University Choir, Cultural Association, The University of Hong Kong Summer Concert 2024

University Choir, CA, HKU

香港大學文化聯會合唱團

ESTABLISHED in 1967, University Choir, Cultural Association, The University of Hong Kong is acclaimed to be one of the most active university choirs in Hong Kong, aiming to extend the reach of choral music within and beyond the university. The Choir is an entirely student-run non-profit making organisation.

Over the past 57 years, the Choir has been actively participating in various local and international choral competitions and performances. The Choir has consistently achieved consistently outstanding results in Hong Kong Schools Music Festival and has participated in choral festivals in Singapore, Austria, Italy, and Germany. In July 2019, the Choir participated in the 11th International Johannes Brahms Choral Festival & Competition in Wernigerode, Germany. It achieved international recognition in both categories, namely “Sacred Choral Music a capella” and “Mixed Choirs”. Under the pandemic, the Choir also competed in online choral contests such as the PPA Online Music Festival. After the release of pandemic restrictions, the Choir attained the Silver Award in the 7th Singapore International Choral Festival. The Choir has also put much effort into bringing Hong Kong choral pieces onto international stages.

Apart from that, the Choir organises various local performances, such as Anniversary Concerts, Summer Concerts, and Christmas Carolling performances. The Choir endeavours to promote choral music to the public and contribute to the betterment of choral music among youths in Hong Kong.

香港大學文化聯會合唱團創立於一九六七年，現為香港最活躍的大學合唱團之一。本團為非牟利組織，致力於校園內外宣揚合唱音樂，所有團務及排練工作均由學生負責。本團成立至今五十七年間，一直積極參與不同本地和海外合唱比賽及表演。

本團近年於香港學校音樂節中屢獲佳績，亦曾遠赴新加坡、奥地利、意大利及德國等地参與多項國際合唱比賽，屢獲殊榮。二零一九年七月，本團遠赴德國維尼格羅特參加第十一屆約翰•勃拉姆斯國際合唱節，在「無伴奏聖樂合唱」及「混聲合唱」兩個組別中取得佳績，得到國際評審的肯定。在疫情下，本團仍然積極參與網上的合唱比賽，例如 PPA網上音樂節等。疫情後，本團赴新加坡參加第七屆新加坡國際合唱節，獲得銀獎，亦致力將本港作品帶上國際舞台，為香港合唱文化帶來新氣象。

此外，本團亦積極在本地舉辦不同表演，例如周年音樂會、夏季音樂會、聖誕節報佳音等，致力宣揚合唱音樂，為香港青年合唱界貢獻。

Message from Dean of Student Affairs

UNIVERSITY Choir, Cultural Association, The University of Hong Kong has always strived to bring together the power of music and the beauty of performance. This year, the Choir has taken a bold step to push our creative boundaries further.

In the pursuit of artistic excellence, the Choir has selected a repertoire that transcends traditional boundaries. One notable highlight is the performance of Huang Tzu's Song of Everlasting Regret (《長恨歌》), a piece that weaves together a tale of deep emotions and historical significance. Additionally, they will present a captivating medley from the renowned musical, The Phantom of the Opera. To further elevate the performances, the Choir has partnered with the Youth Literary Awards Association, The University of Hong Kong Cultural Association. Together, they will seamlessly integrate performed monologues into some pieces, creating a harmonious fusion of music and storytelling.

I would like to invite you to join us on this extraordinary musical journey. Let us transcend the boundaries of traditional concerts and embark on an unforgettable experience that unites music, literature, and theatre.

Prof. Samson Tse

Dean of Student Affairs, The University of Hong Kong

Message from Honorary Advisor

榮譽顧問的話

經歷

了今年的幹事會成員交接，香港大學文化聯會合唱團在今晚再度帶來精彩的演出。我很榮幸能夠歡迎各位來欣賞這場合唱與文學糅合的表演，鼓勵新一代的團員發揮創意和才能，令合唱音樂得以廣傳。

這場音樂會印證著本團多年的發展成熟，而且團員對音樂的熱誠增長。曲目的難度一年比一年高，所表達的情感同樣越來越複雜細膩。此音樂會的壓軸曲目為黃自的《長恨歌》，取自白居易的同名大作，講述唐源宗癡戀楊貴妃以致荒政亂國，深探了人類對道德責任和情感牽絆的永恒掙扎。愛與欲望的交織，往往令人陷入無法自拔的困境。透過合唱團動人的演繹，觀眾得以重新審視此文學經典，體會愛情在人類歷史中恒古不變的力量。另外，今年合唱團與青年文學獎協會合作，以敘述連貫曲目造成故事，充分展現了每年的幹事會所發揮的創造力。每首歌曲本已蘊含各自的故事，但透過文字與音樂藝術的結晶，今晚的演出可一新新歌詞的解讀，流露現今的大學生所抱的思想與價值觀。

我相信，今年的幹事會定能延續往年的優良傳統，為我們帶來更多振奮人心的演出。在此，我祝願各位觀衆能欣賞這群熱愛合唱的年輕人的辛勤付出，並沉醉在這場音樂盛宴中，讓歌聲與故事在腦海中繾綣。

Mr. Jimmy Chan

陳晃相先生

Honorary Advisor, University Choir, CA, HKU 香港大學文化聯會合唱團榮譽顧問

Message from Chairperson 主席的話

ONBEHALF of University Choir, Cultural Association, The University of Hong Kong, I must express my sincere gratitude to you all for attending our Summer Concert 2024.

Themed with “Longing”, this Concert invites all to draw back the crimson curtains and enjoy a romanceinspired repertoire rich in literature and drama. It is also the Choir’s first collaboration with Youth Literary Awards Association, The University of Hong Kong Cultural Association (YLAA) to enrich our choral performances with storytelling. With multi-perspective narrations setting the scene, “Longing” reimagines the choral concert as a play, where love songs transcend their original contexts for a new tale: Just when two eloped lovers settle into their humble new life, reality confronts their dreams once again. Could love brave the test of distance?

HO Daryl 何思昊

Chairperson, acting Tenor Part Leader, University Choir, CA, HKU Session 2024 ‒ 2025 香港大學文化聯會合唱團第五十七屆幹事會主席署理男高音聲部部長

I am truly grateful for the contribution of HKU’s Dean of Student Affairs Professor Samson Tse, our Honorary Advisor Mr. Jimmy Chan, the gifted writers from YLAA, the Choir’s dedicated members, and The 57 th Executive Committee of University Choir, CA, HKU in realising this vision. Thank you all for coming to witness this creative experience. When the house lights dim, let your longing give in to the music of the night.

本人代表香港大學文化聯會合唱團衷心為閣下蒞臨二零二四年夏季音樂會深表謝意。

這場以「繾綣」為主題的音樂會邀請各位解開紅幕，享受一系列富有文學和戲劇色彩的浪漫歌曲。本團亦首次與香港大學文化學會青年文學獎協會合作，為合唱表演增添故事色彩。透過以多角度的旁白設立場景，「繾綣」將音樂會重塑為一套戲劇：當一對私奔的情侶正想安居樂業時，現實再一次挑戰他們的夢想。究竟愛情能否戰勝距離的考驗？

我衷心感謝香港大學學生事務長謝樹基教授、本團的榮譽顧問陳晃相先生、香港大學文化聯會青年文學獎協會才華橫溢的寫手們、合唱團努力不懈的成員，以及香港大學文化聯會合唱團第五十七屆幹事會的共同付出，使這場音樂會得以實現。本人再次感謝閣下見證這次創新的體驗，並希望當觀衆席的燈光熄滅時，您能讓繾綣之情沉浸在今夜的旋律之中。

Conductors 指揮

LI Han 李涵

Choirmaster 團長

涵現為香港大學機械工程系博士一年級學生。2019年畢業於清華大學材料學院，獲工學學士學位。在本科期間，他曾獲校級文藝獎學金，並任清華大學學生藝術團合唱隊宣傳副隊長。在隊期間，他曾多次隨隊獲北京市大學生藝術節金獎等獎項，並參演清華大學110週年校慶聯歡晚會、交響組歌《水木清華》等重要演出。他曾多次與具有國際聲譽的合唱團體、指揮家與聲樂家合作，其中包括國家大劇院、華中科技大學「天空」合唱團、北京電視台等。

懷揣著對合唱藝術的熱情，在清華期間，他曾修讀包括合唱指揮在內的多門音樂與藝術課程。現在，他希望以新的身份登上舞台，和香港大學文化聯會合唱團一起，向大家分享他的音樂。

Li Han is currently a first-year PhD student in the Department of Mechanical Engineering at HKU. He graduated from School of Materials Science and Engineering, Tsinghua University in 2019 with a Bachelor's degree in Engineering. During his undergraduate years, he was awarded a scholarship in literature and art and served as Publicity Vice-captain of Tsinghua University Student Choir. He has won multiple gold awards with the Choir in the Beijing University Students Art Festival. He has won multiple gold awards with the Choir in the Beijing University Students Art Festival. He has participated in many performances such as Tsinghua University 110th Anniversary Gala and Symphonic Suite The Land of Woods and Waters alongside Tsinghua Student Art Troupe. He has also worked with conductors, choirs, and vocalists with international reputation, including National Center for Performing Arts, Tiankong Choir, Beijing TV, and so on.

With his enthusiasm for choral art, he took choral conducting and other musicand art-related courses during his years at Tsinghua University. Now, he wants to express his music in a different role as the conductor of University Choir, CA, HKU.

Conductors

指揮

LAMLAM Katie Chuk Kei

林卓琪

Assistant Choirmaster

副團長

Katie Chuk Kei is a Year 1 student studying MBBS at The University of Hong Kong. She started her musical journey from a young age and started her vocal training in 2022 when she attained ABRSM Grade 8 Singing. She was the Deputy Head of Music in Downe House School, her alma mater, in 2022 and 2023. Ad Astra, her House Choir, won first place in her alma mater’s inter-house competition where she was the House Conductor in 2022 and 2023. She was also a part of the choir Prima Voce, known for their wins in Barnado’s National Choral Competition in 2018 and 2019, from 2021 to 2023.

Other than choral activities, she was the Principal Violist of Downe House School’s Symphony and Chamber Orchestra for 6 years. She has attained an Associate of Trinity College London (ATCL) in Violin in 2017 and an Associate of the Royal Schools of Music (ARSM) in Viola in 2018.

林卓琪現為香港大學內外全科醫學士一年級生。她自幼接觸音樂，於2022 年開始練習聲樂及考獲英國皇家音樂學院聲樂八級（ABRSM）。她在 2022年及 2023年為其母校 Downe House School 擔任音樂長。在她任職校社指揮的時期，其校社的合唱團 Ad Astra 於2022 年及 2023年社際比賽中獲得首位。她亦於2021年至 2023年間參加了 Prima Voce 合唱團，該團曾於2018年及 2019年在Barnado 全國性合唱比賽中獲勝。

合唱以外，她曾為 Downe House School 的交響樂團及室樂團擔任 6年中提琴首席。她於2017 年考獲英國倫敦聖三一音樂學院小提琴演奏文憑（ATCL）；於2018年考獲英國皇家音樂學院中提琴演奏文憑（ARSM）。

LLAM Tsz Yan

林子慇

Soprano

女高音

AM Tsz Yan is a Year 1 student studying BASc(Applied AI) at The University of Hong Kong. She started her vocal training in 2017 and has been a member of the Senior Choir at Sacred Heart Canossian College, her alma mater, from 2019 to 2022. They have received the Gold Award in The Hong Kong Inter-School Choral Festival in 2022. She has also participated in choral exchanges in Beijing and Vienna and joined the 14th Chinese International Chorus Festival.

Other than choral singing, she has actively participated in The Hong Kong Schools Music Festival in the Vocal Solo and Duet categories for 7 years. In 2022, she achieved Distinction in ABRSM Grade 8 Singing.

林子慇現為香港大學文理學士（應用人工智能）一年級生。她自2017年開始練習聲樂。她在 2019至 2022年間為其母校嘉諾撒聖心書院的高年級合唱團成員。該團於2022年獲得香港校際合唱節金獎。她亦曾到北京及維也納進行合唱交流，並參加第十四屆中國國際合唱節。

合唱以外，她活躍參加香港校際音樂節的獨唱及二重唱比賽。她於2022年考獲英國皇家音樂學院聲樂八級。

LAI Chun Yat

賴駿逸

Baritone 男中音

NIKKA Lai is currently a Year 2 student studying in the Faculty of Arts at The University of Hong Kong. When he was 12 years old, he joined the Treble Choir at Ying Wa College, his alma mater, taking his first step into choral singing. After his voice change, he continued to sing in boys-only and mixed-voice choirs of various sizes and levels at school. He also took solo singing classes, and attained ABRSM Grade 6 in Singing in 2019.

During the COVID-19 pandemic, Nikka actively participated in online choir performances and competitions with his school choirs. In his own time, he also began studying vocal music arrangement and interpretation. In 2021, Nikka contributed to arranging the hymn “He” by Jack Richards and Richard Mullan for his majority nonchorister class, leading his class to win the Inter-class Hymn Singing Competition that year.

Nikka attained ABRSM Grade 8 in both Piano and Violin in 2016.

賴駿逸現為香港大學文學院二年級生。他十二歲時加入了他母校英華書院的童聲合唱團, 繼而接觸合唱。變聲後，他繼續於校內參加不同男聲及混聲合唱。他亦開始學習獨唱，在 2019年獲得英國皇家音樂學院聲樂六級。

疫情期間，賴駿逸作為校內合唱團成員積極參與不同線上表演及比賽。他亦自發學習聲樂編曲及演繹。他於2021年參與編排詩歌《祂》（Jack Richards 及 Richard Mullan 曲），助其班別於班際詩歌唱歌比賽中獲勝。

他於2016年考獲英國皇家音樂學院鋼琴及小提琴八級。

WANG Bingduo 王秉铎

WANG Bingduo is a Year 1 student studying BBA(Acc&Fin) at The University of Hong Kong. He has 13 years of experience playing the piano, during which he has won awards in several piano competitions. He has won first prize in the KAWAIAsia Piano Competition, first prize in Shanghai International Piano Competition for Teenagers, and regional second place in Hong Kong-Asia Piano Competition. He joined University Choir, CA, HKU in 2023 and served as a pianist in Mini Concert 2023 Mirari and The 56th Anniversary Concert — “Faith•Hope•Love”.

王秉铎現為香港大學會計與金融專業一年級生。他有十三年的鋼琴練習經驗，並曾獲得多個鋼琴大賽的獎項。他曾獲得KAWAI亞洲鋼琴大賽一等獎、上海國際青少年鋼琴大賽一等獎，以及香港亞洲青少年鋼琴比賽地區賽亞軍。他於2023年加入了本團，並於本團二零二三年小型音樂會 Mirari 及第五十六屆周年音樂會「誠」擔任司琴。

Pianists 司琴

FUNG Wan Yee 馮允怡

FUNG Wan Yee is a Year 2 student studying MBBS at The University of Hong Kong. She has over 10 years of experience playing the piano. She has been the piano accompanist for 4 years in her alma mater, Heep Yunn School. She attained an Associate of the Royal Schools of Music (ARSM) in piano in 2019 and has achieved Merit in Piano Solo - Composer of the Year during The 70th Hong Kong Schools Music Festival. Other than piano achievements, she attained ABRSM Grade 8 in Flute in 2018.

馮允怡現為香港大學內外全科醫學士二年級生。她有十多年的鋼琴演奏經驗。她曾於母校協恩中學擔任四年鋼琴伴奏。她於 2019 年獲得英國皇家音樂學院鋼琴副學士學位（ARSM），並於第70屆香港學校音樂節鋼琴獨奏優異獎 —— 年度作曲家。除了鋼琴成就外，她還在 2018 年考獲英國皇家音樂學院長笛八級。

TSUI Man Lai Janti 徐敏麗

TSUI Man Lai Janti is a first-year Master of Education student studying Chinese Language Education under the Faculty of Education in The University of Hong Kong. She has experience playing the piano for over 20 years and has achieved ABRSM Grade 8 in Piano. She is currently a music teacher in a private school.

徐敏麗現為香港大學教育學院中國語文教育專業一年級教育碩士學生。她有二十多年的鋼琴演奏經驗。她的鋼琴成績已達到英國皇家音樂學院八級。她目前在一所私立學校擔任音樂老師。

Introduction 介紹

WATCHING Harriet Smithson, the Shakespearean actress, perform opera, Berlioz fell in love with her and wrote the celebrated Symphonie fantastique. If you happen to read The Sorrows of Young Werthers, do not pity the titular character for not reading more Shakespeare, such that he is ignorant to the way love ends only in death or in vain; instead, remember how a lover's voice is like a shower of stars, so addictive that you cannot turn away…

Perhaps in the absence of whom you adore, the soprano remains fair. Yet, the soul in her voice seems lost. The lyrics vaporise and blur, about to slip off from the melody, almost like a feather falling off the back of a magpie, nowhere to be found…

Perhaps gazing at the clear moon and cold stars above, in solitude you realise that it only takes half a galaxy for you to recognise the person whom you love. Her voice ripples in your heart, yet you already have no way out unscathed from this loneliness. Forlornly, you hum the harmonious note of basses, this incomplete chord…

Interweaving voices are a metonymy as tender as water, and the stave is a metaphor as dreamy as a date. Recalling the rendezvous at the Magpie Bridge, even when the last note resounds, one need not refine the scene of love, lingering. After all, if love endures, what does it matter how days and nights keep us apart?

白

遼士對在歌劇中演出的哈麗艾特•史蜜森一夜傾情，因而譜下傳頌萬世的《幻想交響曲》。暫且不要遺憾少年維特沒有多讀點莎士比亞，不知愛情只有殊死一途，或無以為繼，不如記住原來愛人的歌聲能使人上癮，像墜落的星雨般，使人無法抽身……

或者因你心念著的她一時缺席，女高音雖未因此失色，然而歌聲似缺了靈魂，然後歌詞幻化，模糊，幾乎從旋律剝落，儼如一根羽毛從喜鵲的項背上跌下，杳然無蹤……

或者是凝眄著穹蒼上的孤星潔月，孑然一身的你發現原來半段星河已足夠讓你確認，愛的人是誰。她的歌聲在你心中浮漾，但你已無法從這寂寥中全身而退。

你徒勞地哼著男低音的伴音，這不完全的和弦……

交織的歌聲是柔情似水的借代，五線譜是佳期如夢的隱喻。回望鵲橋，最後一個音符奏起的那刹，也不必晦澀地修飾繾綣的場景。畢竟，「兩情若是久長時，又豈在朝朝暮暮？」

The 57th Executive Committee of University Choir, CA, HKU

“Muss es Sein” 《非你不可的必然》

豉油撈飯 Soy Sauce Rice

譚天樂曲；岑偉宗詞

Music by Alex Tam; Lyrics by Chris Shum

搖籃曲 Lullaby

東北民歌；景雁南編曲

Northeastern Chinese folk song; Arranged by Jing Yannan

Sehnsucht 渴望

Music by Johannes Brahms

約翰尼斯·布拉姆斯曲

Amor de Mi Alma 心靈摯愛

Music by Zane Randall Stroope;

Lyrics by Garcilaso de la Vega 讚恩·蘭德爾·斯特魯普曲；

加爾西拉索·德·拉·維加詞

Danny Boy 丹尼男孩

Lyrics by Frederick Edward Weatherly;

Arranged by Russell Robinson

弗雷德里克·愛德華·威德里曲；

羅素·羅賓遜編曲

Tour Highlights 交流團精選

三十輻 Thirty Spokes

崔薇曲

Music by Cui Wei

黑 Black

葉浩堃曲詞

Music and Lyrics by Yip Ho-kwen Austin

Christus factus est 道成肉身

Music by Anton Bruckner 安東·布魯克納曲

Gaudete! 歡欣吧！

Arranged by Jacques Cohen 雅克·哥漢編曲

Intermission 中場休息

The Phantom of the Opera (Medley) 歌聲魅影 (聯唱)

Music by Andrew Lloyd Webber; Lyrics by Charles Hart; Arranged by Ed Lojeski

安德魯·萊特·韋伯曲；查爾斯·赫特詞; 埃德·洛耶斯基編曲

長恨歌 Song of Everlasting Regret

黃自曲；韋翰章詞

Music by Huang Tzu; Lyrics by Harold Wei

〈仙樂風飄處處聞〉 “Heavenly Tunes Flow with the Wind”

〈七月七日長生殿〉 “Changsheng Palace on the Seventh of July”

〈漁陽鼙鼓動地來〉 “Yuyang War Drums Tremble the Earth”

〈六軍不發無奈何〉 “The Royal Troop Forced a Halt”

〈宛轉蛾眉馬前死〉 “The Beauty Twisted to Death”

〈山在虛無飄渺間〉 “The Mountain Among the Hazy Void”

〈此恨綿綿無絕期〉 “This Tender Languish Unending”

Muss es Sein a Prologue 序幕

林

夢同任志健嘅邂逅，不過係一場偶然。

如果佢哋唔喺同一班；老師冇安排佢

哋坐喺隔離；或者佢哋冇一齊搞過活動，佢哋都唔會了解彼此，然後相愛。

時間耐咗，志健發現自己嘅情緒早已在不知不覺間受林夢嘅一顰一笑牽動；同樣，林夢每次見到志健，心跳都會不自覺加速。佢

哋咩都傾得埋，小至等陣食咩，大至夢想、哲學抑或人生。

林夢不過二八年華，志健風華正茂，兩人一拍即合，靈魂相通，好快佢哋就墮入咗愛河。

柴米油鹽縱難免，春去秋來終不

枉。偶爾嘅爭吵無阻佢哋相濡以沫，徐徐步向婚姻殿堂。諒天總不遂人願家人嘅處處阻撓令林夢無所適從：父親同母

親唔願意相信一無所有嘅志健會帶到幸福俾林夢。

林夢憤而離家出走「我會跟你走，

無論你去到邊度。」

「我會一直照顧好你，至死不渝。」

林夢深知，係無數個命中註定嘅巧合，

締造咗佢同志健呢個非你不可嘅必然。

THEencounter between Delia and Adler was accidental. If they were not in the same class; if their teacher did not arrange them to sit by each other; if they had not organised any event together, they would not have known each other and thereby become a pair.

As time went by, Adler realised how his emotions were unknowingly led by Delia's frowns and smiles. Similarly, every time Delia saw Adler, her heart raced. They could talk about anything, be it as unimportant as what to eat later, or as big as aspirations, philosophy, or life.

Delia was a girl of sweet sixteen. Adler too was in his prime years. The two of them hit it off, their souls intertwining, falling deep in love.

Mundanity was an unavoidable staple of life, but they stood against springs and falls. Occasional quarrels did not stop them from holding onto each other. Eventually, they tied the knot. However, fate is never kind. Delia's parents thwarting their union at every turn left her at a loss. They refused to believe that Adler, a boy from a humble background, would give her a promising future.

Frustrated, Delia ran away. “I will follow you, wherever you go.”

“I will take care of you until death.”

Delia knew well that it was of countless coincidences that brought her and Adler to this moment of “Muss es Sein” It has to be.

豉油撈飯 Soy Sauce Rice

譚天樂曲；岑偉宗詞

選自演戲家族音樂劇《隱形客蝸居》，這首廣東話四聲作品以口語化的歌詞和簡單的編排，反映甘於平凡的樸真心願。

From the Actors’ Family musical The Invisible Man In Narrowness, this SATB piece incorporates spoken Cantonese into lyrics and a simple composition, reflecting the wish for simplicity in life.

我信我無愛錯，

我信有你的我

有你永遠愛我，

愛到繽紛交錯。

天天都唱隻愛歌，晚晚接線廣播。

有你與我去買餸，去接送—— 分分秒秒你與我。

最記掛你的開心多不多。

但願日後共患難聚與散，

新婚開心無年期以愛送飯。

不貪東星斑，自願餐餐都

蒸隻水蛋。

就是日後在外面受冷眼，我會對你照顧到尾。

那信念無限。

這蝸居早晚作你加氣站。

愛你教這罐頭都好味。

愛你我愛半飽的福氣，因我真愛是動機。

愛到天腳底，

白飯亦美麗。

撈下豉油，

撈到白頭。

撈下撈下——感覺未舊。

I believe I am right to love you, I believe you are with me And your love eternal, In intertwining spectrums.

Daily love songs, nightly television. I buy groceries with you, pick you up— Every moment, you and I. I worry most if you are happy or not.

May we face troubles and Farewells together, Our newlywed joy be everlasting, and our meals seasoned with romance.

We’ll crave no seafood, just for Every meal a steamed egg. Even if outsiders look down on you, I will take care of you through it all. That conviction is boundless. This cosy home is, day and night, Your rejuvenation.

Loving you makes canned food divine. Loving you, I relish half-sated bliss Because true love is what I live on. A love ubiquitous, Even plain rice seems so glorious. Blending soy sauce in Till our hair grows white. Blending, blending— it never gets old.

Music by Alex Tam; Lyrics by Chris Shum

搖籃曲 Lullaby

東北民歌；景雁南

編曲

Northeastern Chinese folk song; Arranged by Jing Yannan

作為代表中國東北的著名民歌，景雁南將此無伴奏混聲編曲獻給他的家鄉。

As a representative folk song of Northeastern China, Jing Yannan dedicated this a capella arrangement to his homeland.

月兒明，風兒靜，

樹葉遮窗棱，

蛐蛐兒，叫錚錚，好比那琴弦聲。

琴聲兒輕，調兒動聽，搖籃輕擺動，娘的寶寶，閉上眼睛，睡了那個睡在夢中。

報時鐘，響叮咚，夜深人兒靜，

小寶寶，睡夢中，微微他露出笑容。

眉兒那個輕，臉兒那個紅，搖籃輕擺動，娘的寶寶，睡在夢中，睡了那個睡在夢中。

露水兒，灑花兒窗前的花兒紅，花兒開，花兒紅，寶寶你就要長成。

月兒明，風兒靜，樹葉遮窗棱，

蛐蛐兒，叫錚錚，好比那琴弦聲。

月兒明，風兒靜……

The moon is bright, the wind is quiet, The leaves shade the window, Crickets are chirping, crisp and clear, Like the sound of a zither.

The music plays softly, the tunes are lovely, The cradle swings lightly. My baby, close your eyes, And drift off to your dreams.

The clock tick-tocks Late into the night; it’s quiet. Little one, in his sleep, Faintly shows his smile.

Slightly lifted brows, mildly blushed cheeks, The cradle swings lightly. My baby, sleep Deep in your dreams.

Dew drops are drizzling buds, Reddening the petals in front of the window. Buds bloom, flowers flourish. Little one, you’ll soon grow up.

The moon is bright, the wind is quiet, The leaves shade the window, Crickets are chirping, crisp and clear, Like the sound of a zither.

The moon is bright, the wind is quiet…

3 Sehnsucht 渴望

Music by Johannes Brahms 約翰尼斯·布拉姆斯曲

From Op. 112, No.1 published in 1891, Brahms’ use of contrast and fluctuating intensity deeply depicts the theme of great sentiments.

出版自1891年Op. 112, No.1，布拉姆斯運用對比和強弱遞進，深刻刻劃思念之愁。

Es rinnen die Wasser Tag und Nacht, deine Sehnsucht wacht.

Du gedenkest der vergangenen Zeit, die liegt so weit.

Du siehst hinaus in den Morgenschein und bist allein.

Es rinnen die Wasser Tag und Nacht, deine Sehnsucht wacht.

The waters run day and night; your yearning awakes.

You think of times past, now so far away.

You gaze out into the morning light and are alone.

The waters run day and night; your yearning awakes.

如水流過朝暮日夜，你清醒地思念。

你回想往日，現已遙遙逝去。

你於晨光中眺望，煢煢孑立。

如水流過朝暮日夜，你清醒地思念。

Amor de Mi Alma 心靈摯愛

Music by Zane Randall Stroope; Lyrics by Garcilaso de la Vega 讚恩·蘭德爾·斯特魯普曲；加爾西拉索·德·拉·維加詞

From a Spanish Renaissance love poem of the same title, which translates to “You are the Love of My Soul”, this emotive composition contains masterfully written rich harmonic language and lucid vocal passages.

此曲取自西班牙文藝復興時期的一首同名愛情詩，曲名意思爲「你是我靈魂之愛」。這部情感豐富的作品包含了精心編寫的豐富和聲和清晰的聲樂段落。

Yo no nací sino para quereros; mi alma os ha cortado a su medida; por hábito del alma misma os quiero.

Escrito está en mi alma vuestro gesto, Yo lo leo tan solo que aun de vos me guardo en esto.

Cuanto tengo confieso yo deberos; por vos nací, por vos tengo la vida, Por vos he de morir, y por vos muero.

I was born to love only you; My soul has formed you to its measure; I want you as a garment for my soul.

Your very image is written on my soul; Such indescribable intimacy I hide even from you.

All that I have, I owe to you; For you I was born, for you I live, For you I must die, and for you I give my last breath.

我只為愛你而生；我的靈魂已塑成你的形；我想你作我魂的紗。

你已刻在我的靈上，無法言喻的親匿，連你我也隱瞞。

我所有的，都歸給你；為你而生，為你而活，為你我呼出最後一口氣，而為你我亡。

Danny Boy

丹尼男孩

Lyrics by Frederick Edward Weatherly; Arranged by Russell Robinson

弗雷德里克·愛德華·威德里曲；羅素·羅賓遜編曲

This piece is a choral setting of the 1913 song “Danny Boy” based on the traditional Irish melody “Londonderry Air”. The re-lyricised song’s background and meaning remain ambiguous to this day. 此曲為1913年根據愛爾蘭傳統旋律《倫敦德里小調》改編的歌曲《丹尼男孩》之合唱版本。

這首重新填詞的歌曲的背景和意義至今仍不明確。

Oh Danny Boy, the pipes, the pipes are calling From glen to glen, and down the mountainside. The summer’s gone, and all the flow’rs are dying, It’s you, it’s you, must go and I must bide.

哦，丹尼男孩，當風笛呼喚，幽谷成排，當夏日已盡，玫瑰難懷。

你，你天涯遠引，而我，我在此長埋。

But come ye back when summer’s in the meadow Or when the valley’s hushed and white with snow, And I’ll be here in sunshine or in shadow, Oh Danny Boy, oh Danny Boy, I love you so.

But when ye come, and all the flowers are dying, If I am dead, as dead I well may be, Ye’ll come and find the place where I am lying, And kneel and say an Avé there for me.

And I shall hear, though soft you tread above me, And all my grave will warmer, sweeter be, For you will bend and tell me that you love me, And I shall sleep in peace until you come to me!

當草原盡夏，當雪地全白。任晴空萬里，任四處陰霾。

哦，丹尼男孩，我如此愛你，等你徘徊。

哦，說你愛我，你將前來，縱逝者如斯，死者初裁。

謝皇天后土，在荒墳冢上，請把我找到，找到，尋我遺骸。

即令你足音輕輕，在我上面，整個我孤墳感應，甜蜜溫暖，你俯身向前，訴說情愛，我將死於安樂，直到與你同在。

三十輻 Thirty Spokes

崔薇曲

Music by Cui Wei

歌詞摘自老子《道德經·三十輻》，帶出「有」、「無」的互補關係。通過五聲調式與賦格的結合，歌曲在旋律的變化與交織中展現出道家文化的哲思，充滿妙趣。

The lyrics are derived from Lao Tzu’s Daodejing, which emphasises the complementary harmonic relation between existence and absence. Through the pentatonic scale and the fugue form, the varying melody reflects the Taoist philosophy with peculiarity.

三十輻，共一轂，當其無，有車之用。

埏埴以為器，當其無，有器之用。

鑿戶牖以為室，當其無，有室之用。

故有之以為利，無之以為用。

Thirty spokes to one hub, hollow thus a cart that runs. Clay stretched into pottery, empty thus a vessel that contains. Chisel windows and doors for a house, void thus a space that holds. For existence brings gain, and absence gives utility.

Music

黑 Black

Lyrics

《黑》為廣東話四部和聲作品。作者借質問現實表達環保意識，節奏鏗鏘有力，並於曲末抒發對世界重拾色彩的期盼。

“Black” is an SATB choral work in Cantonese. The composer advocates for environmental awareness through rhetorical questions and a vigorous rhythm, with the song ending on a hopeful note.

在那片海中有着暢泳翠藍的國度。

在那邊有着飛越海灣高山翱翔於天空。

在那遍山中長出滿山的奼紫嫣紅。

何以像夢境般的世界變得黑黑灰黑黑？

曾聽說海中有魚，天空任鳥飛。

這是何種的童話中的哪齣戲？

在我的眼中、耳中、嗅覺中從來沒親身經歷。

究竟書中寫的，

畫中繪的現實是怎樣？

如有天海中有着

暢泳翠藍的國度，

如有天有着飛越海灣

高山翱翔於天空，

如有天山中長出滿山的奼紫嫣紅，

能夠使現今這個世界不再黑黑灰黑黑——

Among the seas, there was a land of liberating blue. Above high, over the bays, mounts soared into the sky. Across the hills were endless violet and red blossoms. Why, this dreamlike world, has become all dull and black?

It is said that seas embraced fish and birds wandered the sky. What kind of fairy tale, which scene was it? Not in my eyes, my ears, my nose, have I ever perceived it. What was it like, the “reality” written in books, painted on canvas?

What if one day, among the seas, there is a land of liberating blue? What if one day, above high, over the bays, mounts soar into the sky? What if one day, across the hills, are endless violet and red blossoms To end our world from dullness and black?

by Yip Ho-kwen Austin 葉浩堃曲詞

8 Christus factus est 道成肉身

Music by Anton Bruckner

安東·布魯克納曲

The song is a sacred motet by Anton Bruckner, dedicated to Oddo Loidol, one of his students. As his third setting of the text, the piece is interpreted most expressively, concluding with a harmonious ending. Bruckner’s devout faith is personified in this piece.

本歌是安東·布魯克納贈予其學生的的經文曲。作為他為同一份階台經寫的第三版，此版本將詞演繹得歷歷如繪，並和悅作結。從此曲可見作曲家的虔誠信仰。

Christus factus est pro nobis obediens Usque ad mortem, mortem autem crucis. Propter quod et Deus exaltavit illum et dedit illi nomen, Quod est super omne nomen.

Christ became obedient for us unto death, Even to the death, death on the cross. Therefore God exalted Him and gave Him a name Which is above all names.

耶穌以人的形象卑微自己，順服至死，且死在十字架上。

所以神將祂升為至高又賜給祂名，超乎萬民之上的名。

9 Gaudete! 歡欣吧！

Arranged by Jacques Cohen 雅克·哥漢編曲

“Gaudete!” is a sacred Christmas carol, with Latin text derived from Piae Cantiones, a collection of sacred songs published in 1581, This traditional liturgical melody, with a change to 7/8 time signature, shows anticipation for Christ’s arrival and its associated festivities. 這是一首聖誕頌歌，詞摘自1581年出版之拉丁歌集《Piae Cantiones》。這傳統禮拜儀式旋律以 7/8節拍帶出對救主到來的期盼，充滿節日氣氛。

Gaudete, gaudete!

Christus est natus

Ex Maria virgine, gaudete!

Tempus adest gratiae, hoc quod optabamus, Carmina laetitiae devote redamus.

Deus homo factus est, natura mirante.

Mundus renovatus est a Christo regnante.

Ezechielis porta clausa per transitur, Unde lux est orta, salus invenitur.

Ergo nostra contio psallat iam in lustro!

Benedicat Domino, salus regi nostro!

Rejoice, rejoice!

Christ is born Of the Virgin Mary, rejoice!

The time of grace has come, which we have waited for, Let us devotedly render Him joyful songs. God has become Man and Nature is astounded. The world has been renewed by the reigning Christ. The closed gate of Ezekiel has been passed through, From there the light has risen, Salvation is found. Therefore let our gathering now praise Him in brightness!

Bless the Lord, Greeting to our King!

歡欣吧，歡欣吧！基督已降生

聖母馬利亞使其降生，歡欣吧！

恩典的時刻，乃吾等所其求，

讓吾等真誠地奉獻喜樂之歌。

神降生為人，大自然讚嘆此奇蹟。

基督君臨，讓世界復興重生。

現已通過以西結關閉的大門，光已臨在，救恩即在此。

因此，

讓我們

高聲歡唱吧！

讓歌聲稱頌上主，向我們的王致敬！

The Phantom of the Opera (Medley)

歌聲魅影（聯唱）

Music by Andrew Lloyd Webber; Lyrics by Charles Hart; Arranged by Ed Lojeski 安德魯·萊特·韋伯曲；查爾斯·赫特詞; 埃德·洛耶斯基編曲

The Phantom of the Opera is a famous musical based on the 1910 French novel of the same name by Gaston Leroux. This version highlights parts of the classic numbers, condensing the world-renowned story into a catchy medley.

《歌聲魅影》是一部根據卡斯頓．勒胡於 1910 年著的同名愛情驚悚小說改編的知名音樂劇。這版本精選了經典歌曲的部份，將這膾炙人口的故事濃縮為難忘的聯唱。

In sleep he sang to me, in dreams he came, That voice which calls to me and speaks my name. And so I dream again, for now I find The phantom of the opera is there inside my mind.

Sing once again with me our strange duet, My power over you grows stronger yet. And though you turn from me to glance behind, The phantom of the opera is there inside your mind.

Think of me, think of me fondly when we said goodbye. Remember me, once in a while please promise me you’ll try. When you find that once again you long To take your heart back and be free, If you ever find a moment, spare a thought for me.

在我入眠時他對我歌唱，縈繞在我每晚的夢中，那聲音呼喚著我，低語著我的名字。

難道我又在作夢了嗎? 因為我發現歌劇魅影就在我的腦海裡。

再次和我合唱吧，我們那奇特的二重唱，我對妳的影響力與日俱增。

即使妳試圖背棄我而回眸，歌劇魅影就在妳的腦海裡。

想像我，深情地想起我，即使我們已互相道別。

時常惦記我，答應我你會試著這麼做。

當你發現你渴望重歸自由，如果你有一絲空檔，請將一些思緒留給我。

Think of me, think of me waking silent and resigned, Imagine me, trying too hard to put you from my mind. Recall those days, look back on all those times, Think of the things we’ll never do, There will never be a day when I won’t think of you.

Here in this room he calls me softly, somewhere inside hiding. Somehow I know he’s always with me; he, the unseen genius.

Christine, you must have been dreaming, Stories like these can’t come true. Christine, you’re talking in riddles, And it’s not like you.

Angel of music, guide and guardian, grant to me your glory!

(Who’s this angel, this) Angel of music, hide no longer, secret and strange angel.

Insolent boy, this slave of fashion, basking in your glory. Ignorant fool, this brave young suitor, sharing in my triumph.

Angel, I hear you! Speak, I listen. Stay by my side, guide me!

Angel, my soul was weak; forgive me! Enter at last, master!

Flattering child, you shall know me, see why in shadow I hide. Look at your face in the mirror! I am there inside.

想起我，想像我寂寥而認命地自夢中醒來。

想像我，如何奮力嘗試將你逐出我的心。

回想住昔，

反顧那些過往，想想我們未曾做過的事。

我沒有不想念你的一天。

就在這房間裡，他輕柔呼喚著我，藏身在某一個角落。

不知怎地我知道他總是在我身旁；他，這隱匿的天才。

克莉絲汀，

妳肯定在作夢，這些故事不能成真。

克莉絲汀，妳在胡言亂語，這不像你。

音樂天使，指導和守護者，請賜予我你的榮耀！（這天使是何人，這）

音樂天使，請不要再躲藏，神秘且奇異的天使。

傲慢的小子，流行的傀儡，沐浴在妳的光芒之中。

無知的蠢人，這莽撞年輕的追求者，竊享了我的勝利。

天使，我聽見你了！說吧，我聆聽。

留在我身旁，指導我！

天使，我的靈魂脆弱；請原諒我！請進來，主人！

令人喜愛的孩子，妳應該知道我，看看我為什麼躲在影子之中。

在鏡子裡看妳的身影！我就在這。

Past the point of no return, the final threshold, What warm unspoken secrets will we learn.

Past the point of no return, the final threshold, The bridge is crossed, so stand and watch it burn. We’ve passed the point of no return.

He’s there, the phantom of the opera! He’s there, the phantom of the opera!

已無法回頭，

最後一道門檻，我們將學到什麼温熱、無以言喻的秘密。

已無法回頭，

最後一道門檻，我們已渡了橋，所以站著看它燃燒吧。我們已無法回頭。

他就在那，歌劇魅影！他就在那，歌劇魅影！

長恨歌

Song of Everlasting Regret

黃自曲；韋翰章詞

Music by Huang Tzu; Lyrics by Harold Wei

Song of Everlasting Regret was composed in 1932. With content inspired by the romantic tragedy between Emperor Xuanzong of Tang and Yang Guifei, as well as former literature, this work uses the Western cantata form while adopting the Chinese lyrical style popularised in the Song and Yuan dynasties. The whole cantata consists of ten songs. Huang Tzu only composed seven for he later focused on writing counter-Japanese war songs. After four decades, his student Lin Shengxi completed the remaining three songs. We present the seven songs by Huang Tzu, to celebrate the 120th anniversary since his birth.

〈仙樂風飄處處聞〉

“Heavenly Tunes Flow with the Wind”

驪宮高處入青雲，

歌一曲，

月府法音，霓裳仙韻，舞一番，

羽衣迴雪，紅袖翻雲。

宛似菡萏迎風，

楊枝招展。

飄飄，欲去卻回身。

更玉管冰絃嘹亮。

問人間，哪得幾回聞？年創作的清唱劇。內容圍繞唐玄宗及楊貴妃的愛情悲劇及參考前人文學，音樂參考西方清唱劇「只唱不演」之形，歌詞則採宋詞元曲之神。全劇十闋，黃自為了趕寫抗日歌曲，只譜了七闋。四十年後，由其入室弟子林聲翕補遺。本團將表演該七闋，記念黃自一百二十年誕辰。

The gracious palace soars into the high blue. In an irised gown, you sing with an immortal voice, resonating to the moon. Feathered like snow, your dancing sleeves swirl the clouds in croon Like lilies greeting the breeze or willow branches bouncing, Ebbing and flowing. I’d go but reluctantly return. Till night the flute and zither sing. How often, on earth, is such ardour ever heard?

“Changsheng Palace on the Seventh of July”

風入梧桐葉有聲，

銀漢秋光淨，

年年天上留嘉會，

羨煞雙星。

祇恨人間恩愛總難憑，

如今專寵多榮幸。

怕紅顏老去，

卻似秋風團扇冷。

仙偶縱長生，

哪似塵緣勝？

問他一年一度一相逢。

爭似朝朝暮暮我和卿?

舉首對雙星。

海誓山盟，

在天願作比翼鳥，

在地願為連理枝。

兩家恰似形和影，

世世生生。

The wind ruffles the sycamore in autumn when the Milky Way clears. Up high, meeting yearly, the Cowherd and Weaving Girl drear. Alas, always transient affection is, now His favour yet endears. Fear the fade of beauty, fear, that fall wind cools our fan of love. Long live the immortal couple but what good do they have over love on earth? Two stars come across once a year, unlike all dawns and dusks we have here.

To the two stars we face, we vow to seas and mounts, May we be love birds flying wing to wing, trees interlocked root by root Just like shapes and shadows, in every life that counts.

漁陽鼓，起邊關。

西望長安犯，

六宮粉黛，

舞袖正翻翻

怎料到邊臣反，

那管他社稷殘。

祇愛美人醇酒，

不愛江山，

兵威驚震哥舒翰，

舉手破潼關，

遙望滿城烽火，

指日下長安。

僕僕征途苦, 遙遙蜀道長。

可恨的楊貴妃，

可殺的楊丞相！

怨君王沒個主張，

寵信著楊丞相，

怨君壬沒個主張，

墮落了溫柔鄉。

好生生把山河讓，

把錦繡山河讓。

亂紛紛家散人亡，家散人亡。

〈漁陽鼙鼓動地來〉

“Yuyang War Drums Tremble the Earth”

Yuyang war drums tremble, starting from the border. In the west, Changan’s at risk, yet the harem flaunts a facade of swirling sleeves and powder. Who knew the soldiers would rebel, becoming revolters wrecking order? Only passionate about beauty and wine, the king cares not for power. Leaving General Ge in shock, the army troops off Tung Pass without a stagger. With beacon fires everywhere, the Capital will soon be torn asunder.

〈六軍不發無奈何〉

“The Royal Troop Forced a Halt”

Tough the journey is, tedious the warpath’s more. Oh obnoxious Consort, loathsome Chancellor we abhor! How pliant our king is! It is Chancellor Yang he foolishly roots for, How weak-willed our king is! Only tender romance will he adore. Gone is his reign. Gone is the great stream and tor. The country is in shambles, families are in ruins, and people are in gore.

從來好事易摧殘，

祇怨緣慳！

迴腸欲斷情難斷，

珠淚雖乾血未乾，

勸君王淒涼莫為紅顏嘆，

珍重江山！

兩情長久終相見，天上，人間。

“The Beauty Twisted to Death”

Marriage often tends to shatter. His shallow love I mourn! I am gut-wrenched yet my affection will not rot, My pearly tears have dried yet my blood has not; Do not sigh for me, my king, a whole country you have still got. Two lovers that linger would eventually meet in mirth, In heaven, or on Earth.

〈山在虛無縹緲間〉

“The Mountain Among the Hazy Void”

香霧迷濛，祥雲掩擁，

蓬萊仙島清虛洞，

瓊花玉樹露華濃。

卻笑他，

紅塵碧海，

幾許恩愛苗，

多少癡情種？

離、合、悲、歡，

枉作相思夢，參不透，

鏡花水月，

畢竟總成空。

Fragrant fog blurs, and a prosperous cloud covers A paradise of serene wonders, with aromatic jade as flowers. The celestial maiden mocks him, “Amidst a hustling world, how often does love sprout? How often do infatuations mature? Parting, unions, grief, happiness, parting, unions, grief, happiness; Longful dreams are futile and fate is obscure. Like a flower in a mirror or a crescent in water, nothing is endless.”

淒淒秋雨灑梧桐，

寂寞驢宮，

荒涼南內玉階空，

慘綠愁紅。

悠悠生死別經年，

魂魄不曾來人夢。

如今怕聽淋鈴曲，

只一聲，愁萬種。

思重重，念重重，

舊歡新恨如潮湧，

碧落黃泉無消息，料人間天上，再也難逢。

“This Tender Languish Unending”

Autumn drizzle showers on sycamores, the palace is hollow; The barren south bears forsaken steps, red and green, now sallow. Long since your death, time has flown, yet in dreams, you never do show. Bells in the rain haunt me now; one chime and a million sorrows grow. Longing runs in my blood; yearning rests in my bone, Past love and fresh anguish rise like tides but in the Underworld nothing would echo. On Earth or in Heaven, our paths are forever lone.

FUNG, Wan Yee & HUI, Sum Yu Rainbow

LAM, Katie Chuk Kei ^

LAM, Tsz Yan #

LAW, Tsz Yi

LI, Yuhuan

CHEN, Siyu

GAO, Ruomu

HO, Chung Yee Laverne #

LAW, Wai Chung Fiona

LI, Kwun Lam

LI, Lok Yi Happy

LI, Nga Ying

LI, Xinle

CHAN, Kwok Fung ~

HO, Daryl *

LAI, Chun Yat #

Performer List

演出名單

Soprano 女高音

馮允怡

許心裕

林卓琪

林子慇

羅芷怡

李雨桓

TANG, King Fai

TSANG, Suet Ying Florence

WONG, Audrey

WONG, Man Yee*

WONG, Olivia

YU, Jingyi

Alto 女低音

陈思宇

高若木

何宗怡

羅慧中

李官霖

李樂怡

李雅盈

李欣乐

Tenor 男高音

LO, Hei Man Fanny

MAKSUD, Mumtahina*

SO, Yan Lok Charlotte

TAN, Jing Tong

TSUI, Man Lai Janti &~

WONG, Hei Yin

WONG, Ming Wai Sophia

CHIM, King Laam Clayton *

CHOW, Pak Yin

CHUNG, Wang Ho

LI, Han ^

LI, Zixi

TANG, Chi Nok Alex

陳國鋒

何思昊

賴駿逸

LUI, Hung Kit

WAN, Tsun Hei Jayden

WONG, Chun Yu

Bass 男低音

詹景嵐

周栢賢

鍾宏昊

李涵

李子皙

鄧智諾

^ Conductor 指揮

& Pianist 司琴

# Soloist 獨唱

* Part Leader 聲部部長

Narrator 旁白

WANG, Bingduo & WONG, Chun Ho

WONG, Shing Hei Ryan

WONG, Yu

YANG, Rongze

Acknowledgement

We hereby express our sincere gratitude to the following organisations and individuals for their generous support (in alphabetical order):

我們在此向以下人士及機構表達至誠謝意（按字母順序排列）：

Mr. Jimmy Chan 陳晃相先生

Dr. Paulina Wong 黃慧英博士

Prof. Samson Tse 謝樹基教授

Photographer 攝影師

Master of Ceremonies 司儀 Stage Manager 舞台監督

All Helpers

CHEN, Jiajie 陳嘉杰 HO, Cheuk Hai Jason 何卓熹 LEUNG, Hung Fun 梁鴻寬

Mr. Mak Max

Ms. Theng Min Xuan Michelle 陳敏萱女士

Mr. Wan Long Kin Kelvin 溫朗健先生

POON, Hui Long 潘煦朗 SHEK, Hei Wan 石晞允 TSE, Chun Yin 謝雋彥

CampusTV, HKUSU

Centre of Development and Resources for Students, The University of Hong Kong

Chong Yuet Ming Amenities Centre, The University of Hong Kong

Co-Curricular Support Office, The Registry, The University of Hong Kong

Examination Office, The Registry, The University of Hong Kong

Fong Shu Chuen Amenities Centre, The University of Hong Kong

The Executive Committee of Youth Literary Award Association, Cultural Association, The University of Hong Kong, Session 2024–2025

The Sanctuary, Methodist International Church

The University of Hong Kong

WAN, Tsz Ho 溫子皓 WONG, Ki Lok 黃淇樂 YE, Tsz Yu 葉芷如

香港大學學生會校園電視

香港大學學生發展及資源中心

香港大學莊月明文娛中心

香港大學課外活動支援處

香港大學考試事務處

香港大學方樹泉文娛中心

香港大學文化聯會青年文學獎協會二零二四至二零二五年度幹事會琉夢

循道衛理會國際禮拜堂聖堂

香港大學

Support Us

支持我們

THERE are many ways you can support our activities, from attending our concerts to providing kind donations and sponsorships. With your support, we will continue to bring repertoires and our harmonious voices to our audiences, growing, and learning along the way. Donations of any amount will help make a difference, and are greatly appreciated.

閣下可以通過各種不同方式支持香港大學文化聯會合唱團的活動，除親臨本團的音樂會外，亦歡迎任何捐款贊助。在您的鼎力支持下，本團定必持續學習和成長，為各位觀眾帶來優美的合唱歌聲和精彩的表演節目。本團衷心感謝您的任何捐款支持。

Donation Form 捐款表格

I / We would like to support University Choir, CA, HKU with: 我 / 我們樂意支持香港大學文化聯會合唱團，現捐款：

HKD 港幣

I/We would like to be acknowledged as (please tick the appropriate box): 屆時我/我們希望以下列名字獲得鳴謝（請選擇使用者）：

□ My / Our / Company's name:

以我 / 我們 / 公司的名字列出名字：

□ Anonymous「無名氏」

Donor’s Information 捐贈者資料

Your personal data will be treated as strictly confidential and will only be used for issuing official receipts and other communication purposes.

附下提供的個人資料，我們絕對保密，只用作郵寄回條及其他通訊之用。

Name 名字：____________________

Mr 先生 / Mrs 太太/ Ms 女士/ Doctor 博士 / Professor 教授 / Other其他^：______

^please circle as appropriate 請圈出適用者

Company Contact Person (if applicable) 公司聯絡人（如適用）：_________________

Postal Address 郵寄地址：_________________________________________________________

Telephone 電話：___________________

Email 電郵：___________________________________

Donation Method 捐款方式 – Cheque 支票

Please return this completed form, together with a crossed cheque made payable to HONG KONG UNIVERSITY 'STUDENTS' UNION - UNION CHOIR, by mail to*:

請填妥表格，連同抬頭為 HONG KONG UNIVERSITY 'STUDENTS’ UNION - UNION CHOIR 的劃線支票，寄回*：

University Choir, CA, HKU c/o Co-curricular Support Office

UG101, UG1/F, Composite Building, The University of Hong Kong, Pokfulam, Hong Kong

*the open quotation mark is not a typo 支票抬頭之開引號並非排印錯誤

Scan for online form

Tier 等級 Amount 款項

BRONZE 銅

SilvER 銀

Cash or material sponsorship worth 100 HKD or above

價值100港元以上的現金或

物資贊助

Cash or material sponsorship worth 600 HKD or above

價值600港元以上的現金或

物資贊助

GOld 金

PlatiNum 鉑

Cash or material sponsorship worth 800 HKD or above

價值800港元以上的現金或

物資贊助

Cash or material sponsorship worth 5000 HKD or above

價值5000港元以上的現金

或物資贊助

A named acknowledgement in The 57 th Anniversary Concert programme booklet.

於第五十七屆周年音樂會場刊感謝閣下的慷慨贊助。

A half-page acknowledgement in The 57 th Anniversary Concert programme booklet.

於第五十七屆周年音樂會場刊預留半頁感謝閣下的慷慨贊助。

A full-page acknowledgement in The 57 th Anniversary Concert programme booklet.

於第五十七屆周年音樂會場刊預留一頁感謝閣下的慷慨贊助。

The Sponsor may elect to receive a certificate of gratitude and a souvenir in-person on the stage in the beginning of The 57th Anniversary Concert. The Sponsor will receive a full-page acknowledgement and be acknowledged on the cover of The 57th Anniversary Concert programme booklet.

您可以選擇在第五十七屆周年音樂會開始前親身到台上領取紀念品和感謝狀，我們亦會於第五十七屆周年音樂會場刊預留一頁，給於封面感謝閣下的慷慨贊助。

titlEd 冠名

Cash or material sponsorship worth 15000

HKD or above

價值15000港元以上的現金

或物資贊助

In addition to the privileges enjoyed by Platinum sponsors, the availability of other forms of sponsorship is negotiable. Please kindly contact us at hkuchoir@connect.hku.hk for details.

除以上各項殊遇外，我們可與閣下商討另外的贊助條款，請電郵至 hkuchoir@connect.hku.hk 查詢。

Donate Pre-Purchased Tickets to Variety

捐贈預購門票至維樂天

Variety — the Children’s Charity Hong Kong, a charity based in Hong Kong believes in “A future without limits for every child.” They offer increased opportunities and social inclusion for disadvantaged children and youth and support their desire to transform their lives. Variety has worked with multiple communities and experts to achieve this goal and plays a key role in supporting the changing circumstances and reducing the burden on their families, all to build bridges in support of the future of our community: our children.

The University Choir CA, HKU will donate a portion of the proceeds of the concert to Variety and will also distribute concession tickets to the beneficiaries of Variety. Your donation will bring these youngsters more musical exposure. With your contributions, we will send up to 100 Zone C concessionary charity tickets (priced $130) for The 57 th Anniversary Concert to Variety, who will be distributing them to the beneficiaries. We will also be donating 60 percent of proceeds from pre-purchased ticket sales to Variety to further promote the good cause.

In the spirit of choral music — peace, unity, and hope, we encourage you all to support this project. If you would like to know more or make a donation, please scan the QR code.

維樂天（ Variety ）是一個香港慈善機構，他們一直秉承「孩子的未來充滿無限可能」的信念，向貧困兒童及青少年提供更多機會，協助他們融入社會，致力改寫他們的人生。維樂天努力與多個社區和專家合作，對支持孩子們面對不斷變化的處境和減輕其家庭負擔發揮關鍵作用。這一切都是爲了架設不同的橋樑，扶持我們社群的未來我們的孩子。

香港大學文化聯會合唱團會將部分捐款捐予維樂天，而將特惠門票贈送給維樂天的受惠對象。你的捐款將會助這些孩子接觸更多音樂體驗。是次慈善活動中，我們會用所得善款預購最多 100 張慈善門票（票價： $130 ），持票者可於 Zone C 區域欣賞香港大學文化聯會合唱團第五十七屆周年音樂會，而維樂天將會把這些門票贈予受助對象。我們亦會把六成的慈善門票收益捐予維樂天，以進一步推廣樂善好施的精神。

秉承著合唱的精神 —— 和平、團結與希望，我們誠邀各位支持這個計畫。請掃描二維碼以了解更多或作出捐款。