and sun with a deep rich culinary culture that Kamil shared his culinary experiences in the various eateries across the islands quickly developing into a food ambassador of Malta’s culinary reality.

Was it really his primary goal when landing on our soil?

Most probably no but his impact is visible to the naked eye.

He boldly notes, “I did not come here to fit in. I came here to improve it. I came here to inspire. I came to create something that would last.” Did he succeed? Quite honestly, I believe

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A CURIOUS

GASTRONAUT he did by projecting the true reality of what to look out for, what to keep in mind and what to appreciate when dining in any of Malta’s culinary destinations. Even those situated in the most remote places on the island. Even this which would never cross your mind while passing by in your everyday life.

Yet Malta is not the end of his journey but rather a springboard to other destinations including Italy where he has travelled to have a first hand experience of what is often considered as one of the best cuisine in the world.

From Taormina to Milan he tasted what Italian gastronomy is all about. And during his travels across Italy he continued to narrate what makes food undeniably an experience, extending far beyond mere sustenance.

And the best is yet to come for Kamil Willinsky because all he has achieved is just a drop in the ocean of what the future has in store for him. Although the future isn’t planned, Kamil’s direction is clear - what he has achieved is not the end of a chapter. It is the beginning of one with even more heart.

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Ready, steady, go.

Kamil is already on trail to write the next chapters of his amazing culinary journey.

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153 ext 17 47

Fenix

A New Art Museum About Migration

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MAD’s first completed cultural project in Europe, Fenix, is a new art museum about migration, located in Rotterdam’s historic port district. The museum officially opened to the public on May 15, 2025.

Rotterdam is one of Europe’s most prominent cities of migration, home to residents from over 170 countries and regions.

Historically, it was also a major departure point for millions of Europeans who set sail for North America.

“Everything is in motion, people, time, light, the sea,” said Ma Yansong. “This building invites us to rethink moments of arrival and departure, and to reflect on the reasons we set out in the first place.”

MAD’s transformation began with a respect for history, preserving the original warehouse’s rugged structure as restored by Bureau Polderman. The central roof was opened up to introduce natural light and a dramatic tornado-shaped spiral staircase was inserted into the core. The staircases intertwine to form a structural system, at times intersecting, at times pulling apart.

In 1940, a devastating bombing leveled the center of Rotterdam. Since then, countless world-renowned architects have been drawn to the city, transforming it into a global hub for contemporary architecture.

Beginning in 2016, the Droom en Daad Foundation partnered with the City of Rotterdam to launch a citywide cultural revitalization initiative. In 2018, the foundation commissioned MAD to transform the historic Fenix warehouse into a museum of migration.

MAD has transformed this century-old warehouse into a cultural landmark that bridges past and present, paying tribute to the journeys of millions of migrants.

If the path leading to the rooftop observation platform symbolizes a journey, then along the way, people will encounter others, reflect on themselves, and make choices at each point of intersection. Ultimately, visitors meet at the highest point, overlooking the city of Rotterdam and its riverfront, as if floating above the sea. It is a journey shaped by freedom, uncertainty, and hope.

This staircase system spans 550 meters in length and reaches a height of 30 meters. Utilizing a spatial truss structure, it cantilevers outward up to 17 meters at its longest point. The design was developed by MAD in collaboration with a team specializing in roller coaster engineering.

The outer surface of the staircase is clad in silver stainless steel, shaped and polished using CNC technology. Its reflective finish captures passing pedestrians, the activity of the port, and the shifting sky, integrating these dynamic elements into the architecture.

This brings a sense of movement and human presence to the otherwise industrial structure.

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Wim Pijbes, President of the Droom en Daad Foundation, shared:

“We aim to present stories with universal meaning. At some point in life, people make the decision whether due to war, poverty, faith, or other reasons to pack everything they own into one or two suitcases and start over on the other side of the world.

What we must do is understand those emotions and give them form.”

“Migration, in the narrow sense, refers to the relocation of individuals or families. But more broadly, it speaks to the movement and flow of entire populations. The shaping and shifting of global politics, geography, culture, and art are largely rooted in these migrations,”

The roof of the building is covered by 6,750 square meters of green roofing, enhancing thermal insulation and significantly reducing energy consumption.

The landscape design also enables rainwater to be retained within the planting substrate, allowing for natural evapotranspiration and water recycling.

“We hope this museum not only commemorates the past or tells stories of hardship, but more importantly, reveals hope and courage offering inspiration for people today and in the future to look ahead.”

The ground floor on the east side of the building has been opened up as a “Civic Square” , a space freely accessible to the public year-round. It hosts a wide range of community activities, including culinary events, cultural gatherings, performances, and public programs, serving as an open stage for urban life.

Fenix’s growing collection of art and historical artifacts, along with commissioned works by both renowned and emerging artists from around the world, is presented in an open layout. Visitors moving through the space become part of the work itself.

Anne Kremers, Director of the Fenix, stated: “Fenix is both a reflection of Rotterdam’s diverse communities and a mirror of global migration history. Through the prism of art, it refracts the collective memory and emotional experience of human migration.”

said Ma Yansong.

Through this work, MAD seeks to embody the concept of balance between old and new, movement and stillness reflecting an Eastern philosophy where opposites exist independently yet remain deeply interdependent.

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This scheme will open in all regions over a five-year period

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NOT JUST ANOTHER VOICE ‘Vision Malta 2050 – Towards Resilient Communities’

The various communities within Malta and Gozo rightly pride themselves on their particular customs and traditions. They still, however, nurture their aspirations within the process of change and innovation aimed at providing a better quality of life for all their residents. Every citizen has the opportunity to add his or her voice to the benefit of their localities by submitting their ideas and proposals with regard to both the planning and implementation of essential projects, new and more efficient systems, neighbourhood environment enhancement, and properly-run services that avoid excessive disruption or inconvenience to local communities.

“Vision Malta 2050” carries the very concept of ensuring local councils are in a position to be of service to their communities by being more resilient and determined to harmonise with the modernisation process which will, in return, give as many rights that will lead to better achievements and more efficient services within the localities.

The process of consultation reached a particular highlight recently with the holding of three consultation meetings by the Parliamentary Secretariat for Local Government, the Local Government Division, and a “Vision Malta 2050” team, under the theme “Envision 2050 – Towards Resilient Communities”.

The consultation meetings were also attended by representatives of the Local Councils Association, the National Association of Local Council Executive Secretaries, and government entities which daily collaborate in the everyday work of local councils.

Addressing the meetings, the Parliamentary Secretary for Local Government, Alison Zerafa Civelli, emphasised the growing importance of putting the citizen “right at the centre of all our ambitions.” She added: “More accessible services within the communities is crucial, which is why Local Councils need to be at the heart of this vision. This also underscores the importance of these consultation meetings in the process of paving the proper way for this vision to materialise.”

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Other speakers addressed the consultation meetings, emphasising the importance of appropriate planning and tangible implementation that will enshrine the Local Government sector within “Vision Malta 2050”. The Director General for Local Government, Mr Emil Vassallo, stressed the significance of making sure Local and Regional Councils are integral to the process of decision-making, by government entities and departments, that could impact on their localities.

On behalf of “Envision 2050 Malta”, Mrs Roberta Albanese Dingli spoke about the positive impact that “Vision Malta 2050” will have on our villages and towns in such diverse sectors as mobility, security, inclusion, tourism and intelligent construction. She insisted on comprehensive collaboration between Local Councils and government entities for the achievement of holistic collaboration that would eventually benefit the people. The citizen needs to be at the heart of “Vision Malta 2050” as entailed under one of the Vision’s pillars.

The focus of discussions and exchanges during the three consultation meetings was on the vital contribution that the Local Government sector and government entities and departments make in their collaboration with Local and Regional Councils. No less importance was given to the principle of Local Council involvement.

Discussions also centred on how Local and Regional Councils can be bolstered by the provision of resources and training opportunities that inevitably help sustain and improve their normal work schedule without impacting on the everyday lives of their residents and clients from other localities.

The consultation goes on. Each and every individual is invited to participate further in this public consultation. Yours is not just another voice, but a valid and welcome contribution.

You can make it heard on envision2050.gov.mt by September 9.

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WINGS OF LUXURY

Unveiling Malta’s Luxury Stop for a while and think.

Think about a prestigious event. Add a pinch of luxury and an ounce of sophistication and why not?

A good dose of extravagance too, complemented by exceptional culinary indulgence and an impressive setting of stunning jewellery and time pieces, luxury cars and private jets. Et voilà, your imagination will give you a glimpse of what Wings of Luxury was all about.

The evening was made even more extraordinary with the presence of the famous Netflix Dubai Bling influencers Farhana Bodi and Danya F M Almulla (@thedivadee).

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“Oh la la!”, “Impressive”, “stunning”, “amazing”, “one of a kind” are a few comments shared by all those who attended the first edition of Wings of Luxury held at the Safi Aviation Park earlier in June. The event is the brain child of two leading local entrepreneurs; Romina Grech Fenech, CEO of Sterling Jewellers and Andrea Trapani, Founder and CEO of Executive Aviation Malta. An event born out of their vision for Malta that can truly thrive in the high end and luxury sector. A vision where Malta can truly be a centre of excellence.

Wings of Luxury welcomed over two hundred of the most distinguished names in luxury, including top executives as well as influential leaders from the local industries namely high fashion, fine jewellery, aviation, yachting, hospitality among other sectors who had the unique opportunity to network with a high level of foreign counterparts.

Opening speeches at Wings of Luxury were delivered by the Deputy Prime Minister and Minister for Foreign Affairs and Tourism, the Hon. Dr. Ian Borg, the Minister for the Economy, Enterprise and Strategic Projects, the Hon. Mr. Silvio Schembri and the Minister for Transport, Infrastructure and Public Works, the Hon. Dr. Chris Bonett.

All speakers highlighted the importance of such an event to showcase Malta’s excellence and attractiveness and how Wings of Luxury, fits within the objectives

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set in the first pillar of Vision 2050 to ensure sustainable economic growth in key economic sectors including, tourism and aviation. Moreover, they noted how such an event stresses on the key role the retail sector plays in the government’s goal to attract towards the island high end tourism, clients and investors as well as establishing Malta as a premier destination for luxury living.

The event held in June is a stepping stone for the years to come. Ms. Grech Fenech noted, “Wings of Luxury will continue to promote networking opportunities, emphasise on the role played by the high end retail sector in Malta’s attractiveness and above all to promote Malta as a true luxury destination.” On the other hand, Mr. Trapani pointed out, “such high level events are important to show case what our island can offer in its mission to attract niche high end sectors including the private jet industry.

Sectors which over the past years have shown their value and economic contribution to the Maltese economy.”

Wings of Luxury was supported by: Bulgari Sterling Jewellers Executive Aviation Malta Visit Malta Transport Malta Malta Enterprise Porsche Malta Enterprise Dacoby Harmony Jets PLACE Concierge VIP Terminal Hans Jets Bank of Valletta Dom Perignon Sunreef Yachts INDIS Malta.

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Interview with Stephania Caruana

If you were to describe human trafficking to someone who has no idea what you are talking about, how would you describe it?

To understand trafficking, one needs to understand the survivor behind the trafficking:

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Mia worked in mines just to earn a few dollars.

Her husband was an alcoholic and abusive.

When her son got sick, she needed money for his expensive treatment. She came to Malta to work as a masseuse. However her employer exploited her immediately forcing her into prostitution.

When she became sick and her body could not take it anymore she was thrown away like garbage.

Cynthia married at a very young age. She was in love with her husband even though he was abusive. He destroyed her self-esteem little by little until she lived only to please him. When he lost his job, he forced her into prostitution, selling her body to different men. It took months of abuse for Cynthia to realize that this is not love and it took even more time in therapy to understand her worth as a person.

Like many of her counterparts Emma decided to seek for a job in Malta because there were no opportunities in her country. She needed the money to be able to provide for her family. But her employer used to hit her if he felt like it or if she was not obeying his orders. He took photos of her whilst showering and threatened to report her to the police and be deported. She felt she was bound to him by a work contract. She lived in constant fear and only escaped after he tried to kill her the second time.

Luca came to Malta because his neighbour promised he can earn good money in construction. But once in Malta his neighbour started to take the money he earned. He would hit him and threaten him that he will hurt his family back home.

These are some of the harsh realities we have encountered.

These are people who dreamt of a better future but their abusers exploited their vulnerabilities for their own gain. In an instant all their hopes and dreams were shattered. This is human trafficking.

Victims are typically physically abused. From your investigations in giving support, what are the most common physical abuses?

In investigating and helping trafficked persons, were there cases of lack of identification or documentation? What will happen in cases when the documents are taken from the trafficked persons?

In our experience, psychological abuse is more prominent than the physical abuse. This does not mean when the survivors come to us they are in a healthy condition. They live in constant stress, on high alert, constantly watching their back, no treatment provided in case of sickness or injury. With no rest and proper nutrition a toll is left on the body. Many of our survivors needed medical attention after their ordeal. Providing the necessary care and rest is essential for the trafficked person to start their healing journey.

Documents are taken away from the trafficked person as a means of control and restriction on their movements. They can be manipulated to believe their documents are in safekeeping or needed to prepare work permits.

In these instances the Malta Police Force are involved. Apart from investigating the criminal offence they will also be assisting the victim into retrieving their passport. In cases where passports are detained, it is highly encouraged to report to the police.

Trafficked persons are always threatened. Have you heard similar stories? What type of threats have you heard?

Every survivor we encountered has spoken about constant threats and how they would remain quiet for the sake of their families. I remember one person telling me “I don’t care what happens to me but my family must be safe ... I need to protect them” For this reason she tolerated the abuse day after day.

In instances like these, where organized criminal groups were involved and because of their violent reputation, victims would remain subdued.

Many survivors are threatened that they will be arrested and deported by the police. The police would be depicted by the traffickers as siding with perpetrators and many times this has stopped the person from seeking help.

False promises to the trafficked person are also made like promises to be paid, promises their family members will move out of poverty or promises their stay will be regularized.

Sometimes these promises are even worse than threats because it keeps the person hopeful that the nightmare will one day end.

In your opinion why don’t victims of trafficking try to escape?

Every person we came in contact with had his/her own reason for not trying to leave. Mia did not leave because she needed to send the money for her sick son. Emma was ashamed that her family will know about the photos and believed the perpetrator’s threats for deportation. Luca needed to protect his family from harm. And Cynthia was loyal to her perpetrator and husband.

The trauma experienced by these survivors and the belief that they are not worth saving can leave them numb to the abuse experienced. They felt trapped or afraid that something even worse will happen. It takes months to get out of this situation but in many instances it takes years of therapy and care for the wounds to start healing.

Conclusion FSWS in collaboration with the International Organization for Migration (IOM) has a new project by the Asylum, Migration and Integration Fund (AMIF) called New Beginnings: Empowering against Trafficking. As the name implies, it aims to support survivors into regaining their worth and dignity. It also aims to equip society with knowledge about trafficking to prevent and combat human trafficking.

You can learn more about Human Trafficking and activities carried out by following our Facebook Page: New Beginnings

Photo by Kei Scampa

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RETOLD Celebrating Local Talent

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On its 10th anniversary the Arts Council Malta recently launched RETOLD, an initiative aimed at promoting the success achieved

by Maltese artists and creatives beyond our shores over the past years at the Venice Art Biennale and the London Design Biennale, by being exhibited in Malta, for the first time.

As part of RETOLD, a reiteration of the Revisiting Maleth which represented Malta in 2019 at the 58th Arts Biennale in Venice was recently launched at the Natural History Museum in Mdina.

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RETOLD is being led by the International Cultural Relations Directorate (ICRD) of Arts Council Malta with Annabelle Stivala as the Executive Head and Dr Romina Delia as Head of International Cultural Relations.

RETOLD revolves around the principle that art should be accessible to everyone, rather than a privilege of the few. A sentiment constantly gaining traction in contemporary society. RETOLD also highlights the recent shift of arts from a mere afterthought into a national priority. A reality when one keeps in mind the contribution arts are directly and indirectly offering to the country’s economy.

Above all, RETOLD is part of the Arts Council Malta mission to continue investing in local artists, to help them achieve their goals and develop their artistic talent into a source of livelihood.

It also seeks to ensure Malta’s success in the field on an international level.

The recent success of URNA at the London Design Biennale is a vivid example.

Special thanks to the hard-working team that made RETOLD a reality: the ICRD team, project managers, coordinators, site officers, architects and engineers, and students from MCAST and the University of Malta.

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The projects which form part of the RETOLD initiative are:

Revisiting Maleth evokes the primordial origins of our island’s existence, its historical origins, and its spatial presence in the Mediterranean Sea’s contemporary reality.

This project was exhibited at the Venice Biennale 2019.

Exhibition: 15th July - 31st August Natural History Museum, Imdina

Urban Fabric contextualises the traditional heart of the Maltese village by combining two elements—traditional city planning and the Phoenician-Maltese tradition of clothes dye production. This project was exhibited at the London Design Biennale 2023 and was the first project which was exhibited by Malta at this prestigious Biennale.

Exhibition: 30th June - 2nd August Imdina Ditch

URNA the winning project of the London Design Biennale 2025, an innovative project which explores the fascinating and distinct subject of cremation.

Exhibition: September - November Ħaġar Qim, Qrendi

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Homo Melitensis this 2025 version of Homo Melitensis provides a compacter yet more incisive investigation into the perennially unfinished process of the construction of identity in Malta. The project was exhibited at the Venice Biennale 2017.

Exhibition: 3rd - 30th October MUŻA, Valletta

The Ship (unseen) builds on and re-imagines the concepts explored in I WILL FOLLOW THE SHIP, exhibited at the Venice Biennale 2024.

Exhibition: 4th October - 16th November Inquisitor’s Palace, Birgu

BURNING WATERS Diplomazija Astuta – places anew Caravaggio’s immanent themes in modern life, while spurring the audience to voyage through a space where the tragedy and brutality of the execution of St John are experienced in the present, where past injustices are reconciled, and where shared humanist principles can be respected in the future. The project was exhibited at the Venice Biennale 2022 Exhibition: 9th October - 3rd January Victor Pasmore Gallery, Valletta

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A Commitment to Collaboration

MALTA’S STAND MALTA’S AGAINST STAND HUMAN AGAINST TRAFFICKING

HUMAN TRAFFICKING By the Human Rights Directorate Every year, millions of people, including children become victims of human trafficking—a crime often hidden in plain sight, rooted in exploitation, inequality, and silence. But in Malta, a powerful movement is taking shape. Government institutions, civil society organisations, and the private sector are coming together, united in their commitment to combat this human rights crisis.

30 July: A Global Call to Action World Day Against Trafficking in Persons, observed on 30 July, is a stark reminder that trafficking is not a distant problem—it’s happening here and now. The Blue Heart Campaign, launched by the United Nations, symbolises global solidarity with victims and survivors. Wearing a blue heart or sharing its message is a small gesture with great impact—a collective call to end human trafficking.

In recent years, the Human Rights Directorate (HRD), as part of the Parliamentary Secretariat for Equality and Reforms, has partnered with Local Councils and private sector entities to light up buildings in blue, signalling a united national front against trafficking.

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National Leadership, Shared Responsibility HRD is leading the national response through the National Strategy and Action Plan on Combatting Trafficking in Human Beings (2024–2030), built around four pillars: prevention, victim protection, prosecution of offenders, and collaboration.

At its core is a victim-centred, trauma-informed approach—prioritising dignity, safety, and recovery. As Malta’s national coordinator, HRD works closely with law enforcement, social services, NGOs, the judiciary, healthcare professionals, educators, and international partners. Through joint training, awareness campaigns, and safe referral mechanisms, Malta is laying the groundwork for a united and effective response.

Through the Inter-Ministerial Committee, HRD brings together key players across ministries and sectors—creating one shared space, with one common goal: to eliminate trafficking in all its forms.

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The Business of Ending Exploitation But the fight against human trafficking isn’t solely the responsibility of governments and NGOs—businesses have a vital role to play.

Trafficking, especially in the form of forced labour, often hides in plain sight within global supply chains, particularly in sectors such as fashion, construction, hospitality, and agriculture.

Companies can take meaningful action by: • Auditing suppliers and ensuring transparency throughout their supply chains • Adopting ethical recruitment practices that prevent exploitation • Training staff to recognise and respond to trafficking indicators • Creating opportunities for survivors through employment, internships, or vocational training • Joining anti-trafficking networks and corporate responsibility initiatives By embedding these practices into their operations, businesses can help dismantle the systems that allow trafficking to thrive—and become part of the solution.

People, Not Statistics Survivors of trafficking are not statistics—they are individuals with rights, voices, and futures.

A victim-centred approach empowers them, prevents re-traumatisation, and fosters trust in support systems. HRD is equipping frontline professionals—police officers, educators, healthcare workers, and social workers— with the skills to respond compassionately and effectively.

What You Can Do Everyone has a role to play.

Here’s how you can help: • Learn the signs of trafficking and raise awareness • Support ethical brands and fair labour • Report suspicious activity • Participate in initiatives like the Blue Heart Campaign • Stand with survivors—every day, not just on 30 July

Change starts with awareness.

Your actions matter.

Visit humanrights.gov.mt or follow the Human Rights Directorate on social media for events, resources, and ways to take action.

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Koray Duman’s work is bold, pragmatic, functional, dynamic, poetic and human-centric.

Below: Courtesy of B-KD Architects Right: Photo by Peter Murdoch

His ideas are based on forward-thinking which distances itself from stereotype concepts focussing primarily on the constantly evolving world around us.

Koray shared with Atelier his source of inspiration, his views on the profession and what’s next for him.

Thinking Forward

Interview with Koray Duman

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I recently read that biking is your source of inspiration.

I do. I experience Eureka moments when I am doing physical activity which is mainly when I am walking or biking in the city. Biking is also a great way to connect to the city while in transition, much better than taking mass transit or a cab. There is a human scale to everything as you pass by. Biking as a transportation within the city gives me total control on where I am going. If a road is blocked, I can easily turn and take the next street. I am never stuck in traffic or stuck in the subway due to a system problem. Maybe that’s why my mind is relaxed and at peace when I am biking and that’s when I get inspirations and eureka moments.

Below: Courtesy of B-KD Architects Right: Photo by Peter Murdoch

How would you describe the connection between artists and architects?

Both artists and architects have the ability to see something beyond what is right in front of you and have the ability to bring it forward to attention. In the architect’s case, I see more a techno-optimist whereas artists have diverse ways of experiencing what is beneath the surface. Both have to rely on a creative process but in a very different way.

Architects are trained to create through a set of problems/conditions or context given to them.

Artists are trained to create their own context.

The sensibility is very different but very valuable in their own rights.

You recently noted that architecture is about shaping environments that enhance human experiences. Can you elaborate on that?

We are tasked to shape the spaces that people live their life through. It is important that those spaces bring people in touch with themselves, with others around them and the environment. Architecture can help users to be present in the moment. Whether it is being with your family at home, experiencing a show in a museum, researching in a library, or creating with your community, architecture should amplify the present, what is around you, what is on hand, who is around and how you interact.

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Why do you feel that there is a bit of a crisis in architectural identity?

In the 1990s and early 2000s, a new type of “public” space emerged: the digital realm. With the rise of the internet, we were all excited about the global, virtual communities we were entering. There was a sense of wonder at the internet’s transparency, its horizontality, its “non-hierarchical” and “non-mediated” nature. The idea of a global village—where boundaries were dissolved, replaced by democratized communication—made us feel like the sky was the limit. I remember spending a lot of time in early AOL chats, connecting with other people with similar interests like me from all over the world. On the internet, like others, I felt like I belonged.

Simultaneously, something was shifting in architecture and urban design. As the speed of the neoliberal economy collided with the rapid advancement of digital technologies, cities began racing to become “world-class.” Where architects had once been preoccupied with welfare, social housing, and infrastructures supporting public health and the wellbeing of city dwellers, the focus turned toward platforms for capitalist expression, spectacle, and prestige.

Communities that traditionally provided generosity to others began to disappear in the physical world, while new types of support communities emerged in the digital world. But something has fundamentally shifted in how generosity operates. Increasingly, the aim to enhance the well-being of “others” has given way to improving the well-being of those like oneself—or oneself alone. In a way, with all the formal experimentation in architecture in the past 30 years, we failed to respond to cultural, and social needs of communities in physical space but rather concentrated on providing physical spectacles for the neoliberal economy.

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What’s next for you?

We are experiencing a seismic shift in contemporary society. By the time of the 2016 elections, we began to witness the limits of the internet’s supposed transparency and horizontality. We realized we had been living in echo chambers. Physical public spaces are crucial today precisely because they offer alternatives to the silos in which we live. In the digital world, the need for negotiating fundamental differences is rare. But vibrant public spaces in cities—such as parks and community centers—are among the few places where we can encounter diverse perspectives, exchange ideas, and transcend the silos we inhabit.

Below: Courtesy of B-KD Architects Left: Photo by Peter Murdoch

“Democracy does not require perfect equality, but it does require that citizens share a common life. What matters is that people of different backgrounds and social positions encounter one another and bump up against one another in the course of everyday life. For this is how we learn to negotiate and abide our differences, and how we come to care for the common good.”

- Michael J. Sandel

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Steven Camilleri Bienvenue a Domaine La Gazaille de Camille, a true living dream. The 200 year old petite chateau is truly magical with a distinct touch of unique timeless grace.

Indeed, walking into Domaine La Gazaille de Camille feels like being transported in time taking you back to a long forgotten era.

The place is stunning. It’s elegant, warm, and with that distinct classic charm you will come across in very few other similar places. Between the landscape and the interiors, the flavours of the food, and the tannins of the wine, the sentiment of hospitality and residential, everything is perfectly balanced at Domaine La Gazaille de Camille.

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Everything has been designed with care and attention to detail to offer every guest that well deserved pampering and a taste of luxury with fresh flowers in every room and fresh fruit straight from the estate.

The place is for you to discover. Don’t stick to just one spot. Experience the rooms and landscape of the villa as if you’re at home. Read a newspaper or your favourite book by the pool. Indulge in our scrumptious breakfast. Have a glass of good French wine in the garden. Enjoy an aperitif in a lounge chair. Enjoy a good home cooked meal. Have a good rest in the luxury of our bedrooms. Wherever you plant yourself, the team is aware of your whereabouts, not in an intrusive way, but in a helpful way.

Ah! And a two minute walk will take you to the sandy beach on the river where canoeing and kayaking are available. You may also enjoy a river cruise with dinner or spend the day fishing. Rent a bike and cycle one of the many cycle paths in the area. Visit a brocante and you never know what hidden treasure you may find. The area is dotted with pretty villages and many chateaux.

Domaine La Gazaille de Camille is more than just a holiday location. It is a haven and one which would resonate so well with artists, authors, songwriters looking for an escape and the chance to find some tranquility to allow their inner and outer muses to manifest.

For those dreaming of a romantic wedding in a charming petite chateau, tailor-made wedding packages are available to make your special day truly unforgettable. From the celebrant and wedding planner to the florist and makeup artist, we can help you every step of the way. Imagine exchanging vows in the picturesque setting of a French chateau, surrounded by your family and close friends.

Forget about the outside world and submerge into a calm and relaxing experience, where you can recharge your batteries. Our souls, often forgotten also need some tender loving care.

And that’s not all. We have recently also opened a Chambres d’hotes and a gite in the beautiful region of Lot-et-Garonne is South West France, in a small village called Le Temple sur Lot and right on the doorstep of Castelmoron-sur-Lot. On the river’s edge, we are nestled in our own small woodland estate. With 80,000sqm of land, the tranquility is unheard of in today’s busy, chaotic world.

So what’s next? Take note of the name and don’t forget to keep in mind when booking your next holiday. It is surely worth a visit.

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