I Dream in Widescreen 2019

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Rica & Harvey Spivack Screening Sponsors

APRIL 27TH 2019 Fox Tucson theatre doors @ 6pm filmS @ 7pm

17 W. Congress STREET

CALL 520.621.1162 FOR TICKETS OR VISIT IDIW.TFTV.ARIZONA.EDU | $5 GENERAL ADMISSION

Sponsors The School of Theatre, Film & Television expresses gratitude to its sponsors:

Screening Sponsors Rica and Harvey Spivack Film Tucson markets Tucson and Southern Arizona as production locations for feature films, TV series and commercial advertising for the economic impact it brings to the region.

Monsoon Production Services is Southern Arizona’s largest film equipment rental house. Our goal is simple: make Arizona a shining star of filmmaking once again through exceptional service and ultra-competitive pricing.

The Loft Cinema is Tucson’s premiere venue for art films independent, foreign, alternative and classic narrative films and documentaries. The non-profit Loft has been named Best of Tucson by the readers of the Tucson Weekly every year since 2002, and in 2008 was one of 17 mission-driven, communitybased cinemas in the U.S. invited by the Sundance Institute to join its Art House Project. The selection was based on quality of programming and involvement with the community.

Built in 1930, The Fox Tucson Theatre is known throughout the U.S. for its physical beauty and near perfect acoustics.

Painstakingly restored after being empty for 25 years, the “Fox” re-opened in 2006. Today, the state-of-the-art facility offers Tucson’s most exciting year-round mix of entertainment, movies, and community events. The ongoing work of the Fox Tucson Theatre Foundation and community support ensures that this Southern Arizona treasure will continue to grow, thrive, and provide enjoyment for many generations to come.

Pollution Studios is a full-service stage and equipment rental facility, located just outside downtown Los Angeles.

Pollution is owned and operated by industry veterans with an understanding of the unique needs of indie filmmaking. Full service means anything is possible, regardless of budget size — let us know what you need and we will make it happen.

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Established in 2002, the Jack and Vivian Hanson Arizona Film Institute (UA Hanson FilmTV Institute) cultivates the art and business of film.

The Institute works in partnership with the UA Film and Television program and in collaboration with diverse UA entities and local, national, and international organizations. The Institute produces educational programs, public events, and creative projects that provide educational and professional development opportunities for students, faculty, and filmmakers. Hanson FilmTV Institute programs reflect The University of Arizona’s three-fold mission of teaching, research, and public service. The Institute produces films and film events that address societal issues, placing a special focus on Mexican and Native American filmmaking. www.hansonfilm.org

Entertainment Partners (EP), an employee-owned company, has been the leader in payroll, residuals, and production services for more than 40 years. Our accounting software and Movie Magic Budgeting and Scheduling programs are the industry standards. EP now offers production incentive services and also operates the legendary Central Casting.

This year Other World Computing (OWC) celebrates their 30th anniversary serving the Apple community with the best upgrades, gear, and accessories. Always focused onward and upward with dedication to innovation, quality, and trust, we always strive to go further to deliver a better return on our customers’ technology investments.

With Adobe’s integrated platform of cloud-based solutions, instructional resources, professional development, and peer-to-peer collaboration for your educators, you’ll fi ­ nd the support you need to deliver engaging digital experiences that bolster student recruiting and retention, enrich learning, prepare students for the workforce, and streamline administrative processes across your institution. Adobe is your digital transformation partner.

Funded by the UA BookStores, Ricoh and Xerox, and administered by the Office of the Senior Vice President for Student Affairs and Enrollment Management, the StudentFaculty Interaction Grant provides funds to support extended learning outside of the classroom and to further collaboration between various groups across campus. The program was established over a decade ago, in response to research that shows the more contact students have with faculty, the more likely they will be to succeed as undergraduates.

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AWARDS

THE TUCSON FILM OFFICE NEW FILMMAKER AWARD Sponsored by the Tucson Film office, this award comes with a $500 cash prize for achievement in directing.

THE MONTE RALSTIN AWARD FOR EXCELLENCE IN ACTING Named in honor of celebrated University of Arizona Theatre Professor, Monte Ralstin, this award comes with a $500 cash award.

THE POLLUTION STUDIOS AWARD FOR EXCELLENCE IN SCREENWRITING Sponsored by Pollution Studios, the winner of this award will receive a certificate worth $750 of in-kind services at this full service studio and equipment rental facility in Los Angeles.

THE ENTERTAINMENT PARTNERS AWARD FOR EXCELLENCE IN PRODUCING Sponsored by Entertainment Partners, the leading provider of budgeting and scheduling software for the film industry, the winners of these two awards will receive complimentary copies of the Movie Magic Budgeting and Scheduling software package.

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AWARDS

THE MONSOON PRODUCTION SERVICES AWARD FOR EXCELLENCE IN CINEMATOGRAPHY Sponsored by Monsoon Production Services, the winner of this award will receive a certificate worth $1500 in rental gear at Southern Arizona’s largest film equipment rental house.

THE OWC AWARD FOR EXCELLENCE IN EDITING Sponsored by Other World Computing, the winner of this award will receive a $500 gift certificate for products from Other World Computing, the leading provider of hard drives and peripherals for the Mac community.

THE UA HANSON FILMTV INSTITUTE AWARD FOR EXCELLENCE IN PRODUCTION DESIGN The winner of this award, sponsored by the UA Hanson FilmTV Institute, receives a $500 cash prize for achievement in production design.

THE ADOBE AWARD FOR EXCELLENCE IN SOUND DESIGN THE ADOBE AWARD FOR EXCELLENCE IN TITLE DESIGN The winners of these awards will receive a one-year subscription to the Adobe Creative Cloud suite of 20+ software programs, including Adobe Premiere Pro, Adobe Photoshop and Adobe After Effects.

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THE 2019 I DREAM IN WIDESCREEN AWARDS JURY

HOSTS

Allison Anders

Kelly Hajek

Kentucky-born LA-raised Allison Anders is an award-winning screenwriter and film and TV director whose work includes Border Radio, Gas Food Lodging, Mi Vida Loca, Grace Of My Heart, and Sugartown. She’s directed episodes of Sex And The City, Orange Is The New Black, Southland, Riverdale, Murder In The First and recently Sorry For Your Loss. She was nominated for an Emmy for Best Director for the Lifetime movie Ring Of Fire, wherein she cast John Doe as the Father Of Country Music AP Carter. She’s a MacArthur Fellow, winner of a Peabody Award for her film Things Behind The Sun, and winner of a Distinguished Professor of Film award at UCSB. She resides in Altadena, CA with Mattie her adorable dog who’s a retired actress.

Kelly Hajek is a senior BFA acting major at the University of Arizona.

She signed this last semester with CESD Talent Agency and will be moving to Los Angeles after graduation to pursue film and TV. Some of her past roles include Queen Elizabeth in Richard III, Sherry in Tigers Be Still and Portia in The Merchant of Venice. She would like to express her gratitude to all of the student filmmakers she has had the pleasure to work with.

Tyler Gillett

Connor McKinley Griffin

is a film, television and new media director, writer and producer based in Los Angeles. One of the founding members of the filmmaking collective Radio Silence, his recent directing credits include the Sundance hit V/H/S, 20th Century Fox’s Devil’s Due, The Orchard’s Southbound, and Fox Searchlight’s Ready or Not, which is currently in production. He’s also cowriting an adaptation of The Memory Thief for Fox and 21 Laps. A graduate of the UA School of Theatre, Film & Television, Tyler got his start working with the online comedy trio Chad, Matt & Rob whose work has garnered over 100 million total views on YouTube.

At the patient hands of his friends Ben, Jalon, and the cast and crew of Just Dinner With Friends... Connor recently had the pleasure of being introduced to the remarkable world that lies within the University of Arizona’s Film and Television program. The kindness, professionalism, and downright explosive passion he encountered through the many artists and creators on his first short film set made for an experience unlike any other he’s had before. He is deeply grateful and in awe of the talent that surrounds him, and is excited to share their stories with you under the roof of Tucson’s historic Fox Theatre.

Katie Walsh is a Los Angeles-based film critic and journalist, reviewing weekly film releases for the Tribune News Service, Los Angeles Times, and The Playlist, while occasionally making appearances on KCRW’s Press Play with Madeline Brand and KPCC’s Film Week. Her work has also appeared in Playboy, Slate, The Hairpin, indieWIRE, Women and Hollywood, Town & Country, Movieline, Nonfics, and more. Katie is also a member of the LA Film Critics Association. She earned her B.A. in Film Studies from Wesleyan University, and her M.A. in Critical Studies from the USC School of Cinematic Arts.

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THE UNIVERSITY OF ARIZONA SCHOOL OF THEATRE, FILM & TELEVISION 2019 BFA THESIS FILMS

JUST DINNER WITH FRIENDS

OCHRE

Welcome Just Dinner with Friends Ben Weinstein (9:35)

Ochre

Aaron Cargile (9:35)

Directed by Ben Weinstein Produced by Sunny Wu Written by Ben Weinstein

Directed by Aaron Cargile Produced by Reed Chandler, Brittany Olsen, & Erika Sadighi Written by Aaron Cargile

Sean is thrilled to be invited to dinner with his ex...until he finds himself face to face with her new boyfriend.

Thirty years after a priceless Willem de Kooning painting is stolen from the walls of the University of Arizona Museum of Art, its sudden reappearance sparks a new mystery.

Desert Flesh

Hannah Sweet (5:15)

The First Thanksgiving Stephanie Silva (7:35)

Porchlight

Hannah Akins (6:05)

Pick-Me-Up

Samantha Weisband (8:00)

BEN WEINSTEIN

AARON CARGILE

Clever Girl

Michael Eppinette (9:50)

Intermission Signature

Cory Gilchrist (9:54)

99¢ Dreams

Tasnim Boufelfel (9:20)

Pride of the Lion

Nolan Veneklasen (8:45)

Waiting for Vienna Allie Rickards (9:30)

Artificial Intelligence Alex Zhao (9:40)

Group

Rachel Buttenhoff (9:30)

After one fateful afternoon of making his toy trains battle each other when he was seven, Ben knew that he wanted to work in entertainment. Cut forward to today, and Ben can often be found making movies, performing with his improv team, and staying up late to create memes so obscure that only his friends will understand them.

With dreams of becoming a television showrunner, Ben hopes that his romantic comedy senior capstone film will be something that all audiences can relate to and enjoy.

Aaron Cargile makes films that explore obscure and untold stories from the edges of American culture. His latest project, Ochre, will hopefully become the first of many feature films. Aaron is a recipient of the 2018 Entertainment Partners Excellence in Producing Award. He is very grateful to his parents, peers, and teachers for supporting him through the years.

Presentation of Awards 8

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DESERT FLESH

PORCHLIGHT

Directed by Hannah Sweet Produced by Laura Bargfeld & Riley Kimminau Written by Sara Luu

Directed by Stephanie Silva Produced by Candice Michels & Jeremy Bernick Written by Stephanie Silva

Directed by Hannah Akins

In a world filled with death and decay, a young woman starts to question what she has been told.

After immigrating from Mexico, a teenage girl and her family face their first Thanksgiving in this story about the importance of identity.

After a tragic suicide, a family gathers to unravel the mystery of their troubled daughter, and to care for a child left behind.

STEPHANIE SILVA

HANNAH AKINS

HANNAH SWEET

Hannah Sweet is an aspiring director and director of photography who has shot multiple fiction and nonfiction films across her four years at UA. A recipient of the 2018 Excellence in Cinematography Award at last year’s I Dream in Widescreen, she makes films that explore dark imagery, horror and surrealism. Hannah is extremely grateful to her talented cast and crew who brought her film to life as well as to her family for all of their support.

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THE FIRST THANKSGIVING

Stephanie has loved film ever since she learned how to work the VCR at the age of 3. She is an aspiring director and writer, who is constantly inspired by the people in her life. After interning in Los Angeles during the summer in digital production, she plans to move to LA after graduation. Stephanie is forever grateful for her friends and family that have supported her through the years.

Produced by Shayna Goldberg & Cassandra Rosa Written by Hannah Akins

Hannah Blair Akins was born and raised in flowery Greensboro, North Carolina, where she developed an adoration for nature, music, poetry, and philosophy.

Inspired by her father’s avant-garde paintings and sculptures and her grandparents’ rich involvement in art, theater, and costume design, Hannah began drawing and painting at a young age, and soon developed an intense interest in film. Hannah is pursuing a career in screenwriting and filmmaking, focusing on the synthesis of film and pragmatic philosophy. She was granted the 2019 Creative Achievement Award for her efforts in filmmaking and screenwriting.

PICK-ME-UP

Directed by Samantha Weisband Produced by Laura Bargfeld, Erika Sadighi, & Samantha Weisband Written by Samantha Weisband When her car gets towed, a young woman finds comfort in an unlikely stranger – her Lyft driver.

SAMANTHA WEISBAND

Samantha Weisband has always had a passion for finding the truth and humor in everyday life. As a child, she was exposed to all types of comedy, from Mel Brooks to Judd Apatow, and has sought to create films of her own that embody the same kind of ridiculousness and relatability. She couldn’t be more thankful to her parents and siblings for raising her with an adoration of absurdity. Sam is an aspiring writer and director for comedy series and hopes to work alongside collaborators with the same zeal for exploiting laughter in seemingly serious circumstances.

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CLEVER GIRL

Directed by Michael Eppinette Produced by Cassandra Rosa & Jaden Osborne Written by Michael Eppinette At the peak of scientific stardom, Dr. Evie Fleming is horrified to find that her genius mutant dino-bird has gone rogue...on live television.

MICHAEL EPPINETTE

In his natural habitat, director and concept artist Michael V. Eppinette can be found drawing T. rexes, playing cello, and futilely attempting to communicate with various bird species.

After being blessed with opportunities to create concept art for films including The Predator (2018), Michael aims to continue directing, giving life to stories informed by his Christian worldview and replete with evocative creatures of his own design. He is incredibly thankful for the inspiration from his passionate parents and his sadistic, bloodthirsty parrot.

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SIGNATURE

99¢ Dreams

PRIDE OF THE LION

Directed by Cory Gilchrist Produced by Cory Gilchrist & Joey Pucino Written by Cory Gilchrist

Directed by Tasnim Boufelfel Produced by Mathew Bogaert & Reed Chandler Written by Tasnim Boufelfel

Directed by Nolan Veneklasen Produced by Kevin Owens Written by Nolan Veneklasen

Handwriting expert Fitz Acadian struggles to stay relevant as an analog player in a digital world.

A fragmented exploration of memory, consciousness, and lost time, told through the experiences of a few community members in a small town.

A Chinese-American teenager must choose between fitting in and defending his culture when a bully zeroes in on his little brother.

CORY GILCHRIST

TASNIM BOUFELFEL

Cory Gilchrist has worked on multiple short films as a writer, director, and editor, including the short documentary Beyond the Double Line about the passion of car fanatics, and the fiction short Frederic that starred a live-action puppet. After graduating, Cory aspires to become a feature-length film director in his favorite genre of action/ adventure. Cory would like to thank his talented, innovative crew, and Kevin, Judi & Ethan Gilchrist for giving him the opportunity to bring the story of Signature to life.

Tasnim Boufelfel was born and raised in Tucson, Arizona. Inspired by the sparse desert landscape and the people in her life, Tasnim’s films explore small moments that express the ephemeral, embracing the fleeting, oft-overlooked moments of the everyday. Through exploring life’s silences and subtleties, Tasnim’s current project, 99¢ Dreams, evokes the weight of departures and arrivals. She aspires to always continue learning.

NOLAN VENEKLASEN

Nolan Veneklasen’s background is rooted in music, sound recording and Chinese Martial Arts. Designing and recording production sound for documentaries, student films and commercial works, Nolan also has experience in directing, editing and cinematography. He hopes to pursue a career in the larger audio-video world, creating indie Hip-Hop music videos, cultural documentaries and short kungfu films.

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WAITING FOR VIENNA

GROUP

Directed by Allie Rickards Produced by Luke DeMarco & Brittney Olsen Written by Alicia Farmer & Randi Todd

Directed by Alex Zhao Produced by Thomas Sensing Written by Michael Eppinette & Alex Zhao

Directed by Rachel Buttenhoff Produced by Patrick Domingo & Anthony Sedillo Written by Rachel Buttenhoff

A grieving father is forced to either succumb to his tragic past or enter an uncertain future.

An art student must save her roommates from a rogue robot and its army of smart technology.

Mel is only going to therapy for a signature — until a fellow patient decides to challenge her.

ALLIE RICKARDS

ALEX ZHAO

Alexandra Rickards enjoys finding the excitement and intricacies in everyday life. She is constantly looking to construct unconventional, vivid imagery to create cerebral worlds. Spending her summer in New York, she worked as a production coordinator and an assistant camera operator. Alexandra is a recipient of the 2018 Entertainment Partners Excellence in Producing Award.

She has found her motivation and diligence through filmmaking and the endless support from her parents and sister.

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ARTIFICIAL INCOMPETENCE

Alex is an aspiring film editor who’s worked as a post-production assistant for several projects and organizations around Tucson, Arizona. As an undergraduate at UA, he spent his days living in solitude with his reptile collection. He would like to thank the talented cast and crew who brought Artificial Incompetence to life, as well as his mother for providing her neverending support.

RACHEL BUTTENHOFF

Rachel Buttenhoff specializes in emotionally raw films, with the aim of inspecting the human element, both in its darkest and brightest moments.

She hopes to continue work writing and directing in the realm of independent film, as well as pursuing her passion for other mediums—3D Modelling, VFX, cinematography, illustration and graphic design. She would like to thank the many therapists who helped her reach this point.

KEY CREATIVE TEAM ANDRES CARR

Sound Supervisor Andres Carr is the sound supervisor for all of the senior films. He also personally sound designed The First Thanksgiving, Porchlight, and Clever Girl. He looks to pursue sound design in the future.

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UPCOMING FILM SCREENINGS MAGIC HOUR

THE LEGEND OF GEORGIA MCBRIDE

Fiction Films by BFA and BA Students from the School of Theatre, Film & Television Wednesday, May 8, 2018 at 7:00pm The Loft Cinema

by Matthew Lopez September 21 – October 6, 2019

WHAT’S UP, DOCS?

book by Roger O. Hirson music & lyrics by Stephen Schwartz originally produced on the Broadway stage by Stuart Ostrow originally directed on the Broadway stage by Bob Fosse 2013 Broadway revival directed by Diane Paulus Theo Ending Originally Conceived in 1998 by Mitch Sebastian October 19 - November 3, 2019

Documentary Films by BFA and BA Students from the School of Theatre, Film & Television Tuesday, December 17, 2019 at 7:00pm The Loft Cinema

I DREAM IN WIDESCREEN 2020 Senior Thesis Films by the BFA graduating class Saturday, May 2, 2020 at 7:00pm The Fox Tucson Theatre

DAY FOR NIGHT: CONVERSATIONS ON FILM & TELEVISION Join School of Theatre, Film & Television faculty and guests for lively discussions related to film & television.

Deconstructing the Documentary: Creating Personal Branding: Thriving in Meaning in Documentary Film the Era of Social Media Sept. 10, 2019 Jan. 28, 2020 Harvill Bldg., Room 104

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ARIZONA REPERTORY THEATRE 2019-2020 SEASON

Harvill Bldg., Room 104

The Art of Films on Art: producer Erin Wright and director Lisanne Skyler Sept. 24, 2019

Hollywood and Political Films in the Age of Polarization Feb. 25, 2020

MOCA Tucson

Harvill Bldg., Room 104

PIPPIN

THE LAST NIGHT OF BALLYHOO

by Alfred Uhry November 9 - 24, 2019

THE WOLVES

by Sarah Delappe February 8 - 23, 2020

THE TWO GENTLEMEN OF VERONA

by William Shakespeare March 16 - 29, 2020

THE LIGHT IN THE PIAZZA book by Craig Lucas music & lyrics by Adam Guettel produced by arrangement with Turner Entertainment Co. owner of the original motion picture “The Light In The Piazza” based on the novel by Elizabeth Spencer April 11 - 26, 2020 17

ALUMNI NOTES ♦ Emily Abrahams (BA, 2006) was recently appointed Head of

Production at Boardwalk Pictures, which is responsible for such series as Chef’s Table (Netflix), Action (Showtime), and Street Food (Netflix).

♦ A four-time Emmy winner, Sean Olson (BFA, 1998) recently wrote, directed and edited the sci-fi family film F.R.E.D.I. Other recent directing credits include Christmas Wonderland (Hallmark) and A Christmas Reunion (Lifetime), starring Denise Richards.

♦ Rheanna Sorenson (BA, 2016) worked as a Page at Paramount

Pictures right after graduation, and has now moved on to a job as Production Assistant at The Late Late Show with James Corden.

♦ A trio of recent FTV grads recently made their way to the 2019 South

By Southwest film festival, where their short film Heroines made its World Premiere. Chris Cegielski (BFA, 2014) produced, Rafael Gomez (BFA, 2014) was cinematographer, and Ben Montemayor (BFA, 2014) handled the editing duties. The film is headed to the Moscow International Film Festival next.

♦ Chelsea Rayburn (BFA, 2015) has been moving her way up the

post-production ladder at Bunim Murray Productions (Bill Nye Saves the World, Keeping Up with the Kardashians), where she is now an Assistant Online Editor.

♦ Jennifer Passovoy (BA, 2013) has been working in Reality TV since graduation, and is now a Producer on RuPaul’s Drag Race for VH1.

♦ Wil Lindsay (BFA, 2002) received an MFA in the Integrated

Electronic Arts program at Rensselaer Polytechnic Institute, and recently completed a year long artist-in-residency at The Hacktory in Philadelphia. He is currently teaching Digital Media at Albright College, actively exhibiting in galleries and performing real-time digital media under the pseudonym VBLANK.

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ALUMNI NOTES ♦ Alexis Preston (BFA, 2014) has been following dual careers in

art direction and podcast producing. She has been working as Set Dresser on the Adult Swim stop-motion animated shows Super Mansion and Robot Chicken, and is also the Producer of the podcasts Can I Pet Your Dog? and Hollow Public Radio.

♦ New York-based copywriter Joshua Perlow (BA, 2010) was recently hired by Coffee ‘n Clothes, a media and production company that produces pop-up cafés for Nike, Vogue, and Hello Kitty.

Jackie Stubbs (BFA, 2014) has been working in post-production

♦ since graduation. She is currently a Finishing Coordinator for

Open Road Entertainment, which produces trailers and promo campaigns for Sony, Netflix, CBS, ABC, and others.

Dae Hyun Song (BFA, 2014) recently won the SkyTV/Sundance

♦ Channel UHD Storytelling Grant for the second time. Based in

Seoul, he is a Producer/Director/Cinematographer whose work has shown on multiple South Korean TV networks, and is Co-Founder of the Seoul-based creative collective OTHERSIDE. Sarah Lancaster (BA, 2017) moved to Los Angeles after graduation

♦ and is now an Assistant at the Osbrink Talent Agency.

Thomas Castillo (BFA, 2003) was recently awarded tenure in the

♦ Department of Theatre and Film at Bowling Green State University, where he teaches classes on editing, cinematography, and applied aesthetics.

Feifei Gong (BFA, 2018) is finishing his first year in the M.F.A.

♦ Documentary Filmmaking program at Chapman University’s Dodge College of Film and Media Arts.

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I DREAM IN WIDESCREEN CREDITS Senior Thesis Course Instructor: Lisanne Skyler Screening Producer: Jacob Bricca Screening Co-Producers: Beverly Seckinger & Lisanne Skyler Fox Theatre Technical Director: Jeff Rodenkirch Stage Manager: Cole Rowerdink Post-Production Supervisor and Technical Director: Dan Brock Post-Production Sound Advisor: Michael Mulcahy Media Arts Production Lab (MARPL) Assistant Supervisor: Darious Britt Media Arts Production Lab Student Staff: Adrian Meyer, Nicholas Leon, Hannah Sweet, Zar Arias, Mason Day, Zach Lovvorn, Stephanie Silva Program & Poster Graphic Designer: Jordan Lorsung Program Portrait Photography: Alexandra Rickards, BFA Senior Official Trailer Created By: Ben Weinstein & Alex Zhao

ACKNOWLEDGEMENTS The School of Theatre, Film & Television would like to acknowledge those whose various contributions made this event possible:

THANK YOU The students and faculty of the Film and Television Program would like to thank these individuals and companies for their support of this year’s senior thesis films.

Troy Ballard Phantom Aerial Solutions

Ginger Shulick & Marica Whittemore MOCA Tucson

Terry Gonzales Funtasticks Family Fun Park

Steve Holland & Miguel Delgado University of Arizona Risk Management Services

Sally Kane Augustin Kitchen James Robertson Bookmans Entertainment Exchange Aaron McNally Canon USA, Inc.

Todd Millay Arizona Student Unions Justin Kreinbrink Monsoon Production Services Susan Chan Tucson Chinese Cultural Center

Dr. Edward Ackerley, Creative Media Advertising Instructor Ann Blackmarr, Monte Ralstin Award Benefactor Asher Brown, Pollution Studios Stacy Dugan, Business Manager, School of Theatre, Film & Television Justine Collins, Assistant to the Director of the School of Theatre, Film & Television Peggy Johnson, Jeff Yanc & J.J. Giddings, The Loft Cinema Shelli Hall & Peter Catalanotte, Tucson Film Office Craig Huston & Victoria Lucas, Mentors Jason Katsoff and Brian Puente, Adobe Eileen Millard, Other World Computing Craig Sumberg, Executive Director, Fox Tucson Theatre Melissa Van Meter Noren, Entertainment Partners Julie Vance, Director of Marketing Vicky Westover & Kerryn Negus, The UA Hanson FilmTV Institute 20

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THE FILM & TELEVISION PROGRAM FACULTY & STAFF

SUPPORT FILM & TELEVISION STUDENTS Help prepare students for their futures within the fields of film and television by giving to these endowments!

FACULTY

INSTRUCTORS

Prof. Jacob Bricca Dr. Anna Cooper Dr. Josh Gleich Prof. Michael Gillette* Dr. Mary Beth Haralovich* Prof. Yuri Makino Prof. Michael Mulcahy Prof. Shane Riches Dr. Bradley Schauer Prof. Beverly Seckinger Dr. Barbara Selznick Prof. Lisanne Skyler Prof. Cody Young

Dr. Ed Ackerley Ms. Genevieve Anderson Ms. Nika Kaiser Ms. Annina Lavee Mr. Alex Leyton Mr. Jack Walsh Mr. David Wing

*Emeritus

INTERIM CO-DIRECTORS Prof. Yuri Makino Prof. Deanna Fitzgerald

UA HANSON FILMTV INSTITUTE Ms. Kerryn Negus Ms. Victoria Westover

Endowment for Emerging Filmmakers Your donation will help students offset production costs for BFA thesis films, and support entry fees to film festivals so that Film & Television student films can be seen all over the world.

Endowment for Professional and Scholarly Engagement Your donation will enable Producing and Studies students to expand their interactions with film and television professionals and scholars, and fund programs such as internship awards, guest speaker support, and undergraduate research assistance.

Please choose the specific fund you wish to make a donation.

Gift Amount (100% tax deductible) $____________________________________

STAFF

If paying by check, make checks payable as indicated below each endowment.

Dr. Christina Beasley Mr. Darious Britt Mr. Dan Brock Mr. Charles Cannon Ms. Stephanie Chao Ms. Justine Collins Ms. Stacy Dugan Ms. Jordan Lorsung Ms. Daniela Tascarella Ms. Anne Valentino Ms. Julie Vance

o Endowment for Emerging Filmmakers (UAF/Endowment Emerging Filmmakers)

o Endowment for Professional and Scholarly Engagement (UAF/Endowment for Professional and Scholarly Engagement)

Pay by credit card and complete the information below:

o MasterCard

o Visa

o American Express

Name on card:_______________________________________________________ Number:______________________________________ Exp. date:_____________ Billing address (attached to credit card): City:____________________________________ State:_________ Zip:_________ Phone:______________________ E-mail:__________________________________ Other ways to donate: Contact the CFA Development Office by phone at (520) 621-9057 or email us at connect@cfa.arizona.edu Give online at uafoundation.org and search Find a Gift Opportunity to locate the endowment you would like to support.

Please mail checks to: College of Fine Arts Development Office 1017 N Olive Rd, Rm 113 PO Box 210004, Tucson, AZ 85721-0004

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tftv.arizona.edu idiw.tftv.arizona.edu facebook.com/UASchoolTFTV ftvinfo@cfa.arizona.edu