YES2021 - Architecture - Comprehensive Design Studio - 1/5 (Faulkner)

M.ARCH STUDIO IV: COMPREHENSIVE DESIGN SYNTHESIZING ECOLOGIES ARCH616.04 | WINTER 2021 | ERIN FAULKNER

TABLE OF CONTENTS 5 Embrace

Olivia Breytenbach + Connor Chow 27 Chiasma

Dania Shahab + Raye Liu 49 Vêtue

Maureen Carrigy + Stevia Hatzikiriakos 69 Intertune

Jenny Li + Neve Toth 91 Convergence

Adam Majer + Marshall Evens 113 [Up]Root

Davin Cheng + Jordan Livermore

INTRODUCTION This course given to the M1 students in Studio IV aimed for students to create a cultural institute within downtown Calgary. The focus area of the project was located at the corner of 11ST SW and the C-Train line in front of the downtown west Kerby Station.

In addition to creating a cultural building, the students were asked to think about what voice means and how this building should be a “Centre for Voice”. Through the projects designed by this studio section, many different voices were explored that speak on issues within our society, providing a space where people are able to have a voice and bring awareness to topics that have often been ignored in the past.

The above description is an adaptation and summarization of the course outline provided by studio instructor Erin Faulkner and course manager Marc Boutin.

139 Axis

Anna Tran + Sam McMillan

| 3

4 |

embrace OLIVIA BREYTENBACH + CONNOR CHOW ARCH 616.04 | Winter 2020 | Erin Falkner

Olivia Breytenbach + Connor Chow | 5

Effective voice requires three basic elements - a sender, a receiver, and an encoder. Voice can create distance from that which is seen as opposite, opposed, the “other.” It can also bring together as a means of understanding the other.

We see voice as that which embraces the other through resolution and mediation.

The essence of our building lies in the idea of two elements that are at odds with one another that come together to speak and to be heard in a back-and-forth process of conflict resolution, emerging at the end united in understanding and moving forward with a sense of closure.

CONCEPT STATEMENT

6 | Olivia Breytenbach + Connor Chow

Because interpersonal relationships become strained and communities dismantled when conflict arises, we saw a need for a public space that would act as an intermediary between opposing forces to supplement the need for formal legal action.

The project provides a place for voice in the legal realm where victims and offenders can be heard and begin to make amends.

The aim is to move away from the traditional legal paradigm, where the focus is on establishing guilt and alienating those involved, towards a more human-centered approach that relies on problem solving and direct involvement by participants and the larger community.

PROGRAM STATEMENT

Olivia Breytenbach + Connor Chow | 7

8 | Olivia Breytenbach + Connor Chow

A major benefit to our site’s location in the west end of downtown Calgary is its proximity to a host of other legal services within the Downtown Core. Since the intent of our building is to supplement the existing legal network with new services and resources, it is important that our program be situated within convenient distance to this larger web. The Calgary Courts Centre is just two stops away via the C-Train.

Our approach to the site reacted strongly to its connection to the Kerby station. By raising the site and ground floor to the level of the elevated platform, we extended accessible public space directly off the station and into our site. A gradual slope from east to west softly ramps down to the street level to maintain the existing pedestrian connection.

Olivia Breytenbach + Connor Chow | 9

SOUTH ELEVATION

NORTH ELEVATION

10 | Olivia Breytenbach + Connor Chow

EAST ELEVATION

WEST ELEVATION

Olivia Breytenbach + Connor Chow | 11

12 | Olivia Breytenbach + Connor Chow

As the day goes on, the appearance of the building and site changes dramatically due to the use of a lightly fritted glass facade with a reflective coating that adjusts to changing daylight conditions. Shown from left to right is morning, noon, and evening.

Ground floor plan

Olivia Breytenbach + Connor Chow | 13

SECOND FLOOR PLAN

THIRD FLOOR PLAN

14 | Olivia Breytenbach + Connor Chow

mediatio n room

LE CT URE rest room s

leg al res ea rc h librar y title se rvice

The centrally-located lecture space connects the second and third floors and hosts workshops or lectures on a variety of topics. In off-use periods where there are no scheduled events, the space will be used for casual gathering, public use, and additional study space. Dedicated tiered seating accommodates lectures conducted in the round to increased a sense of transparency and audience interaction. The seating also integrates the building’s heating, cooling, and ventilation strategies into the floor system to avoid the visual noise caused by ceiling-level ductwork.

Olivia Breytenbach + Connor Chow | 15

legal library

noon 16 | Olivia Breytenbach + Connor Chow

night

title service

mediation Olivia Breytenbach + Connor Chow | 17

tectonic model 18 | Olivia Breytenbach + Connor Chow

passive strategies

Olivia Breytenbach + Connor Chow | 19

20 | Olivia Breytenbach + Connor Chow

Olivia Breytenbach + Connor Chow | 21

structure

22 | Olivia Breytenbach + Connor Chow

terrace

Olivia Breytenbach + Connor Chow | 23

west approach 24 | Olivia Breytenbach + Connor Chow

| 25

26 |

C HI A SM A D A N I A

S H A H A B

A N D

R A Y E

L I U

A R C H 616 .0 4 | W i n t e r 2 02 1 | E r i n Fa u l k n e r

Dania Shahab + Raye Liu | 27

BUILDING SY M BIOTIC REL ATIONSHIPS ENRICHED SOCI A L FA BRIC

28 | Dania Shahab + Raye Liu

A ND

C O N C E P T

S T A T E M E N T

Voice creates communication and dialogue calling for a dissemination of culture. The center of voice is a medium of exchange, for skills and opportunities for the purpose of building symbiotic relationships and create an enriched social fabric.

Chiasma is a medium of exchange, which is essentially an embodiment of voices. Our understanding of the voice is a back-and-forth dialogue. Voice is not meaningful when it leads to polarization, but is meaningful when through exchanging, the parties grow and understand each other better. The goal for Chiasma is to create a social fabric that establishes symbiotic relationships through the process of exchanging skills. By understanding exchange through desire lines, program and pathways, these pathways can overlap and intersect, creating spaces in between that can be open as outdoor programs or indoor rooms where the exchange activities happen.

1.

DESIRE LINES FROM SITE

2.

FRAGMENTED ALONG DESRIE LINES

3.

SLOPING FACETS AS PASSIVE DESIGN STRATEGY

4.

ENTRANCES + SKYLIGHT

glazing over atrium to maximize day lighting

5.

FINAL FORM

roof slopes down, avoiding blocking natural light for the resdential building to the north

undercut to create shelter space for outdoor program

south facade tilted according to highest summer angle

protruding entrances

Dania Shahab + Raye Liu | 29

SKILL EXCHANGE

HARD SKILLS

P R O G R A M M I N G REL ATIONSHIP BET WEEN SKILL LE A RNING A ND SPATI A L QUA LIT Y Chiasma is essentially composed of a series of spaces that facilitate a broad range of skill teaching and learning. The way of organization is based upon levels of being public or private, ease of access for the masses, noise levels, and integration of service components into ser ved spaces. Programs are arranged along the two intersecting desire lines. The longer one appears as a giant valley dividing the building into the north and the south block, at the same time brings abundant daylighting into the interior spaces throughout the year through the skylight in the same shape.

SOFT SKILLS

INTANGIBLE

TANGIBLE

(e.g language skill, communication, wisdom)

(e.g crafts)

• Exhition and performance spaces • Makers’ space • Display kitchen

• Meeting rooms • Seminar rooms • Studios

THE M ODEL OF POSTM ODERN LIBR A RY LIBR A RY WITHOUT BOOKS PEOPLE AS AS SET

30 | Dania Shahab + Raye Liu

EDUCATIONAL COMPONENT

• Lecture hall • Resource area

P R O G R A M M I N G MUSIC AND MOTORICAL STUDIOS BOH ADMINISTRATION LIBRARY

DIGITAL, BEAUTY, MAKERS SPACE SEMIAR / LECTURE BREAKOUT ROOMS

2ND FLOOR +9000 MM

Mezzanine

BOOKSTORE

+4500 MM EXHIBITION INTERACTIVE

GROUND

LOBBY RECEPTION AND COATCHECK

DISPL AY KITCHEN & CAFE

-15 0 0 M M

-3700 MM

PARKADE

Dania Shahab + Raye Liu | 31

S I T E

P L A N

PARKING

Site strategy:

32 | Dania Shahab + Raye Liu

BACK ALLEY ±0 ±0

±0

11TH STREET

The site is located in the downtown west end near 7th avenue and 11th street. The site has a diverse culture, with different institutions specializing in different fields such as fashion, business administration and nursing. The diversity of culture calls for a disseminating program central and connected to the community.

We also found that 25% of the community are low-income residents. Based on the demographics and typologies on the site we chose to focus on a hybrid culture and skillshare center that is essentially driven by the community itself. The site plan indicates the 4 points of entrances on the site and key landscape elements that interact with the context. There is an outdoor amphitheatre under the undercut of the west corner of the building, and a sunken courtyard on the east. Users have various options to circulate around the building and also experience various activities on site.

The sunken lounge creates different paths that connect programs on site. For example, the sloped connection from the alley for quick access to the c-train station, and progression into the sunken lounge using ramp and stairs. The idea of the urban courtyard mainly invites commuters and visitors to engage with the landscape, and can also be used as a seasonal and outdoor event and installation spaces as an extension of our building. On the northwest corner the undercut of the form creates more opportunities for outdoor programs to activate the site on 11th street too and create visual relationships with contemporar y Calgar y across the street.

-1500

SUNKEN COURTYARD

±0

±0

+830

KERBY CENTRE C TRAIN STATION

+830

Dania Shahab + Raye Liu | 33

34 | Dania Shahab + Raye Liu

101 Reception 102 Coatcheck 103 Lobby 104 Interactive Open Space 105 Group Exhibition 106 Individual Exhibition 107 Exhibition Preparation 108 Lecture Hall 109 Off-stage 110 Mechanical Room 111 Electrical Room 112 Recycling Dock 113 Loading Dock 114 Washrooms 115 Washrooms 116 Display Kitchen & Cafe

1ST FLOOR Scale: 1:200

Dania Shahab + Raye Liu | 35

P L A N S

M EZZ A NINE Scale: 1:200

36 | Dania Shahab + Raye Liu

201 Breakout Room 202 Breakout Room 203 Breakout Room 204 Seminar Room 205 Support 206 Digital Creative Studio 207 Beauty Studio 208 Makers’ Space 209 Music Studio 210 Motorial Studio 211 Library 212 Office 213 Office 214 Storage 215 Server / Telecom 216 Eletrical Room 217 Mechanical Room 218 Administration 219 Washroom 220 Washroom

2ND FLOOR Scale: 1:200

Dania Shahab + Raye Liu | 37

ELE VATIONS

E AST SOUTH

NORTH

WEST

38 | Dania Shahab + Raye Liu

STRUC TU RE 7 PLY CLT SHEAR WALLS DIAGONAL BRACING GLT (400 X 400 MM ATRIUM STAIRCASE GLT ANGLED FRAME (400 X 400 MM )

RAISED ACCESS FLOOR ABOVE METAL GRID METAL GRID WITH PEDESTAL STUDS 30 X 30 MM INSUL ATION L AYER

+9000

RAISED ACCESS FLOOR ABOVE METAL GRID 0

METAL GRID WITH PEDESTAL STUDS 30 X 30 MM

RAISED ACCESS FLOOR -1500

METAL GRID WITH PEDESTAL STUDS 30 X 30 MM

TRANSFER SL AB -3500

Dania Shahab + Raye Liu | 39

SEC TIONS Exchanges of program and space The sections include all the elevational differences and different spatial heights within the project - cars coming down from the grade level into the underground parkade; the structural slab that carries the majority of the vertical load of the building, and a small portion of the building which is the sunken cafe sits directly on some piles; that level extends out from the building and forms a sunken courtyard, where you step up to the C-train station. In the interior, we see the different spatial heights for the 1st and 2nd floors, considering the different types of programs.

We see the two main ways of vertical circulation - one is the elevator on the left of the image, the other is the convenient stairs. And the mezzanine sits in between the two levels, and you can access it both through the elevators or the staircase. circulation. Exhibition area’s main feature is the 9 m height to accommodate installations of different scales, and the tilted south clear glazing for visual connection to the C train station. Also, the exhibition is open to the mezzanine, the lobby and interactive areas which embodies a visual exchange between programs.

SEMINAR ROOM

LIBRARY

BOOKSTORE LECTURE HALL EXHIBITION

Exhibition area View of Mezzanine

40 | Dania Shahab + Raye Liu

STUDIOS

OFFICES

INTERACTIVE AREA EXHIBITION

LIBRARY

LIBRARY

LECTURE HALL

OUTDOOR AMPHITHEATRE

MOBILE STUDIO

SUNKEN KITCHEN AND CAFE

EXHIBITION

10

20

Makers space Sunken kitchen and cafe

Dania Shahab + Raye Liu | 41

WA LL SEC TIONS A ND DETA ILS GLT ANGLED FRAME ANDBOLTED PIN CONNECTION

1 2 34

T.O. 2nd Floor + 9000

5 6 7 8

11

9

10

12

CLIENT:

Univrsity of Calgary 2500 University Dr NW Calgary AB T2N 1N4

ARCHITECT:

Dania Shahab Raye Yuxin Liu

DRAWING TITLE:

DETAIL - ROOF DRAWING NO.: SITE:

11 St @ 7th Ave SW Calgary

DATE:

2021-04-01

SCALE:

1: 5

PROJECT NAME:

W1

1

W1

A7.3 W1

F2

T.O. 1st Floor +150 GRADE

F3

42 | Dania Shahab + Raye Liu F3 F3

1. GLT angle frame 2. 3 PLY CLT wall panels 3. Iso clip 4. Thermally broken horizontal subgirt 5. 6” Rigid insulation 6. Water shedding membrane 7. White finish composite open joint panels

8. Water/air membrane 9. 1/2” XPS insulation 10. Acess floor metal grid 11. Bolted pin connection 12. concrete base

GLT ANGLED FRAME ANDBOLTED PIN CONNECTION 1. Access floor 2. Rigid insulation 3. 7 Ply CLT 4. GLT beam 5. Firestop

1

2

3

4 5 GLT ANGLED FRAME ANDBOLTED PIN CONNECTION 1. Zgirt with thermally isolated attachment 2. Composite cladding panel 3. Watershedding sheet 4. Rigid insulation 5. Roofing membrane 6. CLT roof panel 7. Spray foam 8. Horizontal steel stud 9. Painted metal finish 10. Angled Steel with paint finish attached onto sides of GLT to support drainage 11. GLT angled frame DETAIL - CURTAIN WALL TERMINATION AT GRADE 12. Fire stop SCALE 1:10

T.O. 2nd Floor + 9000

5

2 1

4

6 5

3

T.O. 1st Floor +150

11

GRADE

7 8

12

10

CLIENT:

9

Univrsity of Calgary 2500 University Dr NW Calgary AB T2N 1N4

ARCHITECT:

Dania Shahab Raye Yuxin Liu

DRAWING TITLE:

DETAIL - ROOF DRAWING NO.: SITE:

11 St @ 7th Ave SW Calgary

DATE:

2021-04-01

SCALE:

1: 5

PROJECT NAME:

1

DETAIL - ROOF SCALE 1: 5

Dania Shahab + Raye Liu | 43

CURTAIN WALL ASSEMBLY

FROSTED GL AZING

TRENCH DRAINAGE AT TACHED ONTO CLT

CLEAR GL AZING

TEC TONICS

44 | Dania Shahab + Raye Liu

GRID SUPPORTS ACCESS FLOOR

T-PL ATE EMBEDDED IN GLT BEAMS BOLTED ONTO VERTICAL FRAME

Dania Shahab + Raye Liu | 45

46 | Dania Shahab + Raye Liu

| 47

48 |

VÊTUE Maureen Carrigy + Stevia Hatzikiriakos ARCH 616.04 | Winter 2021 | Erin Falkner

Maureen Carrigy + Stevia Hatzikiriakos | 49

Re-Establishment To g ive voi ce i s to p rovi d e awareness + accessibility to that wh i ch i s of ten over l o oke d or disregarded. The practice of b esp o ke ta i l ori ng i s not only a n artform, but it also an essential ski ll t h at most of hu ma nity hel d for centuries that has now b een n e a r ly lo st. Ta i l ori ng’s grow i ng asso ciation with elitism is a m i sc o n c e p ti on generate d by fa st-fashion branding - tailoring is a vo ic e t h at we b el i eve s hou l d b e u nveiled + celebrated once more. ...

Vet u e wi ll give voi ce to the dedic ation, precision, and the a rt i st i c end e avor of the s l ow- fashion practice of b esp oke ta i lo r i n g. I t w i l l p rovi d e a n op en invitation for all to b e e d u c ate d , exp l ore , a nd exp er ience the dying pro cess of h a n d cra f te d texti l e d es i gn. I ts g oal is to draw the public away f ro m the rel i a nce on the environmentally damag ing m a ll fa shi on reta i l ers , re - e d u c ate the public in tailoring ski ll s, a n d to b r i ng a n awa ren ess to the fashion indusrty’s im pa ct to b etter i nform the p u blic’s future fashion decisions. ...

Op erat io n s w ithi n thi s fa s hion house will include spa c es for the p u b l i c to p a rticipate in textile creation, ta i lo r i n g e d u c ati on, texti l e ex p erimentation, textile re cycli n g, a nd p u b l i c ma rkets + educ ational ex p ositions.

T h is fa shi on hou s e w i l l s olely promote sustainable + et h ic a l pra cti ces of b es p oke fashion. Its fo cus will b e on a z ero -wa ste strateg y for texti l e development + reused, and en c o u ra g e l o c a l p a rti ci p ati on in textile desig n + sk ill d evel o pm ent. Ab ove a l l , thi s will b e a place that provides a u n iq u e exp eri ence for p u b lic enjoy ment that nurtures p erc e pt i o ns of ethi c a l fa s hi on craf tsmanship + revitalize pu bl ic in terest i n ta i l ori ng s ki l ls that have b een lost due to t h e p o pu l a ri z ati on of fa st-fa s hion + throw-away culture.

EXPLORATION

Tactile explorations and experimentations to form a connection with the voice we wished to represent.

REVEALING

(Right) Final form of Vetue showcasing the adaptable + informative LED mesh fabric facade wrapping Vetue’s main body underneath.

*the images projected to the veil not our own. Clockwise: Jean Shrimpton by Bert Stern (1965); Space-age girl, unknown origin; Demin Skin ‘Twiggy’ by Deniz Sağdıç; Verner Panton inspired wave fabric, unknown origin.

50 | Maureen Carrigy + Stevia Hatzikiriakos

Maureen Carrigy + Stevia Hatzikiriakos | 51

Parti

HAUTE [ot:“oat”] • French

( n) . hi g h; of a high level of qu a lity; o f h i g h est sta n d a rd s . ( s) . arti san; b ea u monde; elega nt; g ra c ef u l ; h i g h - q u a l ity; ta i l o red .

HAUTE

Vetue’s form is inspired by act of fabric wrapping around the curvatures of a body, the canvas of the couturier

52 | Maureen Carrigy + Stevia Hatzikiriakos

Program

ENTRANCE HALL

SUPPORT

TEXTILE LAB

washrooms

ATELIER

EVENT STORAGE

THINK TANK SUPPORT

EXPERIENCE CORRIDORS

INTERIOR EXHIBITION EVENT PREP

Supporting the Entrance Hall the is the Fabric Shop. Here, the public will be able to purchase fabric and other textiles for their tailoring needs.

The shop will only house sustainably + ethically sourced materials, and those generated from donation, Atelier classes, and Textile Labs.

ATELIER

CLOTHING DROP OFF

The Atelier (fr. studio, workshop) will focus on educating the public in bespoke tailoring techniques. It will function as primarily a classroom space for the public to attend led by industry professionals - topics could including sewing, stitching, knitting, beading, weaving, and so on. Pieces developed in these classes may be showcased at the Fabric Shop or the exhibition spaces throughout the seasons.

To reduce the footprint of the fashion industry, a Clothing Drop-Off space is provided. Here, the public can bring in their new, used, unwanted clothing or other waste textiles for donation or discounted class/exhibition incentive. Donated clothing will be stored for use in the Atelier classes, Textile Laboratory, or placed to sell at the Fabric Shop or trade in the used clothing markets in the exhibition spaces.

INTERIOR EXHIBITION

OUTDOOR EXHIBITION

The Exhibition Hall functions as the heart of the form.

It houses a multitude of functions that will further support the education + interest of the public concerning bespoke fashion.

Events held might include fashion shows, garment museum exhibitions, educational industry exposé’s, tactile art shows, and used clothing markets curated by the public.

Supporting the interior Exhibition Hall, the outdoor Exhibition Plaza provides additional space for events + functions when weather permits. Connecting the two together is Vetue’s ramp to generate flow between the two.

CLOTHING DROP-OFF

OUTDOOR EXHIBITION washrooms

FABRIC SHOP

The three-volume Entrance Hall is the central access point of the public into the fashion house. It is located centrally to ensure flow between all areas of the program.

EXPERIENCE CORRIDORS

washrooms

EXPERIENCE CORRIDORS

FABRIC SHOP

MECH + ELEC

SERVER + TELECOM

ENTRANCE HALL PARKING

SHIPPING/RECIEVING

RAMPS/DOCKS/DRIVEWAYS CUSTODIAL + RECYCLING

EXPERIENCE CORRIDORS

TEXTILE LABORATORY

To negate dead-space + better utilize circulation cooridors, immersive tactile exhibitions occupy the main ciruclation routes.

Here, the public is able to interact (touch, feel, hear, see) with textiles utilized in the fashion industy to gain a better understanding of the industry as a whole - its successes + failures.

These exhibitions will be designed to changed regularly.

Supporting nearly all public areas within the form is the Textile Laboratory. Operating as a reasearch center, this space will be devoted to the exploration of textiles - manipulations, new techinques, alternative materials, recycling + reuse methods, and so on. It will be a space of free expression and exploration for the public to experiment and enjoy.

Maureen Carrigy + Stevia Hatzikiriakos | 53

Urban Section MISC. COMMERCIAL

RESIDENTIAL

CONTEMPORARY CALGARY

KERBY STATION LRT

KERBY CENTRE

MEWATA ARMOURY

54 | Maureen Carrigy + Stevia Hatzikiriakos

Elevations

FASHION FOWARD

The translucent fabric veil transforms the site aura. It can be made to adapt to the seasons and cultural trends, or made to display historicall relevant images or videos that might spark conversation + generate curiosity by the public to learn more

*the images projected to the veil not our own. Clockwise: Retro floral wallpaper, unknown origin; Marisa Berenson wearing a coat byBill Blass and a hat by Halston, by Penati for Vogue (1967); Holographic fabric, unknown origin; Demin Skin ‘Twiggy’ by Deniz Sağdıç; Op Art 60’s inspired fashion, unknown origin.

NORTH ELEVATION

EAST ELEVATION

SOUTH ELEVATION

WEST ELEVATION

Maureen Carrigy + Stevia Hatzikiriakos | 55

Ground Floor

02A

03A

01A

01B

02B

03B

04A

04B

05A

05B 05.1B

06A

06B

11

6 07A

07B

08A

08B

5

08.1B

9

09A

0

12

1

10A

10B

7

4

2

11A

10

5

F

F

12A

B

11B D

D

A

09B

C

C

B

1

A

8

3

13B

13A

14B

14A

EXHIBITION PLAZA ENTRY POINT LOBBY COATCHECK + RECEPTION FABRIC SHOP WASHROOMS

6 7 8 9 10 11 12

TEXTILE CURATION ATELIER EXPERIENCE CORRIDORS SHIPPING + RECYCLING CLOTHING DEPOSITORY PARKADE ACCESS RAMP

1:250

15B

15A

0 1 2 3 4 5

12B

16B

16A 17A

18A

01A

D:\SCHOOL\M1\WINTER\1. STUDIO\6. Final Diagrams\Parti_Red.png

56 | Maureen Carrigy + Stevia Hatzikiriakos

01B

18B

17B

CURIOSITY

(Right) Landscaping fills the intentional void to the main floor design, offering the public a glimpse inside of Vetue as they wait for the next train.

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

8

PRODUCED BY AN AUTODESK STUDENT VERSION

Maureen Carrigy + Stevia Hatzikiriakos | 57

58 | Maureen Carrigy + Stevia Hatzikiriakos

Second Floor

02A

03A

01A

01B

02B

03B

04A

04B

05A

05B 05.1B

06A

07A

5

07B

08A

08B

08.1B

2

09A

09B

1

10A

10B

OPEN BELOW

11A

E

E

D

D

A

12A

B

C

C

4 5

13B

14B

15B

15A

INTERIOR EXHIBITION PLAZA TEXTILE LAB WASHROOMS SUPPORT EXPERIENCE CORRIDORS RAMP ACCESS

A

3

14A

1 2 3 4 5 6

B

12B

3

13A

11B

OPEN BELOW

16B

16A 17A

18A

01A

01B

18B

17B

VISUALIZING

(Left, clockwise) The Exhibition Hall showcasing textile art-installations;The Textile Lab showcasing the public testing new designs + textiles; Immersive Experience Corridors showcasing potential tactile installations. The Entrance Hall as seen from the Exhibition Hall on the second floor.

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Maureen Carrigy + Stevia Hatzikiriakos | 59

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

6

06B

PRODUCED BY AN AUTODESK STUDENT VERSION

Third Floor

03A

02A

01A

01B

02B

03B

04A

04B

05A

05B 05.1B

06A

06B

4

07B

08A

08B

08.1B

09A

09B

1

OPEN BELOW OPEN BELOW

10A

11A

10B

E

E

D

D

A

12A

B

C

C

B

A 12B

2

13A

3

13B

14B

14A

15B

15A

16B

16A 17A

1 2 3 4

11B

OPEN BELOW

18A

01A

01B

18B

17B

CONNECTION

(Right, clockwise) Vetue’s ramp connects the two main exhibition spaces year round with one another: the outdoor Plaza and the second floor Exhibition Hall, as shown in these Spring, Summer, Fall, and Winter visualizations.

TEXTILE LAB OPERATIONS WASHROOMS STORAGE

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60 | Maureen Carrigy + Stevia Hatzikiriakos

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

07A

PRODUCED BY AN AUTODESK STUDENT VERSION

Maureen Carrigy + Stevia Hatzikiriakos | 61

62 | Maureen Carrigy + Stevia Hatzikiriakos

Section A

T.O. PARAPET U/S STEEL DECK

+20.94

T.O. PARAPET U/S STEEL DECK

+18.44

T.O. 3RD FLOOR

+12.34

T.O. 2ND FLOOR

+6.25

T.O. MAIN FLOOR

+0.15

U/S SLAB

-1.65

T.O. S .

-6.45

T.O. F.

-6.65

+19.74 +17.24

COR R IDOR

LO BBY/AT R IUM

COR R IDOR

FA B R I C S H O P

PAR KADE

W/C

AT EL IER

ELEVATO R

ELEVATO R

EX HIB IT ION HAL L

R E A R LO B BY

S O U T H PA R K A D E L O B B Y

ELECTRICAL R O O M

PRODUCED BY AN AUTODESK STUDENT VERSION

ARTFORM

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

D:\SCHOOL\M1\WINTER\1. STUDIO\6. Final Diagrams\Parti_Red.png

PRODUCED BY AN AUTODESK STUDENT VERSION

(Left) Together, Vetue’s veil, simple structural form, and textile-inspired landscaping produce a dynamic, colourful art piece for the public to enjoy. When the veil’s LEDs are off, the translucent veil softens Vetue’s form underneath, alluding to the forms curves + corners, much like the shoulders + structure of the human body concealed by cloth.

Maureen Carrigy + Stevia Hatzikiriakos | 63

Structural Design

WOV E N M E TA L SCR E E N PA N E L PT F E & L ED M ESH

S C R E E N PA N E L S U B -ST RU CT U R E ST EEL SPACE F R AM E ST EEL SUPPORTS & B R ACING

PR EC A S T CO N C . A LT E R N AT I V E RO O F GR AVEL ROOF M EM B R ANE COVER B OAR D R IGID INSUL AT ION CONT INUOUS AIR CONT ROL ME MBRANE SHEAT HING ST EEL DECK OPEN WEB ST EEL T RUSS + BE AM SUPPORTS

S T RUC T UR A L GL A SS S T EEL COLUMNS T HIRD CONC . A LT ERNAT I V E FLO OR SL A B

S T RUC T UR A L S T EEL COLUMNS SECOND CONC . A LT ERNAT I V E FLO OR SL A B SOL ID CONC .

A LT ERNAT I V E CORE GROUND CONC . A LT ERNAT I V E FLO OR SL A B CONC . A LT ERNAT I V E T R A NSFER SL A B PA RK A DE

CONC . A LT ERNAT I V E FO OT ING S

64 | Maureen Carrigy + Stevia Hatzikiriakos

Tectonic Details B

6

A

A . B E A R I NG J O I N T S L A B A NC H O R , T YP. SCAL E 1 :1 0

PT F E L ED M ESH M ERO NODE M ERO M EM B ER R EINFORCED E L ASTOM ER BASE PL AT E F LOOR PL AT E, ST UCCO F INISH

1 2 3 4 5 6

5 4

1 2

NOT E M ERO M EM B ER WIDT H VAR IES

3

B . B E A R I NG J O I NT RO O F/G R A D E A NC H O R , T YP.

1

SCAL E 1 :1 0

M ERO NODE M ERO M EM B ER SUPPORT CONE WIT H B EAR ING R EINFORCED E L ASTOM ER BASE PL AT E COM PENSAT ION GROUT

1 2 3 4 5 6

NOT E M ERO M EM B ER WIDT H VAR IES

2

3 4 5

6

Maureen Carrigy + Stevia Hatzikiriakos | 65

Environmental PASSIVE STRATEGIES TIERED FORM MAXIMIZES NATURAL LIGHT PENETRATION AT EACH FLOOR

SHADING TRANSLUCENT MESH REDUCES SOLAR PENETRATION TO REDUCE HEAT GAIN

WIND BREAKER MESH DAMPENS PROMINENT WINDS + FILTERS FOR INCREASED AIR QUALITY

REFLECTING POOLS EVAPORATIVE COOLING TO WESTERN FACADE TO REDUCE HEAT ISLAND

OPEN VOLUMES CHIMNEY AFFECT NATURALLY CIRCULATES AIR

PERIMETER GLAZING MAXIMIZED DAYLIGHT PENETRATION REDUCING NEED FOR ARTIFICIAL LIGHTING

ICON

(Right) Twiggy in fur by Emeric Partos, face paint by Giorgio d’Sant Angelo, photo by Richard Avedon for Vogue, 1967.

66 | Maureen Carrigy + Stevia Hatzikiriakos

Maureen Carrigy + Stevia Hatzikiriakos | 67

68 |

INTERTUNE JENNY LI + NEVE TOTH

ARCH 616.04 | Winter 2020 | Erin Falkner

Jenny Li + Neve Toth | 69

70 | Jenny Li + Neve Toth

CONCEPT STATEMENT & PARTI Voice is an expression and resonance of sound that can be used to share ideas among people. There is a reliance and dependency on an orchestrator to keep everything in balance. Without them, the interconnections would be broken. Through this, we are providing a voice through a cultural musical outlet to explore how various cultural sounds and built form can interconnect us individually and collectively.

Jenny Li + Neve Toth | 71

FORM DEVELOPMENT

WEST

+

SOUTH

1

2

72 | Jenny Li + Neve Toth

NORTH

3

60°

45°

EAST

30°

15°

4

5

7

7

8

9

Cafe Outdoor Seating

EXTERIOR CONDITION

The form contributes to the idea of interconnection and dependecy that occurs within our building. The blocks would become the massing of the building with void spaces being placed in between them, creating triangular shaped glazing. There are pushes and pulls to these pieces as well, allowing interior program to spill out onto the exterior space. If one piece were to be removed, the entire system would fail.

The program works similarly where the interior sound garden is the most valuable space within our building, with everything else working together to support this space.

Jenny Li + Neve Toth | 73

PRIMARY STRUCTURE

PRIMARY STRUCTURE

- Steel H Beams used for primary columns and girders - Frames out the building envelope as well as each floor slab per level

CORE 1

- 300mm cast-in-place reinforced concrete core structure

LOAD TRANSFER SLAB

- Cast-in-place reinforced concrete load transfer slab - Transfer slab is lowered to accommodate for the soil of the botanical garden

COLUMNS

- 300x500mm cast-in-place reinforced concrete columns

CORE 2

- 300mm cast-in-place reinforced concrete core structure

FOUNDATION WALL

- 500mm cast-in-place reinforced concrete load bearing foundation walls - Along the entire perimeter of the parkade

FOOTING

- 800x300mm continuous cast-in-place reinforced concrete footing - 150mm out on either end of 500mm foundation wall - 300mm deep

STRIP FOOTING

- 1000x1000mm cast-in-place reinforced concrete strip footing - 300mm deep

74 | Jenny Li + Neve Toth

CORE 3

- 300mm cast-in-place reinforced concrete core structure

SLAB ON GRADE

- 150mm cast-in-place reinforced concrete slab on grade

SECONDARY STRUCTURE ROOF SYSTEM

- Inverted roof with skylights - Contains a rainwater harvesting system - Bottom of roofs have composite metal decks

SECONDARY STRUCTURE

- Additional steel H beams for cross-bracing, horizontal and vertical support - 25% of the overall structure is cross-braced for lateral stability - Runs between primary structures

FLOOR SLABS

- Lays on top of the beam and girder system - Bottom of floor slabs have composite metal decks

PRIMARY STRUCTURE

- Steel H beams used for primary columns and girders - Frames out the building enveloped as well as each floor slab per level

LOAD TRANSFER SLAB

- Cast-in-place reinforced concrete load transfer slab - Transfer slab is lowered to accommodate for the soil of the botanical garden

Jenny Li + Neve Toth | 75

LIGHT RESPONSE TO SOUND

76 | Jenny Li + Neve Toth

Jenny Li + Neve Toth | 77

N

BASEMENT LEVEL 78 | Jenny Li + Neve Toth

Jenny Li + Neve Toth | 79

N

LEVEL 1 80 | Jenny Li + Neve Toth

INTERIOR & EXTERIOR GARDEN CONNECTION

Jenny Li + Neve Toth | 81

N

LEVEL 2 82 | Jenny Li + Neve Toth

Jenny Li + Neve Toth | 83

N

LEVEL 3 84 | Jenny Li + Neve Toth

TECTONIC MODEL

ROOF - Inverted roof - Contains a rainwater harvesting system WALL - Curtain wall system - Metal panel exterior with wood interior finish PRIMARY STRUCTURE - Steel H beams used for primary columns and girders - Frames out the building envelope as well as each floor slab per level

ROOF

SECONDARY STRUCTURE - Steel H beams and columns that run between primary structures CURTAIN WALL GLAZING 1 - Steel window frame - 1” Channel glass FLOOR SLAB - Radiant heated concrete floor slabs - Lays on top of the beam and girder system DROP CEILING - Wooden drop ceiling - Hides building infrastructure such as piping and ductwork CURTAIN WALL GLAZING 2 - Steel window frame - 1” Thick LOW-E reflecting glazing

WALL

LOAD TRANSFER SLAB - Cast-in-place reinforced concrete load transfer slab FOUNDATION WALL - 500mm cast-in-place reinforced concrete load bearing foundation wall - Located along the entire perimeter of the parkade SLAB ON GRADE - 150mm cast-in-place reinforced concrete slab on grade FOOTING - Continuous cast-in-place reinforced concrete footing - 150mm out on both ends of 500mm foundation wall - 300mm deep

FLOOR / DROP CEILING

Jenny Li + Neve Toth | 85

2

4

3

1

86 | Jenny Li + Neve Toth

METAL PANEL WATERPROOF MEMBRANE

CHAIN DRIVE OPERATING MECHANISM ELECTRIC MOTOR/CONTROL KIT INSULATED GLASS INSECT SCREEN FRAME SEAL RAIN SENSOR/PV PANEL BAR ALUMINIUM CAP FRAME BULB RIGID

WATERSHEDDING MEMBRANE

2 LAYERS 85mm RIGID INSULATION WATERPROOF MEMBRANE 22mm DENSE GLASS ROOF BOARD 38mm COMPOSITE METAL DECK

FLASHING

METAL PANEL

WATERSHEDDING MEMBRANE Z GIRTS

STEEL GIRDER STEEL BEAM

2 LAYERS 85mm RIGID INSULATION

GYPSUM BOARD WATERPROOF MEMBRANE 22mm DENSE GLASS ROOF BOARD

STEEL COLUMN

38mm COMPOSITE METAL DECK

EXTERIOR GRADE GYPSUM BOARD AIR BARRIER / CONTROL LAYER

STEEL GIRDER

SCREW ANCHOR WALL BRACKET

STEEL BEAM

INTERIOR WALL FINISH (WOOD) GYPSUM BOARD VAPOUR RETARDER LOOSE FILL INSUL. CAVITY WITH STEEL STUDS

Open Unit

100mm RIGID INSULATION WATER SHEDDING MEMBRAINE DRAINAGE CAVITY VERTICAL L/T PROFILE METAL PANEL

2 0

100

300

Mode Close

ON

4

WALL MOUNT SWITCH

REMOTE CONTROL

1000mm

0

100

300

1000mm

MULLION ALUMINUM BREAKSHAPE STARTER ANGLE

CURTAIN WALL GLAZING

SEALANT

POLISHED CONCRETE FLOOR FINISH

ALUMINUM CURTAIN WALL FRAME FLOOR FINISH SOUND MAT

SOUND MAT 100mm CONCRETE RADIANT SLAB

DRAINAGE PATH

EMBEDDED PEX TUBING 50mm RIGID INSULATION

PREFINISHED METAL FLASHING - TO MATCH CLADDING

100mm CONCRETE 38mm COMPOSITE METAL DECK STEEL GIRDER STEEL BEAM

EXTERIOR GRADE

PPC COATED INSULATION PANEL SET BELOW CURTAIN WALL TO PREVENT THERMAL BRIDGING TIE AIR/VAPOUR BARRIER TO WINDOW FRAME

1

3

0

100

300

1000mm

EMBEDDED TUBING CONCRETE RADIANT SLAB

Jenny Li + Neve Toth | 87

SUSTAINABILITY STRATEGIES

ENVIRONMENTAL STRATEGIES

88 | Jenny Li + Neve Toth

Jenny Li + Neve Toth | 89

90 |

CONVERGENCE ADAM MAJER & MARSHALL EVENS ARCH 616.04 | Winter 2021 | Erin Falkner

Adam Majer + Marshall Evens | 91

A single voice may find difficulty in being heard, but as a collective, many voices have the power to truly make a difference. “Convergence” removes social barriers in order to amplify creativity and innovation.

92 | Adam AdamMajer Majer+ +Marshall MarshallEvens Evens

T H E

B U S I N E S S

“ B L A C K

B O X ”

Black Swiss Pearl Translucent System Transparent System

Definition of “BLACK BOX”

Expression of the “BLACK BOX”

NOUN

MATERIALITY

: a usually complicated electronic device whose internal mechanism is usually hidden from or mysterious to the user broadly

: an architectural expression of the interior program and thus engaging a truth which disrupts traditional barriers

: anything that has mysterious or unknown internal functions or mechanisms

: Metal Cladding_Private Use : Translucent System_Mix Use : Transparent System_Public Space

Adam Majer + Marshall Evens | 93

SITE

D

E

S

I R

E

D

V

I E

SITELINES

R E A R T R AV E L

SUN

W

S U N

T E S I

Y T R E N

P A T H

S I T E

E X I T

E W V I

SUN-PATH PATH ACCESS MOVEMENT SITE BOUNDARY PUBLIC FRONTAGE

94 | Adam Majer + Marshall Evens

VIEW

DESIRED VIEW NON-DESIRED VIEW SITE LIMITATIONS LRT

V I E W

july

Solar Analysis - window/

CONVERGENCE The black box completely forms itself through cutting away pieces of itself according to their purpose. The shell allows for two main entrances on either side purely formed from site analysis of sitelines and travel paths., The rear portion of the building has been removed in order to allow foot traffic to flow to and from an existing alleyway without blocking any views to the existing train station. Lastly, the lifted front end encourages an inspirational experience through views of the Bow River.

Air Flow - Stack Effect

Thermal Break - inset floor direct/indirect lighting

Energy Efficiency - 3 Zone HVAC System

angled to allow for flow

siteline-formed entrances lifted to capture views

Adam Majer + Marshall Evens | 95

96 | Adam Majer + Marshall Evens

1 2 3 4

5

1 2 3

8

4

1.

2.

3.

4.

5.

Steel Structure Anchor Steel Extrusion Aluminum Curtain Wall System Triple Glazing

5

1.

2.

3.

4.

5.

6.

7.

6

7

Interior Finish Space Frame System Node Steel Decking 4” Rigid Insulation Steel Perimeter Structure TPO Membrane

Adam Majer + Marshall Evens | 97

SOUTH ELEVATION

NORTH ELEVATION

98 | Adam Majer + Marshall Evens

EAST ELEVATION 1:100

WEST ELEVATION 1:100

Adam Majer + Marshall Evens | 99

100 | Adam AdamMajer Majer+ +Marshall MarshallEvens Evens

5m

10m

5m

10m

Parkade

Main Floor

5m

10m

Second Floor

5m

10m

Top Floor

Adam Majer + Marshall Evens | 101

102 | Adam Majer + Marshall Evens

PANEL DISCUSSION

PRESENTATION

THEATRE

Adam Majer + Marshall Evens | 103

P R O G R A M WA L L The primary external paths that channel themselves into the heart of the building then raise themselves into a vertical form of travel.

This allows for both the public and private programs to feed into one another. As a result, unexpected encounters and exchanges

104 | Adam Majer + Marshall Evens

CONVERGENCE The sitelines and travel paths of the site converge into the heart of the structure. From here, they redisburse in an outward fashion. The point of convergence then introduces a vertical form of travel in order to maximize the productivity between the public and private programs through unexpected encounters.

Adam Majer + Marshall Evens | 105

S E M I N A R S PAC E The seminar space showcases a much more intimate interaction between entrepreneurs and the public. This fosters future business relationships and networking and ultimately allows for creative ideas to get exposure.

106 | Adam Majer + Marshall Evens

Adam Majer + Marshall Evens | 107

1

2

1

3 4 5 6 7 8

9 1

2

9

10

3 4 5 6 7 8

1

11

9 10

11

11

1

10

23 4 5 6 7

Roof Drainage Detail

2

1:5

8

11

1. Skylight 2. Flashing 3. Swisspearl Metal Cladding Black 4. Air Space / Drainage 5. TPO Membrane Roof Drainage Detail 6. Rigid Insulation 100 mm 1 1:5 7. Vapour Retarder 8. Steel Decking 8 9. Welded Bracket 10. Interior Finish 11. Space Frame Node

9

10

23 4 5 6 7

2 A6.2

2

Skylight Detail 1:5

3 A6.2

1 2

Skylight Detail 1:5

1

2

3

4

5

6

3 4

1

1

10

2 9 3 4 5 6 7 8

3

2

10

3

4 5

Space Frame Detail 1:5

Door Header Detail 1:5

Space Frame Detail

1

6 7

2 3 4 5

2

UNIVERSITY OF Column Detail Space Frame 4 1:5 CALGARY

3

CONVERGENCE

6

4 5 4

1:5

5 A6.3

1. Swisspearl Metal Cladding Black 2. Rivet by Swisspearl 3. U Bracket 4. Air Space / Drainage 55. TPO Membrane 6. Rigid Insulation 100 mm 7. Vapour retarder 8. Steel Decking 9. Space Frame Node 10.1 Welded Bracket

2

3

5

2 9 3 4 5 6 7 8

Space Frame Column Detail 1:5

Date Drawn by

1 2 3

6

7 8

4 5 7

108 | Adam AdamMajer Majer+ +Marshall MarshallEvens Evens

Door Sill Detail 1:5

9 10

1. Glazing 2. Kawneer Thermal Door System 3. Steel Base Frame 4. Thermally Broken Low Profile Sill 5. Anchor Bolt Embedded w/ Spray Foam 6. Flashing 7. Drainage Channel 8. Concrete Slab 9. Control Membrane 10. Rigid Insulation

9

12

7

Project number

8

1:5

A6.3 DETAILS

8

7

Theatre Ceiling Detail

13 14

69 2021-04-21 9 10 11 AM & ME

1. Swisspearl Aluminum Cladding Black 21 A6.2 2. Air Gap for Drainage 22 3. Ball Joint Space Frame 1 23 24 4. Kawneer Curtain Wall System (typ.)

Scale 5. Glazing 2 1:5 6. 45 degree Kawneer Joint 7. Thermal Kawneer Door System (2hr) 8. Thermally Broken Low Profile Sill3 9. Concrete Topper 50 mm 4 mm 10. Polyetheline Vapouor Retarder 6 11. Rigid Insulation 60 mm 5 12. Walkway Slab 130 mm 13. Compact Gravel 100 mm 6 14. Rigid Insulation 60 mm 15. Foundation Damp Proofing Theatre Wall Detail 16. Rebar Reinforcement 8 1:5 17. Rebar Reinforcement 18. Geofabric Wrap on 3/4” Gravel 19. 4” Drain Pipe 20. Strip Footing 750 mm x 300 mm 21. Concrete S.O.G. 150 mm 22. Polyetheline Vapour Retarder 6 mm 23. Rigid Insulaiton 60 mm 24. Compact Gravel 70 mm

15 16 2021-04-19 8:45:45 PM

1

17 18 19 20

1

2 9 3 4 5 6 7 8 1 2

1

3 4 5 6 7 8 1. Gutter 2. Bolt Fastener 3. Rivet by Swisspearl 4. Swisspearl Metal Cladding Black 5. Air Space / Drainage 6. TPO Membrane 7. Rigid Insulation 100 mm 8. Vapour Retarder 9. Steel Decking 10. Welded Bracket 11. Space Frame Node

9

10 10 11

9 11

4

Space Frame Column Detail 1:5

6

7 8

2 9 3 4 5 6 7 8

16 17

11

18 100

10

UNIVERSITY OF CALGARY

300

12 13

10 14

300

100

9

15

CONVERGENCE WALL SECTION NORTH FACADE 2021-04-21

Date

Space Frame Detail 1:5

A6.1 1 : 10

2021-04-19 8:45:43 PM

AM & ME

Drawn by

Scale

3

69

Project number

19

25

20 21 22 23 24

31

8

3 4 5

1 2 3 4 5

1

2

10

1 A6.2

1

1. Space Frame Node 2. Column Base Plate 3. Interior Finish (supported at further node) 4. Anchor Bolt 5. Concrete Column

1

Space Frame Detail Roof Drainage Detail 1 1:5 1:5

3

23 4 5 6 7

2

Skylight Detail 1:5

1. Drainage & Flashiung 2. Swisspearl Aluminum Cladding Black 3. Air Gap for Drainage 4. Rigid Insulation 5. Ball Joint Space Frame 6. Interior Finish 7. Kawneer Curtain Wall 8. Steel Frame 9. Concrete Topper 100 mm 10. Reinforcement 11. Hollow Core Plank 300 mm (2 HR) 12. Kawneer Curtain 1 Wall System 13. Steel Frame 14. Thermally Broken Fixing Bracket 15. 1/2” Welded Steel Channel @ Slab Edge 16. W16 x 77 Beam 17. Weld Plate 2 18. Slanted Column 19. Steel Extrusion 3 20. Anchor 4 21. Flashing 5 60 mm 22. Rigid Insulation Concrete Parging Space Frame 23.

Column Detail 4 1:5 24. Polyetheline Vapour Retarder 6 mm 25. Anchor 26. Rebar Reinforcement 27. Geofabric Wrap on 3/4” Gravel 28. 4” Drain Pipe 29. Rebar Reinforcement 30. Strip Footing 750 mm x 300 mm 31. Concrete Slab 130 mm 32. Compact Gravel 100 mm 33. Concrete S.O.G. 150 mm 34. Polyetheline Vapour Retarder 6 mm 35. Rigid Insulation 60 mm 36. Compact Gravel 70 mm

CONVER

33 34 35 36

32

UNIVER CALG

26

WALL SE CANTIL Project number Date Drawn by

27 28 29 30

Adam Majer + Marshall Evens | 109

A6 Scale

110 | Adam Majer + Marshall Evens

| 111

112 |

[UP]

ROOT

A CENTRE FOR GREEN FOOD LIFESTYLES AND PRODUCTION

DAVIN CHENG & JORDAN LIVERMORE ARCH 616.04 | Winter 2021 | Erin Faulkner

Davin Cheng + Jordan Livermore | 113

PARTI | DELAMINATION

GLOBAL LAND USE | FOOD PRODUCTION

“Voice is not just an

HABITABLE LAND

50% AGRICULTURE

expression, attitude, or opinion - it is opportunity.

Voice allows us to break

AGRICULTURAL

free and delaminate from a

77%

larger entity and form new structures”

LIVESTOCK

23%

CROPS

GLOBAL CALORIE SUPPLY

THE HALF INDEX

137.7%

UNITED STATES

129.8% 49.5%

CANADA WORLD

42.7%

JAPAN

22.2%

INDIA

WATER CONSUMPTION 10.19 L

CONVENTIONAL

114 | Davin Cheng + Jordan Livermore

TRANSITION

NEW OPPORTUNITY

0.49 L

STARCHY ROOTS

BEEF

FOOD PRODUCTION

FOOD DEMAND

TOTAL AEROPONICS AREA:

TOTAL MULTI-FAMILY RESIDENTIAL UNITS IN AREA:

~5400m

1,504

2

UNITS

ESTIMATED RESIDENTS IN AREA:

YEARLY CALORIC CONSUMPTION

3,008

2.19 B

RESIDENTS

CALORIES

ESTIMATED CALORIE PRODUCTION

~1.6 MILLION CAL PER YEAR

BOW

SHAW MILLENIUM PARK

URBAN FARMING

CONTEMPORARY CALGARY

URBAN FARMING

RIVER

RESIDENTIAL TOWERS

URBAN FARMING

METAWA ARMORY

URBAN FARMING

1

VE 1A

SW URBAN FARMING

KERBY STATION

N AI

R -T

C /7 E AV SW

Davin Cheng + Jordan Livermore | 115

INFORMATION & LEARNING ZONES

FOOD PRODUCTION & SUPPLY ZONE

OUTDOOR COMMUNITY HARVESTING

EXHIBIT. STORAGE/ PREP

RESTAURANT

SOIL-BASED FARMING

W/R

NATURAL RESOURCES EXHIBITION

RECEPTION

SUPP.

HEALTH TESTING & DIETARY RESEARCH

MECH.

AEROPONICS FARMING

LOBBY & COATCHECK

PUBLIC LEARNING SEMINARS

FOOD MARKET

W/R J/C

PARKING

ENTRY / ACCESS

RAMPS, DOCKS

SERVICES

PRINT

RECYCLE

W/R

LOAD. REC.

ADMIN

SERVER ROOM

OFFICES (2)

ELEC.

ADMINISTRATION

PROGRAM ADJACENCY

116 | Davin Cheng + Jordan Livermore

EXPERIENTIAL SEQUENCE

BASE PROGRAM

SINK BUILDING

SHIFTING EDGES

STACKED FORM TO ALLOW SEQUENTIAL GRADIENT

PROVIDE PRIMARY ACCESS AND NATURAL RESOURCES PROGRAM

ENHANCE VIEWS AND PROGRAMMATIC SEQUENCE

BELOW GRADE

CREATE C-TRAIN CONNECTION

FILLET CORNERS AND SUN ANALYSIS

UNDULATING GREEN SPACES

REFINE LAYERING AND OPENINGS

CREATE CONTINUOUS WRAPPING ON FACADE AND LOCATING

CREATE OUTDOOR GROWING SPACES

APPLY PEELING GRADIENT ON FACADE

CONCENTRATED SUN PATH

CONCEAL SUPPORTING SPACES IN UNDULATION

Davin Cheng + Jordan Livermore | 117

BUILDING EXPERIENTIAL SEQUENCE

118 | Davin Cheng + Jordan Livermore

TECTONICS MODEL

Davin Cheng + Jordan Livermore | 119

120 | Davin Cheng + Jordan Livermore

R

R

2

2

1

1 B

WEST ELEVATION | FACING 11 ST SW

NORTH ELEVATION | FACING SERVICE ALLEY

R

R

2

2

1

1 B

EAST ELEVATION | FACING ADJACENT 14-STOREY RESIDENTIAL TOWER

SOUTH ELEVATION | FACING C-TRAIN PLATFORM

Davin Cheng + Jordan Livermore | 121

ENCLOSURE

ENCLOSURE STRUCTURAL SYSTEM

HEAVY TIMBER STRUCTURAL SYSTEM

GROUND & FOUNDATION STRUCTURAL SYSTEMS

STRUCTURAL SYSTEMS DIAGRAM

122 | Davin Cheng + Jordan Livermore

EXPLODED FACADE TECTONICS DIAGRAM

Davin Cheng + Jordan Livermore | 123

500

C

HEIGHT OF WALL VARIES

2% SLOPE MIN.

R02

T/O PAVERS 10500

850

W10

T/O ROOF TRUSSES 9650 784 237

263 547

REFER TO ASSEMBLY R01 FOR ROOFING ASSEMBLY INSTALLED ON DECKING 13800

W10

5000

4650

480

F10

FIN. SECOND FL.

T/O ROOF TRUSSES

5000

9650

350

T/O SECOND FL. STRUCTURE 4650

4650

W10

7 8 9

5850

13 12

F04

11

W10

FIN. FIRST FLOOR 950

0

10

250

T/O FIRST FL. STRUCTURE -950 T/O PARKING ROOF

6 5

4 3 2 1

-1200

4050

3800

3800

W01

FIN. BASEMENT FLOOR

550

300

250

F02

VARIES

F01

-5000 T/O FOOTING -5250 B/O FOOTING -5550

WALL SECTION THROUGH WOOD CLADDING

124 | Davin Cheng + Jordan Livermore

ENLARGED DETAIL OF ENCLOSURE CONNECTION

1 2 3 4 5 6 7 8 9 10 11 12 13

GLULAM COLUMN 100X400mm WOOD GIRTS STEEL PLATE CONNECTION 12mm INTERIOR WOOD FINISH 40x140mm METAL STUD 40x92mm METAL STUD 12mm GYPSUM BOARD SHEATHING AIR/VAPOUR BARRIER 140mm THERMACORK INSULATION 140x140x6mm CLIP ANGLE 40x40x6mm VERTICAL ANGLE PANEL HANGER CLIP 10mm PRODEMA PRODEX WOOD CLADDING

1150 388

309

11 10

18 19

2090

R01

453

ROOF

17 16 14 13 12

9650

150

T/O FOUNDATION WALL FIN. FIRST FLOOR 0

VARIES

W01

F02

13 16 15

11 10 9 8 7 6 5 4 3 2

W10

5000

1

VARIES

-5000 300 250

T/O ROOF TRUSSES

20 21

FIN. BASEMENT FLOOR

F02

12

17

790

9650

W11

2410 MIN. PARAPET HEIGHT VARIES

12086

1200 MIN. PARAPET HEIGHT VARIES

W10

100

350

10000 T/O ROOF TRUSSES

T/O FOOTING -5250 B/O FOOTING -5550

WALL SECTION THROUGH ENGINEERED WOOD CURTAIN WALL

ENLARGED DETAIL THROUGH GUARDRAIL PLANTER PARAPET

9650

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21

ENGINEERED WOOD TRUSS 140mm CLT SLAB DECK AIR/VAPOUR BARRIER ROOFING MEMBRANE 200mm THERMACORK INSULATION DRAINAGE MAT ROOT BARRIER GRAVEL EDGE STOP GRAVEL ORGANIC GROWTH MATERIAL PLANTING 10mm PRODEMA PRODEX WOOD CLADDING 40x40x6mm VERTICAL ANGLE 75mm THERMACORK INSULATION 140mm THERMACORK INSULATION 140x140x6mm CLIP ANGLE PANEL HANGER CLIP BUILT UP WOOD PARAPET PARAPET CAP FLASHING STEEL ANGLE GLUE LAMINATED TIMBER BEAM

Davin Cheng + Jordan Livermore | 125

COOLING TOWER

AIR ROTATION UNITS (1 PER FLOOR)

AIR-ROTATION SYSTEM EMBEDDED INTO PLANT WALL

SUPPLY AIR GRILLE

AIR ROTATION SYSTEM

WATER-TO-AIR HEAT PUMP AT PERIMETER

PUMP & CONTROL VALVES BIOMASS FUEL BOILERS: FUELED BY CROP COMPOSED

RETURN AIR GRILLE

RETURN WATER PIPING SUPPLY WATER PIPING

EXHAUST DUCT FRESH AIR INTAKE DUCT

RAISED FLOOR SYSTEM

SUPPLY WATER LINE RETURN WATER LINE OUTSIDE AIR DUCT EXHAUST AIR DUCT

ENVIROMENTAL CONTROL SYSTEMS DIAGRAM

126 | Davin Cheng + Jordan Livermore

BOILER FLUE

GREEN WALL AIR ROTATION SYSTEM DIAGRAM

Davin Cheng + Jordan Livermore | 127

ROOF DRAIN COLLECTION

GLASS ENCLOSURE

WATER SUPPLY LINE

AEROPONICS FARM MIST IRRIGATION

MIST SPRAY

SOIL-BASED PLANT MIST IRRIGATION

WATER COLLECTION TANKS

PUMP

NUTRIENT SOLUTION

PLANT NUTRITION SUPPLY

WATER PUMP

WATER PURIFICATION

WATER HARVESTING SYSTEM DIAGRAM

128 | Davin Cheng + Jordan Livermore

CLOSED-LOOP AEROPONICS IRRIGATION SYSTEM

Davin Cheng + Jordan Livermore | 129

BASEMENT FLOOR PLAN | CONVENTIONAL LAYER

130 | Davin Cheng + Jordan Livermore

N

EXISTING ADJACENT 14-STOREY RESIDENTIAL TOWER

FIRST FLOOR PLAN | TRANSITION LAYER

N

Davin Cheng + Jordan Livermore | 131

SECOND FLOOR PLAN | NEW OPPORTUNITIES LAYER

132 | Davin Cheng + Jordan Livermore

N

Davin Cheng + Jordan Livermore | 133

ROOF FLOOR PLAN | NEW OPPORTUNITIES LAYER

134 | Davin Cheng + Jordan Livermore

N

ROOFING SYSTEMS TECTONICS DIAGRAM

Davin Cheng + Jordan Livermore | 135

136 | Davin Cheng + Jordan Livermore

Davin Cheng + Jordan Livermore | 137

138 |

ANNA TRAN AND SAM McMILLAN ARCH 616.04 | Winter 2021 | Erin Falkner

Anna Tran + Sam McMillan | 139

CONCEPT_

PARTI_ ““ Come together to form one mass or whole ““

IS A METHOD THROUGH WHICH INDIVIDUALS CAN ARTICJUST SPEECH, IT IS AS

e

ULATE THEIR UNIQUE PERSPECTIVES TO OTHERS.

[ ,kō ‘les ]

IS NOT

THE PARTI REPRESENTS THE CONCEPT OF

.

AXIS

OFTEN NOT HEARD OR ARE IGNORED TO HAVE THEIR AND THROUGH

WITH ANOTHER TO FORM A

ONE THING IS

PROVIDES A PLATFORM FOR THOSE WHO ARE

AS

A

PLATFORM

FOR

.

INTEGRATING

WITHIN ONE PUBLIC

INDIVIDUALS OF

.

SPACE.

ACKNOWLEDGING AND RESPECTING

WHERE INDIVIDUALS OF ALL ABILITIES AND AGES CAN

, INDIVIDUALS CAN BE BROUGHT TOGETHER IN

PORTUNITY FOR A

.

CENTRE FOR

INTEGRATION AND

EXPLORATION

140 | Anna Tran + Sam McMillan

FUNCTIONS

, WHERE

EXISTS.

, THE OP-

““ an [‘aks s] e

CENTRE FOR VOICE_

agreement or alliance between two or more foundations that forms a center for an eventual larger coalition or movement ““

IS THE PRODUCT OF A

BETWEEN PROMINENT FOUNDATIONS

AND SOCIETIES BENEFITING THE .

Anna Tran + Sam McMillan | 141

SITE_

N

11TH SW

PARKADE RAMP

ALLEY

KERBY STATION

142 | Anna Tran + Sam McMillan

PLAN_

N

1

2

3

4

5

6

7

8

9

10 11 12

13

14 15

16

17

18

19

20

21 22

23 24

25 26

27 28

29

30

A B

17 C

16

14

18

D

12 11

15 E

1 WELCOME HALL 2 EVENT HALL 3 LECTURE HALL 4 TRAINING KITCHEN 5 CAFE 6 INDOOR EXHIBITION 7 WASHROOM A 8 EXPERIENCE ROOM A 9 LABORATORY 10 TRAINING CENTRE 11 ADMINISTRATION 12 WASHROOM B 13 EXPERIENCE ROOM B 14 STORAGE A 15 LIBRARY 16 LEARNING CENTRE A 17 LEARNING CENTRE B 18 RESOURCE CENTRE 19 MECHANICAL ROOM B 20 SERVICE HALLWAY

F

19

13

20

6

G

20 8

1 H

10

2

3

4

5 7

9

I

Anna Tran + Sam McMillan | 143

PROGRAM_ LEARNING CENTRES RESOURCE CENTRE

EXPERIENCE ROOMS ADMINISTRATION

LIBRARY

TRAINING CENTRE

class

WELCOME HALL

EVENT HALL

TRAINING KITCHEN LECTURE HALL

144 | Anna Tran + Sam McMillan

CAFE INDOOR EXHIBITION

WASHROOMS LABORATORY

CONCEPT_

WHEN A BLIND OR VISUALLY IMPAIRED USER APPROACHES A DOORWAY, THEY ARE NOTIFIED OF WHAT THE SPACE IS, AND THEY ARE ABLE T O SIGNAL TO OTHERS IF THEY WISH TO ENTER

ev5t hall Event Hall

wayfinding ledge

Anna Tran + Sam McMillan | 145

CONCEPT_ CUSTOM NODULES ON THE WALLS OF THE HALLWAY GUIDE BLIND OR VISUALLY IMPAIRED USERS INTO THE SPACES, AND THROUGHOUT THEM

146 | Anna Tran + Sam McMillan

DESIGN_ WAYFINDING LEDGE

WAYFINDING LEDGE CONNECTION

RUBBER COVER

RECESSED SCREWS

RECESSED RUBBER SCREWS COVER

Anna Tran + Sam McMillan | 147

DESIGN_ TURNING

RADIUS

MINIMUM AREA REQUIRED FOR A WHEEL CHAIR TO TURN 360o

148 | Anna Tran + Sam McMillan

1500 mm

WHEELCHAIR

DESIGN_ D

O

O

R

S

NO SWING WILL AVOID RISK OF INJURY FOR BLIND, BLACK FRAMING INCREASES VISIBILITY FOR VISION IMPAIRED, GLASS ALLOWS HEARING IMPAIRED TO SEE WHAT’S INSIDE

Anna Tran + Sam McMillan | 149

DESIGN_

x3

ACCESSIBLE PARKING STALLS EXCEEDS MINIMUM REQUIRED BASED ON # OF TOTAL PARKING STALLS 1

2

3

4

5

6

7

8

LOADING

A

GARBAGE/RECYCLING

STORAGE E

9

MECH. R. C

B

STORAGE G

C

ST

OR

AG

EF

150 | Anna Tran + Sam McMillan

PLAN_ N

ALLEY PARKADE RAMP

DROP OFF ZONE

11TH SW

SENSORY GARDEN

SENSORY GARDEN

KERBY STATION C-TRAIN

GARDEN OUTDOOR EXHIBITION

Anna Tran + Sam McMillan | 151

152 | Anna Tran + Sam McMillan

Anna Tran + Sam McMillan | 153

CONCEPT_

154 | Anna Tran + Sam McMillan

STRUCTURE_ EVERY OPENING WOULD BE REINFORCED WITH METAL, INCLUDING THE DOORS, WINDOWS, AND SKYLIGHTS, SIMILAR TO WHAT IS PICTURED IN THE EARTH HOUSE PRECEDENT.

METAL MESH + METAL FRAME

FILL WITH CONCRETE

Anna Tran + Sam McMillan | 155

STRUCTURE_ Our building is an The idea is that the rooms are

structure with and a set on and , so the inside is curvy and smooth, while the exterior is rigid and boxy.

.

GLASS BOXES WITH OPEN WEB STEEL JOISTS, GLASS MULLIONS, AND SPIDER FITTINGS CIRCULAR SKYLIGHTS

SOLID CONCRETE

600mm x 300 mm REINFORCED CONCRETE COLUMNS (16’ UNBRACED LENGTH)

PAD FOOTINGS 8” CONCRETE RETAINING WALLS SLAB ON GRADE

156 | Anna Tran + Sam McMillan

LINEAR STRIP FOOTINGS

Anna Tran + Sam McMillan | 157

THANK YOU SYNTHESIZING ECOLOGIES ARCH616.04 | WINTER 2021 | ERIN FAULKNER