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TPA Program: Katie Bender, Rude Mechs, Vanessa Anspaugh

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Katie Bender: Instructions for a Séance

Apr 16–19

TPA Rehearsal Room

Rude Mechs: Not Every Mountain

Apr 17–19

B. Iden Payne Theatre

Vanessa Anspaugh mourning after mornings

Apr 17–19

East Side Performing Arts

Katie Bender: Instructions for a Séance

Proud Sponsor

Welcome to Texas Performing Arts!

Thank you for joining us for our Spring 2026 Texas Performing Arts Season. Curated with a focus on artistic excellence and boundary-defying creativity, we are excited to bring you international superstars, Austin icons, and trailblazing creators in the months ahead.

I’m especially looking forward to welcoming back celebrated artists and companies such as renowned pianist Lang Lang and the legendary Alvin Ailey American Dance Theater. To complement those artistic titans, several original new works will be developed in residence at TPA. These adventurous productions include Robin Frohardt’s Shopping Center of the Universe, a follow-up to her acclaimed 2022 immersive installation The Plastic Bag Store. Austin’s Rude Mechs will revisit their mesmerizing Not Every Mountain as part of the Fusebox Festival in April. And that’s just the beginning—I hope you’ll explore the full season at texasperformingarts.org.

The 25/26 Performing Arts Season enhances our Broadway in Austin series and our Texas Welcomes lineup of concerts, comedy, and family entertainment. We truly have something for everyone— I invite you to be inspired by live performance with us all season long.

On with the show!

Photo by Matt Wright-Steel

Beyond the Performance

At TPA, we believe in the unique power of live performance to uplift, connect, and create community and we ensure that our engagement with the arts reaches far beyond the stage. Each year, thousands of students and Central Texas residents participate in TPA’s educational and outreach programs, including School Day Performances, workshops, masterclasses, and pre- and post-show talks. By offering an array of transformative experiences, we aim to inspire people of all ages and enhance the role of the performing arts in Austin.

Our 25/26 season is in full swing, featuring an extraordinary lineup of must-see live performances along with numerous opportunities to engage with and learn from our visiting artists. Here are just a few highlights from this past season:

In October, TPA hosted its second free School Day Performance of a Broadway musical, welcoming 3,000 enthusiastic students from across Central Texas to The Outsiders at Bass Concert Hall.

Company members from Chicago’s Manual Cinema led a hands-on workshop for UT theater students featuring an overview and demonstration of their methods, followed by a group activity in which students created short scenes using those techniques.

The Miró Quartet visited the Austin Soundwaves Invitational Festival at Northeast Early College High School, performing for local students and answering questions during a full day of music-making.

Cast members of the new play Stuntboy, In the Meantime paused to capture the excitement of their School Day Performance, snapping a selfie in front of an energized audience of Austin-area students.

As part of the Austin engagement of the Broadway musical The Outsiders, TPA collaborated with Little Free Libraries to distribute 50 copies of the classic book and a chance to win tickets, inviting the community to share in the power of theatre and storytelling.

Raise the drama. Raise the curtain. Raise a glass

The Heller Awards for Young Artists—Austin’s Tony Awards® for High School Musical Theatre—are moving to TPA in 2026!

The Heller Awards for Young Artists (HAYAs) are moving to TPA, the home of Broadway in Austin, and will become a permanent program beginning this season. The HAYAs ceremony will take place at Bass Concert Hall on May 6, 2026.

This highly anticipated annual event celebrates the exceptional talents of high school musical theatre students and educators across the Greater Austin area, while also fostering the next generation of Broadway performers. What began with 19 participating schools in its inaugural year at the Long Center for the Performing Arts has since expanded to include 37 schools— and continues to grow.

Modeled after the Tony Awards®, the HAYAs honor the entire high school musical experience, on and

off the stage. Awards are presented in 19 categories such as best production, lead and supporting performers, and technical design. Through TPA’s membership in the Broadway League, the winners of lead actor and actress at the HAYAs go on to the National High School Musical Theatre Awards, also known as the Jimmy Awards. These students join top students from other U.S. regional programs to perform on a Broadway stage in New York City and participate in a week-long training intensive with notable theatre professionals.

Ready to make a difference for the next generation of performers? Contact support@texasperformingarts.org or call 512.232.8567.

Photo by Henry Huey
Support for the Heller Awards for Young Artists and participation in the Jimmy Awards is provided by H-E-B and H-E-B Tournament of Champions, Heller Awards for Young Artists Endowment, the Marcia L. Nelson Endowment for High School Musical Theater Awards, Marc and Carolyn Seriff Endowment for High School Musical Theater, the Cipione Family Foundation, and the Heller Awards for Young Artists Executive Producers: Andrew and Mary Ann Heller, Bettye Nowlin, Heather Petkovsek, Carolyn and Marc Seriff, and an anonymous donor.

Sharing Joy

A gift from longtime Texas Performing Arts members Bill and Anita Cochran enriches the lives of thousands of Austin-area children.

The William and Anita Cochran Endowment for Performing Arts Access and Education supports performances by nationally recognized artists for students from elementary through high school. With their gift, the Cochrans are helping Texas Performing Arts continue to be one of the nation’s highest-impact live arts organizations.

You can support Texas Performing Arts, like the Cochrans, through your will, trust or estate plan to share the joy of vibrant performing arts programming for generations to come.

Call 800-687-4602 or email giftplan@austin.utexas.edu for more information.

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ART BEYOND THE STAGE

Discover works from Landmarks’ collection at Bass Concert Hall

Photo
Landmarks’ mobile tours
provided by Sheri Clark Henriksen.
Koren Der Harootian Prometheus and Vulture, 1948
Photo by Paul Bardagjy

Texas Performing Arts and Fusebox present:

Katie Bender: Instructions for a Séance

Media Sponsor:

CREATIVE TEAM

Director: Lily Wolff

Set Design: Leilah Stewart

Sound Design: Bryce Riggle

Light Design: Rachel Atkinson

Production Assistants: Ivan Masterson and Madeline Ramsey

Stage Manager: Kay Newkirk

Consultants: CB Goodman and Jared Kopf

Production Supervisor: Mika O’Dwyer

PRODUCTION HISTORY

Developed with support from ScriptWorks Revision Resource funding. Find more information about ScriptWorks at scriptworks.org

This play was developed with the support of Playwrights’ Center.

Instructions for a Séance received a workshop in the Alley Theatre’s 2023 Alley All New Festival Rob Melrose, Artistic Director Dean R. Gladden, Managing Director

Originally produced by Amphibian Stage Productions in Fort Worth, Texas; Kathleen Culebro, Artistic Director; Jay Duffer Co-Artistic Director.

SPECIAL THANKS

Fiore, Luci & Frances, Sean and Leilah, Jesse and Diana. Zack Fine, Liz Frankel, OKC Rep Theater. Eric Colleary*. The Harry Ransom Center. Kirk Lynn. The Stotzer Family. Bianca A. Hooi. Mika O’Dwyer. Ashton Bennett Murphy. Karen L. Maness.

*No artifacts were harmed in the making of this séance.

ABOUT THE ARTIST

Katie Bender (she/her/hers) is a playwright, performer, and theater maker. Her plays include Judith, SHE WOLF, The Survivors/Los Sobrevivientes, Howling, Texas, and The Optimizers. Katie’s work has been developed and produced all over the country, including Hyde Park Theater, ZACH, The Alley, Shrewds, EST, Kitchen Dog, The Playwrights’ Center, LAUNCH PAD, Fusebox Festival, THT Rep, New Harmony Project, ACT Theatre, All For One Theater, Urbanite, OKC Rep, and Amphibian Stage. She is the co-creator of Underbelly, with whom she created ecstatic site-specific performances such

as Slip River which received the Critics’ Table Award for Best New Comedy. Her play Judith received the B. Iden Payne Award for Best New Script. Katie was a Jerome Fellow and a Core Writer at The Playwrights Center. She received her M.F.A from The University of Texas. She’s thrilled to be working with director Lily Woff and the incredible team of Austin-based artists on Instructions for a Séance.

Production credits and information in these program notes are provided by the touring production. Where opinions are expressed, they are those of the performers or the production, and do not necessarily reflect the views or positions of Texas Performing Arts, its sponsors and affiliates, or The University of Texas at Austin.

Central Texas’s Tony Awards® for High School Musical Theatre

May 6, 2026 7 pm | Bass Concert Hall

Tickets On Sale Apr 15

Participating Schools Akins

The College of Fine Arts O’Donnell Visiting Artist Endowment, Texas Performing Arts, and Fusebox present:

Rude Mechs: Not Every Mountain

Support for this presentation of Not Every Mountain is provided by the College of Fine Arts O’Donnell Visiting Artist Endowment. Rude Mechs is supported in part by the City of Austin Economic Development Department and the Texas Commission on the Arts.

Media Sponsor:

Created by Rude Mechs

Writing: Kirk Lynn

Scenic Concept/Design: Thomas Graves

Original Music and Sound Design: Peter Stopschinski

Direction: Thomas Graves & Shawn Sides

Lighting Design: Brian H Scott

Costume Design: Aaron Flynn

Stage Management & Asst Direction: Madge Darlington and Tina Van Winkle

Performers:

Crystal Bird Caviel (Reader)

Mari Akita • Alexandra Bassiakou Shaw • Thomas Graves

Kevin Jacaman • Kelsey Oliver • Chester Tsai (Builders)

Music played live by Peter Stopschinski

THE ORIGINAL TEAM(S) WHO HELPED CREATE THIS SHOW:

Mari Akita • Alexandra Bassiakou Shaw • Crystal Bird Caviel

Eva Claycomb • Pete Dahlberg • Thomas Graves

Kevin Jacaman • Sheena Jason • Jennifer Kidwell

Derek Kolluri • Tyler Kosmak • Josef Kristofoletti

Jasmine Kurys • Panda Landa • Kelsey Oliver • Kari Olmon

Olivia Plath • Peter Stopschinski • Vincent Tomasino • Kelsey Vidic

Special thanks to Carra Martinez, Ron Berry, Tina Van Winkle, Austin School of Film / Motion Media Arts Center, The Guthrie Theater, and The University of Texas at Austin Department of Theatre and Dance

ABOUT THE ARTIST

Rude Mechs is an Austin-based theater collective that creates genre-averse original theatrical productions peppered with big ideas, cheap laughs, and dizzying spectacle. What these works hold in common are the use of play to make performance, the use of theaters as meeting places for audiences and artists, and the use of humor as a tool for intellectual investigation. The Rudes tour these performances nationally and abroad; and run Crashbox, a rehearsal / performance / workshop

warehouse. Be on the lookout for new Rude original workshops and premieres in the coming months: Drill in June, the Our Town project (title TBD) in November, and solo works I Am Brothers and Farewell in December.

Production credits and information in these program notes are provided by the touring production. Where opinions are expressed, they are those of the performers or the production, and do not necessarily reflect the views or positions of Texas Performing Arts, its sponsors and affiliates, or The University of Texas at Austin.

Rhiannon Giddens

May 2, 2026 | Bass Concert Hall

Rhiannon Giddens is a Pulitzer Prize–winning, two‑time GRAMMY Award–winning artist whose work continues to redefine American folk music.

Photo by Matt Leddo

APR 17–19, 2026

The College of Fine Arts O’Donnell Visiting Artist Endowment, Texas Performing Arts, and Fusebox present:

Vanessa Anspaugh mourning after mornings

Support for this presentation of mourning after mornings is provided by the College of Fine Arts O’Donnell Visiting Artist Endowment.

CHOREOGRAPHIC COLLABORATORS:

1st iteration of the piece premiering at New York Live Arts

2023: Anna Azrieli, Rebecca Serrell, maura nguyen donohue, Laura Osterhaus, Jo Warren, C

Anthony-Green, Umechi Born & Pia. Scenographer Kathy Couch.

Sound Design Collaboration: Soraya Odishoo and Leslie Allison. Early inspiration with collaborative project Funerals for the Ocean with Asher Woodworth.

SOUND DESIGN:

Soraya Arjan Odishoo (she/they)

COSTUME DESIGN:

Rebecca Serrell with additional work by Ani Lee and the Yellow Fringe piece by designer Jess Feury

MUSICIANS:

William Paladino

Matthew Garcia

Jace Byrd

Troy Mackabee

Andrew Stine

Owen Clark

COLLABORATING PERFORMERS:

Aslı Bülbül is a NYC based dancer, actor, choreographer originally from Istanbul.

She performed with Bill T. Jones/

Arnie Zane Dance Co. for a decade after which she joined Nature Theater of Oklahoma for their epic work; Life and Times. Currently a freelance performer, she has been lucky enough to work with some of her favorite directors including Martha Clarke and RoseAnne Spradlin and Annie B. Parson.

She is very exited to be part of this beautiful work by Vanessa Anspaugh and get to sweat with her one and only Leah Cox.

C Green (they/them) is a Vermont/NYC based farmer, choreographer and poet. Originally from Brooklyn, NY, they received a BA from Middlebury College as a joint Dance and Theater major. Their work is empty and spacious—but grounded in a strong, flowing and gestural performance of embodiment that reflects the fear, vigor and intensity of the world today back out as order and clarity. They established a performance series in their town titled CRIT, collaborated with design artists on a performance for a gallery opening for Playing House in New York City and worked with the Concentric Circles cohort in Burlington to produce new work. They feel so grateful to have gotten to work with Vanessa Anspaugh and this team to create mourning after

mornings and look forward to bringing this work to new audiences.

Leah Cox (she/her/hers) is a dancer, maker, and educator. She is Group Therapy’s lead creator and solo performer, and the co-founder of makegroup. Leah is also Associate Professor of Dance at The University of Texas at Austin. She is the originator of experimental workshops that gather people together to discover new possibilities for themselves and their professional pursuits. Her most recent workshop, Failure Collective, cultivates presence, collaborative agility, and analytical savvy to advance innovation for participants in any field or life endeavor.

Cox’s previous projects and positions include: dancer/ collaborator in Liz Lerman’s Wicked Bodies; dancer with the Bill T. Jones/Arnie Zane Company; Dean of the American Dance Festival; Education Director for New York Live Arts; and member of the New York Dance and Performance Awards (The “Bessies”). Her choreographic work has been presented at CRASHBOX, Bard College, the Cool NY Festival, DUMBO Dance Festival (Brooklyn), the Museum of Art and Design (NYC), and the 92nd Street Y (NYC).

Love Muwwakkil is a freelance performer, teacher and choreographer based in Austin, Texas, receiving her BFA from UNC Greensboro and MFA in Dance and Social Justice from UT Austin. With an extensive background in performing and teaching, some highlights of her career include serving as rehearsal Director and company member for Urban Bush Women, Houston Grand Opera world premiere opera Intelligence, HAIRSPRAY with Royal Caribbean, contemporary pole dance company The Pulse project, rehearsal director with Gesel Mason Performance Projects and Taylor Mac’s 24 Decade History of Popular Music. Currently she is a member of KDH Dance based in Austin, TX and an Urban Bush Women BOLD Facilitator. Recently selected as a resident artist for The Big Medium + The Line residency, Love is excited to continue imaging new worlds through the moving body.

Laura Osterhaus is a movement artist and educator, born and raised in the Midwest. Across all modes of creating, she strives to connect with and listen to people. Laura received her M.F.A. in Choreography & Performance from Smith College and her B.A. in Dance from the University of Minnesota.

Throughout her years of dance education, Laura had the opportunity to work with choreographers Nora Chipaumire, Gregory Dolbashian, Maurya Kerr, Garth Fagan, and Chris Aiken among others. As a member of Zenon Dance Company in Minneapolis 2016–2019, Laura performed the work of Kyle Abraham, Stephanie Batten-Bland, Michelle Boulé, Danny Buraczeski, and Sam Kim, to name a few. Laura is a member of creative trio, Kelvin Wailey, in addition to her on-screen and live performance roles alongside musical artists for John Mark Creative. She is the artistic director of Slo Dance Company. Her most recent performances include Vanessa Anspaugh’s mourning after mornings, Contempo Physical Dance and the Volksoper Opera in Vienna, Austria. Laura is a member of Kia the Key & Company and assistant to the artistic director Shakia “The Key” Barron. Laura is an educator at Bates Dance Festival (YDI).

Jo Warren is a New York based artist whose work intersects at the body as a site of potential and as a tool of resistance. In their time in New York, Jo has shared original work at AUNTS, The Performance Mix Festival, Judson Memorial Church, the Exponential Festival, The Brick

Theater and at Socrates Sculpture Park through Pioneers Go East Collective. Their work has been described by Culturebot as “operatic” and as “subtly campy and hilariously queer” by the Brooklyn Rail. Jo has had the pleasure of performing with artists such as Lisa Fagan, Sarah Michelson, Beth Gill, Anna Sperber, the LAVA acrobatic dance company and Vanessa Anspaugh. They are part of the original and touring cast of Faye Driscoll’s Weathering.

Soraya Arjan Odishoo (she/ they) is from New York City. They have been a composer for work at Jacob’s Pillow, the Brooklyn Museum, and Dixon Place, among others. They were sound designer and composer on Company SoGoNo’s bird suite and Polybe + Seats’ Anna Asli Suriyah. A certified Recovery Coach they practice @ A Little Thunder Coaching. Arjan Odishoo released their first podcast, Where is Everybody, about re-imagining connections in uncharted territories.

DIRECTOR/ CHOREOGRAPHER:

Vanessa Anspaugh (she/her) was born in Los Angeles CA in ’79 where she was raised amidst landscapes of great paradox, both wild and human made. She

has since spent the better part of the last almost three decades as a dance artist rooted in New York City (and now the greater east coast) where most of her opportunities have taken place. As a performer, Anspaugh has been influenced by her early work as a performer with Taylor Mac, Faye Driscoll, Juliette Mapp, Aretha Aoki, MGM (Biba Bell and Jmy Leary) and collaborations with visual artists such as, SWOON, Every Ocean Hughes, & filmmaker, Amber Bemak. She is a two-time Bessie Award Nominee for both Most Outstanding Choreographer (mourning after mornings) and Most Outstanding Production (The End of Men). Her work has been commissioned and presented by The Joyce Theater, New York Live Arts, Danspace Project, DTW, The Kitchen, The Rubin Museum, The Bates Dance Festival, The River to River Festival, The NY Sculpture Center, among others. Her work has been written about in multiple periodicals such as The New York Times, The New Yorker, Art Forum, The Brooklyn Rail, The Huffington Post, The Movement Research Journal, and academic journals, such as Theatre Survey. Anspaugh has moved about as a visiting teaching artist at a number of

colleges, most recently creating a piece with some amazing students from UT Austin this last fall. Anspaugh is thrilled to share her work in the Fusebox Festival and to be getting to work with such incredible artists: both former, new and many incredible local collaborators. Thank You Austin. vanessaanspaugh.com

KIDS:

Brantley Cleven is no stranger to the big stage. He made his Theatrical debut in Lin Manuel Miranda’s “In the Heights.” He performed as part of the Munchkin cast in the “Wizard of Oz” with Summer Stock Austin. Brantley’s film debut was in “Dance Dad’s” with Charlie Barnett. He studies dance at Balance Dance Studios and attends Sycamore Springs Elementary.

Juniper Norman-Wolfe is a passionate 12-year-old dancer who loves storytelling through performance. She started dancing at age two, competing by age five, and is currently a member of Verge Dance Collective and UGK hip hop crew. Juniper trains extensively in ballet, contemporary, jazz, hip hop, and tap. Known for her quirky artistry and risk-taking style, she has earned numerous dance awards.

Performing since age two, Paloma O’Dwyer is a versatile artist with a foundation in competitive dance and musical theater. Known for blending technical precision with emotional intentionality, she is currently a member of Verge Dance Collective. Beyond the stage, Paloma is a dedicated vocalist and creative collaborator who brings a refined technique and passion for collective projects to every performance.

SPECIAL THANKS:

Thank You Erin Gentry & Lynn Metcalf for showing me what true Texas (+Queer) hospitality feels like. BTW Lynny’s 12th Street is the best breakfast EVER. lynnysatx.com/12th. Thank You

Laura Gutierrez, Bob, Bobby & Ron for the opportunity to share this work. Thank You Leah Cox for continuing to support me and my work in so so many ways. Thank You Janet Wong & Bill T.Jones for the initial commission of this work along with the support from Shoni Currier & The Bates Dance Festival. Thank You to the initial collaborators (listed above) who were with me at the very beginning of this project. It wouldn’t be what it is without you guys.

Production credits and information in these program notes are provided by the touring production. Where opinions are expressed, they are those of the performers or the production, and do not necessarily reflect the views or positions of Texas Performing Arts, its sponsors and affiliates, or The University of Texas at Austin.

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Texas Performing Arts Staff

LEADERSHIP

Bob Bursey, Executive & Artistic Director

Bianca Hooi, Executive & Artistic Project Manager

Priscilla Perales, Assistant to the Executive & Artistic Director

PROGRAMMING

Bobby Asher, Director of Programming

Brendan Burke, Programming Manager

OPERATIONS

Sean Thorne, Managing Director

Cameron Weed, Human Resources Manager

Nathan Harper, Facilities Manager

Tara Vela, Project Manager

Kristi Lampi, Director of Business Operations

Leigh Remeny, Business Operations Manager

Basil Montemayor, Business Operations Associate

Kat Carson, Senior Event Manager

Talia Graves, Event Manager

Alexander Reindl, Event Manager

Mia Spidel, Emerging Arts Professional, Programming & Events

MARKETING & SALES

Dane Munson, Director of Marketing & Sales

Romina Jara, Associate Director, Marketing

Brady Dyer, Associate Director, Communications

Lizzie Choffel Cantu, Design Manager

Erica De Leon, Digital Marketing Manager

Lindsey Sageser, Marketing Associate

Madison Tran, Design & Media Associate

Josh Klotzbach, Group & Student Sales Manager

Twyla Mitchell, Director of Ticketing

Dianne Whitehair, Ticketing Systems Manager

Elizabeth Requenez, Ticketing Services Manager

Alex Baylor, Ticketing Manager

Meredith Delay, Texas Inner Circle Ticket Concierge

Sereniti Patterson, Emerging Arts Professional, Ticketing

DEVELOPMENT

Anna Langdell, Director of Development

Jeannette Thomas, Director of Major Gifts

Amy Burgar, Associate Director, Development

Chelsea Casner, Development Specialist, Major Gifts

Miguel Robles, Development Specialist, Operations

Sara Morales, Development Specialist, Membership and Sponsorship

EDUCATION & ENGAGEMENT

Tim Rogers, Director of Education & Engagement

Eric Vera, Education Program Manager

Aubrey Felty, Education & Engagement Program Coordinator

Insha Iqbal, Emerging Arts Professional, Education & Engagement

PRODUCTION

Blake Addyson, Director of Production

John Lewis, Production Supervisor

Mika O’Dwyer, Production Supervisor

Gianna Woods, Assistant Production Supervisor

Drew Millay, Audio/Video Supervisor

Bryce Riggle, Assistant Audio/ Video Supervisor

John “Hutch” Hutchinson, Assistant Audio/Video Supervisor

Camryn Senioris, Lighting Supervisor

Tracy Abercrombie, Assistant

Lighting Supervisor

Brooke Dickerson, Assistant

Lighting Supervisor

Travis Perrin, Staging & Rigging Supervisor

Audrey McGovern, Assistant Staging & Rigging Supervisor

Jessie Mikolaichik, Assistant Staging & Rigging Supervisor

GUEST EXPERIENCE

Blake McDonald, Director of Guest Experience

Amanda Adams, Associate Director, Guest Experience

Kourtney Johnson, Guest Experience Manager

FABRICATION & ACADEMIC PRODUCTION

Jeff Grapko, Director of Fabrication & Academic Production

Karen Maness, Associate Director, Fabrication

David Tolin, Project Manager, Fabrication

Jason Huerta, Fabrication Technical Manager

Scott Bussey, Senior Technical Director

Earnest Mazique, Academic Production Technology Manager

Ashton Bennett Murphy, Properties Manager

Hank Schwemmer, Lead Fabricator

Bridgette Clifford, Scenic Charge Artist

Eliot Haynes, Assistant Audio/ Video Supervisor, Academic Production

Michael Shanks, Assistant Lighting Supervisor, Academic Production

Leah Austin, Emerging Arts Professional, Stage Properties

Julia Yelvington, Emerging Arts Professional, Scenic Art

Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.

House Managers

Dina Black

Megan Born

Virginia Bosman

Margaret Byron

Nancy Carrales

Sally Deweber

Sheri Dildy

Janine Dos Remedios

Amy Fuchs

Tony C Garcia

Joshua Hale

Leslie Hawkins

Carlos Hernandez-Heine

Olga Kasma-Carnes

Tamara Klindt

Sharon Kojzarek

Eric Lee

Lara Miller

Adrian Pena

Kimberly Reaves

Student Employees

Charlotte Adair

Juno Adair

Joe Adkins

Justin Aguilar

Andrea Alarcon

Daniela Albert

Cassandra Amaya

Kaleb Aziz

Evelyn Becerra

Madhav Bhat

Valeria Blanco Perez

Juliana Brandao

Audrey Buckley

Jose Calvillo

Hayley Carbajal

Jacob Cardenas

Sophia Carter

Eugenio Chapa-Galvan

Lilly Cheesar

Marie Jolie Day

Ava Deviney

Ally Dolley

Griffin Drake

Amanda Earp

Mariah Espocito

Sarah Jayne Ewing

Eric Fan

Jenny Garcia

Erin Glasscock

Dariela Gonzalez

Mia Guerra

Sarah Hartley

Catherine Heemann

Gabriela Hernandez

Alisa Irvin

Madison Jackson

Joe Jaxson

PJ Jetton

Brooks Johnson

Bindi Kaplan

Riley Knecht

Ariel Lagunas

Dylan Lebensfeld

Codie Lightfoot

Jacqueline Mai

Anapaula Martinez-Borrell

Regina Mendiola

Joe Morales

Jessica Reed

Lee Rodgers

Mary Ruiz

Gracie Sanders

Andrea R Stanfill Castro

Debra Thomas

Leah Waheed

Marty Watson

Tonya Woods

Mirabai Munton

Rachel Norris

Valeria Nunez Estrada

Lily Orozco

Jocelyn Parks

Zoya Patel

Blake Persyn

Haley Prince

Breanna Pruitt

Kenneth Qu

Frederick Richardson

Olivia Ring

Jose Salcido

Zoe Saldana

Val Sandoval-Lopez

Robin Schuler

Erin Simpson

Rain Snyder

Laura Soares

Aaron Sullivan

Nguyen Tang

Jaden West

Penny Lou Zimmerman

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TPA Program: Katie Bender, Rude Mechs, Vanessa Anspaugh by Texas Performing Arts - Issuu