LIKE HEAVEN by Elaine Romero
September 16 - October 7, 2018 Tornabene Theatre
The University of Arizona • College of Fine Arts School of Theatre, Film & Television proudly presents Arizona Repertory Theatre's production of
LIKE HEAVEN
Sister Act
Oct 14 thru Nov 4
by Elaine Romero
Marroney Theatre
Previews: Oct 14 at 1:30pm, Oct 15 at 7:30pm Evenings: Oct 17-19, Oct 25-27, Nov 2-3 at 7:30pm Matinees: Oct 21, Octo 27-28, Nov 4 at 1:30pm
Director
SPRING The Cripple ofAWAKENING Inishmaan Nov 4 Tornabene Theatre LIKE HEAVEN TO TOP GIRLS 20 SISTER thru THT E ACT Previews: Nov 4 at 1:30pm, Nov 5 at 7:30pm CR IP Evenings: Nov 7-10, Nov 15-17, Nov 30-Dec 1 at 7:30pm Dec 2 PL E
Brent Gibbsf*þ
Buy tickets now!
RICHARD III SPRING
AWAKENING Buy tickets now!
/19
SISTER ACT
Feb 3 thru Feb 24
CH
AR
HAR
D
III
D II
I
SISTER ACT
Nov 11, Nov 17-18, Dec 2 at 1:30pm OMatinees: THE CRIPPLE F Bu OF INISHMAAN NG IN y t ic NI 18 8/ I E SH ket AK RICHARD III M s no AW SPRING G w A N AWAKENING AN ! THE RI Buy tickets now! SP Buy tickets now! OF IN CRIPPLE 20 18 20 1
THE CRIPPLE OF INISHMAAN SISTER ACT 18 8/ TOP 19 GIRLS
18 8/ 19
RI
SPRING AWAKENING
SISTER ACT
SPRING AWAKENING
BUY T9 THE CRIPPLE SPRIN ICKET OF INIS G AWA KENIN HM S G AAN RIC NOW!
TOP GIRLS
Top GirlsHLEIKAE
SISTER ACT 18 8/ 19
ISHMAA
LIKE HEAVEN Buy tickets now!
18 8/ 19
N
SISTER ACT
Buy tickets now!
THE CRIPPLE OF INISHMAAN
18 8/ 19
Buy tickets now!
THE CRIPPLE OF INISHMAAN
TOP GIRLS
18 8/ 19
SPRING
/19
SISTER ACT
Apr 7 thru Apr 28
Costume Designer
Sound Designer Tyler Berg
Technical Director Kyle McGinnis
Lighting Designer Connor Greene†
f**
Patrick Holt
Voice and Dialect Coach David Mordenf*
Stage Manager Tim Wils
Tornabene Theatre VEN SISTER ACT
Previews: Feb 3 at 1:30pm, Feb 4 at 7:30pm Evenings: Feb 6-9, Feb 14-16, Feb 22-23 at 7:30pm Matinees: 10, Feb 16-17, Feb 24 at 1:30pm
SEASON
Mar 11 thru Mar 31
Scenic Designer Clare Rowef
Richard III
Marroney Theatre
Previews: Mar 11-12 at 7:30pm Evenings: Mar 13-16, Mar 21-23, Mar 29-30 at 7:30pm Matinees: Mar 17, Mar 23-24, Mar 31 at 1:30pm
Spring Awakening
*Member of Actors' Equity Association
** Member of United Scenic Artists, Local 829
§Member of Screen Actors Guild-American Federation of Television and Radio Artists þSociety of American Fight Directors
±Member of American Guild of Musical Artists
©Member of The Stage Directors and Choreographers Society f School of Theatre, Film & Television Faculty Member Unless otherwise noted, all designers, performers and technicians are School of Theatre, Film & Television students. †BFA Senior Capstone See Production Staff page for details.
Tornabene Theatre Previews: Apr 7 at 1:30pm, Apr 8 at 7:30pm Evenings: Apr 10-13, Apr 18-20, Apr 26-27 at 7:30pm Matinees: Apr 14, Apr 20-21, Apr 28 at 1:30pm
Fine Arts Box Office ∙ (520)621-1162 | theatre.arizona.edu
Arizona Repertory Theatre is the professional theatre training company of the UA School of Theatre, Film & Television.
1
THE CAST April ...................................................................................... Rebecca Galcik Callie ........................................................................................... Anza Keller Trudy ......................................................................... Eavan Clare Brunswick Sapphire................................................................................ Gabriela Giusti
SYNOPSIS OF SCENES The story takes place at 514 Poplar St. in Independence, Kansas.
ACT I SCENE 1 .......................................................................... April, Callie, Trudy, Sapphire
~15 Minute Intermission~ ACT II SCENE 1 - TWO WEEKS LATER .......................................................................... April, Callie, Trudy, Sapphire
2
3
PRODUCTION STAFF DIRECTION, DRAMATURGY AND MANAGEMENT Production Manager Jenny Langf*± Assistant Stage Managers Liana Carrasco, Gemma Dick SCENERY AND PROPS Assistant Technical Director Carpenters Charge Artist Scenic Artists Painters Props Master Props Assistants Deck Crew
Benjamin Nelson Rylee Garvine, Sara Harpenau, Henry McCormick, Taylor Moss, Dan Movick, Andrew Nunley, Marli Ray, Monique Robine, TAR 111 Ally Frieders Jason Jamerson, Rebekah Clark, Sarah Tamas Megan Corbell Caleb Brown Lauren Duggin, Brenden Rohrbacher Dymond Bradley, Ken Chambers, Adora Harvey, Catie Labranche, Jesse Miyoshi, Brenden Rohrbacher, Nicole Williams
LIGHTING Assistant Lighting Designer Master Electrician Assistant Master Electrician Programmer Light Board Operator Electricians
Brian Graham Mack Woods Fred Reese, Mandy Spartz Fred Reese, Mandy Spartz, Mack Woods Christina Harrison Tori Mays, Forrest Tallbull, Reinold Kellici, Daniel Kersh, Tyler Petersen, Chris Mason, Megan Mahoney, Cole Rowerdink, Tina Nguyen, Tyler Berg , Molly Feeney, TAR 220 Lab
COSTUMES Costume Director Assistant Costume Designers Drapers First Hands Wardrobe Crew Heads Wardrobe Crew SOUND Assistant Sound Designer Production Sound Operator Audio Crew
Maryann Trombinof Shaelyn Ellershaw Maryann Trombinof, Rachel Wilkins Ren Gieselhart, Tenaya Tidwell, Megan Wiese Shaelyn Ellershaw, Rachel Wilkins Annabeh Amarajuriya, Maia Bickerstaff, Paige Gagliardi, Sarah Martino Manny Montano TAR 113 Max Baines, Noah Dettman, Molly Feeney, Tina Nguyen, Hunter Sweetser, Darrin Wood
†Connor Greene - BFA Senior Capstone Project in Lighting Design, Deanna Fitzgerald, Major Professor
4
5
DIRECTOR'S NOTES Like Heaven represents an important project for the Arizona Repertory Theatre. It is the first time since we opened the Tornabene Theatre almost two decades ago, with two original scripts, that we will have the opportunity to produce a new work in conjunction with the playwright. The process of working with a writer of Elaine Romero's status has been an incredible opportunity for our students. It has been a wonderfully rich experience with many hard-won insights as we try to find a voice for each of these characters. In many ways this is the same struggle that each of the characters in Like Heaven are engaged in. Everyone in this play is struggling to find their authentic voice rather than the ones they grew up being told they should use. Finding one's voice involves facing hard-won truths and charting one’s own path and each character approaches these incredibly difficult goals in their own way. The journey is not always clean and it often involves facing difficult truths about both ourselves and others but if we are able to have the courage to speak our truth in our own voices the insights we discover are more than worth it.
~ Brent Gibbs, Director
6
7
PLAYWRIGHT'S NOTES Our stellar UA cast has mastered the changes as I have rewritten Like Heaven throughout our process. Brent Gibbs is a playwright’s director. We’ve listened to the play a lot. In writing and rehearsing a play, the play reveals itself to you. This process knows no shortcut. Playwrights write plays to find out what they are. If you know my body of work, you might see Like Heaven as my anomaly play. A playwright finds her passion-portal into each play. How does a Latinx playwright, obsessed with politics, find her passion-portal into a lusty comedy set in small-town Kansas? A director from L.A. had this idea of bringing U.S. playwrights to live in Pulitzerprize winning playwright William Inge’s childhood home in Independence, Kansas. Edward Albee once said of the residency, “WHY the hell would you send playwrights to a place Bill could not wait to escape?” But the director did. Two by two. And like pairs of animals being loaded onto Noah’s Ark, we went. The director asked us to write 10-minute plays overnight to be produced the following day. They paraded a 1920’s dress and a suitcase in front of us. A young mom, I’ll call Joanna, auditioned that day. Her husband had taken a job there a week earlier. She had a half-finished theatre degree and two kids. (I told her that her college wanted her to finish that degree. Two years later, she wrote me that I had been right.) I imagined her at the foot of one of those aging Victorian homes that grace Independence, suitcase in hand and a blues song stuck in her throat. I had to fight to cast her. My producers assured me they knew all the “good actors, but behind her eyes I saw April’s sadness. Her eyes were my lifeline. She was my Like Heaven. After presenting the short play, I hit the pause button and waited. I wrote the fulllength play that next year in Minnesota bluff country, free of Independence’s local glare. Through workshop productions and readings, I fell in love. I fell in love with each of these women and their plights. They felt fully formed from their first words, like old friends I hadn’t spoken to in awhile, old friends who used to be different women then they are today. Not self-actualized yet, these women take the smallest of steps. No one would cast them as role models to put on display. We revel in these flawed human beings, sorting through their lives, like dirty laundry. Though it would be tempting to make Like Heaven behave, I’ve been true to her voice, to that play I found behind Joanna’s eyes. The other day, I got the good news, a woman was named Artistic Director of an illustrious festival in Kansas. She might be the young woman who auditioned for me that day in Independence. So, this is for her, for someone may have thought she’d ruined her life by quitting college, falling in love, and having a couple kids, because life can turn itself around when we start to steer. To steering! She dedicates her work, on this production, to the living memory of Sam Smiley.
~ Elaine Romero, Playwright
8
9
PROFILES Brent Gibbs (Director) - heads the Acting Program at the UA where he teaches Acting and Stage Combat. A Certified Teacher and Fight Director with the Society of American Fight Directors he has taught classes in stage combat around the U.S. and in Europe and has worked on fights for theatres from Thailand to New York. He was the first Fight Director to win the Arizona State Theatre Award for Excellence in Choreography. As the Artistic Director for the Arizona Repertory Theatre he has directed Execution of Justice; The Crucible; On the Razzle; Les Liaisons Dangereuses; Absurd Person Singular; The Rivals; Rain. Some Fish. No Elephants.; Brighton Beach Memoirs; Scenes from an Execution; Biloxi Blues; Broadway Bound; Bus Stop; Cat on a Hot Tin Roof; Medea; Rum & Coke; The Tamer Tamed; Dracula; The Voice of the Prairie; How I Learned to Drive; Boeing Boeing; The Glass Menagerie, Epic Proportions, Tigers Be Still, and Frankenstein as well as many others. Elaine Romero (Playwright) – Elaine Romero is an award-winning U.S. playwright. Her plays have been presented across the U.S. and abroad, and widely published and anthologized. Graveyard of Empires and A Work of Art recently premiered. Title IX was included in the 2017 Eugene O'Neill National Playwrights Conference. Modern Slave was presented at the 2017 Seven Devils Playwrights Conference where Romero was the Featured Playwright. Modern Slave received a reading at Victory Garden Theatre, A Contemporary Theatre, and The Road Theatre. Romero’s work has been published by Samuel French, Playscripts, Simon and Schuster, among others. Her short play, Bloody River, recently appeared in When the Promise is Broken, a collection of plays inspired by Bruce Springsteen songs. Playwright-in-Residence at the Arizona Theatre Company, Romero runs the National Latino Playwriting Award. In June, she worked as an Artistin-Residence at Headlands Center for the Arts, where she drafted, The Sleep of Reason, the final play of her war tetralogy. At Erik Ehn’s Silent Playwrights’ Retreat at the Green Gulch Farm Zen Center in August, she drafted Halsted. In addition to the work done here at UA, Like Heaven was developed through the Playwrights’ Center’s New Plays on Campus at the University of Missouri (Columbia) and at the South of Broadway Theatre in Charleston, SC. She recently had a reading of Revolutions/Revoluciones in Spanish at the Los Angeles Theatre Center, under the direction of Mexican director, Bruno Bichir and a cast from Mexico City. The UA Studio Series previously produced her show, Mother of Exiles. Undocumented will be produced at Cal State Dominguez Hills in October. She is the Über Director for the Studio Series show, Erased, which includes several short works, commissioned by the MFA
10
in Generative Dramaturgy students. Elaine is a Resident Playwright at Chicago Dramatists and an Associate Professor at the University of Arizona in the School of Theatre, Film, and Television. She is grateful to Brent Gibbs and the cast of Like Heaven for a wonderful collaboration. Clare Rowe (Scenic Designer) – is an Associate Professor of Scenic Design and Production for the School of Theatre, Film & Television, teaching classes in scene painting, rendering, and design. She holds an MFA from the Maryland Institute College of Art and has designed and painted scenery for professional/academic theatre and opera, as well as for commercial trade shows and theme parks. Professional musical theatre designs include, Peter Pan for Musical Theatre Southwest and On a Clear Day You Can See Forever for the Music Theatre of Wichita. Her Arizona Repertory Theatre design credits include; Oklahoma! (twice), Twelfth Night, The Full Monty, Avenue Q, The Secret Garden, What I Did Last Summer and The Music Man, just to name a few! She is the author of Drawing and Rendering for Theatre, Focal Press, 2007. Patrick Holt (Costume Designer) – is an Associate Professor at the University of Arizona School of Theatre, Film, & Television. His work has been seen at The Guthrie Theater, The Kansas City Rep, The Pioneer Theater Company, The Utah Shakespearean Festival, Playmakers Repertory Company,The Colorado Shakespeare Festival, The Alabama Shakespeare Festival, The Kennedy Center, The American Dance Festival, The John Houseman Theater, The Public Theater. He has also worked with HBO, CBS, A&E Network, World of Wonder, and Bonneville Media. Patrick has designed over 25 productions for the Arizona Repertory Theatre and is a member of United Scenic Artists. Connor Greene (Lighting Designer) – Born and raised in Tucson, Arizona, Connor Greene is a BFA candidate in Lighting Technology. He is excited to be executing his first design for Arizona Repertory Theatre. Previous shows at ART include ALD for Proof and Evita, Master Electrician for Tigers Be Still and The Pajama Game, and LD for Endgame for the U of A Studio Series. Other experience includes an electrics internship at Williamstown Theatre Festival and a Master Electrician/Programmer position at The Post Playhouse. Connor would like to thank his families, of both blood and water, and his countless mentors for their endless patience and support.
Continued on following pages
11
PROFILES
PROFILES
Tyler Berg (Sound Designer) – is currently in his third year at The University of Arizona, studying for his bachelor’s in Theatre Production and Design, with an emphasis in Sound. He started his career with Arizona Repertory Theatre as Production Sound Engineer for Tigers Be Still and Assistant Production Sound Engineer for The Addams Family, the Musical last fall. Tyler began working with the Fred Fox School of Music as technical staff in 2017. He has been the audio engineer for hundreds of events, including concerts, shows, conventions, and operas. This past summer, Tyler traveled to Conway, Arkansas to join Arkansas Shakespeare Theatre as the Sound Intern. His work included Assistant Sound Engineer for My Fair Lady and Henry IV, Pt. 1, Sound Engineer for AST’s outdoor show, The Winter’s Tale, and Touring Sound Engineer for Much Ado About Nothing. There, Tyler also became certified in digital audio networking. He plans to return next year as the Sound Engineer for the company. Tyler is thrilled to help open ART’s 2018-2019 season with this outstanding production. He will also be the Sound Designer for ART’s production of Richard III, opening this spring. Kyle McGinnis (Technical Director) – is a senior year BFA technical director. He is originally from San Jose, California where he found his calling for set construction and design. Previously, he has been the ATD for ART’s productions of Twelfth Night, Tigers Be Still, and Doubt. Professionally, he has worked for the Colorado Shakespeare Festival in Boulder, CO, and at the Fred Fox School of Music at the University of Arizona. He thanks his loving parents and supportive mentors in his ongoing journey. David Morden (Voice & Dialect Coach) – is an Assistant Professor of Voice and Movement. For Arizona Repertory Theatre, he directed Lend Me a Tenor and Inspecting Carol and has served as voice and/or dialect coach on The Merchant of Venice, Doubt, A Streetcar Named Desire, Twelfth Night, Born Yesterday, The Tempest, The Comedy of Errors, Cabaret, Othello, and Nine, among others. He also acted in ART’s production of Proof and directed Medea/ Medea/Medea Redux for the UA Studio Series. For the past four seasons, David served as Voice and Text Coach for Santa Cruz Shakespeare (most recently coaching Romeo and Juliet, Love’s Labour’s Lost and Venus in Fur), where he also directed Orlando for the 2016 SCS intern company. Internationally, he has performed and taught at Jagriti Theatre in Bangalore, India. Tim Wils (Stage Manager) – is a senior from Westhampton Beach, NY pursuing his BFA in Stage Management. Tim is thrilled to be stage managing his first production with ART. Previously, he has
12
Gabriela Giusti (Sapphire) – is thrilled to be a part of Like Heaven! Gabriela is a BFA Acting major from Chandler, Arizona. Here at ART, she has been a part of Twelfth Night, Tigers Be Still, A Streetcar Named Desire, and The Merchant of Venice. She would like to thank her family, who has been so supportive of their kid chasing her dreams. Rebecca Galcik (April) – is so excited to be in the first production of Like Heaven. Rebecca is a BFA acting major from Gilbert, Arizona. Past ART credits include The Merchant of Venice (Jessica), Tigers Be Still and Proof. Other past theatre credits include Footloose (Vi Moore), The Addams Family (Morticia Addams) and Legally Blonde the Musical (Vivienne). She would like to thank Brent Gibbs and Elaine Romero for giving her this opportunity along with her supportive friends and family who have helped her follow her dreams.
stage managed Meet Generation Z with the Studio Series, as well as worked as an Assistant Stage Manager on The Pajama Game, Tigers Be Still, and Twelfth Night. He would like to thank Brent, Elaine, and the cast for creating a beautiful show, his ASMs, Gemma and Liana, for all their hard work, his friends and family for all their support, and Jenny Lang for being amazing.
Anza Keller (Callie) – drawn in by divine inspiration; feverish infatuation; or simply blind optimism and willful ignorance, has become a passionate hostage to the art of acting and the strange, ethereal world of film. She is a senior in the BFA Acting Program and has appeared most recently before this as Sister James in Arizona Repertory Theatre’s Doubt: A Parable. Her love for film has garnered her work on the sets of SHOWTIME’s Ray Donovan, as well as the
third installment of the John Wick franchise, John Wick 3: Parabellum. She is indebted to her fearless director Brent Gibbs for consistently imparting both the wisdom and courage she’s not sure how she ever lived without, and is also humbled by the opportunity to originate a role written with all the poetic beauty, heart, and humanism of Elaine Romero’s work.
~ ACTOR PROFILES ~ Eavan Clare Brunswick (Trudy) – hails from a small town in southern Oregon, called Klamath Falls. Her love of acting and film brought her here to Tucson, where she is a Junior at the University of Arizona, and majoring in both Theatre and Film Production. She is very excited to be returning to the ART stage, where she will be originating the role of Trudy. Eavan’s past ART credits include The Merchant of Venice, A Streetcar Named Desire, The Tempest, and A Comedy of Errors. She has also recently worked as a production assistant on the USA TV show Mr. Robot and most recently on the film John Wick 3: Parabellum. She would like extend her thanks to her director Brent Gibbs and the playwright Elaine Romero for giving her the amazing opportunity to originate this role, as well as the stage management team for all of their hard work. Finally, she would like to send her love to her parents and little sister for always being there, in the audience and in life.
13
In Memoriam...
Sam Smiley
Feb. 15, 1931 - Aug. 15, 2018
REALTOR ÂŽ Tucson & Green Valley (520) 955. 3234 lindsey@towerrealty.com lindseysellsazhomes.com
Dr. Sam Smiley, well-known playwriting and screenwriting professor, author, actor, theatre director, painter, and poet, passed away peacefully at age 87 on August 15, 2018 at home in Tucson, AZ. He is survived by Ann, his loving wife of almost 66 years (married September 7, 1952); sons, Mark (Cathy) of Ashburn, VA, Steve (Sally) of St. Louis, MO, and Sean of Tucson, AZ. He has seven grandchildren: Justin (Jackie) Smiley, Sarah (Anthony) Harrison, Austin Smiley, Shavana Smiley, Cody Smiley, Clark Smiley, and Jenny Smiley. Five great-grandchildren are: Laila, Hazel, and Eden Smiley; Aaron and Liam Harrison. Sam possessed a warm, vivacious personality making friends with everyone. He leaves a great influence on students all over the country; many of those students are now professional actors, playwrights, screenwriters, or teachers. A dog lover, life-long athlete, swimmer and diver, and marathon runner, he set the record for age 60 and over in the Tucson Marathon. One year he ran the Boston Marathon. In 1948, at age 17, he was chosen as a USA Olympic alternate in platform diving. The only child of Raymond Smiley and Ada Holland Smiley, Sam was born in Columbus, IN, on February 15, 1931. He received his BFA at Illinois Wesleyan University (1952), MFA from University of Iowa (1954) and his Ph.D. from Indiana University (1967).
Buying & Selling New Construction Property Management Vacation & Long Term Rentals
At the University of Arizona, Dr. Smiley served as Head of the Department of Theatre Arts (1987-88) and Director of Dramatic Writing (1987-93). He was Head of Dramatic Writing at Indiana University (1973-87), a Professor at the University of Missouri (1969-73), Director of Theatre and Dean of Fine Arts at the University of Evansville (1957-69), and he began his teaching career at Georgia College. He was a popular consultant in communications and writing including work on feature films and television shows. Sam published four books. Based on Aristotle’s theory, he developed a set of principles essential to effective dramatic writing. This theory is explained in his famous Playwriting: The Structure of Action by Yale University Press. Many of the 32 plays he published were performed professionally. He also published a book of poetry and wrote a series for television. He acted in movies including The Untouchables, Hoosiers, and Terminal Velocity. He appeared in off-Broadway productions in New York. His home is full of his many beautiful paintings, some of which won awards. He became a member of The College of Fellows of the American Theatre in 1983. He worked with theatres in Paris, Dublin, Madrid, and Barcelona, one of his favorite cities. Sam created the theatre program at the University of Evansville, which remains a top theatre program today. He designed the innovative Shanklin Theatre, which opened in 1967, at the University of Evansville.
14
15
THE
STUDIO SERIES 2018-2019 Season
Commissioned, dramaturged, & directed by the MFA Generative Dramaturgs
October 4 - 7, 2018
Take Center Stage!
Become an ART Sponsor
November 15 - 18, 2018
Support Arizona Repertory Theatre by becoming a season or production sponsor.
Student-generated performance event curated by faculty & students
Sponsorships‌ Nurture the artistic education of our theatre students Invigorate the arts in the Tucson community Support a legacy of outstanding theatre at the U of A! To learn more about sponsorship opportunities, please contact Julie Vance, Marketing Director at marketing@cfa.arizona.edu or (520) 626-2686. 16
By Eric Overmyer
February 21 - 24, 2019
An Original Devised Piece Devised by BA theatre arts students
April 18 - 21, 2019 17
Jane Kivel
Pat Engels & Richard Medland
Production Sponsor Sister Act
Production Sponsors The Cripple of Inishmaan
Your contribution will be designated to the School of Theatre, Film & Television’s Theatre Fund for Excellence. Donations of $35 or more are acknowledged in our production programs and 100% of your contribution is tax-deductible. For more information regarding additional giving opportunities, please visit theatre.arizona.edu/endowments-and-funds/.
Give Online!
www.uafoundation.org/give/cfa/theatrearts
Address: ________________________________________________________ _________________________________________________________________ Phone: (________)_________________________________________________ E-mail: __________________________________________________________ Check payable to UAF/Theatre FFE Visa Mastercard American Express CC No.: _______________________________________ Exp.: ______________ Signature: _______________________________________________________ Name as it appears on CC: ________________________________________ How you would like your name(s) to appear in our programs (if different from above) or if you wish to remain anonymous:
______________________________________________________________ Mail to: College of Fine Arts, Development Office, 1017 N. Olive Rd., Rm. 113, P.O. Box 210004, Tucson, AZ 85721-0004 For more information contact the CFA Development Office at (520) 621-9057 or connect@cfa.arizona.edu. 18
Production Sponsor Richard III
Production Sponsors Spring Awakening
Special Thanks to the MARRONEY CIRCLE OF FRIENDS The Marroney Circle of Friends is a special group of donors dedicated to supporting the School of Theatre, Film & Television. Members receive exciting benefits while helping young people achieve artistic excellence and prepare for a bright future in the arts.
arirrcolen C
of
rie d n
F
Name(s): ________________________________________________________
Richard & Yvonne Morris
ey
Gift Amount: $ ___________________________________________________
Production Sponsor Showcase of Talent
Gregory Knopf
s
For over 80 years, Arizona Repertory Theatre has produced the highest quality professional productions. Your financial support enables us to continue this tradition of pushing artistic boundaries and creating amazing theatre year after year. It also enables us to fulfill our responsibility to our students and prepare them for a professional career in the arts. Please consider a donation to help us fulfill our academic mission and educate a new generation of artists.
SPECIAL THANKS TO OUR SUPPORTERS
M
Support our Students!
We are please to acknowledge members of the Marroney Circle of Friends between July 1, 2017 and June 30, 2018.
Anonymous • Norma Arnow • Patricia Ballard • Ann Blackmarr • Laura and Arch Brown • Marvin and Jane Brown • R. Stephen Browning • Lindsey Burlingame • Shirley Chann • Kristine and Earl Cohen • Marsha Cohen • Doris and Len Coris • Ronald Frantz • Genie Gengler • Paulette and Joe Gootter • Terry Hersh • Marcia and Jay Iole • Jane Kivel • Maria and George Knecht • Robert Knopf • Ruth and Ron Kolker • Priscilla and Edmund Marquez • Frances Moore • Drs. Richard and Yvonne Morris • Bill Neumann • Mary and David Parnell • Judy Ranzer • Jane Reedal • Cindy Louise Rounds and Starr Rounds • Sharon Smith • Rica and Harvey* Spivack • Petricia and Edward Steinhoff • Victoria Terzano For more information or to become a member of the Marroney Circle of Friends, please contact the Marketing Department at (520) 626-2686 or marketing@cfa.arizona.edu. 19
THANK YOU TO OUR DONORS Over the years, the Theatre Program has enjoyed a rich tradition of philanthropy. Donations help attract talented students and faculty and support our mission to provide professional training and education to students through an outstanding production program. We are pleased to acknowledge the following donors who made contributions between July 1, 2017, and June 30, 2018.
$10,000+
Marvin and Jane Brown • Elizabeth and Richard Burns • Sally and Ralph Duchin • Pat Engels and Richard Medland • Craig Huston • Jane Kivel • Rica and Harvey* Spivack • Bobbie and Don VandeGriff
$5,000-$9,999
Laura and Arch Brown • Beatrice and Samuel Ellis • Joyce and Mike Gillette • Robert Knopf • Richard and Yvonne Morris
$1,000-$4,999
Anonymous • Carol and Richard Aronoff • Patricia Ballard • Linda and Bob Berzok • Evanira Birdman • R. Stephen Browning • Donna and James Byers • Campbell, Yost, Clare & Norell, P.C. • Joan Caruso • Kristine and Earl Cohen • Doris and Len Coris • Genie Gengler • Michael Godnick • Gretchen and Carl Goswick • Green Valley Recreation, Inc. • Kathy and Michael Hard • Jo and Jules Harris • Terry Hersh • Maria and George Knecht • Lucinda and Garvin Larson • Shook Yap and Kwan Lee • Gloria Linden • Andrew McLean • Metropolitan Tucson Convention & Visitors Bureau • Maj. William Moe* • Bill Neumann • Mary and David Parnell • Monte Ralstin • Cindy Louise Rounds and Starr Rounds • Enriqueta and Mike Salvo • Joanne Sibley • Petricia and Edward Steinhoff • Shirley Taubeneck • Sharon and Albert Tucci
$500-$999 Argus IRB, Inc. • Norma Arnow • Reginald Bain • Jeannette and Robert Barnes • Agatha and Francis Bauer • William Bennett • Ann Blackmarr • Lois Briggs • Laurie and Bruce Brockman • Julie Cohn • Carol and Burton Cunin • Sarah Donahue • Stephanie and Tom Eiff • Carol and James Elliott • Elyse Golob • Paulette and Joe Gootter • Richard Hardy • Linda and Edward Hecht • Robert Howard • Norma Inkster • Marcia and Jay Iole • E. Jacquelyn Kirkis • Robert Koeper • Ruth and Ron Kolker • Linda and Steven Laden • Stanley Lehman • Susan and Stacy Litvak • Priscilla and Edmund Marquez • Diane and Jerry McAllister • Gabrielle and Jeffery Miller • Frances Moore • Patricia Carr Morgan and Peter Salomon • James Nation • Neil Benton LLC • Susan Prust • Judy Ranzer • Darleen Raulerson • Betty and Benson Srere • Victoria Terzano • Jo Ann Zirkle $250-$499 Catherine and Kurt Bartley • Jean Bassett • Sheila and James Burden • Lindsey Burlingame • Mary Carhuff • Sally Carson and Dennis McLaughlin • Shirley Chann • Rosanne and Mark Channell • Marsha Cohen • Helen and Alan Dankwerth • Augusta Davis • Patty and Fred Farsjo • Ronald Frantz • Sandra and Eugene Gerner • Gabriele Gidion • Edythe and Bruce Gissing • Marsha and Sidney Hirsh • JoAnne and Robert Hungate • iHeartMedia Management Services, Inc. - Radio • Karen and Chuck Jonaitis • Bonnie Kay • Timothy Kelly • Karen and Timothy Koch • Sue Kornhaber • Lawrence Laban • Jackie Manning • Lois McKelvey • Joan Milner • Nanette and Lester Packer • Jonathan Pearlstein • Jane Poliakoff • Jane Reedal • Jack Robinson • Vivi and Adib Sabbagh • Drs. Helen and John Schaefer • Sharon Smith • Summit Real Estate Group LLC • The Learning Curve • Berchman Vaz • Yang Xiang and Quanhua Zhou
Sharon and Nick Mansour • Shirley and Maurice Sevigny • Maurice Joseph Sevigny Studios • Robert McConeghy • Delos McKnight • Brigitte and Ulrich Michael • Marquerite and Charles Mishkind • Leone Mohney • Janet Moore • George Moredock • Ellen and Arthur Mulkern • Lois Musser-Krauss • Essie Rubinstein Nadler • Caren and Tom Newman • Barbara and Richard O'Rielly • Barbara and Gerald Oguss • Terry and David Olson • Susan and Charles Ott •Joan Peet and Mark Gettings • Katharina Phillips and Sheldon Trubatch • Lisa and Kevin Pierce • Nobi Pyle • Sally Quinby • Linda Ratcliffe • Richard Rehse • Ellen Ristow • Eleanore and David Robinson • Lucile Rock • Carol Rueckert and James Merwin • Ruth and Steve Russell • Serena Sahajian • Erlinda Santa Maria • Trisa and Andrew Schorr • Bonnie Sedlmayr-Emerson and Randy Emerson • Hazel and Jim Shuttleworth • Myrna Silver • Georgia Smith • Linda and Glenn Smith • Mary Springer • Roz Stein • Monique Steinberg • Nancy Tomlinson • Sallie Towne • Linda Van Pelt • Susan and Charles Waggoner • Sandra and David Wanger • Suzie Weisband • Walter Wentzel • Richard Wolff • YuanTing Zhao • Marlene and Allan Zoloto $35-$99 John Alese • Barbara and Wayne Algire • Sara Alt • Donna and Bob Altschul • Joyce and David Amante • Geralyn Bagnall • Kent Barrabee • David Beck • Benda Boyett • Karen and John Brady • Barbara Brumer • Susan and Douglas Butler • Mary and John Byrnes • Prudence Cain • Virginia Calento • Georgiann Carroll • Karen and James Carson • Constance Chan • Nikki Chayet • Barbara and John Churchill • Laverne and Sam Cohen • Dawn and Roger Cole • David Coney • Lisa Coon • Clara Curatola • Nancy and Jerry Dahlmann • Jean and Colin Dalton • Carol and Richard Deschenes • Maedell and Harold Dixon • Eve Dolan • Wendy and Richard Feldman • Mary and Thomas Feldsien • Ruth and James Friedman • Hildreth Garb • Gail and William Garrison • Sue Gigax • Janet Gingold • Joan Greenwood • Jane and William Grinonneau • Kermie Hodge • Barbara Holtzman • Josette and Mark Hurwitz • Alice Iliff • Rhonda and Michael Kamin • Christine Keitges • Catherine Kelly and Dennis Grether • Donna and Ira Leavitt • Mary Lou and Lawrence Long • Cheryl and Richard Lougee • David Mandel • Gail Martin • Philip McArthur • Gail McDonald • Linda Mehall • Brita Miller and William Spencer Finkelstein • Kerstin and Thomas Miller • Andrea Miller • Greg Milward • Sally Mowris • Madelon Muller-Rubens and Alan Rubens • Naomi and Michael Nadelberg • Terry Neff Zimmerman and Jerry Zimmerman • Paula and Carl Olson • Sheila Parkert • Cookie and David Pashkow • Mary Paul and Larry Alexander • Janalee and Eric Persson • Steven and Sandra Petsche • Bruce Pitz • Marilyn and Ira Prensky • Cynthia and William Rainey • Dolores Robu • Stuart Salasche • Calista Schafer • Rosalie and Andrew Schindel • Frances Schonwit • V. and Keith Siebers • Emery Silvester • Aimee and Casey Smythe • Marilyn Sternstein • Julia Strand • Maxine Switzer • Carolyn Terkla • Sharon Thomas • Jane Toussaint • Judith Treistman • Joyce Unger • Kathryn and David Unger • Harriet Van Denbos • Wynn Wasinger • Irby Webb • Joyce and Barry Weiss • Rebecca and Russ Werner • Janice Wilhelmi and James Stewart • Virginia and James Williams These gifts reflect our records from July 1, 2017 to June 30, 2018. Contributions received after this time period will be included in the Spring 2019 performance programs. Please notify us of any changes or corrections. We greatly appreciate the support of all of our donors. To make a tax-deductible contribution to the Theatre Program of the School of Theatre, Film & Television, please contact the Development Office at (520) 621-9057 or connect@cfa.arizona.edu, or mail your donation to College of Fine Arts Development Office, 1017 N Olive Rd., Rm. 113, P.O. Box 21004 Tucson, AZ 85721.
$100-$249 Diana and Joseph Alexander • Diana and Dante Archangeli • John Arrison • Kathie and Jim Barrett • Christina and Charles Bascom • Margaret and Thomas Baxter • Barbara and Lee Beach • Julie and Jeff Bell • Stephanie Bigusiak • Peter Bleasby • Anne Britt • Karen and Kelly Callan • Cathy and Mark Cavins • Dale and Richard Charkow • Arlene and Ed* Cohen • Wanda Coil • Lisa and Ryan Comella • Susan and David Cone • Carole and James Cornell • Dorothy Davis • Joanna Davis • Lisa Deakes • Isabel and Raul Delgado • Elizabeth and Robert Doerries • Adrienne Drell and Franklin Nitikman • Franklin Earnest • Helen Edmond • Frances Emrick and Roy Emrick • Margorie Engel and Stephen Boyle • Ensign Facility Services, Inc. • Rose and James Ewen • Barbara Fortino • Sorale and Marvin Fortman • Bonnie and Edward Frisch • Kay and Ed Goss • Li-Ling Gossard • Julia and Donald Graf • Louise Greenfield and Simon Rosenblatt • Penelope Grieves • William and Shirley Griffin • Louisa and Jim Guise • Trudy Haggard • Richard Hanson • Ellen and Michael Harris • Donald Hausrath • Margaret and Peter Hovell • Natalie and Merle Ireland • Marsha and David Irwin • Marcelle and Leonard Joffe • Cindy Joy • Anita Katz • Sonia and Michael Kaye • Jay Keene • Nancy Koff • Catherine Kresge Kang • Kathy and Walter Kutscher • Leo Litowich •
20
*In Memoriam
21
THEATRE POLICIES House Policies: Please turn off watch alarms, mobile phones, pagers, and all other electronic devices. Food, beverages and smoking are not permitted inside the theatre. The use of cameras or recording devices of any kind are strictly prohibited. Children five and under and strollers are not permitted inside the theatre. Seating Policy: Productions begin on time. Generally, each theatre will open for seating 30 minutes before curtain. There is no late seating. Refunds: Tickets are non-refundable. All ticket sales are final. Emergency Messages: Physicians and other patrons expecting emergency calls during a performance are asked to leave their paging devices with the House Manager. Lost and Found: Lost and found items will be reported to the Fine Arts Box Office at (520) 621-1162. **The video and/or audio recording of this performance by any means whatsoever is strictly prohibited**
22
THE
STUDIO SERIES presents
ERASED $7 All Seats | tickets.arizona.edu | (520) 621-1162
Oct 4-6, 2018 at 8pm | Oct 7, 2018 at 2pm Harold Dixon Directing Studio | UA Drama Building, Room #116
23
THEATRE PROGRAM FACULTY & STAFF ADMINISTRATION
FACULTY Mr. Peter Beudert, Professor Emeritus Mr. Kevin Black, Professor of Practice Dr. Kevin J. Byrne, Assistant Professor Dr. Harold Dixon, Professor Emeritus Ms. Deanna Fitzgerald, Associate Professor & Interim Co-Director Mr. Brent Gibbs, Professor Mr. Danny Gurwin, Assistant Professor Mr. Richard T. Hanson, Assoc. Professor Emeritus Mr. Patrick Holt, Associate Professor Ms. Christie Kerr, Assistant Professor Mr. Joe C. Klug Assistant Professor Mr. Ted Kraus, Assistant Professor Dr. Frank LaBan, Professor Emeritus Ms. Jenny Lang, Assistant Professor of Practice Dr. Jessica Maerz, Associate Professor Ms. Claire Mannle, Instructor Mr. Matthew Marcus, Instructor Dr. Laura McCammon, Professor Emerita Dr. Bobbi McKean, Associate Professor Mr. David Morden, Assistant Professor Mr. Greg Pierotti, Assistant Professor Mr. Monte Ralstin, Professor of Practice Ms. Jaime Reed, Assistanct Professor of Practice Ms. Elaine Romero, Associate Professor Ms. Clare P. Rowe, Associate Professor Mr. Hank Stratton, Assistant Professor Mr. Albert Tucci, Director & Professor Emeritus Mr. Richard Tuckett, Associate Professor Dr. Patricia VanMetre, Associate Professor Emerita Mr. Jeffrey L. Warburton, Assoc. Professor Emeritus Ms. Dianne J. Winslow, Professor Emerita Mr. David Yarnelle, Assistant Professor of Practice
School Interim Co-Directors
Deanna Fitzgerald & Yuri Makino Artistic Director Brent Gibbs Managing Director Jenny Lang Advising Services Christina Beasley, David Yarnelle Asst. to the Director for Admin. Justine Collins Business Manager Stacy Dugan Office Specialist Stephanie Chao Student Academic Specialist Daniela Tascarella
FILM & TELEVISION EVENTS
Documentary films created by BA and BFA students. The Loft Cinema Tuesday, December 11, 2018 at 7pm FREE & Open to the Public
GRADUATE STUDENTS Rebekah Clark, Elizabeth Eaton, Lauren Duggin, Jason Jamerson, Anna Jennings, Tori Mays, Ryan B. Moore, Dan Movick, Andrew Nunley, Vanisha Renee Pierce, Monique Robin, Fly Steffens, Forrest Tallbull, Angelina Valencia, Rachel Wilkins
PRODUCTION Production Manager Jenny Lang Technical Director Ted Kraus Staff Assistant Technical Director & Automation Specialist Tony Cordaro Lighting Supervisor Deanna Fitzgerald Costume Director Richard Tuckett Costume Shop Manager Maryann Trombino Costume Design Advisor Patrick Holt Paint Supervisor Clare P. Rowe Properties Supervisor Joe C. Klug Sound Supervisor Matt Marcus Program Chair for Generative Dramaturgy Kevin Byrne
Senior thesis films created by the BFA graduating class. Fox Tucson Theatre Saturday, April 27, 2019 at 7pm General Admission $5
Short fiction films by BA and BFA students. The Loft Cinema Wednesday, May 8, 2019 at 7pm FREE & Open to the Public
MARKETING & AUDIENCE SERVICES
THEATRE PROGRAM ADVISORY BOARD
Marketing Director Julie Vance Assistant Marketing Specialist Jordan Lorsung Bobbi McKean Gloria Linden (President), Greg Knopf (Vice President), Outreach Coordinator Fine Arts Box Office Manager Charles Cannon Jane Brown (Secretary), Cindy Ashton, Judith Bard, Assistant Box Office Manager Frank Solano Bill Bennett, Steve Browning, Lindsey Burlingame, Box Office Staff Benjamin Ancharski, Julie Cohn, Carol Cunin, Carol Elliott, Elyse Golob, Logan Cleverly, Alex Cowan, Erin Crowther, Annie Dixon, Christine Harland, Tim Kelly, Kwan Lee, Pricilla Antonio Heredia, Karsten Hultquist, Thomas Kile, Mรกrquez, Leslie Freed Novick, Judy Ranzer, Ed Thomas Koenig, Elissa Maugans, Moses Maugans, Kailee Steinhoff, Tony Terry Nafziger, Olivia Niccum,Taylor Ross, Jade Salmon, Joshua Swain, Victoria Villanueva, Jeremy Yampolsky Life Members Pat Ballard, Walter Kutscher, Mary Parnell, Lillian Rosenzweig
Associate Members Doris Coris, Taffie Eiff, Joe Gootter (Past President), Ken Greenfield, Joan Horwitz, Jane Kivel, Schuyler Lininger, Bill Neumann (Past President), Caren Newman, Sharmin Pool, Vivi Sabbagh, Victoria Terzano, Don VandeGriff, Jo Ann Zirkle
House Managers Benjamin Ancharski, Annie Dixon, Thomas Kile, Thomas Koenig, Moses Maugans, Kailee Nafziger, Olivia Niccum, Jade Salmon, Victoria Villanueva, Jeremy Yampolsky Season Graphic Designers
UA Center for Creative Photography Wednesdays throughout Year FREE & Open to the Public
- Movies about Film & Television Feature films presented by faculty & preceded by a short student film. See page 10 for dates and films.
Whitespace Design & Ed Flores Photography
Visit tftv.com for more information 24
18 19