UGA Opera Theatre: Mythos & Machinations

EXPERIENCE MUSIC UGA OPERA THEATRE

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MYTHOS

MACHINATIONS

HODGSON HALL

UGA PERFORMING ARTS CENTER 230 RIVER RD, ATHENS, GA

FRIDAY, NOVEMBER 10 at 7:30 p.m.

SUNDAY, NOVEMBER 12 at 3 p.m.

@ugamusic

music.uga.edu | 706-542-3737

UGA

&

MYTHOS

MACHINATIONS Friday, November 10 at 7:30 p.m.

Sunday, November 12 at 3 p.m.

UGA Performing Arts Center Hodgson Concert Hall

Sung in French, German, and Italian With English Supertitles UGA OPERA THEATRE PRODUCTION STAFF Mark Cedel, Conductor Daniel Ellis, Stage Director / Producer Frederick Burchinal, Director of Opera Kathryn Wright, Principal Opera Coach and Musical Preparation Min-Chen Lee, Rehearsal Pianist Emily Delaney Eddington, Stage Manager Elizabeth Stich, Choreographer Donna Crawford, Costume / Makeup Coordinator Graf Von Imhoof, Lighting Designer Alex Bond, Head Carpenter

A SPECIAL THANK YOU To the Franklin School of Art and Sciences, The School of Theatre and Film, Powers Antiques, The Hugh Hodgson School of Music, The Wyatt and Margaret Anderson Professorship in the Arts, and The Patricia and Carl S. Hoveland Fellowship in Opera for making this production possible.

The UGA Opera Theatre department would also like to recognize the contributions made by the follow individual whom have all helped to make tonight’s performance possible: James Sewell, Scott Higgins, Dr. Amy Petrongelli, Laurel McFarland, Dr. Elizabeth Knight, and Wingate Downs.

A very special thanks to our “Friends of the Opera” Donors and Supporters who have contributed generously to the Opera Theatre Program and our opera students.

PROGRAM Lucia di Lammermoor - 1835 Lucia – Alejandra Sandoval (Soprano) Alisa – Samantha Mishima Friedman (Mezzo-Soprano) Edgardo – Minseol Hong (Tenor)

Gaetano Donizetti (1897 – 1848)

Der Freischütz – “Schweig, schweig” - 1821 Kaspar – Robert Harrelson (Bass-Baritone)

Carl Maria von Weber (1786 - 1826)

Werther – 1893

Charlotte – Samantha Mishima Friedman (Mezzo-Soprano) Sophie – Lauren LaBarre (Soprano)

Jules Massenet (1842-1912)

INTERMISSION Un Ballo in Maschera – “Re dell’abisso affrettati…” – 1859 Ulrica – Samantha Mishima Friedman (Mezzo-Soprano)

Giuseppe Verdi (1813-1901)

La Traviata – 1853 Violetta – Alejandra Sandoval (Soprano) Giuseppe Verdi (1813-1901) Annina – Lauren LaBarre (Soprano) Doctor – Robert Harrelson (Bass-Baritone) Bridal Visions - Summer Arrington, Emily Kirk, Julia Tuttle (Friday, November 10) Charlotte Carbaugh, Penny Czabala, Laura Towner (Sunday, November 12) Alfredo – Minseol Hong (Tenor) Hänsel & Gretel – 1893 Father – Rob Harrelson (Bass-Baritone) Mother – Samantha Mishima Friedman (Mezzo-Soprano)

Engelbert Humperdinck (1854-1921)

PROGRAM NOTES Lucia di Lammermoor Libretto By Salvadore Cammarano after Sir Walter Scott’s The Bride of Lammermoor Lucia di Lammermoor, composed by Gaetano Donizetti (1797-1848) and inspired by Sir Walter Scott’s novel based on a real-life tragic romance, stands as exemplary of the bel canto era. The music emphasizes beautiful virtuosic vocal performances and florid melismatic passages. In this scene in the first act, we hear long flowing lines, rapid trills, and soaring high notes in both of Lucia’s arias. Set against the atmospheric backdrop of a Scottish landscape, "Regnava nel silenzio" paints a chilling tale of a ghostly apparition by a fountain – a girl murdered in a fit of jealousy by her lover, foreshadowing Lucia and Edgardo’s tragic demise. When Edgardo arrives, the two lovers tenderly exchange vows of fidelity despite the looming threats to separate them. Donizetti uses gracefully intertwined vocal lines to mirror the characters’ intertwined fates.

PROGRAM NOTES

Der Freischütz – “Schweig, schweig” Libretto by Friedrich Kind based on a story by Johann August Apel and Friedrich Laun from their 1810 collection Gespensterbunch Carl Maria von Weber’s Der Freischütz (“The Sharpshooter”) is an early romantic opera that combines elements of the supernatural, folkloric styles, and the idealization of the common person. The opera is about young forester Max who is so eager to win a shooting contest to marry his love Agathe, that he is tempted by his rival Kaspar to use enchanted bullets guaranteed to hit their mark. However, the demon Samiel controls the seventh bullet, adding a dangerous twist.

"Schweig Schweig" is a dark aria sung by Kaspar, as he calls on Samiel to further his malevolent plan. The ominous atmosphere reflects Kaspar’s desperation and his gruesome intentions.

Werther

Libretto by Édouard Blau, Paul Milliet and Gerges Hartmann (under the pseudonym Heri Grémont) Jules Massenet’s Werther premiered in 1892 as an opera adaptation of Goethe’s semiautobiographical novel The Sorrows of Young Werther. The opera delves deeply into themes of unrequited love, crushing societal expectations, and individual despair. The story revolves around the youthful poet Werther’s all-consuming love for Charlotte, a woman duty-bound by propriety and social convention. At the beginning of Act III, it is Christmas Eve and the stark contrast between the festive season and Charlotte’s inner turmoil is painfully evident. As Charlotte desperately waits for Werther she sings "The Letter Aria" as she reminisces and rereads what Werther has written her. The aria is a testament to Massenet’s ability to encapsulate Charlotte’s profound emotional turmoil within a musical framework as her younger sister Sophie desperately tries to cheer her up.

Un Ballo in Maschera – “Re dell’abisso affrettati…”

Libretto by Antonio Somma, based on Eugène Scribe’s libretto for Daniel Auber’s 1833 opera, Gustave III, ou Le bal masqué.

Giuseppi Verdi’s Un ballo in maschera (“The Maksed Ball”) is a dramatic opera about love and politics.

Based on the real story of King Gustav III of Sweden, the opera offended the censors of the time and Verdi was forced to change the setting from Sweden to the far-off mythical land of Boston, USA. Librettist Eugène Scribe, who took poetic liberties with the source, based the character Ulrica on a medium named Ulrica Arvidsson, who warned the king about his impending assassination. In Act I, Ulrica is introduced by her aria "Re dell’abisso affrettati," where she invokes the name of the King of the Abyss to summon him to come to her aid and show her the future.

La Traviata

Libretto by Frandcesco Maria Piave Giuseppe Verdi wrote La Traviata (“The Fallen Woman”) in 1853, and it has since become one of Verdi’s most beloved and frequently performed operas. Verdi based his opera on the play La

PROGRAM NOTES Dame aux camèlias by Alexandre Dumas fils, which was in turn based upon Dumas’ own book where he chronicles his affair with the popular and witty courtesan Marie Duplessis. Traviata portrays the doomed love affair between Violetta, a famous courtesan, and Alfredo Germont, a passionate young man. In the final act we see Violetta with her faithful maid, Annina, by her side, awaiting Alfredo’s return. However, time is running out for Violetta who is dying of consumption (tuberculosis).

Hänsel & Gretel Libretto by Adelheid Wette Engelbert Humperdinck’s opera Hänsel und Gretel (1893) is based on the well-known Brothers Grimm fairytale. What began in 1890 as a request from Humperdinck’s sister, Adelheid Wette, for four songs to accompany a play for her children to perform, gradually evolved into a full-fledged opera. Wette wrote the libretto, and she softened the story considerably from the Grimm version, adding whimsical elements such as dew fairies, the Sandman and angels that watch over the sleeping children in the dark forest. Humperdinck utilizes simple folk tunes, beautiful harmonies, and leitmotifs to evoke the feelings of childhood and the Witch’s ride. In the last scene of Act I, Peter, the father, is singing happily as he returns home. Gertrude, the mother, had sent the children out into the woods to pick berries to keep them from making a mess in the house. Upon hearing this, Peter is appalled and tells her of the child-eating witch who resides there.

Several furniture pieces featured in tonight's selections from Werther and La Traviata were rented from Power Antiques.

UNIVERSITY OF GEORGIA SYMPHONY ORCHESTRA Mark Cedel, conductor Nicholas Han, assistant conductor VIOLIN I Jhonni Campos, concertmaster

Lyu Lian, assistant concertmaster André Araujo De Souza Molly Schneider Alexis Boylan Brian Roach Sean Smith Clarissa Tamara Lucas Nyman Adelmo Gimenez VIOLIN II Sarah Nienhiser, principal Sage Codispoti, assistant principal Surya Blasiole Jen Edwards Shazan Samnari Lauren McClary Garry Fulcher Andreea Barca VIOLA Bryan Johnson, principal Nina Nagarajan, assistant principal Kailey Ford Jodie Stone Anna Murphy Daniel Boscan CELLO Thomas LaMon, principal Zach Helms Ian Koontz William Slater BASS Wueliton Zanelatto Dal Pont, principal Leonardo Lopes, associate principal

FLUTE Emily Elmore, principal Shana Stone Isabel Brock OBOE Emma Gordon, principal Carter Reed CLARINET Bailey Hume, principal Emily Johnston SAXOPHONE Daniel Phipps BASSOON Ethan Surles, principal Daniel Johnson HORN Joshua Wood, co-principal Jordan Chase, co-principal Cal Hughes Marianna Schwark Jake Wadsworth TRUMPET Will Tomaszewski principal Andrew Morris Michael Mank TROMBONE David Cain, principal Trey Heaton Jonas Ventresca, bass trombone TUBA Robert Boone

TIMPANI Camden Briggs PERCUSSION Angelica Wright Meme Walton Carrington Lauck HARP Violet Waterhouse KEYBOARD Annabel Shue LIBRARIAN Molly Schneider PERSONNEL and PRODUCTION Ricardo Karelisky Deho

ABOUT THE CAST Samantha Mishima Friedman (Mezzo-Soprano, Opera Graduate Assistant and Hoveland Fellowship Award Recipient) is a second-year DMA student at the University of Georgia. Roles include: The Bear (Popova), Così fan tutte (Dorabella), The Trial of Susan B. Anthony by Steven Mark Kohn, Hansel und Gretel (Witch/ Mother), Elektra (Erste Magd), Amahl and the Night Visitors (Mother). Samantha holds an MM in Vocal Performance from Mercer University and a BA from Sarah Lawrence College.

Robert Harrelson (Bass-Baritone, Opera Graduate Assistant and Hoveland Fellowship Award Recipient) is a bass-baritone originally from Boiling Springs, North Carolina. He studied voice at Indiana University with Giorgio Tozzi and Roy Samuelsen, and is now in the voice studio of Frederick Burchinal at the University of Georgia where he is pursuing a DMA in vocal performance. During his 20-year career with the U.S. Air Force Singing Sergeants in Washington, D.C., Robert performed for four U.S. presidents, as well as numerous U.S. and international political, diplomatic, and military leaders. His hundreds of performances across the U.S. have been seen and heard by millions around the world in person, on television, and via the Internet. Recent opera roles performed include Rocco, Il Commendatore, and the Physician (Opera Carolina’s Macbeth). Recent solo oratorio engagements include Handel’s Messiah, Mozart’s Great Mass in C Minor (both with the Richmond Symphony), and Beethoven’s Mass in C with the Chattanooga Bach Choir.

Minseol Hong (Tenor, Opera Graduate Assistant and Hoveland Fellowship Award Recipient) is originally from Seoul, South Korea. He is a currently a first-year MM student at the University of Georgia. Minseol holds a Masters of Music from Mannes School of Music, where he studied with Arthur Levy. He completed his Machelor of Music at Dankook Univeristy, under the guidance of Yoo Hun Lie. Some of his recent roles include: Rinuccio in Gianni Schichi, Tamino in Die Zauberflöte, Turiddu in Cavalleria Resticana, and Nemorino in L’elisir d’amore, Faust in Faust, Gaston in La Traviata, and Alfred in Die Fledermaus. Minseol also had the honor of performing as the soloist in the premiere of the 500th Anniversary Reformation Cantata ‘Rise, Shine Your Light.’ Notably, Minseol was awarded the Excellence Award at the Korean Music Association Competition.

Lauren LaBarre (Soprano, John R. Curtis Scholarship in Opera) is a fourth-year undergraduate pursuing her Bachelor’s of Music in Vocal Performance. Lauren has been a part of the opera scenes program since sophomore year, and played as the lead character, Alice, in the UGA student-led and studentcomposed premiere of children’s opera, Down the Rabbit Hole, last fall. She has also had the privilege to sing as a soloist in oratorio selections alongside UGA’s Hodgson Singers, Repertory Singers, and University Chorus. She is incredibly excited for this opportunity and is thankful for her voice teacher Dr. Petrongelli for her guidance, the entire opera staff and her castmates for their never-ending support.

ABOUT THE CAST Alejandra Sandoval (Soprano, Opera Graduate Assistant and Hoveland Fellowship Award Recipient) is a Mexican soprano renowned for her expertise in the realms of Opera, Classical Music, and Concert performances. Her collaborations with distinguished orchestras in Mexico have solidified her reputation as a prominent figure in the realm of Opera and vocal concerts, a trajectory she continues to pursue in the United States, her current place of residence. Her achievements include winning the esteemed First Prize at the XIII International Czech and Slovak Music Competition. She secured the top position at the XXIV National Singing Competition. As a soloist, Alejandra has worked with Orchestras across Mexico and in USA including Atlanta Opera, San Diego Opera, Chicago Ópera Festival, Ópera Cultura. Beyond her performances, Alejandra is committed to nurturing young talent through her involvement in teaching, conducting masterclasses, and adjudicating singing competitions. She is diligently pursuing her Doctorate in Vocal Performance at the University of Georgia.

Summer Arrington is a second-year student majoring in Intended Management Information Systems with a concentration in Business Analytics and a minor in Dance. When she is not dancing, Summer enjoys reading and baking. She grew up training in Hip-Hop and Modern, and more recently, has picked up other styles including Ballet, West African, and Jazz. Summer works as a K-Pop and HipHop dance teacher at Za Dance Studio during the summer. Although it is not her major, Summer hopes to gain more experience with commercial dance jobs in the industry.

Charlotte Carbaugh is a freshman double majoring in Dance and Fashion Merchandising. Prior to UGA, she was trained in ballet, jazz, and contemporary for 16 years at the School of Theatrical Dance.

There she performed roles such as the Snow Queen in the Nutcracker and Dorothy in the Wizard of Oz. Charlotte was also a student apprentice where she had the privilege of teaching ballet, jazz and tap to young dancers. She is excited to be onstage again alongside her classmates and amazing artists and is thankful for this opportunity!

Penny Czabala is a freshman Hospitality and Food Industry Management major and has been dancing since she was three. She has danced roles such as Clara and the Snow Queen in the Nutcracker and the Queen of Hearts in Alice in Wonderland. She also was a part of her school’s performing arts program and played roles such as Atina in the Little Mermaid and Chava in Fiddler on the Roof. She is so excited for the opportunity to perform with her classmates and these amazing artists!

Emily Kirk started dancing at the age of three and continued her training throughout her childhood at Southern Performing Arts Academy in Lawrenceville, Georgia. She joined their pre-Professional company and spent four years in the highest level. She has performed in many performances over the years including The Nutcracker, A Very Grinchy Christmas, Frozen 2: The Tale of the Enchanted Forest, The Little Mermaid, and more. She participated in Regional Dance America: Southeast and many summer intensives. She is now double majoring in Atmospheric Sciences and Meteorology and Geography. She is continuing her training as a dance minor and is excited for this opportunity to perform with UGA Opera.

ABOUT THE CAST Laura Towner is a freshman dance and exercise/sport science double major from Milledgeville, Georgia. She has trained in ballet since the age of six and with the Georgia College Community Dance Program, performing in productions of the Nutcracker and numerous other recitals.

Julia Tuttle is a second-year Exercise Science major and Personal Health and Wellbeing and Dance minor.

She trained in classical ballet at Northeast Atlanta Ballet Company from 2011 to 2022 and was featured in numerous performances including The Nutcracker, Swan Lake, Coppelia, The Sleeping Beauty, and Beauty and the Beast. After receiving her degree from UGA, she plans to pursue a career in Physical Therapy, working with athletes in injury care and prevention.

ABOUT THE CREATIVE TEAM Mark Cedel (Conductor) is in his 30th year as a member of the faculty of the Hugh Hodgson School of Music at the University of Georgia. He is currently the conductor of the University of Georgia Symphony Orchestra and teaches graduate level conducting and undergraduate conducing classes as well as chamber music. From 1994 to 2002 he was also professor of viola. Mark Cedel has a BM degree from the Curtis Institute of Music where he was a viola student of Joseph dePasquale. He studied chamber music with members of the Guarneri and Budapest String Quartets, the Beaux Arts Trio, Felix Galamir and Jascha Brodsky. He has played under the baton of such distinguished conductors as Eugene Ormandy, Zubin Mehta, Claudio Abbado, Carlo Maria Giulini, Mistislav Rostropovich, Leonard Bernstein, James Levine. Cedel also has a MM in conducting from the University of North Carolina School of the Arts. Prior to joining the faculty of the HHSOM he was the Associate Conductor of the Charlotte Symphony Orchestra where in four years he conducted over 200 performances with that orchestra. Cedel was also the Principal Viola and Assistant Conductor of the Charleston Symphony Orchestra for 11 years.

Daniel Ellis (Stage Director) is the Academic Professional of Opera/Musical Theatre here at the HHSOM. He is a recipient of 2021 OPERA America’s Robert L. B. Tobin Director-Designer Prize for his production of Donizetti’s L’elisir d’amore, which will be produced this year as a part of Minnesota Opera’s 2023-2024 season. Most recently, Ellis made his European debut directing the third revival of Barrie Kosky and Suzanne Andrade’s production of Mozart’s Die Zauberflöte at the Komische Oper in Berlin (2016). Ellis also directed the European debut of Sir David McVicar’s production of Wozzeck at the Grand Théâtre de Genève in Geneva, Switzerland (2017) and the Finnish National Opera (2019).

Ellis has directed over 10 world premieres including the Off-Broadway production of Frank Gagliano’s comedy, Dancing with Joy. Daniel directed and conceived the premiere of Stay Tuned, featuring vocal ensemble Five By Design which was performed with over 40 symphony orchestras and performing arts centers throughout the United States and Canada for its five-year tour. Daniel was selected

ABOUT THE CREATIVE TEAM for Minnesota Opera’s Resident Artist Program for their 50th and 51st seasons. Ellis has worked for Lyric Opera of Chicago, Dallas Opera, Opera Philadelphia, Portland Opera, Palm Beach Opera, Mill City Opera, San Diego Opera, and Minnesota Opera alongside world-renowned directors including: Sir David McVicar, Graham Vick, Michael Cavanagh, Fenlon Lamb, Thaddeus Strassberger, Kevin Newbury, Renaud Doucet, Joel Ivany, Sam Helfrich and David Lefkowich. He is an associate member of the Stage Directors and Choreographers Society, and a member of AGMA. www.danielbellis.com Nicholas Han (Assistant Conductor) was born and raised in Seattle, Washington. Nicholas made his conducting debut with The Music & More SummerFest Music Festival in Bosnia and Herzegovina.

He earned his Undergraduate degree in Violin Performance at Central Washington University in 2020, and his Masters in Orchestral Conducting at Oklahoma State University in 2023. In 2022, he obtained the position as assistant conductor for the Oklahoma Chamber Symphony and was the Apprentice Conductor for the Oklahoma City Philharmonic in May 2023. He is currently pursuing his Doctoral of Music Arts degree at University of Georgia Athens. Nicholas also obtained the position as Cover Conductor for the Gwinnett Symphony Orchestra in October 2023. His recent conducting engagements include guest conducting LA Conducting Workshop and Competition Orchestra and Gwinnett Symphony Orchestra. Nicholas, over the summer of 2022, was selected as one of 3 winners for the ICWC (International Conducting Workshop and Competition) Competition in Atlanta, Georgia.

He was also selected as a 1stplace winner and received the Audience Prize in the LA Conducting Workshop and Competition in Garden Grove, California. His principal mentors include Nikolas Caoile, Thomas Dickey, Alexander Mickelthwate, and Mark Cedel.

Born in Taiwan, Min-Chen Lee (Rehearsal Pianist), is a passionate and versatile musician. As a soloist, she has performed in Taiwan, Austria, Australia, Korea, and in the United States. She made her concerto debut with the National Chinese Orchestra of Taiwan, performing A River in Spring by Xu Jinxin. She has also won the Tainan National University of the Arts Concerto Competition and played Grieg’s Piano Concerto with the TNNUA orchestra. She was recently invited to perform at Steinway Hall in New York City. She was also invited to perform at the opening concert of the Yilan International Art Festival. She has participated in the Bowdoin International Music Festival and Chamber Music Athens Festival. She has worked in festivals and masterclasses with distinguished artists including Matti Raekallio, Phillip Ying, Orli Shaham, Roberto Plano, Ayami Ikeba, Gregory Allen, Craig Sheppard, and Daniil Kopylov. Min-Chen is also an active chamber musician and piano instructor. She is currently studying in the Doctor of Musical Arts program at the University of Georgia under the tutelage of Dr. Evgeny Rivkin and is minoring in piano pedagogy and collaborative piano. She has collaborated with musicians for recitals, competitions, and auditions and has worked with UGA Wind Ensemble and UGA University Chorus. She is presently a rehearsal pianist working with UGA Opera Theatre. She teaches at the University of Georgia community music school and has held a teaching assistantship in class piano.

ABOUT THE CREATIVE TEAM Elizabeth Stich (Choreographer) is an Assistant Professor of Dance specializing in contemporary and aerial dance. Elizabeth holds an MFA from the University of Utah, a certificate in Laban/Bartenieff Movement Analysis from Integrated Movement Studies, and is a graduate of the New England Center for Circus Arts. A versatile performer, she is equally at home on the concert dance stage and in less conventional settings—soaring over water in Sea World’s Cirque de la Mer, dodging BMX riders in All Wheel Sports Extreme, and suspended from Corona Arch at sunrise. Her choreography has been featured in numerous festivals and college dance programs across the US. Elizabeth’s practice-based research has been published in the Journal of Dance Education and Theatre, Dance, and Performance Training and presented at dance and aerial arts conferences. Prior to joining UGA Dance, she was on faculty for five years at Utah Tech University where she directed the aerial dance program and developed a robust technique and performance curriculum.

Kathryn Wright (Principal Opera Coach) is an American coach/prompter. For the past 20 years, she lived and worked primarily in Germany until joining the faculty of the Hugh Hogdson School of Music’s Opera Program in 2011. After training at McGill University in Montreal and finishing her studies at Columbia University in New York she became apprentice and assistant to Ms. Joan Dornemann, who taught her many of the subtleties of working with singers and a great deal about the operatic repertoire. Ms. Wright freelanced extensively in New York and worked with various regional theaters in the US until she moved to Germany in 1987. Her credentials include four years at the Oper der Stadt Köln under James Conlon, two years at the Semper Oper in Dresden under Giuseppe Sinopoli, and four years as a guest artist at the Metropolitan Opera in New York, working with conductors such as Peter Schneider, Adam Fisher, Carlo Rizzi, Placido Domingo and James Levine, as well as artists such as Deborah Voigt, Jennifer Larmore, Roberto Alagna, Bryn Terfel, and Ben Heppner among many others.

From 1996 to 2003 she was also a guest in Sydney for the Winter Season of the Australian Opera, where she prepared, assisted and prompted for many individual productions as well as coaching for their Young Artists Program. She was on the musical staff of the Deutsche Oper Berlin from 2001 to 2011, where again she was privileged to collaborate with many of the well-known singers and conductors of our time, including Christian Thielemann and, most recently, Donald Runnicles.

CARMEN

THE TRAGEDY OF

Adapted from Georges Bizet’s opera

by Marius Constant, Jean-Claude Carriére and Peter Brook

UGA

THURSDAY, MARCH 21 FRIDAY, MARCH 22 at 7:30 p.m.

HODGSON HALL

UGA PERFORMING ARTS CENTER, 230 RIVER RD, ATHENS, GA

music.uga.edu 706-542-4400

EXPERIENCE MUSIC UPCOMING PERFORMANCES

SOUNDS OF

TUES 11/14

ARGENTINA

7:30 p.m.

Ramsey Concert Hall FREE CONCERT NO TICKETS REQUIRED

WED 11/15

5:30 p.m.

Ramsey Concert Hall FREE CONCERT

WED 11/15

6:30 p.m.

Outside the PAC FREE CONCERT

WED 11/15

LATIN AMERICAN MUSIC ENSEMBLE

UGA TROMBONE CHOIR and HODGSON TROMBONE ENSEMBLE

UGA STEEL DRUM BAND

7:00 p.m.

School of Music Band Room An immersive experience!

FREE CONCERT

WED 11/15

7:30 p.m.

Ramsey Concert Hall FREE CONCERT

THURS 11/16 7:30 p.m.

Hodgson Concert Hall

CHINESE

MUSIC ENSEMBLE

SHARED CONCERT UGA WIND SYMPHONIC SYMPHONY BAND

UGA WIND ENSEMBLE

Pounce

“Pounce” - Holly Harrison (GA premiere) “Cheetah” - Karel Husa and more!

$3 UGA STUDENT TICKETS ADULTS $20 WITH VALID UGA STUDENT ID CARD

Tickets: music.uga.edu | 706-542-4400

@ugamusic Hugh Hodgson School of Music, 250 River Road, Athens, GA, 30602