Atelier 12

Volume 12

A Christmas Story

The year that is coming to an end felt so long and so short at the same time. So many things happened, from freak weather to protests, coups and elections this year was definitely one for the history books. Indeed, this was a truly eventful year! It’s a miracle we survived our daily chores let alone the crazy world events. Certainly, this was a year that made us more appreciative of what we have, more appreciative of those around us and more appreciative of life.

Moreover, we are not disheartened by what we’ve been through and look at the year to come with hope, with courage and with determination to make it a better one than the year coming to an end.

History teaches us that no matter how many challenges society has to face, it always survives the challenge of time.

I wish you all a Happy Christmas and a Happy New Year!

Publishing Editor Omar Vella

Design

Robert Caruana rcaruana@unionprint.com.mt

Printing & Publishing Union Print Co. Ltd. www.unionprint.com.mt

Proof Reading

Ramona Vella Cini

FRONT PHOTO

duopunctumstud.io Collaboration between: Nadette Clare-Talbot, Caroline O’Callaghan, as exhibited at Lily Agius Gallery, Sliema Dress: Gaia & Nina

Disclaimer: Particular attention has been given to ensure that all the content of this magazine is correct and up to date as on date of issue. The views expressed in the articles, interviews and photogrphs are those of the authors and are not neccessarily endorsed by the publisher. While every care has been taking during production, the publisher does not accept any liability for errors that may have occurred. Copyright© 2021.

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reflection

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The art collective known as duopunctumstud.io, a collaboration between artists Nadette ClareTalbot and Caroline O’Callaghan, recently exhibited their debut collection entitled Elective Affinity at the Lily Agius Gallery in Sliema. The exhibition (which ran this past Autumn) showcased twelve individual bodies of work centred around the subject of still life, captured in a photographic style more traditionally seen within classic portraiture.

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Nadette and Caroline began collaborating in Malta in 2019 drawing inspiration from their different artistic backgrounds, ultimately culminating in the formation of their collective duopunctumstud.io earlier in 2021. Their launch collection Elective Affinity showcased the combination of diverse yet complementary talents and a powerful shared aesthetic. Each of the 12 works showcased in the exhibition began with a visual idea, which was typically developed into a three-dimensional botanical sculpture, followed by a live installation and finally, a photographic image capturing the theatrical magic of their unique artistic approach.

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Drawing on the duo’s interest in perception and illusion, each body of work pursued the concept of the juxtaposition of subjects. All visual effects are produced in the studio and without any post-production trickery, giving each photographic piece the appearance of a highly veneered postproduction aesthetic.

All this is masterfully achieved, creating widely different narratives for the same visual story. The resulting images are unique and a testimony to the technical and artistic skills of the duo.

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The duo have a breath of combined experience. Nadette has an extensive background in commercial photography with high-profile clients such as Marie Claire, Elle Decoration and Glamour. Later transitioning into fine art photography following a relocation from South Africa, Nadette had a successful debut solo exhibition entitled “Lacey and Lace” in 2016 in Malta under the curatorship of Claude Camilleri.

Caroline studied Fine Art and History of Art at Goldsmiths University. She went onto a career at Christie’s auction house in London. Her love of flowers was never far away, as she went on to train and work as a florist in 2002 in Greenwich, London. She has come full circle combining all aspects of her training.

You can view their work at www.duopunctumstud.io

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Production Houses: Unique Promotion and Motion Blur

Shoot take for Venere on TVM

Model: Justina Vai at Models M

Concept and Artistic Direction: Adrian J Mizzi and Elaine Galea

Coordination: Daniela Micallef

Clothes: Miss Guided

Make-up: Talitha Dimech - Make-Up by Talitha

Hair: Soh Kogasaka

Photographer: Matthew B Spiteri

HOW to Dress

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WHERE DREAMS

COME HOME

Set an appointment today

2131 2020 | bov.com All loans are subject to normal bank lending criteria and final approval from the Bank. The term of the loan must not go beyond retirement age. Issued by Bank of Valletta p.l.c. 58, Triq San Żakkarija, Il-Belt Valletta VLT 1130. Bank of Valletta p.l.c. is regulated by the MFSA and licensed to carry out the business of banking in terms of the Banking Act (Cap. 371 of the Laws of Malta). | COM 2570

HOW to Dress

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HOW to Dress Interview with Maria Micallef

For Maria Micallef, working in fashion doesn’t seem like a career choice, but a fate that she could not resist. It was meant to be. It was written in the stars. Indeed, for Maria, being a stylist means more than just choosing the right outfit.

It is a journey with many lessons learned, attesting that nothing comes easily. It is also an opportunity to connect with people by reading through their outer crust, learning about their lifestyle and counselling them through any issues; much more than the frivolous world of vanity many see the world of fashion as. Maria shared with Atelier her interest in fashion, her thoughts about the industry and a few tips about chasing our goals and creating our own Cinderella stories.

What is your first fashion memory?

I’m not sure where to begin. I’ve always wanted to work in the fashion industry since I was a child. So, if I had to be honest, my first fashion memory would be when I was around 7 years old. My mother had purchased a children’s sewing machine for me because I was constantly attempting to experiment with my grandmother’s sewing machine. I kept that sewing machine because it reminds me that working in the fashion industry is something I’ve wanted to pursue since I was a child. My professional fashion career began after I joined in a Fashion Styling program with the Fashion Style Academy, where we had to work hours backstage at the Malta Fashion Week in order to receive a certificate. As a result, in 2015, I worked backstage at Malta Fashion Week for the first time. Since then, I’ve had the same rush of adrenaline any time I work in the fashion industry.

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Photographer: Bernard Polidano

Make-up: Natasha Polidano

Hair: Flavia Attard at Dcolorpallèt

Coordination: Daniela Micallef

Concept and Artistic Direction: Adrian J Mizzi and Elaine Galea

Designers: Blakkript and Jay

Models: Hannah Felice and Jake Busuttil at Models M

I like to experiment with new trends and wear block colors. I’m not embarrassed to admit that I like it when my outfit makes a statement. Painters use their drawings to express themselves. What I wear is a way for me to express myself. Green is my favorite colour to wear. Although some individuals are terrified of the colour green, I find it to be empowering.

Shoot take for Venere on TVM

My own style can be described as edgy and bold. I just adore leather, and if I could, I would wear it every day. I consider red lipstick as part of my signature.

Productions Houses: Unique Promotion and Motion Blur

How would you define your personal style?

Muccia Prada once noted, “What you wear is how you present yourself to the world, especially today, when human contacts are so quick. Fashion is instant language.” To what extent do you agree?

This statement can work out in both ways.

Someone can either remember you because they like your outfit and your style or else the contrary.

Sometimes certain outfits transmit certain attitudes which push people away without us knowing. We create barriers with our outfits to increase our confidence and sometimes it is interpreted as over confidence. It can also be that I am having a bad day or an unexpected life situation, which is not inspiring me to be at my best and hence I am not well presented. So, I agree with this statement, but unfortunately not every time can work out in favour.

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HOW to Dress Do you consider yourself a wardrobe editor or a builder?

I consider myself a wardrobe editor. When someone ask for the stylist’s professional opinion, I have to keep in mind that this is already a huge step for some individuals. It is like going out of your comfort zone, because that person is basically trusting you with their identity. At the end of the day, what we wear is part of our identity. If I am looking at someone else’s wardrobe, I have to keep in mind their favourite colour, their favourite pieces (even if I totally dislike them or maybe they are out of fashion), and what meaning certain pieces have to them. So there I have the building. Now I need to edit, I need to renovate that building. When it comes to wardrobe editing, I have to make sure that I boost the confidence of that person trusting me with their identity.

Being sensitive towards your client is important, so I must make sure that they feel good in what I am suggesting them to wear. Every occasion needs a particular outfit.

As a stylist, I do not want to ruin the occasion with the wrong outfit. If we all think deeply, we remember what we wore for the most precious moments in our life. When styling someone on a personal level, as a stylist I know if I have made the right choice, because I can see it in the individual’s eyes.

What is your philosophy about the high low-mix?

I tend to do that a lot!

For example I really enjoy wearing tailored pants because I think they are really comfortable. I love matching them with a pair of sneakers as I feel smart yet comfortable at the same time. Apart from that it is cool, and I feel it is kind of rebellious to decide to match this and that with whatever you want. Nowadays you don’t have to wait for the evening or to go to a fancy dinner to wear fur!

(Faux Fur - I am against real animal fur).

Staying tradional can become boring and I personally think that this high low-mix trend is allowing us to experiment more. Apart from that more people are trying out different types of outfits without the pressure of having to wear high heels all day. Having said that, I also tend to mix sportswear with heels and dainty accessories, which in my opinion is also a great combination.

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How do you like to use colour?

I use colour a lot. For me colour is energy. I tend to clash colours together or to the other extreme go for a one-colour outfit. It is not everyone’s piece of cake I know. In life we have to take risks and that includes fashion decisions as well. In life you have to do what makes you happy and colours make me happy!

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Who are some of your current go-to designers?

Alexander McQueen is one of my favourite designers. Getting to know his story, made me understand more his rebellious style.

I see a story in each and every one of his shows. Even though he left the world in 2010, I can still see his signature in the designs being presented.

I have also been following 2 designers which are relatively new. Minju Kim from South Korea and Angel Chen from China. I consider Minju’s patterns as architecture.

She plays a lot with structure and cuts.

What I like about Angel Chen is that every piece is like a new adventure. She is not afraid to use colour and different textures.

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Apart from being a wardrobe stylist, you are also a digital content specialist. What are your thoughts about social media today?

Whether we like it or not, social media has became an important factor in our lives. If I take fashion into consideration, social media plays a huge role. We can get influenced in what we wear through social media. It can also create lots of social anxiety and pressure since sometimes social media tend to give us the impression and vision of the perfect life, with a wardrobe full of designer bags and designer shoes. Don’t get me wrong, I enjoy working on social media and staying updated with all the new technology out there.

What would you never wear?

Definitely never a fake designer piece. I’d rather wear something which costs 20 euros and I will style it my own way, then wear something and I pretend that it’s expensive. First of all, it’s an offense to the designer who worked on the original piece and secondly, I believe that a cheap item can still look rich in style, but a fake item remains fake.

Second thing which I don’t wear is something made from real animal fur / leather. It does not feel right, I cannot even stand the fact that an animal is killed for its fur. I am a huge animal lover, and I can never enjoy that kind of fashion.

However, I had to learn that I am the one who is controlling the social media channels. I cannot allow social media to control me. I follow people who inspire me. Social media can also be used for good causes. As much as I love fashion and beauty, I am 100% against animal testing and using animal fur or skin for clothing. With the pressure of social media lots of brands are eliminating the use of animal testing in their products or skin/fur in their clothing. So like everything in life, social media has its advantages and disadvantages.

For the fashion world, nowadays we can have access to more. We can see live fashion shows from the comfort of our home. Also more designers, stylists and many more artists are being discovered through social media.

My message with respect to social media is: You do not need social media when it comes to taking decisions. You need no one’s approval. I think that some of the younger generation are so dependent on the amount of likes and followers and feel that whatever they do has to be approved by social media. That is a huge mistake. Use social media to reach your goals and learn, but never allow social media to determine your capabilities.

What’s next for you?

I live day by day but I would be lying if I said that I do not think about the future.

For sure, the Malta Fashion Week year after year is always listed in my calendar and being part of the Malta Fashion Week team is something that I am very proud of.

I just launched my online portfolio on Instagram - Style Dopamine. It was something that I have been wanting to do. The concept is my baby. It is somwthing I developed from scratch and I am so proud of what I achieved.

Year 2021 brought with it new opportunities and experiences including the most recent one of being part of the TV Program Mużika Mużika Il-Vjaġġ Ikompli.

I have so many concepts running through my mind with respect to photoshoots, which for sure I will be working on in 2022. I am always on the lookout for new opportunities.

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The Travel Photographer

Interview with Eric Lafforgue

Ever since he was a young boy he has been fascinated by far away countries and travelling. Aged just ten he spent time travelling with his parents in Djibouti, Ethiopia and Yemen, unwittingly retracing the paths of renowned travel writers. His career as a photographer began quite late in 2006. But his success has been startlingly rapid. Soon after first posting his pictures on the website Flikr he began to get professional commissions, and within just a few years he has come to be regarded as one of the world’s best travel photographers.

He is perhaps best known for his work on North Korea, Papua New Guinea, and the tribes of Ethiopia. The 47-year-old French traveler took a moment to share his own story with Atelier.

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What inspires you?

People from different cultural backgrounds are a true source of inspiration. It is amazing how the world is so diverse notwithstanding the fast pace of globalization.

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You spent time in Africa when you were ten years old. Could you tell me more about how that experience influenced your later career path and passion for travel photography?

When I was ten, in 1974, I lived for two years in Djibouti, in the horn of Africa; my father was serving in the army. Djibouti was a French colony then. I met local tribes like the Afars, very impressive people with big hair and camels. I travelled in Yemen and Ethiopia with my parents—those countries were at the time untouched by tourism. As soon as I could, I came back.

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What inspired you to pursue travel photography?

I was working in the mobile industry, but the company was bought by a big Japanese company and I was fired. I didn’t know what to do, so I traveled a lot and took pictures of what I came across because the more I travelled, the more I understood that what I saw will disappear, for good or bad reasons. This is why I try to visit countries that will change in the next few years.

What is the most rewarding part of being a photographer?

Photography offers me the possibility to travel to remote places. It also offers me the possibility to come across people and learn about their habits, their cultures and their traditions.

What is the most challenging aspect of traveling around the world to shoot photographs?

I’m lucky to travel, to take pictures and be paid. And most of the time, I try my best to explain what’s behind a picture. Even in the most controlled countries, like North Korea, you can speak to people, even if you read in the newspaper that it is forbidden. There is always something to learn from the other. My challenge is to show that behind the headlines on the television are humans—not only economic struggles or dictators.

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What made North Korea one of your preferred destinations?

I really loved the people I met there . They are really warm. Totally different from my original impression. When I refer to North Korean people, I mean civiilians, the villagers and not the officials.

Unfortunately, North Korea has developed into a touristic destination which thus losing a lot of its original character.

How has the COVID-19 pandemic affected the travelling photographer?

From a personal point of view, it was an opportunity for me to go back to my archives. I have over 55, 000 pictures online and it was good to take time to review some forgotten!

What’s one tip that you would share with someone who’s just picking up a camera?

Do what you want and do and do it your own way.

Do not try to copy the “masters” as you never know how they took the photos.

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Interview with

Marilena & Maarten Haegdorens

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Melania is a beautiful young girl gifted with so many talents. A warm hug or a caress with her tiny hands will steal your heart instantly.

IN HER

WORLD What felt like a mammoth’s task at the start of this journey has turned out to be the most beautiful blessing they could have wished for. Melania is the impossible turned possible. She is the best teacher her parents and those who walk into her life, could ask for. Experiencing Melania is enough to answer all the questions. Atelier recently caught up with Melania’s parents who shared their experience with us.

Who is Melania?

Melania is a very happy girl who enjoys the simple things in life. She enjoys cuddling under the warm sun that, in her words, ‘caresses’ her face and her skin. She loves feeling the wind and is overjoyed when it rains.

She appreciates the sounds of nature such as listening to the birds and asking us which ‘chirp’ is of the mummy bird ... she is our brain trainer!

She loves meeting people, especially teachers and other mummies. She can be the sweetest girl but also a hard-headed one at times. Melly is our rainbow in a thunderstorm and a little firecracker! She loves playing the piano, violin and singing. She is very active and enjoys ballet, gymnastics and swimming, something she is performing well in. We were blessed with a team of passionate educators and coaches, who together empowered her to become the confident happy girl she is today. She is very affectionate and I think her favourite thing is to hug and cuddle! She also likes ‘peace and quiet’. She needs that time to decompress. We call her our Wonder Girl because she amazes us in so many ways.

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What are some of the highlights that occurred since Melania was born?

From feeling every single breath she takes to discovering her musical talent, these first five years have been a rollercoaster of emotions that will be treasured in our hearts for the rest of our lives. Like every parent, we had big dreams for our daughter. These seemed shattered the moment we got the right diagnosis of her condition.

Little did we know, back then, that she will make us dream bigger and better again. She changed our perspective towards life in the most amazing way.

If we had to choose a turning point in her life so far, it would surely be that moment music and Melly found each other. All this we owe to her first music teacher, Ms Sarah Spiteri. The impact she had in Melly’s life (and ours too) goes beyond what words can describe. Melania started music lessons at the age of one. Since then, it has been an integral part of her daily life. Music became the subject of our quotidian conversations and, slowly but surely, her diagnosis took a back seat. Suddenly, our WHYS became WOWS! It was not just about developing her musical skills. The world of music helped her cognitive processes, her memory, attention span and helped grow her self-esteem. Piano skills acted as a pre-braille tool that strengthened her little fingers and assisted her at school. The list goes on and on.

What are your hopes and dreams for Melania?

That is a tough one! Our dream is for her to reach her full potential, and this can be achieved holistically with the right educators, coaches and friendships. The sky is the limit and that’s how we plan to raise her. We pray that she keeps finding happiness in the little things, grows into an independent fine lady, who is humble, with the sweetest spirit but also strong minded. To be honest, we dream that someday we attend a concert where she is playing the piano or the violin, or that she takes part in the Paralympics, as she says, ‘I want to be a swimming star’. We also pray that she meets the right people in life but if we had to boil it down to one thing, we dream of her finding true happiness and smiling at life, now and in 30, 50, 70 years’ time!

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Do you have any fears?

The same fears as any other mother and father would have - health, teenage years bullying, friendships gone wrong, unreciprocated love, struggling to be happy, if we had to go too soon, someone who will break her self-esteem, fear of us as parents taking the wrong decisions. One added fear is that she will be wrongfully judged. Sighted people can never fully understand her world and vice versa, us included.

What are Melania’s strengths and unique gifts?

Her unique vision towards the world around her enabled her to acquire mind skills that are quite unusual for kids her age. She is a strong-minded and assertive girl.

When it comes to music, she has developed what is known as a Absolute Pitch. The way she recalls her past events leaves us starring at each other. Furthermore, her loving ways are a delight to experience, the joy of learning is witnessed in everything she does, and her listening skills are amazing. I would easily say she has an ear for detail.

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What are a few words of caution and encouragement to other parents?

We wish we could go back to when she was a baby and tell ourselves that everything is going to be ok. We wouldn’t have missed those beautiful baby days (which unfortunately are way too short) and wasted them on excessive worry, looking for answers and solutions. At the same time, we understand that it’s a process and she was the one who made us realise what a beautiful bumpy journey this will be. You can’t really appreciate the precious moments without the bumpy ones, right?

In this journey, seek music. Find the right people to support you. There are many out there. Follow your gut feeling. Observe and listen to your child. Learn together.

Be consistent. Describe and look out for details. Don’t be overprotective because sometimes they need to learn the hard way to develop coping strategies. Give the child ample time to explore. Teach them to be organised from a young age as it makes their life and that of the people around them easier. Take lots and lots of videos, not only photos.

What advice or guidance do you have for parents who are considering, but not yet convinced about, Braille, cane travel, and other blindness skills training for a visually impaired child?

Braille is essential in their road to independence. We started early with pre braille skills, strengthening the hands, wrists and fingers and by also resorting to tactile discrimination activities. Our walls are covered in tactile pictures and braille. We also labelled toys, furniture, etc.

I always believed that as sighted kids are exposed to letters and words from day one, even though they don’t make sense for them, likewise I wanted Melania to be exposed to it. She now asks me to make braille books for her and it’s such a warm joy sitting next to her reading together.

On the other hand, the use of cane can be a little bit of an issue. Every country has different beliefs on when is the right time to start using the cane. We yet have to find an Orientation and Mobility Specialist to guide us.

Melania uses her cane to enter school and out, just to make it easier for her to accept in the future, also for her peers to understand and feel comfortable with it. The process of acceptance is easier when introduced at a young age. Our biggest challenge is walking outside. Filth on the pavements, garbage bags, poles, ramps, scooters left on pavements, broken pavements with holes left unattended to are all challenges which hinder the process of independence.

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Do you feel that society is sensible enough towards people who are visually impaired?

The COVID-19 pandemic didn’t help. Melania’s eyes are her little fingers and although its very understandable, having people say ‘you can’t touch this or that...’ hurts. Melania likes to feel the face when she meets someone new.... and give many hugs. That was taken away from her especially in the beginning of the pandemic. Nowadays she asks us upfront whether the person we are going to meet is friendly or not, even though we explain why sometimes we can’t touch people.

At first, we get lots of ‘pity faces’ when they get to know about Melly but not the people in her life, most now see beyond the disability.

Obviously, it wasn’t always like this and no matter how much we showed them by sending links and You Tube inspirational videos, it was Melania who helped them change their perspective.

To what extent do you feel that your experiences with Melania are a constant learning process?

Like any other parent, it is a constant learning process, with some added factors as this is new to all. We learn together, we fail, we try again and again.... It’s something new to us parents and all her educators. Teamwork is KEY. Passion and a drive to make a difference is what moulded her into the person she is today and only God knows what is yet to come.

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STAY AT THE GRAND HOTEL MAJESTIC

STROLL DOWN THE ELEGANT STREETS

A bit on the pricey side but located at the heart of the city amongst the cobbled streets, the tavernas and the local shops you can find this prestigious five star hotel for the well-treated break you have been waiting for after months or even years. Decorated in traditional Italian marble and having impeccable food and cosy elegant rooms you can be sure to be located conveniently near Piazza Maggiore and the famous Due Torri for your welldeserved Christmas holiday.

Although this year the Christmas markets might be cancelled (check beforehand), you can still opt to stroll down peacefully the streets of Bologna, enjoying the cold fresh air and the Christmas lights around.

The scent of panone and certosino, both traditional Christmas cakes of Bologna, fills the air. There is nothing that beats small and simple pleasures in life. Head to famous Piazza Maggiore for the big Christmas tree, Piazza Mingetti for the lesser known area, Via Altabella and Corte Isolani.

Bologn Sarah Zerafa Lewis

Christmas in

SHOPPING AT THE PORTICO DEL PAVAGLIONE

This elegant portico lined with high-end shops and 139 meters long features 30 arches and is one of the top things to visit when you’re in Bologna. Christmas drinks sound like the best idea when you’re here in December. After enjoying an afternoon shopping or window-shopping, as you feel the best for your pockets, head to Medulla Vini for on aperitivo or amazing Italian wine.

TRY THE BEST FOOD AROUND Let’s face it. There is no room for a food diet during Christmas time, especially when you’re in Bologna! We leave that for the new year’s resolutions. Bologna boasts some food specialities. You want to try the best lunch varieties with the amazing mortadella at Mo Mortadella Lab and Salumeria Simoni. Also, the tagliatelle alla bolognese at Gessetto Ristorante are a must have for the best Italian pasta night.

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VISIT THE FAMOUS CHURCHES AND CATHEDRAL

When you’re in Bologna, especially for Christmas, you should visit the charming and beautiful churches and cathedral scattered around this medieval city. Its town centre boasts some of the must-see churches in this part of Italy. Visit the famous Cattederale Metropolitana di San Pietro, Basilica of Santo Stefano, the Santa Maria della Vita church and the Basilica of San Domenico. There is a good chance that the churches will be decorated with Christmas chandeliers and decorations - beautifully done the Italian way!

DISCOVER THE HIDDEN CANALS

Not a lot of people who visit Bologna know of this area. Next to the two towers you will find a remaining section of once extensive canals. Try to find the Finestrella di Via Piella to get a framed insta picture of the canals. You will love discovering places that you never saw before in this beautiful medieval city!

TOUR SOME OF THE INTERESTING MUSEUMS For those who wish to enjoy some time inside, especially when it gets chilly, you can visit some of the museums Bologna has to offer. For the modern art lovers you can try the MAMbo Museo d’Arte Moderna di Bologna which displays a large amount of modern and contemporary art works by Giorgio Morandi as well as other modern pieces. You can also try the Ducati Museum for the bike lovers as well as the Pinacoteca Nazionale di Bologna for some beautiful 13-18th century Italian art.

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This beautiful medieval city in the Emilia-Romagna region of Italy, oozes character and is known as ‘La Rossa’ with its terracotta rooftops and scarlet-painted shutters.

Christmas goes so well with Bologna’s nicknames. Indeed, the mesmerising piazzas are filled with colourful lights, decorations and markets - the traditional Italian way all over.

There is nothing that beats a weekend getaway in December to get yourself immersed in celebrations before the end of the year. Here are some top tips to do in Bologna during Christmas time.

CLIMB THE ASINELLI TOWER If you want to admire the view of the Bolognese red rooftops climb the Asinelli Tower. From the top you can snap a few pictures and enjoy the fresh crisp air. You can also see the hills around the city and the Piazza Maggiore with all the tiny people strolling around. Book in advance and go early to avoid the crowds.

VISIT THE SAN PELLIGRINO PARK Just around 4km away from the centre you can immerse yourself in some nature. The San Pellegrino Park is situated in a hilly area just outside the centre of Bologna between the valleys of Meloncello and Ravone. During the chilly days be prepared to wear some comfy clothes and shoes and head for a small hike outside the busy areas.

GO FOR A DAY TRIP If you have some extra time in your stay you can try a day trip to Modena, Parma or Ravenna. Modena is “where the cars are fast and the food is slow”, i.e. you can indulge yourself in delicious food and try the Osteria Francescana for one of the best food experiences of your life and also visit the famous Ferarri Museum. Parma is the city of Parmesan cheese and Parma ham apart from some amazing architecture.

For Ravenna you can visit the beautiful Basilica of San Vitale for the famous mosaics that will impress you for the rest of your life.

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How To

Secure Websites in The Cloud

Article by Claude Calleja Executive at eSkills Malta Foundation

Popular data storage servers that are in the United States are used by many people from different countries round the world. This means that data stored in the US must move around the world when and where it is needed. This is a problem since there are no well-defined circumstances for obtaining legal permission to access data stored in the cloud. It remains unclear which laws govern data protection in the individual countries and how the data flows from the sender to the server.

One does not want anyone to access their data stored in the cloud without specifically giving access and sharing it. An Access Control Policy should be established that allows the management of which users can try to penetrate their cloud environment.

One can assign certain rights and access policies to different users or assign access rights to lower-level cloud users who do not have the same access rights as higher security administrators.

For shares that need to remain active, one should use the options they have in their Cloud Storage account to make them read-only when other parties need to edit the file (Google Drive is a service where you can do this). One should be careful when sharing files and folders and add a password and expiration date to your shares when the feature is available.

Some companies encrypt information as part of the process, but there is no way to encrypt information to make it unreadable to unauthorised parties. One way to achieve this is to use an SSL certificate that supports encryption of the website domain.

Once a secure online connection is established, their website will need an SSL certificate. When one’s website asks for visitors to register, log in or transect in anyway, one must encrypt their connection. There are paid services which offer free SSL certificates to webmasters who want to improve the security of their websites.

When switching to a cloud service, protecting data is a key element of security between you, the end user and the provider when in transit. They need network protection to prevent eavesdropping, and

data encryption to prevent attackers from reading the data when it is intercepted. Cloud environments must support data encryption when moving data to the cloud.

This means that there are some cloud services that offer local encryption and decryption of your files in addition to storage and backup and take care of encrypting your files on your own computer before you store them in the cloud. Cross-device access to your data has many advantages, but of course it also opens the door to getting your files from different devices. There is a good chance that anyone, including the service provider or server administrator, will be able to access your files at any time with the socalled “Zero Knowledge Privacy”.

Keep passwords secret and secure and beware of attempts to get you to part with them, for example, in an unexpected email. One of the best ways to prevent security problems is to keep a physical record of everything on your website. Do not maintain the default settings if you encounter security issues on the site at any time.

It is worth noting that most hosting providers provide backups of their servers if such an event occurs. This is essential to restore your website when a major security incident occurs. In the event of a security breach or malware infection, you must restore your website and it would be disastrous not to save an updated version of your website.

Once one has backed up their website, one needs to constantly update their website to make sure it is safe. One has taken the steps needed to take to keep their site safe.

Vigilance and the implementation of the right systems will help their website and their company to succeed in avoiding bad actors. The best cloud service providers offer tools that enable secure user management. This prevents unauthorised access to administrative interfaces and procedures and ensures that applications, data and resources are not compromised.

This article was prepared by collating various publicly available online sources.

They say, “when life gives you lemons, make lemonade.” But there are moments in life when there is no lemonade squeezer handy and yet you must somehow rise from the ashes. That is pretty much the story of Geraldine Ellul Magri a 42-year-old teacher and the mother of three young children. Despite suffering from mental health challenges and obesity problems, she managed to not only lose weight, but even model and win a beauty contest. Geraldine shared her story with Atelier.

I definitely agree. In fact, I believe beautiful people do not just happen.

Their struggles in life have made them become warriors and built inside them that strength to never give up on themselves, their lives, their loved ones and what is most important to them. No matter what, they get up again, keep going and continue to shine.

You recently spoke about how you managed to overcome your mental health challenges and obesity problems. How did you manage to fight depression and at the same time cope with work and raising your children?

As from an early age, life has not been easy for me. My brother, being disabled from birth, has always taken a lot of my parents’ attention and this always left me struggling to manage independently. Teenage years were threatened by bullying and obesity. I was not strong enough to get up and fight as I had developed low self-esteem and was extremely shy.

Unfortunately, when depression hits you, it makes life even harder. You have no energy to move on and everything seems hard and impossible.

After giving birth to my sons, Jake and Dayle, I faced post-natal depression. I found it hard to take care of myself, to eat, to go out and the days seemed so long. I couldn’t even look at the mirror as everything seemed so bad. I never opened up to anyone since everyone seemed to believe that whatever I was going through was normal. Unfortunately, this was followed by two miscarriages, an ectopic pregnancy which nearly cost me my life, and then appendix a few months after. Hospital ended up to being my second home. It all seemed like a dull tunnel with no way out. Fortunately, I was helped by the bereavement clinic to face my daily challenges. Two kids, home, my state of mind and work were chaos in my mind. However, what really kept me going were my kids.

I struggled every day to stay positive for them. Knowing my kids were reliant on me, urged me to be more present in their everyday life.

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Interview with

Geraldine Ellul Magri

This is Me

American psychologist. Elisabeth Kubler-Ross, once noted, ’The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss and have found their way out of the depths.’ To what extent do you agree?

Photographer: Claire Farrugia

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Whilst recounting your story, you noted that, ‘When loneliness strikes, you feel alone and everything you do seems pointless.’ Can you elaborate?

Loneliness is such a bad feeling! Many times, after experiencing so many struggles you find it hard to trust, you also feel that nobody can understand you. This creates insecurity and it seems that whatever you do is not noticed, let alone appreciated.

How did you find the way through the tunnel and how did your Mrs Malta adventure help you in the process?

When on 16th September 2017 I held my daughter in my arms, I felt my life needed to change. I needed to feel better. It was now even more difficult to look after the three kids. I decided it was time to find some time for myself and I started training and walking a few hours a week. It had always been my wish to take part in a modelling competition and the opportunity came unexpectedly. Although some people thought I was crazy to try modelling and fashion shoots at my age, I followed my instinct and took on the challenge. I wanted to feel proud of myself and I worked hard to achieve my childhood dreams. When I met Ivan Gaffiero for the first time and he asked me to take part in Mrs Malta, I couldn’t believe he had seen something beautiful in me. I accepted the challenge and this beautiful journey started. All this gave me a positive vibe, I used to plan, dream and most of all look forward to every little opportunity that arose. I had a beautiful soul to encourage me and help me throughout, Sue Rossi, a real treasure, a mentor and now a close friend.

Although it was very tiring, it still made me smile, I started taking care of myself as well as appreciating myself more. My first time on the catwalk during Mrs Malta 2019 was magic...I placed 5th and that gave me more energy to keep trying, maybe one day the dream of that little girl would come true. The following year I worked harder and was determined to do better. I still recall the moment Ivan called my name as the winner...

Mrs Malta 2020...I did it! My heart was beating fast, I had tears of joy and hugged my kids tightly...dreams do come true, and I felt so proud of myself! It’s good to believe that after the rain, a rainbow is always there waiting for you!

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Photographer: Claire Farrugia

What does happiness mean to you?

Happiness is enjoying the simple things in life starting from a cappuccino or a glass of wine, receiving a message from a friend who thought of you, a chat, a walk by the sea or finding some me time after a busy day. Happiness is most of all receiving a hug and hearing the words ‘mummy... I love you!!”

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Photographer: Malcolm Abela Sciberras

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Do you feel depression is still an underestimated illness?

Depression is still underestimated by many. However, the increase in the number of people going through depression is quite worrying and by time it is becoming a worldwide pandemic. It can affect anyone! It seems to still be a stigma to seek help and take the necessary treatment. It is important that whoever feels any sign of depression, speaks up and looks for help as hiding this type of illness can trigger bad feelings making it worse.

Are we living in an insensitive society?

Unfortunately, yes. Everyone seems to be too busy to empathise. People experience different struggles in life, and this is where their loved ones need to show compassion and encourage them to seek help. It doesn’t take much to show them that they have someone they can count on. As Renford Reese says, ’Insensitivity makes arrogance ugly. Empathy is what makes humility beautiful.’

In what way do you feel your story can give hope to women, mothers and all those who feel alone in their suffering?

As women and mothers, we all go through different situations which perhaps change our life and make it quite hard. Dealing with work, raising kids, housework, tiredness, insecurities, lost friendships, a failed marriage, health issues... having to deal with these is no piece of cake! They cause great suffering which seems to be never ending and with no way out. However, no matter how hard it gets, keeping strong and try to stay positive. Looking ahead will ease the pain and perhaps give you a ray of hope!

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Photographer: Claire Farrugia

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How can a good word save lives?

I always believed in that...the people around us go through different situations every day. However, what we carry inside cannot always be told or perhaps understood. So, a good word, perhaps even a smile, can help change the mood of someone around you. With a little more effort and sensitivity from us all, the world we live in would surely be a better and safer place.

What word of advice would you give to your children?

As a mother and their friend, I would tell them to believe in themselves and in their abilities, to have faith in God and to always strive to be better. Giving up should never be an option, no matter what! Life is full of ups and downs but its a beautiful ride, so count the blessings, learn from mistakes and appreciate anything good that comes along. Most importantly, love and be there for each other as it is such a nice feeling to have someone close on whom you can count!

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Photographer: Matthew Cutjar - iCam Studios

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“IT ALL STARTS WITH A

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Founded by the man who is often nicknamed the “Yves Saint-Laurent of decoration” Alberto Pinto, PINTO is reinventing itself under the impetus of its new President, Fahad Hariri. Atelier recently caught up with Fahad who shared with us the Alberto Pinto legacy, how the Pinto brand is diversifying itself and his plans for the future.

A STORY,

we find an emotion, then we create a space to give it substance.”

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Interview with Fahad Hariri

What encouraged you to take over the Alberto Pinto brand?

I met Alberto Pinto shortly after I received my diploma in architecture and after having done the interior design of my own apartment completely in white. Alberto slowly introduced me little by little to the importance and the pleasure of fabrics, of colours, but also and most importantly of comfort and the art of living which characterizes and accompanies all PINTO interiors.

Immediately I wanted to discover more, and I quickly adopted the PINTO lifestyle. I became one of their loyal clients as PINTO designed the interiors for 5 of my projects including homes in Ibiza, London, Marrakech, and Paris, all created by Pietro Scaglione who at the time was one of the house’s Senior Interior Designers.

When Linda Pinto decided to retire, I found myself at a moment in my life where I felt ready to professionally develop my passion for decorative arts and interior design, a desire which I already had for many years, and which just made sense following my schooling in architecture and my art collector’s ‘temperament’. It was the right time and a good opportunity to do this with the PINTO house already a part of my life for a number of years; so, it was all just very natural the way everything happened.

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Alberto Pinto’s work has often been described as exacting, daring, sometimes fanciful, always elegant. To what extent have you kept loyal to his style?

It is what first attracted me to PINTO: the excellence, the experience and the knowledge of French know-how, savoir-vivre, and decorative art traditions acquired

by PINTO, allowing the house to master all types of decors with perfection in the best quality, but always with a remarkable sense of comfort and a twist to make it not too serious. This is what makes PINTO interiors livable, joyful and unique.

This freedom is creativity based on a strong knowledge of techniques, styles and etiquettes. This is the spirit I want to keep and develop through the interior design projects and through the furniture and tableware collections, while bringing it all to a more actual world collaborating with artists, designers and references.

For example, we are developing a new tableware collection with monkeys, which is my favorite animal as it is my animal totem. The design will be elegant, poetic and funny, all the while being produced in a very French traditional way, hand-painted on Limoges porcelain.

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You often stress on the fact that, “it all starts with a story, we find an emotion, then we create a space to give it substance.” Can you elaborate on that?

For each project, the work developed is a work similar to that of haute couture: custom-designed for the client. The project is built around the client, the family, the way they live, the traditions to which they are attached, their tastes and their desires. Nothing is imposed, everything is conceived to the scale of their dreams, but also their needs. To achieve, this requires a method which PINTO has mastered during the course of its 50 years of existence.

In what way is the brand gradually incorporating your own ideas, philosophy and vision?

I have known the talented people working in the PINTO house for many years as a client myself. We already had an ongoing dialogue working together on my projects. Participating and becoming a more integral part of the projects and the artistic direction of the PINTO house came very easy and naturally for me. Thus, slowly but surely, I share with my team my own universe, I organize meetings with artists or craftsmen who I appreciate, I propose new projects or collaborations to be developed, as well as being able to introduce a new clientele.

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How will the brand evolve in the coming years?

I have taken several projects to heart: I want the PINTO Collections to offer our clients a complete service for their home which ranges from custom-made interior design up to a full collection of light furniture that includes sofas, lamps and coffee tables.

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Tell us about your latest projects?

The COVID-19 pandemic hit us pretty hard. We hope 2022 will be more promising. We have a number of projects in the pipeline for next year including a restaurant in Ibiza and a private club dedicated to electronic music in London. In these two projects, I am not only the interior designer, but also business partner. We are working on several important yacht projects for this summer, designing a beach house on the Mediterranean and a residence in Morocco. PINTO is also delivering two apartment buildings in New York, corporate buildings around Paris and we are working on several residences in Paris, London, New York.

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Interview with Suzanne Baum

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Bold, blunt, inquisitive and never takes no for an answer. Traits quite common in a lifestyle journalist. Traits which you will quickly note the moment you come across Suzanne Baum, an English lifestyle journalist boasting a career spanning 20 years in the industry where she worked in senior editorial roles. Suzanne talks to Atelier about her writing, finding inspiration, maintaining creative integrity, and using her work to empower her audience.

HER HONEST OPINION

What attracted you to lifestyle journalism?

As a lifestyle writer you get to do a large mix of things, rather than focus on a certain topic. I’ve done years writing as a breaking news editor which I love as you work to a fast pace and the excitement of a breaking story keeps your adrenalin pumping, but lifestyle covers so much and I welcomed the change.

I write on everything from health and fitness to fashion and beauty, and get to specialise in celebrity interviews too. My experience as a lifestyle journalist means I now have columns in everywhere from the Evening Standard where I wrote a lot on food and drink, to beauty columns in the i paper and the independent, plus tech too with columns in T3 and TechRadar; two gadget titles.

I can go from one day writing an interview with someone like Charlotte Tilbury for my beauty column to the next getting to roadtest the latest running apps.

Why is lifestyle journalism considered to be one of the most challenging forms of writing?

I didn’t know it was to be honest.

The most important thing is that you always have to report on the correct facts and never, ever misquote people. And you need to find stories that are topical too. I think the fact that in 20 years of my career, I have had my by-line published almost daily and never once had a problem with anything I have written so I have built up an excellent reputation. I feel that there is nothing worse in journalism than a scaremongering headline or a quote that a celebrity never said.

Some people feel that writing on fashion, decor and travel is not ‘real’ journalism. What is your take on that?

I totally disagree. Lifestyle journalism gives our readers a break from reading serious news but that doesn’t mean it is in any way less important. As a travel writer I love sharing my stories of hotel reviews and transport issues, kid-friendly hotels and places that are dogfriendly; it provides our readers with an insight into all sorts of things.

From fashion and lifestyle to home content, which subject matter do you enjoy writing about the most?

I love my interviews with the celebritie. They are exciting, fun and interesting to do. I think a lot of people feel “celebrities” are not real people but everyone is human and the majority I have interviewed are always so lovely. I only interview celebrities if they have an important piece of work or campaign they are working on, so there is always an element of either charitable work or getting a message of importance out there; such as sharing their own mental health battles or health issues in a bid to help others.

How does a lifestyle journalist avoid clichés while telling people things that they’ve probably already heard a dozen times before?

I am totally original and do my own thing. I also often don’t read from my notes and think on the spot which is a skill I have developed from being a journalist for so many years. In doing that, my interviews just roll.

Is there anything you wish you’d known at the start of your career which you now know?

How bad the money is. Everything has changed so much in the media industry that when it comes to your salary, it really does not reflect the work we do. I don’t ever complain though as I am one of those people who loves my job so much, it makes me happy going to work and doing some things others would dream of. The perks are incredible: I get to interview some of my heroes and get paid for it! From people like Andre Agassi whom I grew up idolising to Naomi Campbell who rarely does interviews but I was lucky to get her time. And then I get to work with a lot of brand ambassadors like Amanda Holden and get to interview the stars of all the new Netflix shows so it’s a lot of fun.

I am also very passionate about getting stories out there that are important so if I can create a buzz around an important topic then I can overlook the poorly paid. For example, during the pandemic I was able to share stories of heroes doing incredible things. To me that was priceless.

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With their fundraising events halted raising money was very difficult so on numerous occasions I helped host their online zoom fundraising events by interviewing their ambassadors, celebrities and other people connected to the charity. It was brilliant to be able to feel I could do something to help.

As the daughter of a breast cancer specialist, it has always been my mission too to support all breast cancer charities.

Whenever there is a breaking health story on cancer or anything to do with it I get to interview my father which often makes headlines. That makes me proud.

And then there are the great jobs like getting the gig to interview the stars of the Olympics, everything from the mothers competing to the gold winners.

I also think having my byline published every week (sometimes three times a week) across numerous different publications is a great achievement. For me writing is not so much my job but my passion.

What do you feel are your biggest achievements?

I feel proud to say I have quite a few. I love being on camera so I often get asked to work on live news for ITV, Sky and other channels. There is nothing like the buzz of live TV. I also

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love being able to interview celebrities live and regularly take part in live Q&A’s where as the interviewer I get to do what I normally do but in front of a live audience.

During lockdown, I made it my mission to help support charities as best as I could.

And finally, the media industry can be quite a difficult one to work in but I feel I have just put my head down and got on with it and for that I’m proud of myself. Staying grounded, always having a smile on my face and working hard has enabled me to build and make incredible relationships with not just editors but celebrities, their agents and PR’s. And because of that I am lucky that the work comes to me as trust is such an important thing in the workplace.

In what way has social media made journalism easier?

In my opinion, it has been excellent for me. I’ve got over 11k followers on Instagram which is very encouraging. When it comes to writing on beauty, I don’t need to google so much; one look at the latest Instagram picture on MACs account for example and I get an instant snapshot of their latest products.

Most importantly though it has served as a community to me.

If I am writing on breast cancer awareness month for example or need to find a case study of a mother of triplets for a story, it is so easy to connect with people.

What’s next for you?

There are so many things I’d love to do. As I get to interview some of the A-listers people often say I should do a podcast so that’s something I’d love to do. I’d also like to do more live TV. I’m often approached by people to see if I would like to be an editor of a publication but, having done it in the past, I know it is a more managerial job which takes away from writing. Perhaps if the right thing comes along, and the right pay, I’ll consider it but for now, I’m gearing towards more on camera work.

I used to find Twitter a good outlet too but I have now come off it as I dislike all the trolling and negativity.

What advice would you give a person vying to become a lifestyle journalist?

Don’t go into it thinking you are going to make big bucks. You are not. Try and get experience as an editorial assistant as then you get to see everything about the job and it is a great opportunity to get your first byline and with that in hand, it is a great starting point.

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Regulating the Construction Industry

As the junior minister responsible for construction, I would like to take this opportunity to highlight the tremendous work done by the Building and Construction Authority (BCA), an entity which falls under my remit, throughout this year which is nearing its end.

First, let me take you back to August 2019, which year the Building and Construction Agency was set up through a legal notice to engage in all the preparations to set up the BCA, envisioning a self-regulated building and construction sector with the main aim of promoting peace of mind in the Maltese islands. At that time, we needed to ensure that the building and construction industry is regulated uniformly and with a clear direction. Furthermore, we wanted to consolidate the various entities at that time, in particular the Building Regulation Office (BRO), the Masons Board and the Building Regulation Board (BRB) under one authority.

Actually, the agency took care of preparing, implementing and communicating the new policies and consulted with several stakeholders.

As a result, as from the last quarter of 2020 a draft of the act to regulate and monitor the building and construction industry was discussed in Parliament and passed unanimously. The act was published last April by which time a CEO for the BCA was appointed together with the board, which represents numerous stakeholders and members of society. The publication of such act and the establishment of the Authority, was the second step in a target-driven journey of raising quality standards and upholding ethical operation in the very active construction industry.

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It must be said that the need for such an Authority was even emphasised in the Quintano report, an expert report into excavation and construction reforms. In fact, the Authority was the fulcrum of the said report, which report was commissioned following the death of a housewife in the rubble of her own home.

The same report outlined numerous recommendations, one of which calls for the government to invest heavily in enforcement to weed out abuse.

Indeed, the BCA is working seriously to have its enforcement beefed up by the first quarter of 2022. In fact, to improve compliance and enforcement, the number of inspectors is expected to double by the start of next year.

During this year the BCA has also implemented a new system for the issuance of masons’ licenses since the previous regime for such licenses had been in place for quite some time and does not reflect modern practices and standards. Furthermore, a register of all valid licensed masons is available on the Building and Construction Authority’s website and as said by the law one cannot exercise the trade of a mason without a licence.

By Chris Agius Parliamentary Secretary for Construction

This year also, during a visit I personally made on a construction site, I met with several workers and explained the government’s intentions for the coming period, including the licensing and regulation of contractors, and the skill requirements for people working in construction sites. In preparation for the licensing of contractors, a registration process has been launched recently.

The licensing of contractors is one of the foundations of the government’s commitment to regulating this industry and implementing the promised reform.

This registration process has been launched first and foremost to take stock of existing operations through the registration process. In the next couple of months we foresee that a draft regulations for the licensing of contractors will be published for consultation process which may lead to improving the draft worked upon by the BCA. Further to this, the government believes that the upgrading of the building and construction industry can only materialise if its prime actors, that is, the workers are trained and helped to meet the new challenges ahead. While striking a balance between those who would be able to have formal training through specified courses tailored for their needs, as a country, we have an obligation to recognise those workers who over the years did not have the opportunity to be exposed to formal training but who have contributed enormously towards this industry. In this regard, a new legal notice for the establishment of the skill level requirements for construction workers regulations is in the pipeline and shall give a great standing to these mutual processes of transformations to be undertaken by focusing on works related to building and construction.

Throughout this year, the BCA have introduced the Community Wellbeing First, which entails new obligations for construction site developers. The scope of this initiative is to make it mandatory for developers to pay for professional fees incurred by third parties regarding contestation of any method statement or condition report submitted to the competent authority.

Meanwhile, I rest everyone’s mind that we are not looking to provide shocks to the industry, we need to ensure that families feel safe in their homes while the sector remains strong and sustainable.

Therefore, the government will remain committed to continue consulting, working and making decisions towards the regulation of an industry that is so important to the economy.

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of Petra (meaning rock in Latin)

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What are geological formations, if not a reminder that we always gravitate back to earth?

The grounded feeling and the energy of connection when we dip our bare hands and feet into raw sediments.

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What are rocks if not a historical and preserved artefact of memories lost, of minerals that are the very essence that we had one day existed?

Our time here is on a lease and we will be eventually consumed by this very earth.

A daily reminder of fossilized lives, morphing into a memory cemented forever in time… the casting process of life itself adapting from sea to land and all the things we have lost through it. A burial of sorts, treasures of previous lives some of which will never be found no matter how much is excavated... and that is the beauty - it is no longer ours, it belongs to the earth.

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Photographer: Matthew Brincat Styling and Creative Direction: Adriana Calleja Model: Claire Galea from Models M

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Interview with Joshua Ramus

BACK TO THE CORE The Huffington Post named him one of the five greatest architects under 50. Wallpaper Magazine described him as one of the world’s most influential young architects.

Esquire Magazine dubbed him the young saviour of American architecture. Icon Magazine called him one of the 20 Essential Young Architects. We recently caught up with Joshua Ramus, one of the best talents in the world of architecture who shared with us his point of view on the industry.

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The Necklace Residence

Rendering: Luxigon

You are known to fiercely reject the ‘starchitect’ label.

Why? I think it’s about what my ambitions are. We’re very interested in doing work with integrity. That’s all I’m really interested in.

How would you define your creative process?

We use the term, ‘naimitè’, which means returning to the core issues of the project, back to first principles and explore it through a child’s mind. The beauty of such a mind is that children are in fact simultaneously naive, so they ask questions that people would have already taken for granted. They see and explore things that surprise adults because they catch them off guard. Keeping in mind the children’s point of view, one must stress on principles whilst finding the right solutions.

We also talk about issue position manifestation. We work with our clients to discuss what the issues are, what the project is intended to address and then we use those positions to correctly evaluate the architectural proposals that follow. It is a very productive way of working. It empowers both client and architect.

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Elizabeth Quay 5 & 6

Brown University Performing Arts Center

I recently read you adhere to Voltaire’s theory that, “The perfect is the enemy of the good.” How come?

I do think that we’re striving for some sort of perfection. That’s more about performance.

On the other hand, there’s beauty. We don’t find symmetric faces beautiful. Things that are awkward, there’s always something off in a Mondrian and you want to put it back because it’s in the wrong place and that’s what creates the tension about the image.

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Rendering: Luxigon

Why was the attack on the World Trade Centre an eye-opening experience in your life?

I lived a little more than a block away and saw things that were simultaneously horrific and life affirming. I watched a man - in an act of total defiance - leap from the North Tower in an elegant swan dive.

Someone next to me mumbled that he was “showing off.” The comment sickened me. His was the purest, most powerful act of self-expression I have ever witnessed.

Photography: Ramon Prat

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Rendering: Luxigon

Photography: Jonathan Morefield

86 The Ronald O. Perelman Performing Arts Center at the World Trade Center

You once noted, “Architecture is not created by individuals.

Architecture is made by a team of committed people who work together, and in fact, success usually has more to do with dumb determination than with genius.” Can you elaborate on that?

Buildings are incredibly complex systems.

Everything about them is complex, from their underlying concept to their structure, their mechanical systems, their energy performance to their testing. It takes a level of knowledge base that cannot remotely be handled by one person.

It is a collective effort.

Rendering: Luxigon

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Where to begin about Pamela. She is smart, stubborn, a true detail maniac and with a heart as big as a house. She is also blunt, frank and straight to the point with very little patience for those who try to beat around the bush. Possibly, this is her key asset which helps her in the daunting task to lead the communications department of the Malta FA. Atelier caught up with Pamela who shared her views on sports and how it can contribute for a better society.

Interview with Pamela Schembri

STRAIGHT TO THE POINT Why does sport matters?

Playing sport helps us to deal with the world. It instils values that are much needed in today’s society; builds one’s character and teaches us to abide by the rules and follow them. It helps us succeed with class and lose with dignity.

We should all practice some kind of sport. Not necessarily competitive sport, but we can all be active. A healthy body is a healthy mind.

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What encourages an Assistant Head of School to shift towards the world of football?

One has to be slightly crazy to do this change in career. Some people see teaching as being the best job in the world. Having convenient working hours and holidays. I love education, with all the ups and downs it brings, however needed a change in scene at that point in my life.

I had already worked in Communication between 2014 and 2017 and thus I knew what it entailed. It meant long hours, a hectic schedule and having a different challenge every day but once again I would be working and doing two things I love i.e. sports specifically football and media. My decision was also helped by the insistence of my husband who believed that it was an opportunity that one should not miss. It also meant that unlike in the past, at times I arrive home later than him and he has to do the housework and prepare the dinner but it didn’t deter him from backing me up.

Something which I am grateful for.

It might be a temporary change as I might go back to Education some day but I was given this opportunity which I embraced wholeheartedly. Working in sport is a pleasure, it also has its downside as unfortunately a lot is based on match results even if there is a large amount of work that is done behind the scenes to complement this which is most of the time forgotten. I am proud of everything that is Maltese and nothing beats being with the team when Malta wins.

Why is football often referred to as the beautiful game?

Football is not just a game, it is the passion that people carry in their hearts. People from all around the world gather together to support one football team; they leave behind their differences. Football is followed by rich and poor alike. It unites people, gives them values and helps them dream. It alienates society and gets it together.

When you think that half of the world watched the final of the last edition of the FIFA World Cup, making it the most watched event in the 21st century, you realise the following this specific sport has.

Is football still a man’s world?

Football is open to all. Nowadays women have the opportunity to play football, and help out in the football clubs’ administration.

However not a lot of Maltese women do so. Thus I would agree that it is still a man’s world but I feel that it is a woman’s choice to not join in.

On a personal level I don’t feel that I have anything less than any other male director at the Association. We work on the same level just doing different things. A limited number of females work at the Malta FA and the Association is adamant to increase this, even with the introduction of the role of a female vice president.

How can the Malta FA contribute towards a better society?

Football is not simply the national team and the domestic leagues.

It also involves other aspects Through its FSR department, backed up by the recently launched strategy, the Malta FA is broadening its vision to include everyone.

Communications and public relations are such broad industries.

How do you narrow down your focus?

As a department we set priorities. We get requests for media coverage from the different departments, each thinking that their share of work needs to be highlighted and shown to all. National teams and international window take priority, the rest follows.

Shona Rhimes one noted, “Words have power. TV has power. My pen has power.” How can the Malta FA convey its message better ?

Words have power, and up till a few years ago it was the chosen few who were given the opportunity to ethically choose what to publish or say and where. Today this power is given to everyone through social media and at times people write before thinking or have hidden agendas and fuel messages that are not necessarily the truth.

The Association has been working hard to convey a truthful message, constantly sharing good practices. Even if it is the most followed sport in Malta it is also easily the most criticised and most of the time it is the result that does the talking. No matter how hard you work to convey what the Association is doing, which is a lot, it all boils down to results.

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Working at a large entity means more departments and more management levels. Do you ever find that overwhelming?

Not really, maybe because I am used to working with large numbers. The school I worked in last, consisted of a community of approx. 1,000 ranging from students, teachers and LSEs, clerical staff, cleaners and maintenance persons.

I believe in planning. The department is not large, however we all have our designated roles and try not to overlap in these. I believe that if you do not plan, and delegate work then anything can easily be overwhelming even the simplest things.

How do you find a compromise between such a demanding job and your own personal life?

My days as a full-time employee at the Malta FA are still at an early stage and even if I gave an input there in the previous years, and I know most of the people and have a good working relationship with them, now the buck stops at me. Now it is really a choice as to how many hours I spent on the job. In order to learn, one has to be focused especially in the early days of a new role. Eventually things fall into place and become easier and thus less time consuming.

I have a good team of collaborators who brighten my day and share the burden of the communications department at the largest sporting association in Malta, however I am now the go to point especially in emergencies when you have to stop your personal plans to minimise the damage.

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Photographer: Alan Saliba Venue: Barbajean Restaurant

What’s next on your busy agenda?

Besides to keep on positively pushing the Malta FA’s agenda, on a personal note we will be fostering a 3-year old little boy and looking forward to it. This means that responsibilities will increase however it also gives a new meaning to life.

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This guy is simply sensational. Jiemba Sands also known as the Fence Guy, is an Australian free runner, acrobat, stunt actor, and street performer who is best recognized for his acrobatic performances.

Jiemba would have remained unknown had it not been for one clip that made him a viral star overnight. Today, he shares short clips of his stunts and skills through Instagram where he has over 950,000 followers and on TikTok with more than 1.48 million followers. Jiemba shared with Atelier his rise to fame.

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DOWN UPSIDE

I recently read that it was Jackie Chan who really got you into stunts and filmmaking. Can you elaborate?

The first time I saw Jackie Chan, I remember it so clearly, I was about 12 years old and I walked past the living room at my grandparents place and I noticed one of his fight scenes playing on the TV. I had no idea who it was at the time but I was just captivated by it. That short scene that I saw was stuck with me in the back of my mind for years before I finally found out who it actually was. Then I just got crazy obsessed, watching every Jackie Chan movie I could find, loving the mixture of action and comedy. And so that is what first inspired me to start filming my own stunts and short films.

Do you consider yourself a circus artist, trickster, or stunt man?

I can never really decidewhat to call myself because I do a mixture of things, but I usually just say stuntman or trickster, otherwise I have to list everything individually - Stuntman, trickster, circus artist, freerunner, gymnast,

martial artist, filmmaker, and so on. The list seems to grow every year haha! The fact that I enjoy so many different things has been one of my biggest problems actually. I’ve never really focused on one skill or sport and mastered it. Instead I feel like I’m half good at everything, which is cool in a way! But I always wonder what I could have achieve if I just focused on one profession instead of several different ones.

You were not very popular on social media until the year 2018 when your video ‘How to get over a fence with style’ became viral. What happened after?

After my first video went viral it actually took me a few weeks to process it and to realise it was actually real life and I wasn’t dreaming or something. My phone was going crazy with messages and I was gaining massive amounts of followers every time I refreshed the page. I got a lot of interviews and job offers all at once which was awesome but all of it together was a bit overwhelming for sure and was a lot to get used too!

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Some of the jobs included being able to do stunt work in films and tv commercials and a lot of other promotions on my own social media channels. It’s funny because for a long time I had been hoping to get to the point where I could make an income from doing the things that I enjoyed, but I actually got to the age where I thought I better get a proper job because I wasn’t making any money and I needed it to survive. So I guess you could say I partially gave up on my dream and I ended up getting a regular job as a landscaper, while I did my videos for fun in my free time. And funnily enough I had only been working for two weeks, when my first video went viral and I had to tell the boss that I was quitting to focus on my social media stunt work.

You come from a tight-knit family of ten that has been performing together in Tasmania since you were born. In what way has your family contributed to your success?

My parents brought me up doing all kinds of circus skills

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which obviously helped with the physical abilities I now have, but maybe more importantly, they have always been supportive of anything I wanted to do, which helped me a lot by not having the pressure to just get a regular job or anything. I think that gave me the right mindset which helped me to keep going, even when others would say I would never make it.

Tell us about “At Falls End”.

At Falls End is a full length action/comedy movie written and directed by myself and a friend (Dylan Burgos).

It was actually intended to be a short film which we were going to shoot for fun, but as we were writing the script we had so many ideas that we decided to turn it into a full length movie. So instead of the original short film plan that was supposed to take 2-3 months, it’s now been 5 years in the making. I can’t say it will be an award winning film or anything but it’s a fun passion project of mine and I’m very excited and nervous for everyone to see it when it’s completed.

What does fear mean to you?

I think that fear is mostly a good thing. It protects you from making bad decisions like triple front flipping off a building onto concrete, before you’ve done the many hours of training and repetitions, building up to doing it as comfortably and as safely as possible. Fear can get in the way sometimes which can be annoying when it makes you more cautious than you really need to be to stay safe, and when it prevents you from doing things you would otherwise be able to do easily. But that usually goes away with lots of practice or building up to it by doing easier tricks first that can help improve your spacial awareness.

with for most of my life, and even more now that I’ve gained a lot of popularity. So it does slow me down a bit sometimes, but it’s always a goal for me to keep improving myself, which takes time and practice, just like it would if you were to learn a new flip I guess.

They say; ‘the limit is the sky’. So, what’s next on your agenda?

Finishing my movie is definitely the main goal for now.

Who knows what the next project might be, but I would definitely love to do some more stunt work in films and I’m also hoping to do a lot of traveling around the world whilst also creating content on social media.

Has success somehow changed you?

I met up with a friend who I hadn’t seen since before I got famous and he was actually surprised that I was still the same. So yeah, that answers the question. You wouldn’t guess it from seeing my videos but I’ve always been quite introverted, ever since I can remember. I tend to lose a lot of energy being around people and I get anxiety with a lot of “non-physical things” you could say. So that is something I’ve been learning how to live

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She is young, beautiful, famous, with a face that is almost supernaturally photogenic and such an excruciating beautiful voice . It’s no surprise that Gaia Cauchi is one of the most influential and popular names in local music industry. Gaia took the time to catch up with Atelier on her latest endeavors, her influences and how fitting in was not easy.

A Girl Like That

Interview with Gaia Gauci

Seven years passed since your success at the Junior Eurovision Song Contest with the song “The Start”.

Have you grown older or even wiser?

I have grown older for sure as I’m now 19 years old - on the way to not being a teen anymore. Growing up, life started throwing a lot of difficult challenges and choices at me as it does to everyone.

This does eventually make you grow up, older and even wiser. I’m now a young adult and have responsibilities and decisions to make on my own unlike when I was still an eleven year old.

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Photographer: Bernard Polidano

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In what way is mum your source of inspiration?

My mum is my best friend. She’s always there to listen and give the best advice. She also tries to make me happy and fulfil my dreams.

I look up to my mum as she’s the most courageous, genuine and generous person I know. She will do anything in her power to see the people she loves, happy. You will never see her without a smile on her face. She appreciates the tiniest of things and that amazes me.

In a recent interview you noted, “Fitting in was never easy… I always felt a bit weird as a child because I never did things people my age did.”

Can you elaborate?

Growing up I was always going to shows to sing or trying to entertain others - this led to missing out on little things that an 11 year old girl would want to be doing... such as: hanging out with friends, going to school to enjoy time with friends. I’ve missed days of school or nights out with friends just because I had to travel, or I had an interview or I had to go sing somewhere. This led to me always being more comfortable spending time with people older than me as I felt like I matured quite quickly for my age because of certain life experiences.

Eleanor Roosvelt once noted, “If life were predictable it would cease to be life and be without flavour.” To what extent do you agree?

As much as I would love to know where I’ll be 10 years from now, it’s always so exciting to not know what beautiful things life is going to make you experience. We have no idea what tomorrow will bring but what we can do is be grateful for today and every other day.

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What makes the 1950’s an interesting time to travel back to?

I’m obsessed with 1950’s fashion!! If only we could dress up like that every day!

Hopefully future trends will have something to do with 50’s fashion :)

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VALLETTA BAROQUE FESTIVAL

JANUARY 14 - 29, 2022

36 CONCERTS IN 18 DIFFERENT VENUES ACROSS MALTA

vallettabaroquefestival.mt

In collaboration with

What is the most important lesson life has taught you?

You cannot please everyone!! I found myself often trying to make everyone around me happy, but this was draining the life out of me. We come here alone and go alone - sometimes you have to be selfish and think about what YOU want to be doing and what is going to make YOU happy, and not the people around you. Life is too short to do things that make you unhappy in order to satisfy others.

What’s next for you?

I’ve been working on my own songs for the past year. I was supposed to release a few songs, but the music industry is far harder than I thought it would be when you’re working with people from different countries.

Hopefully if everything goes as planned, by next year I should start releasing all the music that I’ve been working on.

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Interview with Michael Farrugia Minister for Senior Citizens and Active Ageing

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Christmas time. What does it mean to you?

How do you celebrate it?

Christmas is pretty much first and foremost a religious feast but above all it is that time of year when families get to spend time together. I spend Christmas day with the family, while the next day I hold a family lunch for my children, their wives and husbands and grandchildren. This year once again I will be doing the cooking with my partner to prepare a traditional Christmas lunch for them.

How many members do you have in your family?

My five children with their wives and husbands and nine grandchildren; 6 boys and 3 girls. My oldest grandchild is 6 years old and the youngest is 6 weeks old.

Do you like to decorate for Christmas?

I love to decorate especially the Christmas tree. But most of all I enjoy preparing the fireplace as it gives a wintry atmosphere that is so synonymous with the Christmas period.

Do you expect to receive Christmas presents?

The most important thing for me is not a matter of receiving presents. For me it is the opportune time to be in the company of friends, to spend most of the days with the family, especially as three days after Christmas, I have my birthday. It is another occasion where we would all be together.

Is there any activity that definitely has to be on your Christmas calendar?

The songs I listen to and the movies I watch, must have a Christmas theme. I get to have such beautiful nostalgia of my childhood and I enjoy the Christmas aura so much.

Which Christmas song reminds you of your childhood?

When I was young the then popular rock band Slade released ‘Merry Christmas Everybody’. If maybe you can’t remember the tune once you hear it, it will surely bring nostalgia to the many who are reading this article. It was released in 1973.

You are known for your heartfelt social conscious. You understand and care for those in front of you. What can you tell me about this?

It comes from my profession as a doctor where I met all kinds of people in society and I understood the various problems of the individuals and the families. I always saw to it to do my best to assist and support them. I think it also gave me the opportunity to understand many of the problems that the Maltese society was facing and that I always wanted to do something more. I wanted to be in a position where directly or indirectly I can do good for

It’s beginning to look a lot like Christmas society in general and at the same time be of service to such families. It was for that unique reason that I decided to offer my candidacy for election with the political party whose principles are based on helping the young while giving the necessary space and support to the Maltese people to be a progressive society. When an individual or a political party, has the ideal principles these can be implemented once in government. When I was young I was an active member of the Labour Party while, during the last 30 years as a member of parliament for the Labour Party, I performed diligently as an MP and whichever Ministry was designated to me, I always saw to it to make the necessary changes to transform my beliefs into reality. Are we there yet? I always believe that you can continue to build on what you have already accomplished; the important thing is that what the Government is doing is sustainable and not just for once or giving something now, then not being able to continue to give it in the future. Therefore, the Maltese and Gozitan people must be careful of false promises that are not fulfilled or are fulfilled and as has happened to other countries, are broken the next day.

I believe in a strong economy that sustains the ‘welfare state’ in our country and not as someone once said; ‘We borrow now then our children and grandchildren will pay.’

Our children must inherit an economically strong Malta; this is the Malta we want for our children.

What are your prospects for 2022?

First and foremost I wish good health to all. I wish to keep up the positive work as I still feel full of energy. I am determined to keep my vision for a better future and apply my experiences to be able to make changes. Above all, I hold my allegiance to the party and to my country. I believe the Labour Party is the only party that can continue to do good for our country, for all Maltese and Gozitans with an electoral victory. Undoubtedly, I also want to encourage everyone to get the pandemic vaccine. I urge all those who have not yet taken the vaccine, to go for it, and those who have been vaccinated are to make sure they get the booster.

A Heartfelt message.

Another year has passed where our country has continued to see changes for the better in unprecedented circumstances. We were able to do it together! In unity, there is strength. And we must continue together as one team. We cannot let anyone cause harm to our country beyond our shores. Together we will continue to break the waves for a better tomorrow.

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HerVoice

Soprano, Nadia Vella has a God-given talent as a performing artist. Professionally trained at Hertfordshire Theatre School UK, Nadia obtained an advanced diploma in Acting and Musical Theatre where she was mentored by Jo Croydon Foster and Samantha Lavender.

Her versatile achievements include roles in musicals, plays, concerts, opera and TV work in Malta, England and Germany.

Nadia gave a sneek peak into who she is.

What influenced your choice to pursue music?

Ever since I was a little girl I loved to sing.

Back then it ranged from Disney to nursery rhymes to Elvis songs (my mother is a huge fan.) I was particularly infatuated with Ariel from The Little Mermaid; singing was always a way to express myself. Aged 5 I started taking piano lessons and joined the local children’s church choir and it was a natural progression from there onwards.

What does music mean to you?

It is a very important aspect in my life. Not just career-wise but on a personal level. I always find it quite amazing how a piece of music takes me back to the exact moment in time in which I first heard it and the exact feelings that I felt then. To quote Hans Christian Andersen ‘Where words fail music speaks.’

Photographer: Justin Mamo

Interview with Nadia Vella

How do you find a perfect balance between your full-time job, singing and a personal life?

I am a full-time professional performing artist and vocal coach. While I am lucky enough to have a job that I love, I will be the first to admit that I have not yet found a ‘perfect’ balance with juggling my work and personal life. Due to the nature of the business, I normally work long hours and most evenings and holidays are taken up by work commitments. I understand that this is the price I have to pay to be in this industry. Luckily, I have a very supportive and patient partner and family and I have become a very good multi-tasker.

Is there enough appreciation towards opera by local society?

Although the local scene has improved and there are a lot more opportunities for aspiring artists then there were say 10 years ago, I still feel that the general attitude towards those who pursue music as a full-time career in Malta is that of ‘a hobby’ and ‘not a real job.’ Of course, with classical music there are those who dismiss it as ‘boring’ or ‘old-fashioned.’ Everyone has different tastes and, in my opinion, every musical genre is beautiful in its own right.

How do you think opera can be made more appealing to a younger audience?

In my opinion, it needs to start with instilling a love for classical music at a young age in schools.

The general attitude of arts subjects not being as important as other subjects has to change. Opera is sometimes seen as something to be enjoyed only by the ‘elite’ which is ironic considering that most of the great composers of all time spent most of their life in poverty. A greater cultural awareness and a change of attitude towards the arts, from a young age, should definitely impact the way classical music appeals to the younger generation.

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Her Voice

Franz Schalk once noted, “Every theatre is an insane asylum, but an opera theatre is the ward for the incurables.” Do you agree?

Not really. Viennese conductor Franz Schalk (1863-1931) was the joint director (with Richard Strauss) of The Vienna State Opera between 1919 and 1924. Therefore, I feel that his comment needs to be considered within the time in which he made it. ‘Madness’ has been the running theme in many famous operas ever since the 1600s, attached to minor characters and protagonists alike. Psychology became an independent scientific study in the 19th century and the Romantic era became a showcase for some of opera’s most shocking and poignant mad scenes. Donizetti’s Lucia di Lammermoor is a perfect example of such an opera. Many of opera’s mad characters reflected cultural and historical context as well as the contemporary attitude of the time towards such characters.

Schalk was making reference to the often-tragic theme that circled operas in the sense that most plots revolved around tragedy and this is what the audiences were entertained by. I do feel that there is a little madness in each and every one of us and audience members can relate to the emotions portrayed by the characters. Luckily the study of mental health has moved ahead in leaps and bounds in this day and age, and there isn’t the stigma and lack of help that was present back in Schalk’s time. I therefore do not feel that one must visit the theatre or watch an opera to witness ‘madness’ – it is everywhere in differentiating amounts!

How has the COVID-19 pandemic affected the opera?

The pandemic has wreaked havoc on an international level.

Unfortunately, many opera houses around the world have closed down at some point or another and although some have re-opened most are not operating to their full capacity yet. In an already difficult industry, many have been left jobless, with entire season programmes being postponed or cancelled. Locally we have seen this effect as well. Following a very difficult 2020, we staged Purcell’s Dido and Aeneas in our national theatre but only being able to utilize a quarter of the theatre’s seating capacity due to restrictions. I was cast as ‘Naiad’ in The Manoel Theatre’s production of Strauss’s ‘Ariadne auf Naxos’ which was postponed from 2020 to 2022 and sadly has now been cancelled. Let us hope for a better year ahead.

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What projects are you working on at the moment?

I have two upcoming concerts, ‘Versatile Christmas’ at The Manoel Theatre on the 7th December and a Christmas concert alongside The Malta Philharmonic Orchestra at the Mdina Cathedral on the 21st December. I am lucky to be singing some beautiful arias and sacred music for these. I am currently playing ‘Karolina’ in Sharpshoot Media’s new tv drama ‘Ic-Chalet’ which will be released on Go on Demand very soon and will feature as a soloist with The Monteverdi Project during the Valletta International Baroque Festival in January 2022.

A word of advice for those vying a career in the industry?

It is not an easy industry -one must grow skin as thick as a crocodile’s to be able to survive. However, if you are passionate and driven and cannot see yourself doing any other job, then go for it. For me there is nothing quite like the feeling of being on stage, it takes me to another world and gives me life. If this is how it makes you feel then go for it and do not let anything stand in your way.

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& Beautiful

The common thread throughout John Barman’s work is not a particular style, but rather the use of glamour, colour, and materials in unexpected ways to create rooms that are as sophisticated as they are surprising. Moreover, his work highlights his eclecticism, featuring 15 residences that range from a colourful New York penthouse to a mod converted barn in Connecticut. It is by no coincidence that John has been honoured as one of the AD100 by Architectural Digest, one of “The City’s Best 100 Architects and Designers” by New York Magazine, and his work has been featured in the New York Times, Esquire, Interior Design, Traditional Home, and W, among other publications.

John caught up with Atelier to share with us his style, his vision and his plans for the future.

Interview with John Barman 113

You are often coined as both a modernist and classicist.

To what extent do you agree?

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That may mean that I reference and use classic and modern elements together. Floor plans have classic layouts with modern functionality. Modern furniture is upholstered in traditional classic motifs and materials or vice versa. Placing antiques in modern surroundings. I like modern to be luxurious which will make it feel classic.

What inspires you?

Travel takes me to places that I can experience and absorb ideas. It might be to museums, galleries and exhibitions, or historical homes and new architectural structures.

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In what ways do you feel people want their abodes to reflect who they are?

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Often people are more sure of what they don’t want, than what they really like. While there is a desire to reflect who they are, it’s also a desire to reflect something new about themselves that they have developed in the process of making a new home. No one wants to go through the effort to end up where they started. So many people expand their horizons in the process of working with an interior designer.

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Why is ‘no rules’ your rule when it comes to colour?

Use of colour needs to respect the response of the individual, so I find the colours people like, by referencing what they are wearing. Once they realize they favour particular colours, they then understand using it for interior design as well. Then it’s about editing the endless possibilities of using these colours. There are no rules but there may be too many, it’s finding that balance.

Do people today give enough attention to detail?

I think it’s worth editing and designing an interior that shows intent and purpose. But that said, much of interior design has become very casual, which reflects lifestyles that are less structured. It ends up not so much eclectic as it is. People enjoy the ability to choose from so many of their interest, and want to incorporate these. This is where an interior designer is most needed, to pull it together and influence clients to arrange their interest mentally and physically.

Sadly, quality detail is harder and harder to find. Not so much in what can be done, but on what it will cost to get it. So much of the furniture that is not custom made today is of only passing quality. Construction in new apartment buildings and homes may look expensive but is not the same as a good renovation of older quality with substance, which goes back to how much you want to spend.

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Why do you feel that creating a timeless look for a home requires the designer to be “ahead of the curve, with a sense of what’s to come without being obvious about it”?

Technologies which create new possibilities for construction, lighting, furniture and textiles subtly influence shifting what looks old and dated.

Unless you are designing a period room, these new elements need to be incorporated. The type of windows used in houses has advanced to allow for bigger expanses of glass. LED has made for use of light in many more forms and functions than previously possible. Furniture and textiles have much more versatility in where they can be used.

German designer Dieter Rames once noted, “design should not dominate things, should not dominate people.

It should help people. That’s its role?”

Do you agree?

Design’s role only helping people sounds a little simplistic if it means just making it function for them.

Design should also make people happy, comfortable, and I think offer some stimulation with appreciation of their surroundings.

What is next for you?

Lots of exciting new projects, and I’m continuing to travel where it’s possible to do so. There is always so much to see and experience.

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Assistance to the Business Community a Priority for Tech.mt The Maltese economy remained stable during the turbulent times posed by the pandemic due to the country’s persistence in adopting resilient digital and financial strategies across both the public and private sectors. This is why Tech.mt’s main agenda has this year been focused on assisting the business community in the midst of an ever-changing digital transformation landscape.

Malta’s real GDP growth prediction for 2021 increased to 5.6 per cent in the European Commission’s Summer 2021 Economic Forecast from the previous 5.2 per cent. This was attributed to a strongerthan-expected start to the year, an increase in confidence indicators, a high vaccination rate, and an improvement in the public health condition. This is higher than the Euro Area’s average growth rate of 4.8 per cent anticipated for 2021. In 2022, a similarly robust prediction of 5.8 per cent is projected.

While retaining Malta’s A+ rating, Fitch has updated the country’s growth forecast upwards due to improvements in economic projections and other relevant variables. Malta’s exceptional achievement in the digital economy is attributed to the country’s openness to new technology.

Since the establishment of Tech.mt in 2019, the Maltese government has invested around €5 million to establish Malta as a technology centre of excellence on an international scale.

In this regard, Tech.mt’s approach has been focused on promoting the country’s thriving and growing technology industry. Additionally, our goal has been to build Malta as a world-class and creative epicentre with forward-thinking aspirations and an appealing and supportive infrastructure.

According to the European Innovation Scoreboard 2021, Malta registered the second greatest performance growth rate (51.5 per cent) among all member states between 2014 and 2021 in the field of Information Technology Use. Performance in this area is determined

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by the number of firms that provide ICT training and the number of ICT professionals employed. Apart from increasing the value of Malta’s ICT sector, this also promotes the country as an attractive employment prospect within the international technology ecosystem, hence stimulating new investment.

At Tech.mt, we’ve taken the initiative to understand the present demands of technology enterprises and start-ups and map out the requirements they may require in achieving their full potential.

Tech.mt has taken a proactive role in supporting enterprises in obtaining appropriate financing incentives from local authorities and directing them down a clear path to growth and internationalisation. Additionally, Tech. mt has lobbied to re-design various budgetary grants to benefit the local tech economy. Furthermore, Tech.mt has extensively invested in marketing Malta to international universities and collaborating with local educational institutions to increase the market’s intake of experts and meet business demands and future job market expectations.

Tech.mt has maintained communication with its members and beyond. Indeed, the number of one-on-one encounters with its members more than doubled during the first three quarters of 2021, reaching out and assisting more than 200 businesses operating within the sector. This demonstrates Tech.mt’s main priority to stay in touch with the industry it was assigned to serve and to continue cultivating an atmosphere conducive to development and collaboration. As a result, a virtuous cycle of trust has developed among diverse

stakeholders, ranging from government and interconnected agencies to the corporate community.

Guiding businesses in enhancing their portfolios and pitches to attract investment and export their products lies at the heart of what we do. Tech. mt’s well-received consultancy initiative, launched earlier this year, provided start-ups, students and members of the academia with pro bono quality consulting services from established industry players in various strategic key areas, including concept validation, go-to-market strategy, digital marketing, digital transformation, and internationalisation. Additionally, our team assisted businesses at every stage of their digital transformation journey, from setting up eCommerce platforms to providing insight into available funding opportunities for digital transformation.

Moreover, assisting with the application process for funding schemes offered by local entities such as Malta Enterprise, with the aim to support start-up undertakings with a viable business concept, expand their business activities, and further develop their ideas before being introduced to the market. At Tech.mt, we acknowledge that funding a start-up or an SME through loans is a challenge for many. Therefore, we are working closely with the Malta Development Bank as they envisage the launch of several guarantee schemes for SME’s whereby soft loans and bank credit will be offered to enhance new investment in innovation. Furthermore, we have worked with other entities such as MCST to support businesses in tapping into piloting projects and bolster R&D initiatives.

We acknowledge that large tech companies, although a vital backbone, have their own challenges to face however, Tech. mt can assure that it is present in various fora to influence policy and is constantly finding avenues internationally where to promote Malta’s Tech sector as a choice of excellence. Tech.mt would like to thank the local tech companies who have sustained the economy through the pandemic following increased demand and keep doing so as we speak.

Focusing on post-covid prospects, Tech.mt is currently rolling out several networking opportunities to continue creating awareness of all the support and assistance available whilst ensuring that the needs of industry players are met. This is all done with the hopes to continue pushing the use of technology and cultivating innovation mindsets with the ultimate aim to support business organisations in gaining a competitive edge. The networking opportunities go beyond our shores as we continuously strive to facilitate connections for local businesses and establish strong rapport

with international industry players and businesses at the same time as positioning Malta as a hub for quality and creativity in the Tech and Innovation industry. In this regard, a team from Tech.mt has recently led a delegation of businesses to the United Arab Emirates as we continue sustaining our mission to offer exposure opportunities to the business community both within the local ecosystem and also on an international front.

Malta has consistently shown an ability to adapt and grow in the face

of global challenges. The tech industry is extremely promising, as the future is unquestionably digital. The future of the digital economy is bright as new technology is deployed. Blockchain, the Internet of Things, and Virtual Reality are gaining pace, driving employees to acquire new skills considered crucial for success in any firm. As a result, we highly advise corporations, startups, and self-employed persons to connect with Tech.mt. In exchange, we guarantee excellent client relationship management via tailored consulting services and more.

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Walled in for centuries, a Greek god may be waiting eagerly to see the light of day again.

by Warren Bugeja

Executive Communications Heritage Malta

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Raking light showing the blocked off niche

Whilst cleaning and repointing the detached infills between the painted limestone slabs of the Gran Salon within the National Museum of Archaeology in Valletta, an exciting discovery was made. The conservatorrestorers observed that there seemed to be an underlying fresco on the side of the wall panel they were working on. Raking lights revealed the arch of a blocked-off niche below the 19th-century empire-style wall decoration. Once the alcove was exposed, what secrets would the auberge disclose?

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Four years ago, generously supported by the Bank of Valletta, Heritage Malta commenced work on the conservation and restoration of the sumptuously decorated Gran Salon. The Salon is located on the piano nobile of the Auberge de Provence which was built between 1571 and 1575.

Featuring richly painted murals, exquisite arabesque cycles, a musicians’ gallery and a wooden beamed ceiling, the Gran Salon was used by the Provencal Knights of the Order of St John for their business discussions, as a refectory and also as a banqueting hall. In 1826 parts of the auberge were appropriated to serve as the premises of the Malta Union Club which is when the musician’s gallery, arabesques and Pompeiian inspired neo-classical wall decorations were commissioned. Today, apart from being a historic artefact in its own right, the Gran Salon also houses events and temporary exhibitions that enhance Malta’s cultural life.

Measuring a breath taking 8.5m in height, the ceiling boasts one of the only five wooden trussed roofs still surviving from the Knights’ period. In its 400 plus years of existence, the frescoes and timber roofing have suffered from different conservation issues, mainly from surface and structural decay, a process this conservation project seeks to address. To date, the conservators have restored and conserved practically half of the Gran Salon walls. A scientific analysis of the pigments on the current mural paintings has dated the earliest of them to 1824, painted during British colonial rule.

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Historical research identified two fireplaces likely introduced in the 19th century within the north wall of the salon.

However, when a small section of the blocked archway was removed with the minimum intervention possible, the conservators were surprised to find a completely different decorative scheme to the one in front. Featuring scalloped Baroque flourishes, the hidden frescoes are thought to date back to the period of the Knights of St John. The conservators set to work cleaning the layer of soot that covered the concealed mural. A hand began to emerge from the darkness, as did the three prongs of the trident the hand was clutching. Tridents are normally associated with Neptune, the ancient Roman god of freshwater and the sea, the counterpart of the Greek god Poseidon. Unfortunately, this assumption is mere conjecture at present as the rest of the painting is eclipsed behind the fireplace shaft and the rest of the arch, which has yet to be uncovered. A tentative hypothesis is that the alcove might have originally featured a lavabo. The Gran Salon was, after all, used as a dining room in the time of the knights, and Neptune would have been a likely mythological choice of subject to be painted on the wall, given his association with water.

Once it has been determined whether it is structurally sound to continue with dismantling the arch, the identity of the mysterious figure in the alcove will be disclosed. In the meantime, Japanese Paper helps preserve the 19th-century frescoes on those blocks which have been removed to expose the buried niche, helping to keep the paintings in place.

Sharon Sultana, Senior Curator of the National Museum of Archaeology says that the uncovered mural, to date, is the only surviving element that has the potential to reveal information about the decorative scheme of the Gran Salon, preceding the early 19th-century redecoration of this ceremonial space.

Heritage Malta CEO, Mr. Noel Zammit is excited about what further research and excavations may yield, “This is the start of a new journey into the restoration of this impressive ceremonial space. We look forward to opening up this magnificent space to the public once restoration is complete, hopefully with other discoveries and surprises that we will encounter along this journey,” he said.

With the Bank of Valletta’s continued assistance, Heritage Malta will be undertaking an interdisciplinary investigation to better assess and research the discovery of this early decorative scheme rescued from the obscurity of time.

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www.maltapost.com/localcourier

My Diary We met Dr Andy Ellul at his legal office, where he greeted us with an espresso. At first glance you will immediately realise that Andy is a super organised person. He immediately admits that remaining organised is not an easy task and requires constant attention.

Interview with Dr Andy Ellul

In Andy’s office photos of his life-long partner Claudia and their son Gianni cannot go unnoticed. He describes them as his rock. Without hesitation he told us that in the coming months he will be celebrating his 21st anniversary with Claudia.

“We met at a very young age, so I can safely say that we shared almost all our life experiences together”.

Who is Andy Ellul?

As most 46 year olds, I had my fair share of life experiences, both ups and downs. I do not regret a second, as the baggage of culture, education and experience I carry with me, make me what I am today. I consider myself to be a very positive person, who always tries to assist and help others.

On another note, my family means everything to me, and the only thing I hate in politics is the quality time I lose out with them because of commitments. Claudia’s profession is also at times related to politics, and that makes our life easier as we understand each other. I can’t imagine how a politician can share his life with an apolitical person!

Jokingly we say to each other that after COVID-19 nothing will worry us anymore. We had to deal with Gianni’s online lessons and the new way of doing things, with Claudia finalising her MBA while I manage my legal office and team remotely. Not to mention that two weeks after inaugurating my new legal office, I had to shut down nearly everything because of restrictions.

Our seven-year-old son means everything to me. I savour every second I spend with him. We do a lot of crazy stuff together and I would like him to consider me as his friend rather than his father.

How is your typical day?

It depends on whether Claudia has TV duties early in the morning. When she doesn’t, she takes Gianni to school however when she does I take over. After taking Gianni to school I usually go straight to Court or my legal office to go over some cases and attend to clients. I usually dedicate the afternoon for my constituents and after 16:30 I would endevour with some house visits. This all depends on whether I get asked to perform interviews or take part in any TV programmes for the day. Anyways I rarely stop and I sometimes get annoyed at my own lifestyle however that’s all I’ve ever known. Hopefully I get to calm down a bit this Christmas and enjoy some quality time with my family. One can only hope right...

What are your hobbies?

I don’t really have a particular hobby. Rather than a hobby, I would say that there are aspects in life which I look forward to more than others. I’m a book worm and hooked to international news, but I don’t classify that as a hobby. If you consider travelling as a hobby, then yes, that would be it. Strangely enough, I enjoy every second when I travel, even if I have to sit in an aeroplane for hours.

Which is your favourite destination?

Undoubtedly cities. The busier the better. I know many would opt for peaceful and tranquil places, but the noises, the smell and the daily movements that cities generate are just what I need to relax. I know it’s hard to explain it but that’s the way I’m wired.

New York tops all the cities I ever visited. It’s literally like watching a movie.

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What can you tell us about your legal profession?

I don’t see myself doing anything else. It gave me a lot. I do assist a number of businesses and commercial entities, but my profession also gives me the opportunity to help people in need, and that is the most rewarding aspect of it all.

What are your career highlights?

I was admitted to the local bar in 2007. I spent the first 7 years of my career juggling cases from one court hall to another. Then I started to be involved in Public law. I had the opportunity to chair a number of national boards and tribunals. I was also a committee member of the Lanzarote Committee in the Council of Europe, and have also coordinated delegations dealing with international law in various countries, such as India, Vietnam, Cambodia, etc.

Lately I had the privilege to attend in person for an international case at Royal Courts of Justice in London in representation of the Maltese Government. This was truly a once in a lifetime experience.

Now to think of it, being entrusted by the Government to bring about an overhaul in our child protection law is also something that I really hold close to heart.

It is a known secret that over the last few months and years, the Labour Party faced mammoth challenges and tough times.

However, it remained popular with the electorate. What is the recipe for success that leads to this ever-growing popularity?

There is no recipe for success. The humble elements within the Labour Party in my opinion make it easier for the electorate to trust a party that acknowledges its mistakes.

However, I also think that the strong leadership, at party level and at governmental level of the Labour Party, in times of crises cemented the notion that this is the party deserving of leading the country. There is no better example than the handling of the COVID-19 pandemic.

In recent years the Labour Party made history with legislative changes, which brought stability in people’s lives. I think that while we as a party may put up controversial subjects for discussion and legislation, we also show that we are not afraid to take controversial decisions if the need arises. The electorate appreciates a government that leads with fairness and informed instinct rather than with a need for a constant positive perception to remain popular.

What prompted you to enter politics?

I am an overly fun-loving person that likes to leave a positive impact wherever I go. Be it when meeting family, friends, colleagues and clients. As I grew up I started realising that politics is the perfect platform to implement positive change on a larger scale. That is why today I am a candidate on the Labour Party electoral ticket.

Why do you align yourself with the Labour Party?

I come from a working class background that has always been synonymous with the Labour Party. I appreciate the values instilled deep within the structures of the Labour Party as they reward and ensure progress for people that may have not always been dealt the best hand in life.

I think that is the best kind of politics a party can offer.

As a prospective member of Parliament, is there an area where you would like to focus your work and if yes where?

I am a person that jumps immediately at new challenges so I will definitely welcome any area that comes across my path. Rather than focusing on an area, I am focused on bringing about change.

If the electorate chooses you and trusts the Labour Party to lead the country for another 5-year term, what can we expect?

Electing the Labour Party to government is an assurance for stability in people’s lives. Just look at how Malta has been thriving over the last years with a Labour government at the helm. The Labour party has a track record of a government which listens and delivers on its promises. Rest assured, the best is yet to come!

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SIDE OF THE STORY

ECOLOGICAL

THE

Solaris

It’s not every day you get the opportunity to meet someone whose work has contributed and impacted not only the global architectural industry but also Mother Earth itself.

Named by the Guardian newspaper as “One of 50 people who could save the planet”, Dr. Ken Yeang is one of the founding figures in sustainable architecture.

Describing himself as an “Ecologist first, architect second”, Dr. Yeang is behind many of the design principles architects use today when creating ecologically sustainable buildings.

Interview with Ken Yeang 133

Suasana Putrajaya

You have recently noted that “we have now reached what is called the ‘race and rescue’ mission stage.” Why?

In what way do you feel that ecology must drive the process and output of design?

We have contaminated the environment to an extent that the plants and the vegetation are not sufficient to continue to absorb pollution. We only have about 20 or 30 years left to save the planet.

In this short timespan, we have to rectify what we’ve done, to recover and rejuvenate the natural environment. This means reinventing what we do with the natural environment. Ecology has to drive the process and output of design.

We must design in a way that the natural environment and the built environment integrate as a whole.

Architects should undergo a more rigorous study of the ecological processes, so that their creativity can be based on sound scientific principles. In this way, sustainable architecture is much more than just planting vegetation inside a building but involves a deeper understanding of what constitutes a biodiverse and living system.

What should a young architect focus on in order to build the city of our future?

I believe architecture should serve five main purposes; It has to work, meet criteria, must be green and must be beautiful. Above all, whatever you design, must make people happy, and it doesn’t cost much to make people happy.

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Is society ecologically literate?

No. If it was, it would certainly stop damaging the environment. Our social, economical, political and Institutional systems need to change. I am not an influencer; I can’t do that because I lack the power to do so. I can only lead by example through my design.

What are the common misconceptions regarding ecological architecture?

There is a fundamental difference between using greenery in architecture and being “green” in the metaphorical sense of the word. Green design has everything to do with nature yet there are those who only link it with technology such as energy efficiency, low-impact building materials, recycling systems and what have you. These cause confusions. Everything we do takes place in nature and nature is all about ecology. Contrary to popular belief, the presence of foliage plays little to no significance to a sustainable way of building and living.

How do you hope to impact the next generation?

I think the next generation should be trained in ecology, I gave up on my current generation, but if we start teaching ecology with architecture there is hope. Unfortunately, there are very few architecture schools that teach about ecology. My hope is that my books will be beneficial to the young generation by persuading them.

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