Atelier 18 December 2024

Volume 18

Winter Muse

Volume 18

bov.com |

@bovofficial

Maħruġ mill-Bank of Valletta p.l.c., 58, Triq San Żakkarija, Il-Belt Valletta VLT 1130. Il-Bank of Valletta p.l.c. hija kumpanija pubblika b’responsabbilità limitata regolata mill-Awtorità Maltija għas-Servizzi Finanzjarji u liċenzjat biex toffri l-kummerċ bankarju f’termini tal-Att dwar il-Kummerċ Bankarju (Kap 371 tal-liġijiet ta’ Malta).

Another year is coming to an end and a new year is slowly paving its way to take over from its predecessor.

A new year with new expectations, new hopes, new fears, new concerns. A new year with old challenges and with new challenges.

And in this setup, we keep on building, we keep on designing and we keep on taking snapshots from everyday life. Above all, we keep on shaping what we believe to be, we understand to be and what we interpret to be lifestyle.

Publishing Editor Omar Vella

Design

Joellson Bezzina info@unionprint.com.mt

Printing & Publishing Union Print Co. Ltd www.unionprint.com.mt

Proof Reading

Ramona Vella Cini

FRONT & FEATURE PHOTOS:

Model: Adele Borg Sapiano @ Supernova Model Management Photography: Bernard Polidano MUA: Natasha Polidano Specific Clothing: Maverny Tigne Point Back Page Image: Eugenio Recuenco Disclaimer: Particular attention has been given to ensure that all the content of this magazine is correct and up to date as on date of issue. The views expressed in the articles, interviews and photogrphs are those of the authors and are not neccessarily endorsed by the publisher. While every care has been taking during production, the publisher does not accept any liability for errors that may have occurred. Copyright © 2024.

1

Winter on my mind

2

3

4

5

6

7

Towards a more respectful society: The importance of understanding and valuing others’

FEELINGS RESPECTFUL SOCIETY Mario Fava

Introduction In the wake of recent events we witnessed on our roads, I feel compelled to reflect on the vital importance of fostering a society that embodies respect and compassion toward one another, especially now that we are approaching Christmas time. As we delve into the concept of creating a compassionate community, we must consider why it is essential to understand and honour the feelings of others, even when we might not share their perspectives.

In a world where empathy and respect seem to be lacking, it is more important than ever to cultivate these qualities within ourselves and in our communities. By developing a deeper understanding of the emotions of others, we can build stronger connections, improve our relationships, and create a more harmonious society. This journey toward empathy and respect must begin early in life, as I worry that the current generation may already be drifting away from these essential values.1 The importance of empathy Empathy is the ability to understand and share the feelings of others, playing a crucial role in our emotional and social development. It enables us to connect with those around us and fosters deeper relationships.

When we practice empathy, we can step into someone else’s shoes and view the world from their perspective, cultivating understanding, compassion, and a sense of unity.

The benefits of empathy extend to both personal and professional relationships. It helps us navigate conflicts, resolve misunderstandings, and build trust among peers. By demonstrating empathy, we create a safe space for others to express their emotions and feel truly heard.

This not only strengthens our connections but also promotes a profound sense of belonging within our communities

8

President Local Councils’ Assocation

Building emotional intelligence What exactly does it mean to build emotional intelligence? At its core, emotional intelligence is the ability to recognize, understand, and manage both our own emotions and those of others. It encompasses several key components, including self-awareness, self-regulation, motivation, empathy, and social skills.

A fundamental aspect of emotional intelligence is the understanding of others’ feelings. By honing our emotional intelligence, we become more attuned to the emotional landscapes of those around us. This heightened awareness enables us to respond in thoughtful and supportive ways, fostering stronger relationships and deeper connections with others.

To enhance our emotional intelligence, we can engage in practices such as self-reflection, mindfulness, and active listening. These strategies not only help us become more aware of our own emotions but also empower us to empathize more effectively with others. By investing in our emotional intelligence, we can create a more compassionate and understanding environment in our personal and professional lives.

Improving communication skills Effective communication is vital for truly understanding the feelings of others. It encompasses not only the ability to express ourselves clearly but also the crucial practice of actively listening to those around us. Active listening is a skill that enables us to fully engage with the speaker, grasp their perspective, and respond with empathy.

To enhance our communication skills, we can adopt various active listening techniques. For instance, maintaining eye contact demonstrates our attentiveness and understanding, while paraphrasing allows us to confirm our comprehension of what has been said. By refining our communication skills in these ways, we foster an environment where others feel valued and genuinely understood. This creates a foundation for deeper connections and more meaningful interactions.

9

Cultivating a culture of respect Perhaps the most crucial element in our interactions is respect.

It serves as a cornerstone for understanding and valuing the feelings of others. Respect entails treating individuals with dignity, honouring their perspectives, and appreciating their emotions. To cultivate a culture of respect, we must commit to active listening, validate others’ experiences, and practice nonjudgmental attitudes.

In both personal interactions and within our society at large, promoting and embodying respect can pave the way for a more inclusive and compassionate community. When we honour the feelings of others, we foster an environment where everyone feels safe to express themselves authentically. This nurturing atmosphere strengthens trust, enhances understanding, and encourages collaboration among individuals, ultimately enriching our collective experience.

10

Teaching empathy and respect to children Parents and educators play a pivotal role in instilling empathy and respect in children. By embodying these qualities in our daily interactions, we can inspire the next generation to adopt empathy and respect as fundamental values. This effort is essential not only within the walls of our schools but also in our homes. The respect—or lack thereof—that we demonstrate towards one another, including how we request things, express appreciation, and engage in daily activities, along with the language we use, profoundly influences children.

To effectively nurture empathy and respect in young minds, we can employ practical strategies such as encouraging perspective-taking, promoting acts of kindness and compassion, and providing ample opportunities for social interactions. These approaches can have a lasting impact. By teaching these essential skills early, we equip children with the necessary tools to navigate relationships, resolve conflicts, and contribute positively to a compassionate society. This lays a hopeful foundation for a better tomorrow.

Overcoming challenges in understanding and respecting the feelings of those around us While grasping and respecting the feelings of others may appear straightforward various obstacles can impede our ability to do so. These challenges often stem from biases, stereotypes, a lack of awareness, and an excessive pride that serves no purpose.

To navigate these hurdles, we must commit to self-reflection, question our assumptions, and actively seek out diverse perspectives. Additionally, educating ourselves about different cultures, backgrounds, and experiences is essential. By consciously working to dismantle these barriers, we can foster a deeper understanding and greater respect for the feelings of those around us.

Conclusion Understanding and respecting the feelings of others is vital for nurturing a compassionate society. By cultivating empathy, emotional intelligence, and effective communication skills, we

can forge deeper connections, strengthen our relationships, and promote a culture of respect. As parents, educators, and individuals, we hold the power to shape a more empathetic and compassionate future.

If we successfully foster these qualities, we may witness a decline in negative incidents like those seen recently. Perhaps the prevailing “alabiebi” reckless attitude on our roads will improve, leading to more considerate driving. Instead of reacting defensively when receiving a fine, I might take a moment to reflect and acknowledge my own mistakes. When feeling rushed, I could choose to drive more cautiously, prioritizing the safety of others.

All these changes contribute to healthier societies and more cohesive communities. We envision more inclusive neighbourhoods where residents experience a genuine sense of belonging to their surroundings. Ultimately, this is how we can enhance the quality of life for ourselves and those around us.

11

Animals are not gifts

They are for life.

13

MAD Architects LIJ Airport near completion The design anticipates future growth, accommodating 1.8 million passengers by 2030 and up to 5 million by 2050.

14

Located in the foothill valleys of Lishui, China, the airport’s design reflects the city’s identity as a “forest city,” integrating architecture with the surrounding natural landscape.

The project spans 2,267 hectares, with a terminal covering 12,000 square meters. To adapt to the area’s steep terrain, the airport required leveling nearly 100 meters of elevation, creating a terraced layout that integrates the terminal, parking, and office areas into descending platforms. This approach respects the land’s contours while ensuring a functional and efficient design.

15

The terminal’s design conveys harmony with its environment. Ma Yansong explains, “Lishui is a garden city, and her airport should also be in a garden.

As a feeder airport, Lishui Airport shows another attitude as a public transportation facility in the city: not greedy for big, but pursuing convenience and humanity, and pursuing a dialogue with the natural environment.”

The terminal’s silver-white roof, made of aluminum panels, reflects lightness like feathers and is supported by 14 umbrella-shaped columns. Its flowing form anchors the building while maintaining openness. The roof’s 30-meter cantilever creates a welcoming concourse filled with natural light from a central skylight.

16

Inside, passengers are greeted by wood-toned finishes and a human-scaled interior. The concourse height transitions from 4.5 meters at its lowest point to 13 meters at its highest, balancing intimacy and openness. The “one-and-a-half-story” layout combines arrival and departure areas into a compact, efficient space, with a double-height lobby ensuring smooth passenger flow.

Designed as a domestic regional airport, Lishui features three boarding bridges and five remote stands, with an initial capacity for one million passengers annually.

The design anticipates future growth, accommodating 1.8 million passengers by 2030 and up to 5 million by 2050. Provisions have been made for an international terminal, ensuring the airport can grow alongside the region.

A landscaped walkway extends from the parking area into the terminal, enhancing accessibility and connecting travelers to their surroundings.

https://dihubmt.eu/

dihubmt@mdia.gov.mt 17

The World Through

MY LENS

Interview with Roman Jehanno

Is there a purpose that drives your work?

For a long time, I would have answered this question by talking about an overwhelming desire to discover others, to meet interesting people, and to travel to explore landscapes, places, and cultures. Today, while all of this remains an important part of my approach, I feel that a portion of my work is increasingly leaning toward a quest for creative freedom.

I am gradually moving away from the need for control and technical one-upmanship, which for a long time served as justification or a shield for my legitimacy. My photographic exploration with Clic Clac Kodak allows me to focus on themes like time, beauty, and memory. These themes were already present in my earlier works (Savoir-Faire, Eikasia, 1 Hour, 1 Coffee, 1 Click), though they were perhaps less consciously addressed at the time. When putting it all together, my overarching intention is undoubtedly a quest for freedom.

18

What would you describe as being a perfect moment of stillness?

I would say it’s that fleeting moment just before falling asleep, the keystone between the chaos of wakefulness— brimming with desires, ideas, projects, anxieties, and enthusiasm—and the act of letting go.

Robert Frank once noted: “There is one thing the photograph must contain – the humanity of the moment.” To what extent do you agree?

I can only agree wholeheartedly with this quote. While it naturally applies to portraits, it is equally valid for landscapes. A photograph portrays not only what lies in front of the lens but also, in a large part, what its vision the photographer has, and by extension, a part of who here is.

A photograph must contain the humanity of the moment: it must carry what is most human about the photographer their vision, their testimony, and their questions.

19

20

21

How do you personally access creative inspiration?

I don’t always clearly perceive where my creative inspiration comes from, but looking back, I would say it is nurtured by others. I deeply enjoy discussing, exchanging ideas, and sharing with everyone I meet.

I have also kept a childlike curiosity that seems essential to staying inspired. A perspective, even a distant one, is necessary: it allows us to project ourselves and feel the desire to create. During the years of IVF my partner and I went through, I felt a gradual loss of creative drive; the perspective of a life without a future had drained me entirely. The announcement of a pregnancy last spring reignited this inspiration, a fact I fully realized in the summer when I revived several projects: writing texts for Savoir-Faire and creating the book Leftover Lives.

22

Who is your biggest influence in terms of your photography?

It’s hard to name just one. My references have evolved over the years. For a long time, I admired Erwin Olaf, David LaChapelle, and Gregory Crewdson. Today, I am more inclined to cite Alec Soth, August Sander, Todd Hido, and Sally Mann.

For years, I justified my photographic legitimacy through technique, construction, control, and even retouching. This approach, which I now see as “young”, kept me from accessing the poetry of a simple image. Over time, particularly through the portraits in Savoir-Faire, I came to understand that the strongest images often arise from a certain technical surrender.

One striking example is the portrait of Mitsue Nakamura, a Noh mask maker in Tokyo, which I consider the best in the entire series. That day, due to a lack of space, I had to simplify my lighting to a single source. The framing, so obvious, revealed itself effortlessly. This image essentially created itself. By putting aside my desire to control every detail and simply offering my modest expertise, I allowed more room for the moment and for Mitsue. This exchange, this balance, is likely why this photograph stands above the others.

I believe this surrender to the moment—this humanity of the moment—became clear to me then. This realization was undoubtedly influenced by rediscovering photographers whose work is defined by the intensity of the moment, truth, and poetry, rather than by total control or technical overreach.

23

In what way is photography a way of feeling, of touching, of loving?

Photography is an act of preserving the moment. To be a photographer is to love life and to want to keep a fragment of it with you. Without feeling, without touching, without loving, there would likely be no impulse to capture time.

What advice or tips can you give to someone who is new to photography?

Observe everything, all the time. Keep a fresh and curious eye, and try to understand what you see—situations as well as light. Technique can seem overwhelming at first, but a camera is, at its core, just a “faucet for light.”

Framing, however, is learned through experimentation, but also by studying the great masters: Bourdin, the Bechers, Avedon, Parr, Arbus, Mann, Evans, and many more. Painting is another essential source of inspiration for understanding composition. Once you’ve mastered the basics, aim to free yourself from them and return to what drives you to take photographs in the first place.

24

25

26

27

28

29

30

What’s next for you?

My biggest upcoming project is, without a doubt, the arrival of my son, after many years of IVF. Artistically, I have just released the book Leftover Lives, which explores vernacular photography of 20th-century strangers, reinterpreted with texts co-written with Simon Frankart. I am also working on a small experiment involving artificial intelligence.

My Clic Clac Kodak project continues naturally, day by day, and I am also writing a text to accompany my Savoir-Faire portraits for an upcoming art book. Finally, after creating the documentary SAMIS, I would like to continue this blend of film and photography, focusing on Brazilian Jiu-Jitsu—a sport I have practiced for nearly fifteen years.

31

Building Bridges Between Malta and the Heart of Europe

Daniel Attard

In an age rife with uncertainty, where the specter of conflict once again looms over Europe, the call for voices championing unity has seldom been more urgent. Among those heeding this call is Daniel Attard, a Maltese Member of the European Parliament, who is quietly but resolutely making a difference. His initiative, designed to connect Maltese students with the workings of the European Union, represents a small yet significant step toward fostering understanding and strengthening the bonds that sustain Europe’s cohesion.

Attard’s program invites young Maltese students to Brussels, the very heart of the EU, offering them an unparalleled opportunity to witness its operations firsthand. These visits are far more than perfunctory tours; they are immersive, educational experiences that demystify the labyrinthine

32

processes of the European Union. The objective is clear: to empower the next generation with knowledge and to inspire them to see Europe not as a distant institution but as a shared enterprise that profoundly shapes their lives.

This initiative arrives at a precarious moment in Europe’s history. The echoes of conflict reverberating from the continent’s eastern fringes serve as a stark reminder that peace, long assumed as a given, is anything but guaranteed.

The renewed threat of nuclear escalation rekindles anxieties many believed relegated to history. Against this backdrop, the principles of unity and cooperation—the bedrock of the European project—feel more fragile than ever. Understanding the EU’s role and relevance is, therefore, no longer a luxury but an imperative.

For Attard, this program is as much about education as it is about hope. “We need to show young people that Europe isn’t just about bureaucracy,” he explained in a recent interview. “It’s about collaboration, shared values, and a commitment to peace.” This ethos permeates every aspect of the initiative.

Students meet MEPs, observe debates, and explore the intricate policymaking processes.

They see firsthand how nations with disparate histories, languages, and interests collaborate to reconcile their differences in pursuit of collective progress.

The response from participants has been overwhelmingly positive. Jake Muscat, one of the students, described the experience as transformative. “It was a wonderful opportunity that taught me so much,” he said, expressing profound gratitude to Attard for enabling such a meaningful engagement.

David Caruana, another participant, reflected on the rigorous demands placed on MEPs. “I was inspired by the dedication and sacrifices I saw. It was a hard week of meetings and discussions, tackling issues of vital importance to EU citizens,” he observed.

Rianne Cini also found the engagement to be highly fruitful. She shared how the experience allowed her to learn extensively and observe the intricacies of how the European Union functions. “Being able to witness the inner workings of the EU firsthand was invaluable. I gained a much deeper understanding of how decisions are made and how complex yet vital the collaboration between nations truly is,” she reflected.

33

Kurt Cutajar offered a similarly enthusiastic account, describing the experience as an honour and a privilege.

“Spending a few days with Dr. Daniel Attard in Brussels gave me a close look at the tireless efforts MEPs undertake on behalf of their countries,” he noted. Kurt praised Attard’s unwavering dedication, observing how he moved seamlessly from one meeting to another, determined to represent Malta’s interests at every opportunity.

For Kurt, the visit was more than an educational journey; it was a chance to serve as a voice for Gozitan youth, sharing their challenges and aspirations. He expressed immense pride in witnessing the work of Maltese representatives within the European Parliament and emphasized the importance of leaders like Attard, who are committed to defending Malta’s place in Europe. “It renewed my determination to contribute to our islands and strengthened my belief in what we can achieve together,” he concluded.

Mariah Meli echoed similar sentiments, calling the program “an amazing experience.” For her, the trip was not only educational but also profoundly eye-opening, offering a deeper appreciation for the immense effort required to sustain the EU’s stability and progress.

34

This program also seeks to address an increasingly pervasive issue: the disconnect between European institutions and their citizens. Euroskepticism, often fueled by disinformation and disenchantment, has gained alarming traction in recent years. Attard believes bridging this gap begins with education. “If people understand how decisions are made and why, they are more likely to value what we’re building together,” he asserted.

Yet, this initiative is not solely about inspiring students. It is also a declaration of Malta’s enduring voice within the European Union. Despite being one of the smallest member states, Malta has a pivotal role in shaping the EU’s future. By actively engaging young Maltese citizens in European discourse, Attard ensures that the island nation remains not just a participant but a proactive contributor to the union’s ongoing evolution.

The timing of this program feels almost prophetic.

Europe faces a torrent of challenges, from external threats to internal divisions. Economic turbulence, polarizing debates over migration, and the ever-pressing demands of climate action necessitate a reinvigorated commitment to collaboration. For the EU to not only endure but thrive, it requires a citizenry that comprehends its intricacies and believes in its mission.

When these students return to Malta, they bring back more than just anecdotes of their time in Brussels. They return with a richer understanding of their role within Europe and a renewed appreciation for the collaborative efforts underpinning the EU’s mission. For Attard, this marks the program’s crowning achievement. “If even one student leaves Brussels inspired to contribute to our shared future, then we’ve succeeded,” he remarked.

Attard’s initiative is a poignant reminder that the seeds of unity are sown through understanding. By equipping young minds with the tools to navigate and engage with the EU, he is cultivating a generation of informed, empowered citizens—individuals who see themselves as stakeholders in Europe’s collective destiny. This is not merely an educational endeavor; it is, at its core, an act of faith in the future.

In a world teetering on the brink of fragmentation, initiatives like this serve as a balm to division. They are a testament to the enduring power of education, dialogue, and the quiet determination of leaders like Daniel Attard.

Europe’s future does not rest solely in the hands of its institutions but in the hearts and minds of its people. It is through programs like this that cracks in its foundation may be mended and its unity preserved.

Whether others will follow Attard’s example remains to be seen.

That choice, perhaps more than any other, will shape the destiny of a continent.

35

Face

Making

As a makeup artist who has slayed the faces of numerous models and local celebrities and won the Best Makeup Artist award during the Malta Fashion Awards 2024, it goes without saying that Lyanne Sawyer is crushing it in the local beauty industry.

Lyanne shared with Atelier what make-up means to her and what inspires her.

36

Interview with Lyanne Sawyer

es 37

38

What does makeup mean to you?

Makeup started out as a bit of an escape from my reality as this ‘tomboy’ teenager. I remember staying up till late like 2am on call with my best friend Jeannie trying out different makeup looks I would see on Youtube. I always had an affinity for pretty shiny things, but since I wouldn’t dare do it with my style as angsty teen, I would do it with makeup in the safety of my little bedroom.

American makeup artist and photographer once noted: “Perfection is boring. If a face doesn’t have mistakes, it’s nothing.” To what extent do you agree?

I personally think that as society we’ve become extremely obsessed with having an instagrammable face - big lips, pulled eyes, perfect skin, button noses, when in reality, although a face like that is extremely beautiful by today’s standard, it is not the only form if beauty to exist. I think when someone is constantly trying to fix something in their face it can ruin their facial harmony and make them look like every other person on the internet.

Embrace your noses, your eyes, your lips and learn to work with them instead of against them all the time.

At what point did you decide to pursue makeup as a career?

Initially I actually wanted to become a painter/illustrator, maybe a photographer. But I honestly wasn’t in love with the Maltese art scene and when I found out the post-shoot work photographers had to put in, spending hours editing on a computer sounded like my personal nightmare. Instead I got a job at MAC when I was about 17 and fell in love with how easy it was to express myself through makeup and how much it lifted my client’s moods when they get a little glammed up.

39

Why is makeup often considered as malleable and mercurial?

Makeup is often considered malleable and mercurial because it is highly adaptable and ever-changing. It allows for personal expression, enhances features, and complements fashion statements. As a temporary art form, it has no fixed rules, offering endless possibilities for creativity and transformation, to be honest that’s what makes it so fun.

How would you describe your style as a make up artist?

I wouldn’t necessarily say I have a fixed style, I think on such a tiny island it’s extremely difficult to find your niche, make a living out of it and stick to it. I think that every job and face requires something different, so copy and pasting the same look over and over again will very often not give you the desired results.

What keeps you creatively inspired?

Probably my chronically online-ness and being constantly fed different mediums of art and makeup looks.

What are the three tools in your makeup kit that you can never be without?

MAC Serumizer, Huda Beauty Cherry Blossom Powder and the Kryolan Fixing Spray. Also a shout out to my Sigma brush belt that I would be completely lost without during any makeup application.

Any advice for anyone who wants to go into the field of professional makeup?

Get ready to give up your social life, weekends and sleep. But if you love it enough, it’s totally worth it.

40

Paving the Path to Progress Infrastructure for Growth & Connectivity

Malta’s infrastructure is being developed not only to address present needs but to anticipate and adapt to the changing demands of society and the economy in the years ahead.

Through the dedicated efforts of Infrastructure Malta, significant strides are being made to ensure that road infrastructure remains robust and future-proof. By focusing on sustainable and forward-looking development, Infrastructure Malta continues to build a resilient network that connects communities and drives progress.

Behind the Scenes of Gladiator II:

How Malta’s Film Industry Brought Ancient Rome to Life

42

As Gladiator II approaches more than $400,000,000 in Worldwide releases, Malta’s essential role in the film’s production has been nothing short of transformative.

Known for its supportive infrastructure and skilled workforce, Malta provided a strong backbone for this Gladiator II, establishing itself as a top-tier location for international productions.

“Malta is the home of film.

More than ever-before, we are becoming the natural home for international filmmakers, producers, and directors like Sir Ridley Scott. Gladiator II is his fourth film in Malta.”

Johann Grech 43

Malta’s Production Power: A Seamless Collaboration The Malta Film Commission partnered closely with the film’s producers to ensure smooth logistics, from location scouting to set construction. “The support we received on every level was remarkable,” said producer Michael Pruss.

“The Malta Film Commission worked with us as true partners, anticipating our needs and enhancing every aspect of the production.”

Financial incentives also made Malta an attractive location, with competitive rebates enabling large-scale set builds and complex visual effects. “Malta’s cash rebate incentives were crucial in bringing Gladiator II to life,” Pruss added. This commitment ensured that the high production values synonymous with Sir Ridley Scott’s work were achievable in Malta.

44

Skilled Local Talent and Unmatched Technical Resources Beyond financial support, the Maltese crew played a central role. From SFX supervisors to set designers, the Maltese crew brought invaluable expertise to the table.

Maltese professionals expertly handled the craftsmanship required to build the film’s extensive ancient Roman sets, including the Grand Colosseum and detailed palace interiors. “The quality of work we saw from the local team was outstanding,” remarked SFX supervisor Neil Corbould.

The production also utilised Malta’s unique resources, such as the island’s iconic water tanks, which allowed for the realistic filming of elaborate waterbased scenes without relying on CGI. According to producer Lucy Fisher, “The tanks offered us unparalleled flexibility, and having that resource nearby saved time and enhanced authenticity.”

Watch exclusive behind the scenes footage and interviews from the cast of Gladiator 2

“I love Malta.

I always keep coming back.

I always find a new space to shoot.”

Ridley Scott

Malta as a Filmmaker’s Hub: A Rising Destination for Global Productions With Gladiator II highlighting Malta’s production capabilities, the island has solidified its reputation as a global destination for film. The Malta Film Commission’s efforts, led by Malta Film Commissioner Johann Grech, have paved the way for even more high-profile projects. Grech expressed his commitment to further growth: “Our aim is to make Malta a first choice for producers and directors worldwide.

We are proud of what we’ve accomplished with Gladiator II and look forward to welcoming new projects that can take advantage of Malta’s proposition.”

Gladiator II showcases Malta’s resources, skilled crews, and unique filming infrastructure, making the island well-positioned to attract more major productions.

This film demonstrates the remarkable potential Malta offers filmmakers worldwide.

45

BOV BOV BOV BOV B BOV BOV BOV BOV B A New Chapter BOV BOV BOV B BOV in Modern Office and B BOV BOV BOV BOV Branch Design BOV BOV BOV BOV B Bank of Valletta:

Bank of Valletta (BOV) is redefining its workspaces with a series of renovations aimed at enhancing functionality, sustainability, employee well-being and customer experience. The recently inaugurated BOV Centre is the flagship of these efforts, complemented by modernised branches. All designs were conceptualised and executed by BOV’s in-house architects, whose deep understanding of the Bank’s culture and operations ensures that the spaces cater specifically to the needs of the Bank’s employees and clients.

BOV Centre: A Sustainable and Collaborative Workspace The refurbishment of the BOV Centre, home to around 1,100 employees, began in mid-2022 and was completed in 2.5 years. The project transformed the premises into an open-plan, hybrid workspace, replacing traditional office walls to promote collaboration. Employees benefit from a hot-desking policy, with personal lockers and designated spaces to maintain efficiency and flexibility. Privacy is ensured through meeting rooms and soundproof booths, while breakout areas and redesigned roof terraces provide opportunities to relax and recharge. Accessibility and security were also prioritised, with the installation of a wheelchair-friendly reception desk and advanced turnstiles for a safer, more inclusive environment.

Sustainability was a core focus of the renovations. Energy-efficient measures include smart lighting, insulated raised flooring, a centralised building management system, and HVAC air conditioning. The walk-to-print concept discourages unnecessary printing, significantly reducing paper waste. The premises also feature rainwater harvesting and underground storage for water reuse, further enhancing its eco-friendly credentials.

The new BOV Centre also incorporates a permanent exhibition space in its foyer, hosting rotating art exhibitions to support local artists and celebrate creativity. The first exhibition showcases works by a number of BOV employees.

46

V BOV BOV BOV BOV V BOV BOV BOV BOV V BOV BOV BOV BOV V BOV BOV BOV BOV V BOV BOV BOV BOV BOV BOV BOV BOV BOV BOV BOV Branch Renovations: Elevating the Customer Experience The modernisation of BOV branches across Malta has focused on creating a seamless and welcoming experience for customers. The redesigned layouts incorporate private meeting rooms for confidential discussions, fast-track service areas for efficiency, and expanded ATM lobbies for convenience. Meetand-greet zones ensure that visitors are greeted in a professional and friendly manner.

At the flagship branch in Republic Street, Valletta, these improvements take centre stage. This branch now reflects a modern banking environment, balancing aesthetics with functionality to better serve customers and align with the Bank’s vision for the future. Similar extensive renovations were undertaken in other branches, like Naxxar, Siġġiewi, Paola, Żabbar, Żejtun and Sliema.

Historical elements, such as restored safes and vaults, have been integrated into the design, blending the Bank’s legacy with its modern outlook. The new branch design also embraces energy efficiency and sustainability. Similar to the BOV Centre, open-plan concepts maximise natural light, and centralised facilities streamline operations. These efforts aim to reduce the environmental footprint while offering a superior banking experience.

Blueprint for Future Development The renovations at BOV Centre and its branches are setting the tone for future projects. They highlight the importance of fostering collaboration, supporting hybrid work, and providing exceptional customer service. As Bank of Valletta continues to invest in its infrastructure, these initiatives reaffirm its commitment to its people, customers, and the environment, ensuring that every space reflects its core values of innovation, inclusion, and sustainability.

47

Royale Sainte Hélène Boutique Hotel

Elevating Corporate Hospitality with Timeless Elegance in Malta

Nestled in the heart of Birkirkara, the Royale Sainte Hélène Boutique Hotel redefines boutique hospitality by seamlessly blending Maltese craftsmanship with Parisian-inspired sophistication. Designed to cater to the business community, this exceptional property provides a sanctuary of refined elegance, contemporary comfort, and cutting-edge facilities, where tradition meets innovation to deliver unparalleled personalised service.

The hotel’s name, Royale Sainte Hélène, pays homage to Saint Helen, the patron saint of Birkirkara, celebrating the city’s cultural and spiritual legacy while preserving its historical charm.

The building’s origins trace back to the 19th century, where it served as a private residence for a family of seven and later housed a bustling bicycle shop known as Pawlu Tar-Roti. Today, after a meticulous restoration by skilled local artisans, the property retains its authentic façade, showcasing architectural features such as original timber balconies, apertures, a grand welcoming entrance, and characteristic stone staircases. These elements reflect the timeless richness of a traditional Maltese palazzo, combining echoes of familiar warmth with contemporary sophistication. Within its historic walls, the hotel offers a perfect retreat tailored to enhance the value of both business and leisure stays.

48

49

Prime Minister Robert Abela commended the boutique hotel project for successfully preserving its authentic charm while embracing modernity. “This project prioritised quality over quantity, an approach that aligns with the government’s vision for sustainable tourism”, said Prime Minister Abela. He also highlighted the project’s focus on environmental sustainability. “Such investments not only enhance the tourism sector but also contribute to our economy. It is entrepreneurs like you who drive our nation forward, creating wealth and opportunity for all”, Dr Abela concluded.

“Our vision was to create more than just a hotel; we wanted to redefine the business travel experience,” say Romualda Vella and Jason Paul Vella, Directors of Royale Boutique Hotels. “At the heart of this vision is our exclusive executive lounge service—designed for today’s professionals who need flexibility, functionality, and sophistication. Whether hosting a quick meeting, conducting a virtual conference, or unwinding after a busy day, the lounge provides a dynamic environment tailored to the business traveller.”

50

51

52

Modern Sophistication Meets Comfort The hotel’s interior design tells a story of refinement, blending opulent details with minimalist aesthetics.

Captivating photographs of Birkirkara through the ages adorn the walls, celebrating the city’s history. Every detail, from furnishings to layout, has been carefully curated to create a harmonious blend of cultural artefacts and modern comfort. Distinctive touches, such as a Sicilian-crafted chandelier and locally made glass-blown tulips, add to the hotel’s unique charm.

This exquisite transformation is the vision of the hotel’s directors, who are also the proud owners of i-Decor Home, a Spanish home décor brand. The directors have infused their signature style into every corner of the Royale Sainte Hélène Boutique Hotel, showcasing an elegant and trendy décor that embodies the brand’s commitment to sophistication and modernity.

For the hotel’s launch event, the Royale Sainte Hélène was honoured to host Mr. Alfred Celada, the Commercial and Export Director of i-Decor Home, whose leadership has been instrumental in the brand’s evolution and ongoing success.

Luxury Rooms and Corporate Amenities Each of the hotel’s 30 rooms is thoughtfully designed to meet modern needs. Whether a Superior Balcony Room or the luxurious Penthouse Suite with an outdoor jacuzzi, every space features orthopaedic beds, minibars, 43inch satellite TVs, ample universal sockets, and private balconies offering panoramic views. The bathrooms are

53

Corporate travellers can benefit from: • The Royal Executive Lounge: Equipped with high-speed internet, free photocopying services, and a conference table for up to 20 guests.

• Rooftop Terrace: Featuring heated jacuzzis, a pool, and a serene atmosphere with stunning views of the iconic Saint Helen Parish Church, ideal for relaxation or informal networking.

• Signature Dining Experiences: Mediterranean cuisine, and an extensive wine list, complemented by wellness offerings such as personalised treatments and massages.

54

Commitment to Sustainability and Community Royale Sainte Hélène embraces eco-conscious practices, including energy-efficient climate control, thermal insulation, soundproofing, and a water treatment system that reduces environmental impact. The hotel also supports local artisans and promotes sustainable tourism, aligning with its long-term vision of community integration and responsible hospitality.

“Sustainability is integral to our philosophy,” say the Vellas. “We’ve invested in advanced systems to create an eco-friendly guest experience while preserving the charm of our heritage building.”

“Our philosophy is simple yet profound: to provide a personal experience in comfort and luxury through creativity and authenticity,” conclude the directors. “We believe every individual deserves a well-earned retreat to unwind and rejuvenate, whether for business, leisure, or both.”

For more information, visit https://royalesteheleneboutiquehotel.com or email info@royaleboutiquehotels.com.

55

Ma Yansong/MAD Architects Unveils

“The Never Hut”

at The Guangdong Nanhai Land Art Festival 2024

Ma Yansong/MAD Architects has unveiled their latest installation, “The Never Hut”, at the Guangdong Nanhai Land Art Festival 2024 in Yanqiao Village, Nanhai District, Foshan City.

Balancing cultural narratives with playful imagination, the design creates a space that inspires reflection and shared connections.

56

Photography: Tian Fangfang, Zhu Yumeng

57

Ma Yansong explains, “This project is about capturing the freedom and wonder of childhood while providing a space for the community to gather, reflect, and imagine what lies ahead.”

Nestled in the heart of a historic village with over 600 years of history, the project transforms a site that was once a beloved playground for a local elementary school. By reimagining this space, MAD pays tribute to the collective childhood memories of the community while breathing new life and purpose into its surroundings.

58

Yanqiao Village’s iconic Qing Dynasty-era architecture, meandering river systems, and the majestic banyan tree at its entrance served as inspiration for the installation. The Never Hut, a striking flying saucer-shaped structure supported by three “tentacles” crafted from local fishing nets, engages with its environment by responding to the breeze, creating a lively interplay between motion and stillness.

Under its wide, colorful eaves, The Never Hut provides a shaded, circular space for rest, interaction, and connection. Its bright, playful hues contrast with the historic backdrop, forging a vibrant dialogue between past and present.

59

60

The Never Hut serves as both a functional space and an artistic centerpiece, designed to encourage community engagement. Visitors can enjoy moments of daily life, whether catching a refreshing breeze, reflecting on the village’s heritage, or marveling at the interplay of art and nature.

“The Never Hut is a celebration of imagination and community — a space where childhood memories find a new home.” says Ma Yansong.

This installation builds on MAD’s earlier work in Nanhai District, including the celebrated “Timeless Beacon,” which has been on display at Taiping Market since 2022 as part of the “Art at Qiaoshan” series at the Guangdong Nanhai Land Art Festival.

The Never Hut is now open to the public as part of the Guangdong Nanhai Land Art Festival 2024, welcoming villagers and visitors alike to experience its imaginative blend of art, culture, and community.

61

62

Interview with Eugenio Recuenco

A Master of Chiaroscuro

Eugenio Recuenco was born in Madrid in May 1968, in the middle of student protests that had spread out from Paris. As he himself would say

“I heard all that fuss, and was in a rush to be born and see what was going on”.

63

Eugenio Recuenco is one of the most important Spanish photographers on the international scene. With a undisputed gift for chiaroscuro, Recuenco is considered by many critics as the spiritual heir to Goya, El Greco and Zurbarán. His work is interesting, inquisitive, often creating a mysterious world which is captivating and hard to ignore. Eugenio ahared with Atelier his source of inspiration, his views on society and what’s next for him I have read that you have spent nearly a decade analyzing society and culture. Have you perceived any real changes in those areas?

Well, rather than analyzing in depth, what I’ve actually done

64

is bring to light some of the actions we routinely engage in.

When we stop to reflect on them, they can often seem absurd. I’m referring to my personal project *”365º”*, which is a free look at our surroundings. In that project, I revisit some of the important moments in the history and culture I know and open the narrative, inviting the viewer to reassess them from different perspectives.

The changes since the beginning of the 21st century are, in my opinion, significant—enough, I’m convinced, to call this a change of era. The ideals, values, concerns, attitudes, and perspectives of contemporary Western society bear little resemblance to those that shaped the Modern Age.

65

You recently remarked that we have lost true values and happiness in pursuit of economic ­matters. How is this affecting us?

The scale of priorities regarding values has shifted.

We are at a time when solidarity is emphasized more than ever, yet we act more individualistically than before. Most of our actions now seek personal gain above any other value or ideal. In this sense, we’ve also lost some of our humanity.

We pursue happiness and personal enjoyment like never before. True personal happiness, however, is very hard to convey because it’s something deeply felt. At its core, I believe it’s closely linked to an individual’s personal growth and the challenges they’ve overcome.

We live in a society that claims to protect privacy but is, in fact, deeply exhibitionist. We can’t identify happiness, and we mistakenly believe we’ve found it through the admiration we elicit from others—showcasing our power and possessions. We let others’ scrutiny dictate how much happiness we feel.

It also seems difficult for you to accept how much people want to continually change their way of dressing.

I find it hard to understand why constantly changing the way one dresses is something that makes people feel good. Yet, almost no one cares about the feel of the fabric or how a garment fits. Consuming fashion often revolves around not standing out.

We feel good when we blend in with others. Once again, we’re conditioning our happiness on others’ approval.

It’s troubling that millions of nearly-new garments are discarded for their color or minor details that make them “outdated,” only to be replaced faster and faster with lower-quality clothing. For the first time in history, fashion has ceased to be a reference for style and has become a business that has also abandoned its ideals in favor of profit.

Fashion now follows the streets. Its proposals are no longer distinct. We’ve been given the illusion of choice and, with cheap prices, can easily stay on the wheel of feeling good. This creates dissatisfaction, dependency, and excessive consumption, which causes enormous pollution no one wants to acknowledge. To avoid feeling responsible, we separate our household waste instead.

66

67

68

I observe that you draw inspiration from many things, including classic paintings. How do they inspire you?

I studied Fine Arts and earned a degree in Painting. That has to influence my work somehow. Ultimately, when your work is based on images—whatever your activity might be—starting from scratch, when we have centuries of art history building the foundations, seems like a waste of humanity’s accumulated wisdom.

I strongly believe in drawing inspiration from the past as a way to project new paths and personal propositions from there.

Your personal style is very cinematic, very pictorial. Is your approach to fashion photography the same?

Cinema and Art have been very important in my life. In the end, your photographs reflect you.

The way you photograph depends on what you know. That’s why, yes, my style is cinematic and pictorial, but always from a Western conception of those terms.

In fashion, I photograph from the same perspective. I don’t differentiate between personal and fashion photography in terms of style. Of course, there are differences in the needs and stories being told, but in both cases, I approach them with all the experiences I’ve accumulated. That’s why my style evolves and changes.

To what extent does photography give you the freedom to take your mind wherever it wants to go?

Photography is the medium I know to express what I want to convey. I’m not sure if it offers more or fewer possibilities than other disciplines.

I do try to explore its limits, and sometimes I surpass them by creating audiovisual pieces.

Not as a way to do the same thing in a different format, but to enrich the stories I tell in photographs by introducing concepts of movement, sound, time, and rhythm.

That’s why my video work has little to do with my photography. The limits and rules of the game are different.

69

70

Tell us about your project 365º It’s the first major personal project I’ve undertaken. A set of images—one for each day of the year—that attempt to illustrate aspects of the world I’ve lived in. It’s an exposition of facts, tributes, and stories, ready to be interpreted by the viewer’s convictions.

Perhaps one of the most notable aspects is that I took all the photographs over eight years in a single location and with the same framing.

It has been exhibited in cities like Madrid, Berlin, Shanghai, Taipei, Vitoria, Castellón, and Bangkok, among others, as a large immersive photographic installation featuring 369 backlit boxes.

The viewer wanders among images with independent stories that, being placed side by side, end up creating potential broader narratives. The experiences and knowledge of each viewer shape these narratives. It’s not necessary to know what drove me to take the photographs—what matters is what you interpret from them.

It’s an exhibition designed for each viewer to take away their individual experience.

71

72

73

74

What’s next?

The same as always: continuing to tell the world’s story from my small window with my available means.

The project *“The Thousand and One Nights”* is an exhibition of one thousand and one photographs simulating a museum. Unlike *365º*, where all the photos follow a single formal style, here each room addresses a theme of the modern world, reinventing itself with different styles, each chosen as the best way to depict that theme.

Completing the series will take quite some time. I think it will emerge gradually as the different rooms are completed. The first one is already photographed and in the selection process. It’s called *“Splendor and Delirium”* and is a collection of nudes, which I believe offer a perspective different from what’s been seen before. It’s actually a cartography of the human body and our obsessions.

75

KIMPTON BEM BUDAPEST Kimpton BEM Budapest (2024) honours Hungarian folklore while celebrating Budapest’s modern vitality, featuring elegantly appointed guest rooms, three innovative and distinct dining venues, alongside other bespoke experiences.

Designed by Marcel Wanders and part of IHG Hotels & Resorts’ luxury and lifestyle portfolio this hotel is considered the Hungarian capital’s newest hotspot.

78

An iconic interior design

by Marcel Wanders

Marcel Wanders’ storytelling connected to nature, history, and folklore, ensuring a lifetime guest experience.

Transformed from a historic 19th-century mansion along the Danube to a sophisticated 127-room enclave, the 5-star superior hotel design is inspired

by Budapest’s rich folklore & vibrant energy, and the Hungarian fairy tale ‘The Golden Stag and the Turul Bird’. Reception desks are shaped like upside-down eggs reflecting Marcel Wanders’ fondness for the shape, using it as a symbol of eternity. Enchanting patterns throughout the hotel pay homage to unique Hungarian mythological creatures and native flora, such as illustrations of poppies and tulips. Spaces feature a serene palette of ‘cool’ colours contrasted with striking architectural textures and elements, such as a central glass atrium housing a Golden Stag, concaved ceilings, and lush greenery. Each guest room unfolds a tale of personal luxury, adorned with strong characters and charming details.

79

80

81

82

83

84

85

Coding basics The computer is an electronic device. It can store and process data. A computer uses a set of instructions to carry out arithmetic and logical operations. A computer system is a combination of hardware and software.

What is Coding?

Coding is like giving instructions to a computer. It's like telling a robot what to do!

Start with Algorithms

Create your own game Now that you know the basics, create your own coding game!

Be the boss of your computer world!

An algorithm is a step-by-step set of instructions. It's like a recipe for a computer!

Debugging - Fixing Mistakes Meet the codes

Sometimes, things go wrong.

Debugging is like being a detective to find and fix the mistakes!

Variables - Remember Things

Computers speak their own language. Here are some basic codes: "Move Forward": move_forward() "Turn Left": turn_left() "Turn Right": turn_right()

Loops - Repeat, Repeat Use loops to make a computer do things over and over. It's like a dance move you want to repeat!

Give the computer a memory.

Like naming your favorite toy, but for the computer!

Conditions - Make Choices Computers can make decisions too! Use conditions like: If: if (something_is_true) Else: else (do_this_if_not_true)

Remember: Coding is fun, like solving puzzles and creating cool things

eSkills eSkills Malta Foundation

/ESkillsMalta

@eSkills_Malta

www

eskills.org.mt

87

bov.com |

@bovofficial

Maħruġ mill-Bank of Valletta p.l.c., 58, Triq San Żakkarija, Il-Belt Valletta VLT 1130. Il-Bank of Valletta p.l.c. hija kumpanija pubblika b’responsabbilità limitata regolata mill-Awtorità Maltija għas-Servizzi Finanzjarji u liċenzjat biex toffri l-kummerċ bankarju f’termini tal-Att dwar il-Kummerċ Bankarju (Kap 371 tal-liġijiet ta’ Malta).

Photo by Eugenio Recuenco