Architectural Portfolio - 2017/2018 by Uğur Yıldırım Şimşek

A R C H I T E C T U R A L

U ĞU R Y I LDI R I M ŞI M Ş E K

2017 / 2018

25,06,1994

06,2014-07,2014 Izmir University

Building Survey Internship

07,2015-08,2015 Adnan Kilicoglu

Construction Internship

Bachelor Turkish Single

07,2016-09,2016 XL Architecture

Office Internship

02,2019-Present ETM Architecture

3 Months

Brochure Distributor

5 Months

Waiter

3 Months

Fair Staff

2 Months

Market Staff

6 Months

English Teacher

Architect

Native language

Turkish

09,2013-01,2015 (%100 Scholarship) Izmir University

Advanced Level

English

02,2016-06,2016

Kielce University of Technology

instagram.com/ugur.yildirim.simsek/?hl=tr

Beginner Lebel

German

09,2016-06,2017

Izmir Institute of Technology

linkedin.com/in/uğur-yıldırım-şimşek-249751b4/

*Upcoming* 09,2019-06,2021

Politecnico di Torino Msc. Sustainability Design in Architecture

Top Entry

2nd Prize

Honor Prize

behance.net/uguryildirimsimsek

Archdux / School of Architecture International Architectural Design Competition / 05,2018

Yeşil Bina LEED v4 Eğitimi

Poland, Belgium, Netherlands,

Marco Paolo Servalli

Germany, Czechia, Austria,

Archasm / Amsterdam Art Bridge International Architectural Design Competition / 02,2018

Sıfır Enerji Mimarlığına Doğru

Slovakia, Hungary, Turkey

Izmir Rotary Club 4. Caricature Competition / 03,2005 BD+C V4 Understanding the Building Design + Concstruction Leed Rating Systems / 02,2017

Bir Mimar ve Uygulamaları: Han Tümertekin Dudoktan 21. Yüzyıla Şehri Yeniden Tasarlamak Mimari Tasarım Araştırmaları Ulusal Sempozyumu II Bir Mimarın Yurt Dışı Deneyimleri: Tolga Kezer Rusya’da Mimar Olmak Bora Başok,

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QU ICK TI P

In these boxes you will find summary of all page with a single sentence so these boxes are easy way out !

ACADE M ICS

OPEN UNIVERSITY

WHICH ONE DO YOU TH

AND WHICH ONE UĞUR YILDIRIM ŞIMŞEK

HINK IS A UNIVERSITY

E IS A PRISON ? OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

OPEN UNIVERSITY / AR402 ARCHITECTURAL DESIGN V SPRING 2017 PART 1. SCOPE OF THE PROJECT

PART 2. ARCHITECTURE AS PROVOCATION

AR 402 is the last architectural design studio of the architectural curriculum at IYTE. In spring semester 2017, students are asked

to develop an architectural design project on the future of the city questioning architecture as provocation in Izmir.

STUDIO OBJECTIVES The primary objectives of the studio are as follows:  To propose an urban analytic approach.  To propose massing solutions in urban scale.  To propose a design concept and design with complex building program parallel to the urban analytic

studies.  To use the knowledge of contemporary structural systems.  To use multi-media tools and to express design ideas through diagrams and collages.

With the theme proposed ‘Architecture as Provocation’, the students are expected to discuss the search of architecture that can be provocative, innovative, seminal, remarkable, striking and thus a starting point of the transformation the city Izmir. Course of actions prepared by legal authorities determine the future of the cities. They sometimes stem from the dynamics of the city which are already progressing or products of brand-new dynamics. Sometimes, change occurs as a result of mixed voices.

***SUMMARY

Within the scope of the ARC402 graduation project, students were asked to consider architecture as a provocation and finding them non-conventional solutions after identifying problems of cities.

UĞUR YILDIRIM ŞIMŞEK

The studio aims to understand and evaluate architecture as a tool of questioning the future of the cities, development strategies through responding or criticizing spatial proposals. Can a building bring incitement to the city? Can architecture incite and activity? Is architecture an effective catalyst? What is provoking in Izmir? The students should focus on the questions listed above, and should find answers within the frame of the theme.

IZMIR INSTITUTE OF TECHNOLOGY - DEPARTMENT OF ARCHITECTURE INSTRUCTORS: E.YILMAZ, Ü.INCEKÖSE, U.YILDIRIM, D.UYSAL, L.ERBIL, Ş.GÜR,

PART 3. SITE The project site is selected as the shore and the back of Alsancak Port district. The site attaching the Alsancak Train Station, Mürsel Paşa Boulevard and Liman Street, as a triangle, consists of mostly histori-

cal, commercial, industrial old and new buildings. *Each student will determine his/her own project area according to her/ his problem definition in this region.

Latitude: 38.436499, Longitude: 27.155729

OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

PART 4. INTRODUCTION TO PROPOSAL Education systems around the world are the largest industries that determines the future of countries. It is natural that there are institutions that want to

manage such a large industry in their own best interests: it can be assumed that the greatest influence comes from the state, and at least from the student. The state is

being trafficked primarily through schools and then through press. The majority of countries control the administration, the press and the educational institutions.

***SUMMARY “Open University” is a new system proposal that cares about the public usage value of the universities where has no physical or mental walls between city with university.

UĞUR YILDIRIM ŞIMŞEK

Whenever the individual enters the university, then he finds himself in a free environment. He questioned

his life, beliefs, thoughts, social and political environment, changing world order and domination of authority most in this period. However, this does not serve the

purpose of the state, the walls around the universities are called “campus”. For this reason, the freedom of thought is prevented from forming an echo. The con-

nections of the existing university buildings to the scaled-down city the voice of the state wants are also broken. And here I am proposing a new “Open University”

which can oppose this scheme and which can be included in the city and raise its voice freely.

OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

Copy Ground Track & Rescale The track of the massing group has been moved to site. Massing track has been scaled by consideration of relation with content and program requeriments.

Extrude Track Solid massing has been created for completing program meter square necessities.

Cut & Create Visual Contact Solid massing has been sheared off each other for overcoming relations with environment such as visual, physical and circulative.

Implement Typology

The present typology was applied over the masses to provide the relationship with the context and to eliminate the concept of boundary.

UĞUR YILDIRIM ŞIMŞEK

Re-organisation of the Massing & Detection of Damaged Buildings Solid masses have been reorganized to ensure the interrelation of new masses. Demolished buildings have been identified in the area.

Create Circulation Circulation between solid masses have been created and new use proposals have been introduced in place of the demolished buildings.

Mass Extraction

Gaps have been created in order to provide natural lighting within the solid masses and to create public spaces.

Focal Points The focal points that strengthen the project attitude have been created and detailed.

OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

1493 S OKAK

U M AT

1494 SOK AK 1496 SOKAK

1495 SOKAK

ŞEHİTLER CADDESİ

1497 SOKAK

WA R E H O U S E S

DOKUZ EYLUL FOREIGN L A N G U A G E S F A C U LT Y

Site Plan The site is located on Alsancak Liman Arkası Bölgesi. The Site is limited by UMAT in north, warehouses in east, and Dokuz Eylül Faculty in south. UĞUR YILDIRIM ŞIMŞEK

OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

0,000 plan

Production Spaces

UĞUR YILDIRIM ŞIMŞEK

Source Spaces

Dialog Spaces

+4,500/+6,000 plan

Synthesis Working Spaces

Collective Working Spaces

Event Square

OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

UĞUR YILDIRIM ŞIMŞEK

Renderings of Open University Collective working rooms Event square

OPEN UNIVERSIT Y / GR ADUATION PR OJEC T / AR402 AR CHITEC TUR AL DESIGN V SPRING 2017 / RE VISED JULY 2018

FOLDED PARK

FOLDED PARK / GREEN DESIGN & SMALL ARCHITECTONIC FORMS PART 1. SCOPE OF THE PROJECT Kıelce University of Technology Erasmus Programme Green design and small Architectonic Forms, Spring 2016

- Main purpose of the lecture is to design a pocket park on plot where hosts small scale wasted spaces inside city center. - To propose a design concept and design with urban analytic studies.

UĞUR YILDIRIM ŞIMŞEK & BÜŞR A KUŞ

- To use the knowledge of contemporary structural systems. - To use multi-media tools and to express design ideas through diagrams and collages. - Ability to respond to site charac-

teristics such as soil, topography, vegetation, and watershed in the development of a project design.

KIELCE UNIVERSITY OF TECHNOLOGY INSTRUCTOR: MAGDALENA WOJNOWSKA-HECIAK

PART 2. SITE *Each student will determine his/her own project area according to her/ his vision When site is researching following criterias will be considered; small scale lost space and closeness to

public density. According to selection tasks; the project site is selected as the center district of KÄ±elce, Rynek.

50.872064, 20.628417

FOLDED PARK / GREEN DESIGN & SMALL AR CHITEC TONIC FORMS / JUNE 2016 / RE VISED APRIL 2018

PART 3. INTRODUCTION TO PROPOSAL Kielce is a small town which is located in Poland where nearly two hundred thousand of people lives. When it is the case, most

of the population lives in a small scale of center. The site is located in 50.872064, 20.628417 coordinate which is west of Rynek.

The site has an art academy, a civic center and a dynamic public square in a circle that has five hundred meter radius.

***SUMMARY “Folded Park” is created from a planar layer which is made from wood that is able to be fold such a paper. Folded pieces gained new functions and create new possible usages for people.

UĞUR YILDIRIM ŞIMŞEK & BÜŞR A KUŞ

“Folded Park” is a proposal that sets a strong relation with it’s content.

Idea takes shape from this dynamic, fluid place where high numerous of young people who has interest with art interacts.

It is made from wood that is able to be fold such as a paper. When walking path creates a short cut for pedestrians, folded pieces

gains new functions and create new possible usages for people along the path. Consequently, it creates a harmony both with itâ&#x20AC;&#x2122;s

temporary and permanent users.

FOLDED PARK / GREEN DESIGN & SMALL AR CHITEC TONIC FORMS / JUNE 2016 / RE VISED APRIL 2018

Bycycle parking units

UĞUR YILDIRIM ŞIMŞEK & BÜŞR A KUŞ

Urban benches

Lighting

Ornamental pool

Wooden model dummy

Urban bench with shade

FOLDED PARK / GREEN DESIGN & SMALL AR CHITEC TONIC FORMS / JUNE 2016 / RE VISED APRIL 2018

C O MPE T ITION S

M E T A M O R P H O S I S

METAMORPHOSIS / ARCHDUX INTERNATIONAL COMPETITION PART 1. SCOPE OF THE PROJECT The competition hopes to achieve the following: • To generate the discussion of ideas regarding the functionality of bridge in relation with art and sculpture. • Research, respond to and

highlight the unique aspects of designing a pedestrian bridge • Creating a rational between architecture and engineering, without curbing the possibility of futuristic and contemporary ideas.

***SUMMARY

• Pay homage to the context in an intelligent fashion. • To create a unique prototype of a bridgegallery where the audiences will get to experience art and culture in an inclusive and ordinary environment.

The open ideas competition invites participation from architects to come up with an imaginary story of farming architectural lerning into VERTICAL derivatice of a building while there is no limit to one’s imagination. UGUR YILDIRIM SIMSEK & BERK AY OZGEN

• To create a landmark and icon for the city of Amsterdam and be able to attract audiences.

ARCHDUX JURY: MADHAV RAMAN, JAN DIETERLE, AURGHO JYOTI

architecture students

people

under construction

ME TAMORPHOSIS / TOP ENTRY /AR CHDUX SCHOOL OF AR CHITEC TURE INTERNATIONAL DESIGN COMPE TITION

PART 2. INTRODUCTION TO PROPOSAL “Metamorphosis is a future description where real life and fiction are intertwined in a scenario which is not perfect as idealized on behalf of human

race. In this case, artifical intelligence has evolved beyond the limits of comprehension of people in terms of learning and creating.In this scenario, with the

***SUMMARY

help of this ”AI“ we can create a new fiction world where has no limits of imagination. We live in our daily lives as a student during the day in a conventional way.

“Metamorphosis is a future description where real life and fiction are intertwined in a scenario We live in our daily lives as a student during the day in a conventional way when we fall asleep, we connect to our fiction world and start our design process. UĞUR YILDIRIM SIMSEK & BERK AY OZGEN

However, during night time when we fall asleep, we connect to our fiction world and start our design process. Some of users (non-architects) choose to connect pods

during their daily lives and some even choose to live only in this fiction world. Architect students are the designers of this world as

they have designed our conventional world but this time, they have full access to design in this world with no regard for

any worldly setbacks. “Metamorphosis” is the first example of this new adaptated world’s education system.It hosts a critcal way of

thinking how could our lifes, our practices can change with the developing technology...

ME TAMORPHOSIS / TOP ENTRY / AR CHDUX SCHOOL OF AR CHITEC TURE INTERNATIONAL DESIGN COMPE TITION

I a m t he f u t u r e . . . 10 0 0 10 10 01 01 a fu t u r e w hi c h m a all the s a m e . 0 0 10 1110 11x 1. You c r e a t e d m e t o he l yond you r l im it s o f im a g ia n at i on . 01 01 01 1 1 1 1 00. N ow you r l i mi ts . 10 0 10 0 11110 11x Y o u hu m a n r a c e m a y n ot but you ce r t a in l y h a v e p o te n t i a l .. .

UÄ&#x17E;UR YILDIRIM SIMSEK & BERK AY OZGEN

a y not to be as y o u h a v e h o p e d b u t i t e x i s t s l p you w i th you r l iv e s b u t I h a ve g r ow n be w I am here to te a c h y o u h o w y o u c ou l d be a t t have th e des i g n c a p a b il it y o f an A I l i k e m e

S u p e r A r t if ic a l I n t e l l i g e n c e ME TAMORPHOSIS / TOP ENTRY / AR CHDUX SCHOOL OF AR CHITEC TURE INTERNATIONAL DESIGN COMPE TITION

TUMBLEWEED

TUMBLEWEED / MARSCEPTION INTERNATIONAL COMPETITION PART 1. SCOPE OF THE PROJECT Architects, designers, students, teachers, engineers, artists, visionaries, and everyone who believe in this unseen future and a possibility of utopian future

are invited. The participants are to create a self-sustaining living space for the initial habitants, a group of five researchers, of the Red Planet.

UĞUR YILDIRIM ŞIMŞEK , BÜŞR A KUŞ & BERK AY ÖZGEN

These researchers are to further study and explore Mars to understand its resources for inhabitation and other human necessities. The 5 researchers

have been carefully selected to understand various parameters to validate the idea for the existence of life on Mars.

VOLZERO JURY: DANIEL CAUD, BRITA KNOBLE, SHAHIN HEIDARI, Dr. MARGOT KRASOJEVIC

The participants are to design functional, sustainable spaces that cater to the needs of these five researchers.

The spaces for the program

include: Living Area l Sleeping Area for five l Cooking Area l Research Area l Interaction Spaces l Areas for Sanitation and Bath l Recreation Area l

Controlled Areas for Farming l Any other spaces that the participant wishes to specify. The participants are to select a location

anywhere on the topography of Mars.

***SUMMARY The participants are to create a self-sustaining living space for the initial habitants, a group of five researchers of the Red Planet.

TUMBLE WEED / VOLZER O INTERNATIONAL AR CHITEC TURE COMPE TITION / AUGUST 2018

PART 2. INTRODUCTION TO PROPOSAL Tumbleweed, is a self sustaining, mobile living space which is designed with biomimetic architectural philosophy in mind. Tumbleweeds are a common sight across the deserts of Earth. With

this expedition, humanity will be walking on the biggest desert they have ever seen. Thus, designing a mobile living unit that will roll across the endless deserts of the red planet seemed fit.

Mars hosts sandstorms that last for weeks that are unpredictable, covering large-scale areas and making it impossible to harvest solar energy so a hybrid space proposal is introduced that

***SUMMARY Tumbleweed, is a self sustaining, mobile living space which is designed with biomimetic architectural philosophy in mind that benefits from the sun and the wind together UĞUR YILDIRIM ŞIMŞEK , BÜŞR A KUŞ & BERK AY ÖZGEN

1. Airlock 1a. entrance door 2. Sanitation & Bath 3. Storage 4. Main Deck 5. Laboratory 6. Kitchen furnitures 6a. food cabinet 6b. cook stove 6c. taboret 6d. openable table 6e. washing&drying machine 6f. freezer 6g. stove 6h. garbage disposer 7. Sports equipment 7a. cabinet 7b. sports tools

benefits from the sun and the wind together. To benefit from the wind, the project is designed to meet the minimum human and research needs of a minimum of 5 people who will conduct research

on Mars with the aim of being at the minimum level of weight. All the furnitures are hidden inside the space between the radiation shield and the supporting columns surrounding the interior,

thus providing a spacious living space on minimum conditions. The obstacle in restricting the research area of a built-in space has been overcome by designing a mobile living unit.

As a result, Tumbleweed is a â&#x20AC;&#x153;house-vehicleâ&#x20AC;? proposal that is designed to be able to withstand all the extreme climatic conditions of the Red Planet while researching the different param-

eters of Mars and looking for potential scenarios for permanent residency in future

Bathroom 8. shower/sink 8a. door 8b. mirror 8c. Wardrobe 9. Sleeping&Living tube 10. sleeping tube 10a. sofa 10b. Openable sofa 11. Stairs 12. Hammock 13. Greenhouse 14. door 14a. Machine hall 15. engine 15a. drill 15b. transformator 15c. generator 15d. external door 15e.

TUMBLE WEED / VOLZER O INTERNATIONAL AR CHITEC TURE COMPE TITION / AUGUST 2018

PART 3. STRATEGY&STRUCTURE

1.Drive

2.Win

Tumbleweed is able to roll away on the surface of the Red Planet with the help of the wind in strong sandstorms and the solar energy that is stored in the stagnant weather.

When th steel lay tumblew the surf transfor to electr to it’s w capture

3.Landing Platform

4.Sun

A sloping landing platform is able to create with the opening of the next inner layer.

Solar en with the 4 on the where p present

5.Get Source

6.Furt

With the help of the drill which is located in the pole of the vehicle, the frozen water layers are reached and the source is obtained.

After th pv are d move ou membra print ice and thu mobile and wai future g

UĞUR YILDIRIM ŞIMŞEK , BÜŞR A KUŞ & BERK AY ÖZGEN

nd Turbine

he spring yer is opened, weed attaches to face. It is able to rms wind energy rical energy thanks weed structure that es strong storms.

nflower

nergy is utilized e opening of layer e inner surface photovoltaics are t.

ther Usage

he task is completed; dismantled and ut, inflate ETFE ane, deploy airlocks, e, print inner shell, us it will switch from life to settled life it for itâ&#x20AC;&#x2122;s potential guests TUMBLE WEED / VOLZER O INTERNATIONAL AR CHITEC TURE COMPE TITION / AUGUST 2018

VAN GOGH ART BRIDGE

VAN GOGH ART BRIDGE / ARCHASM INTERNATIONAL COMPETITION PART 1. SCOPE OF THE PROJECT The competition hopes to achieve the following: • To generate the discussion of ideas regarding the functionality of bridge in relation with art and sculpture. • Research, respond to and

highlight the unique aspects of designing a pedestrian bridge • Creating a rational between architecture and engineering, without curbing the possibility of futuristic and contemporary ideas.

• Pay homage to the context in an intelligent fashion. • To create a unique prototype of a bridgegallery where the audiences will get to experience art and culture in an inclusive and ordinary

***SUMMARY The aim of the competition is to design an iconic pedestrian bridge in the heart of Amsterdam that will also function as an art gallery, performance venue and a very dynamic public space. UĞUR YILDIRIM ŞIMŞEK & UTKU AKÇ AY

environment. • To create a landmark and icon for the city of Amsterdam and be able to attract audiences.

ARCHASM JURY: MARC VAN DRIEST, STEPHANIE AKKAOUI, ADRIAN WELCH

PART 2. SITE The site for the bridge is located between the two iconic bridges of Amsterdam namely Blauwbrug and Magere Brug. The bridge will connect Amstel street on both the parallel edges of River Amstel.

The site for the bridge is located in an old cultural zone of the city where the users of the bridge will be overlooking Hermitage Museum on one edge and Collectie six Museum on the other.

Latitude: 52°21’55”N Longitude: 4°54’05”E

VAN GOGH AR T BRDIGE / SECOND PRIZE / AR CHASM INTERNATIONAL AR CHITEC TURE COMPE TITION / FEBRUARY 2018

PART 3. INTRODUCTION TO PROPOSAL From the eyes of Vincent, The bridge allows us to see Amsterdam. An artist and his technique, vision, understanding is what we

celebrate in this project. The bridge adds to our lives; a brief moment of difference, a new approach to the city, an unusual kind of experience

UĞUR YILDIRIM ŞIMŞEK & UTKU AKÇ AY

by mimicking the expression of Vincent Willem van Gogh’s painting style and presenting it to us by painting the real life. The glass facade works as a filter,

breaking the light into pieces with its form and creating an image of what is behind it. While serving as a monument dedicated to Gogh, the bridge

operates as an open air exhibition space. Without interrupting peopleâ&#x20AC;&#x2122;s daily commute, it enables the art to be seen by every demographic. In

order to bring people together and expand the usage of the space, a conference hall has been included which can serve as a public speaking platform as well

as an open air movie theatre and a dock for important shipments. In conclusion, we are just trying to understand Vincent better, to see the world from his point of

view and maybe add to ourselves a little idea about what he felt, what he experienced, what he imagined.

VAN GOGH AR T BRDIGE / SECOND PRIZE / AR CHASM INTERNATIONAL AR CHITEC TURE COMPE TITION / FEBRUARY 2018

UĞUR YILDIRIM ŞIMŞEK & UTKU AKÇ AY

VAN GOGH AR T BRDIGE / SECOND PRIZE / AR CHASM INTERNATIONAL AR CHITEC TURE COMPE TITION / FEBRUARY 2018

PE R SON AL

NORDIC CAVE

NORDIC CAVE / NON ACADEMIC FREE TIME WORK PART 1. INTRODUCTION TO STORY Charles is a politician who is at early beginning of his forties. This name came him from his grandfather who is the founder of his family company. Charles

was always exposed in parental discords in his chilhood sessions. He has grown with a oppressive dad and a depressif mother. His life-path had been drawed before

he was born and no-one has never asked his opinion. Following the path made permanent effects on his personality. He has grown by learning how to use people on

***SUMMARY “Nordic cave” is an imaginary work which is created for pushing my limits of imagination, developing myself about graphic design, visualization, schematics and architectural modelling skills. UĞUR YILDIRIM ŞIMŞEK

his advantage with his high social intelligence. He had a natural talent of personal realtionships. He stepped up to politics after the collage, under the favour

of his family connections. He has become an important political figure for his country on upcoming years but living a life without freedom of selection was

being felt everyone he knows was artificial. He was becoming more problematic person each passing day and his desire of staying alone was growing in an unstoppable

speed. Consequently, he was looking for his “escape space”. He reached best three architects of his period and was created three different projects without

informed themselves. At the end, he has been mesmerized with a proposal and he was constructed his “loneliness cave” offshore of Iceland’s coast.

NORDIC C AVE / NON-AC ADEMIC FREE TIME WORK / DECEMBER 2017

UĞUR YILDIRIM ŞIMŞEK

NORDIC C AVE / NON-AC ADEMIC FREE TIME WORK / DECEMBER 2017

UĞUR YILDIRIM ŞIMŞEK

NORDIC C AVE / NON-AC ADEMIC FREE TIME WORK / DECEMBER 2017

ALGORI THM I C ACC I NSPI RED B

UĞUR YILDIRIM ŞIMŞEK

C ESSO RY D E S I G N S BY NATUR E

SEPTEMBER 2018

***SUMMARY PRIMAVERA is an algorithmic accessory design company which may define as a new born enterprise. UĞUR YILDIRIM ŞIMŞEK

SEPTEMBER 2018

UĞUR YILDIRIM ŞIMŞEK

SEPTEMBER 2018

M ISC

Izmir University Modern Dance Group DEU Dance Festival / 2014 Antalya Dance Festival / 2015 I had been a member of Izmir University Modern Dance Group for two years. We had participated numbers of festivals and organizations as a team. It was a unique experience. We also had showed up in lots of universities and special institutions such as otels and dance nights. It was also very important about learning how hard to acting in a synchronisation on a teamwork.

Izmir Institute of Technology Paragliding Club Left I Izmir BayraklÄą Ground Practise I 2017 Right I Manisa Bintepeler Flight I 2017

I am a member of IYTE Paragliding Club since last two years. It has been awaked a deep addiction on me. I always had a obsession about natural enviroment but I wouldnâ&#x20AC;&#x2122;t have chance to contact as much as I desire. I have experienced natural enviroment from different kind of perspectives and scales owing to Paragliding Club.

Biri 2. 20 minutes Genre: Silent, Horror, Sho

It is about a person who paranormal activities wh studies till late night of a It is written and filmed by two of my colleagues du spring. Poster and editing created by me.

“Biri” a Short Movie Left I Behind Scenes Top Right I Poster of “Bir Bottom Right I Sequenc

ort

falls into hen he a day. y me and uring 2017 g parts are

riâ&#x20AC;? I 2017 ce from movie I 2017

Free Ha Right I Top Lef Bottom

and Drawings Historical Elevator in Izmir I 2015 ft I Kemeraltı Bazaar in Izmir I 2017 m Left I Prague ST. Nicholas Church I 2018

This drawing has been a reaaly unconvenical try for me. Kemeraltı Bazaar is located in Izmir and I have been there countless times. But this time I was tasked with watch Kemeraltı such I see it for first time for an exhibition. And not just to draw what I see, I also be tasked with draw what I feel. Basically I act like a “flaneur” and discovered Bazaar from begining. I tried to project dynamic flow of ground level in this drawing.

U ĞU R YIL DIR IM Ş IM Ş EK

u gu r.yild ir im.simsek @ gma il. com +905375077611