Arizona Repertory Theatre's A LITTLE NIGHT MUSIC Program

Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally Produced and Directed on Broadway by Harold Prince Directed by Miranda Crispin

A LITTLE NIGHT MUSIC

Is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 100190 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com

The Jacqueline Anne Morris Memorial Foundation Production Sponsor

April 12 - May 3, 2015 Marroney Theatre Production Sponsors l l l Marroney October 2, 2011

MAR. 8 - APR. September 11 - 5, 2015

MarroneyTheatre Theatre

4/4/15 tHROUGH

4/26/15

ARIZONA PREMIERE

BY

HERBERT SIGUENZA

BASED ON THE WRITINGS OF

DIRECTED BY

PABLO PICASSO

TODD SALOVEY

PERFORMING AT THE TEMPLE OF MUSIC AND ART

ARIZONATHEATRE.ORG

|

520-622-2823

The University of Arizona • College of Fine Arts School of Theatre, Film & Television proudly presents an Arizona Repertory Theatre production

Music and Lyrics by STEPHEN SONDHEIM Book by HUGH WHEELER Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally Produced and Directed on Broadway by Harold Prince

Director/Choreographer f Miranda Crispin Musical Director f § Monte Ralstin *

Conductors Shawn Cullen f Mike R. Padilla

Costume Designer f Richard W. Tuckett

Wig Designer f Mike R. Padilla

Scenic Designer M Erdman

Lighting Designer

Eve Bandi

Sound Designer f Matt Marcus

Technical Director Angela McMahon

Stage Manager Courtney Stevens†

Voice & Text Coach f Kevin Black *

Dramaturg Elizabeth Boyles

*Member of Actors' Equity Association

** Member of United Scenic Artists, Local 829

§Member of Screen Actors Guild-American Federation of Television and Radio Artists þSociety of American Fight Directors

±Member of American Guild of Musical Artists

©Member of The Stage Directors and Choreographers Society Unless otherwise noted, all designers, performers and technicians are School of Theatre, Film & Television students. f School of Theatre, Film & Television Faculty Member

†BFA Senior Capstone Project See Production Staff page for details.

A LITTLE NIGHT MUSIC

Is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 100190 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com

THE VIDEOTAPING OR OTHER VIDEO OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED. Arizona Repertory Theatre is the professional theatre training company of the UA School of Theatre, Film & Television.

THE CAST Desiree Armfeldt......................................................................Audrey Roberts Fredrik Egerman........................................................................... Charlie Hall Henrik Egerman.............................................................................. Josh Dunn ‡ Count Carl-Magnus Malcolm....................................................... Micah Bond Countess Charlotte Malcolm.................................................... Sarah Ambrose Anne Egerman.......................................................................Taylor Pearlstein Madame Armfeldt................................................................Grace Kirkpatrick Fredrika Armfeldt..................................................................Jamie Grossman Petra........................................................................................... Sarah Bartley Frid......................................................................................... Nicolas Freitas Mr. Lindquist....................................................................... Aaron Arseneault ‡ Mr. Erlanson........................................................................ Brian Klimowski Mrs. Nordstrom............................................................................. Cecilia Iole Mrs. Andersson........................................................................ Carolyn Fluehr Mrs. Segstrom..............................................................................Sydnee Ortiz Malla...................................................................................... Jules Grantham Bertrand........................................................................................ Brett Dixon Osa.............................................................................. Chandler Corley-Essex * Member of Actors' Equity Association ‡ Actors’ Equity Membership Candidate

UNDERSTUDIES: Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance. Aaron Arseneault for Fredrik Egerman - Victoria Celano for Mrs. Andersson - Chandler Corley-Essex for Anne Egerman - Brett Dixon for Henrik Egerman - Alex Gossard for Bertrand & Mr. Lindquist Shira Maas for Madame Armfeldt & Mrs. Segstrom - Ali Wood Moser for Petra - Marissa Munter for Desiree Armfeldt & Malla - Matthew Osvog for Count Carl-Magnus Malcolm, Mr. Erlanson & Frid - Devon Prokopek for Fredrika Armfeldt - Dominique Ruffalo for Mrs. Nordstrom - Kailyn Toussaint for Countess Charlotte Malcolm & Osa.

ORCHESTRA Violin..............................................................................................................Tim Blevins Viola......................................................................................................... Darian Douglas Cello..........................................................................................................Miguel Campos Bass................................................................................. Dallas Carpenter, Ken Marrs Reed I............................................................................. Patricia Bradley, Mike R. Padilla Reed II..............................................................................................................Mike Weiss Reed III...............................................................................Andre Feagin, Derek Granger Reed V...........................................................................................................David Adams Keyboard I......................................................................................................... Joel Pierce Keyboard II.......................................................................................................Jacob Heid

SYNOPSIS OF SCENES & MUSICAL NUMBERS

ACT I First Waltz........................................................................................... Company Now........................................................................................................ Fredrik Later........................................................................................................ Henrik Soon ............................................................................... Anne, Henrik, Fredrik The Glamorous Life........Fredrika, Desiree, Madame Armfeldt, Mrs. Nordstrom, Mrs. Segstrom, Mrs. Andersson, Mr. Lindquist, Mr. Erlanson Remember?............................... Mr. Lindquist, Mrs. Nordstrom, Mrs. Segstrom, Mr. Erlanson, Mrs. Andersson You Must Meet My Wife..............................................................Desiree, Fredrik Liaisons..................................................................................Madame Armfeldt In Praise of Woman......................................................................... Carl-Magnus Every Day A Little Death..............................................................Charlotte, Anne A Weekend in the Country.....................................................................Company

15-Minute Intermission ACT II Night Waltz...................................................... Mrs. Andersson, Mrs. Segstrom, Mr. Lindquist, Mr. Erlanson The Woman was Perfection.................................................Fredrik, Carl-Magnus Perpetual Anticipation......................................Mrs. Nordstrom, Mrs. Segstrom, Mrs. Andersson Send in the Clowns ..................................................................................Desiree The Miller's Son...........................................................................................Petra Last Waltz............................................................................................Company

Your Feet Will Be Amazed Baden

A Proud supporter of A.R.T.

PRODUCTION STAFF Direction, Dramaturgy and Management Assistant Director Shawn Hathcock Assistant Musical Director Mike R. Padillaf Production Manager Jenny Langf* Deck Manager Sara Patterson Assistant Stage Manager Jenise Melland Dramaturgy Elizabeth Boyles Dance Captain Brian Klimowski Scenery & Props Assistant Technical Director Master Carpenter Carpenters

Assistant Scenic Designer Charge Artist Scenic Artists Props Master Assistant Props Masters Props Artisans Fly Rail Captain Deck Crew

Lighting Assistant Lighting Designers Master Electrician Asst. Master Electricians Light Board Operator Programmer Electricians

Spotlight Operators

Costumes Costume Director Wig Designer Wig Technician Assistant Costume Designers Drapers

First Hands

S titchers

Wardrobe Crew Heads Wardrobe Crew

Sound

Assistant Sound Designer Production Sound Engineer (A1) Assistant Production Sound (A2) Audio Crew

Hanna Lockhart Stefan Nikolich-Zugich Joshua K. Barnhill, Steven Davis, Inga Kalvaitis, Jack Meng, Ruth Richardson, TAR 111 students Mara Tunnicliff Jesse Ploog Alison Conover, Alyssa M. LeBlanc, Andrea Pratt Amy Sue Hazel Cortni Elkins, Dorann Matson Tommy Chek, Mara Tunnicliff, Samantha Visbal Joshua K. Barnhill Ciara Biscoe, Collin Ferraro, Angelee Gardner, Nicole Martin, Joe Pettit, Joseph Putrelo, Kassandra Quayle, Amanda Rahaman, Leda Robinson, Annika Williams Mitch Van Dyke, Patrick Charles W. McClanahan Gregory James Houston Domino Mannheim, Candice “CJ” Washburn Amy LeGore Gregory James Houston Fatimah Amill, Eve Bandi, Mitch Van Dyke, Brie Gonzales, Gabe Gutierrez, Joshua Hemmo, Catherine S. Kaminsky, Reinold Kellici, Patrick Charles W. McClanahan, Ryan Moore, Mercer Pinkston, Carlos Sanchez, Sam Schwartz, Shannon Wallace Catherine S. Kaminsky, Domino Mannheim, Candice “CJ” Washburn Maryann Trombinof Mike R. Padillaf Abigail Hackney Marisa Lujan, Elly Mikula Jessica Hensley, Leah Mednick, Elly Mikula, Maryann Trombinof, Richard W. Tuckettf Abigail Hackney, Joy Halliday, Julio C. Hernandez, Marisa Lujan Rebecca Cruz, Chelsea Resh, Shane Sumner, Ivy Zipporah Wahome Marisa Lujan, Elly Mikula Yejia Cao, Kasey Caruso, Alec Coles, Reinold Kellici, Domino Mannheim, Molly Martin, Arrianna Oliver, John Sailors, Andrea Sherrill, Aubry Stitt, Vinessa Vidotto, Colt Watkiss, Alec Williams, Brie Zepeda Joshua Hemmo Garrett Seaton Amber Rudnick Daniel Colecchia, Joshua Hemmo, Kiara Johnson, Rachel Victoria Miller, John Millerd, Marcus Myler, Garrett Seaton, Jon Thompson

† Jessica Hensley - BFA Senior Capstone Project in Costume Production, Richard W. Tuckett, Major Professor † Courtney Stevens - BFA Senior Capstone Project in Stage Management, Jenny Lang, Major Professor

Your UA Theatre Fund for Excellence Gifts at Work!

In the beginning of my first semester, I realized that the largest festival of fully produced, Latino plays was happening in Los Angeles. It was called The Encuentro and sponsored by the Latino Theatre Commons. Here, I was deep into my dramaturgy course, focused on new work and I dreamed the dream of taking my students with me, so they could witness exciting new works from across the U.S., so they could experience new plays in three dimensions. A few of my students were finishing up a BFA in dramaturgy and I asked myself how I might impart all I know to them in our precious time together. I wondered what might they Elaine Romero learn about theatre if they saw plays they'd never heard of, Playwright & UA Professor created in new and exciting ways? What if they met the heads of theatres who could eventually hire them?

I went to the Director of our School, Bruce Brockman, and told him that I thought our students should have a "transformative experience before leaving this place."

He agreed, but lamentably told me that it would not work. It was a crazy idea and I understood his need to say no. The next day, Bruce tracked me down. He excitedly told me, "I think I've found the money." I now know the money was from the Theatre Fund for Excellence - from YOU. What ensued was a profound experience for me and four young women from the UA. The gathering began with an introduction, and I cannot describe the power in the room as each of the four young women, three from culturally diverse backgrounds, stood up, said her name, and declared herself as a dramaturgy student from the University of Arizona and a student of Elaine Romero's. My colleagues continued to talk to me about how they had heard my students share during feedback sessions, or about the strong impressions our students had made in conversation. Many people walked up to me said with glee, "I'm so glad you brought your students!" Colleagues from SoCal universities were impressed. They hadn't been able to get their students to come from across town. What was this University of Arizona and how did they seize the moment of The Encuentro?

On the night of the special dinner, our four young women held their own with the Director of Development from Oregon Shakespeare Festival (OSF) as they talked about the show they'd seen that night that had just been picked up by OSF. (OSF is a professional company at which any professional artist would give anything to work.)

And, suddenly, because funds were supplied by you, our wonderful patrons and donors, our four young women had access to one of the greatest new play minds in the country. YOU did that by helping to grow the Theatre Fund for Excellence, and for that, I will forever be grateful.

To Excellence, Elaine Romero Assistant Professor, UA School of Theatre, Film & Television If you would like to make a gift to the UA Theatre Fund for Excellence to help more students have enriching experiences like the one mentioned above, please visit: www.uafoundation.org/give/cfa/theatrearts, or contact the Office of Marketing & Development at (520) 626-2686 for more information.

Special Acknowledgements Arizona Repertory Theatre would like to give special thanks to the Arizona Theatre Company Costume Shop and to Instrumental Music for their generous contributions to this production.

Gootter & Associates Shane Moncada Jorge Valdez Rodriguez

5151 E. Broadway, Ste. 1200 JGGootter@gmail.com (520) 603-5471 Joseph G. Gootter, ChFC, CLU Financial Professional

AXA Advisors, LLC (NY, NY 212-314-4600)/AXA Network, LLC and its subsidiaries Gootter & Assoc. is not owned or operated

by AXA Advisors or AXA Network. PPG 43327 (2/08).

19,

15

5

Children under 4 free with paid adult

Theatre Program Advisory Board member, TaďŹƒe Ei, & her husband, Tom, are supporters of the Rincon Rotary Club.

For ticket information, call (520) 327-7111 | email wbtus@aol.com | visit www.tucsontasteofchocolate.org.

DRAMATURG’S NOTES “Well I think it must be worth it… It’s all there is, isn’t it?”

Fredrika offers us this treasure at the end of a night of outlandish spectacle at her grandmother’s request for something hopeful. She is delightfully wise for her age. Like most of us, Fredrik Egerman expects the young to be naïve, telling his son Henrik, “I’m afraid being young in itself can be a trifle ridiculous.” However, this wonderfully uncharacteristic insight from Fredrika fits perfectly within the world of A Little Night Music, which tells us that there are three stages of life: being young, being foolish, and being old. Though we face unique challenges in each stage, it is indeed the foolish that lack most in the success department.

The story is delivered to the audience with apt commentary from the most trustworthy characters available: Fredrika, the young, and Madame Armfeldt, the old. However, the fools’ story poses the biggest challenge to the preconceived notions we hold about our own lives. Fredrik, Desiree, Carl-Magnus and the lot of them appear amazingly directionless and irrational on stage, and yet these fools are so recognizable in our own lives. Their follies speak so knowingly to the secret struggles we face and often create for ourselves.

The love triangles (if you can call them that) in which they tangle themselves are unbelievably messy, but that is perhaps what makes Night Music’s version of a love story resonate so deeply. It does not shy away from the true ups and downs of being in relationships with living, breathing, erring human beings. Our cast and crew give us characters that draw out our empathy when they least deserve it. These characters are truly foolish, and are ignorant of their silly ways for much too long. Some leave their messes unresolved for years only to return to them and realize that it might be too late. This theme of love and folly tied up with time permeates the play and is arguably the crux of all the action and misfortune the characters encounter. However, the beauty of this story can be found in the idea that there is no such thing as “too late.” While time relentlessly forces us onward, it is indeed as gracious as it is vicious.

We are just as relieved as the characters are when they finally find salvation from their buffoonery. But, we are only left to linger in their peace momentarily before we are waltzed away from their world just as suddenly as we were waltzed into it.

- Elizabeth Boyles, Dramaturg

Learn more through exciting discussions!

Pre-Show Discussion: Sunday, Apr. 12th at 12:45 pm Engage in an intellectually - stimulating conversation with Dramaturgy BFA student Elizabeth Boyles, who has been serving as Show Dramaturg for A Little Night Music over a 6-week rehearsal process.

Post-Show Discussion: Sunday, Apr. 19th, immediately after the performance in the Marroney Theatre. Meet the actors and production team during a Q&A segment.

All discussions are free and open to the public.

Retina Specialists of Southern Arizona Are Proud to Support Arizona Repertory Theatre

Matthew Welch, M.D.

Leonard Joffe, M.D., F.C.S. (SA), F.R.C.S. Edin.

Reid F. Schindler, M.D., F.R.C.S. (C), F.A.C.S.

Drs. Leonard Joffe and Reid Schindler have been evaluating and treating retinal conditions for more than 35 years. They and Dr. Matthew Welch specialize in treatment of diseases of the retina and vitreous, such as Macular Degeneration, Diabetic Retinopathy, OcularTumors, Retinal Tear/Detachment, Vein Occlusions and other rare conditions.

Dr. Joffe, who trained in South Africa; Edinburgh, Scotland; and Wills Eye Hospital in Philadelphia, has practiced in Tucson for 34 years. He particularly enjoys diagnostic challenges and has been listed in Best Doctors in America since 1994. He is a member of the Macula Society, the Retina Society and the American Society of Retina Specialists. Dr. Joffe was chosen as Jewish Community Man of the Year in 1992. He enjoys the theatre, symphony, golf and UA Basketball.

Dr. Schindler trained at the University of Alberta, University of Western Ontario and Wills Eye Hospital in Philadelphia, and has been listed in Best Doctors in America since 2001. He has practiced in Tucson for 27 years and chose medicine for the diagnostic and treatment challenges. He is a member of the American Society of Retinal Specialists and considers being a physician a tremendous privilege. Dr. Schindler served as Chief of Staff at Carondelet St. Joseph’s Hospital from 2008-2010 and enjoys working with the hospital community.

Dr. Welch received his medical degree and ophthalmology training at Loyola University, Chicago, and Stritch School of Medicine. The son of an ICU nurse, his favorite aspect of his practice is the ability to offer care in their office for a variety of conditions.

CONTACT INFORMATION: 4753 E. Camp Lowell Dr., Tucson, AZ 85712

(520) 881-1400 | www.retinaspecialistsaz.com

PROFILES Miranda Crispin (Director/Choreographer) – serves on faculty in the Acting & Musical Theatre division at the UA School of Theatre, Film & Television and as Artistic Director of American Musical Theatre LIVE! in Paris, France. This year at the UA, she directed Encore! and choreographed The Full Monty. Professional credits include Paris premieres of The Last Five Years (Cathy), Songs for a New World, Andrew Byrne Cabaret (Director), and Edges (Vocal Director) at L’Auguste Théâtre (Paris, France). She is currently in pre-production for a new Off-Broadway à Paris production opening June, 2015. Teaching experience includes the American Conservatory of Paris (France), Viterbo University and the Cambridge School of Performing Arts (England). Her students can be seen performing worldwide from NYC to Paris to Sydney.

Monte Ralstin (Music Director) – worked 18 years in NYC as a voice teacher, director and performer and in numerous regional theatres & national & international tours. His credits include Mr. Snow in Carousel at Paper Mill Playhouse and Theatre Under the Stars, and the national tour of On the Twentieth Century with Imogene Coca and Judy Kaye, and on TV with Eddie Bracken in Show Boat. Monte played in the European production of Cats and the European tour as Old Deuteronomy, Gus/Growltiger and Bustopher Jones. Monte is in his 15th year at the UA. During the 2010-11 year, he received the College of Fine Arts Charlie and Irene Putnam Award for Excellence in Teaching. He is a member of AEA, SAG and the National Association of Teachers of Singing.

Shawn Cullen (Conductor) – is excited to be conducting A Little Night Music with Arizona Repertory Theatre! He has enjoyed a diverse and multifaceted professional career as an awardwinning educator, conductor, instrumentalist and vocalist performing throughout the U.S., Mexico and South America. Mr. Cullen has spent multiple years as Adjunct Faculty in the UA and serves in the role as Mentor Teacher for fine arts educators in TUSD Schools. He is a nationally recognized GALA Choruses Artistic Director with the Reveille Men’s Chorus and Desert Voices Chorus. Mr. Cullen holds a Bachelor’s in Music Education degree and Master’s in Conducting degree as an alumnus of the UA. Love and thanks to Mom, NeNe, Didda, and my puzzle piece, Matthew. Always and forever for Dad. Mike R. Padilla (Conductor, Asst. Musical Director, Wig Design) – For over 30 years, Mike has worked as a Music Director/Actor for many theatre companies in San Francisco, Tucson and Japan. Recent Arizona Repertory Theatre credits include Urinetown, The Full Monty, This and A Little Night Music. Recently, Mike was the founding Music Director/Pianist for the Great American Playhouse. He spent 17 years in San Francisco working as a cabaret pianist/ singer in clubs like the Top of the Mark along with coaching piano and voice students. He studied acting and voice with Studio ACT and the San Francisco Academy of Performing Arts where he was also on staff. Mike’s teachers/mentors include

Richard Nickol, Monte Ralstin, Peter Mintun, Edna Fisher and Ron Vogel. When not working with UA students, Mike coaches voice and piano privately.

Richard W. Tuckett (Costume Designer) – has designed or constructed costumes for the Opera Theatre of St. Louis, Repertory Theatre of St. Louis, Arizona Theatre Company, Arizona Opera, Virginia Opera, Steppenwolf Theatre Company, Ballet Michigan and Illinois Dance Theatre, among others. As a draper, he has produced costumes for nationally and internationally recognized designers, including fashion icon, Isaac Mizrahi, multiple Tony Award recipient Martin Pakladinaz and Metropolitan Opera designers Jane Greenwood and Robert Perdziola. His costumes have been worn by stars like Academy Award-nominated actress Amy Irving and acclaimed mezzo soprano, Denyce Graves. Favorite design projects include: Carousel and The Music Man (Arizona Repertory Theatre), The Trip to Bountiful and Much Ado About Nothing (Hope Repertory Theatre), Rags (Borderlands Theatre Company), Love/Valor/Compassion (Panoramic Productions) and Twelfth Night (Illinois Repertory Theatre).

M Erdman (Scenic Designer) – is a second-year MFA student at the UA. She is extremely honored to be designing her second Arizona Repertory Theatre show this season, having designed the first show of the season, Lend Me A Tenor. M has worked on a wide spectrum of projects in a variety

BEHIND the scenes TOURS

Want to arrange something FUN & different for your group or club? How about a FREE, behind-the-scenes tour of our theatres? Tours typically last one hour & include Q&A. Contact the Marketing & Development Office at 520.626.2686 or marketing@cfa.arizona.edu for more information.

2015-2016 SEASON Barefoot in the Park

by Neil Simon

Sep/Oct 2015 Gootter & Associates

Cabaret

Book by Joe Masteroff Based on the play by John Van Druten & Stories by Christopher Isherwood Music by John Kander Lyrics by Fred Ebb

Reckless

by Craig Lucas

Nov/Dec 2015

Oct/Nov 2015

Lyn Tornabene

Jane Kivel + Campbell, Yost, Clare & Norell, P.C.

Gootter & Sponsor Associates

Co-Sponsors

Co-Sponsors

The Comedy of Errors

by William Shakespeare

Feb/Mar 2016

The Tempest

Rent

by William Shakespeare

book, music & lyrics by Jonathan Larson

Feb/Mar 2016

Pat Engels & Richard Medland Sponsors Sponsor

Apr/May 2016 The Jacqueline Anne Morris Memorial Foundation Sponsor

UA Fine Arts Box Office | (520) 621-1162 | theatre.arizona.edu SEASON SUBSCRIPTIONS AVAILABLE MAY 1, 2015.

Congratulations to the cast & crew of

Music and Lyrics by STEPHEN SONDHEIM Book by HUGH WHEELER

The Jacqueline Anne Morris Memorial Foundation A Little Night Music production sponsor

PROFILES of positions including three feature films, five short films, three web series, several music videos and over 20 theatrical productions in three time zones, including the Pulitzer Prize - winning Water By the Spoonful. She is incredibly grateful for this opportunity to create something that mirrors the beauty in Sondheim's music and has thoroughly enjoyed the collaborative process with such talented people. www.MEthemaker.com Eve Bandi (Lighting Designer) – is a second year graduate student in the lighting department here at the UA. She graduated from the University of Pittsburgh in 2011 with a degree in physics/ astronomy. Her previous work with Arizona Repertory Theatre includes Associate Lighting Designer for The Man Who Came to Dinner and Lighting Designer for Frankenstein and last spring's The Glass Menagerie. Over the summer, she designed the lights in Pittsburgh for No Name Players' Evil Dead: The Musical, reSOUNDing Courage, and Fixing King John.

Matt Marcus (Sound Designer) – is a Faculty Sound Designer for the UA and is delighted to be working with a terrific creative team on A Little Night Music.

Recent Arizona Repertory Theatre credits include sound designs for Lend Me a Tenor, The Full Monty and This. Other productions include Love, Sweet Love, national tours for Theatre of the Stars, Dallas Summer Musicals and Theatre League. In addition to his theatre work, Matt has run live sound for hundreds of national and international recording artists. He currently designs and engineers sound for the Tucson Symphony Orchestra. On hiatus from his audio career, Matt was Property Master for Mr. Rogers’ Neighborhood. Member of the International Alliance of Theatrical and Stage Employees, and is the Vice President of Local 415.

Angela McMahon (Technical Director) – is a second year MFA student in Technical Direction.

Her past Arizona Repertory Theatre credits include Assistant Technical Director for The Fantasticks and Oklahoma! and Technical Director for Frankenstein.

She has previously worked at Tibbits Opera House and the Chicago Shakespeare Theatre. Angela is originally from Kalamazoo, MI, where she received her BA from Western Michigan University.

Courtney Stevens (Stage Manager) – is a senior in the Design/Tech BFA program with an emphasis in Stage Management. While Stage Management is her emphasis, she also enjoys doing stage electrician work with the Lighting department. Her Stage Management credits at Arizona Repertory Theatre include the productions of Boeing Boeing, The Glass Menagerie, A Midsummer Night’s Dream and Frankenstein. Other credits include productions of Twelfth Night, A Midsummer Night’s Dream and Seussical: The Musical. She would like to thank her family for always supporting her. A big thank you to the cast and crew for making her last show at Arizona Repertory Theatre a great one!

Kevin Black (Voice & Text Coach) – is an Associate Professor of Practice at the UA, teaching Acting and Voice and Movement. He has coached dialects for Arizona Repertory Theatre and ATC. He regularly appears in Arizona Repertory Theatre productions, including Cymbeline, As You Like It and Dracula. A long-time member of AEA, Kevin has performed at The New York Shakespeare Festival, The Shakespeare Theater at the Folger, Primary Stages, The Pearl Theater Co., The Alliance Theater, Indiana Rep, Delaware Theater Co., GeVa Theater, Laguna Playhouse and Pacific Repertory Theater. He played Paul in Invisible Theatre’s U.S. premiere of Mesa and at ATC, he has appeared in Romeo & Juliet, The Great Gatsby, The Last Red Book, The Narrows and for ATC’s Cafe Bohemia, The Tortilla Curtain.

Elizabeth Boyles (Dramaturg) – is a junior in the BFA Theatre History & Dramaturgy program.

She has done dramaturgy for Arizona Repertory Theatre's productions of Lend Me A Tenor, A Midsummer Night's Dream and Boeing Boeing. She has also recently assistant-directed The Lady in the Looking Glass with the Rogue Theatre and boom with Winding Road Theatre Ensemble.

~ ACTOR PROFILES ~ Sarah Ambrose (Countess Charlotte Malcolm) – is a junior Musical Theatre major and is thrilled to be part of A Little Night Music. Her favorite show credits include Shrek The Musical, Into the Woods, Spring Awakening, Footloose and Little Women. She recently was in Arizona Repertory Theatre’s production of The Full Monty as Vicki Nichols. Past Arizona Repertory Theatre productions also include A Midsummer Night’s Dream as Peaseblossom and she understudied for Lorraine Sheldon in The Man Who Came to Dinner. Ms. Ambrose is from Glendale, AZ, and she would like to thank her parents, friends, her boyfriend Alex and her teachers for their love and support.

Aaron Arseneault (Mr. Lindquist) – is a sophomore Musical Theatre Major from Glendale, AZ. He is ecstatic to be a part of one of his dream shows with Arizona Repertory Theatre. Favorite roles include: Gaston (Beauty and the Beast), Finch (H2$) and Pirate King (Pirates of Penzance). He

PROFILES would like to thank the production team for all of their hard work. But most importantly, he thanks his family for constantly providing the support he needs to pursue his dream.

Sarah Bartley (Petra) – originally from Denver, CO, is a senior BFA Musical Theatre major. She is thrilled to be playing Petra in A Little Night Music for her final show at Arizona Repertory Theatre!

Thank you to Miranda, Monte and Mike for their wonderful direction. She was most recently seen as Estelle in Arizona Repertory Theatre's production of The Full Monty and has also appeared in Oklahoma!

(Ensemble), The Man Who Came to Dinner (Mrs. McCutcheon) and Nine (Annabella). Sarah gives a thankful shout out to Mom and Dad, Grant, friends and God for their love and support these four years at the UA! Micah Bond (Count Carl-Magnus Malcolm) – bids the Arizona Repertory Theatre stage farewell with his final show at the UA. He most recently appeared as Alan in This at the university. His most heartfelt thanks go out to his family, his friends, his mentors and his professors. He hopes you have enjoyed watching his characters over the past four years as much as he has enjoyed performing them. www.

MicahBond.com Chandler Corley-Essex (Osa) – is currently a sophomore in the Musical Theatre program and is delighted to be making her Arizona Repertory Theatre, main stage debut! She most recently understudied the role of Georgie in Arizona Repertory Theatre's The Full Monty and is looking forward to a world of possibilities ahead of her. She has also been seen as Maggie Jones in 42nd Street and Elizabeth Proctor in The Crucible. Just a few more years until Broadway!

Brett Dixon (Bertrand) – is excited to be a part of the cast of Arizona Repertory Theatre's A Little Night Music! He has previously understudied in three other shows with Arizona Repertory Theatre and played the part of Marty in The Full Monty. He also has been seen as Lamar in Godspell at SCC as well as an ensemble member in PVCC's The Music Man. He would like to thank all his friends and family for their support!

Josh Dunn (Henrik Egerman) – is beyond excited to be a part of A Little Night Music. Josh is a sophomore BFA Musical Theatre major and is so grateful to be in his third Arizona Repertory Theatre production.

He was last seen in The Full Monty as Ethan Girard.

He was also a member of the ensemble of Oklahoma! last season. Josh was fortunate enough to be on the creative teams for two original works, Picture That and Trapped. He would like to thank his family and friends for their unending love and support, as well as the entire team of directors and designers who bring this beautiful story to life. To God be the glory!

Carolyn Fluehr (Mrs. Andersson) – is a senior BFA Musical Theatre major excited to be an official alumna of the UA. As she looks forward to beginning

her career as a professional actor, Carolyn would like to thank her professors for their constant guidance, her classmates who have become family, and her family who has unconditionally supported her. The UA has been far more than a home for Carolyn, and she is confident that the lessons she learned and relationships she built will endure long into her career. www.carolynfluehr.com Nicolas Freitas (Frid) – is from Phoenix, AZ, but was originally born in Sao Paulo, Brazil. This is his first year at Arizona Repertory Theatre and he is very excited to take part in this year's productions.

At Mountain Pointe High School and Wauwatosa West High school, he played Chuck Cranston in Footloose, Captain Hook in Peter Pan and many more. Nicolas plans to be a film actor after he graduates from the UA. Jules Grantham (Malla) - is from Tucson, AZ. This is her third production in her college experience, and she is ecstatic to work with the A Little Night Music cast! Jules is working hard and enjoying these wonderful moments in life. She is thrilled to be learning so much! She is hoping to move to a big city someday and begin her career on Broadway. She would like to give a big, warm thanks to her parents, family, friends and boyfriend for their support and unconditional love!

Jamie Grossman (Fredrika Armfeldt) – is a junior Musical Theatre major at the UA. Some of her past credits include: The Full Monty (Georgie), Oklahoma (Ellen/Ensemble), Hairspray (Tracy), Legally Blonde (Paulette) and Sweeny Todd (Mrs. Lovett). Special thanks to Miranda, Monte, Mike, the cast and crew, and family.

Charlie Hall (Fredrik Egerman) – is a native Tucsonan completing a BFA in Musical Theatre. His performance is in loving memory of his sister and father. Charlie would like to thank the artistic team and cast & crew members for the most rewarding artistic experience of his life. Blessings to his better half, Claire, and his mama for their endless love and support. His credits include opening for The Brian Setzer Trio; vocalist for Artifact Dance Project's 15-city tour of China; eight seasons with The Gaslight Theatre; alum of the Broadway Theatre Project, under the artistic direction of Ben Vereen, he co-stars in “Blues and Soul Explosion: A Tribute to The Blues Brothers,” with The Bad News Blues.

Check out Charlie's 12-piece soul band, The Socials at www.MeetTheSocials.com.

Cecilia Iole (Mrs. Nordstrom) – can't believe this is her last Arizona Repertory Theatre show! She'll be graduating with her BFA in Musical Theatre in May. Cecilia is unbelievably grateful to all the wonderful professors who have taught and challenged her so much these last four years. Her highlight at Arizona Repertory Theatre was playing Luisa in The Fantasticks. This summer, she'll be returning to Rocky Mountain Repertory Theatre in Grand Lake, CO, for her second summer season. After the summer, she'll be moving to NYC to pursue

PROFILES her passion. She would like to thank her parents for their unwavering support and unbelievable confidence in her.

Grace Kirkpatrick (Madame Armfeldt) – is a junior in the BFA Acting program and is also studying for a minor in Psychology. Recent Arizona Repertory Theatre roles include Diana in Lend Me A Tenor and Puck in A Midsummer Night's Dream. Grace would like to thank Lady Dianne Winslow and her cat, Cuddles, for being the inspirations for Madame Armfeldt and her family for their love and support.

Brian Klimowski (Mr. Erlanson) – is currently a junior at the UA completing his BFA in Musical Theatre. Arizona Repertory Theatre credits include The Full Monty (Malcolm), Lend Me A Tenor (Max), Oklahoma! (Ike, Curly u/s) and The Fantasticks (Mute, El Gallo u/s). This summer, he will be returning to the Woodstock Playhouse in Woodstock, NY, to perform in their summer season! Regional credits include West Side Story (Tony), Spamalot (Lancelot), Jesus Christ Superstar (Annas), The Three Musketeers (Buckingham) and Romeo and Juliet (u/s Ensemble).

Around the Tucson area, he performs regularly with Mister Bing's Performing Arts Lounge as a cabaret singer and emcee. “A big thank you to my family and friends for your constant support and love.

Love you all!” www.BrianKlimowski.com Sydnee Ortiz (Mrs. Segstrom) – is very excited to be graduating in May. A Little Night Music is her last show with Arizona Repertory Theatre, and it has been a wonderful experience working with Miranda,

Monte and Mike. She would also like to thank her professors for their helpful advice and mentoring.

Highlights include Avenue Q where she played Gary Coleman, Nine as Sarraghina and A Midsummer Night’s Dream as Helena. After graduation, Sydnee will be attending an acting intensive workshop at the Royal Academy of Dramatic Arts in London.

Sydnee would also like to thank her Mom and Nana for all their love and support, as well as her boyfriend Alex and best friends Michael, Michelle, Kaitlyn and Anusha for always being there for her.

Taylor Pearlstein (Anne Egerman) – is thrilled to make her Arizona Repertory Theatre debut in A Little Night Music! Taylor is a sophomore BFA Musical Theatre major, hailing from Seattle, WA. Her favorite past roles include Maureen in RENT, Sandra in All Shook Up and Teresita in West Side Story. Taylor has trained and performed with regional theaters in Seattle including The Village Theatre and The 5th Avenue. Endless thanks to her incredibly supportive family, her passionate professors and the lovely cast and crew of A Little Night Music.

Audrey Roberts (Desiree Armfeldt) – is over the moon to be in a Sondheim classic. Audrey was most recently seen in Arizona Repertory Theatre's The Full Monty and Oklahoma!. Ms. Roberts thanks her Savior, her supportive family and her beloved Stephen. She also thanks her director, Miranda Crispin, for this awesome opportunity. Peace and love to all - enjoy the show!

The Caucasian Chalk Circle Written by Bertolt Brecht Directed by David Weynand

Harold Dixon Directing Studio, Drama Bldg (Rm. 116) April 23-25 at 8 pm & April 26 at 2 pm General Admission: $7 520-621-1162 | tickets.arizona.edu WARNING: Profanity and adult content is used.

Teens welcome with parent or adult guardian. No children under 13, please.

SUMMER COURSES NOW OPEN!

Online Registration Available INFO: hsp.arizona.edu (520) 626-7845 Follow us on Facebook

Enjoy the Show?

For nearly 80 years, our reviews and awards have supported what our audiences already know–Arizona Repertory Theatre produces professional, quality productions. We continue to push artistic boundaries and strive for excellence on all levels - in the classroom and on the stage. Arizona Repertory Theatre has built its subscriber base by presenting productions of the highest caliber and maintaining a superior level of customer service.

Please consider a donation to help keep our ticket prices as low as possible and to support our productions, which remain a vital part of our academic mission. Donations of $35 or more are acknowledged in our production programs and 100% of your contribution is tax-deductible.

Your contribution will be designated to the School of Theatre, Film & Television’s Theatre Fund for Excellence and will be used for the Theatre Program’s operating costs.

Give Online!

Did you know that no credit card fee will be assessed if you give your gift online?

www.uafoundation.org/give/fund/theatre Gift Amount: $ ___________________________________________________ Name(s): ________________________________________________________ Address: ________________________________________________________ _________________________________________________________________ Phone: (________)_________________________________________________ E-mail: __________________________________________________________ Check payable to UAF/Theatre Visa Mastercard American Express CC No.: _______________________________________ Exp.: ______________ Signature: _______________________________________________________ Name as it appears on CC: ________________________________________ How you would like your name(s) to appear in our programs (if different from above) or if you wish to remain anonymous:

__________________________________________________________________ Mail to: Marketing Office, UA School of Theatre, Film & Television P.O. Box 210003, Tucson, AZ 85721 For more information contact the Theatre Program Marketing Office at (520) 626-2686 or marketing@cfa.arizona.edu.

M ister

Bing’s

PERFORMING ARTS LOUNGE

Proud to Support

Arizona Repertory

Theatre

Mister Bing’s Performing Arts Lounge revives the ambience of the 1930’s & 1940’s supper club, showcasing the most talented artists in the city, on select nights at 7pm. Check website for performance schedules, artists & venues.

A portion of what you contribute to see a Mister Bing’s production, called a Bing F.A.R.E. (Funding Artists Revolutionizing Entertainment), goes directly to the artists who perform & to our friends...like the UA Arizona Repertory Theatre & other local performing arts organizations.

MisterBingsPresents.com

SPECIAL THANKS TO OUR SUPPORTERS

Victoria terzano Production Co-Sponsors Lend Me A Tenor

Jane Kivel -and-

Campbell, Yost, Clare & Norell, P.C. Production Sponsor Frankenstein

Gootter & Associates Gootter & Production Sponsor Associates

This

Production Co-Sponsors The Full Monty

Pat Engels & Richard Medland

The Jacqueline Anne Morris Memorial Foundation

Production Sponsors Othello

Production Sponsor A Little Night Music

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MARRONEY CIRCLE OF FRIENDS

The Marroney Circle of Friends, formed in C of 2002, is a special group of donors who have shown a significant financial commitment to the Theatre program of the School of Theatre, Film & Television. In return, the School offers the "Marroneys" opportunities to share in the process of its academic and creative work. For more information or to become a Marroney Circle of Friends supporter, please contact (520) 626-2686 or marketing@cfa.arizona.edu.

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Special thanks to this important group of donors:

Anonymous • Norma Arnow • Patricia S. Ballard • Ann Blackmarr • Arch & Laura Brown • Doris & Len Coris • Genie & Paul Gengler • Jo & Jules Harris • Marcia & Jay Iole • Jane Kivel • Gloria Knopf • Greg Knopf • Coty Meloy • Frances Moore • Dr. William T. Neumann • Sylvia & Andrew Norell • Mary Parnell • Judy Ranzer • Myrna Silver • Rica & Harvey Spivack • Petricia & Edward Steinhoff • Lorraine & Adolf Stern • Shirley & Ted Taubeneck • Victoria Terzano

THANK YOU TO OUR DONORS Over the years, the Theatre Program has enjoyed a rich tradition of philanthropy.

Donations help attract talented students and faculty and support our mission to provide professional training and education to students through an outstanding production program.

Transformational Gifts to the Theatre Program

With deep gratitude we acknowledge those whose significant and ongoing gifts have transformed the lives of students and faculty.

Patricia S. Ballard • Tami & Thomas Barrow • Linda D. & Elias Barzilai • Joanne & Bill Bennett • Ann & Neal* Blackmarr • Laura & Arch Brown • Richard & Elizabeth Murphy Burns • Donna & Dr. James M. Byers III • Campbell, Yost, Clare & Norell, P.C. • Esther N. Capin* • Chapman Automotive • David D. Cone Foundation • Doris & Len Coris • Carol Cowan • Sally & Ralph Duchin • Pat Engels & Richard Medland • Paulette & Joe Gootter • Peggy Haines* • Susan Jackson* • Linda & Joseph Jenckes • Jim Click Automotive Team • Jane & Lee* Kivel • Susan W. & Bernard R.* Kornhaber • Patricia Kraisman • Mrs. Peter Marroney* • Barbara Molotsky • Drs. James & Shirley O’Brien • Susan & Charles Ott • Mary & David Parnell • damon Patton* • Cindy Ashton Rounds & G. Starr Rounds • SaddleBrooke Performing Arts Group • Patricia Carr Morgan & Peter Salomon • Rica & Harvey Spivack • Petricia & Edward Steinhoff • Candace & Lester* Stephens • Shirley & Ted Taubeneck • Lyn Tornabene • Sharon & Albert Tucci • JoAnn & John Vosskuhler • Harvey M. Young* We are pleased to acknowledge the following donors who made contributions between January 1, 2014, and December 31, 2014. $10,000+ Laura & Arch Brown • Richard & Elizabeth Murphy Burns • Jim Click Automotive Team • Wanda R. Roy • Lyn Tornabene • Patricia H. Williamson $5,000-$9,999 Paulette & Joe Gootter • Gootter & Associates • Sally & Ralph Duchin • The Jacqueline Anne Morris Memorial Foundation $1,000-$4,999 Anonymous • Cindy Ashton & G. Starr Rounds • Patricia S. Ballard • Joanne & Bill Bennett • Donna & James Byers • Meg & Paul Cajero • Campbell, Yost, Clare & Norell, P.C. • Arlene & Edward Cohen • Doris & Len Coris • Shawn Edgar • Stephanie & Tom Eiff • Beatrice & Samuel Ellis • Susan & Thomas Fluehr • Josefina & Raul Gonzalez • Josephine & Jules Harris • Margaret & William Horst • Jane Kivel • Susan W. Kornhaber • Gloria Linden • William T. Neumann • Caren & Thomas Newman • Sylvia & Andrew Norell • Vivi & Adib Sabbagh • Ann Peterson & Kirk Saunders • Petricia & Edward Steinhoff • Shirley & Ted Taubeneck • Victoria Terzano • Bobbie & Don VandeGriff $500-$999 Anonymous • Jeannette & Robert Barnes • Barbara & William Bickel • Ann Blackmarr • Genie & Paul Gengler • Wesley Green • Elaine & Martin Heilbraun • Sandy & Elliott Heiman • Terry Hersh • William Horne • Joan & Jim Horwitz • Marcia & Jay Iole • Marcelle & Leonard Joffe • Maria & George Knecht • Greg Knopf • Linda & Steven Laden • Coty Meloy • Frances Moore • Janet Moore • Mary & David Parnell • Denise & Thomas Pothoff • Judy Ranzer • Myrna B. Silver • Alice & William Singer • Rica & Harvey Spivack • Monique Steinberg • Lorraine & Adolph Stern • Sharon & Albert Tucci • Jen Willis & Kathryn K. Rowen • Jo Ann Zirkle

$250-$499 Anonymous • Norma Arnow • Catherine & Kurt Bartley • Julie & Jeffrey Bell Mary & John Carhuff • Helen & Donald Carson • Julie Cohn • Jane Curatola • Ronald Frantz • Tracy Gee • William Gillen • Kathy & Michael Hard • Marsha & Sidney Hirsh • Karen & Chuck Jonaitis • Gloria Knopf • Karen & Timothy Koch • Patricia Wallace & Jan Konstanty • Kathy & Walter Kutscher • Margit & Jerry Lacker • Diane & Jerry McAllister • Lynda Menis • Lucy & Leland Pederson • Joan Peet & Mark Gettings • Sharmin Pool • Linda Ratcliffe • Darleen Raulerson • Enriqueta & Mike Salvo • Mary & Joseph Sciabarra • Daniel J. Singer • Sharon Smith • Candace Stephens • Katharina Philips & Sheldon Trubatch • Rita & Anthony Vickers • Walter Wentzel $100-$249 Quin Chen & Joseph Alpert • Faith K. Alster • Donna & Robert Altschul • George & Velta Anast • Reginald F. Bain • Myra Balesi • Kati & Roger Ball • Kathryn Ball • Kathie & Jim Barrett • Margaret & Thomas Baxter • Jane Brown • Marvin Brown • Kathleen & William Burnett • Ellen E. Bussing • Karen & Bill Call • Nancy & John Carouso • Barbara & Don Carrig • Wendy Million & Allen Chapman • Barbara & John Churchill • Robert Claassen • Elizabeth H. Coffey • Kristine & Earl Cohen • Marsha Cohen • Helen Cook • James Cornell • Dorothy S. Davis • Terry & Peter Downey • Helen Edmond • Mary Fladness • Bridget Flanagan • Sorale & Marvin Fortman • Beth Francis • Lela Freiman • Nancy and Mark Garrigus • Steven Cohen & Michael Godnick • Linda & James Goggin • Kay & Edwin Goss • Kaye & Phil Gray • Ruth Zales & Kenneth Greenfield • Margaret H. Hamachek • Ann & Nils Hasselmo • Donald Hausrath • Maureen Herr • Kelley M. Hogan • JoAnne & Robert Hungate • Norma Inkster • Natalie Ireland • Marsha & David Irwin • Sonia & Michael Kaye • Jay Keene • Barbara & Arnold Kraus • Leo Litowich • Carol & Phil Lyons • Honey & Murray Manson • Pat Martin • Joanne & Jesse Martinez • Sarah McGreevy & Stanley Gorman • Lois McKelvey • Sally Carson & Dennis McLaughlin • Patricia & John Meurant • Diane & Jon Michaels • Diane & Don Misener • M. E. Mishkind • Constance Myren • Mary O'Hair • Susan & Charles Ott • Lynn & Clay Pruitt • Sally Quinby • Doris & Steven Ratoff • Richard Rehse • Judy & Ken Riskind • Helen M. Rubel • Polly Rutnik • Evelyn & T. F. Saunders • Helen & John Schaefer • Trisa & Andrew Schorr • Jane & Hugh Smith • Jill Spellman • Joe Swinson • Tucson Readers (Alice's Book Club) • Deborah & Kevin Visbal • Sandra & David Wanger • Deborah & Gerald Weintraub • Joyce & Barry Weiss $35-$99 ACES Senior Club • Jackie & Dale Alger • Barbara & Wayne Algire • Jack D. Barnes • Kent Barrabee • Barbara & Lee Beach • Maureen & John Bike • Betsy & Michael Boxer • Karen & John Brady • Millie Bright • Tom Burke • Susan & Douglas Butler • Constance Chan • Danni Coalter • Laverne & Sam Cohen • David Coney • Jean Dalton • Augusta Davis • Isabel & Raul Delgado • Roxanne L. Delorme • Eve Dolan • Allan G. Eisenwinter • Frances & Roy Emrick • Rose & James Ewen • Nancy & Philip Fahringer • Wendy Feldman • Jane Toussaint & James Fenn • Harriet & Gary Fielding • Judy & Cary Fishman • Hildreth Garb • Gail & William Garrison • Sue & John Gigax • Gretchen & Carl Goswick • Jane & William Grinonneau • Louisa & Jim Guise • Trudy Haggard • Ellen & Michael Harris • Donald Haskell • Joyce & William Havens • Regine & Munro Haynes • Kelly Holt • Barbara Holtzman • Connie Howard • Robert S. Howard • Sally & Carlos Huerta • Margaret Ingraham • Michelle & Daniel Kirchner • Carol Levine • Michael A. Liguori •Jo Ann Little • Gail Martin • Nancy Matthei • Joni & Pete Mayer • Philip McArthur • Robert McConeghy • Lora & James McCray • Gail McDonald • Brigitte & Ulrich Michael • Edith Michelson • Kerstin & Thomas Miller • Susan & Gary Miller •Leone Mohney • Shirley & Dorwin Newman • Terry & David Olson • Patricia & Brooks O'Neil • Pilar Oppenheimer • Ellyn Ostrow • Nanette & Lester Packer • Norma & Dave Palmer • Martha & Terry Perl • Herbert Ploch • Kenneth Prchal • Janis Pridans • Louise Greenfield & Simon Rosenblatt • Carol & John Ross • Madelon C. Muller-Rubens & Alan B. Rubens • Marleen & Howard Rubin • Ruth & Steve Russell • Calista & Raymond Schafer • Jim Schnitzer • Eve Schocket •Eileen Sherlock • V. & Keith Siebers • Emery Silvester • Irene Sivek • Linda & Glenn Smith • Aimee & Casey Smythe • Cynthia & David Soffrin • Caryl & Aaron Starobin • Roz Stein • James Stewart • Sharon Thomas • Nancy Tomlinson • Tucson Pizza Studio, LLC• Judith M. Treistman • Linda & Gerald Tumarkin • Kathryn & David Unger • Joyce Unger • Linda Van Pelt • Berchman Vaz • Robert F. Walter • Molly & Doug Webster • Rebecca & Russ Werner • James I. Wheeler • Barbara Witkiewicz • Richard Wolff • Margaret & Irving Young These gifts reflect our records from January 1, 2014 to December 31, 2014. Contributions received after this time period will be included in the fall 2015 performance programs. Please notify us of any changes or corrections. We greatly appreciate the support of all of our donors. To make a tax-deductible contribution to the Theatre Program of the School of Theatre, Film & Television, please contact the Marketing & Development Office at (520) 626-2686 or marketing@cfa.arizona.edu, or mail your donation to University of Arizona, P. O. Box 210003, Tucson, AZ 85721.

*In Memoriam

THEATRE POLICIES House Policies: Please turn off watch alarms, mobile phones, pagers, and all other electronic devices. Food, beverages and smoking are not permitted inside the theatre. The use of cameras or recording devices of any kind is strictly prohibited. Children five and under and strollers are not permitted inside the theatre.

Seating Policy: Productions begin on time. Generally, each theatre will open for seating 30 minutes before curtain. There is no late seating.

Refunds: Tickets are non-refundable. All ticket sales are final.

Emergency Messages: Physicians and other patrons expecting emergency calls during a performance are asked to leave their paging devices with the House Manager.

Lost and Found: Lost and found items will be reported to the Fine Arts Box Office at (520) 621-1162. **Video and/or audio recording of this performance by any means whatsoever are strictly prohibited**

THEATRE PROGRAM FACULTY & STAFF

ADMINISTRATION

FACULTY Mr. Bruce Brockman, Director of School Mr. Peter Beudert, Univ. Distinguished Professor Mr. Kevin Black, Assoc. Professor of Practice Mr. Matt Bowdren, Post Graduate Fellow Dr. Kevin J. Byrne, Assistant Professor Ms. Miranda Crispin, Assistant Professor Dr. Harold Dixon, Professor Emeritus Ms. Deanna Fitzgerald, Associate Professor Mr. Brent Gibbs, Associate Professor Mr. Danny Gurwin, Assistant Professor Mr. Richard T. Hanson, Assoc. Professor Emeritus Mr. Patrick Holt, Associate Professor Mr. Ted Kraus, Assistant Professor Dr. Frank LaBan, Professor Emeritus Ms. Jenny Lang, Instructor Dr. Jessica Maerz, Assistant Professor Mr. Matthew Marcus, Instructor Dr. Laura McCammon, Professor Emerita Dr. Bobbi McKean, Associate Professor Mr. David Morden, Assistant Professor Mr. Monte Ralstin, Professor of Practice Ms. Elaine Romero, Assistant Professor Ms. Clare P. Rowe, Associate Professor Dr. Melissa C. Thompson, Assistant Professor Mr. Albert Tucci, Director & Professor Emeritus Mr. Richard Tuckett, Associate Professor Dr. Patricia VanMetre, Associate Professor Emerita Mr. Jeffrey L. Warburton, Associate Professor Mr. David Weynand, Post Graduate Fellow Ms. Dianne J. Winslow, Professor Mr. David Yarnelle, Adjunct Instructor

School Director & Producer Associate Director Artistic Director Associate Artistic Director Advising Services Asst. to the Director for Admin.

Business Manager Administrative Coordinator

Bruce Brockman Jeffrey L. Warburton Brent Gibbs Dianne J. Winslow Christina Swanson, Jeffrey L. Warburton Justine Collins Stacy Babler Allie Nielson

GRADUATE STUDENTS Eve Bandi, M. Erdman, Amy Sue Hazel, Julio C. Hernandez, Alyssa M. LeBlanc, Angela McMahon, Leah Mednick, Jack Meng, Elly Mikula, Mercer Pinkston, Andrea Pratt, Ruth Richardson

PRODUCTION Production Manager Technical Director Assistant Technical Director Lighting Supervisor Costume Director Costume Shop Manager Costume Design Advisor Paint & Properties Supervisor Sound Supervisor Dramaturgy Supervisor Assistant Musical Director

Jenny Lang Ted Kraus Tony Cordaro Deanna Fitzgerald Richard Tuckett Maryann Trombino Patrick Holt Clare P. Rowe Matt Marcus Elaine Romero Mike R. Padilla

MARKETING & AUDIENCE SERVICES THEATRE PROGRAM ADVISORY BOARD Bill Neumann (President), Jo Ann Zirkle (Vice President), Taffie Eiff (Secretary), Cindy Ashton, Julie Cohn, Carol Elliott, Tracy Gee, Joan Horwitz, Leonard Joffe, Jane Kivel, Jerry Lacker, Linda Laden, Gloria Linden, Caren Newman, Tom Pothoff, Myrna Silver, Monique Steinberg, Ed Steinhoff, Tony Terry, Victoria Terzano

Life Members Pat Ballard, Walter Kutscher, Mary Parnell, George Rosenberg, Lillian Rosenzweig

Associate Members Bill Bennett, David Cone, Doris Coris, Joe Gootter (Past President), Ken Greenfield, Jo Harris, Schuyler Lininger, Sharmin Pool, Judy Ranzer, Vivi Sabbagh,Ted Taubeneck, Tony Torrance, Don VandeGriff

Marketing & Development Dir. Lisa Pierce Marketing Specialist, Assistant Kristina D. Gonzales Outreach Coordinator Bobbi McKean Fine Arts Box Office Manager Charles Cannon Assistant Box Office Manager Megan Gerrish Box Office Staff Thomas Alcaraz, Ben Atwell, Sequoia Fischer, Miles Fujimoto, Tim Giblin, Maryam Gilpatrick, Isaac Gotlieb, Julia Kaser, Naveed Khosraviani, Amanda Koenig, Josh Miller, Kaitlyn O'Kane, Maya Patterson, Brianna Ragels, Courtney Stevens, Matt Soden House Managers Thomas Alcaraz, Ben Atwell, Miles Fujimoto, Maryam Gilpatrick, Julia Kaser, Amanda Koenig, Josh Miller Season Graphic Designers Whitespace Design & Ed Flores Photography

Take Your Seat in the Marroney Theatre!

Claim a seat in your name.

Honor someone you love.

Remember someone you miss.

And establish a legacy

Y

for our students.

our gift of $500 will be honored with a brass plate on a seat in the Marroney Theatre, as well as a silver star in the lobby.

It’s a visible way to show Tucson theatre lovers your support for our students, or honor a loved one in support of our students.

T

he goal of our Take Your Seat! campaign is to raise funds for the Showcase of Talent Endowment. The annual Showcase of Talent provides an opportunity for senior Acting and Musical Theatre majors to audition for, and interview with, industry professionals for theatre, film and television across the country.

These potential employers also interview and review portfolios of junior and senior Design/Technology and Dramaturgy majors, as well as present valuable workshops to help students transition into the professional world.

S

ome of our students secure employment as a result of the Showcase of Talent, and all receive the priceless experience of interacting with working professionals.

So, Please...Take Your Seat!

For more information about the Take Your Seat! campaign, or to explore other opportunities to support the School of Theatre, Film & Television, please contact the Marketing & Development Office at (520) 626-2686 or marketing@cfa.arizona.edu.

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