Arizona Repertory Theatre's CABARET Program

y ed b in t c e r Di y Gurw n Dan

CABARET is produced by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC., 560 Lexington Avenue, New York, NY 10022.

Jane Kivel Production Co-Sponsor

Campbell, Yost, Clare & Norell, P.C. Production Co-Sponsor

OCT September 18 - NOV 20152, l2011 Tornabene Theatre 11 - 8, October l Marroney Theatre

“ T ER R I F I C , T UR B UL E NT, D I S G R A C E D C O M E S RO A R I N G T O L I F E ! ” – THE NEW Y O R K T I M E S

BY AY AYAD A YAD YAD

AKHTAR T TAR

THE ARI Z ON A PRE M IE R E O F T H E C R IT IC A LLY A CCL AIMED, PUL ITZER PRI Z E - W I N N I N G B R O A D WAY H IT A B O U T R A CE AND IDENTITY.

PERFORMING AT

THE T EMPL E OF MUS I C A N D A R T

10 / 17 / 15 – 11 / 0 7 / 15 ARIZONATHEATRE.ORG

BOX OFFICE:

520-622-2823

SEASON SPONSOR: I. MICHAEL & BETH KASSER

The University of Arizona • College of Fine Arts School of Theatre, Film & Television proudly presents an Arizona Repertory Theatre production

Cabaret

Book by Joe Masteroff Based on the play by John Van Druten and Stories by Christopher Isherwood Music by John Kander Lyrics by Fred Ebb Director f §± Danny Gurwin *

Music Supervisor f § Monte Ralstin *

Choreographer Mark Esposito*

Music Director, Conductor & Pianist f Mike R. Padilla

Costume Designer Leah Mednick Foley

Scenic Designer M Erdman

D. Joshua Hemmo†

Sound Designer John Millerd

Technical Director Ruth Richardson

Dialect Coach f ± David Morden *

Dramaturg Chloe Loos

*Member of Actors' Equity Association

Lighting Designer

Stage Manager † Fatimah Amill Asst. to the Choreographer Jonathan Daulby

** Member of United Scenic Artists, Local 829

§Member of Screen Actors Guild-American Federation of Television and Radio Artists þ

Society of American Fight Directors

±Member of American Guild of Musical Artists

©Member of The Stage Directors and Choreographers Society Unless otherwise noted, all designers, performers and technicians are School of Theatre, Film & Television students. f School of Theatre, Film & Television Faculty Member

†BFA Senior Capstone Project See Production Staff page for details.

CABARET is produced by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC., 560 Lexington Avenue, New York, NY 10022.

Arizona Repertory Theatre is the professional theatre training company of the UA School of Theatre, Film & Television.

THE CAST Emcee...........................................................................................Josh Dunn Sally Bowles......................................................................... Ali Wood Moser Clifford Bradshaw..............................................................Brian Klimowski‡ Fräulein Schneider..............................................................Shira Elena Maas Herr Schultz................................................................................Charlie Hall Fräulein Kost......................................................................... Lauren Bardon Ernst Ludwig.......................................................................... Keenan Larson Kit Kat Girls Lulu..................................................................................... Marissa Munter Rosie...................................................................................... Ahren Victory Frenchie..................................................................................... Nicole Knox Texas....................................................................................Rhetta Kampel‡ Fritzie.........................................................................................Bryn Booth‡ Helga................................................................................. Taylor Pearlstein Eva - Hostess.............................................................Chandler Corley-Essex Kit Kat Boys Bobby..................................................................................... Austin Wright Victor/Rudy............................................................................. Brett P. Dixon Hans/Officer/Sailor.................................................................... Aubrey King Herman/Max.......................................................................Matthew Osvog‡ "Tomorrow" Soloist........................................................................Liam Boyd * Member of Actors' Equity Association ‡ Actors’ Equity Membership Candidate UNDERSTUDIES: Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance. Marissa Munter for Sally Bowles - Matthew Osvog for Cliff Bradshaw - Kristian Arseneault for Fraulein Schneider - Alex Gossard for Herr Schultz - Kailyn Toussaint for Fraulein Kost - Colt C. Watkiss for Ernst Ludwig - Dominique Ruffalo for all Kit Kat Girls.

ORCHESTRA Key 1 Piano/Conductor................................................................ Mike R. Padillaf Key 2 Piano.........................................................................................Jacob Heid Percussion..................................................................................... Dylan Browne Bass................................................................................ Ken Maars, Amit Sen Guitar/Banjo........................................................... Rich Brennion, Abe Marcor Reed 1/Alto Sax/Clarinet........................................ Derek Granger, Barry Magen Reed 2/Tenor Sax/Clarinet...........................................................Michael Weiss Trumpet.......................................................................................... Cory Driscoll Trombone................................................................................... Jordan Robison

ALUMNI NOTES

ALUMNI Michelle Lane

BFA Musical Theatre, 2000

ACTOR. TEACHER. COACH. VO ARTIST. SINGER. VOCAL DIRECTOR. PUPPETEER. If you want to be successful and DO what you love and make a LIVING doing what you love, be VERSATILE - nd your opportunities. Don't wait for them to nd you! Michelle lives in the San Fernando Valley of CA where she is one of the Vocal Directors for her alma mater, Calabasas High School, and the Vocal Director for Calabasas Summer Theater.

Michelle was Th cast in the 2nd company of Avenue Q in Las Vegas and made her Broadway debut in the show, and later, codirected it here at the UA. She was also the original Dory in EGOT winner Bobby Lopez & Kristen Anderson-Lopez's Finding Nemo: the Musical.

She is an Ovation Award Winner for her performance in the West Coast Premiere of Swing! She has lived and worked on both coasts and many cities in between, and has made a career of performing over the last 15 years. She can also be seen on some national commercials, TV episodes, and heard on various voiceovers. After settling down and starting a family, Michelle found a passion for teaching that made her as happy as performing does and loves passing on what she has learned to the next generation of performer performers. She is a musical theatre coach and teaches voice privately in her spare time. Of all the hats she wears, Michelle's favorite is her MOM hat. To learn more, go to: www.michelle-lane.com. For lessons and workshops, go to: www.WorkshopLane.com.

Alumn NOTES

Fred Nelson

MFA Acting 1981, JD 1989

Note The UA trained me for two rewarding careers: theatre and law. The two have intertwined — and taken turns. I have enjoyed both! My rst taste of lm was while an MFA student. I was cast in the NBC Movie of the Week Enola Gay. It was three week’s work - wow! I had perhaps the most memorable line in the lm: “What the hell is atomic?” As my nal MFA project, I wrote and performed a one-person play, Bucking the Tiger, about the infamous Doc Holliday. I have performed the play over 90 times. When in law school, I was also a guest instructor for the theatre department teaching a screen acting class. During my law studies, I continued my acting career in theatre, lm, and TV. After law school, I taught in the theatre program at Central College in Iowa. When I started practicing law, I also started performing David Rintels’ play, Clarence Darrow. This included a fundraising performance for the UA College of Law. My law career was interrupted when I was a visiting professor/guest director at New Mexico State University. I also toured with Theatre Grottesco, including OO-Broadway performances at the New Victory Theatre. I worked with Shenandoah Shakespeare (now the American Shakespeare Center in Staunton, Virgina) on their directing staa as Associate Artistic Director, Voice Coach, and Actor. Returning to Iowa in 2005, I picked up my law career with Iowa Legal Aid as an attorney for a Hotline for older Iowans. Thank you, U of A.

SYNOPSIS OF SCENES & MUSICAL NUMBERS

ACT I Willkommen...................................................................Emcee & Full Company Welcome to Berlin........................................................ Emcee & the Kit Kat Girls So What?............................................................................. Fräulein Schneider Don't Tell Mama............................................................ Sally & the Kit Kat Girls Mein Herr...................................................................... Sally & the Kit Kat Girls Perfectly Marvelous...........................................................................Sally & Cliff It Couldn't Please Me More................ Fräulein Schneider, Herr Schultz & Emcee Tomorrow Belongs to Me........................................ "Tomorrow" Soloist & Emcee Maybe This Time.......................................................................................... Sally Money......................................................................... Emcee & the Kit Kat Girls Married................................. Herr Schultz, Fräulein Kost & Fräulein Schneider Reprise: Tomorrow Belongs to Me..............Fräulein Kost, Ernst Ludwig & Guests

15-Minute Intermission ACT II Entr'acte.............................................................................................. Orchestra Kick Line Number.......................................................................The Kit Kat Girls Reprise: Married................................................................................Herr Shultz If You Could See Her....................................................................Emcee & Fritzie What Would You Do?.............................................................Fräulein Schneider I Don't Care Much..................................................................................... Emcee Cabaret........................................................................................................ Sally Finale.................................................................... Cliff, Emcee & Full Company End of Show.............................................................................................. Emcee

Learn more through exciting discussions!

Pre-Show Discussion: Sunday, Oct 18 at 12:45pm.

Check signage in the Drama Building lobby for discussion location Post-Show Discussions: Oct 25 & Nov 6, immediately after the performances in the Marroney Theatre. Meet the actors and production team during a Q&A segment.

All discussions are free and open to the public.

PRODUCTION STAFF Direction, Dramaturgy and Management Production Manager Assistant Stage Managers Production Assistant Fight Director Fight Captain Dramaturg

Scenery & Props

Assistant Technical Director Carpenters

Charge Artist Scenic Artists Props Master Assistant Props Master Props Artisans

Deck Crew

Lighting

Assistant Lighting Designers Master Electrician Assistant Master Electrician Light Board Operator Programmer Electricians

Spotlight Operators

Costumes

Costume Director Assistant Costume Designer Drapers

First Hands

Stitchers

Costume Crafts Wardrobe Crew Heads Wardrobe Crew

Sound

Assistant Sound Designer Production Sound Engineer Board Operator Audio Crew

Jenny Langf*± Jon Thompson, Brandon Rosenfeld Taylor Moss Brent Gibbsf*þ Bryn Booth Chloe Loos Hanna Lockhart Melissa Arnaud, Joshua K. Barnhill, Steven Davis, Inga Kalvaitis ,Elizabeth Kennedy, Angela McMahon, Jack Meng, Marli Ray, TAR 111 students Andrea Pratt Alison Conover, Sarah Rose Tamas Tommy Chek Yejia Cao Cortni Elkins, Amy Sue Hazel, Alyssa M. LeBlanc, Molly Martin, Dorann Matson, Tory Middlebrooks, Justen Zhang Socorro Cordova, Connor Greene, Brandon Joule, Daniel Kersh, Andrea Lopez Martinez, Kyle McGinnis, Sarah Tamas Reinold Kellici, Ken Phillips Patrick Charles W. McClanahan Lawrence Ware Patrick Charles W. McClanahan Patrick Charles W. McClanahan Fatimah Amill, Eve Bandi, Brie Gonzales, Gregory James Houston, Reinold Kellici, Elizabeth Kennedy, Daniel Kersh, Domino Mannheim, Ryan Moore, Marcus Myler, Daniel O’Leary, Ken Phillips, Carlos Sanchez, Sam Schwartz, Candice “CJ” Washburn, TAR 220 students Melissa Arnaud, Kaitlin Burke, Brie Gonzales, Connor Greene, Daniel Kersh, Molly Martin Richard W. Tuckettf Julio C. Hernandez Julio C. Hernandez, Elly Mikula, Maryann Trombinof,Richard W. Tuckettf Abigail Hackney, Marisa Lujan, Hanna Peterson, Chelsea V. Resh Kaitlin Burke, Rebecca Michelle Cruz, Joy Halliday, Aria Kelly, Melanie Lopez, Cristin Phibbs, Jacqueline Scheidt, Aubrey Stitt Sam Kate Toney Abigail Hackney, Julio C. Hernandez Cindy Cantos, Julian Cardenas, Geneva Casebolt, Kyla Clark, Hannah H. Durrett, Tori Esposito, Rachel Franke, Lizzie Goldfarb, Tori Hudson, Savannah Hutchings, Kaila Kask, Aria Kelly, Daniel Lopez, Alexander Martinez, Conner Morley, Taylor Moss, Sergio Munoz, Madz Smith-Ledford, Jack Viskocil, Zachary Zupke Amber Rudnick Garrett Seaton Marcus Myler Daniel Colecchia, Kiara Johnson, John Millerd, Marcus Myler, Amber Rudnick, Garrett Seaton

† Fatimah Amill - BFA Senior Capstone Project in Stage Management, Jenny Lang, Major Professor † D. Josh Hemmo - BFA Senior Capstone Project in Lighting Design, Deanna Fitzgerald, Major Professor

Your UA Theatre Fund for Excellence Gifts at Work!

I have been awarded a grant through the Fund for Excellence that will allow me to travel to Tait Towers in Lititz, PA, to attend a four-day training in Tait’s “Navigator” automation software. Tait is an industry leader in the area of stage automation and Navigator is their proTed Kraus prietary automation software. Through UA Professor an ongoing relationship with Tait that pre-dates my arrival at the University of Arizona, we have been given a copy of the Navigator software as well as the required computer server. We use these items to run our automated systems when there is a need for such effects within the productions at Arizona Repertory Theatre.

Ted Kraus Assistant Professor, Technical Direction UA School of Theatre, Film & Television If you would like to make a gift to the UA Theatre Fund for Excellence to help more students and faculty have enriching experiences like the one mentioned above, please visit: www.uafoundation.org/give/cfa/theatrearts, or contact the Office of Marketing & Development at (520) 626-2686 for more information.

Special thanks from the cast of Cabaret and the School of Theatre, Film & Television faculty and staff goes to Barbara Molotsky for her guest artist support of Broadway Choreographer, Mark Esposito. Barbara, we appreciate your devotion to Arizona Repertory Theatre and our production of Cabaret!

Special Acknowledgments Arizona Repertory Theatre would like to thank the following individuals for their support of this production: Dr. Julian Ackerley, Director THE TUCSON BOYS CHORUS Donna Hickman, Property Manager RIVERSIDE SUITES Kristin Lange Beverly J. Valdez Hirsh's Shoes and Dancewear Arizona Theatre Company Costume Shop The Gaslight Theatre Costume Shoppe

DRAMATURG’S NOTES

The Kit Kat Klub seems so fun, so glamorous - doesn't it? Due to the advent of the Weimar Republic and subsequent lack of censorship, cabarets began a return to their original function as line-up driven forums in which performers could discuss societal issues. Whether a literary high-art venue or seedy nightclub, like our Klub tonight, cabarets were a way to cope with a rapidly changing society. Considered extremely progressive and tolerant, the Weimar Republic not only challenged traditional gender roles by allowing women to vote, work and access birth control, there was far more freedom to be gay than in most of Europe with an estimated 26 LGBTQIA+ magazines and up to 130 gay and lesbian clubs in the 1920s. In addition, Berlin was fast gaining a reputation as a Mecca for writers and artists. All this progress was halted in its tracks when Adolf Hitler was elected Chancellor in 1933.

Set at the dawn of 1932, Cabaret is based on a firsthand account of the social environment that paved the way for the takeover by the Nazi Party. Christopher Isherwood, the historical counterpart to the character of Cliff, noted in The Berlin Stories (the early template for Cabaret), "I am a camera with its shutter open, quite passive, recording, not thinking.” If we consider the social landscape the subject, then each character serves as a camera, each seeing their world and environment through a different lens.

Hal Prince, the producer-director and creative force behind he project, took the opportunity to parallel the historical issues of pre-Nazi Germany by creating the timeless Cabaret. When the musical originally premiered in 1966, the stage had a large mirror that reflected the audience; therefore, making them complicit in the action, both onstage and in reality, reminding them that this—the intolerance, the Holocaust, the destructive nature of power—could happen here. Over time, directors have not felt the need to be that overt in their presentation. Mirrors. Cameras. What sort of things are happening in our society now that we are reflecting or recording without action? If we interpret Cabaret as a warning, what might we be made aware of in this moment?

How are we responsible for what has happened and what will happen in our society? What kind of camera are you?

- Chloe Loos, Dramaturg

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PROFILES Danny Gurwin (Director) – Broadway credits include How the Grinch Stole Christmas, Little Women, The Full Monty, Urinetown, The Scarlet Pimpernel, Kismet and A Little Night Music (NYCO revival, LA Opera, and Kennedy Center), as well as many shows like Forbidden Broadway and The Thing About Men off-B'way. Danny was recently promoted to Head of Musical Theatre at the UA and has directed Arizona Repertory Theatre’s The Full Monty, Oklahoma!, The Fantasticks, Nine, as well as Encore! and the Freshman Acting Showcases. In addition, he has created and directed the Senior Showcase of Talent 2013, 2014, and the forthcoming 2016. TV credits include Desperate Housewives, Law & Order, among others, and he can be heard on numerous cast recordings. Danny holds a BFA in Musical Theatre from the University of Michigan.

Monte Ralstin (Musical Supervisor) – worked 18 years in NYC as a voice teacher, director and performer and in numerous regional theatres & national & international tours. His credits include Mr. Snow in Carousel at Paper Mill Playhouse and Theatre Under the Stars, and the national tour of On the Twentieth Century with Imogene Coca and Judy Kaye, and on TV with Eddie Bracken in Show Boat. Monte played in the European production of Cats and the European tour as Old Deuteronomy, Gus/Growltiger and Bustopher Jones. Monte is in his 16th year at the UA. During the 2010-11 year, he received the College of Fine Arts Charlie and Irene Putnam Award for Excellence in Teaching and last year's College of Fine Arts Undergraduate Advising/

Mentoring Award. He is a member of Actor's Equity Association, SAG and the National Association of Teachers of Singing.

Mike R. Padilla (Musical Director, Conductor & Pianist) – His work as a Pianist, Music Director & Actor spans over 30 years in San Francisco, Tucson and Japan. Recent Arizona Repertory Theatre credits include Urinetown, The Full Monty, This and A Little Night Music. Locally, he has been seen at the Invisible Theatre, Gaslight Theatre and the Great American Playhouse. He spent 17 years in San Francisco working as a Cabaret Pianist/Singer in hotels/clubs like the Top of the Mark, along with teaching voice. He studied acting and singing with Studio ACT and the San Francisco Academy of Performing Arts. Mike’s teachers/mentors include Richard Nickol, Monte Ralstin, Peter Mintun, Edna Fisher and Ron Vogel. When not working with UA students, Mike coaches voice and piano privately.

Mark Esposito (Choreographer) – Mark’s choreographic work has been seen at Pasadena Playhouse, Hollywood Bowl, Reprise Series, La Miranda Theater, Musical Theater West, Sacramento Music Theater, Pittsburgh Civic Light Opera, Ogunquit Playhouse, Music Theater of Wichita, North Shore Music Theater, Bass Hall and Casa Manana, Blowing Rock Stage Company in NC, York Theater Company and Signature Theater in NYC, as well as at Globus Theater Company in Novosibirsk, Russia, in the first production of West Side Story in Siberia. Mark has served as Choreographer for the holiday show Yuletide Celebration with the Indianapolis Symphony Orchestra; Associate Director and Choreographer for the Radio City Christmas Spectacular starring the Rockettes and the Choreographic Casting Consultant for Tokyo Disney Resorts in Japan. As a performer, Mark has performed in over 16 Broadway and National Tours and has appeared on several TV shows, commercials and music videos. Mark has taught and choreographed at several universities including UCLA, NYU, University of Michigan, UC Irvine, Point Park University in PA and AMDA in Los Angeles.

Leah Mednick Foley (Costume Designer) – is a second year MFA student with an emphasis in Costume Design. Cabaret is her designing debut at the UA, but she has served as a draper on past Arizona Repertory Theatre productions including Frankenstein, Othello, and A Little Night Music and was the Assistant Designer for Othello. She was recently a Wardrobe Intern at the Glimmerglass Opera. Leah would like to thank the Costume Shop for all of their hard work and dedication, and her husband for his love and support.

M Erdman (Scenic Designer) – is a senior in the MFA Scenic Design program. She is grateful for the opportunity to recreate the bizarre underbelly of the Weimar Republic in Berlin. Previous designs for Arizona Repertory Theatre include Lend Me a Tenor and A Little Night Music. M has worked on a wide spectrum of projects in a variety of positions, including three feature films, seven short films [Bloodlines; Berlinae Film Festival], three web series, several music videos and over 20 theatrical productions in three time zones, including the

MADE IN TUCSON: FILMS FROM THE OLD PUEBLO

All Films in this Series Begin at 7pm Inside the UA Center for Creative Photography & are FREE to the Public Join faculty and students from the School of Theatre, Film & Television as we explore the history of lmmaking in Tucson! Ever since the days of silent movies, Tucson has been a key location for Hollywood lmmakers. The western was the most popular genre, naturally, with Old Tucson serving as the shooting site for dozens of classic lms, starring legends including John Wayne, Paul Newman and Kirk Douglas. But non-westerns were also lmed in Tucson, with lmmakers taking ad advantage of the beautiful desert environment and the unique architecture of the city itself.

Over the course of the year, we will move from classic westerns of the '50s to more contemporary hits. The Widescreen Wednesdays program features not only the screening of a complete feature lm, but a lively and informative introduction to each lm by a UA professor. Plus, a student from the Bachelor of Fine Arts in Film & Television will present one of his or her short lms!

A KISS BEFORE DYING Nov 4, 2015

ALICE DOESN’T LIVE HERE ANYMORE Feb 24, 2016

This suspenseful, Hitchcokian thriller is about a charming sociopath, played

by Robert Wagner, who seduces the heir of a mining dynasty (Joanne Woodward) in an attempt to get his hands on her inheritance. Filmed all around Tucson, including areas of campus and ar downtown, this lm is particularly exciting to Tucson residents.

Starring Ellen Burstyn in an Oscar-winning role as Alice Hyatt, a newly-widowed mother who decides to pack up and move to Monterey to restart her stalled singing career.

THE OUTLAW OUTL JOSEY WALES Mar 30, 2016

LILIES OF THE FIELD Dec 2, 2015

RAISING ARIZONA Apr 27, 2016

Sidney Poitier won an Oscar for his performance in this classic lm that was shot near Sabino Canyon.

Not shot in Tucson, but who can resist the Coen Brothers’ screwball comedy classic, set in Arizona?

Clint Eastwood plays the title character, a man who a refuses to accept that the Civil War has ended after his family is murdered by Union troops. This was the rst sign that Clint Eastwood was more than just Dirty Harry and the Man With No Name - he could also be a great director.

tftv.arizona.edu

PROFILES Pulitzer Prize-winning Water by the Spoonful. She would like to thank Parke for his support and the UA faculty for their mentorship and patience.

MmakesArt.com D. Josh Hemmo (Lighting Designer) – is excited to be designing for Arizona Repertory Theatre again! He is currently a senior in the BFA Design/ Technology program. Past Arizona Repertory Theatre credits include designing Lend Me a Tenor and Assistant Lighting Designer for The Full Monty and Oklahoma! Some professional credits include Lighting Designer for the Southern Arizona AIDS Foundation’s 12th Annual Möda Provŏcateūr Fashion Show, and most recently, resident Lighting Designer for Totem Pole Playhouse’s 65th season this summer in Fayetteville, PA. He would like to thank his girlfriend Hanna, his best friend Steven, and all his friends and family for their continued support and devotion. Most of all, he’d like to thank his team for all their hard work and dedication!

John Millerd (Sound Designer) – is excited and honored to be designing again at the Arizona Repertory Theatre. A BFA candidate in Sound Design and Technology, past UA credits include Sound Designer for Othello, The Glass Menagerie and Frankenstein, Audio Engineer for The Full Monty and Assistant Sound Designer for The Man Who Came to Dinner and Nine. Most recently, he was the Sound Design Apprentice for Theatre Aspen's Summer Repertory, working on their productions of Cabaret, Peter and the Starcatcher and Junie B. Jones. He would like to thank his friends and family for their continued support, as well as Amber, Garrett and Marcus for making Cabaret a perfectly marvelous time.

Ruth Richardson (Technical Director) – is a second-year MFA candidate in Technical Direction from Ada, OK. Her work at the UA includes Assistant Technical Director for Arizona Repertory Theatre’s production of The Full Monty and This.

Other work includes Technical Director of the Hallie Brown Ford Fine Arts Center, a three theatre rental, production and road house in Ada, OK, and Assistant Technical Director of Shakespeare and Company, a summer repertory theatre in Lenox, MA.

Fatimah Amill (Stage Manager) – is thrilled to be Stage Managing again at Arizona Repertory Theatre.

Her past Arizona Repertory Theatre credits include Stage Manager for A Midsummer Night's Dream, Deck Manager for The Full Monty and Assistant Stage Manager for Boeing Boeing. Most recently, Fatimah was featured as Stage Manager for the College Light Opera Company in Falmouth, MA. For their never-ending love and support, Fatimah would like to thank her Mom and Dad; her sisters, Thalia and Blanca; her friends, especially her coconspirators on this production John and Josh; and lastly, her boyfriend, Omar.

David Morden (Dialect Coach) – is an Assistant Professor at the School of Theatre, Film & Television, where he directed Lend Me a Tenor and Inspecting Carol for Arizona Repertory Theatre and Medea/Medea/Medea Redux for the UA Studio Series.

He is an Artistic Associate at The Rogue Theatre, where he has acted in and directed many shows.

As Dialect and Text Coach, he has worked with Arizona Repertory Theatre (Othello, The Fantasticks, Nine, A Midsummer Night's Dream), Arizona Opera, The Rogue Theatre, ACT Theatre and the University of Washington, among others. This past summer, David served as Voice and Text Coach for Santa Cruz Shakespeare (Much Ado about Nothing, The Liar, Macbeth). Internationally, he has performed and taught at Jagriti Theatre in Bangalore, India.

Chloe Loos (Dramaturg) – is a junior BA Theatre and Film Studies major and is so excited to have this opportunity to dramaturg an Arizona Repertory Theatre show, especially one as rich as Cabaret.

In addition, she has toyed with directing through the Honors College, most notably Brighton Beach Memoirs, as well as assistant directed through the UA Studio Series. She would like to thank her family and friends for supporting her, even though they couldn't imagine anyone wanting to do this much research.

Jonathan Daulby (Assistant to the Choreographer) – began his training in ballet, hip-hop and jazz at a very young age at multiple dance schools on the East Coast. After graduating high school, Jonathan attended the University of the Arts in Philadelphia, PA, where he received his BFA in Dance Performance (’12), receiving awards in creativity and outstanding service to the School of Dance. From 2012-2015, Jonathan was a full-time faculty member at the Grier School for Girls from all around the world in a professional dance training program. During the summer, Jonathan was Head of Performing Arts at Independent Lake Camp, an elite summer camp for ages 7-17. Currently, Jonathan is pursing his MFA in Dance from the UA.

~ ACTOR PROFILES ~ Lauren Bardon (Fräulein Kost) – is a senior in the BFA Acting program. Her previous Arizona Repertory Theatre credits include Emilia in Othello, Patti in The Full Monty, and Amanda Wingfield's understudy in The Glass Menagerie. She is incredibly grateful to Danny Gurwin for giving her this opportunity as well as being such a motivating influence over the last four years. She would also like to thank Monte Ralstin and Mike Padilla for

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Bing’s

PERFORMING ARTS LOUNGE

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Mister Bing’s Performing Arts Lounge revives the ambience of the 1930’s & 1940’s supper club, showcasing the most talented artists in the city, on select nights at 7pm. Check website for performance schedules, artists & venues.

A portion of what you contribute to see a Mister Bing’s production, called a Bing F.A.R.E. (Funding Artists Revolutionizing Entertainment), goes directly to the artists who perform & to our friends...like the UA Arizona Repertory Theatre & other local performing arts organizations.

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PROFILES helping her discover her voice. Thank you Mom, Papa Lee and the Graduating Class of 2016, who’ve have been there for it all.

Bryn Booth (Fritzie) – is a senior BFA Acting major and is thrilled to be dancing again with the same, inspiring directorial team she worked under when she made her debut with Arizona Repertory Theatre as Li'l Titch in Oklahoma! She was most recently seen as Bianca in Othello. Bryn recently understudied the roles of Lady Montague, Lady Capulet and Gregory in ATC's Romeo and Juliet.

Bryn's other credits include Justine in Arizona Repertory Theatre's Frankenstein and Alice in the Studio Series, Vinegar Tom. Bryn would like to thank the faculty of Arizona Repertory Theatre for constantly inspiring her to never stop creating, her family (and John) for their love and support, and God for his many blessings Liam Boyd ("Tomorrow" Soloist) – is 14 years old and attends 8th grade at Emily Gray Junior High where he is on the honor roll. Liam has been a member of the Tucson Arizona Boys Chorus for six years. As a result, he has had the opportunity to perform as a soloist with the TSO, the AZ Opera, the Tempe Arizona Wind Symphony, the UA Wind Ensemble and Choirs, and the Catalina Foothills High School Wind Ensemble. He was also selected to the ACDA National Honor Choir, and in January he will be performing the role of Amahl in the St. Philips in the Foothills production of Amahl and the Night Visitors. Liam is also an open champion and world level Irish Dancer.

story to life. Welcome!

Charlie Hall (Herr Shultz) – made his Arizona Repertory Theatre debut last season as Dave in The Full Monty and Fredrik in A Little Night Music. Mr. Hall dedicates his performance in loving memory of both his sister and father, and thanks the artistic team, cast and crew, Claire and his Mama for their endless support. Other credits include roles with the UA's Hanson Film Institute; opening for The Brian Setzer Trio; vocalist for Artifact Dance Project's 15-city tour of China; eight seasons with The Gaslight Theatre; alumni of Broadway Theatre Project, under the artistic direction of Ben Vereen; he co-stars in The Music of The Blues Brothers, with The Bad News Blues Band and is co-founder of Tucson’s powerhouse, 11-piece soul band, The Socials. MeetTheSocials.com Rhetta Kampel (Texas) –is a senior BFA Musical Theatre major and is titillated to be part of such a "sehr gut" show! Past Arizona Repertory Theatre credits include Marrell in This, Joanie in The Full Monty and the Attendant/Egeus u/s in A Midsummer Night's Dream. She currently can be seen in ATC's Disgraced as Jory, u/s. Thank you to 'my gang', Danny, Mark, Monte, Mike and the rest of the brilliant cast and production team. For Momma and Damon. “Follow your bliss.” To see pictures of her cat, follow her on Twitter: @xoRhetts.

Aubrey King (Hans/Officer/Sailor) – a BFA Acting

Chandler Corley-Essex (Eva-Hostess) – is currently a junior in the Musical Theatre program and is delighted to have finally made it to the big leagues (upperclassman-ship)! She most recently played the role of Osa in Arizona Repertory Theatre's A Little Night Music and also got the chance to understudy Georgie in last year's production of The Full Monty. She has also been seen as Maggie Jones in 42nd Street and Elizabeth Proctor in The Crucible.

"Big thanks to my professors, friends, and family for being such positive encouragements in my life."

Brett P. Dixon (Victor/Rudy) – is currently a junior BFA Musical Theatre major. He is excited to be a part of the cast of Arizona Repertory Theatre's Cabaret!

He previously understudied in four other Arizona Repertory Theatre shows as Marty in The Full Monty and Bertrand in A Little Night Music. Some of his past credits have been The Wedding Singer (Robby Hart), Les Miserables (Marius), Urinetown (Caldwell B.Cladwell), West Side Story (Riff), Godspell (Lamar), The Drowsy Chaperone (Man in Chair) and Aida (Radames). He would like to thank all his friends and family for their support!

Josh Dunn (Emcee) – is beyond excited to be a part of Cabaret. Josh is a junior pursuing a BFA in Musical Theatre and minor in Dance. He is so grateful to be in his fourth Arizona Repertory Theatre production. He was last seen in A Little Night Music as Henrik Egerman and The Full Monty as Ethan Girard. He would like to thank his family and friends for their unending love and support, as well as Danny and Mark for bringing this incredible

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PROFILES junior is excited for another show here at the Arizona Repertory Theatre! Past credits include Othello (First Officer/First Senator), Frankenstein (Henry, Metz, Schmidt u/s), Lend Me A Tenor (Max u/s) and Oklahoma! (Ensemble). He would love to thank his family, friends, professors, mentors and peers for all their encouraging support. Shout out to Tyler Reaser and Cera Naccarato and remember that "Life is a cabaret, old chum!"

Brian Klimowski (Clifford Bradshaw) – is currently a senior completing his BFA in Musical Theatre. Arizona Repertory Theatre credits include The Full Monty (Malcolm), A Little Night Music (Mr. Erlanson), Lend Me A Tenor (Max), Oklahoma! (Ike, Curly u/s) and The Fantasticks (Mute, El Gallo u/s).

Regional credits include West Side Story (Tony), Chitty Chitty Bang Bang (Potts), Spamalot (Lancelot), Sweeney Todd (Beadle), Spring Awakening (Herr Stiefel/Ulbrecht), Jesus Christ Superstar (Annas) and more, along with Romeo and Juliet (u/s Ensemble) at ATC last spring. Around the Tucson area, he also performs regularly with Mister Bing's Performing Arts Lounge as a cabaret singer and emcee. “A big thank you to my family and friends for your constant support and love. Love you all!”

BrianKlimowski.com Nicole Knox (Frenchie) – is ecstatic to be in her first show at UA! She previously attended the University of Wyoming, but didn't love the cold so she moved back to the sun. She is a sophomore BFA Musical Theatre major. Favorite credits include: Millie in Thoroughly Modern Millie (MCC Act I productions), Amber Von Tussle in Hairspray (Hale Centre Theatre), Katie in Swingtime Canteen (Snowy Range Summer Theatre), Lady Larkin in Once Upon a Mattress, The Secret Garden (Hale Centre Theatre), Middletown, I Love You...Now Change and An Evening with Ayn Rand. Love to my family, Rhetta, and Will!

Peace & love. Enjoy the show! @nickash95.

Keenan Larson (Ernst Ludwig) – Ernst Ludwig is Keenan's third role at Arizona Repertory Theatre, preceded by Lodovico in Othello and Peter Schmidt in Frankenstein. Keenan would like to thank his friend, Scott Murdock (playing Lloyd in Reckless), and his understudy, Colt Watkiss, for running both lines and miles with him in preparation for the show. Keenan also thanks you, the audience, for coming out to support the arts and education that went into Cabaret. Bitte geniessen sie die Schau!

Shira Elena Maas (Fräulein Schneider) – is a junior Musical Theatre major and a graduate of Interlochen Arts Academy. Shira is very excited to be on the Tornabene stage for the first time and have the opportunity to share this experience with such an amazing cast and crew! Her favorite past roles include, but are not limited to, Paulette (Legally Blonde), Pinkalicious (Pinkalicious), Gigi (Miss Saigon) and Josephine March (Little Women). Shira would like to thank her teachers, family, friends and pets for all their love and encouragement along the way. She would also like to give very special thanks to Danny, David, Monte, Mark and Mike for all of their help and support through the rehearsal process. Shira would like to dedicate her performance to her family.

Ali Wood Moser (Sally Bowles) – is a junior in the Musical Theatre Program and is very excited to be making her Arizona Repertory Theatre debut in Cabaret. This summer, Ali studied at the The Stella Adler Conservatory in New York. In her spare time, Ali stays busy acting in various local film projects.

A big thanks to Max, Taylor, Kristina and all of my friends and family for your love and support.

Marissa Munter (Lulu) – is a sophomore Musical Theatre major and Business Administration minor from Valencia, CA, and is thrilled to be making her Arizona Repertory Theatre debut! Some of her favorite roles include Elle Woods (Legally Blonde) and a ballerina in Kopit and Yeston's Phantom.

“A huge thank you to Danny and Mark for this opportunity and to my friends and family for all their love and support!”

Matthew Osvog (Herman/Max) – is ecstatic to be making his main stage debut for Arizona Repertory Theatre. Matthew, a sophomore Musical Theatre major, was most recently seen making his regional debut as Eddie Birdlace in Dogfight at Farmer's Alley Theatre. Other favorite credits include Tony in West Side Story, Conrad Birdie in Bye Bye Birdie and Jud Fry in Oklahoma! He is a member of the Actors' Equity Membership Candidacy program. He would like to thank his parents and stepdad, the BFA class of '18 and the cast and crew of this incredible show.

Taylor Pearlstein (Helga) – is a junior BFA Musical Theatre major from Seattle, WA. She made her Arizona Repertory Theatre debut last spring as Anne in A Little Night Music. This summer, Taylor studied at the Stella Adler Studio of Acting in New York, and also made her NYC debut in Carner and Gregor's Barely Legal Showtune Extravaganza!. Big thanks to her parents, Danny, Monte, and the cast and crew of Cabaret. Willkommen, and enjoy the show! Original music at taylorpearlstein.com.

Ahren Victory (Rosie) – is ecstatic to be living la vida Cabaret as Rosie with Arizona Repertory Theatre! She spent her summer dancing in the Point Park International Summer Dance Intensive where she was able to take class from a multitude of instructors and was fortunate enough to perform in both Rob Priore and Dan Karasik's pieces. Her past credits include Desdemona u/s and Third Lady in Othello, DeLacia and Justine u/s in Frankenstein, the Comely Starlet in the film The Creep Behind the Camera, Fastrada in Pippin, Demeter in CATS, and other credits not listed. Ahren would like to thank her family, friends and mentors for their continual love and support! Peace, love, harmony and enjoy the show!

Austin Wright (Bobby) – is a senior BFA Musical Theatre major originally from San Diego, CA. His past Arizona Repertory Theatre credits include: Othello (Duke of Venice), The Full Monty (Teddy), Oklahoma! (Ensemble & Will Parker u/s) and The Fantasticks (Bellomy). Austin is the Vice President for the co-ed theatre fraternity, Theta Alpha Phi, here on campus. He would not be here today without the best family anyone could ask for and sincerely thanks all of the faculty (and Mark) for their constant support and dedication to his learning and growth as an actor and a human being.

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SPECIAL THANKS TO OUR SUPPORTERS

Production Sponsor Barefoot in the Park

Jane Kivel + Campbell, Yost, Clare & Norell, P.C. Production Co-Sponsors Cabaret

Production Sponsor The Comedy of Errors

Lyn Tornabene &

SHAWN EDGAR & ASSOCIATES

Production Co-Sponsors Reckless

Pat Engels & Richard Medland

The Jacqueline Anne Morris Memorial Foundation

Production Sponsors The Tempest

Production Sponsor RENT

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MARRONEY CIRCLE OF FRIENDS

The Marroney Circle of Friends, formed in 2002, C of is a special group of donors who have shown a significant financial commitment to the Theatre program of the School of Theatre, Film & Television.

In return, the School offers the "Marroneys" opportunities to share in the process of its academic and creative work. For more information or to become a Marroney Circle of Friends supporter, please contact (520) 626-2686 or marketing@cfa.arizona.edu.

Special thanks to this important group of donors:

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F

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Anonymous • Norma Arnow • Cindy Ashton • Ann Blackmarr • Patricia S. Ballard • Doris & Len Coris • Laura & Arch Brown • Fern Feder • Ron Frantz • Genie & Paul Gengler • Jo & Jules Harris • Marcia & Jay Iole • Natalie Ireland • Jane Kivel • Maria & George Knecht • Gloria Knopf • Greg Knopf • Ruth & Ron Kolker • Shook Yap & Kwan Lee • Coty Meloy • Ron MacBain • Frances Moore • Bill Neumann • Judy Ranzer • Jane Reedal • Theresa Hersh & Rocco Santangelo • Rica & Harvey Spivack • Pete & Ed Steinhoff • Shirley & Ted Taubeneck • Victoria Terzano

THANK YOU TO OUR DONORS Over the years, the Theatre Program has enjoyed a rich tradition of philanthropy.

Donations help attract talented students and faculty and support our mission to provide professional training and education to students through an outstanding production program.

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With deep gratitude we acknowledge those whose significant and ongoing gifts have transformed the lives of students and faculty.

Patricia S. Ballard • Linda D. & Elias Barzilai • Joanne & Bill Bennett • Ann & Neal* Blackmarr • Laura & Arch Brown • Elizabeth & Richard Burns • Donna & Dr. James M. Byers III • Campbell, Yost, Clare & Norell, P.C. • Esther N. Capin* • Chapman Automotive • Susan & David Cone • Doris & Len Coris • Carol Cowan • Sally & Ralph Duchin • Pat Engels & Richard Medland • Paulette & Joe Gootter • Peggy Haines* • Josephine & Jules Harris • Harris Private Bank • Susan Jackson* • Linda & Joseph Jenckes • Jim Click Automotive Team • Debbi & Jeff Kirkpatrick • Jane & Lee* Kivel • Susan W. & Bernard R.* Kornhaber • Patricia Kraisman • Mrs. Peter Marroney* • Barbara Molotsky • Jacqueline Anne Morris Memorial Foundation • William B. Needham* • Sylvia & Andrew Norell • Drs. James & Shirley O’Brien • Mary & David Parnell • damon Patton* • Cindy Ashton Rounds & G. Starr Rounds • Wanda R. Roy • SaddleBrooke Performing Arts Group • Rica & Harvey Spivack • Petricia & Edward Steinhoff • Candy & Les* Stephens • Shirley & Ted Taubeneck • Edith Ann Taylor* • Lyn Tornabene • Sharon & Albert Tucci • Bobbie & Don VandeGriff • JoAnn & John Vosskuhler • Patricia Williamson* • Harvey M. Young* We are pleased to acknowledge the following donors who made contributions between July 1, 2014, and June 30, 2015. $10,000+ Laura & Arch Brown • Elizabeth & Richard Burns • Wilfred Bychinsky* • Wanda R. Roy* • Lyn Tornabene • Patricia H. Williamson* $5,000-$9,999 Sally & Ralph Duchin • Pat Engels & Richard Medland • Paulette & Joe Gootter • Jane Kivel • The Jacqueline Anne Morris Memorial Foundation $1,000-$4,999 S. Alexis Manufacturing/Artwear • Anonymous • Cindy Ashton & G. Starr Rounds • Patricia S. Ballard • Jeannette & Robert Barnes • Linda & Bob Berzok • Barbara & William Bickel • Donna & James Byers • Meg & Paul Cajero • Campbell, Yost, Clare & Norell, P.C. • James Carter • Arlene & Edward Cohen • Doris & Len Coris • Shawn Edgar & Associates • Stephanie & Tom Eiff • Beatrice & Samuel Ellis • Josefina & Raul Gonzalez • Gootter & Associates • Josephine & Jules Harris • Martin L. Heilbraun • Susan W. Kornhaber • Gloria Linden • Muscular Dystrophy Association • William T. Neumann • Sylvia & Andrew Norell • Mary & David Parnell • Judy Ranzer • Raytheon Company • Myrna B. Silver • Petricia & Edward Steinhoff • Shirley & Ted Taubeneck • Bobbie & Don VandeGriff • Jennifer Willis & Kathryn Rowen • Jo Ann Zirkle $500-$999 Anonymous • Joanne & Bill Bennett • Ann Blackmarr • Julie Cohn • Carol & James Elliott • Genie & Paul Gengler • Kathy & Michael Hard • Richard Hardy • Terry Hersh • Marsha & Sidney Hirsh • Joan & Jim Horwitz • Marcia & Jay Iole • Marcelle & Leonard Joffe • Karen & Chuck Jonaitis • Maria & George Knecht • Greg Knopf • Kathy & Walter Kutscher • Linda & Steven Laden • Diane & Jerry McAllister • Frances Moore • Janet Moore • Caren & Thomas Newman • Lucy & Leland Pederson • Katharina Philips & Sheldon Trubatch • Denise & Thomas Pothoff • Vivi & Adib Sabbagh • Mary & Joseph Sciabarra • Alice & William Singer • Rica & Harvey Spivack • Lorraine & Adolph Stern • Victoria Terzano • Sharon & Albert Tucci • Margy & Scott Vaughan

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William Brammer • Anne Britt • Laurie & Bruce Brockman • Jane Brown • Marvin Brown • Tom Burke • Kathleen & William Burnett • Susan & Douglas Butler • Mary & John Carhuff • John Carroll • Susan Chaikin • Barbara & John Churchill • David Cillo • Robert Claassen • Kristine & Earl Cohen • Wanda K. Coil • Rose Collins • Carole & James Cornell • Bradley Daughtry • Augusta Davis • Anna Don & Michael Belton • Dennis Dorgan • Terry & Peter Downey • Adrienne Drell & Franklin Nitikman • Helen Edmond • Frances & Roy Emrick • Patricia & John Escher • Lillian Essex • Bryan Ewing • Pilar & Joseph Fabula • Patty & Fred Farsjo • Fern & Edward Feder • Bridget Flanagan • Ronald Frantz • Friendship Villas at La Cholla, LLC • Hildreth Garb • Gail and William Garrison • Julie Gibson • Gabriele Gidion • Kay & Ed Goss • Gretchen & Carl Goswick • Kaye & Phil Gray • Jane Greer • Louisa & Jim Guise • Trudy Haggard • Cirla & Steven Hans • Richard T. 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We greatly appreciate the support of all of our donors. To make a tax-deductible contribution to the Theatre Program of the School of Theatre, Film & Television, please contact the Marketing & Development Office at (520) 626-2686 or marketing@cfa.arizona.edu, or write your check to UAF/Theatre and mail to UA School of Theatre, Film & Television, P.O. Box 210003, Tucson, AZ 85721-0003. *In Memoriam

THEATRE POLICIES House Policies: Please turn off watch alarms, mobile phones, pagers, and all other electronic devices. Food, beverages and smoking are not permitted inside the theatre. The use of cameras or recording devices of any kind are strictly prohibited. Children five and under and strollers are not permitted inside the theatre.

Seating Policy: Productions begin on time. Generally, each theatre will open for seating 30 minutes before curtain. There is no late seating.

Refunds: Tickets are non-refundable. All ticket sales are final.

Emergency Messages: Physicians and other patrons expecting emergency calls during a performance are asked to leave their paging devices with the House Manager.

Lost and Found: Lost and found items will be reported to the Fine Arts Box Office at (520) 621-1162. **Video and/or audio recording of this performance by any means whatsoever are strictly prohibited**

Congratulations to the cast & crew of

Cabaret

Book by Joe Masteroff Based on the play by John Van Druten and Stories by Christopher Isherwood Music by John Kander Lyrics by Fred Ebb

Jane Kivel -andCampbell, Yost, Clare & Norell, P.C. Cabaret Production C0-Sponsors

THE

STUDIO SERIES presents

this

a devised piece by melissa c. thompson

heart in my mouth is called home

$7 All Seats | tickets.arizona.edu | 520.621.1162 8pm Nov 19-21, 2015 | 2pm Nov 21 & 22, 2015 Harold Dixon Directing Studio | UA Drama Building, Room #116

THEATRE PROGRAM FACULTY & STAFF ADMINISTRATION

FACULTY Mr. Bruce Brockman, Director of School Mr. Peter Beudert, Univ. Distinguished Professor Mr. Kevin Black, Assoc. Professor of Practice Dr. Kevin J. Byrne, Assistant Professor Ms. Miranda Crispin, Assistant Professor Dr. Harold Dixon, Professor Emeritus Ms. Deanna Fitzgerald, Associate Professor Mr. Brent Gibbs, Associate Professor Mr. Danny Gurwin, Assistant Professor Mr. Richard T. Hanson, Assoc. Professor Emeritus Mr. Patrick Holt, Associate Professor Mr. Ted Kraus, Assistant Professor Dr. Frank LaBan, Professor Emeritus Ms. Jenny Lang, Assistant Professor of Practice Dr. Jessica Maerz, Assistant Professor Ms. Claire Marie Mannle, Post Graduate Fellow Mr. Matthew Marcus, Instructor Dr. Laura McCammon, Professor Emerita Dr. Bobbi McKean, Associate Professor Mr. David Morden, Assistant Professor Mr. Monte Ralstin, Professor of Practice Ms. Elaine Romero, Assistant Professor Ms. Clare P. Rowe, Associate Professor Dr. Melissa C. Thompson, Assistant Professor Mr. Albert Tucci, Director & Professor Emeritus Mr. Richard W. Tuckett, Associate Professor Dr. Patricia VanMetre, Associate Professor Emerita Mr. Jeffrey L. Warburton, Associate Professor Mr. David Weynand, Post Graduate Fellow Ms. Dianne J. Winslow, Professor Emerita Mr. David Yarnelle, Adjunct Instructor

THEATRE PROGRAM ADVISORY BOARD

School Director & Producer Associate Director Artistic Director Managing Director Advising Services Asst. to the Director for Admin.

Business Manager Office Specialist

Bruce Brockman Jeffrey L. Warburton Brent Gibbs Jenny Lang Christina Swanson, Jeffrey L. Warburton Justine Collins Stacy Babler Marissa Owens

GRADUATE STUDENTS Eve Bandi, M. Erdman, Amy Sue Hazel, Julio C. Hernandez, Alyssa M. LeBlanc, Angela McMahon, Leah Mednick Foley, Jack Meng, Elly Mikula, Ken Phillips, Andrea Pratt, Ruth Richardson, Sam Kate Toney

PRODUCTION Production Manager Technical Director Assistant Technical Director Lighting Supervisor Costume Director Costume Shop Manager Costume Design Advisor Paint & Properties Supervisor Sound Supervisor Dramaturgy Supervisor Assistant Musical Director

Jenny Lang Ted Kraus Tony Cordaro Deanna Fitzgerald Richard W. Tuckett Maryann Trombino Patrick Holt Clare P. Rowe Matt Marcus Elaine Romero Mike R. Padilla

MARKETING & AUDIENCE SERVICES

Marketing & Development Dir. Lisa Pierce Marketing Specialist, Assistant Kristina D. Gonzales Bill Neumann (President), Jo Ann Zirkle (Vice Outreach Coordinator Bobbi McKean President), Julie Cohn (Secretary), Cindy Ashton, Fine Arts Box Office Manager Charles Cannon Carol Elliott, Joan Horwitz, Leonard Joffe, Assistant Box Office Manager Megan Gerrish Tim Kelly, Greg Knopf, Linda Laden, Kwan Lee, Box Office Staff Thomas Alcaraz, Ben Atwell, Caren Newman,Tom Pothoff, Myrna Silver, Vanessa Campo-DeLos Santos Ed Steinhoff, Tony Terry, Victoria Terzano Sequoia Fischer, Miles Fujimoto, Tim Giblin, Maryam Gilpatrick, Isaac Gotlieb, Life Members Julia Kaser, Naveed Khosraviani, Pat Ballard, Walter Kutscher, Mary Parnell, Amanda Koenig, Colter Ogden, Lillian Rosenzweig Kaitlyn O'Kane, Maya Patterson Brianna Ragels, Matt Soden Associate Members House Managers Thomas Alcaraz, Ben Atwell, Bill Bennett, David Cone, Doris Coris, Taffie Eiff, Miles Fujimoto, Maryam Gilpatrick, Joe Gootter (Past President), Ken Greenfield, Julia Kaser, Amanda Koenig, Jo Harris, Jane Kivel, Gloria Linden, Schuyler Lininger, Colter Ogden,Brianna Ragels Sharmin Pool, Judy Ranzer, Vivi Sabbagh, Season Graphic Designers Whitespace Design & Ted Taubeneck, Don VandeGriff Ed Flores Photography