MUSIC 26|27
University of Georgia
WIND ENSEMBLE
NICHOLAS ENRICO WILLIAMS, Conductor MARCUS MORRIS, Guest Conductor DERIK J. WRIGHT, Doctoral Conducting Associate
CELEBRATING
America’s Composers JOHN WILLIAMS JOHN PHILIP SOUSA WILLIAM GRANT STILL CHARLES IVES ADAM SCHOENBERG JULIE GIROUX
HODGSON SCHOLARSHIP SERIES
THURSDAY, OCTOBER 22 at 7:30 p.m. HODGSON CONCERT HALL
CHARLES AND LYNNE KNAPP PERFORMING ARTS CENTER 230 RIVER ROAD, ATHENS, GA @ugamusic
MUSIC 26|27
HODGSON SCHOLARSHIP SERIES
UNIVERSITY OF GEORGIA WIND ENSEMBLE
AMERICA 250
Nicholas Enrico Williams, conductor Marcus Morris, guest conductor Derik J. Wright, doctoral conducting associate Hodgson Concert Hall Thursday, October 22, 2026, 7:30pm
PROGRAM The Star Spangled Banner (1814/2004)
“Summerland,” from Three Visions (1935/2013)
Views Panoramic (2026) Georgia Premiere
John Stafford Smith (1750-1836) arr. John Williams William Grant Still (1895-1978) arr. Dane Teter Julie Giroux (b. 1961)
Variations on “America” (1891/1968) Derik J. Wright, doctoral conducting associate
Homage to the Dream (2013) Marcus Morris, guest conductor Intermission
Charles Ives (1874-1954) trans. William E. Rhoads Mark Camphouse (b. 1954)
Symphony no. 2 “Migration” (2017)
Adam Schoenberg (b.1980)
I - March II - Dreaming III - Escape
IV - Crossing V - Beginning The Stars and Stripes Forever (1896)
John Philip Sousa (1854-1932)
PROGRAM NOTES The Star Spangled Banner (3’00”) [1814/2004] John Stafford Smith (1750-1836) arr. John Williams Appearing as the grand marshal for the storied Rose Parade (and conductor of the pre-game ceremony) in January 2004, John Williams penned this dramatic and distinctive setting of The Star Spangled Banner to be premiered under his baton. Featuring fanfare-like extensions, this powerful and unique arrangement of our national anthem is certain to take its place as one of the most “in demand” versions available. - Program Note from publisher John Williams is an American composer, conductor, and pianist. Born just one month shy of the death of John Philip Sousa, Williams studied piano and composition at the University of California at Los Angeles and The Juilliard School in New York City. By the time he was in his late twenties, Williams was an active jazz and studio pianist and began composing music for television and films. In 1974 he met an ambitious young director named Steven Spielberg, and the two forged a friendship that would prove to be one of the most successful partnerships in the history of filmmaking. That year, the pair worked together on a film called Sugarland Express starring Goldie Hawn and a year later teamed up again for Jaws. It wasn’t long before Williams’s music garnered international attention unlike any American composer since Sousa. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies, and all but two of Steven Spielberg’s feature films, including the Indiana Jones series, Schindler’s List, E.T. the Extra-Terrestrial, Jurassic Park, and Jaws.
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“Summerland,” from Three Visions (5’20”) [1935/2013] William Grant Still (1895-1978) arr. Dane Teter Composed in 1935, Summerland serves as the second and tranquil movement of William Grant Still’s solo piano suite, Three Visions, which charts the spiritual journey of the human soul after death. The movement takes its title and inspiration from the concept of heaven, a serene, utopian afterlife filled with radiant light, warmth, and love. Characterized by its gentle, swaying pentatonic melody and lush, impressionistic harmonies, the music evokes an atmosphere of profound peace and weightless calm. While originally conceived as an idiomatic work for solo piano, Summerland became so instantly beloved that Still later arranged it for orchestra and various other chamber ensembles, cementing its status as one of his most popular and enduring standalone works. William Grant Still was a visionary American composer often referred to as the “Dean of Afro-American Composers.” A pioneer of 20th-century classical music, he was the first Black composer to have a symphony performed by a major U.S. orchestra and the first to have an opera produced by a major company. His vast body of work brilliantly fused traditional classical structures with distinct American musical idioms, integrating elements of blues, jazz, and spirituals into symphonies, operas, ballets, and chamber pieces. Views Panoramic (6’45”) [2026] Julie Giroux (b. 1961) Views Panoramic is a musical celebration of some of our planet’s most awe-inspiring natural wonders. The piece unfolds in three distinct sections, each offering a unique perspective on the grandeur of the natural world. The three sections are: I - Massive Trees - From the Trunk to the Top II - Caverns & Caves III - Glaciers and Mountains Julie Giroux started playing piano at three years of age, began writing music at the age of eight, and has been composing ever since. Her first published work for concert band, published by Southern Music Company, was composed at the age of thirteen. Projects she has worked on have been nominated for Oscars, Emmys, Grammys, and Golden Globe awards. She has won individual Emmy Awards in the field of “Outstanding Individual Achievement in Music Direction.”
When Giroux won her first Emmy Award, she was the first woman and the youngest person ever to win that award. She has now won it three times. Giroux has been a true force in a male-dominated field and has accrued many previously male-only awards. She is a member of ASCAP, The Film Musicians Fund, Kappa Kappa Psi, Tau Beta Sigma, and a member of the American Bandmasters Association. She is a recipient of the Distinguished Service to Music Medal Award and was the first female composer inducted into the American Bandmasters Association in 2009. Variations on “America” (6’45”) [1891/1968] Charles Ives (1874/1954) trans. William E. Rhoads Variations on “America” was originally a composition for organ. Composed in 1891 when Ives was seventeen, it is an arrangement of a traditional tune, known as “My Country, ‘Tis of Thee,” and was at the time the de facto anthem of the United States. The tune is also widely recognized in Thomas Arne’s orchestration as the British National Anthem, “God Save the Queen,” and in the former anthems of Russia, Switzerland, and Germany, as well as being the current National Anthem of Liechtenstein and Royal Anthem of Norway. The variations are a witty, irreverent piece for organ, probably typical of a “silly” teenage phenom like Ives. According to his biographers, shortly after completing the composition, the piece was played by Ives in organ recitals in Danbury and Brewster, New York. At these concerts, his father would not let him play the pages which included canons in two or three keys at once, because they were “unsuitable for church performance – They upset the elderly ladies and made the little boys laugh and get noisy!” - Program Note by transcriber Charles Ives was one of the most fiercely original and iconoclastic voices in American classical music history. Born in Danbury, Connecticut, Ives was profoundly influenced by his father, a Civil War bandmaster who encouraged musical experimentation. Rather than pursuing music as a traditional career, Ives became a highly successful insurance executive, a profession that granted him the complete financial independence to compose without commercial constraints. Working largely in isolation, he pioneered avant-garde techniques like polytonality, polyrhythm, tone clusters, and quarter-tones decades before they became popular in Europe, while simultaneously layering his pieces with deeply nostalgic quotations of American hymn tunes, ragtime, and traditional folk songs. Though his radical compositions were ignored or deemed unplayable for most of his life, Ives finally achieved late-career validation when his Symphony No. 3 won the Pulitzer Prize for Music in 1947, cementing his legacy as a true visionary of American modernism.
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Homage to the Dream (8:40) [2013] Mark Camphouse (b. 1954) I will always remember listening to Dr. King’s eloquent and enduring “I Have A Dream” speech. It marked an important beginning for me, as a 9-year-old boy, with trying to better understand the scourge of racism in American society. One line from his speech resonated with me in particular: “I have a dream of a land where men do not argue that the color of a man’s skin determines the content of his character.” Please enjoy Homage to the Dream, commemorating the 50th anniversary of the immortal “I Have a Dream” speech delivered at the Lincoln Memorial in Washington, D.C. on August 28, 1963, by Reverend Dr. Martin Luther King, Jr. The work was commissioned by Phi Beta Mu, in honor of the 75th anniversary of its founding and was premiered on July 21, 2013, in San Antonio during the 66th Annual Convention of the Texas Bandmasters Association by the Greater Dallas Youth Orchestra Wind Symphony. - Program Note by composer Mark Camphouse began composing at an early age, with the Colorado Philharmonic premiering his first symphony when he was seventeen. His twenty-five published works for wind band have received widespread critical acclaim and are performed widely in the U.S. and abroad. He was elected to membership in the American Bandmasters Association in 1999 and has served as coordinator of the National Band Association Young Composer Mentor Project since 2000. He conceived and edited the unique four-volume book series for GIA Publications, Composers on Composing for Band. He was featured in a nationally broadcast interview on NPR’s Weekend America, focusing on his composition entitled A Movement for Rosa honoring late civil rights heroine Rosa Parks, on the occasion of the 50th anniversary of her single act of courage sparking the modern civil rights movement. Symphony no. 2 “Migration” [2017] Adam Schoenberg (b.1980) The narrative behind Migration is inspired by my wife, and her family’s journey to America. As she likes to say, “No one leaves where they’re from unless they believe that something better awaits them.” While writing this piece she and I talked at length about the emotional journey that many immigrants experience. If you do not push yourself to dream about what awaits you, then how do you have the courage to leave behind all that you know? If you do not envision a new home where all of your hopes and dreams can be achieved, then how do you survive in a completely
unfamiliar place? Each year, individuals from all over the world come to the United States seeking more opportunities. Whether they are escaping religious persecution, government instability, or social and political inequality, they are all searching for something better. This is, after all, the land where anything is possible, a place where all of your dreams can come true, no matter where you come from.
- Program Note by composer
Adam Schoenberg earned his Doctor of Musical Arts degree at The Juilliard School as a student of John Corigliano and Robert Beaser. Named one of the Top Ten most performed living classical composers by orchestras in the United States [2017], Adam Schoenberg’s music is “invigorating” (Los Angeles Times) and full of “mystery and sensuality” (The New York Times). Schoenberg has given lectures and master classes for the Young Presidents’ Organization, Atlanta Symphony, The Juilliard School, Oberlin Conservatory of Music, Blair School of Music, and the Aspen Music Festival, among others. An accomplished and versatile film composer, Schoenberg has scored two feature-length films and several shorts. The Stars and Stripes Forever [1896] John Philip Sousa (1854-1932) With the possible exception of The Star Spangled Banner, no musical composition has done more to arouse the patriotic spirit of America than The Stars and Stripes Forever. Symbolic of flag-waving in general, it has been used with considerable effectiveness to generate patriotic feeling ever since its introduction in Philadelphia on May 14, 1897, when the staid Public Ledger reported: “It is stirring enough to rouse the American eagle from his crag, and set him to shriek exultantly while he hurls his arrows at the aurora borealis.” - Program Note by the U.S. Marine Band Unequalled by his predecessors, John Philip Sousa is responsible for bringing the United States Marine Band to an unprecedented level of excellence: a standard upheld by every Marine Band Director since. Sousa grew up with the Marine Band, and his intimate knowledge of the band coupled with his great ability provided the ideal medium to showcase the marches which would earn him the title, the “March King.” In his twelve years as Leader of the Marine Band, he served under five Presidents, and the experience he gained with the Marine Band would be applied to his civilian band for the next thirty-nine years. With his own band, Sousa’s fame and reputation would grow to even greater heights.
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PERSONNEL
WIND ENSEMBLE University of Georgia
Nicholas Enrico Williams, conductor
Piccolo Jadyn Hairston Flute Kimberly Bateman Emily Elmore Jadyn Hairston Blair Redlinger Zoe Stewart Oboe Ashlyn Long Brenna Sexton Emma Walters Amanda Withrow English Horn Ashlyn Long Clarinet Noah An Ryan Hanling Eleanor Love Jonathan Mack Yash Mahadkar Zach Nguyen Emily Shi Ruiwen Su Natalia Thorpe Caleb Weber Benjamin Yun
Bassoon Tarryn Goldner Zachary Howell Daniel Johnson Saxophone Julien Berger John Casey Matheson Carlos Ponce Vargas Yun Qu Tan Josh White Horn Daniel Alford Ava DeFilippo Jonah Hammett Riley Kuhlken Wendy Menard Ian Welch Trumpet Cameran Butryn Toby Johnson Colin Kennedy Marie Plouffe Jack Rozza Antonio Urias Trombone Sean Helms Juwan Murphy Matthew Quach
Bass Trombone Victor Cruz Trip Drennan Euphonium Alex Aull Andrew Haynes Tuba Jacob Norris Charlie Pratt String Bass Peyton Lightcap Antonio Mamedio Percussion Jakalin Bryant Hsiao Huang Thomas Huff Parker Johnson Carrington Lauck David MacPherson Rachel Martin Dane Warren Piano Eva Panagou Harp Madison Ford
Members of the University of Georgia Wind Ensemble are listed alphabetically to acknowledge each performer’s unique contribution to our shared artistic endeavors. Doctoral Conducting Associates Jordan M. Fansler, Maria Flowers, JaQuan O. Wiley, Derik J. Wright Graduate Assistants Shengyu Cui, Ruiwen Su, Jazmyn Trujillo, Carlos Ponce Vargas Athletic Bands Graduate Assistant David MacPherson
MEET THE ARTISTS
Nicholas Enrico Williams conductor
Marcus Morris guest conductor
Derik J. Wright, doctoral conducting associate
Nicholas Enrico Williams is a Professor of Music and serves as the Director of Bands at the University of Georgia, where he coordinates one of the country’s largest and
most comprehensive university band programs, conducts the University of Georgia Wind Ensemble, and oversees the graduate wind band conducting area. Prior to his time in Athens, he was the Director of Wind Bands at the University of Melbourne Conservatorium of Music (Melbourne, Australia). Before venturing to Australia, Williams flourished for sixteen years as the Assistant Director of Wind Studies, the Conductor of the Wind Ensemble, Brass Band, and Concert Band, as well as the Director of Athletic Bands at the University of North Texas. For a decade, he was the Conductor of the Greater Dallas Youth Orchestra Wind Symphony and continues to be a frequent guest conductor of the Dallas Winds (formerly Dallas Wind Symphony), one of America’s few professional civic wind bands.
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Professor Williams has been a guest conductor with the Opole (Poland) Philharmonic Orchestra; the United States Army Band “Pershing’s Own”; United States Navy Band; United States Army Field Band; United States Air Force Band; Royal Australian Defence Force Bands; World Youth Wind Symphony at the Interlochen Arts Camp; Dallas Winds; Lone Star Wind Orchestra; at the annual Midwest International Band and Orchestra Clinic in Chicago, Illinois; the College Band Directors National Association national and regional conferences; the Texas Bandmasters Association Convention; and the Texas Music Educators Association Annual Clinic/Convention in San Antonio, Texas. v Williams is active in Australia, Canada, South America, Europe, Asia, and the United States as a conductor, clinician, adjudicator, consultant, and arranger; his arrangements and transcriptions for wind band, percussion ensembles, drum corps, and school pageantry ensembles are performed by outstanding organizations throughout the world. A member of the Recording Academy (GRAMMYs), he is a sought-after recording session producer, associate producer, editor, and conductor, having been involved with numerous CDs and DVDs on the Klavier, Mark Records, and GIA labels, as well as UNT and UGA projects, including the 2024 release of “Never a Reason to Stop” by the University of Georgia Wind Ensemble, and the 2019 release of “FIESTAS” by the University of North Texas Wind Ensemble. In addition to his work in the recording arts, he has written several conductor study guides published in the multivolume series of Teaching Music Through Performance in Band. He was a primary consultant of the book Women of Influence in Contemporary Music and is an honorary member of Sigma Alpha Iota International Music Fraternity for women. His professional affiliations include the Georgia Music Educators Association, Australian Band and Orchestra Directors Association, Texas Music Educators Association, Texas Bandmasters Association, College Band Directors National Association, Phi Mu Alpha Sinfonia, and Phi Beta Mu, and was recently elected into the prestigious American Bandmasters Association.
Marcus Morris is the Assistant Director of Athletic Bands at the University of Georgia. He assists in the instruction and administration of the Redcoat Marching Band, directs the basketball and gymnastics pep bands, guest-conducts concert bands, and teaches courses in other areas including conducting. A native of Spartanburg, South Carolina, Morris holds a Bachelor of Music Education and a Master of Music Education (K-12) from Winthrop University. He also earned an Ed.S in Administration and Supervision and a Doctorate in Professional Leadership with an emphasis in Music Education from Converse University.
Morris is active as an adjudicator, presenter, performer, and Conn Selmer Educational clinician. He consistently presents numerous clinics at both regional and national music conferences, state-level arts conferences, and school district professional development in-services. He has conducted honor bands in several states across the country, and has received multiple citations of excellence, leadership awards, and was recently a Grammy Music Educator of the Year Semi-Finalist. His professional affiliations include Georgia Music Educators Association, College Band Directors National Association, South Carolina Music Educators Association, South Carolina Band Directors Association, and Kappa Kappa Psi national band fraternity.
Derik J. Wright is a conductor, arranger, composer and music educator, pursuing a Doctor of Musical Arts at the University of Georgia. Derik is a Doctoral Conducting Associate for UGA Bands, serving duties with the Wind Ensemble, Wind Symphony, Symphonic Band, and the Redcoat Marching Band.
Prior to UGA, Derik was a Graduate Assistant at George Mason University in Fairfax, Virginia where he earned the Master of Music in Wind Conducting. Derik serves as an arranger for the “Spartan Legion” Marching Band at Norfolk State University in Norfolk, Virginia where he also earned a Master of Music in composition & theory and a bachelor’s degree in music media. Derik was previously the band director at I.C. Norcom High School in Portsmouth, Virginia and has maintained activities as an educator and clinician with band programs in Virginia and Maryland.
Derik’s musical career can be attributed to his influential mentors such as Dr. Nicholas E. Williams, Dr. Jack A. Eaddy, Jr., Dr. William L. Lake, Jr., Dr. Anne Neikirk, Prof. William H. Beathea, Prof. Stephanie K. Sanders, Prof. Paul I. Adams, and Mr. Walter Harley. His professional affiliations include the National Association for Music Education, the Virginia Band and Orchestra Directors Association, the Society of Composers, Kappa Kappa Psi National Honorary Band Fraternity, and Phi Mu Alpha Sinfonia.
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HUGH HODGSON SCHOOL OF MUSIC FACULTY
Felix Olschofka, Director Brandon Craswell, Associate Director, Director of Undergraduate Studies Emily Gertsch, Associate Director, Director of Graduate Studies Amy Pollard, Associate Director, Director of Performance Activities PERFORMANCE FACULTY Josh Bynum Brandon Craswell Jean Martin-Williams James Naigus *Matthew Shipes Gilbert Villagrana
trombone trumpet horn horn tuba/euphonium trumpet
Kimberly Toscano Adams * Timothy Adams
percussion percussion
John Coble Scott Cuellar Damon Denton * Grace Huang Emely Phelps Greg Satterthwaite Anatoly Sheludyakov James Weidman Alan Woo
organ piano piano piano piano piano piano piano piano
Levon Ambartsumian Shakhida Azimkhodjaeva Karen Bergmann Daniel Bolshoy Michael Heald James Kim Edward Kreitman * Milton Masciadri Maggie Snyder
violin violin strings guitar violin cello Suziki double bass viola
Gregory Broughton Jay Ivey Elizabeth Knight *Amy Petrongelli Anne Slovin
voice voice voice voice voice
* Angela Jones-Reus D. Ray McClellan Reid Messich Amy Pollard Brandon Quarles
flute clarinet oboe bassoon saxophone
BANDS Mia Athanas Brett Bawcum Jack A. Eaddy, Jr. Marcus Morris * Nicholas Enrico Williams CHOIRS * Daniel Bara Gregory Broughton Colin Mann Daniel Shafer COMMUNITY MUSIC SCHOOL & SUMMER CAMPS Stephen Fischer COMPOSITION & THEORY Adrian Childs Emily Gertsch *Emily Koh Peter Lane Dickie Lee Trinity Vélez-Justo Morgan Weeks CONDUCTING STUDIES Daniel Bara Brett Bawcum Mark Cedel Jack Eaddy Colin Mann *Nicholas Enrico Williams JAZZ STUDIES David D’Angelo Gregory Satterthwaite James Weidman
MUSIC EDUCATION *Rebecca Atkins Alison Farley Tyler Goehring Roy Legette Kristen Lynch Michael Robinson Johanna Royo Brian Wesolowski MUSIC THERAPY *Ellyn Evans Sally Ann Nichols Jenny Stull MUSICOLOGY & ETHNOMUSICOLOGY Karen Bergmann * Naomi Graber David Haas Jared Holton Jean Kidula Eleanor Price Rumya Putcha Joanna Smolko OPERA * Daniel Ellis Andrew Voelker ORCHESTRA * Mark Cedel RECORDING & STREAMING Eric Dluzniewski Jamie Tagg
*Area Chair
HUGH HODGSON SCHOOL OF MUSIC STAFF Susan McClure, Administrative Assistant to the Director
Shaun Baer Levi Dean Elizabeth Durusau Heather Gozdan-Bynum Scott Higgins Kathleen Powell Rocky Raffle James Sewell Marshall Williams
Director of Public Relations Development Associate Music Library Manager Undergraduate Academic Advisor Senior Piano Technician Graduate Program Administrator Administrative Associate in Bands Production & Events Manager Director of Admissions
SUPPORT HOW TO GIVE
THE SCHOOL OF MUSIC
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THANK YOU FOR YOUR CONTINUED SUPPORT OF THE UNIVERSITY OF GEORGIA HUGH HODGSON SCHOOL OF MUSIC.
ARTS
FRANKLIN FINE AND PERFORMING
Embrace the arts. ENRICH YOUR WORLD.
26 | 27 SEASON
EXHIBITION PANEL DISCUSSION AND RECEPTION FOR “CORNUCOPIA: TIES THAT BIND”
NOVEMBER 3 at 5:30 p.m.
Lamar Dodd School of Art - Room S151 270 River Road, Athens, GA Panel features artists Ben F. Jones and Bob Dilworth. Co-moderated by art historians Leslie King Hammond and Lowery Stokes Sims (former curator at the Metropolitan Museum of Art). This event is free. art.uga.edu
ARTS
FRANKLIN FINE AND PERFORMING
SPOTLIGHT ON THE ARTS 2026
SYMPHONY ORCHESTRA SCHUBERT NO. 3 | TCHAIKOVSKY NO. 5 OCTOBER 28 at 7:30 p.m. Charles and Lynne Knapp Performing Arts Center 230 River Road, Athens, GA $15 - Adults | $3 - UGA Students music.uga.edu | 706-542-4400
FALL MUSICAL “GUYS & DOLLS” NOV. 6-7, 12-13 at 7:30 p.m. NOV. 8 & 15 at 2 p.m.
UGA Fine Arts Theatre, 255 Baldwin St, Athens GA Guys and Dolls is a dazzling celebration of Broadway at its most iconic. $20 - Adults | $7 - UGA Students ugatheatre.com | 706-542-4400
STUDENT CHOREOGRAPHY CONCERT “THROUGHLINE” NOVEMBER 11 - 13 at 7:30 p.m. UGA Dance Theatre, 263 W. Green Street, Athens GA Featuring original works choreographed and produced by students. $15 - Adults | $7 - Students /Seniors dance.uga.edu | 706-542-4400
SAVE 25% ON THE ORCHESTRA, “GUYS & DOLLS,” AND “THROUGHLINE” WITH THE SPOTLIGHT SAMPLER SCAN THE QR CODE TO ORDER ONLINE OR CALL 706-542-4400
MUSIC 26|27
FEATURED PERFORMANCES UGA Opera Theatre
EVENING OF OPERA SCENES FRIDAY, NOVEMBER 6 at 7:30 p.m. and SUNDAY, NOVEMBER 8 at 3 p.m. $15 - Adults Hodgson Concert Hall $3 UGA students Experience opera at its most intimate. plus $3 transaction fee
This evening showcases a dynamic mix of our
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dramatic realism.
brightest rising talents and seasoned voices, combining raw vocal power with intense
FREE PERFORMANCES GUEST ARTIST
GABRIEL PIQUÉ, saxophone
FRIDAY, OCTOBER 23 at 7:30 p.m. RAMSEY CONCERT HALL
GUEST ARTIST
FOWLER-MROFCHAK GUITAR DUO
SATURDAY, OCTOBER 24 at 7:30 p.m. EDGE RECITAL HALL SCHOOL OF MUSIC, 250 RIVER ROAD music.uga.edu | 706-542-4400 | 230 River Road, Athens, GA
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